View Printed Program - Sammamish Symphony Orchestra

TheSammamish Symphony,
!e,dby our Music Director/
ctor R. Joseph Scott,
the full-sized ensemble you
will enjoy hearing today.
R. Joseyh Scott
rs, we have had a
· ommitment to the
Sa~mamish
community. We
were incorporated in 1994 as
The. Sammamish Symphony
Orchestra Association, a
convenient and affordable
musical performances; and
tq promote involvement in
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th¢;irts by the young people •fG\
th~~ri-ounding communities
by making great orchestral
mus.I<=; readily accessible to all
ts, and by increasing
it's inusical literacy
Now in his eighth season as Music Director and Conductor of the Sammamish
Symphony Orchestra, R. Joseph Scott has been a vibrant force in the Northwest musical
community for over 39 years. Prior to joining the Sammamish Symphony, Mr. Scott founded
the Bellevue Philharmonic Orchestra and was their Music Director, Conductor and General
Manager from 1967 - 1997. He has appeared as Guest Conductor with numerous Northwest
musical ensembles, including Lyric Opera Northwest and the Bellevue Opera, and has conducted world premiers of works by Alan Hovhaness, Vaclav Nelhybel and regional composers.
An accomplished instrumentalist, Maestro Scott performed as Principal Oboist and Principal
Tympanist with several regional orchestras and toured Europe twice with the Grande Ronde
Symphony. He has conducted concerts featuring a diverse array of artists , including Metro·
politan Opera star Roberta Peters; violinist Pamela Frank; Broadway Tony Award winner Anna
Maria Alberghetti; the Seattle Opera Chorus; the Empire Brass Quintet; and vocalists Maureen
McGovern , Lou Rawls and Marni Nixon.
Mr. Scott attended the University of Oregon School of Music and studied conducting with
Eugene Furst and Wolfgang Martin of the Portland Opera, Henry Holt of the Seattle Opera,
Mikael Scheremetiew of the Thalia Conservatory, and Vilem Sokol of the Seattle Youth
Symphony.
Orchestra Management
Board of Directors
Personnel
Joyce Cunningham
R. Joseph Scott
Myrl Venter
Mark Wiseman
Jim White
Cathy Grindle
Miranda Thorpe
Dennis Helppie
Andy Hill
Jonathan Feil
Cheryl Pflug
David Irons
Janet Barry
Skip Rowley
Dennis Helppie
Dennis Calvin
Jonathan Feil
Daniel Halsey
Andy Hill
Shannon Nelson
Cail Ratley
Miranda Thorpe
Linda Wiseman
Mark Wiseman
Founding Director
Music Director & Conductor
President
Vice President
Treasurer
Secretary
Director at large
Director at large
Director at large
Director at large
Honorary Board Member
Honorary Board Member
Honorary Board Member
Honorary Board Member
Marketing
Librarian
Asst. Lib. -brass
Asst. Lib.-violins
Asst. Lib.-low strings
Asst. Lib.-woodwinds
Concert Program
Cran ts
Co ncerto Contest
Webmaster
programs and performances
rThe
1
Sammamish Symphony Orchestra would like to thank Ivory Leininger for her
donation ofphotography used in the SSO season brochure and program cover!
~
2
.:
yrogram
Sammamish Symphony Orchestra
R. Joseph Scott, Music Director and Conductor
Sunday April 15, 2007 2:00 P.M.
SKYLINE LYCEUM THEATER,
SKYLINE HIGH SCHOOL
A Musical Aviary
Adrianna Hulscher, Violin
Julian Schwarz, Cello
Sammamish Symphony Orchestra Youth Concerto
Competition Winner
Gioachino Rossini
Overture to "The Thieving Magpie"
Ralph Vaughan Williams
The Lark Ascending
Romance for Violin and Orchestra
Adrianna Hulscher, Violin
Gordon Jacob
Passacaglia on a Well Known Theme
Intermission
Antonin Dvorak
Concerto for Cello and Orchestra
in b minor, Op. 104
Allegro (only)
Julian Schwarz, Cello
Igor Stravinsky
The Firebird Suite ( 1919)
Introduction
The Firebird and Her Dance
Variation of the Firebird
Round Dance of the Princesses
Infernal Dance of King Kastchei
Berceuse
Finale
Steinway piano provided by Sherman Clay, Bellevue, Washington
Please no audio/video recording or flash photography.
3
yrogram notes _ __
in the theater, supervised by
burly stagehands. They were
instructed to throw pages
i
REA LTY
of music out the window
Gioachino Rossini
Myrl Ve nter, PhD
to the director, as Rossini
( 1792-1868 )
REALTOR
wrote them , and if he didn't
Email: m venter@briorea!ty.com
produce music , they were to
Written in 1817, this
Direct : 425.417.0519
throw him out! Fortunately,
overture is memorable for its
Office: 425.285.0520 ext. 237
Fax:
425.285.0521
Rossini wrote well under
use of snare drums. Whil e
pressure , saying , "Nothing
not Rossini's most well known
primes inspiration more than
opera, Magpie contains some
2370 ·t30th Avenue NE• Su!te '!f}i}" Bellevue• WA* 9SOD5 • B88.39rt.1478 ~ ~
necessity."
of his most spectacular music.
In addition to the
The story is of a servant girl ,
Vaughan Williams to write
composer came relatively early
living in an afAuent household, distinctive snare drum section
Lark
. Written in 1914 for
in
his
career
and
he
occupied
an
in this overture , the piece
who is charged with stealing
unrivalled
position
in
the
Italian
violinist
Marie Hall , Vaughan
is filled with vibrant color,
a silver spoon. Just in the
music world during his time .
Williams was definitely
rhythmic vitality, and some of
nick of time , it is realized that
inspired by the poem with
the most exciting crescendi
the real culprit is the thieving
the same name written by
Rossin i ever wrote. Rossini
magpie , thus sparing the
THE LARK ASCENDING
George Meredith. He takes
wrote more than thirty
servant from prosecution.
his musical cues from the
operas as well as chamber and
The overture was
Ralph Vaughan Williams
words of the poem , beautifully
usually the last part of an opera sacred music. He is perhaps
(
1872-1958)
describing a bird in flight , e .g .
composed by Rossini , often on best known for The Barber
"to
lift us with him as he goes ."
of Seville and William Tell.
the night before the opening
Vaughan Williams is
Opera was a part of Rossini's
performance. In the case of
PASSACAGLIA ON A
life from the very beginning, as a central figure in British music
this overture, it was composed
WELL-KNOWN THEME
because of his long career as a
his parents performed in local
the day of opening. The
teacher, lecturer, and friend to
productions. His success as a
director kept Rossini locked
so many younger composers
Gordon Jacob
and conductors. His writings
( 1895-1984)
on music remain thought
provoking, especially his call
One of the most
for everyone to "make his own
respected British composers
Third Generation Violin Maker
music, however simple , as long
of the 20th Century, Gordon
as it is truly his own. "
Jacob had a great love of life
www.hkbviolins.com
Vaughan Williams'
and a desire to create music.
425.822.0717
music is characteristically
This was despite the trauma
English , like Holst and
and sadness of frontline action
Kirkland, WA
Butterworth . It sounds both
in World War I. His humor
and optimism stayed with
old and new at the same time;
him all his life , and can be felt
simple, yet timeless , lyrical ,
and nostalgic. His love of
in his music. He studied at
the Royal College of Music
English folk tunes is reflected
in his music. The Lirk Ascending
in London with Vaughan
is a popular piece, featuring a
Williams, among others. He
prominent solo violin part. This went on to lecture at RCM
piece has close similarities to a
for forty years , from 1924
traditional Chinese composition
until he retired in 1966. Jacob
admired his predecessors but
for the two-stringed erhu,
Now on the Eastside!
the Chinese equivalent of the
violin. It has been suggested
Sales Appraisals Repairs Rentals
that this piece may have inspired
Program notes continued on p.6
OVERTURE TO THE
THIEVING MAGPIE
H e nl' y 8ischofbergel' V iol in s
4
BRi
guest artists
)l.arianna Jfufscfzer
Violin
Violinist Adrianna Hulscher
is a graduate of the New
England Conservatory and
the Guildhall School of
Music and Drama in London .
Her teachers have included
Camilla Wicks, Yfrah Nea man , and Masuko Ushioda.
At age 16 she made her
orchestral debut after winning the Seattle Young Artist's
Festival. Other honors have
included performing in the
New England Conservatory
Honor's String Quartet and a
solo performance of Bartok's
1st Violin Concerto for the
Bartok International Conference in 2000. As a member of
the St. Helens String Quartet
she brings contemporary
chamber music to Northwest
audiences , and as a freelance
musician in the Seattle area she
performs in numerous groups
including the Pacific Northwest Ballet Orchestra and the
Seattle Violin Virtuosi. She
has also performed in many
studio recordings of movie
and video game soundtracks ,
including Brokeback Mountain
and Ghost Rider.
Julian Schwarz was born in
Seattle in 1991. At age 5, Mr.
Schwarz began piano studies
and at age six began his violoncello studies with the late
David Tokonogui . In 200 I , Mr.
Schwarz won the lnterlochen
Junior Concerto Competition , and made his conducting
debut with lnterlochen's Junior
Rowley Properties, Inc. and the new
Hilton Garden Inn Seattlel/ssaquah pro1ul(v
support the Sammamish Symphony
Orchestra and arts 011 the Eastside.
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RT l ES
Hilton Garden Inn Seattle/Issaquah
1800 N.W. Gilman Blvd. Just off 1-90 Exit 15 in Issaquah.
Opening early 2007.
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Ensemble that same year. He
also received three lnterlochen
Fine Arts Awards.
At age 11 , he performed the
Saint-Saens Cello Concerto
with the Seattle Symphony,
and at age 12 , he conducted
Tchaikovsky's Coronation
March with the Seattle Symphony at an annual benefit.
In 2004 , Mr. Schwarz attended
the California Summer Music
Jufian Schwarz
Cello
program , studying with Irene
Sharp. In 2005 , Mr. Schwarz
won the first David Tokonogui Memorial Award and
premiered his father's (Gerard
Schwarz) composition , "In
Memoriam," to great critical acclaim , "Julian Schwarz
played it remarkably well ,"
(Melinda Bargreen, Seattle
Times). He recently recorded
that work for the Naxos label.
Also that year, he attended the
ENCORE school for strings
studying under Richard Aaron ,
and in the summer of 2006
attended the Aspen Music
Festival where he was Principal
Cello of the film ensemble, a
member of the Aspen Festival
Orchestra , and studied with
Eric Kim , Principal Cello of
the Cincinnati Orchestra.
Mr. Schwarz has been a featured artist on the Belle Arts
Concert Series at the Kirkland
Performing Arts Center as
well as a regular performer
on the UW Barry Lieberman
and Friends series performing
chamber works with Mr. Lieberman , Maria Larionoff, Ani
Kavafian , Stephanie Chase,
Frank Almond , and David
Harding. He has regularly performed on the Seattle Symphony's Tiny Tots educational
programs , and has performed
in both the 2005 and 2006
Music of Remembrance Series
at Nordstrom Recital Hall.
Mr. Schwarz has performed in
many master classes, including those given by James
Kreger, Richard Aaron, David
Finckel , and Wu Han. He has
also been the winner of the
2006 Linda Sandell Chamber
Music Award , as well as the
first prizewinner of the 2007
Northwest Sinfonietta Competition . Of his performance
with the Sinfonietta, Bernard Jacobson wrote , "Julian
Schwarz is destined to rank
among the major cellists of the
21st century. Mark my words."
For many years, Mr. Schwarz
studied with Raymond Davis,
Principal Cello Emeritus of the
Seattle Symphony and currently studies with Toby Saks ,
Professor of Cello at the University of Washington. Mr.
Schwarz attends the Academy
of Music Northwest as well as
the Lakeside School.
Next season Mr. Schwarz
will return as soloist with the
Seattle Symphony Orchestra , as well as make his debut
with the Contemporary Youth
Orchestra in Cleveland.
5
Travel with someone you trust.
CRUISE ALASKA'S INSIDE PASSAGE WITH THE
SAMMAMISH SYMPHONY
July 14-21, 2007
Music Director/Conductor R. Joseph Scott and the Sammamish Symphony
invite you to experience a scenic journey through Alaska's ruggedly beautiful
Inside Passage. Ports include Juneau, Hubbard Glacier, Sitka, Ketchikan
and Victoria, B.C. Proceeds from the cruise benefit the Sammamish
Symphony. Additional amenities include: $50 on-board spending credit,
commemorative gift, hosted cocktail party and experienced AAA hosts.
SPACE IS LIMITED, SO DON'T DELAY - CALL FOR MORE INFORMATION!
Contact: Tina Vitolo-Kester
AAA Cruise and Group Department
(888) 735-0400 • (425) 646-2102
[email protected]
From
$13 34 per person
pieces in cello literature.
Dvorak was inspired to
write it after hearing Victor
Herbert play his own Cello
Concerto # 2 with the New York
Philharmonic in 1894. This
performance convinced him
that the cello was a viable solo
instrument. Now Dvorak's
Concerto is at the top of cello
literature due to its wealth of
melodic ideas and wonderful
orchestration. Two major
themes are presented by the
orchestra before the soloist
plays. The first theme ,
presented by the clarinets,
contains the principal melody
and signals the importance
of the wind instruments
throughout the work, and
their beautiful complement to
the sound of the cello. The
second movement is hymnlike, containing his own song
Let Me Wander Alone in My
Dreams (Opus 82, No. 1) as a
tribute to a dear friend who
was gravely ill. This song had
been a particular favorite of
Program notes continued
from p.4
didn't want to copy them. In
1953 , he arranged an updated
version of God Save the Queen
for the coronation of Queen
Elizabeth II.
By the time he died
at age 89 , he had written
over 700 pieces of music and
several books. Passacaglia
was written and performed
first in 1948. Written for
violin and viola , this piece is
inspired by the Baroque style
of music and dance. This
form of dance is delicate ,
graceful, and controlled. It
was popularized during the
French court of Louis XIV
and was the precursor to
ballet. Performing it was
an important part of social
li fe for the nobility. This
piece shows that Jacob was
more inspired by Classical
and Baroque style than by
Romanticism.
6
this friend , his sister-in-law. The
finale , Rondo , has a dance-like
nature, and the themes from
previous parts of the concerto
are recalled. The movement
closes with brass, a magnificent
finish for a magnificent concerto.
THE FIREBIRD SUITE
Igor Stravinsky
( 1882-1971 )
This cosmopolitan
Russian was named by TIME
magazine as one of the most
influential people of the
century. He was famous for his
compositions , as well as for
being a pianist and conductor.
His style is Neoclassic , and he
had stylistic diversity. Stravinsky
began piano lessons as a young
boy, but was completely
mesmerized by the orchestra at
a perfom1ance of Tchaikovsky's
Program notes continued on p.8
CONCERTO FOR CELLO
AND ORCHESTRA
Antonin Dvorak
( 1841-1904)
Born in a little
Bohemian village, Dvorak took
organ lessons and became a
church organist. He also played
viola in an orchestra conducted
by Smetena. Johaness Brahms
introduced him to a famous
publisher and helped him
qualify for an Austrian state
fellowship for artists. Dvorak's
Slavonic Dances launched his
career as a composer. He
taught composition at the
Prague Conservatory until
America beckoned with a formal
invitation to direct and teach
at the National Conservatory
of Music in New York. This
contract included conducting
eight concerts a year.
Concerto for Cello and
Orchestr<1 is one of the greatest
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yersonne{ _ _ _ __
Violin I
Viola
Bass
Clarinet
Tuba
Dennis Helppie ,
Concertmaster
Marianna Vail ,
Assistant Concertmaster
Sarah Anderson*
Sandy Anuras
Kristin Edlund
Jordan Firestone*
Joel Creen
Cecellia-Wendy
Ann Lee
Xiadan Li*
Lynn Martinell
Heather Raschko*
Darlene Rose
Haley Schaening
Ttm Strait*
Scott Selfon ,
Principal
Libby Landy,
Assistant Principal
Kerry Bollinger
Kathy Boudreau Stroud
Dan Pope
Angela Speckhardt
Lori Terpening
Barbara Thorne
Myrl Venter
Juanita Weaver*
Lyle Wilcox
Ericka Kendall ,
Principal
Troy Bailey,
Assistant Principal
Carolyn Horlor*
Paul Nelson *
Harmony Young
Nicholas Kosuk,
Principal
Kathy Carr
Mark Wiseman ,
Principal
Violin II
Daniel Halsey,
Principal
Feather Asmussen*,
Assistant Principal
Trish Brock*
Paula Chester
Anna Cho
Ttm Corrie
Shelby Eaton
Cathy Crindle*
Tanya Hardin
Fran Pope
Miranda Thorpe
Cello
Leslie Nielsen ,
Principal
Cail Ratley,
Assistant Principal
Shannon Cebron*
Andy Hill *
Shiang-Yin Lee
Loryn Lestz
Cal Meyers
Annelise Nielsen
Janet Pantoja*
James Poirson
Sandra Sultan
Flute
Paul Johnson*,
Principal
Craig Wende
Bassoon
Cary Claunch ,
Principal
Shannon Nelson
Percussion
Melissa Underhill ,
Principal
Tori Berntsen
Torrey Kaminski
Paul Johnson*,
Principal
Nathan Anderson
David Brooks
Chris Peterson
Jim Truher
French Horn
Evelyn Zeller,
Principal
Scott Code
Lydia Heaton
Nels Magelssen
Richard Merte
Piccolo
Torrey Kaminski
Piano/Keyboard
Oboe
Trumpet
Dennis Calvin ,
Principal
David Barnes*,
Co-Principal
Susan Jacoby* ,
Co-Principal
Kristine Kiner
Catherine Lowell
Jonathan Feil ,
Principal
Jim Bradbury*
Jeremy Jordan
Chris Weber
Harp
Tiffany Wirt,
Principal
*011
Scott Sellevold,
Principal
Matt Stoecker
member
993-2004
In memory of
Ellen Slifer
violinist
Bass Trombone
__,
Jim White
1
Lei.we of Absence
Trombone
English Horn
Kristine Kiner
Tympani
Are you interested in playing with us?
The Sammamish Symphony Orchestra is composed
of adult volunteer musicians
dedicated to performing concerts
and maintaining outreach programs
serving Eastside communities.
Rehearsals : Thursdays 7: 15-9:45 pm
~
Ticket Information
Tickets may be purchased
on the internet or by phone
1-800-965-4827
2006-2007
$15
$10
$1 0
$30
Free
Adult
Seniors (62&up )
Studwt ( i H 8)
Family
Children w & imder
Eastlake High School
Please call 206-517-7777 or go to
www.sammamishsymphony.org
For more ticket info call 206-5 i 7-77 77
or log on to www.sammamishsymphony.org
Did you know? The Sammamish Symphony Orchestra can provide chamber music for your special party or occasion!
Add class to your event by calling 206-5 i 7 - 7777
7
concert season _ _ __
Program notes continued from p. 6
Sleeping Beauty. Committed
to writing for the orchestra,
Stravinsky went to Paris for the
premiere of The Firehird Suite, and
went on to live in Europe for
the next forty years.
After losing his wife
and daughter to tuberculosis ,
and with the onset of World
War II , he moved to America.
At age 58 , this was a difficult
transition. His life encompassed
most of the 20'h Century, and
moved through the many
modern music styles. His
music continues to inAuence
young composers today.
Stravinsky has a star on the
Hollywood Walk of Fame ,
and posthumously received
the Grammy award for
Lifetime Achievement in 1987.
Beginning with Firebird , many
of Stravinsky's works were
commissioned, and he was paid
generously. He was truly a
man of the world and enjoyed
performing and relaxing in
many of the world's major
cities.
The Firebird Suite is
based on a Russian folktale and
is about a magical, glowing
bird that is both a blessing
and a curse. The composer
collaborated on this piece
and numerous others with
Dighilev, next to whom he is
buried in Venice. Firebird was
Stravinsky's break-through
piece. In the story, Prince Ivan
enters the magical realm of
Kashchei the Immortal. All the
magical objects and creatures
in the realm are represented by
chromatic , descending motifs ,
usually in the strings.
The Sammamish Symphony Orchestra
Concert Season
2006-2007
Concert V - &k Er'~ &>~
Sunday, June 10, 2007 2:00 pm
Eastlake High School
Would you like to join the
Plans are currently underway to form a League to
support the Sammamish Symphony.
Those who join will have the opportunity
to support the symphony by attending concerts,
parties, receptions, and volunteering.
If you are interested in becoming a
?g},a/de/I' o9Jtiknbor would like more information,
please contact:
~
PREBEN HOEGH-CHRISTENSON
425-313-1659
8
contributors
We are seeking donations from supporters like you to help us sustain and expand our programs. Please join the generous individuals and organizations
who have provided support to enable us to make the music our audiences love to hear. All contributions are tax-deductible. Please contact one of our
representatives about how you can help.
To the Many Supporters of the Sammamish Symphony Orchestra. THANK YOU!
Acknowfelgements
Many people have worked together to
make our community orchestra
possible.
They have given of their time, talent and
energy and have made the
2006-2007 season possible.
To you we say a special thanks.
Preben and Ruth Hoegh-Christensen
Publicity
Dita Hagen
Flower Arrangements
Joyce Cunningham/Providence Point
Equipment Storage
Eastlake High School
Facilities, Recording
Sherman Clay
Piano
Robin Holland
Program Design
Trinity Lutheran College
Bellevue Christian School
Rehearsal Space
Janis Orrico
Program Notes
Safeway/Albertson's/Tully's
Klahanie Starbucks and Krispy Kreme
Refreshments
Dave Pitt/Beaver Lake Middle School
Perrnssion Equipment
Mark Wiseman
Benefactor ($500 and above)
City of Sammamish
Corbis-Bettman
Eastside Arts Partnership
· Elements of Design
Issaquah Arts Commission
King County 4Culture
Microsoft Corporation
Rowley Enterprises
David Campbell
Andy and Lori Kill
Preben and Ruth Hoegh-Christensen
Timothy Corrie , Jr. and Sherri Zucker
Dita Hagen
Nicholas Kosuk
Estate of Eleanor Nein
Kevin and Lynne Martinell
Cail Ratley
Skip Rowley
Scott and Meredith Selfon
Glenn and Susan Scott
Donald Shearer
Meg and Roger Smith
David Van Moorhem and Kenneth Morse
Don and Marianna Vail
Herman and Myrl Venter
Sponsor ($100-499)
Amgen
Applied Digital Photography
Bischofberger Violins
Boeing Company
Hilton Carden Inn
John L. Scott
Sleep-Aire
Starbucks
String Instrument Specialists
Amy Asbury and Kevin Rogers
John and Janet Barry
Debbie and Henry Bischofberger
Matt Cosand
Neal Ferguson and Marjorie Hamlin
Angela and Bruce Cale
Don and Sue Cerend
Rita Hara
Paul and Robin Holland
Kathy and Warren Huckabay
Philip and Susan Kliavkoff
Mara Lippa
Ted and Lenore Martinell
Rosemary Michaels
Karen Middaugh
Colin and Denise Miller
Leslie Nielsen
Michael Raschko
W.B. Slifer
Barb Thorne
David and Miranda Thorpe
Dorothy Tierney
Jeff and Sandy Torrey
Jim White
Mark and Linda Wiseman
Kris and Mike Woerner
Evelyn Zeller and Nels Magelssen
Supporter (under $100)
Albertsons
Sammamish Safeway
Joy and Randall Alston
David Barnes
Sunny Brennan
Maria and William Burke
Paula Chester
Twila Demenzes
Ian Edlund
Kristin Edlund and Ken Rosenow
Marvin and Mary Ann Fleming
Joel Green
Robert and Cathy Grindle
Patricia Hebner
Dennis and Sherry Helppie
David Hewitt
Brett Hicks and Jill Nichols-Hicks
Lori and Steve Hollasch
John Jendrazak
Judy Johnson
Glenn Lestz
Wilma Luttermoser
Cenine and Scott McKorkle
Debra and Richard Merte
Jose andJanet Pantoja
Tracey Pascoe
Dan and Fran Pope
Web page
Paul and Robin Holland
Recording Engineers
We also would like to acknowledge all
the other orchestra members' donations
and the anonymous donations so generously placed in our donations box. We
also appreciate all the people who buy
season tickets.
The Sammamish Symphony Orchestra Association (SSOA) is a Non-Profit Corporation under
Section 501 (c) (3) of the Internal Revenue Service.
For further information, contact the Sammamish Symphony Orchestra Association: P.O. Box
1173, Issaquah, WA 98027. Http://www.sammamishsymphony.org • (206) 517-7777
9
"THERE ARE STILL SO MANY BEAUTIFUL
THINGS TO BE SAID IN C MAJOR."
[)
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