Here - Los Angeles Museum of the Holocaust
Transcription
Here - Los Angeles Museum of the Holocaust
Los Angeles Museum of the Holocaust ANNUAL REPORT 2010/2011 1 Celebrating Y EARS 0 5 of education and commemoration And the first year in our new home 2 Our MISSION STATEMENT LOS ANGELES MUSEUM OF THE HOLOCAUST HAS A TWOFOLD MISSION THAT HAS REMAINED CONSTANT SINCE ITS INCEPTION IN 1961: COMMEMORATION AND EDUCATION COMMEMORATION LAMH dedicates itself as a primary source institution, one that commemorates those who perished and those who survived by housing the precious artifacts that miraculously weathered the Holocaust era. EDUCATION LAMH provides free Holocaust education to the public, particularly students from under-funded schools and underserved communities. We guarantee dialogue with an actual survivor, a living embodiment of history. 3 from the PRESI DE NT I want to thank all of our supporters for making this year, the Museum’s 50th, and the first in our new building, such a wonderful success. I have been spending a lot of time lately down at our new Holocaust museum. It is incredibly moving for me to see how the place has just come alive. Nothing touches me more than seeing people from different backgrounds engrossed in our exhibits, studying the artifacts or the pictures on the walls, and listening intently to the audio guide explanations. These people are truly learning about the Holocaust in our Museum. They come in knowing very little, and emerge visibly affected by what they have seen. We have accomplished so much in our first year. Attendance at our free museum has increased fivefold to about 30,000 per year. We have seventeen docents and twenty-three Holocaust survivors giving tours and speaking to groups on a daily basis. When I come to visit the museum, I consistently see people enthralled by the exhibits, using the audio guides and exploring the interactive touch screen devices. We have won numerous awards and accolades this past year. Nearly every major architectural magazine in the world has featured our museum— the latest ones to do so were published in Italy and Taiwan. Our innovative technology won gold and silver medals from the American Association of Museums, beating out such museums as the Getty, the Reagan Library and the National Museum of American Jewish History. The New York Times reviewed us favorably. EXECUTIVE DI RECTOR Dear Friend, In the past year the Museum made tremendous strides fulfilling its dual mission of Holocaust education and commemoration. The story is told in part by the sheer number of groups and individuals who visit the facility, by the quantity of survivor lectures given, and by the boundless efforts of the many volunteers detailed in this report. We have a dedicated staff that is devoted to our important goals. The significance of our efforts exists also in the very fabric of the Museum itself. In this unfolding story, I see where we stand as a society and as individuals more than 60 years after the Holocaust ended. Our frenetic but disciplined activity in the past year shows the tremendous commitment our community has made to trying to keep the history of the 20th century from repeating in the 21st. We wouldn’t experience our successes if there wasn’t a public drawn to us. Individual visitors come, I believe, to participate in the journey of history captured within our exhibits, the memorial Monument, the Goldrich Family Foundation Children’s Memorial, the Garden of the Righteous, and our rooftop contemplative space. I don’t believe any visitor can walk through our Museum without thinking about their own identities relative to the Holocaust. Letters With a lean staff of just ten people, as well as thirty-four interns and volunteers, we have managed to run a world-class museum that has set a new standard for excellence in Holocaust education. I am so proud of what we have accomplished already, and look forward to even more great things in the coming year. E. Randol Schoenberg, Board President from the Whether Jewish or a member of the many other victim groups, or whether non-Jewish, the Museum experience provokes visitors to question how one might have acted 65 and more years ago. The answers our visitors tell themselves helps them emerge from the Museum thinking about how they can be better in their roles today in their homes, their schools, and their communities. When we reflect on the past year, we may begin from a basic analysis of numbers and activities. But the end result of our reflection has to be our impact on those numbers, through those activities. This Annual Report tells that story. Yours sincerely, Mark A. Rothman, Executive Director 4 Our NEW HOME THE MUSEUM OPENED its stunning, award winning building in October 2010. The design integrates the building into the surrounding, open park landscape. Patrons begin their procession into the Museum at the drop-off adjacent to the park. Their approach is marked by sounds and sights of kids playing in the park and picnicking with their families. They descend a gentle ramp bordered by the Museum’s green roof. Glass walls on either side help them focus their attention; visitors experience the culmination of their transition from a playful and unrestrained public park atmosphere to a series of isolated spaces saturated with photographic archival imagery. The lighting of the interior galleries dims as the visitor steps down into the subsequent rooms. By the third and fourth rooms the ambient lighting becomes scarcer, leading visitors to the room entitled “Concentration Camps.” The ceiling is low, and the room is almost entirely illuminated by individual interactive video-monitors about the size of a notebook, limiting viewing to a single spectator. The visitor is now in the most isolated, darkest and smallest underground area in the Museum. The journey from this point forward is one of ascension and of finding the comfort of familiar space as floor levels begin to rise and natural lights begins to penetrate the interior once again. Visitors exit the Museum by ascending up to the level of the existing Monument, regaining the visual and auditory connection with the park environs. The Monument, six triangular pillars on which is inscribed a brief summary of the history of the Holocaust, offers the first of several opportunities presented to visitors to ponder and assimilate their experiences inside the Museum. The Garden of the Righteous, located near the Holocaust Monument, memorializes Righteous Gentiles. Several European nations committed to planting olive trees in the new Garden of the Righteous to acknowledge the miraculous efforts of those who saved Jews and other victims of the Holocaust. The Los Angeles Consulates from Germany, Austria, Belgium, the Netherlands, Croatia, Luxembourg, Switzerland, and Turkey are all participating in the Garden. On the building side of the Garden of the Righteous is the Goldrich Family Foundation Children’s Memorial. This memorial, an open-air room, features 1.2 million holes embedded into the walls. The holes represent the lowest estimate of the number of children killed during the Holocaust. Visitors are invited to inscribe their thoughts, reactions, wishes or prayers on small notes and insert them into the wall. The notes themselves bear the names and images of specific children, as a way to sustain the memory of those who do not have even graves. The building enjoys the environmental benefits of a green roof, including natural insulation from both heat and sound. The design is environmentally sustainable as it is a subterranean building. The roof top garden showcases ornamental native grasses such as blue grama, and climate appropriate grasses including esparto grass and pine muhly grass. The garden is totally organic and will be maintained without the use of chemical compounds. The building has received a Gold LEED rating – the national standard of sustainable architecture. Awards 2010-2011 ARCHITECTURE TECHNOLOGY MUSEUM American Architecture Award: American Association of Museums: #1 Museum in Los Angeles Museum of Architecture and Design, Chicago Athenaeum Gold Muse Award for Spatial Audio Guide American Institute of Architects: American Association of Museums: California Council, Design Excellence Merit Award Silver Muse Award for 18 Camps in Multimedia Installations Design Good Award: Museum of Architecture and Design, Chicago Athenaeum LEED Gold 2011 U.S. Green Building Council —MyFoxLA’s Hot List WEBSITE Pixel Awards: People’s Champ Non-Profit Website – Fastspot access Holocaust survivor testimonies. Videos and music enhance the visitor experience. Visiting the Los Angeles Museum of the Holocaust inspires our visitors’ examination of the socially and civically responsible choices in their own lives. Education at the Museum LOS ANGELES MUSEUM OF THE HOLOCAUST has been offering free Holocaust education to visitors, students and teachers for 50 years. The Museum’s School Program offers 4-12 grade students from public and private schools the chance to participate in school tours developed around the Museum’s rich collection and exhibits. Because the Museum is always free, LAMH serves many underfunded schools and underserved communities. LAMH school programs are designed to complement California schools’ curriculum. Since the new building opened in October 2010, our student numbers have increased dramatically. Our school tours started in January of 2011, and since then we have served over 5000 students from 100 different schools. We expect these numbers to grow significantly in the next year, and expand beyond the nearly 30,000 visitors in our first year. School tours are led by docents and Museum staff. This year, 10 new docents joined the Museum team. They attended a rigorous training, learning about Holocaust history and how to teach the subject in a Museum environment. An emphasis was placed on using our rich collection of artifacts and documents to assist students in understanding this very complex time in history. Our docents are encouraged to engage students in conversations and to create parallels between the lives of Jews and other victims of the Holocaust 70 years ago and their own lives in the 21st century. Museum educators and docents stimulate conversations and provide tools for students to approach this sensitive subject and understand its continuing relevance. Technology plays an important role in the visitor experience at the Museum. We integrate our state-of-the-art, award-winning audio-guides in our guided tours. Each visitor is given an audio-guide for free. This allows them to access a variety of information, different layers of knowledge and to take ownership of their individual museum experiences. Other interactive exhibits allow visitors and students to deepen their knowledge and understanding of the Holocaust. The World That Was table addresses issues of identity and key concepts such as anti-Semitism. By exploring the table, visitors learn about the rich and diverse identity of Jewish communities before the Holocaust. In the Camps Room, visitors learn from 18 interactive touchscreens detailing information about 18 representative concentration camps. The screens depict a tiny sampling of the thousands of concentration camps scattered across Europe. The screens allow visitors to Students and visitors also have the opportunity to meet Holocaust survivors, who share their compelling testimonies. This year, we welcomed four new members to our Holocaust survivor speakers group. Students and visitors are captivated and moved by these testimonies. It is a rare intergenerational exchange and also a unique opportunity to hear about the Holocaust from an eye-witness. Students and visitors leave inspired by the survivors’ strength of spirit, courage and resilience. They gain a renewed outlook on their own lives, with an enhanced awareness of the impact prejudice and compliancy have on humanity, and with stronger motivation to take an active role in their schools and communities. In anticipation of their visit to the Museum, Students created personalized t-shirts honoring their survivor speaker, Renée Firestone. Here they pose with Renée following their tour. 7 Through their experience in the Museum, students and visitors keep the memory of the past alive while creating a better future. We also continue working with our teacher community in Los Angeles. Our partner institutions include LAUSD, ADL, Facing History and Ourselves, Jewish Partisan Education Foundation, California State University Long Beach, and BJE. We have hosted and participated in a number of teacher trainings this year, exposing new teachers to the Museum and its resources. Our Educational programs also reach other partners in the Los Angeles Jewish community, among them are The March of the Living, Jewish Vocational Services and the Los Angeles/Tel Aviv twinning program. The Museum now offers free public tours that provide an overview of the Museum’s collection, exhibits and building. We also offer Focus Tours, short tours dedicated to one artifact or to a small collection. This year, visitors participating in Focus Tours learned about spiritual, armed and artistic resistance, music and the Holocaust, life in ghettos and concentrations camps, and acts of courage during the Holocaust. The Museum also offers daily Holocaust survivor talks to the public. “I am grateful for the wonderful tour of the Museum. What I found most interesting were the survivor stories from individuals who lived through it. I will keep them in my heart forever.” Every year, we have been fortunate to have a number of talented and motivated university and high school students volunteering and doing internships at the Museum. Students work in all Museum departments. They give tours of the Museum, help translate archival documents and greet visitors at the Reception desk. Students come to us from institutions such as UC Berkeley, UCLA, USC, Chapman University, Occidental College, University of Michigan, Dartmouth College, and Princeton University. Some of these students are inspired to continue their studies by doing a year abroad in Germany or getting involved in Holocaust education. For more information and to schedule a tour, please contact Ilaria Benzoni-Clark at [email protected], or call 323.651.9925. Following their tour, visitors are encouraged to go to the Goldrich Family Foundation Children’s Memorial to reflect on their experience at the Museum. There are 1.2 million holes in the walls of the Memorial to memorialize the children killed during the Holocaust. Visitors can write messages and thoughts on slips of paper and place them in one of the holes. One group of students left this heart in the Memorial made out of their messages, a symbolic representation of their time and reflections here at the Museum. Archive The Museum The history of our Archive is the history of the Museum and its Founders. Holocaust survivors, the former prisoners of ghettos and camps, began collecting their heirlooms, documents and artifacts for exhibition. Our Founders sought to use historical objects and records to teach the public what happened, and to commemorate their lost loved ones and their own suffering. As Zbigniew Gluza writes in the foreword to the new edition of the Ringelblum Archive: “No archival undertaking is able to save human lives. It can however, save its substance, and also—as in this case—human dignity.” Archival research is essential to Holocaust studies, education, and community awareness. Prior to its move to its new home, Los Angeles Museum of the Holocaust undertook a complete reorganization of its archives. We now provide scholars, journalists, filmmakers, and others a well-organized archival facility which is a core component of the entire museum. The Archive played a key role in supporting the development of the state-of-the-art exhibits in the new Museum. Because our new home allowed for increased displays, we had the opportunity to move many powerful, primary historical objects off the shelves of their climate-controlled room and into public view. Today the Archive contains seventyone record groups and many more sub-groups organized according to historical and archival principles. Even within one record group, a given collection often comprises narratives, photographs, artworks and various artifacts. The Archive provides an institutional foundation for maintaining and growing the Museum’s status as a world class research and educational organization, while contributing to the Museum’s uniqueness, specificity and authenticity. The Archival and Library departments accommodate the needs of scholars, researchers, students, and interested members of the public who may work with primary sources of the Holocaust era in particular and with the wide array of materials shedding light on the History of the 20th Century. a functional search system that will adequately search through the entire Archival Collection. A great many of our documents are digitized and available in PDF on the internal Museum network. Eventually, the Museum will create Los Angeles Museum of the Holocaust accepts donations of historical documents, artifacts and personal collections. Singing Behind the Barbed Wire: Camp Poetry in Polish opq For more information on the Museum’s Archive, contact Dr. Vladimir Melamed, Director of Archive, Library & Historical Curatorship, at [email protected], or call 323.651.2625. Cracow ghetto, Jewish policemen, second from the right, Simcha Spiro, head of the Jewish police. Bernd Steinitz, Address Notebook, first page 9 the museum library and collections of rare publications A s with the Archive, the history of our Library parallels the history of the Museum. Our initial donations came around the time the Museum opened with the first donations of documents and artifacts donated to the earliest form of the Museum, a memorial room at 6505 Wilshire Blvd. The first volumes for the library were also graciously given at the same time and today our library comprises around two thousand volumes. Our donated wartime and postwar Yiddish, Polish, German and English language publications are among the rarest documents in our special collections. The official opening of the Museum in 1978 spurred a new influx of donations to the library. Through the mid-1990s we acquired academic literature in English and in foreign languages, memoirs, fiction and also the world-renowned series of Encyclopedia Judaica, Encyclopedia of the Holocaust, Yad Vashem Studies, Archives of the Holocaust, and The Nazi Holocaust. We also received subscriptions to professional journals and bulletins of Holocaust studies. 10 Donations in the first decade of the 21st century consisted largely of individual recollections and testimonies in the form of memoirs. This was a time of significant change in the Museum, as it moved repeatedly amongst several locations. Library donations slowed, even as the Museum set the goal of establishing a permanent home. In 2010, the Museum opened its doors in its new location. E. Randol Schoenberg, President of the Museum Board, raised the Library’s quality significantly by purchasing and donating several hundred volumes of new publications on the history of the Holocaust, including video materials. Donations from others increased as well. At the end of 2010, under the direction of Dr. Vladimir Melamed and with the assistance of several volunteers and staff members, the Library embarked on a project to modernize, reorganize, and essentially recatalogue all materials in accordance with the Library of Congress standards. As a result of this careful and comprehensive project, today every item possesses a classification number of its own and is grouped accordingly. The online, searchable database allows for cross-referencing of items to allow for variant spellings of Anglicized versions of non-English words and the historic evolution of proper names. Foreign language searching can include the use of either diacritics or non-diacritic language. In short, the contemporary organization of our Library and the structure of its Search Catalogue allow researchers to find materials as if they were shelved at the Library of Congress or at most university or college libraries in the United States. Our Searchable Library Catalogue enables multiple-criteria search, namely by keywords, subjects, authors, titles and by the Library of Congress classification numbers. We regard our new search catalogue as a collective achievement and advancement in the Museum development. The search Catalogue for the Library is available on the Museum website. For more information on the Museum Library, contact Dr. Vladimir Melamed, Director of Archive, Library & Historical Curatorship, at [email protected], or call 323.651.2625. Technology in the Museum ments and photographs displayed in the Museum. The Holocaust Survivor experience is integrated in the Museum space through the use of photographs, artifacts, as well as video and audio testimonies. These testimonies bring the Museum displays to life and put a human face on the otherwise overwhelming and incomprehensible number of victims. The Museum’s multimedia experience allows visitors to learn about the Holocaust through the eyes of an individual that lived through it. The use of technology in our new space enhances the visitors’ experience and complements the Museum’s exhibits and artifacts, expanding and deepening the visitors’ understanding of the historical events and personal experiences of this time period. THE COMBINATION OF STATEOF-THE-ART EXHIBITS, increased access to original historical artifacts and the use of technology makes Los Angeles Museum of the Holocaust a powerful teaching tool for all those who visit. Visitors and students can tour the Museum with audio guides. Audio guides allow visitors to access different layers of information and provide a narrative to the wealth of artifacts, docu- The Museum’s new home includes technology designed by Miles Kemp’s Variate Labs and Potion Design. “The World that Was” interactive table helps visitors understand the rich and varied lives lead by European Jews before Hitler’s rise to power. Populated with photographs and biographical data collected by Central Europe Center for Research and Documentation, the table functions like a touch screen photo album. Images bubble up towards the table surface, as if emerging from a well of history. When visitors touch and drag the pictures to them, the pictures snap into place along the table’s edge. Narrative information about each photo appears, allowing visitors to learn about life in the voice of those who lived it. In another installation, 18 touch screens stand arrayed around the Camp Room exhibit. Each of these touch screens allow viewers to investigate one of 18 transit, concentration, or death camps. Each screen identifies its camp by name, and when visitors touch the screen they can sift through several categories of images and data. “I will never forget [her] story. It has changed my life. I will pass her story down to my children and I will let people know that the Holocaust should never be repeated.” –Visitor response to hearing a survivor’s story Museum Book Publications THEY SHALL BE COUNTED: The Theresienstadt Ghetto Art of Erich Lichtblau-Leskly Edited by Vladimir Melamed As a prisoner during the Holocaust, artist Erich Lichtblau-Leskly created stunning and sardonic colored-pencil drawings, dripping with gallows humor, that depict day-to-day life in Theresienstadt, the Nazi’s ‘show’ ghetto. They Shall Be Counted stands as the first and most comprehensive catalogue of Lichtblau-Leskly’s works and this catalog corresponds to our exhibit on this artwork currently on display. PORTRAITS IN BLACK & WHITE: Holocaust Survivors of Café Europa Photography by Barbara Mack Text by Jane Jelenko Portraits in Black & White captures the essence of remarkable survivors, many of whom pose with an object from their past. Simple objects like a mother’s glass, a thin cotton slip, or a crocheted doily add powerful and evocative layers to these stunning images. The brief biographies for each survivor reveal unforgettable details that accompany the stunning photographs. Both books can be purchased in the Museum bookstore and on amazon.com ATTENDANCE FIGURES 2010 2011 The Museum educated over 33,500 visitors in its new building from October, 2010 through the end of December, 2011. 7,125 students visited, 229 group tours were provided and 24,702 people came independently—not as part of a group. We were able to tell the story with 316 survivor lectures from 30 survivors and with the continued service of 34 interns and researchers assisting in the Museum library and archives. With the Museum‘s increasing visibility in 2012, we expect a dramatic increase in Museum attendance as well. Los Angeles Museum of the Holocaust STATEMENT OF FINANCIAL POSITION December 31, 2010 and 2009 ASSETS Current assets Cash and Cash Equivalents Investments – unrestricted Investments – restricted Inventory Account receivable Grant receivable Pledges receivable Prepaid expenses Total current assets $358,263$47,328 266, 700187,300 -4,453,557 1,55332,50050,000663,9261,293,300 80,07710,857 1,453,0195,992,342 Property and equipment – net Construction in process Archives Deposits 17,089,52827,930 -9,206,389 70,98011,2559,975 $15,236,636 $18,624,782 2010 2009 Increase due to completion of building construction 20102009 TOTAL ASSETS $18,624,782$15,236,636 LIABILITIES AND NET ASSETS Current liabilities Accounts payable Line of credit payable Accrued expenses TOTAL LIABILITIES NET ASSETS Unrestricted net assets Temporarily restricted net assets Total net assets TOTAL LIABILITIES AND NET ASSETS $447,537$505,019 650,000 1,649683 1,009,186505,702 16,811,6708,984,078 713,9265,746,856 17,525,59614,730,934 $18,624,782$15,236,636 Los Angeles Museum of the Holocaust 2010 For the Years Ended December 31, 2010 and 2009 Individuals $2,433,087 $5,000 $2,438,087 $3,954,295 232,545 825,000 1,057,545 217,500 Corporations 56,721 - 56,721 - 497,794 - 497,794 146,058 Special Events Affiliated Organizations Federal Grants TOTAL DONATIONS Investment Income (78,326) 28,550 - 28,550 - - - 63,233 32,616 3,120,722 830,000 3,950,722 4,335,376 1,508 2,875 - 2,875 (2,005) - (2,005) - 2,462 - 2,462 6,257 TOTAL REVENUE 3,332 - 3,332 7,765 Donated services 21,797 -21,797 TOTAL SUPPORT, REVENUE AND DONATED SERVICES 40,000 3,145,851 830,000 3,975,851 4,383,141 5,862,930 (5,862,930) - - 9,008,781 (5,032,930) 3,975,851 4,383,141 Net assets released from restriction Purpose restrictions accomplished TOTAL SUPPORT, REVENUE AND RECLASSIFICATIONS Archive (127,975)(127,975) Revenue Other income Fundraising TOTAL Foundations Loss on disposal of fixed assets 2010 TOTAL EXPENSES $1,181,189 RESTRICTED Donations Less: direct expenses* STATEMENT OF ACTIVITIES AND CHANGES IN NET ASSETS TEMPORARILY UNRESTRICTED 2009 Expenses Program Services Management Education Pan-Pacific Park - - - 143,860 136,542 - 136,542 96,430 82,521 - 82.521 96.317 710,674 - 710,674 245,441 929,737 - 929,737 582,048 Management 132,534 - 132,534 83,198 Fundraising 118,918 - 118,918 139,976 TOTAL SUPPORTING SERVICES 251,452 - 251,452 223,174 TOTAL EXPENSES 1,181,189 - 1,181,189 805,222 CHANGE IN NET ASSETS 7,827,592 (5,032,930) 2,794,662 3,577,919 Archives Education Museum Operations Museum Operations SUPPORT SERVICES PROGRAM SERVICES TOTAL PROGRAM SERVICES Supporting Services NET ASSETS, Beginning of the year8,984,078 5,746,85614,730,934 NET ASSETS, End of the year $16,811,670 $713,926$17,525,596 11,153,015 $14,730,934 * This amount is subtracted from the Special Events 15 MUSEUM DONORS $100,000+ Paul Laufer Bruce C. Corwin Leah Bergman Brandeis Group Michelle and Glenn Robson Larry Bamberger Donald T. Sterling Charitable Foundation Norman and Sadie Lee Foundation Cox, Castle and Nicholson LLP Brentwood Country Club Ruth and Lawrence Rosen Sherry Band $50,000 + Jeffrey and Allyn Levine DBA Four Seasons Landscaping Eva Brettler Jamie and Kenny Rosenblood Baptist Christian School Jennifer Levitt Keith and Jackie Elkins Beth Chiappetta Sonja Rosenwald Nina and Howard Barsky Lodzer Organization John and Karen Fishel Carl and Aviva Covitz Louis Rothman Terry and Lionel Bell Aniko Lorber and Dr. Marvin Rice Odile Evile Grady Harry Davids Moshe Rubinstein Vereua and Helmuth Bell Zelda Gordon The Joyce Mack Foundation Paul and Louise Greenberg Scott Diamond Susan Saccio Mark Bellinghaus Hayden Houser Marilynn Mack Yehuda Hadad Shari Davis and Michael Dubin Seymor and Wendy Scheinberg Tanya Berenson Ronald Kravit Roger and Jeanne Magowitz Regina and Phillip Hirsch Jenny and Richard Eidinger Leonard and Shari Shapiro Michael and Hedvah Berg Howard and Marlene Mayers Dr. Erica and Jerry Miller Abe and Sholeh Kashefi Elman Family Foundation Fred and Lee Silton Herbert Berger The H. Schaffer Foundation The Claire and Theodore Morse Foundation Dr. Bobby and Jackie Katz Peter Epstein Francine Silvera Lisa Berger Joseph Krayndler Richard Ferris Rachel Silverstein Dinah Berland Alex Lauterbach Marty and Linda Frank Winifred Bernard Theodor Lichtmann Ron Frydman Southern California Institute of Architecture Katalin Mannheim John S. Gordon Susanne Spira Bill Young Student Body Celeste and Robert Marin Arnold and Vicky Green Richard and Elizabeth Stearns Miriam Birndorf Bernard Markowitz Leon and Irene Gutowicz Ruth and Michel Steinberger Arthur G Black J. Howard Marshall III Yvonne Harpuder Alan andLisa Stern Jonathan Blank Moorpark College Anne Heineman Georg and Milie Stern Al and Ruth Blinder Louise Moriarty Maria Herskovic Marlene Sway Mary Bloomberg National Health Foundation Samara Hutman Temple Emanuel Byron Auguste and Emily Bloomfield Steve and Veronica Nessim Luiza and Dr. Andrei Iancu Ingrid Blumenstein Jerry and Pamela Offsay Richard Jilovsky The Capital Group Companies Charitable Foundation Andrew Ozurovich Charles and Alisa Jost Julie and Marc Platt Jill and Stephen Karp Janet Dreisen Rappaport Leslie and Kenneth Klein Janice and Ben Reznik Susan and Peter Klepa Herbert and Adele Reznikoff Brian and Lisa Klingenberg Neal and Michelle Rosenberg Michael Klosk Rosenthal Inspections, Inc. KornFerry Helene Rosenzweig Elaine Kramer Tony and Linda Rubin Law Offices of James W. Spertus Dr. Gary and Maskit Schiller Norman Lepor $100+ Vicki and Brad Schwartz Donna Leskly Advantage Preparatory Schools, Inc. Don and Patty Burris Samuel Sinay Laura and Chuck Mandel Edgar Aftergood Jessica Butterick Amit and Tamara Stavinsky Charles and Daniel Marinoff Families Barbara Algaze Anny Cabalzar-Hogquist Jill and Jeff Weiss Dr. Robert Meth Alisal High School Arnold Mirow Elizabeth M. Alkaly California Association of Holocaust Child Survivors Rena Goldstein $5000+ Lon V. Smith Foundation $1000+ Dr. José and Freda Nessim Tibor and Ericka Neumann Arnon Adar Wesley and Margaret Phoa Hagy Belzberg Sumner Redstone Bram Benjamins Norma and Howard Rosen Martha and Barry Berkett Ruby Family Foundation Susan Boyer Sunny and Larry Russ José Cabranes and Kate Stith Janet Salter Capital Research and Management Fred Sands Conference on Jewish Material Claims Against Germany, Inc. Helen and Moshe Sassover Barry and Ellen Direnfeld Bruce Eisen Judy and Tom Flesh Ralph and Rosette Fischer Frances Flumenbaum Paul E. and Margaret Feder Family Foundation Bonnie Schut SEC Civil Engineers, Inc. Dizengof Shami Isaac and Miri Shepher Michael and Stacey Sherman Yakov and Roberta Shuchatowitz Spectrum Oak Bernard and Judy Franklin Ann Spicer Dr. Samuel Goetz Benjamin and Barbara Tadelis Goldsmith Family Foundation Dr. Gil Tepper and Dana Wieger Dr. Rachael Gordon and Don Snyder Douglas Unger Dorothy and Osias Goren Elisabeth Wolf Wendy Greuel Frances Zaks Hasson & Janks LLP Naomi Vanek Lenore and Jack Wax Peter and Julie Weil Max and Diane Weissberg Lisa Bernath Ana M Boccolini Markus Bohi Borris Nii Valdez and Co. Deane Bosnak Renee and Eddie Weitzer Brandeis National Committee —San Fernando Chapter Roger Wiederkehr Brandeis SFV Go-Go Gals Joseph Wolf Jacqueline Brandywynne Debby Zurzolo Naomi Brasky Bravo Boosters, Inc. / Francisco Bravo Medical Magnet HS Zil and Lonni Brill Larry Hochberg $500+ Nathan Hochman Dori Bardavid Marvin and Jacqueline Jubas Stewart Brookman $250+ Dennis Mulhaupt Andreas Amann F. Carmi Herbert and Joyce Kean Vincent Browning Irving Ackerman Howard and Susan Nemetz Archer School For Girls Jay Carsman Michael Kaplan Mark and Lisa Carmer Henry Bamberger Jack Ophirs Ariel Hadassah Group of Metro Hadassah Renee Chaba Dr. Florabel Kinsler City of El Monte Basil Anderman Foundation Jean Potterat Ascension Lutheran School Julian Charter School Helen Kravit Robert and Beverly Cohen Eva Beckmann Hedy and Karl Reisman Florence Baker Child Survivors of the Holocaust LA, Inc. John Langer Marc and Lynn Cohen Alfred and Selma Benjamin Joyce and Jeremy Richards Ed Balkan Joe Cislowski Brad Cohen Bernard Feldman Paul Hengehold Ann Cohen Michael Fenton Heritage Academy Arlene Cohen Fred and Keltie Ferris Marcia and Paul Herman Coral Academy of Science LV Susan Feurstein Los Angeles Hebrew High School Costa Mesa High School First Congregational Church of LA Vera Hirtz Wendy Coulter Estelle Fisher Robert Holtkarp Fred B. Cowan Henia Fishman Betty Hyatt Christine Cronin Kathryn Flavin Helen and Andrew Hyman Max Cukier Toby and Robert Flaxman Incident of Vicky (Cast/Crew) Cukier Properties Larry & Phyllis Florman International Studies Learning Center Jack Curtis LA Jewish Home For the Aging Helen and Richard Isaacson Allan and Mary Cutrow Jeannie Frank Lonnie Israel Heinrich Cytrynowicz Ezekiel Freed Edward Stocker and Yumi Ito Eftihia Danellis Jonathan Freund Lou & Karre Jacobs Eva and Bill Dawson Robert and Marlene Friedman Martha Jaffe Chaim and Yafa Dekel Mark and Sharon Friedman Gail Jagoda Del Rosa Christian Elementary School Donna Gary Ruth Desmond Ann and Gregory Geier Jewish Community & Recreational Center of West Valley Diane Deutsch Gemperle Enterprises Charles Deutsch Michael and Lynn Gerber Alsion and Gary Diamond Ruthie Getz Mark and Patricia Dietzgen John & Judith Glass Ellen Drebin Bonnie Goldenberg Steven & Sharon Drell Irwin and Freda Goldstein Gwenn Drucker Ethan Goldstine Carol Dubois Sally Goodman Elizabeth Duenas Nelly Gordon E.F.C.S.B. Calbe Fellowship Ronnie Gousman Shirley Eckstein Grace Brethren School of Simi Valley Martine and Thomas Edwards Joanne & Jeffrey Grant Howard Eigenberg Rachel and Norman Green Alan Eisenberg Tessi Gumbiner Dr. Robert Eitches Max Haechler Lidia Epelbaum Rachmil Hakman Arnold and Chana Epstein Nathan Halegua Margrit Essek Carolyn Hampton Lisa Evans Diego Hangartner Everest Travel Group Jason Harrow Dvora Iber Ezralow Phyllis Hayashibara Faith Christian School Rudy & Susanne Hayek Elisabeth Familian Anita Head Farb Middle School Julie Heimler Jory and Ted Feldman Hebrew Helpers Learning With A Difference Inc . —Westmark School Chris Saigal and Hollis Leech Sam Leemon Oliver Leibold Eric Leskly Irwin and Rachel Levin Nancy Levine Sharlene London Gabriel and Constance Lopez Los Angeles Job Corps Loving Saviour Lutheran School Sylvia Lowe Loyola Marymount University Rosalie Lurie Goar Maladzharyan Manual Arts High School Sol and Rozy Marco Our Lady of the Holy Rosary School Yvette and Steve Schweitzer Paraclete High School Masha and Bernard Schweitzer Gina Parker Madeleine Scott J.C. 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Stovitz Ilene Moore Helen Rasner New Village School Sheldon Strauss Selma Morrow Mark Rechsteiner Zilo Schwartz Jeanine Strauss William S. and Rochelle Moskowitz Lynn Reed Francois and Linda Schweitzer Hans and Trudy Strobel Eric Mueller Jay and Tara Reisbaum Annie Seaton Colin Summers Hyon Cara and Stephan Mundwiler Tal Gozani and Didier Reiss Jacques Sebbane Stephanie Sun Douglas Mura Blanche Rever Carole Seedman Daryl Sutton Mordechai Naor Frances Ricks Neal Seiden Sheila Swartzman Joan Yellin Jan and Phil Zakowski Beatrice Zimmerman Ellie Zurbuchen LAMH is a beneficiary agency of The Jewish Federation of Greater Los Angeles Tax I.D. #46-0503824 19 Million capital campaign $20 pillars $5,000,000+ builders $50,000+ Pamela and E. Randol Schoenberg Jane and Hagy Belzberg Aliza Karney Guren & Susanna Karney Flaster Jewish Community Foundation of Los Angeles Paul S. Nadler The Schiller Family visionaries, $3,000,000+ Doretta and Jona Goldrich Toby and John Martz k'z luminaries $1,000,000+ Vera and Paul Guerin Leslie Gonda heroes $500,000+ Anonymous Anonymous Dr. Harvey Martz Max Webb Foundation S. Mark Taper Foundation Wilf Family Foundation guardians $250,000+ Georges Jorisch Beth and Jon Kean Barbara and Fred k'z Kort champions $100,000+ Stanley and Joyce Black Family Foundation Elaine and Warren Breslow Diane P. & Guilford Glazer Foundation W.M. Keck Foundation The Tepper Family Weingart Foundation Marilyn and Sigi k'z Ziering 20 The Swiss Community of the Southwestern U.S. Eva Brettler The Halbreich Family Helen and Richard Isaacson The Kahan Family The Kampen Family Sam and Carmela Kochman Lodzer Organization of Los Angeles Roth Family Foundation Consulate of Luxembourg Consulate of the Netherlands Consulate of Turkey Child Survivors of the Holocaust, Los Angeles Ralph and Rosette Fischer Frances Flumenbaum Eleanore and Harold Foonberg Vanessa and Daryl Frank Michele and Larry Gold & Family Joseph and Dorothy Goldberg Charitable Trust Zelda Gordon and Family The Kravit and Zelig Family Miri and Gadi Leshem Luminous Capital Richard Nelson Matthews Arnold R. Mirow Paulette and Ron Nessim Maurice Rotkern Gerda K. Seifer and the JFC of Long Beach Lee and Fred Silton & Family Leno and Paul Sislin Jeanine Strauss and Family Dr. Anna Newman Taylor supporters $5,000+ corporate partners partners $25,000+ Marty Apel and Joan Berlin Apel Stanley and Charlotte Kandel Perla and Ami Karney Marcia Israel Foundation Daniel H. Renberg benefactors 10,000+ Consulate of Austria Consulate of Belgium Consulate of Croatia Consulate of Germany $19.5 million raised to date in gifts and pledges Edelman Hewlett-Packard Tyco Electronics Elo TouchSystems Board of DIRECTORS Museum STAFF PRESIDENT EXECUTIVE DIRECTOR CONTENT DESIGN RESEARCHER E. Randol Schoenberg Mark Rothman Joanna Chen VICE PRESIDENT DEVELOPMENT DIRECTOR Perla Karney Amy Cabranes EXHIBIT TECHNOLOGY & EDUCATION COORDINATOR TREASURER DIRECTOR OF ARCHIVE, LIBRARY AND HISTORICAL CURATORSHIP INDIVIDUAL GIVING OFFICER Dr. Vladimir Melamed Sara Robyn EDUCATION DIRECTOR AUSTRIAN HOLOCAUST MEMORIAL SERVANT Beth Kean Daniella Gold SECRETARY Jon Kean Ilaria Benzoni-Clark DIRECTOR OF OPERATIONS Miriam Bell · Lidia Budgor · Rev. Dr. R. Scott Colglazier Andrea Cayton · Klara Firestone · Renee Firestone · Edith Frankie David Goldfarb · Jona Goldrich · Blanca Hadar · Stanley Kandel Marie Kaufman · Masha Loen · Dr. Harvey Martz · Gregory McKay Paulette Nessim · Frank Schiller · Dana Schwartz 21 Jodi Shapiro DIRECTOR OF CAMPAIGNS Adam Friedman Fabian Schopper RECEPTIONIST Sonia Martinez ANNUAL REPORT 2010/2011 Los Angeles Museum of the Holocaust 100 South The Grove Drive Los Angeles, CA 90036 22