Production Notes

Production Notes
Production Notes
For additional publicity materials and artwork, please visit:
http://www.lionsgatepublicity.com/theatrical/mockingjaypart2/
Rating: PG-13 for intense sequences of violence and action, and for some thematic material
Running Time: 136 minutes
U.S. Release Date: November 20, 2015
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Jennifer Peterson
Lionsgate
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#MockingjayPart2
Cast:
Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody
Harrelson, Elizabeth Banks, Julianne Moore, Philip Seymour Hoffman,
Jeffrey Wright, Willow Shields, Sam Claflin, Jena Malone, Natalie Dormer,
with Stanley Tucci, and Donald Sutherland
Directed by:
Screenplay by:
Based upon:
Produced by:
Francis Lawrence
Peter Craig and Danny Strong
The novel “Mockingjay” by Suzanne Collins
Nina Jacobson, Jon Kilik
SYNOPSIS
The blockbuster Hunger Games franchise has taken audiences by storm around the world, grossing more
than $2.3 billion at the global box office. The Hunger Games: Mockingjay – Part 2 now brings the
franchise to its powerful final chapter in which Katniss Everdeen [Jennifer Lawrence] realizes the stakes
are no longer just for survival – they are for the future.
With the nation of Panem in a full scale war, Katniss confronts President Snow [Donald Sutherland] in the
final showdown. Teamed with a group of her closest friends – including Gale [Liam Hemsworth], Finnick
[Sam Claflin] and Peeta [Josh Hutcherson] – Katniss goes off on a mission with the unit from District 13
as they risk their lives to liberate the citizens of Panem, and stage an assassination attempt on President
Snow who has become increasingly obsessed with destroying her. The mortal traps, enemies, and moral
choices that await Katniss will challenge her more than any arena she faced in The Hunger Games.
The Hunger Games: Mockingjay – Part 2 is directed by Francis Lawrence from a screenplay by Peter Craig
and Danny Strong and features an acclaimed cast including Academy Award ®-winner Jennifer Lawrence,
Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Academy Award ®-winner Philip
Seymour Hoffman, Jeffrey Wright, Willow Shields, Sam Claflin, Jena Malone with Stanley Tucci and
Donald Sutherland reprising their original roles from The Hunger Games and The Hunger Games:
Catching Fire. The impressive lineup is joined by The Hunger Games: Mockingjay – Part 1 co-stars
Academy Award®-winner Julianne Moore, Mahershala Ali, Natalie Dormer, Wes Chatham, Elden Henson
and Evan Ross.
Lionsgate presents a Color Force / Lionsgate production.
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The Revolution is About All of Us
“Real. Because that’s what you and I do – protect each other.”
-- Katniss
The Hunger Games: Mockingjay – Part 2 brings the global motion picture phenomenon to its
thrilling and emotionally powerful last chapter as the stakes for Katniss Everdeen escalate from surviving
the most deadly games ever devised to setting the course of the future.
The story picks up with Katniss (Jennifer Lawrence) back in the bunkers of District 13, still unable
to emotionally reach a brainwashed Peeta as she watches the nation of Panem sliding into full-scale
apocalyptic war. Though Katniss has warily accepted her role as the Mockingjay symbol of the rebellion,
she can see that it is going take more than symbolism to turn the tide against the Capitol. Truly on fire
now, she resolves to take action. Joining with Gale (Liam Hemsworth), an unpredictable Peeta (Josh
Hutcherson), Finnick (Sam Claflin), and the so-called “Squad 451,” she sets out for the once-glittering
Capitol – transformed into a city of mayhem under attack by both rebels and peacekeepers – with a
covert mission to assassinate President Snow. Snow still believes he’s playing an obsessive game to
outwit and destroy Katniss, but Katniss is no longer anyone’s pawn, and to her, this is no contest. It is a
battle for everything she has come to believe in and the people she loves. It is a battle for the final hope
of a life of peace.
The Hunger Games: Mockingjay – Part 2 builds on the momentum of each previous chapter in
the blockbuster series to reach a fever pitch of both emotion and action, bringing Katniss full circle from
the dismayed girl caught in a dystopian nightmare to leading the charge to remake her nation.
The first film, The Hunger Games, introduced audiences to Katniss, an independent-minded but
anonymous 16 year-old girl living in District 12, one of Panem’s enslaved districts, with little future of
which to dream. Her life changes instantaneously when she volunteers in her younger sister’s place for
the annual Hunger Games, an intense gladiatorial competition of sheer survival between 24 adolescent
warriors known as Tributes, broadcast live on national TV. Katniss and District 12’s male Tribute, Peeta
Mellark, are soon whisked to the Capitol, the center of tyrannical power, where a glammed-out populace
feeds off lurid spectacles. There, separated from her family and best friend Gale, she is thrown into a
glitzy makeover and grueling training, before entering the arena as an underdog in the 74 th Annual
Hunger Games. Forced to make harrowing decisions spanning life, death, friendship and love, Katniss
discovers reserves of strength and willpower she never knew she had, and attains an unsettling new
fame as “The Girl on Fire” … but the costs to her spirit are high.
The Hunger Games: Catching Fire, rejoins Katniss as a victor of the Hunger Games, but one who
is given zero chance to enjoy her promised rewards or to recover from the physical and mental toll of the
arena. Instead, haunted by memories and craving her independence, she is compelled into a deceptive
“Victor’s Tour” and a public engagement to Peeta. Then she’s told she must do the unthinkable: re-
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enter the Hunger Games arena in the lauded Quarter Quell games, which President Snow declares will be
the ultimate battle between former victors – a move aimed directly at Katniss. The stakes grow higher as
Katniss now fights as much for the lives of her friends and family as her own survival. In the junglethemed arena, Katniss makes vital new alliances, even as she becomes the unwitting idol of a rapidly
spreading rebellion against the Capitol.
The Hunger Games: Mockingjay – Part 1, begins as Katniss, extracted from the Quarter Quell
games while unconscious, awakens in never-before-seen District 13, the dark, regimented underground
realm where a plot to take over the Capitol is forming. Here, she is a legend. Yet Katniss feels more alone
and uncertain of who to trust than ever. District 12 has been turned to rubble. Peeta is being held and
forcibly indoctrinated by President Snow. Under pressure from District 13’s steely leader, President Coin
(Julianne Moore), Katniss must embrace a role she never really wanted: to embody the symbol of the
Mockingjay, the symbol of hope. Even as she begins to open her wings, her path is unclear, as Peeta is
rescued from Snow’s grip in a hate-filled trance, the people of the Districts grow increasingly desperate,
and Snow remains as despotically in control as ever.
Now, in the final chapter of The Hunger Games, with all the Districts united against the Capitol
for the first time, tomorrow itself is on the line. For Katniss to truly be herself, she realizes she must now
fully take on the indomitable Mockingjay spirit in a last stand to set things right.
Says director Francis Lawrence: “In this film, Katniss takes the action back into her own hands
and goes after Snow personally. The movie really opens up as we go deep into the streets of the Capitol,
coming full circle from Katniss’s journey there in the first film. There’s more action, more scope, more
emotion and most of all, this film brings the story to its moving conclusion.”
A Mockingjay’s Last Hope
In four increasingly complex film performances, Academy Award ® winner Jennifer Lawrence has
taken Katniss Everdeen through a pendulum’s worth of changes. She has metamorphosed from a
disarmed girl trying to save herself and then her family to a deeply reluctant rebel hero and now finally,
to a sharply-honed, fiercely determined leader determined to shatter a ruthless society for the good of
all. Lawrence says she has enjoyed growing with the ever-evolving yet steadfastly true-to-herself
character and is thrilled to bring Katniss to her apex in Mockingjay – Part 2.
“This is the chapter when Katniss really starts to believe in the impact that she can have,”
Lawrence comments. “She’s always been so reluctant and has always found herself in situations where
all she can do is try to survive, but now she’s turning the tables. I was excited for her to finally take her
place as a leader. At the end of Mockingjay – Part 1, she was kind of numb, and genuinely unsure if she
wanted to go on. In Mockingjay – Part 2 she starts seeing the bigger picture. She’s looking beyond her
own personal losses and gains to focus on making a better future.”
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Adds producer Nina Jacobson, who along with producer Jon Kilik, has been there from the start:
“For the first three movies, Katniss feels as if someone else is writing the script of her life and she has no
choice but to either act or react to that script. In this final film, she makes her decision: that Snow must
die and she’s going to get him. You see her character fully in control now, fully realized.”
Josh Hutcherson, who as Peeta has also gone through dizzying changes from a baker’s son to
Katniss’ closest ally to a tormented instrument of the Capitol, says of Katniss’s journey : “What was a
story about a girl who wants to protect her family and survive has now become the story of a girl who
creates what once seemed an impossible uprising. It’s the final push that culminates in a new world.”
Yet even as she turns towards the future, the past weighs on Katniss. A constant reminder of
the high costs of her journey is there in Peeta’s continuing inability to see Katniss for who she really is –
and still harboring the relentlessly violent thoughts implanted by the Capitol towards her.
Observes
Jennifer Lawrence: “Somebody being brainwashed to think that you’re an evil mutt is a hell of a strain to
put on a relationship. They have to start over.”
Nina Jacobson notes that no matter what terrifying things Peeta says or does, Katniss cannot
deny her urge to protect him – nor her hope to reconnect with him. “She has her moments with Gale in
this film, but even he can see through her,” Jacobson muses. “Her heart is stuck on Peeta. She can’t let
him go, even now, and I think that’s pretty poignant.”
All her relationships are still shifting, but Katniss has a newfound clarity, including when it comes
to Gale. “It becomes clear between them that no matter what they might have, as long as Peeta is in the
state he’s in, Katniss is never going to be able to let Peeta go,” Jennifer Lawrence says.
Katniss also begins to see President Coin in a more illuminating light. “Katniss’s relationship with
Coin has become a bit more complicated and strained,” Jennifer notes. “Katniss is starting to fear that
she’s seeing a lot of similar traits develop in Coin that she’s seen in President Snow.”
Now, Katniss’s concerns are being channeled directly into action – taking the character for the
first time into all-out combat beyond the controlled confines of an arena. Raising the stakes, Katniss’s
little sister Prim, long her motivation to fight against the Capitol, is now a medic in the battle zone.
“The action scenes in Mockingjay – Part 2 are incredible,” Jennifer says. “Some of it was difficult
– shooting in wet tunnels, in and out of the water and doing fight choreography with 20 pounds of
waterlogged gear – but it was totally worth it because it is going to look fantastically real for audiences.”
It all brings Katniss to the denouement of her world-changing tale. Concluding the series is
bittersweet for Jennifer Lawrence, but she is intrigued to leave Katniss at the most promising juncture of
her life.
“She’s started to see the beauty in humanity in this film,” Jennifer observes. “In the beginning
she had a short view of the way things are because of her upbringing. She did not have much hope then,
and she felt alone for a lot of her life. During everything that has happened – in the Games, in District
13, in the Capitol at the end of this story – she found herself more and more connected to people.”
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Jennifer has tremendous gratitude for being granted the chance to embody Katniss. “I have
loved being a part of a film that sparks some really cool conversations,” she concludes. “It’s been an
incredible chapter in my life, and the way the films have resonated with people has been amazing.”
For director Francis Lawrence, part of the beauty of Katniss is that no matter how much her
world – and her responsibilities – have changed, her fundamental values have never budged. “At her
core, a part of Katniss has remained the same,” he observes. “Each of the movies has presented a
complex character journey, with very different complications, but she is that same very real girl who still
just wants to protect her loved ones.”
That has come alive through Jennifer’s almost supernatural channeling of the character, says the
director. “All along, Jennifer has had amazing instincts and on each film, it’s been surprising to see what
she does. This final journey is no different,” he explains. “It is a new kind of emotional journey for
Katniss. She is determined to rectify what was done to Peeta, what was done to her personally, and
what was done to the people of the Districts – and Jennifer dives into that.”
Nina Jacobson sums up: “Jen has always brought a grounded emotional honesty to the role.
But now she shifts, turning defiance, grief and rage into action and leadership.
She does that
extraordinarily well. Her performance in this film shows the complexity of a character who is searching
for peace and happiness, but will always carry the scars of what we’ve seen her experience.”
The Cast Speaks About The Closing Moments
The final chapter of The Hunger Games brings the film’s expansive cast together one last time,
with a team headed by Jennifer Lawrence and including Josh Hutcherson, Liam Hemsworth, Woody
Harrelson, Elizabeth Banks, Julianne Moore, Philip Seymour Hoffman, Jeffrey Wright, Stanley Tucci,
Donald Sutherland, Willow Shields, Sam Claflin, Jena Malone, Mahershala Ali and Natalie Dormer. The
lineup for Mockingjay – Part 2 also includes Wes Chatham (Castor), Elden Henson (Pollux), Patina Miller
(Commander Baylor), Evan Ross (Messalla), , Gwendoline Christie (Commander Lyme), and Stef Dawson
(Annie Cresta).
Especially bittersweet for the filmmakers was the chance to incorporate Philip Seymour Hoffman’s
final performance as Plutarch Heavensbee – the Head Gamemaker who appears to be a power player in
the Capitol until he proves to be a mastermind behind the rebellion.
Says Francis Lawrence:
“Collaborating with Phil on the Hunger Games movies was a fantastic experience for all of us – just to
have the chance to watch him work and to learn from him – and his portrait of Plutarch is very moving.”
PEETA/JOSH HUTCHERSON:
Mockingjay – Part 2 sees Peeta Mellark – the former victor who was to marry Katniss in a Capitol
spectacle – still in a haunting, dangerous fugue state after being brainwashed by President Snow during
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his captivity. Though his body has been freed, his mind struggles against nightmarish, instilled thoughts
to kill Katniss, the very same person he once most trusted in the world.
Francis Lawrence says Josh Hutcherson’s willingness to go the edge in this new incarnation of
Peeta was impressive. “He really blew me away in this film because he was so incredible at showing how
tormented Peeta is in his current state. I know Josh so well, but watching him in these scenes, I didn’t
recognize any part of him,” remarks the director.
Hutcherson sums up where the film finds Peeta: “Peeta’s going through a kind of rehabilitation
process, trying to get back to his old self. He’s being held in District 13, but he’s still violently psychotic
and his recovery is clearly going to be a very long, hard road. He has moments of clarity but he kind of
goes in and out. With all these memories that were implanted in his mind by the Capitol, he has to
constantly try to decipher what is real and what has been fed to him – and he has to rely on his peers to
help him find that truth.”
Peeta might be constantly asking “real or not real” about things he suddenly remembers and
feels, but Nina Jacobson notes that Hutcherson’s performance leaves no such doubts. “The humanity
that he brings to this role and the realness that he brings is extraordinary,” she says. “In this film, on the
one hand, Peeta is completely lost in a hypnotic state of rage, but on the other, he starts reconnecting
with Katniss, step by tiny step, is, in a way that is very touching. Your heart breaks for him, but you see
that he has a chance to return to who he was, even if nothing will ever be the same.”
For Hutcherson, the film required a 180 from how he normally approaches the character.
“Peeta’s always been known as being the down-to-earth, grounded, honest guy. But now he’s out of his
mind, I had to turn that inside out,” he says. “It shows a lot about the real feelings that Katniss has for
Peeta that she still fights for him and believes in him even in this state.”
When Peeta is sent by President Coin to join Squad 451 – consisting of Katniss, Gale, Finnick,
Boggs, Cressida, Messalla, Castor and Pollux – it endangers everyone, but helps Katniss break through to
him.
“Really, he should not be in this environment,” Hutcherson admits. “It has tons of triggers that
could cause him to explode and, and lose control again, which actually happens multiple times.”
Throughout, Peeta’s true feelings for Katniss keep surfacing in ways that keep him bonded to her
at an unspoken level. For Hutcherson finding those breakthrough moments with Jennifer Lawrence after
the three previous films came organically. “Jennifer has this quiet strength about her,” he says. “A lot of
people might have tried to play up the rebellious side of Katniss, but Jennifer saw from the start that’s
not who Katniss is. Jen has played Katniss’ reluctance and groundedness so well, it always feels very real
to me. It’s one of the reasons why I think Peeta connects with her and why so many people have
connected with The Hunger Games.”
As for how Peeta has evolved since he first left to represent District 12 in The Hunger Games,
Hutcherson concludes, “Peeta always had a very realistic view of what was happening around him. He’s
more haunted now from having experienced The Hunger Games first-hand, and from witnessing the
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destruction that Snow’s dictatorship can cause. But deep within, his mentality has always been you have
to not let yourself be a piece in the game; you have to try to be yourself even as you fight to survive.
That’s still what he would say to this day.”
Like Jennifer Lawrence, Hutcherson says he will miss his character, but he will take a lot from the
long and rich experience of playing Peeta. “I definitely will take away great friendships and memories
from The Hunger Games,” he says. “I also hope I take away some of Peeta’s values.
When you do a
project like this, people can get certain ideas about who you should be – and Peeta is a reminder that it’s
best to kind of break those expectations and simply be true to yourself.”
GALE/LIAM HEMSWORTH:
While Peeta is lost, Gale Hawthorne has found himself in the beginning of Mockingjay – Part 2 –
and become one of Panem’s most uncompromising warriors. Says Liam Hemsworth, who has taken his
character from Katniss’s boyish best friend and hunting partner in District 12 to a rebellious coal miner to
a major force in the rebellion: “Gale is more part of the action in this film and really gets his chance to
make a difference to Panem. He has built up so much anger at President Snow and at the Capitol that
he is ready to go to war at any cost.”
The more Gale solidifies his philosophy that the ends justify the means in war, the more he finds
a wall between himself and Katniss. “Gale has a very different view from Katniss about what’s acceptable
in war and how far to go. Katniss cannot accept the risk of killing innocent people. Gale is prepared to
have casualties if it means winning. He just wants to end all of this, whatever it takes,” Hemsworth
explains.
At the same time, Gale’s personal feelings for Katniss, kept under wraps since she was first
whisked to the Capitol, remain unresolved…and perhaps forever unresolvable given the circumstances.
Hemsworth says no matter what is in Gale’s soul, everything seems to be conspiring to keep them apart.
“This chapter is where you really see that Gale and Katniss have developed very different ideas about the
world. Gale has come to the conclusion at this point that Katniss truly loves Peeta, and the more Peeta
needs her, the more Gale can feel her slipping away day by day,” Hemsworth says, adding, “And yet,
Gale still deeply loves Katniss and he is still driven to look after her and protect her. That’s what he’s
always been about.”
Unexpectedly, Peeta’s confusion and uncontrollable impulses even draw Gale’s empathy. “Gale
knows that Peeta’s not in control of himself,” Hemsworth observes. “Gale’s still wary of him, but for the
first time in this film, we actually get to see Gale and Peeta have a friendly conversation with each other
– and connect around their mutual feelings for Katniss.”
For now, however, it is Gale taking the lead in the action, and Hemsworth relished the chance to
explore his character’s pent-up physicality. He especially enjoyed leading the battle against the mutant
“lizard mutts” in the sewer tunnels of the Capitol. “It was very physical, tough work, hunching through
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these dark tunnels, in freezing cold water. It’s such a great fight scene and I love doing stunts so that
was a true highlight for me.”
Hemsworth, too, finds it difficult to believe the story is coming to a close and even more
unsettling that he won’t be returning to work with Jennifer Lawrence in the indelible role of Katniss.
“Working with Jennifer on this is something wonderful I’ll always carry,” he says.
“She’s an
incredible actress, but also so much fun. I’ll miss her and all the cast and crew.”
For Nina Jacobson, Hemsworth’s rapport with Lawrence has been at the core of a star-crossed
relationship that might have been, but never had a chance in the world Katniss, Gale and Peeta live in.
“Liam does a great job of representing Gale’s revolutionary spirit, his belief in fighting fire-withfire, in a very relatable way,” she sums up. “He reveals Gale as someone who has become comfortable
with the costs of war in a way that Katniss nor Peeta never could, and he brings real depth to that. When
it comes to Katniss, you really feel for him. You can tell he’s in love with her, and may always be in love
with her, but he knows there’s no way now to win her back.”
HAYMITCH/WOODY HARRELSON:
The former victor who became Katniss’ savvy mentor remains as fiery as ever, even as the
rebellion he’s long awaited comes to its climax.
For Woody Harrelson, who has taken Haymitch
Abernathy from intoxicated cynic to realist to steadfast believer in the Mockingjay, it was a challenge to
face up to the story’s conclusion. “I really don’t want to be done with The Hunger Games,” he admits. “I
wish it didn’t have to end ever. The characters in the film have formed a kind of patchwork family – and
that was equally true for us as actors in real life.”
He adds: “What’s been so exciting is that each installment of The Hunger Games has been
equally great. This last chapter, though, is absolutely the biggest in terms of scale and in terms of the
lasting consequences for Katniss and everyone around her, including Haymitch.”
Harrelson has especially welcomed the chance to get so close to Jennifer Lawrence over the
course of the series. “Haymitch comes to care deeply about Katniss in a way that maybe surprises him
and shakes him up, and it’s easy to get to that place with Jennifer,” he says. “She’s so much fun to work
with, but also so honest and true in her performance. You’re always working at a high level with her.”
As for Haymitch, Harrelson concludes: “He’s known a lot of tragedy and he’s struggled with his
own vices and addictions. I think he’ll always have that sharp attitude towards life, but he also dreams of
peace.”
EFFIE/ELIZABETH BANKS:
The outrageously fashionable and flitty social climber who Katniss first met as her 74 th Hunger
Games escort has undergone her own transformation throughout the series. Tough times have lent Effie
Trinket more grit and guile, but she’s never lost an ounce of her exuberant spirit or loyalty to Katniss.
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Says Elizabeth Banks who has always adored playing the character to the hilt:
“Effie has
progressed so much over the course of these films, although she was never truly a rebel. As always, she
is self-preserving but supports Katniss above anyone else.”
In Mockingjay – Part 1, Effie was adjusting to life amid the gray conformity of District 13 but in
Part 2, she gets to return to the Capitol in typical style. “She’s come to feel more free to express herself
in District 13 which has become a 2nd home to her,” Banks explains. “But when Effie finally returns to
the Capitol, her looks are as eccentric and beautiful as ever … yet more befitting of the official she has
become.”
After years of donning Effie’s glam makeup and architectural gowns, Banks says she will miss not
only the fashion but the people who helped bring Effie to life. “I will miss collaborating with Ve Neill,
Linda Flowers, Camille Friend, Judianna Makovsky, Trish Summerville and Kurt and Bart. These hair,
make-up and costume designers were essential partners to me in creating the iconic Effie Trinket.”
She will also miss Jennifer Lawrence and the thrill of being Katniss’s confidante. “Jennifer has
shown such range across all four of the films. She's our leader and has always made going to work
something fun I looked forward to every day,” the actress says.
As for Effie’s future, Banks sums up: “Effie is a survivor. She will be fine. She's inspired by
Katniss who will not only survive but thrive.”
PRESIDENT SNOW/DONALD SUTHERLAND:
In Mockingjay – Part 2, the battle between President Snow and Katniss Everdeen approaches a
final reckoning. An increasingly cynical tyrant, Snow has become almost madly obsessed with destroying
Katniss and, in his obsession, turns the entire Capitol into a Hunger Games arena of dirty tricks. Having
been part of the franchise from the start, Donald Sutherland relished exposing Snow’s contradictions right
up to the very end.
“Snow’s an old man and he sees this as a final, thrilling game of chess with a competitor who’s
up to everything he can handle,” Sutherland comments. “He is torn in a way, because he loves Katniss’s
spirit but of course he doesn’t want her to actually succeed. Yet, he doesn’t really want to murder her
either. It was that complexity that interested me about Snow in the first place and now it comes to its
climax. I’ve loved having a role that I could commit to passionately.”
Says Francis Lawrence:
“Donald Sutherland brings the story of President Snow to a fitting
ending. He has embodied this character with such wit and power throughout, and here you get to see
Katniss gain the upper hand on him.”
FINNICK/SAM CLAFLIN:
After facing the darkest moments of his life, in Mockingjay – Part 2 Finnick O’Dair is reunited with
his one true love – Annie Cresta – but remains committed to the rebellion, joining with Katniss, Peeta and
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Gale in Squad 451’s perilous trip to the Capitol.
Sam Claflin, who has taken the sly but emotional
character to heart, says of where the final chapters finds him: “Finnick is really a new person after he
reunites with Annie. He has a new lease on life and a newfound freedom. He sees their engagement as
a chance to allow their love to be a powerful new symbol for the rebellion.”
Love also leads Claflin back into war. “This newfound passion drives Finnick to get back out
there and do what's right for Panem,” says Claflin. “This is a different chapter for everyone. The stakes
are a lot higher, the characters have more than ever to lose and it’s much more real. It isn’t a game
anymore, even if the games were deadly. This is the future and they all have a lot to fight for.”
For Finnick, helping to forge the future also means helping Katniss reconcile with Peeta, no
matter how savage his brainwashing might appear. “Finnick knows that Katniss loves Peeta, even if she
is still unsure,” says Claflin. “That's the beauty of Finnick: he observes things that other people can't,
and that comes out of the horrible experiences that he has been through himself.”
Claflin had a chance to wield Finnick’s famed trident in battle, a skill he has been honing since he
first took the role, but that he had to take to the next level against the Capitol’s mutant lizard mutts.
“I’ve spent hours and hours with broomsticks,” he muses. “I also had an incredible team of people
helping me to get adept and I learned that you have to make the trident work as if it was an additional
limb.”
Although Finnick was a master of the games, this was Claflin’s most physically challenging outing.
“It felt like we were running marathons every single day – whether it be sprinting away from oil or
through hordes of lizard mutts,” he recalls. “What was inspiring is that every single actor was raring to
go, wanting to make these incredibly well-designed sequences the best they could be.”
Still, he says perhaps the biggest challenge of all was having to dance at Finnick’s glamorous
wedding. “I hate dancing with a passion,” Claflin laughingly confesses. “It was tough, maybe even
tougher than the sewers! But it was also beautiful and I tried to make the most of it.”
That sentiment of making the most of everything was true for Claflin right up to his final scenes.
“This whole series has been incredible,” he concludes. “I feel so honored and blessed to have been a
part of it, as a fan and for the fans.”
PRESIDENT COIN/JULIANNE MOORE:
With the Capitol’s citizens under fire and President Snow on the defensive, it seems that District
13’s rebel leader, President Coin, is getting everything she wanted. Coin also remains suspicious of
Katniss’s growing power, and prefers that the Mockingjay stay more passive symbol than active
participant in the battle.
Returning for a second time in the role, Academy Award ® winner Julianne
Moore says: “Coin wants to keep Katniss as a powerless figurehead, as the emotional, intellectual
momentum behind the revolution. This is also the point where Coin starts to see Katniss as a serious
potential threat to her own leadership.”
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Coin’s personal agenda as a rebel leader has always been slippery, but Moore’s aim was to keep
the character balanced on that razor-thin line between savior and villain. “I tried to give her a kind of
evolution,” she explains. “She’s very inscrutable in the book, but I saw her as being a political animal.
She’s someone who thought she was one thing in the beginning, fighting for the people, but became
something else, as the war progressed, something not necessarily positive.
Despite having seen all the
destruction Snow has set in motion, Coin herself becomes infatuated with the possibility of authoritarian
power and might. As they say, power corrupts … and we’ve seen throughout history that bold leaders
can often later become despots.”
She continues: “I also always saw the story of The Hunger Games as being about growing up;
about Katniss figuring out what her own moral responsibilities are and making her own choices. So one
of the things that happens as you grow up is disillusionment with the people who you once believed were
doing the right thing. Coin plays that role in Katniss’s life.”
After seeing an early cut of Mockingjay – Part 2, Moore was deeply moved. “I think the whole
series is amazing,” she concludes. “It’s a wonderful entertainment, with great young actors, and it’s
been something everyone can relate to. This last film is very much about the costs of warfare – what it
does to families and communities and ordinary people. That is something voiced in the books and it
comes across very powerfully in this film. I’ve found all of the movies to have emotional endings, but this
one might be the most touching.”
JOHANNA/JENA MALONE:
In the final moments of Mockingjay – Part 1, Gale and Boggs lead a siege in the Capitol, rescuing
former victors Johanna and Annie Cresta, who have been held by Snow since the Quarter Quell games.
In Mockingjay – Part 2, Johanna, scarred by her experiences, scarcely resembles the woman who
brazenly removed her clothes in front of Peeta and Katniss in Catching Fire.
Jena Malone explains that Johanna is now in the throes of a post-traumatic confusion, and
learning to embrace her unexpected freedom. “This is the first time in her entire life that she hasn’t been
asked to be something that she’s not,” points out Malone. “Johanna was forced to be a Tribute and
learned to use her sexuality, but now she’s been stripped of all of those devices of manipulation. She’s a
little bit deranged by this lack of awareness of what she should be doing, so she’s barely holding on.
She’s reaching out to dangerous outlets and anything that might make her emotions disappear.”
For Malone the challenges of portraying this broken version of Johanna were also physical –
requiring 3 hours daily in the makeup chair. “It was a feat,” she recalls. “We had these genius prosthetic
artists doing their thing. They would bring down my hair, then put the bald cap on and then do all of the
flesh toning and prosthetic work around the neck, adding cuts and bruises.”
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The effect was staggering for Malone. “I really think this is the first time in her life that Johanna
isn’t about looking pretty,” Malone points out.
“That was kind of liberating as an actress, but it’s
definitely a whole different side to Johanna.”
Though Johanna is going through a dark time, Malone notes that her light has not gone out.
“The Capitol wanted to break our spirits, really turn us over, and make us mutts”, Malone summarizes.
“They did a hell of a job on Peeta, and they tried on Johanna, but I think it was impossible.”
Malone is also thrilled to see Katniss coming full circle in Mockingjay – Part 2. “I believe that all
Katniss ever wanted was to go back to District 12, and live her own life in her own way – and I think her
journey is really beautiful in this film. She learns to listen to her own voice.”
PRIMROSE/WILLOW SHIELDS:
From the opening moments of The Hunger Games franchise Katniss Everdeen has been driven by
her deep love for and desire to protect her younger sister, Primrose. It was Prim who was originally
meant to compete in the 74th Hunger Games until Katniss volunteered to take her place. Since then,
young Prim has grown into a strong, compassionate young woman. She and Katniss are quite different,
but as sisters so often are, they are connected so deeply that one is in trouble, the other knows it. As
Mockingjay – Part 2 kicks off Prim has become a full-fledge wartime medic, but Katniss knows the danger
for her sister is growing and would do anything she could to keep her safe, even if might be impossible.
Willow Shields has played the role since she was 12, and has literally grown up with the
character. She says that in this precarious moment of Prim’s life, she feels that Prim has at least become
who she wanted to be. “Prim has grown up immensely by Part 2,” Shields observes. “She is training to
become a doctor, fulfilling her destiny. As a medic, she can finally contribute to the rebellion herself. This
is her role in the fight, one that she is good at, and one that shows what a brave young person she has
become. She sees the consequences of war all around her, but she believes in the fight, what its value is,
and she believes in her sister as a leader.”
She also enjoys that she has slowly but surely earned something beyond Katniss’s love: her
admiration. “In the first Hunger Games Katniss protects Prim from their harsh world – but now the
relationship has shifted,” Shields points out. “Katniss is still protective of Prim, but now she has come to
respect Prim’s abilities, awareness and wisdom. They are much more equal in Mockingjay – Part 2.”
Katniss will always be inspired by Primrose says Shields. “They have really had little else they
could count on but each other. It’s no wonder they were so close,” she notes. “Katniss saw qualities in
Prim that help propel her forward. Prim has an inner strength that is used to heal and nurture others –
and these qualities help Katniss aspire to a future that is kinder and more nurturing for everyone.”
The future for Shields is wide open, but she is grateful for the extraordinary experience of
portraying Prim. “I have spent a third of my life making these films,” she muses.
“It has been a very
personal experience, going so far beyond the job of making films. I am thrilled to have been a part of
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Suzanne Collins’ amazing creation – and part of a fanbase that is so inspiring and loving. I was also a
part of a cast that has all of Prim’s greatest traits: loving, kind, nurturing and supportive. In other words:
The Hunger Games Family. It’s been an amazing family to be a part of and I will never forget any of it.”
CRESSIDA/NATALIE DORMER:
The guerrilla filmmaker Cressida faces the biggest challenge of her offbeat career in Mockingjay –
Part 2: returning to the Capitol with Squad 451 to advance the rebellion, and realizing that Katniss aims
to go far beyond her symbolic role and assassinate President Snow. For Natalie Dormer, who first took
on the indelibly defiant character in Mockingjay – Part 1, it was a thrilling chance to show her character’s
mettle. “Mockingjay – Part 1 introduced Cressida and her camera team. But in Part 2 we get to see her
and her team really push Katniss because the revolution is in process and it’s time to consolidate the
message to the masses,” says Dormer. “Of course, Katniss has no intention of simply being a poster girl,
and Cressida and everyone else on the Squad gets drawn into her mission.”
That mission meant Dormer finding herself at the forefront of major action sequences. “Me and
my camera crew really become warriors with the Star Squad down in the sewers,” she explains. “It was
very physically demanding work. But we all kept each other going morale-wise and it was rewarding,
too, because the payoff was being part of this very exciting climax to the story.”
The film’s atmospheric European sets further inspired Dormer. “The level of detail in the art
design on this movie is so incredible,” she muses. “Whether it’s massive architecture or the pitch black of
the sewers, the audience will be fully absorbed into it.”
Dormer also loved watching Jennifer Lawrence up her game again. “Jennifer brings a new layer
to Katniss every time she plays her. In this movie she goes to even deeper psychological depths. You
see Katniss acting on the idea that it is time to finish this story and time to end the violence in Panem.”
Endings are never easy, but Dormer was thrilled to be in on bringing The Hunger Games saga full
circle. “This is what we’ve all been waiting for,” she sums up. “This film is the culmination of everything
that has happened so far, and it lives up to that scale. It has everything that the books were about: the
galvanized passion of people fighting against tyranny along with the fine-tuned details of the personal
relationships that mean so much to Katniss. I’m proud of the way the film has found that balance.”
BOGGS/MAHERSHALA ALI:
As the action picks up in Mockingjay – Part 2, Katniss, Peeta and Gale are under the command of
President Coin’s right-hand man, Boggs. Though he is the head of Squad 451, he is not fully aware of
the secret plan to subvert the propaganda operation into an assassination. Returning to take the role to
its conclusion is Mahershala Ali who sees Boggs as torn in his shifting relationship with Katniss.
“On the one hand, Boggs feels a kind of paternal connection to her where he wants to protect
her and make sure she’s OK,” Ali explains. “But now he also is developing a new respect for her. He
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sees how selfless she has become, how willing she is to put herself on the line for other people. It
makes him want to look out for her even more – but maybe also to trust her more.”
As the war against the Capitol escalates, Boggs can’t help but think of Katniss’s future. “He’s
become loyal to her to the point that he truly wants to see her accomplish her task. Ultimately, he
realizes taking down Snow is something she has to do on a personal level,” Ali observes.
For Ali, the spirit of Squad 451 is built on the close connection forged between the actors. “We
were able to bring that great camaraderie that is part of the spirit of The Hunger Games – one that
starts with Jennifer and Francis, who bring so much passion to it,” he says. “All of us on Squad 451
spent a lot of time together so that made it feel completely real to us. We laughed a lot but we also
were motivated by how big and important this final chapter will be to the audience.”
Ali especially enjoyed the all-out action in the film. “This was different because we were dealing a
lot more with weapons, tactical armor, gas masks… even rappelling down a building. There was a lot of
training to learn to move in a coordinated manner and that stuff is really fun,” he comments.
Yet, there was also a sense of authentic change come to Panem. “This chapter is completely
unique,” Ali concludes. “There’s always been oppression in The Hunger Games but Mockingjay – Part 2 is
a true story of war. Freedom is right there on the cusp and they can taste it. It’s really exciting to not
just bring these characters to an end but to also see how that leads up to a new beginning.”
The Capitol On Fire
Mockingjay – Part 2 unveils the Capitol as it has never been seen before in The Hunger Games
franchise – entering the city’s once lavishly glittering streets amid the erupting chaos of wartime. The
whole metropolis transforms into an arena more real than any before as Snow attacks Katniss and the
Squad 451 in some of his most epic and creative ways yet.
The result as Jennifer Lawrence says is “sets that are absolutely insane. The spectacle of this
film is really incredible.”
Nina Jacobson observes: “In this final movie, you get the epic scale of Katniss’s return to the
streets of the Capitol, which has great power to it. Francis has brought to life the Capitol sequences in a
way that is truly something, and will be incredibly exciting in the immersive experience of IMAX ®. It’s
everything that you hope to accomplish on a big screen – something that is emotionally and thematically
powerful, but also cinematically enormous. “
Adds Sam Claflin: “On a film set in another world you might expect to have to do a lot of
imagining as an actor. Yet the team managed to find these incredible locations and build amazing sets
that literally transport you and take your breath away. That really adds to the flavor of the piece.”
For Julianne Moore, the new Capitol sets were an eye-opening change. “After being in District
13’s gloomy, claustrophobic underground, it was so fun to come up into the grand scope of the Capitol.”
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To fully bring the Capitol to life in a new way, Francis Lawrence and production designer Philip
Messina knew they would have to look beyond Atlanta, home to much of the production. They took
advantage of historic and futurist locations in France and Germany that could be found nowhere else.
“We really wanted to capture the feel of being on the ground in the Capitol and we needed the
kind of backdrops that lend themselves to pretty epic action scenes,” says the director.
“Phil and I
wanted to keep the idea of the Brutalist/Classical architecture that makes the Capitol so imposing but
shooting at real locations allowed us to do that in a more immersive way. Phil found some amazing
places in Paris and Berlin that were a phenomenal match with the story,” says the director.
Adds producer Jon Kilik: “Shooting the Capitol scenes in Europe allowed us all the size and scale
that we envisioned. The team was able to create a look that is both very layered and gigantic.”
Just outside Paris, near Versailles, the production set up camp at Château de Voisins, a
stunningly aristocratic 1903 estate, which stands in for portions of President Snow’s mansion.
The
Chateau served as home to some of the film’s most vital scenes, including a major turning point involving
a meeting of former Hunger Games’ victors.
Messina envisioned a spare but power-laden set for President Snow’s office. “For the office, we
used a mausoleum-style room clad in stone. Phil was very inspired by that room because it was so cold,
harsh and dictatorial,” says set decorator Larry Dias. “I had a 45-foot long rug loomed in China that had
the Capitol on it and we used this crazy desk at the end of the room. It’s a really bold, amazing set.”
One of the most remarkable sets in France was created from the wildly post-modern apartment
buildings in Noisy-Le-Grand known as “L’espace Abraxas.” Built in the 50s, 60s and 70s, these massive,
square, stone structures surrounded by pillars, plazas and triumphal arches hearken back to the Greek
Empire but, at the same time, they also nod to a future of immaculately planned cities. This is where
Katniss, Gale, Peeta and Squad 451 are inundated with a deadly, towering tidal wave of “goo” in another
twisted attempt by President Snow to stop them.
The cast was in awe of Abraxas. “In IMAX®, it’s going to look so crazy ‘cause you’re going to be
able to see up and down these huge structures,” says Josh Hutcherson.
Says Liam Hemsworth: “It’s very Panem-looking – it’s everything you imagine the Capitol to be,
and it felt like the perfect place for us to shoot these street scenes.”
For the exterior of Tigris’s shop, Messina turned to another French public housing project: Jean
Renaudie and Renee Gailhoustet’s series of eight concrete, triangular buildings in Ivry sur-Seine.
Moving on to Germany, the production took over an abandoned factory in Rudersdorf, which
serves as the backdrop for Katniss and Gale’s attack on a Capitol hovercraft.
Berlin’s locations include a
return to Tempelhof Airport, one of the world’s oldest surviving airports and the former core of Nazi air
power in WWII, also seen in Mockingjay – Part 1.
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“Francis and I were drawn to Tempelhof because of the impressive scale of it,” Messina explains.
“The size of the structure was perfect for many of Mockingjay – Part 2’s most exciting locations including
the rebel encampment in District 2, Commander Lyme’s control center and the train station.”
For the cast, Tempelhof was transporting. “Berlin is architecturally one of the most interesting
cities in the world,” Jeffrey Wright says.
“There is a very powerful, complicated history expressed
through these buildings – and I found it really inspiring to shape these historical places for the purposes
we have for the film. The train station scene reminded me of something out of a Cecil B. De Mille movie.
It was operatic even, and wildly exciting and impressive.”
From Tempelhof, the production moved to an abandoned Russian military facility in Krampnitz,
which was formerly in East Berlin.
This was rejiggered into the bombed out Capitol building where
Katniss and her Star Squad team are waylaid. Messina recalls the first time he scouted the location,
which had was overgrown with greenery. “When we first saw pictures of it, it had been abandoned for a
couple of decades. It looked like these buildings were coming out of the forest. Francis and I went and
blocked it out and laid out the pieces to turn it into a city street. It was an amazing transformation.”
But Messina’s biggest challenge of all was constructing Mockingjay – Part 2’s most complicated
set: the dark, sodden network of tunnels where Squad 451 comes face-to-face with an army of “lizard
mutts,” mutated reptiles that can take down enemies in a single chomp. Described in the book as “a mix
of lizard and human and who knows what else,” the mutts are brought to life via a mix of actors and CGI.
“The lizard sequence evolved between Francis, visual effects, stunts and myself coming up with
how to lay it all out,” Messina describes. “We started out with larger-scaled sewers but Francis said ‘No,
I want them really small. I want them compact.’ So we made all the ceilings about five feet tall. It looks
amazing, but I want to write an open letter to the crew formally apologizing for all the bumped heads!”
Last Looks: Hair and Make-Up
Throughout The Hunger Games, the look of the characters has gone through many incarnations,
from humble and raw to the most outrageously ostentatious. Now that the Capitol and all of Panem are
in the throes of all-out battle, the look is new once again in Mockingjay – Part 2, brought to life by
costume designers Kurt and Bart; makeup designer Ve Neill and co-department head Nikoletta Skarlats;
along with key team members Glenn Hetrick, who has done the film’s prosthetics from the beginning, key
makeup artist Conor McCullagh and hair designer Camille Friend and co-department head Kim
Santantonio.
From the start of the epic series, Academy Award ® winning makeup designer Ve Neill has been a
major force behind the creative design and evolution of the character’s visages. For Mockingjay – Part 2
she kept many of the whimsical elements that have always been part of the Panem universe, but brought
them down to earth as reality descends on the Capitol.
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“It’s not as fantasy-oriented as the earlier films because now we’re down to the nitty-gritty,” she
observes. “Now we’re fully into wartime and this is really different for all the characters. You also start
to see the people in the Capitol in a way you haven’t seen them before. Of course, you always want the
look to be very cool, but at the same time to me this chapter is really a tear-jerker.”
It’s also set amid battles. “In this film, Katniss, Peeta and Gale are now soldiers trying to get to
the Capitol and kill Snow so we see them in a new way and we also see the Capitol in a new way,” says
Neill. “One of the most interesting things about shooting the Capitol scenes in Europe, is that we used
German and French makeup artists who bring a whole different style and flavor that really gives the
Capitol a fresh look. There is glamour and finery, but in a way we haven’t seen before.”
Several characters also get a fresh take in Mockingjay – Part 2. To switch-up the ever-changing
Effie’s appearance, Neill gave her makeup design to partner Nikoletta Skarlatos. “It was a sure way to
get something different from the earlier films,” Neill explains. “Nikoletta’s Effie is still very stylized but
she’s more down to earth, more mature and elegant – it’s really cool to see her in this new styling.”
Meanwhile, Neill transformed Julianne Moore’s look as the pressures of Coin’s ambitions catch up
with her. “Her character is really changing in this film so her look also starts to progress. It’s very
subtle, but it’s also very striking. Julianne is so beautiful but you see her with a more fierce look here.”
As for Jennifer Lawrence’s Katniss, Neill says: “In Mockingjay – Part 1 she was in trauma, but
now she has found her own natural strength as a leader. When you see her in this film in the Mockingjay
costume you see that she’s grown so much, she’s really matured emotionally. So the makeup is not
really high-fashion but emphasizes the womanly strength to her face.
She looks fierce and beautiful yet
relatable. Jennifer is so stunning you only need a little bit of makeup to do that.”
Neill admits she already misses the close rapport with Jennifer and the rest of the cast. “I feel
like I’ve watched them all grow up over the years,” she reflects. “We’re all still in touch and good friends,
but I miss them so much. This was such a unique series of movies. For me it was a chance to do every
kind of makeup – from battle wounds to high glamour to fantasy – but it’s also been about friendships.”
Upping The Action To The Very End
With Squad 451 headed to the Capitol determined to stop President Snow for good, Mockingjay –
Part 2 brings Katniss into epic, full-scale action on a level beyond the cleverly manufactured sieges of the
Hunger Games arenas seen in the first two Hunger Games films or the early rumblings of war in
Mockingjay – Part 1.
“In Mockingjay – Part 2, the action is based in reality as Katniss and her team move to the
Capitol,” stunt coordinator Sam Hargrave says. “Because of the intense action, it required a lot more out
of all of our actors. It’s chaos, so they had to be really ‘on it’ physically.”
Fortunately, by the time cameras rolled on Mockingjay – Part 2, Jennifer Lawrence had become
highly skilled in the ancient art of the bow and arrow, Katniss’ iconic weaponry. “This character has
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become such a part of Jennifer that our training process was much narrower,” Hargrave comments. “She
knew what was expected of her, and whatever we asked of her she was gung-ho to try it.”
Mockingjay – Part 2 also gave Liam Hemsworth more of an opportunity to show off his
capabilities as an action star. “Liam is a very talented guy. He kickboxes and trains on his own so he
brought in a lot of physical assets before we even began the specific training,” Hargraves observes.
Perhaps the most ambitious action sequence of the entire franchise is the film’s harrowing battle
against the gnashing teeth and the talons of the supernaturally fast lizard mutts in the claustrophobic
sewer tunnels.
“The whole scene was very complicated, so we had to storyboard it all and get all the fight
choreography established long before we went in,” explains Francis Lawrence.
“There was a lot of
technical difficulty – we were dealing with real fire and real water – and it was quite honestly a miserable
set for the actors and crew. But it’s a scene I’m really proud of. It’s a very cool sequence.”
For the cast, the experience was a taste of what their characters are going through as they reach
the Capitol at the height of the rebellion. “The sewer tunnels were tough for everyone, being wet and
cold all day long,” says Josh Hutcherson. “But the results are there in one of the coolest scenes in the
whole Hunger Games story.”
Yet for all the film’s high adrenaline and suspense, the director says it is the emotions of the
film’s stirring, hard-won final moments that will linger most of all.
“One of the things that I’m most excited about is the film’s final scene,” says Francis Lawrence.
“There was a really strong feeling on the set when we got to the scene – a feeling that all the history of
all these characters through the course of these four movies had built up to this singular moment. I
hope audiences really feel that history and also a sense of the future. Everything that has happened to
Katniss and all the themes of the story have wound together to come down to this final glimpse of her
world, so it was very important that we really get to live inside it.”
The ending remains as faithful to Suzanne Collins’ phenomenon-creating books as the beginning.
As the journey comes to a close, one of the greatest satisfactions for Nina Jacobson is that the film
franchise never strayed, the whole way through, from her promise to follow Collins’ vision.
“I have such profound respect for Suzanne and I love the books so much and understand how
fans feel about them,” Jacobson closes. “So from the start, we had a total commitment to do right by
the books and deliver cinematic storytelling at the highest level. That was a huge thing to aspire to do,
but I never could have forgiven myself if we’d gotten it wrong. We had an obligation to come through
for people and it’s been an incredible experience. I hope we will continue to talk about all the incredibly
relevant things this entire story is about: human society, the costs of war, the exploitation of tragedy for
entertainment and the dangers of losing our individual narratives in tyrannical times. It’s a story for the
ages.”
#####
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CAST BIOS
A natural talent, with a striking presence and undeniable energy, Academy Award ® winner JENNIFER
LAWRENCE [Katniss Everdeen] is one of Hollywood's most gifted actresses.
Lawrence recently wrapped production on David O. Russell's biopic, Joy; Joy is based on the life of a
struggling Long Island single mom who became one of the country's most successful entrepreneurs with
her invention of the Miracle Mop. Lawrence will co-star alongside Bradley Cooper and Robert de Niro, and
Twentieth Century Fox is set to release the film December 25, 2015.
Last year, Lawrence was seen in Bryan Singer’s X-Men: Days of Future Past, reprising her role as ‘Raven’
and ‘Mystique,’ opposite Hugh Jackman, Michael Fassbender, James McAvoy, Halle Berry, Anna Paquin,
Ellen Page, and Nicholas Hoult. She will also appear in Singer's next chapter of the franchise, X-Men:
Apocalypse, set to be released May 27, 2016. Lawrence made her X-Men debut in Matthew Vaughn’s XMen: First Class, opposite Jackman, Fassbender and McAvoy, as well as Rose Byrne, January Jones,
Nicholas Hoult, Zoë Kravitz and Kevin Bacon.
In 2016, Lawrence will be seen as ‘Aurora’ in Sony Pictures’ Passengers opposite Chris Pratt and Michael
Sheen. The film is about a spacecraft travelling to a distant colony planet that is transporting thousands
of people which suffers a malfunction in one of its sleep chambers. As a result, a single passenger is
awakened 60 years early. Faced with the prospect of growing old and dying alone, he eventually decides
to wake up a second passenger.
Also upcoming, Lawrence will soon begin production on an adaptation of Graeme Simsion’s novel, The
Rosie Project as ‘’Rosie Jarman’. The film is being produced by Sony-based producers Matt Tolmach and
Michael Costigan. The Rosie Project is about an unlucky-in-love university professor who creates an
elaborate questionnaire in an effort to find a wife, and meets an unconventional woman who doesn't
match any of his "requirements", but might be the perfect woman for him.
Lawrence is also attached to star as ‘Cathy Ames’ in Gary Ross’ adaptation of the classic John Steinbeck
novel, East of Eden, for Universal Pictures. The film takes place in the farmlands of the Salinas Valley in
California, where successive generations of two families, the Trasks and the Hamiltons, are destined to
reenact the fateful story of Cain and Abel.
Lawrence also recently co-starred alongside Bradley cooper in Magnolia Pictures’ Serena, which was
released in the spring of 2015; based upon the novel by Ron Rash, the depression-era story focused on a
newlywed couple and their timber empire during that time.
Lawrence’s critically acclaimed performances include David O. Russell’s American Hustle, co-starring
opposite Christian Bale, Amy Adams and Bradley Cooper in her portrayal of Roslyn, a contentious
suburban housewife to a con-artist husband. Her first collaboration with David O. Russell was on Silver
Linings Playbook where she starred alongside Bradley Cooper, Robert De Niro and Jacki Weaver as
Tiffany, a young widow suffering from depression. Her breakthrough performance came in Debra Granik’s
Winter’s Bone in which Lawrence starred as ‘Ree’, a young girl facing a dangerous social terrain as she
hunts down her drug-dealing father while trying to keep her family intact. To date, those three film
credits have garnered Lawrence an Academy Award® for Best Actress, with two additional Academy
Award® nominations for Best Actress and Best Supporting Actress. In addition, Lawrence has received a
BAFTA Award for Best Actress and an additional BAFTA Best Supporting Actress nomination; two Golden
Globe Awards® for Best Performance by an Actress in a Motion Picture Comedy or Musical and Best
Performance by an Actress in a Supporting Role Motion Picture Drama, as well as a Golden Globe Award®
nomination for Best Performance by an Actress in a Motion Picture Drama; a Screen Actors Guild Award ®
for Lead Role, as well two Screen Actors Guild Award ® nominations for Lead Actress and Supporting
Actress.
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Additional film credits include Mark Tonderai’s House at the End of The Street opposite Elisabeth Shue
and Max Thieriot; Jodie Foster’s The Beaver opposite Mel Gibson and Anton Yelchin; Drake Doremus' Like
Crazy opposite Anton Yelchin and Felicity Jones; Lori Petty's Poker House opposite Selma Blair and
Bokeem Woodbine, for which she was awarded the prize of Outstanding Performance in the Narrative
Competition at the 2008 Los Angeles Film Festival; and Guillermo Arriaga's directorial debut The Burning
Plain, opposite Charlize Theron and Kim Basinger. The film premiered at the 2008 Venice Film Festival
where Lawrence won the Marcello Mastroianni Award for Best Young Actor.
On television, Lawrence’s credits include three seasons of the TBS series “The Bill Engvall Show.” The
comedy, written and created by Bill Engvall and Michael Leeson, follows the life of Bill Pearson (Engvall),
a Denver suburban family counselor whose own family could use a little dose of counseling.
Reigning from Louisville, Kentucky with a childhood of local theatre experience to her credit, Lawrence
traveled to New York at age fourteen to explore a professional career in acting.
At 23 years old, JOSH HUTCHERSON [Peeta Mellark] has quickly become one of Hollywood's most
accomplished young actors. Hutcherson has already received many accolades throughout his career
including the 2012 CinemaCon award for Breakthrough Actor, MTV Movie Award for Best Male
Performance, the Teen Choice Award for Best Actor: Sci-Fi/Fantasy and Logo’s New Now Next Award for
the Next Mega Star.
Hutcherson can currently be seen starring alongside Benicio Del Toro in Escobar: Paradise Lost, a drama
about the notorious kingpin, Pablo Escobar which premiered at 2014 Toronto Film Festival.
Hutcherson is currently filming the James Franco directed drama, The Long Home. Based on the novel by
William Gay, the film is set in the 1940’s in rural Tennessee where a young man goes to work for a
bootlegger unaware that he had murdered his father 10 years prior.
Additional film credits include the animated film Epic, Red Dawn, a remake of the 1984 classic about a
group of teenagers trying to save their town from foreign soldiers, Journey 2: Mysterious Island alongside
Michael Caine and Dwayne Johnson, the independent feature film Detention, in which Hutcherson also
served as Executive Producer, and an omnibus film entitled Seven Days in Havana, which features 7
shorts directed by 7 different directors. In 2010, Hutcherson co-starred alongside Annette Bening and
Julianne Moore in Lisa Cholodenko’s Academy Award® nominated feature film The Kids are All Right. The
film debuted at that year’s Sundance Film Festival, where it was acquired by Focus Features in one of the
festival’s biggest deals and premiered to rave reviews. The film went on to garner the feature film prize
at the Berlin International Film Festival’s Teddy Awards in addition to Screen Actors Guild Awards ®,
Independent Spirit Awards® and Golden Globe® nominations. Prior to that, he starred in The Vampire’s
Assistant, opposite John C. Reilly and Salma Hayek, Carmel, Journey to the Center of the Earth 3-D, the
first ever high definition 3-D live performance feature, Bridge To Terabithia, Winged Creatures, Firehouse
Dog, RV, Little Manhattan, Zathura, Kicking and Screaming, Howl's Moving Castle and The Polar
Express. Hutcherson won Young Artist Awards for Leading Young Actor for his roles in Zathura and
Bridge to Terebithia.
In addition to acting, Hutcherson is extremely involved with his charity organization, Straight But Not
Narrow (SBNN). SBNN is an ally organization that prepares and trains young adults on how to become
allies of their LGBT peer. For the past three years, Hutcherson has hosted a basketball tournament to
raise funds and awareness for the organization. In 2012, he was honored with GLAAD’s Vanguard Award
for his work with the LGBT community.
Hutcherson currently resides in Los Angeles.
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LIAM HEMSWORTH [Gale Hawthorne] has a quiet intensity that transcends the big screen.
Demonstrating versatility and skill in a range of performances, Hemsworth has proven to be one of the
most sought after actors of his generation.
Hemsworth recently completed filming the lead role in Roland Emmerich’s Independence Day:
Resurgence, starring opposite Jeff Goldblum & Bill Pullman. He also completed starring roles in the
revenge western thriller By Way of Helena, opposite Woody Harrelson and The Dressmaker, opposite
Kate Winslet.
Born in Melbourne, Australia, Hemsworth grew up surfing on Phillip Island. The youngest of three boys,
Hemsworth always loved movies. Though he never dreamed of becoming an actor as a young kid, he
would sit down and watch movies all day long. At the age of 17, having observed his two older brothers
Luke and Chris do television shows in Australia, Hemsworth decided he too wanted to pursue acting
seriously. He enrolled in acting classes, got an agent and started auditioning. Hemsworth quickly landed
his first big acting job on Australia’s popular TV series Home and Away and from there went on to book a
role on Australia’s most successful TV show Neighbors.
Landing his first film role in the feature film Triangle, Hemsworth discovered that his true passion was in
making movies. “It’s something new and fresh and it’s just a different energy to what I’d worked on
before, says Hemsworth. Knowing Los Angeles was the center of movie making, Hemsworth began
sending audition tapes to the states. He sent a tape to Sylvester Stallone who within a week of receiving
the tape asked Hemsworth to come to Hollywood immediately to play the part of his son in the feature
film The Expendables. Shortly before he was to depart for Los Angeles, Hemsworth learned that the part
of Stallone’s son had been written out of the script. However, within hours of learning he was no longer
working on The Expendables he received a call that Marvel wanted to screen test him for Thor. Though
he ended up losing the role of ‘Thor’ to his older brother Chris, it was this audition for Marvel that got
Hemsworth to Los Angeles.
Hemsworth soon began to gain attention throughout Hollywood and, while living with his brother Chris in
their manager Will Ward’s guest cottage, Liam beat out hundreds of actors for the part of ‘Will Blakelee’
in the film adaptation of Nicholas Spark’s The Last Song, co-starring Greg Kinnear and Miley Cyrus.
Hemsworth then went onto star in two of 2012’s biggest box office hits—The Hunger Games, directed by
Gary Ross, and Expendables 2, directed by Simon West. He’s since starred opposite Harrison Ford and
Gary Oldman in the high stakes thriller Paranoia, directed by Robert Luketic and Empire State, directed by
Dito Montiel and co-starring Dwayne Johnson and Emma Roberts. He also reprised his role as Gale
Hawthorne in The Hunger Games: Catching Fire and The Hunger Games: Mockingjay – Part 1, directed
by Francis Lawrence. Most recently, he starred opposite Billy Bob Thornton, Bruce Dern & John Malkovich
in the crime thriller Cut Bank.
Hemsworth eagerly looks forward to more film work with quality actors and directors. He says, “I love
acting and I love movies. At the moment, I’m just trying to find people who are doing something
different and meet people who are as passionate as I am. I have learned the majority of what I know on
set, working. You learn from watching people with experience.”
WOODY HARRELSON’s [Haymitch Abernathy] rare mix of intensity and charisma consistently
surprises and delights audiences and critics alike in both mainstream and independent projects. His
portrayal of a casualty notification officer, opposite Ben Foster, in Oren Moverman’s The Messenger
garnered him a 2010 Academy Award® nomination for Best Supporting Actor. He was previously
nominated by the Academy, the Golden Globes® and SAG Awards® in the category of Best Actor for his
portrayal of controversial magazine publisher Larry Flynt in Milos Forman’s The People vs. Larry Flynt.
Harrelson recently completed filming on Lionsgate’s Now You See Me 2 for director Jon Chu. He was last
seen reprising his role of Haymitch Abernathy in HBO’s True Detective co-starring Matthew
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McConaughey for director Cary Fukunaga for which he was nominated for Emmy and SAG Awards in the
lead actor category and a Golden Globes Award for lead actor in a Mini Series. He can next be seen in
Triple Nine for director John Hillcoat, due out in Spring 2016. In 2013, Harrelson appeared in
writer/director Scott Cooper’s Out of the Furnace starring opposite Christian Bale and Casey Affleck,
Relativity’s animated film, Free Birds with Owen Wilson, Louis Leterrier’s Now You See Me and The
Hunger Games: Catching Fire.
In 2012 Harrelson starred opposite Julianne Moore and Ed Harris in the HBO film Game Change for
director Jay Roach, for which he earned Primetime Emmy®, SAG Awards®, and Golden Globe®
nominations for his role as Steve Schmidt, and Martin McDonagh’s Seven Psychopaths, alongside Sam
Rockwell, Colin Farrell and Christopher Walken. Other highlights from Harrelson’s film career include Rampart, which reunited him with director Oren
Moverman, Ruben Fleischer’s box office hit Zombieland; Friends with Benefits; 2012; Semi-Pro; The
Grand; No Country For Old Men; A Scanner Darkly; A Prairie Home Companion; Defendor; Seven Pounds;
The Prize Winner of Defiance, Ohio; North Country; The Big White; After The Sunset; Play It To The
Bone; Battle In Seattle; EDtv; The Hi-Lo County; Transsiberian; The Thin Red Line; Wag The Dog;
Welcome To Sarajevo; Kingpin; Natural Born Killers; Indecent Proposal; White Men Can’t Jump and was
recently seen as the on screen host for director Pete McGrain’s powerful political documentary Ethos.
Harrelson first endeared himself to millions of viewers as a member of the ensemble cast of NBC's longrunning hit comedy, Cheers. For his work as the affable bartender ‘Woody Boyd,’ he won a Primetime
Emmy® in 1988 and was nominated four additional times during his eight-year run on the show. In
1999, he gained another Primetime Emmy® nomination when he reprised the role in a guest appearance
on the spin-off series Frasier. He later made a return to television with a recurring guest role on the hit
NBC series, Will and Grace.
Balancing his film and television work, in 1999 Harrelson directed his own play, Furthest From The Sun at
the Theatre de la Juene Lune in Minneapolis. He followed next with the Roundabout's Broadway revival of
The Rainmaker; Sam Shepherd’s The Late Henry Moss, and John Kolvenbach's On An Average Day
opposite Kyle MacLachlan at London’s West End. Harrelson directed the Toronto premiere of Kenneth
Lonergan's This Is Our Youth at Toronto’s Berkeley Street Theatre. In the winter of 2005 Harrelson
returned to London's West End, starring in Tennessee Williams' Night of the Iguana at the Lyric Theatre.
In 2011, Harrelson co-wrote and directed the semi-autobiographical comedy Bullet for Adolf at Hart
House Theatre in Toronto. In the summer of 2012 Bullet for Adolf made its Off-Broadway debut at New
World Stages.
Emmy® nominated actress, producer and director ELIZABETH BANKS [Effie Trinket] has become one
of Hollywood’s most sought after and versatile actresses, easily navigating between stage and screen,
comedy and drama. In addition to acting, Banks had her feature directorial debut with Pitch Perfect 2,
the sequel to Pitch Perfect about a women’s college acapella group where she reprised her role as
commentator Gail. She also produced the film along with her husband, Max Handelman, through their
company, Brownstone Productions.
Banks has recently appeared in Magic Mike XXL opposite Channing Tatum. In 2014, she lent her voice to
the global hit The Lego Movie. Following The Lego Movie, she appeared in Love & Mercy directed by Bill
Pohlad which takes an unconventional look at the life of the celebrated leader of The Beach Boys, Brian
Wilson, and his legendary battle with mental illness. The film recently premiered at the 2014 Toronto Film
Festival and was released by Roadside Attractions in June of 2015. She also played Detective Nancy
Porter in Every Secret Thing (2014) directed by Amy Berg and based on the best-selling novel by Laura
Lippman. The story follows a detective who looks to unravel a mystery surrounding missing children and
the two young women who are prime suspects.
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Banks’ additional feature credits include her breakthrough roles in the Academy Award ® winning
films Seabiscuit, in which she starred as Marcela Howard opposite Jeff Bridges and Tobey Maguire, and in
Steven Spielberg’s Catch Me If You Can. She has also appeared in Walk of Shame, Little Accidents, Our
Idiot Brother, The Details, Zack and Miri Make a Porno, What to Expect When You’re Expecting, People
Like Us, Man on a Ledge, The Next Three Days, Role Models, Meet Dave, Invincible, The 40-Year-Old
Virgin, Fred Claus, Sisters, Slither, Heights, The Baxter, The Trade, Ordinary Sinner, The Uninvited, Daltry
Calhoun, Sexual Life, John Singleton’s Shaft with Samuel L. Jackson and the cult hit Wet Hot American
Summer starring Janeane Garofalo and David Hyde Pierce. She also appeared as journalist Betty Brant, a
role that director Sam Raimi created for her, in Columbia Pictures’ three blockbuster Spider-Man films
with Tobey Maguire as the title character.
On the small screen, Banks earned a Primetime Emmy® Award nomination in 2011 for Outstanding
Guest Actress in a Comedy Series for her performance as ‘Avery Jessup’ on “30 Rock.” She has also
appeared on ABC’s “Modern Family” and in a recurring role as Dr. Kim Porter on NBC’s “Scrubs.” In 2007
she appeared in the CBS miniseries “Comanche Moon,” Larry McMurtry’s prequel to “Lonesome Dove.”
Her production company Brownstone Productions’ upcoming projects include White Girl Problems, Tink,
a Disney live-action romantic comedy in which Banks will star as Tinkerbell and RA's with Paramount
Digital. She has also produced the global hit Pitch Perfect and Disney’s 2009 sci-fi thriller The Surrogates,
which starred Bruce Willis.
Her extensive theater credits include many roles in American Conservatory Theatre productions, as well
as the Guthrie Theater’s production of Summer and Smoke directed by David Esbjornson. In 2006 Banks
played ‘Cherie’, the female lead in William Inge’s comedy Bus Stop, as part of the Williamstown Theater
Festival.
Originally from Massachusetts, Banks received her Bachelor’s Degree from the University of Pennsylvania
and her Graduate Degree at the American Conservatory Theater. She is involved with many charities
which include: LA’s Best, Planned Parenthood®, and Intrepid Fallen Heroes Fund. She currently resides in
Los Angeles.
One of today’s most versatile and charismatic actresses, Academy Award® winner JULIANNE MOORE
[President Alma Coin] is known for her breadth of work with many memorable performances in
everything from comedy to drama, blockbusters to art house fare, and from the big to the small screen.
Moore will next be seen in Lionsgate’s indie drama Freeheld opposite Ellen Page and Michael Shannon,
and Rebecca Miller’s upcoming romantic comedy Maggie’s Plan, both set to premiere at the Toronto Film
Festival this year. She will also be seen in the fourth installment of the popular Hunger Games franchise
Mockingjay – Part 2 as President Coin.
Most recently, Moore won an Academy Award ®, Golden Globe®, BAFTA, and SAG Award®, among others,
for her role in Still Alice with Kristen Stewart, Alec Baldwin and Kate Bosworth. Moore is the ninth person
in Academy history to receive two acting Oscar® nominations in the same year for her performances in
Far From Heaven (Best Actress nomination) and The Hours (Best Supporting Actress nomination), after
receiving many critics’ awards as well as SAG Award ® and Golden Globe® nominations for both. Moore is
a four-time Academy Award® nominee, eight-time Golden Globe® nominee, six-time SAG Award®
nominee, four-time BAFTA nominee, and a three-time Independent Spirit Award® nominee winning in
2003 for Far From Heaven. In 2012, she won the Primetime Emmy ® award for Outstanding Lead Actress
in a Miniseries or a Movie for her role as Alaska Governor Sarah Palin in the HBO original movie Game
Change. This role also garnered wins at the 2013 SAG Awards ® and Golden Globe Awards®. Her
additional honors include the Excellence in Media Award at the 2004 GLAAD Media Awards, the Silver
Bear Award at the 2003 Berlin International Film Festival, the 2002 Copa Volti as Best Actress at the
Venice Film Festival, the Actor Award at the 2002 Gotham Awards and the “Tribute to Independent
Vision” at the 2001 Sundance Film Festival.
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Moore’s notable films include The Hunger Games: Mockingjay - Part 1; Maps to the Stars; The Seventh
Son; Non-Stop; Crazy, Stupid, Love; The Kids Are All Right; A Single Man; The Forgotten; What Massie
Knew; The English Teacher; Laws of Attraction; Chloe; 6 Souls; Blindness; Savage Grace; I’m Not There;
Children of Men; Hannibal; Jurassic Park: The Lost World; The Fugitive; Nine Months; Benny & Joon; The
Hand That Rocks the Cradle; The End of the Affair; Boogie Nights; Magnolia; Cookie’s Fortune; Short
Cuts; Don Jon; Gus Van Sant’s re-make of Psycho; Safe; Vanya on 42nd Street; Surviving Picasso, and
The Big Lebowski.
An accomplished author, Moore recently released her fourth book My Mother is a Foreigner, But Not to
Me, based on her experiences growing up with a mother from Scotland. Her previous work includes the
successful children’s book series– Freckleface Strawberry, Freckleface Strawberry and the Dodgeball
Bully, and Freckleface Strawberry: Best Friends Forever. Inspired by the book’s main character,
‘Freckleface Strawberry’, in 2013 Moore released her Monster Maker ® app via iTunes® which allows users
to make their own monster to send to family and friends. Moore most recently unveiled her second app
Dreamtime Playtime®, an app that encourages math skills at a very early age. The original book was also
adapted into a successful off-Broadway musical.
After earning her B.F.A. from Boston University for the Performing Arts, Moore starred in a number of offBroadway productions, including Caryl Churchill’s Serious Money and Ice Cream/Hot Fudge at the Public
Theater. She appeared in Minneapolis in the Guthrie Theater’s Hamlet, and participated in workshop
productions of Strindberg’s The Father with Al Pacino and Wendy Wasserstein’s An American Daughter
with Meryl Streep. Moore made her Broadway debut in 2006 in the Sam Mendes production of The
Vertical Hour, an original play written by David Hare.
Moore and her family reside in New York City.
PHILIP SEYMOUR HOFFMAN [Plutarch Heavensbee] was last seen starring in Anton Corbijn’s A
Most Wanted Man, John Slattery’s feature directorial debut, God’s Pocket and The Hunger Games:
Catching Fire. Previously he appeared in Paul Thomas Anderson’s The Master, A Late Quartet with
Christopher Walken and Catherine Keener, The Ides of March, directed by George Clooney and in
Moneyball with Brad Pitt, directed by Bennett Miller. Hoffman made his feature directorial debut with Jack
Goes Boating, which was produced by Cooper’s Town Productions and based on the play of the same
name. Other past film credits include Synecdoche, NY; Doubt; The Savages; Charlie Wilson’s War and
Before The Devil Knows You’re Dead. It was Hoffman’s performance in Capote, also directed by Bennett
Miller and produced through his company, Cooper’s Town Productions, for which he earned an Academy
Award®.
As an actor, his theater credits include the Broadway revival of Death of a Salesman, a limited run in
Othello, LAByrinth’s production of Jack Goes Boating, Long Day’s Journey Into Night, The Seagull, True
West, Defying Gravity, The Merchant of Venice, Shopping and F*cking and The Author’s Voice.
His theater directing credits include the world premieres of The Last Days of Judas Iscariot, Our Lady of
121st Street, Jesus Hopped the ‘A’ Train, In Arabia We’d All Be Kings and The Little Flower of East Orange
all written by Stephen Adly Guirgis and produced by LAByrinth. Also produced by LAByrinth, Hoffman
directed A Family for All Occasions written by Bob Glaudini. Additionally he directed Rebecca Gilman’s The
Glory of Living at MCC Theater. He traveled to Australia to direct Andrew Upton’s Riflemind at the famed
Sydney Theater Company and later mounted the play in London. He also directed Brett C. Leonard’s The
Long Red Road for the Goodman Theater in Chicago and returned to the Sydney Theater Company to
direct True West.
Hoffman passed away in February of 2014 in New York City.
Tony®, Emmy®, AFI and Golden Globe Award®-winning actor JEFFREY WRIGHT [Beetee] has enjoyed
an illustrious career that has spanned the worlds of theatre, film and television.
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Wright will soon be seen playing ‘Bernard Lowe’, in HBO’s reimagining of Michael Crichton’s 1973 film,
Westworld. The TV-series will explore the infamous futuristic theme park where the rich flock to fulfill
their wildest fantasies and the perils that ensue when illusions become realities. In addition to that,
Wright will also be seen playing Harvard Law professor, Charles Ogletree in HBO’s upcoming
CONFIRMATION; a film that chronicles Anita Hill’s sexual harassment testimony in Clarence Thomas’
1991 Supreme Court hearings. Wright’s recent television appearances include his portrayal of Dr. Valentin
Narcisse in HBO's critically acclaimed series “Boardwalk Empire.” Wright was nominated for Critics Choice
Television Award in the category of Best Supporting Actor for his portrayal of Narcisse, as well as a
Screen Actors Guild Award® in the category of Outstanding Performance by an Ensemble in a Drama
Series on behalf of the show.
On the big screen, Wright can next be seen in two features: Pixar's animated film The Good Dinosaur,
where Wright will voice the role of Poppa Henry and The Hunger Games: Mockingjay – Part 2, which will
be released on November 20, 2015. He will reprise his role as Beetee, the electronics and wiring expert
from District 3 and leader amongst the rebellion. Wright previously starred in The Hunger Games:
Mockingjay – Part 1, and The Hunger Games: Catching Fire.
A gifted theater actor, Wright was most recently on stage as the lead in John Guare's A Free Man of Color
at Lincoln Center, directed by George C. Wolfe, a frequent collaborator. In 2001 and 2002 respectively,
he earned an Obie award and a Tony® nomination for his work in the play Topdog/Underdog. Wright
garnered a Tony® Award in 1994 for his portrayal in Tony Kushner's Pulitzer Prize-winning epic Angels in
America, also directed by George C. Wolfe. Wright reprised his Angels role in HBO's 2003 mini-series
adaption of the play, earning both a Golden Globe® and an Emmy® for his groundbreaking performance.
On film, Wright has portrayed a stunning array of icons and iconoclasts. His brilliant portrayal of the
renowned and controversial graffiti artist, Jean Michel Basquiat, in the 1996 film BASQUIAT, received
widespread praise from critics and earned him an Independent Spirit Award ® nomination. On the other
end of the spectrum, Wright has taken on roles in the 2006 and 2008 James Bond films, Casino Royale
and Quantum of Solace and also in 2008, starred as ‘Muddy Waters’ in Cadillac Records and as Colin
Powell in Oliver Stone's W. In 2005, he co-starred in the award-winning film Syriana, and his other credits
include Stephen Daldry's Extremely Loud and Incredibly Close; Jonathan Demme's remake of The
Manchurian Candidate; Jim Jarmusch's Only Lovers Left Alive and Broken Flowers, earning him another
Independent Spirit Award® nomination; Ang Lee's Ride with the Devil ; Allen Hughes' political thriller
Broken City; George Clooney's The Ides of March; and Shaft.
In addition to acting, Wright is founded and Vice Chairman of Taia Lion Resources and co-founder and
Chairman of Taia Peace Foundation. He is the co-founder of the Ebola Survival Fund and is on the
advisory board of the United Nations Democracy Fund (UNDEF). He also serves on the boards of directors
of the Tribeca Film Institute and Resolve. Wright was named by the Government of Sierra Leone as the
“Peace by Piece” Ambassador for that country's 2011 50th Anniversary Independence Celebration, and in
2011, Wright was named honorary Paramount Chief of Penguia Chiefdom, Sierra Leone.
Born in Washington, D.C., Wright graduated from Amherst College, receiving a B.A. in political science in
1987 and earned a doctorate of humane letters from his alma mater in 2004. Wright resides in Brooklyn,
NY with his family.
Academy Award® nominee STANLEY TUCCI [Caesar Flickerman] has appeared in over 50 films and
countless television shows. He has appeared in more than a dozen plays, on and off Broadway, and has
been behind the camera working as a writer, director, and producer.
Tucci recently completed production of Bill Condon’s Beauty and The Beast, alongside Emma
Watson, Ewan McGregor, Luke Evans, Dan Stevens, Emma Thompson and Ian McKellen, set for
release in 2017. Other upcoming projects for Tucci include Peter & Wendy, a two-hour drama
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where he will play ‘Captain Hook’ alongside Laura Fraser and Paloma Faith, set to release on ITV
in 2015; and Patient Zero alongside Natalie Dormer, set to release in 2016.
Tucci was most recently seen in Spotlight, directed by Tom McCarthy, alongside Rachel
McAdams, Live Schreiber, Mark Ruffalo, Michael Keaton and Billy Crudup. Spotlight premiered at
the Venice Film Festival on September 3, 2015 and is set to release in the U.S. on November 6,
2015.
Tucci can also be seen in the television show “Fortitude” alongside Richard Dormer, Christopher
Eccleston and Sofie Grabol. A British psychological thriller set in Norway, Tucci plays an
American detective hired to solve a murder case. “Fortitude” premiered on Pivot in the U.S. on
January 29, 2015.
Tucci was nominated for an Academy Award®, Golden Globe Award®, BAFTA Award, SAG
Award® and received a Broadcast Film Critics nomination for his performance in Peter Jackson’s
The Lovely Bones.
Furthermore, Tucci won an Emmy® and a Golden Globe® for his role in the TV movie Winchell.
His performance as the fast-talking tattler, who exposed secrets and scandals, left audiences
and critics alike singing his praises. Winchell, directed by Paul Mazursky, provided Tucci with
one of the juiciest roles of his diverse career.
He received a Golden Globe® for his role in HBO’s Conspiracy. His brilliant portrayal of Lt.
Colonel Adolf Eichmann delivered a truly petrifying experience, where he often deceived others
with his all but friendly smile.
Tucci is also a writer, director and producer. He is the Producer for The Canal, set to release in
2015; Executive Producer for the upcoming TV/movie drama Behind the Sun; and
Director/Writer for Final Portrait. He premiered the film Blind Date at The Sundance Film
Festival -- directing, starring, and co-writing this Van Gogh remake. Another directorial endeavor
was USA Films’ Joe Gould’s Secret, which starred Ian Holm as bohemian writer ‘Joe Gould’ and
Tucci as ‘Joseph Mitchell,’ the famed writer for The New Yorker. The film, set in New York’s
Greenwich Village in the 1940s, tells the story of the strange meeting and long lasting friendship
between Gould and Mitchell, as well as the stories Mitchell wrote about Gould and his life.
Big Night, Tucci’s first effort as co-director, co-screenwriter, and actor on the same film, earned
him numerous accolades, including the Waldo Salt Screenwriting Award at the 1996 Sundance
Film Festival, a recognition of Excellence by the National Board of Review, an Independent Spirit
Award®, The Critics Prize at the 1996 Deauville Film Festival, and honors from the New York
Film Critics and the Boston Society of Film Critics.
His second project, The Imposters, a film which he wrote, directed, co-produced, and starred in,
was an Official Selection at the 1998 Cannes Film Festival and was acquired by Fox Searchlight
Pictures later that year. The 1930’s farce starred Tucci and Oliver Platt as a pair of out-of-work
actors who find themselves aboard a cruise ship passengered by Steve Buscemi, Alfred Molina,
Lili Taylor and Hope Davis.
His work on television includes “Fortitude,” “Bull,” “Equal Justice,” “Wiseguy,” “The Equalizer,”
“thirtysomething,” and “The Street.” Tucci received Emmy® nominations for his work in “Murder
One” and “ER,” and an Emmy® Award in the category of Outstanding Guest Actor in a Comedy
Series for “Monk.
Tucci’s theater work includes Frankie & Johnny in the Claire de Lune, Execution of Hope, The
Iceman Cometh, Brighton Beach Memoirs and The Misanthrope. He has also performed in a
number of off-Broadway plays, at Yale Repertory Theater and SUNY Purchase, where he first
studied acting.
Tucci made his directorial debut on Broadway with a revival of Ken Ludwig’s Lend Me a Tenor
starring Tony Shalhoub. The production received a Tony® Award nomination for Best Revival of
a Play.
Tucci’s additional film credits include Transformers: Age of Extinction, Wild Card, Muppets Most
Wanted, Mr. Peabody & Sherman, Some Velvet Morning, The Fifth Estate, Percy Jackson: Sea of
Monsters, The Company You Keep, Jack The Giant Slayer, Captain America; The First Avenger,
Margin Call, Burlesque, Easy A, Julie & Julia, The Tale of Despereaux, ,Kit Kitteredge: An
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American Girl. Swing Vote, What Just Happened, The Devil Wears Prada, Shall We Dance, The
Terminal The Life and Death of Peter Sellers, Spin, Road to Perdition, America’s Sweethearts,
Sidewalks of New York, A Mid Summer Night’s Dream, The Alarmist, Deconstructing Harry, The
Daytrippers, Big Trouble, A Life Less Ordinary, Kiss of Death, Mrs. Parker and the Vicious Circle,
It Could Happen to You, The Pelican Brief, Prelude to a Kiss, In the Soup, Billy Bathgate and
Slaves of New York.
The Tucci Cookbook was released in October of 2012 where it reached the New York Times Best
Sellers List. Tucci released his 2nd cookbook, The Tucci Table: Cooking With Family and Friends,
on October 28, 2014. The family-focused cookbook includes recipes from Tucci’s traditional
Italian roots as well as those of his British wife, Felicity Blunt’s.
Tucci serves on the Board of Directors of The Food Bank for New York City. Tucci resides in
London.
DONALD SUTHERLAND [President Snow] is one of the most respected, prolific and versatile of
motion picture actors, with an astonishing resume of well over one hundred and fifty films, including such
classics as Robert Aldrich’s The Dirty Dozen; Robert Altman's M*A*S*H; John Schlesinger’s The Day of
the Locust; Robert Redford's Ordinary People; Bernardo Bertolucci’s 1900; Philip Kaufman’s Invasion of
the Body Snatchers; Nicolas Roeg’s Don’t Look Now with Julie Christie; Alan Pakula's Klute with Jane
Fonda; Federico Fellini's Fellini’s Casanova; and in Brian Hutton’s Kelly’s Heroes with Clint Eastwood, who
later directed him in Space Cowboys.
Sutherland stars at ‘President Snow’ in the enormously popular film adaptation series of The Hunger
Games, including the upcoming finale Mockingjay – Part 2. Sutherland was producer, screenwriter and
star (voicing the lead character, ‘Captain Johnson’) of Pirate’s Passage, an animated movie based on
William Gilkerson’s acclaimed novel, winner of Canada’s Governor General's Award for Children's
Literature in 2006. He stars opposite his son, Kiefer, in Forsaken, a period Western set in Canada, which
recently had its world premiere as a Gala presentation at the 2015 Toronto International Film Festival.
Other films which he has completed this year are Measure of a Man, adapted from Robert Lipsyte’s YA
novel One Fat Summer, and Milton’s Secret, based on Eckhart Tolle’s beloved children’s book.
Sutherland’s film credits include Paul Mazursky’s Alex in Wonderland; Dalton Trumbo’s Johnny Got His
Gun; Bud Yorkin’s Start the Revolution Without Me; John Sturges’ The Eagle Has Landed; Herbert Ross’
Max Dugan Returns; Louis Malle’s Crackers; Phillip Borsos’ Bethune; Oliver Stone’s JFK; Ron
Howard’s Backdraft; Richard Marquand’s Eye of the Needle; Euzhan Palcy’s A Dry White Season; Richard
Pearce’s Threshold (for which he won the 1983 Genie Award as Best Actor); Fred Schepisi’s film
adaptation of John Guare’s Six Degrees of Separation; Robert Towne’s Without Limits; and John Landis’
National Lampoon’s Animal House, in which he made a memorable cameo appearance; in Andy Tennant’s
Fool’s Gold; in Griffin Dunne’s Fierce People with Diane Lane; in Robert Towne’s Ask the Dust with Salma
Hayek and Colin Farrell; in American Gun with Forrest Whitaker; in An American Haunting with Sissy
Spacek; in Land of the Blind with Ralph Fiennes; in Aurora Borealis with Louise Fletcher and Juliette
Lewis; with Channing Tatum in The Eagle; in Simon West’s The Mechanic; in Seth Gordon’s Horrible
Bosses as Colin Farrell’s father and in Mary McGuckian’s Man on the Train with U2’s Larry Mullen, Jr. He
has appeared as Nicole Kidman’s father in Anthony Minghella’s Cold Mountain; as Charlize Theron’s father
in F. Gary Gray’s The Italian Job and as Mr. Bennett, Keira Knightley’s father, in Pride and Prejudice. For
the latter he received a Chicago Film Critics nomination.
He is part of a sterling ensemble of on-camera readers in the biographical feature on the life of Dalton
Trumbo, Trumbo.
In television, Sutherland won both Primetime Emmy ® and Golden Globe® awards as Best Supporting
Actor for his performance in the HBO film Citizen X and he won a Golden Globe® for his portrayal of Clark
Clifford, advisor to President Lyndon B. Johnson, in the HBO historical drama Path to War, directed by the
late John Frankenheimer.
Also on television, Sutherland stars alongside an international cast in Tandem’s international action crime
series, “Crossing Lines,” which recently completed filming on its third season in Prague. He starred in the
long form adaptation of Ken Follett’s best-seller, “The Pillars of the Earth.” He co-starred with Peter
Krause in the ABC-TV series “Dirty Sexy Money,” for which he was nominated for a 2007 Golden Globe®
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as Best Supporting Actor. Prior to that, he co-starred with Geena Davis in the ABC drama series
“Commander-in-Chief,” and was nominated for a Golden Globe® as Best Supporting Actor for his
portrayal of House Speaker, Nathan Templeton. At the same time, he was nominated for a Golden
Globe® as Best Actor for his performance opposite Mira Sorvino in Lifetime Television’s much-lauded
miniseries, “Human Trafficking.”
On stage, Sutherland starred with Justin Kirk and Julianna Margulies in a sold-out, critically acclaimed,
Lincoln Center engagement of Jon Robin Baitz’s Ten Unknowns. For that performance he received an
Outer Critics Circle Award nomination for Best Actor. He also starred in the London, Toronto and Los
Angeles productions of Enigmatic Variations, an English language translation (by his son Roeg
Sutherland) of Eric-Emmanuel Schmitt’s French play.
Donald Sutherland was appointed an officer of the Order of Canada in 1978 and a Chevalier des Arts et
Lettres in France five years later. In 2012, he was awarded the highest French honor, the Officier des
Arts et Lettres.
WILLOW SHIELDS [Primrose Everdeen] born and raised in New Mexico, is most notably recognized
for her role as ‘Primrose Everdeen’ in the epic portrayal of the fan favorite book series The Hunger
Games. Shields began acting at the age of seven years old and thanks to her unique look, down-to-earth
personality and easy to work with demeanor, she has quickly caught the eye of Hollywood big wigs.
Shields became interested in acting when she followed her brother to a handful of auditions and her
passion and drive quickly shined through. She booked her first guest starring role as ‘Liza Rogan’ on
USA’s In Plain Sight. She continued onto roles in the Hallmark Hall of Fame movie Beyond the Blackboard
alongside Emily VanCamp as ‘Grace,’ and R.L. Stine’s The Haunting Hour as ‘Eve.’ Shields caught the eye
of world famous fashion designer Marc Jacobs who was adamant on dressing the young starlet for a
variety of events and award shows, even coining her as his muse in Nylon magazine.
Shields grew up with her older brother River and fraternal twin sister Autumn in an animal loving home
with their four dogs (Jude, Arizona, Polly and Neo) and one pet cat named Clue. During her downtime
she enjoys photography, dance and spending time with her family and friends. She dreams of one day
learning how to design and create her own clothing—everything from drawing to assembly of the
garments. A charity that she holds near and dear to her heart is Operation Smile, which gives children a
new lease on life by providing pro-bono surgeries to fix cleft palate, cleft lip and other facial deformities
across the globe.
Since graduating from LAMDA in 2009 SAM CLAFLIN [Finnick Odair] has worked on a number of
prestigious projects.
Claflin has recently begun filming Lone Scherfig’s Their Finest Hour and a Half where he will be seen
starring alongside Gemma Arterton and Bill Nighy. The romantic comedy follows a British film crew as
they attempt to create a morale boosting film during the Blitz. 2015 will also see Claflin film the title role
in Robin Friday charting the life of the enigmatic British footballer. Claflin has recently finished filming the
role of Will opposite Emilia Clarke in the adaption of Jojo Moyes bestselling book Me Before You. In the
film Claflin plays a recently paralyzed man whose life is turned upside down by the arrival of Louisa to
care for him.
2014 was a huge year for Claflin with a number of projects out in cinemas. Claflin starred in Lone
Scherfig’s film The Riot Club, based on the London stage play Posh alongside Max Irons, Douglas Booth
and Holliday Grainger. The film follows students at Oxford University as they join he infamous Riot Club,
and premiered at the Toronto Film Festival. Also out last year was Love, Rosie. This film version of Cecilia
Ahern’s novel Where Rainbows End sees Claflin star with Lily Collins as friends and lovers in this romantic
comedy drama set in Dublin and Toronto. Earlier in the year Claflin appeared opposite Jarred Harris in
Hammer Horror film The Quiet Ones.
In 2012 Claflin played the role Prince William alongside Kristen Stewart, Charlize Theron and Chris
Hemsworth in box office hit Snow White and the Huntsman, which he will follow up with a small role in
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the forthcoming The Huntsman. The previous year Claflin made a name for himself as youthful
missionary, Philip, the romantic lead in Pirates of the Caribbean: On Stranger Tides.
Claflin has also starred in a number of outstanding television projects. In 2013 he was seen on screens
opposite Hilary Swank in Richard Curtis’ BBC One drama Mary & Martha, which was shown to coincide
with Red Nose Day and to raise awareness about malaria in Africa. In 2012 Claflin played Jack in White
Heat, an epic drama for the BBC charting the lives of seven friends from 1965 to the present day. He
starred in United alongside David Tennant, Dougray Scott and Jack O'Connell. In this one off film for the
BBC, Claflin played the talented footballer ‘Duncan Edwards’ in the tragic story of the Munich Air Crash of
1958, which killed and injured a number of members of the Manchester United team.
In 2010 Claflin was seen in the hit Channel 4 mini-series “Pillars of the Earth” based on Ken Follett’s novel
of the same name. In this drama Claflin played ‘Richard’, alongside Eddie Redmayne, Hayley Atwell and
Ian McShane. Claflin also starred in the critically acclaimed adaptation of William Boyd’s “Any Human
Heart” for Channel 4 which won a BAFTA Award for Best Drama Serial. Claflin played the younger years
of lead character, Logan, sharing the role with Jim Broadbent and Matthew Macfadyen. The same year
Claflin also appeared in The Lost Future, a sci-fi adventure in which he played Kaleb, alongside Sean
Bean and Annabelle Wallis.
As a rising actress distinguished by her versatility and multidimensional roles, JENA MALONE [Johanna
Mason] continues to evolve with each new project.
Malone recently wrapped production on Nicolas Winding Refn’s The Neon Demon, in which she stars
opposite Elle Fanning. The LA-based thriller, co-written by Winding Refn, follows an aspiring model who
moves to Los Angeles and has her youth and vitality devoured by a group of beauty-obsessed women
who will take any means necessary to get what she has.
Malone recently starred in Oren Moverman's Time Out of Mind alongside Richard Gere. The film is about
a New Yorker (Gere) who enters a shelter when he runs out of housing options, then struggles to put the
pieces of his life back together and fix a troubled relationship with his estranged daughter (Malone). The
film premiered at this year’s Toronto International Film Festival and was released by IFC on September
11, 2015.
She also recently starred in Paul Thomas Anderson's Inherent Vice. Warner Brothers released the film on
December 12, 2014. The film co-stars Reese Witherspoon, Owen Wilson, Joaquin Phoenix and Josh
Brolin. The film premiered at the New York Film Festival.
Additionally, Malone recently wrapped production on Mitchell Lichtenstein's Angelica, a psychological
thriller set in 1880s London based on the novel of the same name by bestselling author Arthur Phillips
(Prague,The Egyptologist). Malone will play ‘Constance’, a young shop girl who falls for and marries Dr.
Joseph Barton. After the difficult childbirth of their daughter Angelica, doctor-ordered celibacy creates a
rift in the Bartons' marriage and a ghostly force enters their home. The film premiered at the 2015 Mill
Valley Film Festival.
Malone was cast to play the lead role in Dori Oskowitz's Claire. The American remake of Eric Rohmer's
1982 French pic Le Beau Mariage, follows an eccentric young woman in her twenties living in Long Island
with her aunt and teenage cousin. Fed up with her married painter lover, Claire sets her sights on a man
she barely knows with aims to get herself married.
Malone starred opposite Kevin Costner and Bill Paxton in the History Channel's mini-series Hatfields &
McCoys which is based on a true story, and chronicles the bloody hostilities between two clans that
escalated to the point of near war between two states. The mini-series broke cable records and became
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the new most-watched entertainment telecast of all time on cable and also earned an Emmy® Nomination
for Outstanding Mini-Series and a Golden Globe® Nomination for Best Mini-Series.
Previously, Malone starred in Zack Snyder’s Sucker Punch, Ami Mann's Dakota, Oren Moverman's The
Messenger, Sean Penn's Into the Wild, Anthony Minghella's Cold Mountain, Brian Dannelly's Saved!, Joe
Wright's Pride and Prejudice, M. Blash’s The Wait, and Brian Savelson’s In Our Nature. As a young
actress, Malone starred opposite Julia Roberts and Susan Sarandon in Stepmom, the cult classic, Donnie
Darko and her very first role in the independent film Bastard Out of Carolina which earned her an
Independent Spirit Award® nomination for “Best Debut Performance.”
Malone has guest starred on several television series including “Law & Order” and “Chicago Hope”, and
her performance in the TV film Hope earned Malone a Golden Globe ® nomination for “Best Performance
by an Actress in a Mini-Series or Motion Picture Made for TV.”
In Spring 2013, Malone directed her first music video for the band Lavender Diamond. The video for "The
Incorruptible Heart" was released exclusively on MTV Buzzworthy.
Malone recently toured with her band, The Shoe. Malone and her bandmate, Lem Jay Ignacio, met in
2008 and shortly after started recording together. Malone built an instrument she plays called “The Shoe”
which includes an old steamer trunk with a plethora of electronic instruments inside. Their first EP "At
Lem Jay's Garage" came out in 2009 under Jena's label There Was An Old Woman Records. Their full
length album “I'm Okay” was released in Spring 2014.
Malone currently resides in Los Angeles
MAHERSHALA ALI [Boggs] is fast becoming one of the freshest and most in-demand faces in
Hollywood with his extraordinarily diverse skill set and wide-ranging background in film, television, and
theater.
Ali will next star in Gary Ross’s civil war era drama The Free State of Jones opposite Matthew
McConaughey, Gugu Mbatha-Raw, and Keri Russell. STX Entertainment will release the film on March 11,
2016.
On television, Ali was recently cast in Netflix and Marvel Entertainment’s “Luke Cage” in the role of
Cornell ‘Cottonmouth’ Stokes. A Harlem nightclub owner, Stokes will become an unexpected foe in Luke’s
life when Stokes’ criminal activities threaten Luke’s world. Ali stars alongside Mike Colter, Rosario
Dawson, and Alfre Woodard. The series will premiere on Netflix in 2016.
Ali can currently be seen on the award-winning Netflix original series “House of Cards,” where he will
reprise his fan-favorite role as lobbyist and former press secretary Remy Danton for a fourth season in
February 2016.
Ali’s previous feature film credits include Derek Cianfrance’s The Place Beyond the Pines, opposite Ryan
Gosling and Bradley Cooper, Wayne Kramer’s Crossing Over starring Harrison Ford, John Sayles’ Go For
Sisters, and David Fincher’s The Curious Case of Benjamin Button.
On television, he appeared opposite Julia Ormond in Lifetime’s The Wronged Man, for which he
subsequently received a NAACP Nomination for Best Actor. Ali also had a large recurring role on Syfy’s
“Alphas”, as well as the role of Richard Tyler, a Korean War pilot, on the critically acclaimed drama “The
4400” for three seasons.
On the stage, Ali appeared in productions of Blues for an Alabama Sky, The School for Scandal, A Lie of
the Mind, A Doll’s House, Monkey in the Middle, The Merchant of Venice, The New Place and Secret
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Injury, Secret Revenge. His additional stage credits include appearing in Washington, D.C. at the Arena
Stage in the title role of The Great White Hope, and in The Long Walk and Jack and Jill.
Originally from Hayward, California, Ali received his Bachelor of Arts degree in Mass Communications at
St. Mary’s College. He made his professional debut performing with the California Shakespeare Festival in
Orinda, California. Soon after, he earned his Master’s degree in acting from New York University’s
prestigious graduate program.
WES CHATHAM [Castor] was born and raised in North Georgia. At the age of 13, Wes attended the
Gift Center in Lawrencville, GA and while attending classes here, a professional theater company out of
Atlanta started a mentoring program with the school and Wes was chosen to write a play that was later
performed by his classmates. It was from this experience that Wes found his passion for the arts.
After high school, Wes joined the military as an aviation firefighter on the flight deck of the USS Essex,
working in crash and salvage for four years. Wes's first break came just three months before his tour
was finished when Denzel Washington chose his ship to shoot the movie Antwone Fisher. While searching
for authentic military servicemen for the movie, casting director Robi Reed discovered Wes. She soon
convinced him to make the move to Hollywood and shortly thereafter cast him in his first series regular
role on Showtime's Barbershop.
Wes began to garner attention when Paul Haggis cast him as Corporal Steve Penning in In the Valley of
Elah opposite Tommy Lee Jones.
Following this, Wes worked with Oliver Stone in W, David Mamet and Shawn Ryan on the CBS series The
Unit, and was part of the SAG Award®-winning ensemble cast of DreamWorks The Help, starring opposite
Emma Stone as her brother. The ensemble cast also included Viola Davis, Octavia Spencer, Jessica
Chastain, Allison Janney, Mike Vogel and Sissy Spacek.
Recently, Wes wrapped ALL I SEE IS YOU opposite Blake Lively and Jason Clarke with Marc Forster set to
be released in 2016.
Wes will next star in the upcoming SyFy series THE EXPANSE, set to premiere Decmber 14, 2015. THE
EXPANSE is a mystery science-fiction television series, based on a series of novels. Set in a future where
humanity has colonized the Solar System, it follows police detective Josephus Miller (Thomas Jane), and
his crew as they unravel a conspiracy that threatens peace across the System and the survival of
humanity.
Chatham resides in Los Angeles with his wife Jenn Brown and son Nash.
NATALIE DORMER [Cressida] as ‘Margaery Tyrell,’ the would-be queen, on HBO’s award-winning
series Games of Thrones, which is currently in production on its Sixth season.
Dormer completed production on director Stefan Ruzowitsky’s Patient Zero for Screen Gems. The thriller,
also starring Matt Smith (“Dr. Who”), focuses on an unprecedented global pandemic that causes the
evolution of a new species. An aggressive form of rabies turns the infected into predators, addicted to
violence. An inexplicably gifted human survivor with the ability to speak the new mutant language leads a
hunt for Patient Zero and hope for a cure. Dormer also stars in Focus Features’ The Forest from director
Jason Zada. The film is set in the Aokigahara forest at the base of Mt. Fuji, where a young American
woman goes in search of her twin sister, who has mysteriously disappeared. She will play both sisters.
Dormer recently lead the BBC’s highly successful movie, The Scandalous Lady Woman, starring as Lady
Seymour Worsley, whose virtue was put on trial in 1782 in what was one of the country’s first divorce
trials. Dormer is well-known for her starring role as ‘Anne Boleyn’ on Showtime’s hit period drama, “The
Tudors.” She recently appeared in the recurring role of ‘Irene Adler,’ on CBS’ Sherlock Holmes rendition
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“Elementary.” Other past television credits include recurring roles on BBC Television’s series “The Fades”
and “Silk.”
In film, was last seen in The Riot Club, with Max Irons and Sam Claflin, which premiered at the 2015
Toronto International Film Festival. She starred opposite Chris Hemsworth and Olivia Wilde in director
Ron Howard’s Rush for Universal, and opposite Brad Pitt, Michael Fassbender and Cameron Diaz in
director Ridley Scott’s The Counselor. Additional film credits include The Weinstein’s Company’s W.E.,
from writer/director Madonna, Marvel’s Captain America: The First Avenger, Fencewalker, A Long Way
Home, City of Life, Flawless with Demi Moore and Michael Caine and Casanova.
In March 2010, Dormer made her stage debut at the Young Vic theatre in London as “Mizi” in the
play Sweet Nothings. She returned to the theater in 2012, starring in the title role of After Miss Julie by
Patrick Marber.
In March 2013, Dormer played the Lady Door in the radio dramatisation of Neil Gaiman's Neverwhere,
alongside Benedict Cumberbatch and James McAvoy.
From his early years as a staple in The Mighty Ducks film franchise to starring in films like The Butterfly
Effect, ELDEN HENSON [Pollux] has been a steady force in film & television for over 30 years. In
2013, Henson appeared in the Steve Jobs biopic JOBS. The feature premiered as the closing film at the
2013 Sundance International Film Festival. Henson quickly followed that up with an ensemble role in the
CBS Drama Intelligence. That momentum continued into 2014 as Henson is set to appear in The Hunger
Games: Mockingjay – Part 1 & 2 the next two installments of the popular global franchise The Hunger
Games. Henson will next been seen playing the role of ‘Foggy Nelson’ in the upcoming Marvel/Netflix
series Daredevil.
EVAN ROSS [Messalla] is a triple threat - actor, singer, and dancer. He is currently working on his first
album and in May 2015 released the single called How to Live Alone which featured T.I . It is the first
single from Ross’s forthcoming full-length debut. The ultimate expression of love, the passionate ballad is
an ode to Ross’s wife Ashlee Simpson whom he married last August.
He can next be seen in the ABC drama "Wicked City" as an owner of a paparazzi agency who specializes
in gruesome murder photos. The show is set in 1982 and a murder on Sunset Strip and will premiere
October 24th. In November, he can be seen in Lionsgate’s film The Hunger Games: Mocking jay - Part 2
directed by Francis Lawrence. Ross joined the cast in Mocking jay – Part 1 as ‘Messalla,’ who was part of
the TV crew that filmed propos for the war as part of the Airtime Assault. He later joined the rebels in the
war.
He was recently seen in the Courtney Cox directed Just Before I Go where he a young gay teenager
looking for acceptance. He was also seen in the independent films The Wildnerness of James opposite
Isabelle Fuhrman and Virginia Madsen. Life is Hot in Cracktown starring opposite Kerry Washington;
Brooklyn to Manhattan and Gardens of the Night starring opposite John Malkovich. In 2011 he won the
Breakthrough Performance Award at South by Southwest for his performance in the film 96 Minutes.
Ross made his feature film debut in ATL for Warner Bros. He co-starred with T.I. and Antwan A. Patton
(aka Big Boi) in this story about four friends preparing for life after high school and the different
challenges that bring about turning points in each of their lives. He went on to star opposite Queen
Latifah in the HBO film Life Support which closed the 2007 Sundance Film Festival. This was a film about
a HIV-positive former drug addict who has overcome her addiction to become a wife and mother
committed to educating people in the black community on how to protect themselves from becoming
infected. Ross plays ‘Trace,’ a gay teenager and childhood friend of Willis’s daughter who was born HIVpositive and ends up on the street, selling his AIDS drugs for money. He was nominated for a NAACP
Image award for the role. In 2007 he starred in the Lionsgate Film “Pride” along with Terrence Howard
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and Bernie Mac. Pride is the real-life story of Jim Ellis (Howard) who in the 1970’s transformed a group of
troubled black inner city kids into one of the best swim teams in the country.
On TV he’s appeared on a number of shows, including “90210” (CW), “Luck” (HBO) and “Mooz-lum”; and
Girlfriends with his sister Tracee Ellis Ross.
Evan Ross, who Teen Vogue called “a natural born performer,” is no stranger to Hollywood. Ross is the
son of superstar and former Supreme, Diana Ross. He currently lives in Los Angeles.
PATINA MILLER [Commander Paylor] can currently be seen as press coordinator ‘Daisy Grant’ in the
second season of CBS’ hit drama series, “Madam Secretary,” starring Tea Leoni, Bebe Neuwirth and Tim
Daly. Written by Barbara Hall and directed by Dave Semel, the series premiered in September 2014 and
returned to CBS on Sunday, October 4th.
Miller made her feature film debut as Commander Paylor in Lionsgate’s The Hunger Games: Mockingjay –
Part 1. Also starring Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Julianne Moore and Philip
Seymour Hoffman, the first part of the famous trilogy’s finale was released in November 2014. Miller will
reprise her role in the next film, The Hunger Games: Mockingjay – Part 2, which will be released in
November 2015.
Miller starred as the Leading Player in the Broadway revival of Stephen Schwartz’s famous 1972 musical,
Pippin. Directed by Tony® Award-winning director Diane Paulus, and also starring Matthew James
Thomas, Andrea Martin and Terrance Mann, Pippin received the Tony® Award for Best Revival of a
Musical at the 67th Annual Tony® Awards. Miller successfully put a contemporary twist on a role
originated by award-winning actor Ben Vereen and mastered the Fosse movements that the show relies
so heavily on. Miller earned a Tony® Award for Best Performance by an Actress in a Leading Role in a
Musical and an Outer Critics Circle Award for Outstanding Actress in a Musical as well as Drama League,
Fred and Adele Astaire Award and Broadway.com Audience Choice Award nominations for her
performance. She previously performed the role of Leading Player in the American Repertory Theater
production of Pippin from December 2012 to January 2013.
Miller made her Broadway debut in the 2011 Broadway season as the gutsy nightclub-singer-turned-nun
Deloris Van Cartier in the stage adaptation of Sister Act, which earned her first Tony® nomination as well
as Drama Desk, Drama League, and Outer Critics Circle Award nominations for her performance. Miller
originated the role of Deloris in the West End production of Sister Act at the London Palladium, where she
received an Olivier Award nomination and a WhatsOnStage.com Theatregoers’ Choice Award for Best
Actress in a Musical.
Additionally, Miller starred in multiple Off-Broadway productions including Ragtime at Avery Fisher Hall,
City Center Encores! production of Kurt Weill and Maxwell Anderson’s Lost in the Stars, and the
Manhattan Theatre Club’s Romantic Poetry. Miller also appeared in the Public Theater’s pre-Broadway
revival of Hair during its 2008 run at the Delacorte Theater in Central Park, also under the direction of
Diane Paulus. Among her regional theatre credits include First You Dream, a Kander and Ebb revue at
the Kennedy Center, Sister Act at the Alliance Theatre and Pasadena Playhouse and the Philadelphia
Theater Company production of Being Alive. She has participated in workshops for Book of Mormon,
Nightingale and American Idiot. Prior to her numerous theater credits, Miller appeared in the renowned
daytime soap opera All My Children.
Miller performed her first solo concert at the Kennedy Center for Performing Arts during its 2013-2014
theatrical season. She then made her New York City debut in February 2015 as part of Lincoln Center
Theater’s “American Songbook” series, which subsequently aired on PBS.
Miller received a degree in musical theater from Carnegie Mellon University. She currently resides in New
York City.
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FILMMAKER BIOS
Over the past two decades, FRANCIS LAWRENCE [Director] has captivated audiences around the
world with his creative body of work. A director and producer of film, music videos, and television,
Lawrence has established himself as a longstanding artistic visionary that can not only cater to any
demographic, but is also able to understand and convey the visions of some of the world’s most
influential artists.
Lawrence next directs The Hunger Games: Mockingjay – Part 2, the fourth and final installment of the
hugely popular Hunger Games franchise. The film, starring Jennifer Lawrence, Josh Hutcherson, Liam
Hemsworth, Woody Harrelson, Julianne Moore and Philip Seymour-Hoffman, will be released by Lionsgate
in November. It was also announced earlier this year that Lawrence will direct an upcoming film based on
Homer’s epic The Odyssey for Lionsgate.
Lawrence most recently directed The Hunger Games: Mockingjay – Part 1, which was released by
Lionsgate in November 2014 and grossed over $750 million worldwide. Lawrence also directed the
second installment of the franchise, The Hunger Games: Catching Fire, which was released in November
2013 and earned over $850 million worldwide.
Lawrence made his feature film debut in 2005 with Constantine, based on the Hellblazer comic book,
starting Keanu Reeves and Rachel Weisz. That was followed up by the 2007 hit movie, I Am Legend, a
science fiction-horror-action-disaster film adapted from the Richard Matheson novel of the same name,
starring Will Smith. In 2011, Lawrence directed Water for Elephants, based on the best-selling novel by
Sara Gruen and starring Reese Witherspoon, Robert Pattinson, and Christoph Waltz.
Lawrence is also a noted music video director, having won a GRAMMY® (Lady Gaga, "Bad Romance"),
Latin GRAMMY® (Shakira, “Whenever Whatever”), and multiple VMA awards. He has worked with artists
such as Jay-Z, Britney Spears, Beyoncé, Pink, Gwen Stefani, Jennifer Lopez, Aerosmith, Janet Jackson
and many others. Lawrence has also directed commercials for many high profile clients including The
Gap, Calvin Klein, Tommy Hilfiger, Coca-Cola, Pepsi, L’Oreal, Bacardi, McDonald’s, Disneyland,
Oldsmobile, Covergirl, and Maybelline.
Lawrence is also experienced in the world of television. In 2008, he served as director and executive
producer on the pilot and several episodes of the acclaimed series “Kings.” In 2011, he directed the pilot
episode of FOX's “Touch,” featuring Kiefer Sutherland, which he continued on as executive producer for
both seasons of the show.
Lawrence was recently honored with the Director of the Year Award at CinemaCon 2015.
PETER CRAIG [Screenwriter] is a novelist and screenwriter who wrote The Town with Ben Affleck &
Aaron Stockard. Among his books are Hot Plastic and Blood Father, which he adapted for the screen and
will be released in 2015.
As an award-winning filmmaker, DANNY STRONG [Screenwriter] is attracted to powerful and
inspiring events that examine and expose the political, social, and cultural fabric of the world we live in.
Strong’s recent work with some of today’s most influential creators further showcases his ability to bring
complex characters to the fore with his writing.
Strong wrote the screenplay for the acclaimed film The Butler starring Forest Whitaker and Oprah
Winfrey. Directed by Lee Daniels, it was the sleeper hit of 2013, grossing over 100 million dollars at the
US box office. He also wrote and produced the highly acclaimed HBO Film Game Change about the 2008
election. Starring Julianne Moore and Woody Harrelson, the film was nominated for 12 Primetime
Emmys® and won for Best Movie/Mini-series. Strong personally won a Primetime Emmy® for Outstanding
Writing, a Writers Guild Award, a Golden Globe®, the Producers Guild Award, a Peabody and the Pen
Award for the film. His debut script was the HBO Film Recount, a movie about the Florida recount in the
2000 election. Starring Kevin Spacey, Dennis Leary and Laura Dern, the film was nominated for 11
Primetime Emmys® and won for Best TV movie. Strong was nominated for the Primetime Emmy ® for
Outstanding Writing and he won the Writers Guild Award for the film.
He is currently writing a film remake of Guys and Dolls for FOX Studios. Along with Lee Daniels, he
created and will executive produced the TV series “Empire” for FOX.
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In addition to his thriving career as a screenwriter, Strong is also an actor with extensive credits in film,
television and theater, and has appeared in many of the most famous television shows of the last two
decades. As an actor he is best known for the five seasons he played Jonathan on “Buffy the Vampire
Slayer,” and the four seasons he played Doyle on “Gilmore Girls”. His other credits include such iconic
projects as Pleasantville, “Seinfeld,” “Nip/Tuck,” “Grey’s Anatomy,” “How I Met Your Mother” and many
more. Most recently he has been seen on season 4 and 6 of “Mad Men” playing ‘Danny Siegel,’ on season
5 of “Justified,” playing the villainous Prison Guard ‘Albert Fekus,’ and the recent season of HBO’s “Girls,”
playing ‘Pal,’ Elijah’s (Andrew Rannells) nasty boyfriend. On stage, he has appeared in over 50 plays and
musicals in regional and LA theaters.
Bestselling author SUZANNE COLLINS (Adaptation by, Based on the novel by, Executive
Producer) first made her mark in children’s literature with the New York Times bestselling Underland
Chronicles for middle grade readers. Her debut for readers aged 12 and up, The Hunger Games
(September 2008), was an instant bestseller, appealing to both teen readers and adults. It was called
“addictive” by Stephen King in Entertainment Weekly, and “amazing” by Stephanie Meyer on her
website. It has appeared on the New York Times bestseller list for more than 260 consecutive
weeks/more than five consecutive years since publication, and there are more than 65 million copies of
all three books in the trilogy, The Hunger Games (September 2008), Catching Fire (September 2009),
and Mockingjay (August 2010), in print and digital formats in the U.S. to date. Foreign publishing rights
for The Hunger Games trilogy have been sold into 56 territories in 51 languages to date. Year of the
Jungle, Suzanne Collins’s picture book based on the year her father was deployed in Viet Nam, with
illustrations by James Proimos, was published in 2013 to great critical acclaim.
Suzanne Collins also had a successful and prolific career writing for children’s television. She has worked
on the staffs of several Nickelodeon shows, including the Emmy ®-nominated hit Clarissa Explains It All
and The Mystery Files of Shelby Woo. She received a Writer’s Guild of America nomination in animation
for co-writing the critically acclaimed Christmas special, Santa, Baby!
In 2010 Collins was named to the TIME 100 list as well as the Entertainment Weekly Entertainers of the
Year list. In 2011 Fast Company named her to their 100 Most Creative People in Business.
NINA JACOBSON [Producer] has built an impressive 20-year career as a senior film executive at three
major motion picture studios. Her first film as producer and the first film for her company, Color Force,
was Diary of a Wimpy Kid which grossed over $75 million worldwide and led to the production of the
successful sequels, Diary of a Wimpy Kid: Rodrick Rules and Diary of a Wimpy Kid: Dog Days. Jacobson
produced The Hunger Games based on Suzanne Collins’ best-selling novel and subsequent books in the
series The Hunger Games: Catching Fire and The Hunger Games: Mockingjay – Part 1. The three films
have grossed a remarkable $2.4 billion combined worldwide with the final film in the series, The Hunger
Games: Mockingjay – Part 2 scheduled for release on November 20, 2015.
Jacobson and her Color Force partner Brad Simpson are currently developing feature films based on the
international best-selling novels Where’d You Go Bernadette? by Maria Semple, Kevin Kwan’s Crazy Rich
Asians and Donna Tartt’s The Goldfinch. On the television side, Color Force is currently in production on
the first season of the anthology television series “American Crime Story: The People vs. O.J. Simpson”
with Ryan Murphy which will air on FX in early 2016. They are also producing hip-hop crime drama “The
Infamous” for A&E.
Prior to forming Color Force, Jacobson was president of the Walt Disney Motion Picture Group, where she
oversaw script development and film production for Walt Disney Pictures, Touchstone Pictures and
Hollywood Pictures. During her tenure, 15 of Jacobson’s projects grossed over $100 million domestically,
including “Pirates of the Caribbean,” “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe”
and “The Princess Diaries.” The “Pirates of the Caribbean” franchise became the highest grossing film in
Disney’s history, generating almost three billion dollars in worldwide box office.
Before joining the Walt Disney Motion Picture Group, Jacobson was a senior film executive at
DreamWorks SKG, where she developed “What Lies Beneath” and originated the idea of DreamWorks’
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first animated feature, “Antz.” She also held positions at Universal, Parkes/MacDonald Productions, Silver
Pictures and began her career at Disney Sunday Movie.
Jacobson is a graduate of Brown University and currently lives in Brentwood with her partner Jennifer
and their three children, Noah, Josie and William.
JON KILIK (Producer) is a leading New York-based producer renowned for his collaborations
with visionary directors and for entertainment that integrates powerful stories with human values
and social issues. He has partnered creatively with such directors as Spike Lee, Julian Schnabel
and Alejandro Gonzalez Iñárritu – and he has produced all four films in the blockbuster Hunger
Games series based on the dystopian modern classic by Suzanne Collins. Most recently, Kilik
produced Bennett Miller’s Foxcatcher, starring Steve Carell, which garnered widespread critical
acclaim and five Oscar® nominations. In 2015, he completed The Hunger Games with
Mockingjay – Part 2.
Kilik has produced 15 of Spike Lee’s films including the groundbreaking (and Oscar®nominated) Do The Right Thing, Malcolm X, Clockers, He Got Game, 25th Hour and the
forthcoming Chi-Raq. Kilik also developed and produced all of the films by artist and director
Julian Schnabel. He produced Schnabel’s debut Basquiat, the Oscar®-nominated Before Night
Falls, the rock documentary Lou Reed’s Berlin and the Oscar®-nominated and Golden Globewinning
The Diving Bell and The Butterfly. Kilik first worked with Alejandro Gonzalez Iñárritu on the intricate,
multinational production of Babel, for which he received a Best Picture Oscar® nomination and the
Golden Globe Award for Best Dramatic Film. They reunited for Biutiful, nominated for Best Foreign
Language Film. Kilik produced Gary Ross’ inventive directorial debut, the fantasy drama Pleasantville, and
went on to work with Ross in shepherding the first installment of The Hunger Games to the screen
setting in motion the global cinematic phenomenon. Their collaboration continues with the forthcoming
historical drama The Free State of Jones starring Matthew McConaughey.
Other highlights of Kilik’s producing career include: Robert De Niro’s celebrated directorial
debut, A Bronx Tale, adapted from Chazz Palminteri’s play, Tim Robbins’ Academy Award®
winner Dead Man Walking, based on Sister Helen Prejean’s work with Louisiana death row
inmates, starring Susan Sarandon and Sean Penn, and Robbins’ 1930s tapestry Cradle Will Rock;
as well as Ed Harris’ Academy Award®-winning directorial debut, Pollock, starring Harris as the
iconic abstract painter Jackson Pollock.
Kilik has also produced Oliver Stone’s period epic Alexander and exploration of the Bush
presidency W., Jim Jarmusch’s dark comedy Broken Flowers, winner of the 2005 Cannes Film
Festival Grand Jury Prize, and Chris Eyre’s Pine Ridge Reservation-set Skins.
Born in Newark, Jon Kilik grew up in Millburn, New Jersey. He graduated from the University of
Vermont, then moved to New York in 1979, where he began his filmmaking career and has been
a significant presence in the filmmaking community ever since. Kilik delivered a controversial
and inspirational keynote address about the potential for the film industry’s future at the 2013 IFP
Film Market at Lincoln Center. He also received honorary doctorates and delivered the
commencement address at the University of Vermont (2003) and Monmouth University (2013).
PHILIP MESSINA (Production Designer) last designed The Hunger Games and The Hunger Games:
Catching Fire. In 2011, Messina designed Marc Forster’s Machine Gun Preacher starring Gerard Butler.
Prior to that Messina worked with M. Night Shyamalan to create the fantasy adventure The Last
Airbender.
He has also frequently collaborated with director Steven Soderbergh, designing Soderbergh’s Ocean’s
Thirteen, Ocean’s Twelve and Ocean’s Eleven. The latter garnered Messina an Art Director’s Guild
nomination. They also teamed up on The Good German, Eros, Solaris, Traffic and Erin Brockovich. They
first met when Messina worked as the art director on Out of Sight.
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Additional credits include Curtis Hanson’s acclaimed drama 8 Mile starring Eminem and Gregory Jacob’s
directorial debut: Criminal.
Born and raised in Lawrence, Massachusetts, Messina graduated from Cornell University with a degree in
architecture. His initial foray into films was as a set designer on Mermaids, School Ties and Housesitter
which were all filmed in the Boston area. Relocating to Los Angeles, he went on to serve as the art
director on such films as Hard Target, The Neon Bible, Reckless, The Associate, Trial and Error and The
Sixth Sense. For television, Messina was the production designer on the series “Freaks and Geeks”
created by Paul Feig and executive produced by Judd Apatow.
Messina is married to set decorator Kristen Toscano Messina, with whom he frequently collaborates.
They live in Los Angeles with their six-year-old son, Luca.
The design team of KURT AND BART [Costume Designers] is a creative collaboration born out of a
chance meeting at the University of Colorado in 1983. Formally educated in the notorious NYC club
scene of the 1980’s, their sartorial obsession and shared sensibility has traversed the worlds of fashion,
music, theatre and film.
In 2014 Kurt and Bart received the Costume Designer’s Guild Award nomination for Excellence in Period
Film for their work on the Oscar® winning drama Dallas Buyers Club, directed by Jean-Marc Vallee,
starring Mathew McConaughey and Jared Leto.
Stoker starring Nicole Kidman and Mia Wasikowska was an opportunity to work with internationally
acclaimed auteur director Park Chan-wook. Their costume design work was nominated for the 2014
London Film Critics Circle for Technical Achievement.
Their previous work in film is as varied as the gritty noir Out of the Furnace starring Christian Bale and
directed by Scott Cooper for Relativity, to the dance musical Step Up 3D directed by Jon M. Chu for
Summit Entertainment and Touchstone Pictures.
Kurt and Bart’s filmography includes Ryan Fleck and Anna Boden’s It’s Kind of a Funny Story with Zach
Galifianakis and Emma Roberts, Todd Solandz Dark Horse with Mia Farrow and Selma Blair, Rob Epstein
and Jeffrey Freidman’s Howl with James Franco and John Hamm, Dito Montiel’s Fighting with Channing
Tatum, Daniel Barnz Phoebe in Wonderland with Elle Fanning, and John Cameron Mitchell’s notorious
Shortbus.
Their early career included designing their own clothing line called Design Asylum and creating costumes
for commercials and music videos. They stood out as styling team with an approach as much about
pulling fashion looks as it was about designing and building custom pieces to realize a visual image. As
stylists, Kurt and Bart have worked with some of the world’s strongest and most prolific image makers,
among them, Steven Klein, Herb Ritts, Patrick Demarchelier, Matthew Rolston, Francis Lawrence, Dean
Karr, Mark Seliger, and Mary Ellen Mark. They have created lasting images with such music icons as
David Bowie, Ozzy Osbourne, Marilyn Manson, Courtney Love, Pink, and Britney Spears.
As Senior Vice President of Production and Development at Color Force, BRYAN UNKELESS [CoProducer] was a co-producer on The Hunger Games and Catching Fire. He was the development
executive on the wildly successful Diary of a Wimpy Kid franchise, which is based off of Jeff Kinney’s
best-selling children’s books. The third film in the series, Diary of a Wimpy Kid: Dog Days—starring Steve
Zahn, Rachel Harris and Zachary Gordon—was released in August of 2012.
Unkeless was a development executive on Lone Sherfig’s adaptation of the best-selling novel One Day by
David Nicholls. Starring Anne Hathaway and Jim Sturgess, One Day was released by Focus Features in
2011.
Prior to joining Color Force, Unkeless worked at Parkes-MacDonald Productions where he was involved
with projects such as The Burning Plain—written and directed by Guillermo Arriaga—and The Uninvited—
directed by the Guard Brothers.
A graduate of Duke University, Unkeless enjoys art, swimming, running, cycling and watching the Denver
Broncos win.
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One of the most renowned Makeup Artists in the motion picture business, VE NEILL [Make-Up
Designer & Department Head] has set many standards of excellence in the makeup field. Over the
course of her career Neill has won three Academy Awards®, two Emmy® Awards, four Saturn Awards, a
BAFTA Award, Local 706 Best Character Makeup Award and the first Artist to be awarded Hollywood
Foreign Press “Makeup Artist of the Year” Awards well as the first Makeup Artist to be honored as
Makeup Artist of the Year by MAC Cosmetics. That is a total of 22 international nominations and wins for
her creative and innovative makeups.
From her early career as a rock ‘n roll stylist, Neill began to develop her skills as a Designer and Makeup
Artist. Specializing in concept, design and execution, Neill entered the film industry and discovered a
talent for extreme fantasy makeup.
Neill created space travelers for the first Star Trek film and for the hit comedy Galaxy Quest, rock ‘n roll
vampires for Joel Schumacher’s The Lost Boys and visions of The Afterlife for Tim Burton’s wacky comedy
Beetlejuice. She turned Johnny Depp into scissors wielding anti-hero for Edward Scissorhands, Robin
Williams into a Scottish Nanny for Mrs. Doubtfire, Martin Landau into horror king Bela Lugosi for Ed Wood
and brought to life an onslaught of villains, beauties and super-heroes for Warner Brothers’ early Batman
series. She gave Patricia Arquette the Stigmata, transformed Christine Baranski into the Grinch’s sexy
girlfriend, aged Johnny Depp 60 years for the film Blow and turned Jude Law into the perfect Love-Robot
for Steven Spielberg’s A.I. Neill continues her illustrious career with an assortment of new characters
ranging from possessed beings in Constantine and a slew of dirty, drunken, barnacle encrusted Pirates
for the Pirates if the Caribbean series. She turned Johnny Depp into the infamous Butcher Barber of Fleet
Street for the film musical Sweeney Todd and transformed Mike Myers into The Love Guru. She worked
with Robert Downey Jr., Jamie Foxx, and Catherine Keener on The Soloist, Jim Carrey and Ewan
McGregor in I Love You Phillips Morris. More Vampires for Priest starring Paul Bettany, Maggie Qu, Carl
Urban and Lilly Collins. In 2010 she headed up the Special Makeup FX Department for the film Thor.
She swung in to action as the Department Head for The Amazing Spiderman 1 & 2. She also did The
Host, a Stephanie Myers book. Throughout her career Neill has worked with many of Hollywood’s
brightest stars. Jack Nicholson, Keira Knightly, Julia Roberts, Danny DeVito, Sarah Jessica Parker, Johnny
Depp, Uma Thurman, Orlando Bloom, Sigourney Weaver, Jude Law, Ethan Hawke, Catherine Keener, Jim
Carey, Andy Garcia, Keanu Reeves, Jennifer Lawrence and Woody Harrelson, Saoirse Ronan, Diane
Kruger and William Hurt have all called upon Neill for her expertise with Beauty, the Bizarre and lots of
Wild Characters. This is a small part of the all-star list of clientele who enjoy the touch of Neill’s magical
brush.
She has now added the title, The Judge to her resume for the new hit reality TV Show Face Off on the
Syfy channel. The show highlights Special Makeup FX and is now gearing up to shoot Season 8.
THE HUNGER GAMES: MOCKINGJAY – PART 2
END CREDITS
Unit Production Manager
First Assistant Director
Key Second Assistant Director
[Clear Field/Single Card Crawl]
Second Unit Director
[Clear Field/Single Card Crawl]
Executive in Charge of
Production
Jan Foster
Christopher Surgent
Douglas Plasse
Charles Gibson
Donna Sloan
[Clear Field/Single Card Crawl]
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Co-Producers
CAST
Katniss Everdeen
Peeta Mellark
Gale Hawthorne
Haymitch Abernathy
President Snow
Plutarch Heavensbee
President Alma Coin
Primrose Everdeen
Finnick Odair
Effie Trinket
Boggs
Johanna Mason
Beetee
Katniss' Mother
Caesar Flickerman
Cressida
Messalla
Pollux
Castor
Tigris
Egeria
Annie Cresta
Enobaria
Commander Paylor
Homes
Mitchell
Lieutenant Jackson
Leeg #1
Leeg #2
Commander Lyme
Antonius
D4 Officiant
Doctor Aurelius
Greenhouse Guard #1
Injured Career
Rebel Sniper
Pugnax
Commander of D5
Girl in Lemon Yellow Coat
Rebel Nurse
Capitol Girl
Katniss' Father
Everdeen Child #1
Everdeen Child #2
Stunt Coordinator / Fight
Coordinator
Supervising Stunt Coordinator
Stunt Coordinator (Berlin)
Assistant Stunt Coordinator
(Berlin)
Stunt Coordinator (Paris)
Key Stunt Rigger
Head Stunt Rigger (Berlin)
Katniss Stunt Double
Peeta Stunt Double
Gale Stunt Doubles
Henning Molfenter
Charlie Woebcken
Christoph Fisser
Jennifer Lawrence
Josh Hutcherson
Liam Hemsworth
Woody Harrelson
Donald Sutherland
Philip Seymour Hoffman
Julianne Moore
Willow Shields
Sam Claflin
Elizabeth Banks
Mahershala Ali
Jena Malone
Jeffrey Wright
Paula Malcomson
Stanley Tucci
Natalie Dormer
Evan Ross
Elden Henson
Wes Chatham
Eugenie Bondurant
Sarita Choudhury
Stef Dawson
Meta Golding
Patina Miller
Omid Abtahi
Joe Chrest
Michelle Forbes
Misty Ormiston
Kim Ormiston
Gwendoline Christie
Robert Knepper
Mark Jeffrey Miller
April Grace
David Hallyday
Linds Edwards
Thomas Blake, Jr.
Cameron MacConomy
Desmond Phillips
Elle Graham
Lacy Dmitriew
Kate Rachesky
Phillip Troy Linger
Bear Lawrence
Theodore Lawrence
Sam Hargrave
R.A. Rondell
Ralf Haeger
Florian Hotz
Philippe Guegan
Michael Hugghins
Alexander Magerl
Renae Moneymaker
Ralf Koch
Erik Schultz
Daniel Hargrave
Jeremy Fitzgerald
Jackson Spidell
Joerg "Elma" Ellmer
Kyle Gardner
Michael Hanson
Finnick Stunt Double
Utility Stunt (Berlin)
Stunt Riggers
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Jacob Hugghins
Tony Hugghins
Eddie Yansik
William Morts
Brian Simpson
Rockey Dickey
Arturo Dickey
Brycen Counts
John Patrick Daily
Werner Bernstaedt
Thayr Harris
Chris Daniels
Monique Ganderton
Stephen Conroy
Reginald Jackson Jr.
Dante Won Ha
T. Ryan Mooney
Garrett Hammond
Scott Hunter
Cody Robinson
Cecilia C. Ice
Amy Lynn Tuttle
Sarah Reagin
Bobby Jordan
Max Calder
Aaron Toney
Remington Steele
Joe Williams
Matt Berberi
Shane Daniels
Holland Diaz
Victor Lopez
Daniel Graham
Todd Warren
Mike Wilson
Brent Bernhard
Danya Bateman
Maya Santandrea
Nick Dekay
Nick Stanner
Philip Dido
Damita Howard
Crystal Hooks
Andy Rusk
Jacob Kabel
Paul O'Connor
Kevin Morgan
Jane Oshita
Chris Antonucci
Jessica Merideth
Tony McFarr
David Brian Martin
Maggie MacDonald
Elizabeth Davidovich
Dean Grimes
Greg Sproles
Todd Rogers Terry
John Tyler Vogt
John Casino
Ryan Stratis
Kevin Cassidy
Jennifer Cobb
Jacob Garcia
Marcelle Coletti
Jermaine Holt
Tye Claybrook Jr.
Donny Carrington
Stunt Rigger (Berlin)
Stunts
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Jwaundace Candece
Shellita Boxie
John Bernecker
Joann Bernat
Josh Diogo
Yan Dron
Troy Faruk
Ian Eyre
Scott Dale
Jennifer Harris
Aby Martin
Christopher Padilla
Eric Stratemeier
James Tyroff
Ashley Rae
Lonnie Smith
Laurie Singer
Thomas Culler
Scott Loeser
Alan D'Antoni
John Junesung Shim
Bayland Rippenkroeger
Karin Justman
Nicholas Jones
Greg Reynolds
Joseph Logan Newell
Haley Nott
Matthew Murray
Andy Martin
Raven Baker
Jennifer Badger
Stanton Barrett
CC Taylor
Rebecca Ohmes
Eric Benson
Theresa Pink
Adam Ciesielski
Israel Horne
Allan Padelford
Leo Plank
Alrik Kreemke
Jockel Neubauer
Steve Albrecht
Tim Haberland
Kristin Haberland
Jan Böhme
Alexandra Nazahn
Marie Mouroum
Cha Lee Yoon
Phong Giang
Can Aydin
Kristoffer Fuss
Vanessa Wieduwilt
Oliver Juhrs
Chris Gneisel
Sven Raschka
Wolfgang Lindner
Markus Ranglack
Georg Ebinal
Elman Mammadov
Charlene Thoms
Bella Garcia
Georgina Philp
Claudia Heinz
Eskindir Tesfay
Joshua Grothe
Sascha Girndt
Stunts (Berlin)
42
Marco Albrecht
Wanja Götz
Uli Richter
Matthias Guenther
Thomas Hacikoglu
Mike Moeller
Niklas Kinzel
Hannes Pastor
Rajab Hassan
Hugo Bariller
Julien Bruant
Serge Crozon
Thierry Saelens
Lyne Doffagne
Frederick Renard
Louis-Marie Nyee
Jerome Gaspard
Vincent Haquin
Ludovic Silmezis
John Medalin
Vincent Bouillon
Frederic Vallet
Vladimir Houbart
Marion Levavasseur
Julie Pinault
Anthony Pho
Sean Guegan
Jonathan Henry
Helene Tran
Sybille Blouin
David Paris
Alan Purwin
Stunts (Paris)
Helicopter Pilots
[Clear Field/Single Card Crawl]
[Georgia LOGO]
[Clear Field/Single Card Crawl]
Southeast Casting by
Jackie Burch, CSA
[Clear Field/Single Card Crawl]
In Memory of Garry Bailey
CREW
Production Supervisor
Associate Producer
Set Decorator
Supervising Art Director
Art Directors
Mika Saito
Cameron MacConomy
Larry Dias
Dan Webster
Andrew Max Cahn
Priscilla Elliott
Lauren Polizzi
Sean Ryan Jennings
Justin Miller
David Thompson, S.O.C.
Trevor Loomis
Patrick Sokley
Josh Medak
Jess Lakoff
Don Steinberg
Dwight Campbell
Kyle Spicer
Adrian Jebef
Saul McSween
Daniel Wurschl
Murray Close
Assistant Art Directors
"A" Camera Operator
First Assistant "A" Camera
Second Assistant "A" Camera
"B" Camera Operator
First Assistant "B" Camera
Second Assistant "B" Camera
Data Management Supervisor
DIT
Film Loaders
Still Photographer
Associate Producer / Post
Production Supervisor
Jeffrey Harlacker
43
Film Editor
First Assistant Editors
Jennifer Vecchiarello
Lauren Clark Carroll
Lara Khachooni
Micah Wolf
Paul Alderman
Madelaine Jereczek
Tom Reagan
Steve Miller
Rod Dean
Adam Zucker
Dillard Brown
Assistant Editors
Visual Effects Editors
3D Editor
Post Production Assistant
Post Production Intern
Supervising Sound Editors and
Re-Recording Mixers
Skip Lievsay
Jeremy Peirson, CAS
Jason Miller
Walter Garcia
Post Production Coordinator
Visual Effects Producer
Associate Visual Effects
Producer
Visual Effects Accountant
Visual Effects Coordinators
Chrysta Marie Burton
Cynthia LeJeune
Victor F. Medel
Ainslie Thomas
Patrick Thomas O'Rourke
Robbie Janda
Leah Hardstark
Wes Dorough
Kristofer Cross
Andrew Prescott
Lead Data Wrangler
Data Wrangler
Visual Effects Assistants
Visual Effects Berlin / Paris
Coordinator
Visual Effects Berlin / Paris Data
Wrangler
Visual Effects Berlin Assistant
Visual Effects Paris Assistant
In-House Visual Effects
Supervisor
In-House Compositing Lead
In-House Compositors
Annabelle Troukens
Bastian Hopfgarten
Roman Remer
Delphine Volny
John Stewart
Michael Liv
Eric Almeras
Sam Edwards
Greg Groenekamp
Raul Moreno
Bethany Onstad
Mattaniah Yip
Roxy Zuckerman
Ana Maria Quintana
Jose Antonio Garcia
Jonathan Lee-Ger Fuh
Jay Collins
Dave Deever
Script Supervisor
Production Sound Mixer
Boom Operator
Sound Utility
Video Assist
Supervising Engineer 24 Frame
Playback
Supervising Engineer
24 Frame Operating Supervisor
24 Frame Playback Operator
Playback Operators
Monte Swann
Jared Rosen
Dave Landaker
Peter Thoren
James Gallimore
Chris Love
Dan Murbarger
Chad Williams
Ted Cognata
Jason Zorigian
David Halagarda
Jill Vaupen
Nicole Morales
Kim Khoo
Jason Bogard
David M. Atkinson
Video Projectionist
Watchout Operator
Video Consultant
Production Coordinator
Assistant Production Coordinator
Travel Coordinator
Shipping Coordinator
Production Secretary
Production Controller
44
Production Accountant
First Assistant Accountant
Key Second Assistant
Accountants
Jim Dunlap
John Weber
Kathy Donno
Gaytra Arnold
Annette Maria Bas
Kathy Edwards
Maggie Levinge
Boysie Jereza
Ariane Chatman
Christopher Beeman
Tina Sauls
Marcus J. Calloway
Alex Huebner
Marisol Jimenez
Kaity Warnock
Ken Ryan
Rice Gorton Pictures
Liam Hearne
Second Assistant Accountants
Supervising Payroll Accountant
Assistant Payroll
Accounting Clerks
Construction Accountant
Construction Accounting Clerk
Insurance Estimator
Post Production Accounting by
Post Production Accountant
Post Production Payroll
Accountant
Post Production Assistant
Accountant
Post Accounting Clerk
Location Manager
Key Assistant Location Managers
Amanda Sutton
Erica Kolsrud
Patrick Williams
Ken Lavet
Naomi Motohashi
Trey Neely
Chris Saharek
Gabby Williamson
Aubrey Devaney
Assistant Location Managers
Second Second Assistant
Director
Additional Second Assistant
Directors
Megan Schmidt
Kristina Peterson
Cody Williams
Aric Sabin
Ethan Duff
Robin "RK" Kempf
Courtni Mills
Becca Rogers
Corey Burks
Riley Flanagan
Kelly Gill
Brian Patrick Carroll
Jamie MacDonald
Julie Pechanek
Kevin Abrams
Rob Pittard
Joseph Raines
David Martin
Benjamin Muratet
Max Fisher
Anna Heppner
Greg Hopwood
Amber Blackman
Nicole Adkins
Mallory Bradley
Victoria Payne
Anna Stachow
Rene Warnes
Cecily C. Carrieré
Bianca Hawkins
Antonette N. Tucker
Greg Capoccia
Andrew Litvak
Set Production Assistants
Assistant to Ms. Jacobson
Assistant to Mr. Kilik & Ms.
45
Foster
Assistant to Ms. Lawrence
Assistant to Mr. Hutcherson
Assistant to Mr. Hemsworth
Assistant to Mr. Harrelson
Assistant to Mr. Hargrave & Mr.
Rondell
Casting Associate
Casting Assistant
Local Casting Associate
Local Casting Assistant
Extras Casting by
Cira Sims
Andre Pochon
Angus Harrison
Joshua Fritel
Elizabeth Nouri
Shayna Markowitz
Bridget Cohen
Samy Burch
Alex Marden
Rose Locke
Jamie Lynn Catrett
Katie Lawson
Ressie Burtley
Guy Micheletti
Ben D. Griffith Jr.
Tim Rook
Charles Arnold
Bill Chapman Jr.
Ryan Ferguson
John Grubb
Whitney Pate
Sean Piper
Ryan Provence
Frank Ryan
Micah Tai Wallace
D.G. Dhiensuwana
Kevin Fahey
William Bennett, Jr.
Jeff Brinker
Oscar Gomez
Mike Hester
David Skinner
Justin Bernhard
Scott Bobo
Charley Brown
Clint Carswell
Christopher A. Cooley
Karim Essawy
James Floyd
Berrian A. Hobby IV
Justyn Plath
Paul E. Prickett
Tim Richeson
Jacob Ross
Zachary Saville
Michael Ann Swan
Dorrie Van Winkle
Michael Howell
John Bonnin
Jason Hibarger
Walter Bithell
Greg Etheredge
Cristen Clark
Justin Elder
Niles McElroy
Scott Medcalf
Stephen Raybourn
Dirk Jenkins
Michael Tyson
Donny Fowler
Mike Robertson
Carson E. Mayne
Lance Bregeth
Tim Chang
Extras Casting Assistants
Key Grip / "A" Camera Dolly Grip
Best Boy Grip
Dolly Grip
Grips
Rigging Key Grip
Rigging Best Boy Grips
Rigging Grips
Technocrane Operator
Libra Head Operators
Gaffer
Best Boy Electric
Lighting Technicians
Base Camp Electrician
Rigging Gaffer
Rigging Best Boy Electric
Stage Rigging Gaffer
Rigging Equipment Best Boy
Rigging Electricians
46
Devin Clark
Michael Justin Cowart
Greg Davis
Jonathan Escobar
Aubrey Gall
Kerry Hoskins
Grayson Hunter
John Larimore
Michael Patterson
Daniel Talley
Jordan Tyson
Scott Barnes
Robert Russell
Matt Klann
John Lally
Mike Visencio
David Scott
Phillip Abeyta
Catherine Cravens-Penrod
John Richard Walden
Aaron Richards
Arthur Schultz
Mark Vuille
Brian Woronec
Robert Fechtman
Jim Hewitt
Karl Martin
Easton Smith
Jim Tocci
Ernie Avila
Al Hobbs
George Lee-McDonnell
Dawn Brown Manser
Scott Lukowski
Nathan Schroeder
Joanna Bush
Trey Shaffer
Wylie Griffin
Giacomo Ghiazza
Raymond G. Prado
Scot Erb
Lighting Console Programmer
Rigging Dimmer Board Operator
Dimmer Technicians
Fixtures Foreperson
Fixtures Best Boy
Fixtures
Set Designers
Concept Artists
Graphic Designer
Art Department Coordinator
Storyboard Artists
Senior Model Maker
Art Department Production
Assistants
Kate Emery
Lauri Lannan
Brett Smith
Steve Ladish
James Smith
Scott Johnson
Samuel P. Carter
Dana Corbett
Deborah Croswell
Matthew Flory
Daniel Foster
Blade Ladish
Amy Lehman
Sean Macomber
Mike Magno
Frank McKeever
Lisa "Pike" Rincon
Rahmon Rose
Douglas Stanley
Eugene Sullivan
Frankie Walker
Beth Wheeler
Tony Andraus
Ed Bearden III
Leadperson
Set Decoration Gang Boss
Drapery Foreperson
On-Set Dresser
Set Dressers
47
Erik Berentsen
Kai Blomberg
Jonathan Bobbitt
Neil Bowman
Maxwell Britton
Tom Callinicos
Nicole Eldredge
Jose Garibay
Corey Gomez
Michael Gregan
Linda Brenick Gruskin
Freddie Haft
Rodney Harris
Terry Hill
Aimee Holmberg
Jim Jackson
Dane Junod
Tyler Kettenburg
David Ladish
Melanie Ladish
Albert M. Lewis IV
Jose E. Libao
Victor Mendez
David Mitchell
Michael A. Murray Jr.
Michael Peritz
Edward J. Protwa
Eric Ramirez
Eli Reichline
Patrick Shaw
Daniel F. Simmons
James Slater
Eitan Sonnenberg
Timothy Stuart
Ely Vegh
David Weeks
Sara Gardener-Gail
Margaret Hungerford
Christopher Carlson
Lisa Chugg
Set Decoration Buyers
Set Decoration Warehouse
Manager
Lead Set Decoration Scenic
Painter
Set Decoration Scenic Painters
Mark Keever
Rick Brondum
Renee Lesselroth
Anna Ragghianti
Seay Earehart
Stephen D. Eno
Jeff DeBell
Pedro I. Barquin
Jessica Echols
Cary Goen
John Hemphill
T.J. Rottenberg
Larry E. Scott
Drew Petrotta
Rick Chavez
Hannah Hinkel
Amy Giedraitis
Chuck Rousseau
Amanda Ward
James Perini
Steve Cremin
Key Greens
On-Set Greens Foreperson
Greensmen
Property Master
Assistant Property Masters
Armourer
Property Assistant
Property Production Assistant
Special Effects Coordinator
Assistant Special Effects
Coordinator
Set Foreperson
William D. Lee
Brandon Keys McLaughlin
48
Pyrotechnic Foreperson
Special Effects Technicians
Lee McConnell
Nathen Cavins
Terry Chapman
Troy Cloud
Roderic Duff
Donny Eidson
Trey Gordon
Nick Karas
Jay King
Joe Love
Wes Mattox
Paul Sabourin
George S. Vrattos
Patrick Edward White
Scott Willis
Matt Wilson
Chelsea Madison
The Aaron Sims Company
Aaron Sims
Steffen Reichstadt
Luca Nemolato
Jared Krichevsky
Joshua Min
Cvetomir Georgiev
Lauren Barciszewski
Mark A. Peterson
Lisa Tomczeszyn
Edward T. Hanley
Deborah Cha Blevins
Jennifer Kamrath
Special Effects Buyer
Creature Design by
Creature Art Director
Creature Concept Artists
Creature Concept Coordinator
Costume Supervisor
Assistant Costume Designer
Key Costumers
District 13 Combat Uniform
Concepts by
Specialty Costumes by
Specialty Costumes Supervisor
Specialty Costumes Crew
Aitor Throup
Film Illusions, Inc.
Russell Shinkle
Dorothy Bulac-Eriksen
Marilee Canaga
Dan Crawley
Josh Cameron
Chris Dooly
George Gaspar
Tamaki Heid
Anthony Julio
Gil Liberto
Art Pimentel
Tim Ralston
Scott Ramirez
Katelyn Rodgers
Jody Schoffner
Sarah Zinn
Scott R. Hankins
Costumer to Ms. Lawrence
Costumer to Mr. Hutcherson &
Mr. Hemsworth
Costumers
Valentina Aulisi
Tiffany Busche
Melanie Mascioli
Daniel Molaschi
Damien Quinn
Danny Dirks
Kristin Adams Achtmeyer
Amelia McKinney
Matt Jerome
Ellen Semones
Ashley Marie Parker
Korii Young
Shayne Duhon
Matthew Simonelli
Steven Rehage
Kairo Courts
49
Camille Hardiman
Marilyn Madsen
Klara Farberov
Heather Vandergriff
Gloria Berra
Esther Lopez
Margarita Kalend
Jill Thraves
Tony Acosta Jr.
Marla Hayes
Sarah Laux
Molly Rogers
Bren Cook
Keith Hudson
Bunny Walker
Paul Lewis
Dustin Fletcher
April J. Traquina
Scott Coppock
Ashley E. Singer
Joni Huth
Luis Jimenez
Sara Olson
Juan Carlos Jimenez
Myra Foy
Judith Chang
Synithia Cochran
Mary L. Monds
Ruth A. Hossie
Natasha Paczkowski
Teresa Jimenez
Phillip Boutté Jr.
Alan Villanueva
Constantine Sekeris
Trey Shaffer
Montgomery Hom
Meredith Busey
Taylor Good
Anthony Davis
Manufacture Foreperson
Table Persons
Specialty Costumers
Buyers
Head Ager / Dyer Textile Artist
Textile Artist
Agers / Dyers
Head Milliner
Milliner
Key Tailor
Tailors
Key Stitcher
Seamstresses
Cutters / Fitters
Draper
Costume Illustrators
Costume Concept Artist
Graphic Textile Artist
Costume Researchers
Costume Accountant
Costume Accounting Clerk
Makeup Designer / Department
Head
Makeup Department Head
Key Makeup Artist
Makeup Artists
Ve Neill
Nikoletta Skarlatos
Conor McCullagh
Dave Dupuis
Margaret Prentice
Richard Alonzo
Lynne Eagan
Joanetta Stowers
Brian Penikas
Don Rutherford
Deborah Rutherford
Angela Moos
Corinna Woodcock
John Blake
Jason Collins
Kim Collea
Noreen Wilkie
Jamie Hess
Peter De Oliveira
Gunn Espegard
Anita Brabec
Elena Arroy
Julie Socash
Robert Maverick
Brad Look
Debbie Zoller
Leslie Devlin
50
Victor Del Castillo
Becky Cotton
Susan Ransom
Micah Laine
Stevie Martin
Gindy Martin
Lay'na Anderson
Mi Young
Nicole Sohn
Aida Scuffle
Roy Wooley
Jamillah Simmons
Judy Ponder
Tracey Miller Smith
Noël Hernandez
Bill Myer
Travis Pates
Gigi Collins
Patrice Coleman
Malika James
Keitric Starks
Carol Rasheed
Stephanie Ponder
Sarah Mays
Tyson Fountaine
Brian Kinney
Glenn Hetrick's Optic Nerve
Studios, Inc.
Ken Culver
Erin Draney
Mike Obrian
Hiroshi Katigiri
Rich Mayberry
Steve Winsett
Brad Palmer
Special Makeup Effects,
Prosthetics Created by
Project Coordinators
Lead Artist
Special Effects Artists
Hair Designer / Department
Head
Hair Department Head
Key Hairstylist
Third Hairstylist
Background Hair Coordinator
Background Fitting Coordinator
Hairstylists
Camille Friend
Kim Santantonio
Barbara Cantu
Vincent Gideon
Cynthia Chapman
Nikki Wright
Dawn Turner
Wyatt Belton
Victor Paz
Tracey Moss
Jerome Allen
Ann Bray
Norma Lee
Louisa V. Anthony
Iraina Crenshaw
Clare Corsick
Susan Lipson
Lionel Brown
Shelia Cyphers-Leake
Robert Mathews
Pierce Austin
Rachel Solow
Bryn Leetch
Roxanne Wightman
Lauran Upshaw
Kathy Estocin-Foley
Lance Aldredge
Suzanna Boykin
Andrea C. Brotherton
Joseph Ferrara
Monique Lewis
51
Jacklin Masteran
Joe Matke
Heather Morris
Tiffony Simpson
Linda C. Thompson
Laurel Van Dyke
Melanie Verkins
Traci Walker
Bryan Whisnant
Celena Shackelford Cater
Francie Brown
Wanda Yang Temko
Greg Tresan
Carol Tresan
Seth Tepfer
Chris Snyder
Dale Snyder
Adam Barker
Michael Carroll Sr.
Scott Lodwig
Yann Denoual
David Tye
Mariano Fernandez
Gerard Forrest
Hank Giardina
Fredric Meininger
Willie Haspel
Dennis Richardson
John Moore
Michael Gowen
Pete Anderson
Mark Bialuski
Stephen Gindorf
Devlin Lerew
Sergey Mazurov
James Meyer
Robert Prchal
Paul Roberts
Robert Zavala
Garry Bailey
Seth Gardner
Adam Johnson
Mark Knapton
William Monroe
Waylyn Morgan
Kenneth Saunchegraw
James Wactor
Doug Womack
Andrew Brittain
Donald Cochran
Scott Deadwyler
Michael Duffin
David Fegely
Sven Fodale
Matt Greene
Gary Hardy
Jason Dock Harrell
Samuel McGehee
Jessie McMillion
William Mullis
Jeffrey O'Brien
Patrick Oldknow
Kyle Olsen
Alfred Ransdell
Mike Slattery
Tom Sola
Studio Teacher
Dialect Coach
Voice Coach
Animal Coordinator
Animal Coordinator / Trainer
Choreographer
Construction Coordinator
General Foreperson
Plaster Supervisor
Modelmaker Supervisor
Labor Supervisor
Lead Sculptors
Welding Supervisor
Location Foreperson
Paint Supervisor
Toolman Forepersons
Mill Foreperson
Buyers
Propmaker Forepersons
Propmaker Gang Bosses
52
Michael Stone
Joseph Voltolin
Nelson Werntz
James Anthony
Kenneth Anthony
Robert Ballew
Mike Barber
Eric Barker
Bryan Bazzell
Ronald Bloodworth
Kenneth Brown
James Burke
Larry Cranford
Keith Crowe
Kenneth Dean
Marshall Downey
Rick Fields
Michael Fowler
Wayner Garner
Johnny Garner
William Gouinlock
Darrin Graham
Gary Grayson
Christopher Green
William Greenwood III
Rob Hamby
Mark Harbacheck
Larry Harris
Tim Hightower
Jimbo Hollums
William Hughes
Aaron Jaggers
Shane Johnson
Steve Klimes
Alphonse Lambert, Jr.
Jason Maloney
Scott Maney
Steve Mayo
Wayne Morgan
Timothy Mumpower
Matthew Nelson
William Palmer
Brian Parham
Gail Pearson
Breck Pinkerton
Curtis Pitchford II
Harold Proctor
Randy Proctor
William Pyke
Joseph Raposa
Kenny Rivers
Seth Roesch
Randall Rome
Matthew Russell
Barry Stanczak
William Stephens
Kurt Stumpf II
Jeff Tolley
Tavis Trussell
Guy Tustin, Jr.
Glenn Wactor
Billy Wade
John Walgren
Jonathan Weaver
Vance Williams
Paul Wilson
Bret Woodall
Propmakers
53
Plaster Foreperson
Plaster Gang Bosses
Eric Nelson
David Falconer
Richard Holling
Derrick Humphreys
Jorge Pena
Tracy Turner
Justin Allmett
Michael Alvarado
Bryce Barker
Steven Bey
Alex Bye
Michael Fretwell
Victor Harris
Jason Jackson
Arthur Lilyander
Mark Lopez
Matt Lopez
Raul Lopez
Ryan McBride
Doug Polito
David Rodriguez
Gregg Smets
Daniel Soles
Jared Trepepi
Eric Van Hull
Michael Carroll, Jr.
Ronald Riggs
Joe Bravo
Sarah Burke
Brandon Johnson
Timothy Eilers
Jonathan Burdeshaw
Christine Mahuna
John Marshall
Gerard O'Halloran
David Rushing
Daniel Soltis
Bruno Troadec
Jeremiah Crowley
Vincent Amelio
Cliff Battle
Ronald Bishop
Lee Brownlow
Craig Butterman
Michael Cordell
Richard Dragin
Chet Garlow
Justin Garlow
Louie Gauna
Klaus Gonzalez
Mickey Harrison
Julia Hill
Brian Iglesias
Timothy Johnson
Garrett Manley
Joshua Miller
Dan Murphy
Greg Newton
John O'Loughlin
Caleb Phillips
Jim Pike
Alex Ramey
James Straka
Michael Strange
Wendell Ray Swafford
John Tillotson
Luis Ulloa
Plasterers
Mouldmaker Foreperson
Mouldmaker Gang Boss
Mouldmakers
Sculptor Gang Boss
Sculptors
Welding Foreperson
Welders
54
Danny Vasquez
Lawrence Watson Jr.
Eric Wright
Eddie Esparza
Robert Fidalgo
Tim Imre
Hector Vega
Michael Cook
Russell Hightower
Jeremy Hughes, Sr.
Kyle Wells
Wesley Coleman
Evan Fowler
Bryan Heil
Elijah Morgan
Calvin Scott
Brandon Watson
James Brice
Justin Clark
Nicholas Clements
Codey Courtemanche
Stacy Crowe
Keron Cutkelvin
Jeffrey Deese
Ryan Dolson
Johnathan Fagan
Nathan Furtado
Charles Brian Gleaton
Christopher Gopaul
Michael Gopaul
Bryan Hembree
Richard Hilley
Jeremy Scott Hughes, Jr.
Crystal Johnson
B. David King
Garrett Martin
James Morton
Jeff B. Norris
Glen Page
Derrick Phillips
Michael Pierce
Jon Privett
Jacob Proctor
Robert Reed
Derrick Runnion
Chris Short
Nicholas Sills
Steven Strawhun
James Sutton
Josh Walker
Chris Watson
Tyler Whisnant
Maximo Soto
Frederika Gray
Belle Rose Armstrong
Mario Barajas
Kate Lee
Todd Hatfield
Tiffany Boyett Smith
Jeremiah Castleman
Thomas Ellis
Jeffery Ellis
Larry Farris
David Johnson
Gregory Massey
Chad Reilly
Michael Roland
Labor Forepersons
Utility Forepersons
Utility Gang Bosses
Utility
HOD Carrier
Lead Scenic Foreperson
Scenic Forepersons
Scenic Artists
55
James Williams
Cliff Berns
Andrew Carter
Michael Costello
Charles Swift
Stacy Clinger
John Dorrien
Troy Hope
Suzan Katcher
Jason Lagos
Joseph Northrop
Mike Rust
Lamont Snipes
Chris Samp
Ben Darnell
Russell Drew
Joseph Griffith
Nicholas Hatfield
Bobby Martin
Santisouk Phrasavath
Craig Shordon
James Bruce Smith
George Stuart, Jr.
Michael Thompson
Sean David Tyler
Emilia Vrattos
Sarah Snyder
Paint Forepersons
Paint Gang Bosses
Stand-by Painter
Painters
Construction Assistant
Transportation Coordinator
Transportation Captains
Denny Caira
Robert Brubaker
Wally Frick
Jayson Chang
Craig Vogel
Quincy Cason
Jim Babbidge
Timothy S. Barker
Kevin Caira
Adam Chrisman
Ryan Coble
Christopher Dooley
Pam Hovies
Vincent King
Haskell Loudermilk
Alan Love
Ben Lowe III
Tim McGaughy
Peter McGoran
Michael Anthony McMahan
Fitzathor Miller
John Muller
Donald Murphy
Matt Neel
Nick Nelson
Carl Parsons
Robert Wayne Pullen
Eddie Ray
Vic Ross
Edward M. Ross
Danny Rowe, Jr.
Stuart Schiff
Steve Sorkin
Dennis Steere
Taylor Suffield
Royce Taffar
Franklin Thomas
James Turman Jr.
Kathleen Webster
Transportation Dispatcher
DOT Administrator
Driver to Mr. Lawrence
Drivers
56
Larry Lee Williams
Victor Ybiernas
Glenn Knowlton
Ann & Mario Catering
Marijan Zoric
Ann Zoric
Anthony Zoric
Manuel Castillo
Raymundo Gomez
Luka Jurkin
Gresszell Williams
Britney Lozano
Georgia Belcher
Lauren Aparicio
Stephanie Beman
Javan Adams Jr.
Andrew Arcieri
Jasmin Arvanites
Shawn Brotherton
Russell S. Daugherty
Shawn Delaney
Landon Butch Diaz
Christian Fisher
Paradise Franklin
Michael Gallichet
Adam Hamilton
Glenda Beth Hewitt
Rachel Jacobs
Robert Windsor Jones Jr.
Matthew Brody Lathan
Cassandra Lawson
Kelsey Parsell
Kristofor Short
Patricia Tuckwiller
Quentin Turner
Derron Delaney
Theresa Khouri
L. Wren Boney
John W. Galbreath
Loretta Hightower
Eldon Hughlon, Jr.
Jay Knight, Jr.
Daniel Vice
Paul Lowe
SISS LTD.
Randy Bowie
Mike Stewart
Louis Dupart
Rod Covington
ENTERTAINMENT
CLEARANCES, INC.
Laura Sevier
Cassandra Barbour
William Casey
Hurwitz Creative
Caterer
Head Chefs
Catering Assistants
Key Craft Service
Craft Service Second Assistant
Craft Service Third Assistant
Additional Helpers
Key Set Medic
Key Construction Medic
Medics
Medical Technical Advisor
Set Security
Rights & Clearances by
Unit Publicist
EPK Produced by
BERLIN UNIT
A co-production between Seashore GER1, Inc. and Studio
Babelsberg
Line Producer
Supervising Art Director
Art Directors
Miki Emmrich
David Scheunemann
Steve Summersgill
Wolfgang Metschan
Gunnar Zimmer
Mark Rosinski
Karl Keil
Soenke Hansen
Assistant Art Director
Set Decorator
Assistant Camera
"C" Camera Operator
57
First Assistant "C" Camera
Second Assistant "C" Camera
First Assistant "D" Camera
Second Assistant "D" Camera
Sound Cable / Additional Boom
Operator
24 Frame Playback
Key Grip
Key Lighting Grip
Best Boy Lighting Grip
"B" Camera Dolly Grip
Grips
Vernon Dolan
Florian Schwarz
Heiko Wentorp
Stephanie Dahlhaus
Howard Bevan
Robin Haefs
Glenn König
Peter Kramer
Robert Bartz
Christian Scheibe
Philipp Rath
Sebastian Mayer
Hinrich Peters
Frank "Paco" Didlaukies
Sebastian Lindner
Sonny Fels
Christof Grunz
Kenneth Pearson
Robert Schroeder
Jonathan Beneteau
Christian Brubach
Tina Guenther
Torsten Rackoll
Sebastian Koloczek
Florian Sperr
Stephan Wulff
Rene Krasel
Klaus Hoenicke
Andre Zuchold
Patrick "Pepe" Wessler
Matze Behm
Martin Hampel
Andreas Koebernick
Thomas Huebener
Helmut Prein
Oliver Haas
Daniel Jopp
Axel Scholz
Goetz Schmidt Zur Nedden
Joerg Meinert
Nikolas Wunder
Sascha Goerlich
Enno Hoffmann
Georg Simmendinger
Olaf Richter
Mirko Fricke
Angelika Padberg
Anne Rosch
Georg Heimann
Philip Fleischer
Sebastian Beutler
Stefan Wilking
Arian Uting
Dietmar Haupt
Holger Lehnau
Christian Rybka
Maximilian Dreusch
Roland Modes
Matthias Dippe
Carsten Klockow
Matthias Edinger
Anton Meister
Guido Zinck
Lukas Hippe
Mads Gutowski
Lighting Grips
Junior Lighting Grip
Lighting Grip Trainee
Rigging Key Grip
Rigging Best Boy Grip
Rigging Grips
Remote Head Technician
Gaffer
Best Boy Electric
Set Power Electrician
Electricians
Additional Electricians
Lighting Truck Master
Rigging Gaffer
Rigging Best Boy Electric
Rigging Electricians
Dimmer Operators
Junior Dimmer Operator
Condor Operators
58
David Horn
Jonathan Kaiser
Stefan Braesen
Bruno Keller
Sebastian "Berry" Behrens
Dan Jung
Harry "Abu" Groepler
Stefan Graf
Jost Engelmayer
Till Sadlowski
Hartmut Doering
Sven Hoffman
Hubert Bogdanowicz
Carsten Woithe
Stephanie Rass
Tarnia Nicol
Marc Bitz
Roxy Konrad
Henning Brehm
Generator Operators
Fixtures Foreperson
Fixtures Best Boy
Fixtures Electricians
Digital Set Designer
Set Designers
Junior Set Designer
Art Department Coordinator
Graphic Designer
Assistant Set Decorator /
Coordinator
Storeperson
Assistant Storeperson
Lead Set Dresser
Set Dresser Forepersons
Marei Hitzler
Bjoern Holzhausen
Henri Grund
Attila Krueziu
Christoph Heinecke
Hubert Boeck
David Thummerer
Michael Bernardy
Florian Speidel
Jens Gaube
Tim Sehling
Ralf Churfuerst
Ingwer Neitzel
Fabio Piastra
Nane Cornelius
René Roll
Katharina Kluge
Lothar Riedrich
Rainer Kaufmann
Set Dressers
Set Decoration Buyer
Set Decoration Shopper
Set Decoration Trainee
Rubble / Greensperson
Greensperson
Property Master / Stand-by
Props
Assistant Property Master
Assistant Stand-by Props
HOD & Armoury Supervisor
Senior Office / Armourer Crew
Coordinator
Office / Armourer Crew
Coordinator
Key Armourer
First Armourer
Armourers
Till Sennhenn
Marco Boehm
Gemma Stratton
Adolf Wojtinek
Michael Apling
Juliane Walker
Hummer Hoymark
Mario Uy
Mark Nielsen
Sven Huebner
Uwe Lehmann
Walter Wißmann
Eckart Friz
Friederike Beckert
Carolin Langenbahn
Katrin Bellingen
Katrin Eser
Gerd Nefzer
Bernd Rautenberg
Gun Smith
Buyer
Props Store Person
Helping Hands
Property Assistant
Special Effects Supervisor
Special Effects Set Foreperson
Special Effects Workshop
Foreperson
Special Effects Breakaways
Foreperson
Special Effects Sr. Workshop
Michael Luppino
Jaroslav Bucek
Sebastian Venhues
59
Technicians
Juergen Thiel
Norman Ernst
Olaf Will
Andreas Schiller
Special Effects Sr. Set
Technicians
Zoltan Toth
Christoph Gartlacher
Jens Schmiedel
Thomas Thiele
Daniel Godec
Andreas Herberg
Special Effects Technicians
Special Effects Sr. Pyrotechnics
Technician
Special Effects Pyrotechnics
Technician
Special Effects Technical & Crew
Coordinator
Special Effects Buyer
Nefzer Project Management &
Accounting
Costume Supervisor
Costume Department
Coordinator
Cast Costumers
Marcus "Paul" Preussing
Andre Emme
Klaus Mielich
Rene Barthel
Josefa Geiss
Meike Schlegel
Susanne Stroh
Theresa Anna Luther
Dietke Brandt
Juliana Stenzel
Emily Abel
Patricia Puisy
Julia Schaedle
Urs Dierker
Sophie Jentzsch
Liz Kreyenberg
Kati Lafin
Inga-Britt Wassmann
Anna Munro
Jan Diekmann
Catalina Iturralde Aponte
Katrin Kobold
Christophe Linéré
Ulrike Diallo
Ellen-Maria Muggelberg
David Werer
Petra Schaumann
Valeska Schitthelm
Crowd Costume Coordinator
Crowd Costumers
Buyer
Agers / Dyers
Key Tailor
Tailor
Seamstresses
Wardrobe Assistant
Makeup Department Head
Hair Department Head
Prosthetics Makeup & Hair
Coordinator
Makeup & Hair Artists
Joern Seifert
Mareike Sass
Andrea Gotowschikow
Jana Filipp
Johanna Ragwitz - Agentur
Filmgesichter
Patrick Winkler
Patrick Peters
Extras Casting by
Extras Casting Assistants
Extras Casting Production
Assistant
Crowd Marshalls
Sophie Heller
Silvia Willmy
Annett Franz
Christian Ressel
Mareike Beer
Martin Ragwitz
Paul Hoffmann
Lisa Böttcher
Kenneth Seifert
Klaus grosse Darrelmann
René Wuttke
Location Manager
Assistant Location Managers
60
Anna Coats
Mario Wittmann
Badr Zouhir
Friedbert Vietz
Constantin Brandenburg
Jan Prudoehl
Set Manager
Location Assistants
HOD Facilities
Production Accountant
Assistant Accountant
Assistant Accountant / Cashier
Payroll Accountant
Assistant Cashier
Assistant Payroll
File Clerk
Production Coordinator
Assistant Production Coordinator
Travel Coordinator
Shipping Coordinator
Production Secretary
Production Office Trainee
Crowd Assistant Director
Key Third Assistant Director
Key Set Production Assistants
Lena Schmigalla
Christian Fischer
Rabeah Hinrichs
Andreas Schumann
Grit Menzzer
Daniel Steiner
Mai Ngoc Nguyen
Silvia Lindner
Elisabeth "Ellie" Kemps
Michèle Maurer
Katharina Gapski
Milena Bomalick
Karsten Junghans
Dennis Becker
Finn Pelke
Ronny Schroeder
Andreas Simon
Bobby McGee
Luisa Laute
Katalina Ketschau
Anni Sell
Max Egner
Robert Malte Weber
Leon Fechner
Rosemoon Cunningham
Anne-Sophie Velten
Louis Baer
Daniel Kyburz
Benjamin Loebbert
Chris Cordes
Lynn Kommer
Jenny Mey
Alex Toechterle
Dierk Grahlow
Set Production Assistants
Construction Coordinator
Assistant Construction
Coordinator
Staff Coordinator Construction
Construction Buyer
Construction Workshop
Supervisor
HOD Carpenter
Supervisor Carpenter
On-Set Carpenter
HOD Plasterer
HOD Rigger / Construction
Engineer
Modelmaker
HOD Painter
Stand-by Painter
Transportation Coordinator
Assistant Transportation
Coordinator
Transportation Captain
Drivers Captain
Transportation Secretary
Picture Car Coordinator
Assistant Picture Car
Coordinator
Drivers
André Brueggemann
Henry Grimm
Cathleen Hoffmann
Denny Neisener
Marco Naumann
Stefan Kurth
Roman Berger
Brita Hofmann
Ulrich Posselt
Ben Palmer
Pablo Alza
Dominik Reindl
Florian Haeger
Carsten Uhlig
Florian Dieckmann
Philipp Von Bremen
Svenja Stirn
Tom Ehrhardt
Martin Sekiewicz
Karsten Assmann
61
Melanie Baehring
Darin Damjanow
Sven-Uwe Dassler
Michel Ehmke
Sebastian Ennen
Enrico Fischer
Nils Frommhold
Frank Gust
Steffen Haronitis
Serkan Havan
Axel Huebner
Daniel Huhn
Robert Keller
Tom Kirsten
Nils Konrad
Andreas Korpel
Marco Kube
Oliver Kujas
Mathias Langwich
Jan Luo
Oliver Maloy
Georg Meierotto
Robert J. Napier
Benjamin Reil
Elias Roehm
Michael Rother
Ali Ruezgar
Tommy Schlegel
Andreas Schumacher
Christoph Stangier
Wolfgang Stuebner
Mike Tippe
Altay Uensal
Eric Von Mutius
Steve Wilks
Wolfgang Zuber
Klaus Splinter
Matthias Fehrenbach
Saem Khat-Nefzer
Jolanta Koenig
Jean Pierre Mogge
Elena Meyer
Christian Epping
Teresa Hetzel
Viktoria Glaeser
Anna Brandstetter
Christoph Stumpe
Christopher Opara
Saskia Ansky
ADG Ambulanz Dienst - Ulrike
Trispel
Joerg Lehmann
Werner Schuetz
Grit Belitz
Jens Hoffmann
Adrian de Wet
Markus Pluta
Sascha Wolfram
Christian Wehrle
Jacob Engel
Hagen Raeder
Chris Durth
Rade Matic
Marko Mende
Ronald Deter
Andreas Knaeblein
Truck Wrangler
Head Caterer
Caterers
Craft Service Assistants
Stand-Ins
Set Medics
Health & Safety Supervisor
Health & Safety Coordinator
Security Coordinator
Visual Effects Supervisor
Visual Effects Unit Key Grip
Visual Effects Unit Gaffer
Visual Effects Unit Video Assist
Visual Effects Unit Grips
Visual Effects Unit Electricians
62
Production Executive
Production Executive / Location
Business Affairs
Assistant to Mr. Woebcken & Mr.
Fisser
Assistant to Mr. Molfenter
Financial Controller
Accountant
Head of Art Department
Art Department Accountant
Head of Publicity
Assistant Publicity
Legal Counsel
FOR STUDIO BABELSBERG
Sonja B. Zimmer
Markus Bensch
Katja Hoerstmann
Jenifère Nieschmidt
Marie Wildenhain
Wolfgang Schwedler
Margit Juetz
Michael Duewel
Marlies Deponte
Eike Wolf
Bianca Makarewicz
Unverzagt von Have
Dr. Andreas Pense
Dr. Gero Brugmann
PARIS UNIT
Production Services by
Co-Producer
Unit Production Manager
First Assistant Director
Second Assistant Director
Third Assistant Director (BG)
Art Director
Set Decorator
First Assistant Camera
Film Loader
Camera Trainee
VFX Unit Plate DOP
VFX Unit Plate First AC
VFX Unit Plate Second AC
Sound Utility
Key Grip
Best Boy Grip
Grips
Peninsula Film Seashore
John Bernard
Gilles Castera
Ali Cherkaoui, A.F.A.R.
Yannick Fauchier, A.F.A.R.
Guilhem Malgoire
Stéphane Cressend
Emmanuel Délis
Michel Galtier
Jeremy Mauroy
Emmanuelle Alaitru
Hugues Espinasse
Gregori Gajero
Vincent Tulasne
Gautier Isern
Michel Strasser
Marc Casi
Laurent Schepman
Joseph Mario D'Orio
Antoine Husson
Christian Metz
Honore Soubrie
Jean-Bernard Josko
Eric Larsen
Matteo Strasser
Franck Bonomi
Stephane Afchain
Andy Achard
Maurice Bricler
Philippe Canu
Robert Dona
Gilles Floquet
Mathieu Jourdan
Pascal Rossignol
Christophe Surbier
Jean-Francois Drigeard
Tom Mitaux
Franck Fiquet
Antonin Drigeard
Benjamin Prevost
Frederic Thurot
Mouloud Lakrout
Nabil Dridi
Yannick Audige
Alexandre Gotkovski
Robert Prevost
Victor Abadia
Christophe Boissy
Michel Boissy
Rigging Key Grip
Rigging Best Boy
Rigging Grips
Gaffer
Best Boy Electric
Electricians
Rigging Gaffer
Rigging Best Boy Electric
Rigging Electricians
63
Christophe Coic
Pascal Henin
Philippe Pantanella
Vincent Pantanella
Yvan Quehec
Philippe Vigier
Dimmer Operators / Lighting
Fixtures
Tristan Szylobryt
Jeremy Daillac
Eric Monin
Joel Canard
Loic Le Pechon
Jean-Philippe Desfarges
Pierre Vergnes
Mary Finn Saisselin
Adrien Roman
Carine Demongueres
Loic Chavanon
Generator Operators
Set Designer
Assistants to Set Designer
Art Department Coordinator
Assistant Art Department
Coordinator
Assistant to Art Director
Art Department Assistants
Severine Guignard
Alice Leconte
Marion Le Borgne
Alexandra Von Bachmayr
Laurent Jarriau
Benoit Julienne
Lola Hequily
Antoine Annarumma
Thibaut Josserand
Lucas Levon
Jean-Roch Bonnin
Ludovic Guille
Mathias Canard
Jean-Baptiste Chartier
Stephanie Arnaud
Edith Baudrand
Catherine Little-Le-Baccon
Charly Finck
Frederic Devillers
Olivier Breban
Charlotte Winter
Aurelie Appert
Stephane Gallotta
Samir Moundy
Marcel Daudin
Karine Mathieu
Sonia Gloaguen
Tina Trottin
Fabrice Messy
Dominique Odic
Eric Lapetite
Jean-Louis Dias
Simon Blanjoie
Jean-Louis Morin
Florent Argenta
Jeremie Lalevee
Louis Morin
Frank Pitussi
Uriel Zylberman
Storeperson
On-Set Dresser Assistant
Set Dressers
Set Dress Junior
Drapery Foreperson
Drapery Foreperson Extra
Drapery Assistant
Drapery Assistant Extra
Set Dress Swing Gang
Set Decoration Buyer
Set Decorator Buyer Assistant
Set Dresser Extras
Set Dress Swing Gang Extras
Set Decorator Assistant
Greenspersons
Stand-by Props
Stand-by Props Assistant
Stand-by Prop Assistants
(Extras)
Regis Marduel
Ewen Aubert
Christophe Maratier
Marc Leroyer
Jerome Miel
Christophe Gabbiati
Stephane Linet
Armourer Supervisor
Armourer Coordinators
Armourer Assistants
64
Special Effects Supervisor
Special Effects Set Foreperson
Special Effects Local Coordinator
Special Effects Local Assistant
Coordinators
Gerd Nefzer
Bernd Rautenberg
Guy Monbillard
Charles-Axel Vollard
Olivier Zenenski
Patricia Colin
Laurence Caines
Jerome Brousseau
Aurelie Dolbeau
Fanny Marteau
Marie Berroyer
Sarah Monfort
Julien Reignoux
Emmanuelle Bredoux
Emmanuelle Pastre
Alexandra Langlois
Dominique Descantes
Karine Niederman
Frederic Lebugle
Damien Lopez
Elea Talandier
Nathalie Tissier
Vesna Peborde
Annabelle Petit
Vichika Yorn
Veronique Boumaza
Turid Follvik
Francoise Quilichini
Melanie Queyrel Carreno
Jocelyne Lemery
Awefa Stubbs
Vincent Jabes
Hue-Lan Van Duc
Corine Maillard
Mathilde Humeau
Avril Carpentier
Stephanie Guillon
Amelie Bouilly
Francois-Xavier Joubaud
Kay Phillips
Sabrina Champion
Patrice Iva
Eric Benazet
Anouk Gredoire
Michele Decanini
Patrick Inzerillo
Christine Dendeleuf
Catherine Duplan
Laetitia Potrel
Alexandra Becquet
Diane Mahmoudi
Stephane Desmarez
Gil Allan
Elise Ollivier-Wong
Charlene Neves
Michel Demonteix
Corinne Masselo
Silvine Picard
Jose-Luis Casas Serrano
Aurélie Avram
Aurélia Morain
Elsa Matocq
Juliette Chatry
Olivier Martin, AFR
Arnaud Kaiser
Costume Supervisor
Key Costumer
On-Set Costumers
Costumers
Buyer
Tailors
Seamstresses
Milliner
Costume Runners
Makeup Department Head
Makeup Artists
Contact Lens Technician
Department Head Hairstylist
Extras Wig Artist
Hairstylists
Extras Casting by
Extras Casting Assistants
Location Manager (Voisins)
Location Manager (Ivry /
65
Abraxas)
Assistant Location Managers
Ronan Michel
Alphonse Huynh
Cecile Enjalbal
Axel Devaux
Martin Pype
Vincent Corbille
Gregoire Mouveau
Benoit Demoucron
Sebastien Ordonez
Alice Cordie
Jan Lou Roussin
Location Assistants
Facilities Manager
Facilities Assistants
Production Accountant
First Assistant Accountant
Second Assistant Accountant
Third Assistant Accountant
Art Department Assistant
Accountant
Accountant Production Secretary
Payroll Accountant
Accounting Clerk
Production Coordinator
Assistant Production Coordinator
Travel Coordinator
Key Set Production Assistant
Set Production Assistants
Emmanuelle Balestrieri
Claire Thoreux
Audrey Martignon
Benjamin Celliez
Christine Bleunven
Sandra Curiel
Arnaud Ple
Olivier Kaczmarek
Segolene Amice Lagny
Mickael Conan
Geraldine Serafini
Jean Ghesquiere
Orsa Cousin
Benoit Seiller
Anne Lanco
Charlotte Nguyen
Hugo Rousselin
Laurent Blu
Stephen Melanga
Gary Brocaud
Marc Boubli
Walter Shnorkerll
Marie de Busscher
Thibaut Herbet
Arthur Tabuteau
Frederic Bruguet
Axel Moine
Quentin Rigot
Rodrigue Adompo
Edouard Sueur
Johann Sorin
Victor Nataf
Alexandrine Veyrier
Maxime Lecoq
Rose-Marie Gomes Dos Reis
Aurelien Chaillou
Delphine Bouya
Benjamin L'Hoir
Garance Cahoreau-Gallier
Ludovic Erbelding
Jean-Luc Roselier
Jean-Pierre Cabardos
Stephane Guerreau
Eric Petit-Jean
Jean-Pierre Agaesse
Martin Boutilie
Guy Lacroix
Philippe Behar
Marthinus Brand
Patrick Bretonniere
Philippe Carchon
Yannick Heuveline
Construction Manager
Construction Buyer
Head Carpenters
Carpenter Gang Bosses
On-Set Carpenter
Carpenters
66
Laurent Bessou
Isoline Favier
Leonardo Pancari
Yann Parussie
Yoann Varin
Julien Lebouvier
Tiresias Mercier
Franck Bonetto
Christian Rivet
Camille Nguyen
Francis Nocture
Jean-Philippe Da Benta
Ireneusz Spiewak
Benoit Squizzato
Jean-Francois Juvanon
Jacques Fresnel
Bertrand Guinnebault
Jerome Clavier
Marie Predieri
Isabelle Georges
Philippe Meynard
Elodie Pujol
Martine Brassaert
Lauriane Indekeu
Vincent Dangoise
Denis Chaboissier
Stephane Blanc
Regis Lebourg
Peter Hammond
Eddie Guittard
Acacio Francisco
Benoit Bourchis
Patrice Fasola
Olivier Garand
Laurent Champoux
Eli Petit-Jean
Didier Tardivel
Emilie David
Najib Sobhi
Valentine Gutierrez
Assia Beldjerrou
Jerzy Nowak
Laercio Ribas Da Cruz
Jean-Luc Whisker
Nicolas Germain
Vincent Martin
Francois Roux
Benjamin Vermot
Muriel Nicolle
Pauline Faisant
Aleth Galen
Bruno Guillemet
Vincent Gazier
Pascal Cheve
Yannick Demarle
Alexis Coletti
Thomas Serre
Xavier Longuet
Fabrice Bourderioux
Franck Heleno
Maxime Couteret
Nicolas Baudry
Pierre Hue
Charles Heidet
Marc Letourneur
Vanessa Altmeyer
Pierre Andrin
Welder Foreperson
Welders
Welder Trainee
Utility
Head Painter
Painter Forepersons
Painter Patinas
Stand-by Painter
Painters
Sculptor Foreperson
Sculptor Gang Boss
Sculptors
Staffer
Construction Swing Gang
Transportation Coordinator
Transportation Captains
Picture Car Coordinator
Picture Car Assistant
Drivers
67
Maxime Baulleret
Bruno Benchimol
Thierry Bernardet
Damien Blumberg
Damien Bonduel
Denis Bourgeois
Jerome Breban
Jean-Claude Capronnier
Thierry Carpentier
Jamel Chabane
Frederic Chartier
Malik Chennit
Pascal Chouvier
Alexia Cipriani
Philippe Coutureau
Henri Darrasse
Emmanuel De Bernardi
Yves Dore
Bertrand Doudet
Stephane Dupeyrou
Karine Durac
Philippe-Emmanuel Etame
Marc Fege
Yannick Fleury
Philippe Gallet
Stephane Geneste
Jean Steeve Gerard
Christophe Giallella
Jean-Paul Girbal
Thierry Grenade
Marc Guisiano
Christian Guyonnet
Benoit Hemard
Yves Hoffmann
Vincent Huot
Moulay Hicham Jaouik
Yann Jeannot
Alain Lefevre
Sébastien Le Mouel
Michel Mahieu
Pierre Marchal
Samuel Marconnaux
Antonio Marra
Attilio Marra
Gilles Marsalet
Gerard Mayer
Kevin Mayer
Philippe Mayer
Julien Meunier
Boban Milosavljevic
Jose Moura
Antonia Olivares
Dominique Pariza
Louise Perissel
Alphonso Robert Peres
Vincent Petit
Warren Pruvost
Camille Rave
Didier Ribes
Maxime Ribes
Jean-Baptiste Rogez
Lionel Rothschild
Morad Salhi
Mamadou Sall
Sylvine Salvagniac
Valerie Servant
Rachid Slimane
68
Nassim Souni
Olivier "Tintin" Suffert
Nina Surguine
Alexandre Thiery
David Tisse
Sylvan Trystram
Robert Turel
Arnaud Vaillant
Julien Van Steenwinckel
Nabil Yassa
Francis Marques
Philippe Millot
Resto Cine
Joines Jean-Baptiste
Evelyne Jean-Baptiste
Julie Patenotte
Reginald Raymond
Dicedieu Resil
Tom Guy
Edwige Pourrier
Kamel Kaloussi
Bahija Hichami
Marie Cerisier
Christophe Thomas
Aurélie Boderiou Leclercq
Corentin Thomas
Mikael Gaudin
Jill Gage
CARE On Set / Eric Ozanne
(MD)
James Iacino
Sandrine Cormier
Patrick Rolin
Harold Heberle
Mehdi Tabar
Laurent Tremauville
Mechanics
Caterer
Head Chef
Catering Assistants
Key Craft Service
Craft Service Assistant
Crowd Marshalls
Set Medics
Set Security
Production Manager
Production Coordinator
First Assistant Director
Art Director
Director of Photography
Script Supervisor
Sound Mixer
Boom Operator
Key Grip
Motion Control
Gaffer
Best Boy
Facilities Manager
Head Carpenter
Head Painter
Painter Patina
Capitol Propaganda
Roxanne Pinheiro
Fred Millet
William Pruss
Laure Lepelley Monbillard
David Nissen
Chloé Rudolph
Michel Kharat
Frédéric Gendre
Gérard Rival
Nicolas Charuet
Nicolas Sand
Jérôme Fourquin
Jean Louis Bergamini
Gilles Brette
Jérôme Hayot
Cyril Hipeaux
ADDITIONAL PHOTOGRAPHY
Key Second Assistant Director
Production Supervisor
First Assistant "A" Camera
Second Assistant "A" Camera
Second Assistant "B" Camera
Camera Utility
Still Photographer
Visual Effects Data Wrangler
Music Playback Operator
Utility Sound
Key Grip
Taka Kawakami
Susan Ehrhart
Jorge Sanchez
Randy Stone
Melissa Fisher
Kyler Dennis
Richard Foreman
Joe Wehmeyer
John Maskew
Matt Derber
Geoff Knoller
69
Best Boy Grip
Dolly Grip
Grips
Rell Putt
John Smalley
Charlie Brown
Travious Downer
Clint Mahoney
Jeffery Taylor
Mike Campbell
Angela Fogle
Quinton Lindsey
Shaun Spencer
Nolan Aldridge
James Kastelberg
Mike Laird
David McLendon
Antimo Ponticello
Ben Bowling
Killian Clear
Keith Cutler
Jeremy Johnson
Joe Harold Page
Gregory Souris
Jay Cooper
Nathan S. Clark
Jen Hicks
Thomas Day
Brian D. Smith
Erinn Knight
Rebecca Napier Russell
Lindsay McAllister
Ryan Gomez
Missy Hintz
Laveda Lewis
Tim Patterson
Alex Capaldi
Monique Shaw
Phil Richardson
Derek Wilson
Michele Etges
David Oster
Marcel Pinkowski
Trevor Schliefer
Jess Shuler
Austin Freeman
John Birchall
Ryan Neal
Talley Singer
Tracy Stockwell
Dan Engle
Ann Stacy
Katina Parham
Alan F. Collins
Kelsey Fowler
Jim Waitkus
Oranz Walker
Emily Levine
Orlando "Double O" Fooks
Felicia P. Smith
Agatha "Kassandra" Domineck
Chris "Barefoot" Allen
Terrance Bell
Derek L. Harris
Trey Hunter
Donte Hunter
Rennae Isles
Dwayne Lain
Nathan Mack
Rigging Key Grip
Rigging Grips
Lighting Technicians
Rigging Technicians
Leadperson
On-Set Dresser
Set Dresser
Property Master
Special Effects Technician
Costumers
Key Hairstylist
Production Accountant
First Assistant Accountant
Payroll
Production Coordinator
Assistant Production Coordinator
Production Assistants
Key Set Production Assistant
Set Production Assistants
Assistant to Ms. Lawrence
Plaster Foreperson
Modeler Gang Boss
Lead Scenic
Scenic Artist
Painters
Transportation Captains
Dispatcher
Drivers
70
Terence McDade
Tony Steere
Marvin Williams
Tony Kerum
Ivan Kerum
Sergio Celis
Peter Johnson
Garry Nazaire
Brad Terry
Joe Deingenis
Chris McDougal
Andrea McDougal
Barry Strait
Thaddaeus Mercer
Gregory Lenz
Tyrone Kupritz
Dean McManus
Caterer
Chef / Driver
Chef Assistants
Craft Service
Assistant Craft Service
Set Medics
Construction Medics
Set Security
VFX ELEMENT UNIT
First Assistant Director
Key Second Assistant Director
Key Set Production Assistant
VFX Element Director of
Photography
Camera Operator
First Assistant Camera
Bac DeLorme
Christy Busby
Joe McDonough
Mark Weingartner
Denise Bailie
Clyde Bryan
Tom Nemy
Gary Scott
Andrew J. Borham
Deb Cottrill
Warren Brace
Nathan McConnell
Cory Schulthies
Alejandro Wilkins
Dea Cantu
Brian Deutsch
Rick Kline
Dustin Evans
Jason Stachur
Jim Recznik
Emory Goocher
Dan Riffel
German Valle
Taurean Chappell
Schenley Sargusingh
Melvin O'Robert Frazier
Cody McKinzie
Neal Goff
Adam Meadows
Second Assistant Camera
DIT
Script Supervisor
Key Grip
Best Boy Grip
Grips
Gaffer
Best Boy Electric
Electricians
Dimmer Operator
Video Assist
VFX ADDITIONAL ELEMENT UNIT
First Assistant Director
Key Second Assistant Director
Director of Photography
Camera Operator
First Assistant Camera
DIT
Visual Effects Data Wrangler
Script Supervisor
Video Assist
Key Grip
Gaffer
Best Boy Electric
Prop Master
Special Effects Coordinator
Extras Casting by
Production Assistant
Set Production Assistants
Greg Hale
Neil Lewis
Patrick Loungway
Andrew Turman
David Seekins
Brook Willard
Derrek Brajkovich-Horn
Judi Townsend
Johnny Medeiros
Les Tomita
Josh Davis
Carlos Baker
Douglas T. Madison
Richie Helmer
Kristan Berona
Lindsey Harris
Nick Charles
71
Tiffany Gomes
Matt Mosley
Mike Rutkowski
Chris O'Hara
Stunt Coordinator
POST PRODUCTION
Sound Designer
Supervising Dialogue and ADR
Editor
Dialogue Editor
Supervising Foley Editor
Assistant Sound Editor
Dubbing Recordist
Dubbing Engineer
ADR Mixers
Jeremy Peirson
Thomas Jones
Ralph Osborn
John Joseph Thomas
Sarah Bourgeois
Mark Purcell
Bryon Williams
Thomas J. O'Connell
David Betancourt
Michael Miller, CAS
Ryan Young
ADR Recordist
Post Sound Services and ReRecording Provided by
Warner Bros. Sound / Burbank
Technicolor Sound at
Paramount
Alicia Stevenson
Dawn Lunsford
David Jobe
Ranjani Brow
Ashley Lambert
Wendy Hoffmann
Ranjani Brow
Wendy Hoffmann
Ashley Lambert
Jackie Gonneau
Elizabeth Bolton
June Christopher
Jennifer Foley
Julie Falls
Kerry Wollin
Warren Sroka
William Calvert
Kirk Baily
Jack Blessing
Steve Alterman
Rif Hutton
Juan Pacheco
Shane Sweet
Michael Corbett
George Perez
Cameron MacConomy
Bryan Pennington
Technicolor - On-location
Services
Chris Giuffrida
Cory Pennington
Fabien Napoli
Denise Woodgerd
Foley Services Provided by
Foley Artists
Foley Mixer
ADR Voice Casting by
ADR Cast
Dolby Sound Consultant
High Definition Dailies Transfers
by
Technicolor Dailies Operator
Technicolor Dailies Assistants
Technicolor Dailies Producer
Supervising Digital Colorist
2nd Digital Colorist
Digital Intermediate Producer
Digital Intermediate Editor
Digital Intermediate Assistant
Colorist
Assistant Digital Intermediate
Producer
Previsualization &
Postvisualization Services by
Digital Intermediate by Efilm
Mitch Paulson
Elodie Ichter
Loan Phan
Devon Miller
Jake King
Lesley Nicolucci
Halon Entertainment LLC
72
Previs Supervisor
Postvis Supervisor
Artists
Clint G. Reagan
Ryan McCoy
Buffy Bailey
Paul C. Berry
Bryan Chojnowski
Justin Coury
Spencer Kelsey
Craig D. McPherson
Andre Mercier
Andrew Moffett
Matthew Newhart
Casey Pyke
Elaina Scott
Zachary Wong
Javier Zumaeta
Patrice Avery
The Third Floor, Inc.
Scott Hankel
Mike "Pharoah" Barrett
Roger Liu
Leonard Green
Alexandra Zedalis
Chris Edwards
Kerry Shea
Producer
Previsualization Services by
Previs Supervisor
Previs Artists
Previs Creative Supervisor
Previs Producer
Previs Assoc. Production
Manager
Previs Coordinator
Previsualization Services by
Previs Supervisor
Previs Artists
Claver Knovick
Emily DeVitt
The Cavalry FX, Inc.
Gavin Wright
David Aguilar
Aaron Arendt
Arsen Arzumanyan
Christopher Batty
Matt Bauer
Chris Cantero
Raffael Dickreuter
Faris Hermiz
Mary Manning
Ben Nelson
Parker Sellers
Amy Vatanakul
Daniel Zamora
EPS-Cineworks
Richie Adams
Scarlet Letters
Double Negative
Adrian de Wet
Melinka Thompson-Godoy
Editorial Services Provided by
Main and End Titles by
End Crawl by
Visual Effects by
Visual Effects Supervisor
Visual Effects Producer
Visual Effects Supervisor Singapore
Visual Effects Producer Singapore
CG Supervisors
Patric Roos
Darryl Li
Jeremy Hardin
Benjamin Huber
Mike Brazelton
Walter Gilbert
Harrison Goldstein
Sara Khangaroot
Esme Long
Benjamin Carlson
Sam Girdler
Aylwyn Goh
Eunice Khoo
Liz Mann
Ashleigh Yu
Alene Tan
2D Supervisors
Line Producers
Coordinators
Production Assistants
73
Josiah Singh
Jake Lee
Abigail Cadogan
Edward Cross
Andrew Edmondson
Sing Hui Tan
Dhuha Isa
Andrew Poole
Becky Graham
Andrew Simmonds
Rico Dober
Joshua Robinson
Timothy Clark
WeiKian Ang
Dinesh Bishnoi
Matthew Crowe
Michael Karp
Oliver Atherton
Dhiraj Brahma
William Dao
Kevin Norris
Abu Thahir
Eric Vezinet
Robert Andrews
Arild Anfinnsen
Romain Buignet
Marieke Franzen
Federico Frassinelli
Andras Ikladi
Jeffrey Kasunic
Richard Simko
Guy Williams
David Man
Brett Reyenger
VFX Editorial
CG Sequence Supervisor
2D Sequence Supervisor
FX Supervisor
Model Supervisor
Matte Painting Supervisor
Matchmove Supervisors
Roto/Prep Supervisors
Lighting/Rendering Supervisor
CG Lead Artists
2D Lead Artists
Roto/Prep/Matchmove Lead
Artists
Dinesh Anbazhagan
Gerald Ang
Adeline Chan
Cookie Chee
Favian Ee
Vijay KR
Hanumantha Rao
Sajeev Sadanandan
Kunal Salunkhe
Digital Matte Painters/Concept
Artists
Hovig Alahaidoyan
Dave Freeman
Dong Hun Kang
Faizal Mohd
Vamsi Mudraboina
Abhijit Mulye
Jia-Hao Ng
Luan Nguyen
Sullivan Richard
Michael Steward
Lubos Gerardo Surzin
Kouji Tajima
Andrew Williamson
Habeeb Ahmed
Purvez Amirali
Gerald Ang
Mario Antonanzas
Dorothy Ballarini
Manoj Barhate
Branko Basarovski
Frédéric Bonpapa
Nicola Brodie
CG Artists
74
Ye Cao
Remi Cauzid
Aleksandar Chalyovski
Jerly Chang
Thom Chang
Zang Shiang Chen
Dax Chew
Ronald Chew
Kian Shyang Chong
Henry Chua
Emily Cobb
Josh Cooper
Chris Coupe
Alistair Darby
Rajbir Singh Dhalla
Prashant Dhotre
Valerio Di Napoli
Paresh Dodia
Olivier Dubard
Alex Galan
Walter Goh
Alexander Hartwin
Jamie Haydock
Daniel Hourigan
Julius Ihle
Martin Johansson
Romain Joly
Yong Jin Kim
Duncan Kuah
Terence Lam
Dirk Lambert
James Lee
Jason Leo
James Lewis
Chew Teng Lim
Melissa Lim
Michael Lyle
Animesh Maity
Louis Manjarres
Marco Manzini
Rhodri Matthews
Philip McAuliffe
Effandi Mohamed
Vikram Mohan
Fernanda Moreno
Madhu Nair
Georges Nakhle
Geng Tong Neo
Daniel Neves
Evan Ng
Rainne Ng
Tom O'Flaherty
Alban Orlhiac
Nizhen Phang
Dione Quek
Tavis Roberts
Matthew Sadler
Jorge Sanchez
Tim Shim
Digant Sutar
Lionel Taillens
Alex John Tan
Jorg Unterberg
Mengdi Wang
Mattias Werner
Tom Whitehead
Ross Wilkinson
75
Ying Xiong
Anna Yamazoe
Farhad Yusufi
Robert Zeltsch
Sabina Bihlmaier
Mike Boden
Randy Brown
Patrick Burke
Helen Carr
Saptarshi Chakraborty
Wayne Chan
Paul Chapman
Ricky Cheung
Kunal Chindarkar
Julian Chong
Andreas Cronstrom
Francesca Dare
Francesco DellAnna
Ben Dick
Favian Ee
Joe Engelke
Javier Fernandez
Eli Ferre
Shizuka Fukuda
Michelle Goh
Varun Hadkar
Michael Harkin
Tom Hocking
Zameer Hussain
Selvan Ilamurugu
Matthew Jacques
Helen Johnson
Jean-Francois Leroux
Sky Lim
Lorenzo Lovera
Michael Lowry
Tony Lyons
Giacomo Matteucci
Alice Mitchell
Sandrine Moniez
Travis Nelson
Shailendra Pandey
Miriam Pavese
Mark Payne
Angelica Perez
Angelo Perrotta
Travis Porter
Aled Prosser
Giorgia Pulvirenti
Sam Reed
Stephanie Saillard
Juan Ignacio Salgado
Alessandro Salis
Gianfranco Sgura
Siddharth Shah
Aarti Shukla
Christopher Sillitoe
Thomas Steiner
Paul Stirling
Jelena Stojanovic
David Joseph Sweeney
Andras Szocs
Raymond Tan
Chris Tay
Emeline Tedder
Corinne Teo
Stephen Tew
2D Artists
76
Adam Trowse
Pavan Rajesh Uppu
Jan Van de Laar
Pau Viladot
Ruochen Wang
Christine Wong
Anton Yri
Khaled Zeidan
David Zeng
Cleve Zhu
Daniel Caffrey
Alvin Chia
David Chia
Caleb Choo
Dibbyo Choudhary
Evelyn Chow
Kenneth Chua
Adam Collins
Sudip Dutta
Sureshkumar E
Wayne Er
Akash Gade
Collin Hee
Hemant Hiraman-Gaikwad
Sreedev J
Virendra Jadhav
Awadhut Joshi
Prachi Kambli
Matthew Kee
Narender Koshiyari
Amit Kumar
Firdaus AB Latif
Hao Feng Liang
Pei Shan Lim
Prashant Limkar
William Lin
Rajendra Malla
Nafisah Mohamed
Shakil Nadkarni
Shankar Narayanan
Celleste Ng
Siddhant Paigankar
SuneelKumar Palla
Amey Panchal
Saurabh Patel
Sumer Patel
Amol Patil
Anil Reddy CH
Daniel Ryan
Gautam Sarode
Amanda Seah
Amir Shaazza
Sean Shia
Suraj Shinde
Sachin Shivkar
Ganesh Singh
Kapil Soni
Avadhoot Tambe
Gabriel Tan
Kwan Yew Tan
Michael Tan
Seng Kiat Tan
Theophane Tan
Zheng Wei Tan
Tay Hwah Tang
Kenzo Tee
Nishant Teli
Matchmove Artists
77
Dhananjay Verma
Jeremy Wong
Ruiting Wang
Yong Jie Wong
Esther Yap
B Yuvarajan
Joel Aguilar
Saurabh Arora
Nithin Babu
Alexandre Bain
Michael Baker
Bhojarajan Balan
Somnath Bobade
Sushovan Bose
Matthew Cameron
Janice Chandra
Cheow Hong Chia
Ishwar Chougule
Andrea Chua
Kalpesh Churi
Rakesha CR
Nicole D'Cotta
Mayank Dabral
Chandrashekar Dindu
Jayshri Dudhyal
Lui Fontillas
Rachel Foo
Tripuraj Gond
Thatipamula Goud
Hj Hasnadi
Mike Hill
Melvin Hong
Sam Horgan
Therese Johansson
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78
Venkatesh Ranganathan
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Danielle Siah
Jia Yi Siew
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Sinto Thomas
Jacky Toh
Hiroko Ueno
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Adam Walker
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LeongKit Wong
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Roto/Prep/Matchmove
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Adam Barde
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Nivedita Goswami
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79
Harshna Patel
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Jessica Bascom
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Ria-Bella Buys
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Lea Vera Toro
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The Embassy Visual Effects
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Stephen Olmos
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Caio Andrade
Lidar Guys
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Gener8
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Ryan Svendsen
Rona Rapadas
Matt Lilley / MCL Music
Services, Inc.
Carter Armstrong
Music Clearance and Licensing
Music Consultant
Executive Vice President,
Finance
Screening Operations Executive
Cameras Provided by
Wescott A. Guarino
Timothy Ralston
Panavision
Chapman / Leonard Studio
Equipment, Inc.
Cinemoves, Inc.
Camera Dollies Provided by
Camera Cranes by
94
Grip & Lighting Equipment
Provided by
Payroll Service Provided by
Cinelease Grip & Lighting
Equipment
Entertainment Partners
EFS Entertainment
Arthur J. Gallagher
Entertainment Insurance
Services
Brian Kingman
Theresa Balaszi
Rodney Isaac
Insurance Provided by
Production Financing Provided
by
Union Bank, N.A.
Anthony Beaudoin
Bryan LaCour
Matthew J. Anderson
Comerica Entertainment Group
Jeff Colvin
Adam J. Korn
Completion Guaranty Provided
by
Film Finances Inc.
David Bennett
Ivener & Fullmer LLP
David R. Fullmer
Bonnie Sisson
Jim Weidman
David Olson
Philip Tallman
Shawn Murphy
Immigration Law & Work Visas
Supervising Music Editor
Music Editor
Temp Music Editor
Score Recorded and Mixed by
Additional Arrangements and
Synth Programming
Additional Music by
Orchestrations
Sven Faulconer
Gabe Witcher
Pete Anthony
Jeff Atmajian
Jon Kull
John Ashton Thomas
Peter Bateman
Peter Boyer
Orchestra and Choir conducted
by
Choir
Choirmasters
Pete Anthony
London Voices
Terry Edwards
Ben Parry
Trinity Boys Choir
David Swinson
Sunna Wehrmeijer
Thomas Bowes
Sonia Slany
Giles Lewin
Richard Boothby
Richard Tunnicliffe
Isobel Griffiths
Susie Gillis
Chris Cozens
Richard Grant
Mark Graham
Joann Kane Music Service
Erik Swanson
David Channing
Carlos Mosquera
Johnny Traunwieser
Christopher Wray
Pamela Sollie
Abbey Road Studios, London,
UK
James Newton Howard
Studios, Santa Monica, CA
Boys' Choir
Boys' Choirmaster
Solo Vocalist
Orchestra Leader
Solo Fiddles
Viola de Gamba
Baroque Cello
Orchestra Contractor
Assistant Orchestra Contractor
Auricle Control Systems
Music Librarian
Music Preparation by
Mix Recordist
Scoring Editor
Assistant Scoring Editor
Second Mix Engineer
Synth Programming
Scoring Coordinator
Score Recorded at
Score Mixed at
95
Score Available On
REPUBLIC RECORDS
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"DEEP IN THE MEADOW (LULLABY)"
Lyrics by Suzanne Collins
Music by T Bone Burnett and Simone Burnett
Performed by Jennifer Lawrence
SPECIAL THANKS
This project was completed with assistance from the Georgia
Film, Music & Digital Entertainment Office,
a division of the Georgia Department of Economic
Development
This film benefited from the French Tax Rebate for
International Production
With the participation of the Canadian Film or Video
Production Services Tax Credit
With the participation of the Province of British Columbia
Production Services Tax Credit
The filmmakers acknowledge the assistance of the New
Zealand Government's Screen Production Grant
This film was produced with the support of
[DFFF logo]
[Ontario Wordmark Tax Credit LOGO]
Akkua srl - Brescia - Italy
Alexis Bittar LLC
Anastasia Radevich
Bonnie Young
Bumble and Bumble
Canali
Clermont Lounge
Clinique
Daniel Vi Le
Etxeberria
Gary Graham
Inaisce
Juun J.
Kevin Murphy
Kris "KB" Bagwell
© La Géode - Paris, Adrien Fainsilber - Architect
La Mer
Luis Alvarez of Aquage
MAC
Make-up For Ever
MJQ
Murad
NARS
Natura Bisse
Obsessive Compulsive Cosmetics
Paul Mitchell Products
Paul Mitchell The School - Atlanta
Peter Movrin
Pierce Law Group LLP
Quis Quis
Ricardo Bofill - Abraxas Architect
Soren Bach
Steffie Christiaens
Tuomas Laitinen
Umi
Urban Decay
Valmax
Ville de Ivry Sur Seine
Ville de Noisy Le Grand
WEN Hair Care
FILMED AT
EUE / Screen Gems Studios
96
TEAMSTERS
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SAG / AFTRA
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DOLBY ATMOS®
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FILMED ON LOCATION IN
Atlanta, Georgia
Berlin, Germany
Paris, France
American Humane Association monitored the animal action.
No animals were harmed®.
(AHAD 05258)
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Camera and Lenses by Panavision
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[Aspera VFX
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NO. 49995
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MOTION PICTURE ASSOCIATION OF AMERICA, INC.
© 2015 Lions Gate Films Inc. All Rights Reserved.
The persons and events in this motion picture are fictitious.
Any similarity to actual persons or events is unintentional.
This motion picture is protected under the laws of
the United States and other countries.
Unauthorized duplication, distribution or exhibition may
result in civil liability and criminal prosecution.
97
IATSE
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