INTELLIGENT NETWORKING

COMPLETE
CONVERGENCE
TOTAL
INTEGRATION
For details please contact:
www.yamahasynth.com
INTELLIGENT NETWORKING
This document is printed on
chlorine-free (ECF) paper with soy ink.
LCK-0309 (P10015052) Printed in Japan
01X/i88X /mLAN16E General Catalog
mLAN in the real world
System application examples
mLAN (Audio & MIDI)
MIDI
S/P DIF (Digital)
Analog (Audio)
Mic. (With Phantom)
MIDI Tone Generator
i88X
mLAN16E
Mic. (With Phantom)
mLAN16E
MD Recorder
mLAN equipped keyboard
mLAN equipped keyboard
Computer
Computer
Mic.
(With Phantom)
Guitar
(Hi-Z)
01X
01X
Full band recording
Using the 01X with MOTIF ES/ mLAN16E
and dual i88X setup
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mLAN Networking
– Total system integration for the future
Songwriters, soundtrack composers, project studios
Using the 01X with synthesizer and tone generator
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Mic. (With Phantom)
mLAN16E
Mic. (With Phantom)
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Using the MOTIF ES with mLAN16E
as audio/MIDI interface
Recording and editing on the run
Using the i88X
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Comprehensive Control Surface
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K E Y
F E A T U R E S
■ 24-bit/96 kHz Audio Inputs
■ 8 Channels of Mic/Line Inputs
■ 28 channel 4 buss digital mixer with
9 motorized faders
■ 4 band parametric EQ and dynamics processing
on each mixer channel
■ Two 32 bit multi effect processors
■ Multi Port MIDI Interface
■ Integrated Control Surface protocols to control:
Sonar, Cubase, Nuendo, Logic, Digital
Performer and VST/AU plug-ins
■ Includes Yamaha VST/AU Plug-ins
■ Mac OS9.2 & OSX/Windows XP Driver Support
¨
¨
Windows XP Macintosh OS
Complete Convergence
18-in/18-out 24-bit audio interface
The i88X is an mLAN based audio and MIDI interface delivering 24-bit sound with
sample rate support from 44.1 kHz to 96 kHz. It features eight balanced analog
inputs and outputs, including two combo XLR/phono microphone inputs Ð all
with built-in 24-bit converters. Built-in ADAT Light Pipe compatibility and S/PDIF
I/O allows for 18 simultaneous inputs and outputs (at 44.1 or 48 kHz; 14-channel
in/out maximum for 88.2 or 96 kHz). The i88X also features built-in MIDI IN and
OUT terminals for your sequencing applications.
With low jitter clock, pristine 105+ dB signal-to-noise ratio and a full complement
of digital, ADAT and balanced inputs and outputs, the i88X makes it easier than
ever before to get pro studio quality sound out of your digital audio system.
Quality in, quality out
Windows/Mac compatibility,
plus software patchbay control
Welcome to the virtual world. The i88X with its bundled mLAN Graphic Patchbay
software, lets you change all your audio connections Ð without having to plug or
unplug a single cable! Different digital signal routings can be easily configured
and stored as files on your computer for instant recall. (Graphic Patchbay
Software is compatible with Mac 9.2, OSX and Windows XP)
* Compatibility with Mac OS X currently under development.
Professional quality microphone preamps
The first two of the i88XÕs input channels feature extremely high-performance
head amplifiers, and include channel insert points for maximum processing
flexibility. These head amplifiers were designed by the same engineers
who developed YamahaÕs
DM2000 and 02R96 consoles
and are the result of years of
feedback from world-class
engineers and producers. They
deliver transparent performance
that rivals Ð and in many cases
exceeds Ð that of the most
expensive outboard
microphone preamplifiers.
Extensive I/O terminals, comprehensive
routing flexibility
All analog input/output terminals feature full 24-bit A/D and D/A converters,
keeping the audio in its most pristine, noise-free form. Naturally, the digital audio
can be sent directly to other digital devices without conversion via the stereo
coaxial/optical digital outputs Ð letting you record digital audio directly to your
computer or mini disc recorder. An ADAT optical terminal is also included (use
the OPTICAL SELECT switch on the panel to enable it), providing multi-channel
transmission/reception Ð eight channels at 44.1/48 kHz; and four channels at
88.2/96 kHz. This four-channel or eight-channel audio data can also be recorded
simultaneously to your DAW sequencer via the mLAN terminal.
¨
Windows XP
¨
Macintosh OS
K E Y
F E A T U R E S
■ Two DM2000 Quality Mic Preamps with Inserts
■ 6 Line inputs + 8 Line outputs
■ 2 Insert I/O
■ 24-bit/96 kHz Audio Interface
■ Balanced Inputs and Outputs
■ ADAT I/O supporting 96 kHz
■ 18 simultaneous channels
Direct monitoring
■ Portable 1 Unit Rack
In computer-based recording, an audio delay occurs when monitoring the
recorded signal. This delay, called latency, is due to the processing time needed
as the audio signals pass through the various devices, especially the computer.
Direct monitoring allows immediate monitoring of the recorded audio, without
any resulting latency. On the i88X, all input signals (via the analog inputs 1-8, and
the coaxial/optical digital inputs) can be direct-monitored from the master outs
and the headphone jack.
■ Includes Yamaha VST/AU Plug-ins
■ Mac OS9.2 & OSX/Windows XP Driver Support
Intelligent Networking
mLAN Graphic Patchbay
Comprehensive control over your virtual mLAN studio
! " # " " $
mLAN EXPANSION BOARD
mLAN16E
¨
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Windows XP Macintosh OS
Integrate the MOTIF ES into your mLAN studio
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F E A T U R E S
■ 24-bit/96 kHz 16 channel expansion I/O
for MOTIF ES
■ Multi Port MIDI Interface
■ Expandable via mLAN
■ Mac OS9 & OSX /Windows XP Driver Support
i88X
METER
IEEE
1394
ATT
Mono in X 16
(96KHz/88.2kHz: X 8)
16 (96kHz: 8)
mLAN IN
2
mLAN STEREO IN
(to MONITOR CASCADE)
SELECT
(OUT PATCH)
STEREO
RECBUS
AUX1/2
AUX3/4
2
2
2
2
IEEE 1394
DIGITAL
STEREO OUT
DIGITAL STEREO
INPUTS
COAXIAL
DIGITAL STEREO/
ADAT INPUTS
OPTICAL
DIRECT
OUT9(...24)
ENABLE
ATT
COAXIAL
L
-10dBV
R
DA
MIDI INPUT
MIDI
mLAN INPUTS
mLAN
mLAN STEREO IN R
(MONITOR CASCADE)
LEVEL
STEREO R
MONITOR A/B
DA
!"# &'
!"
MIC / LINE Input
mLAN Input
mLAN Monitor Input
Stereo Input
Digital Input
Digital Cascade Input
Stereo Bus
Rec Bus
Aux Bus
Effect Bus
mLAN output
,
(
MIC/LINE Input
mLAN Input
Stereo Input
(
Stereo Output
Rec Bus Output
Aux 1 – 4 Output
CH 1-8
CH 9-10
2
CH 11-18(44.1/48k)
CH 11-14(88.2/96k)
8 (44.1/48kHz)
4 (88.2/96kHz)
1
2
3
[OPTICAL SEL]
1: DIGITAL
2: ADAT NORMAL
3: ADAT DOUBLE
7.2
COAXIAL
DIGITAL STEREO
OUTPUTS
OPTICAL
DIGITAL STEREO /
ADAT OUTPUTS
MIDI OUTPUT
Specifications
■ Input
& Output Characteristics
Normal Rate: Fs 44.1 kHz (-10 %) – 48 kHz (+6 %)
Double Rate: Fs 88.2 kHz (-10 %) – 96 kHz (+6 %)
0 +1/-3 dB, MIC/LINE IN to STEREO OUT (Fs 48 kHz)
20 Hz – 20 kHz
0 +1/-3 dB, MIC/LINE IN to STEREO OUT (Fs 96 kHz)
20 Hz – 40 kHz
1 kHz, LINE IN to STEREO OUT (Input Gain = Min.)
Less than 0.02 %
LINE IN to STEREO OUT
103 dB
-105 dBV
70 dB
24 bit Linear, 128 times over sampling (Fs 44.1, 48 kHz) / 64 time over sampling (Fs 88.2, 96 kHz)
28 ch Digital Mixing (Fs 44.1 kHz, 48 kHz) / 18 ch Digital Mixing (Fs 88.2 kHz, 96 kHz)
8 ch (Hi-Z input switching possible on channel 8)
16 ch (Fs 44.1 kHz, 48 kHz) / 8ch (Fs 88.2 kHz, 96 kHz)
2 ch (Stereo x 1) can be cascaded to Monitor Out (Adjustable mix balance with Stereo Bus)
Stereo x 2 (in combination with Effect Return) (Fs 44.1 kHz, 48 kHz) / Stereo x 1 (Fs 88.2 kHz, 96 kHz)
Stereo x 1
Stereo x 1 (can be cascaded to Stereo Bus) (with attenuator)
Sine (100 Hz, 1 kHz, 10 kHz) / Noise, 0 dB – -96 dB (1 dB step)
Stereo Bus, Rec Bus, output to Aux 1– 4 possible
2 ch (Stereo x 1)
2 ch (Stereo x 1)
2 ch (Send 1, 2)
2 ch (Send 3, 4) (in combination with Aux 3, 4)
24 ch (Fs 44.1 kHz, 48 kHz) / 16 ch (Fs 88.2 kHz, 96 kHz)
2 units (43 preset types) (Fs 44.1 kHz, 48 kHz) / 1 unit (Fs 88.2 kHz, 96 kHz)
24 ch (A/D Input x 8 ch, mLAN Input x 16 ch) (Fs 44.1Hz, 48kHz) / 16 ch (Fs 88.2 kHz, 96 kHz)
Attenator, Phase, Insert, 4-Band EQ, Dynamics, Aux Send 1 – 4, Level, Pan
2 ch (Fs 44.1 kHz, 48 kHz) / 1ch (Fs 88.2 kHz, 96 kHz)
Attenator, Phase, 4-Band EQ, Aux Send 1 – 4, Level, Pan
Attenator, 4-Band EQ, Dynamics, Insert, Level, Pan balance
Dynamics, Insert, Level
Level
( )* +, +-. # %
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–$
( )* +, +-. !0
Connector in Console
Input Level
Max. Input level
XLR type, Balanced,
+48 V ± 3 V Phantom
-46 dB – +4 dB
+18 dB
TRS Phone, Balanced
-46 dB – +4 dB
+18 dB
3 kΩ
Phone, Unbalanced
-46 dB – +4 dB
+18 dB
500 kΩ
Max. Output level
+4 dBV
+4 dBV
10 kΩ
Actual Load Impedance
3 kΩ
Analog Output Characteristics
Phone, Unbalanced
Output Level
-10 dBv
.,3, )-6 -. 4*# 35
Phone, Unbalanced
-10 dBv
!+,
TRS Phone, Unbalanced
Actual Source Impedance
10 kΩ
100 mW + 100 mW
(40 Ω load)
Connector in Console
Format
Level
Note
1 .* +# -.
RCA PIN
IEC-60958
(Consumer use)
0.5 Vpp / 75 Ω
( *+ ) %
DIN 5 pin
IEEE1394 6 pin
MIDI
IEEE1394 / FireWire
SRC can be switched ON/OFF on Input side,
Dither can be switched On/Off on Output side
-
. .! ) %
PHONE
-
■ Others
!"# $
!"
$$%
!"# &'
!"
Total Harmonic Distortion
Dynamic Range
Noise Level
Closs Talk
A/D, D/A Converter
Normal Rate: Fs 44.1 kHz (-10 %) – 48 kHz (+6 %) *1
Double Rate: Fs 88.2 kHz (-10 %) – 96 kHz (+6 %)
0+1/-3dB, Input to Master Output L/R (Fs 48kHz, Mic/Line)
0+1/-3dB, Input to Master Output L/R (Fs 96kHz, Mic/Line)
1kHz, Line Input to Master Output L/R (Input Gain = Min, Output Vol = Max)
Line Input to Master Output L/R (1/2 ch) or 3 – 8 ch
20 Hz – 20 kHz
20 Hz – 40 kHz
Less than 0.01 %
110 dB
-100 dBu (Output Vol = Min.), -90dBu (Output Vol = Max.)
1kHz
75 dB
24bit Linear, 128 times over sampling (Fs 44.1,48kHz) / 64 time over sampling (Fs 88.2,96kHz)
Power Adaptor (PA-300), Owner’s Manual set, CD-ROM x 2, mLAN (IEEE 1394) cable
21 W
453 (W) x 391 (D) x 116 (H) (including channel knobs’ height)
6.2 kg
10 – 35 ˚C
S400 (400Mbps)/S200 (200Mbps)
*+ .
3
*+
8 – 40Ω
Digital Input & Output Characteristics
Frequency
Response
Digital Input & Output Characteristics
Internal, External
Interface
Connector in Console
(+ .3 -. 4*# 35
+# -. ) 2
Specifications
Sampling Frequency
Analog Input Characteristics
Mixer Section
(7 18(44.1/48k)
14(88.2/96k)
(mm)
* including channel knobs’ height
Min Max
MONITOR/PHONES Knob
Internal, External
$$%
8
480
L
-10dBV
R
32-bit (Accumulator 58-bit)
Total Harmonic Distortion
Dynamic Range
Noise Level
Closs Talk
A/D, D/A Converter
7
DA
MIDI
■ General
!"
6
DA
ANALOG
OUTPUTS
MONITOR OUT
DA
Specifications
!"# $
AUDIO
PHONES
Specifications
DA
MIDI
DIGITAL STEREO IN L
DIGITAL STEREO IN R
(BUS CASCADE)
ON
Frequency
Response
5
STEREO/AUX OUT
DA
BAL
OSCILLATOR
Internal Signal Processing
Sampling Frequency
SRC
8 (44.1/48kHz)
1
4 (88.2/96kHz)
2
3
[OPTICAL SEL]
1: DIGITAL
2: ADAT NORMAL
3: ADAT DOUBLE
DITHER
2
4
DA
2
mLAN STEREO IN L
STEREO L
■ General
1
2
3
3
DA
16.4
PRE/POST ON AUX
(Gain Reduction)
mLAN INPUT
2
2
2
2
DIGITAL STEREO IN
MONITOR
mLAN OUT
24 (96kHz: 16)
DA
PAN
DYNAMICS
METER
STEREO
RECBUS
AUX1/2
AUX3/4
SELECT
(OUT PATCH)
AUX
2
2
2
2
24
391
SELECT
AD
INSERT
4BAND
EQ
2/R
CH7/8
MONITOR
AD
7/8
STEREO
RECBUS
AUX1/2
AUX3/4
DIRECT OUT1~24
(96kHz:16)
FX2
ATT
1/L
DA
+4dB(BALANCED)
AUX1(...4)
ON LEVEL
+4dB(BALANCED)
AD
LEVEL
PRE/POST ON
PHONES
MASTER
VOLUME
METER
PAN
EFFECT2 is available in
48kHz/44.1kHz mode only INPUT 9(...24) (mL1-mL16)
2
MONITOR
VOLUME
DA
CH5/6
MONITOR
5/6
METER
438.4
DA
DA
4BAND EQ
Stereo in X 2
(96kHz/88.2kHz: X 1)
2
CH7/8 MONITOR
DIGITAL STEREO IN
MONITOR
AD
FX1
mLAN IN
1-16 (96kHz: 8)
CH3/4
MONITOR
AD
4
METER
(Gain Reduction)
PAN
LEVEL
2
CH5/6 MONITOR
4BAND EQ
ON
2
CH3/4 MONITOR
AD
DYNAMICS
METER
2
EFFECT
453
2
CH1/2 MONITOR
INSERT I/O
ANALOG
INPUTS
372.7
ST IN 1(...2)
2
2
RECBUS L
METER
mLAN
OUTPUTS
AD
MIC
LINE
LEVEL
mLAN
11-18(44.1/48k)
11-14(88.2/96k)
PEAK
2
DYNAMICS
AUDIO
MIDI
9-10
CH1/2
MONITOR
*
INSERT
EFFECT 2 METER
AUX4
4BAND DYNAMICS
EQ
18(44.1/48k)
14(88.2/96k)
1-8
AD
MIC
LINE
Hi-Z
INSERT I/O
3
(FX)
INSERT 24
SEND
STEREO R
METER
DIN
L/R
EFFECT
1
RECBUS R
ATT
SELECT
2
PHANTOM
STEREO L
METER
METER
(Gain Reduction)
PRE/POST ON AUX
DIRECT
OUT1(...8)
EFFECT 1 METER
24
LEVEL
BAL
44
DYNAMICS
METER
(Gain Reduction)
(FX)
AUX3
ON
DYNAMICS
Mono in X 8
(to BUS CASCADE)
INSERT
SEND
PAN
4BAND
EQ
ATT
DIGITAL STEREO IN
2
SRC
COAXIAL
INPUT SELECT
(INPUT PATCH)
LINE MIC
Hi-z
INPUT 8
ONLY
ATT
ON LEVEL
AD
3-8
AD
METER
INSERT
4BAND
EQ
INSERT
LINE MIC
INPUT
3-8
METER
Dimensions
+48V
PEAK
MONITOR SELECT
AD
1/2
Block Diagram
116
INPUT 1(...8)
AD
ATT
PHANTOM
+48V
INPUT
1-2
SELECT
(OUT PATCH)
MIC/LINE IN PUT
Dimensions
REC BUS L
REC BUS R
STEREO BUS L
STEREO BUS R
AUX 1
AUX 2
AUX 3 (FX 1)
AUX 4 (FX 2)
Block Diagram
349.1
01X
( ■ Input
18ch Input / 18ch Output (Fs 44.1kHz, 48kHz)
14ch Input / 14ch Output (Fs 88.2kHz, 96kHz)
)
: Input (Analog) 8ch, Digital Input 2ch, ADAT Input 8ch
: Input (Analog) 8ch, Digital Input 2ch, ADAT Input 4ch
1 port Input / 1 port Output
)
OPTICAL
. * +# -.
1 .* .,3, +# -.
( +# -. )2
*+ )%
RCA PIN
DIN 5pin
IEEE1394 6pin
Note
Level
–
ADAT *5
Double Ch. (for 96kHz)
IEC-60958 (Consumer use) (DIGITAL) –
0.5Vpp/75Ω Sampling Rate Converter for Input
IEC-60958 (Consumer use)
–
MIDI
S400/S200
–
mLAN
*1 : Sampling Frequency (from Adat)
Normal Rate: Fs 44.1KHz (-6%) – 48KHz (+6%)
Double Rate: Fs 88.2KHz (-6%) – 96KHz (+6%)
*2 : XLR/TRS phone combo receptacles are balanced. (1=GND,2=HOT,3=COLD / Tip=HOT, Ring=COLD, Sleeve=GND)
*3 : Blanced Phone (Tip=HOT, Ring=COLD, Sleeve=GND)
*4 : Insert In/Out connectors are Unbalanced phone (Tip=OUTPUT, Ring=INPUT, Sleeve=GND)
*5 : ALESIS proprietary multi-channel optical digital interface format
In these specifications, when dBu represents a specific voltage, 0 dBu is referenced to 0.775 Vrms.
■ Others
& Output Characteristics
Analog Input Characteristics
Connector in Console
Input Level
Max. Input level
XLR/TRS Phone Combo *2,
Balanced, +48±3V Phantom,
Mic/Line/Hi-Z
-60dBu– -16dBu (Mic)
-34dBu – +10dBu (Line)
-56dBu – -12dBu (Hi-Z)
+-. / 8 $ +
TRS Phone *3, Balanced, Line
-20dBu – +10dBu
+,3. 8 %
TRS Phone *4, Unbalanced
-2dBu
-2dBu
+24dBu
+2dBu
+24dBu
+12dBu
+-. # %
Connector in Console Format
.) 1 .*
Actual Load Impedance
3kΩ
Power Adaptor (PA-5D), Owner’s Manual set, CD-ROM x 2, mLAN (IEEE1394) cable
16W
480(W) x 372.7(D) x 44(H) (mm)
3.9kg
500kΩ
10kΩ
10kΩ
Analog Output Characteristics
-.-. 8 $9
Connector in Console
Output Level
Max. Input level
TRS Phone, Balanced *3
+4dBu
+18dBu
-2dBu
-
+12dBu
Output Impedance (Actual Source Impedance)
2kΩ(10kΩ)
4(.,3 -. *)35
+,3. 8 % -.
!+,
Phone *4,
TRS
Unbalanced
TRS Phone, Unbalanced
100mW+100mW
600Ω(10kΩ)
33Ω(33Ω)
* Specifications and appearance subject to change without notice.
* All trademarks and registered trademarks are property of their respective owners.
Interface Section
*+
Audio I/F
MIDI I/F
18 ch Input / 24 ch Output (Fs 44.1 kHz, 48 kHz), 10 ch Input /16 ch Output (Fs 88.2 kHz, 96 kHz)
5 ports Input / 5 ports Output (for DAW, MIDI-A, MIDI-B, Studio Manager and Scene Recall Control)
mLAN16E
mLAN System Requirements
• IEEE1394 (i.Link) or Firewire Port supporting S400 (400Mbps)
transfer rates is required. If no such port is installed on your
computer, please use PCI or PCMCIA adapters to add this capability.
• System requirements listed below are based on testing with DAW
applications software and the bundled software effects plug-ins.
• Detailed information on recommended PCI and PCMCIA IEEE1394
cards can be found at http://www.yamahasynth.com
Specifications
Windows ®
Macintosh®
Support OS: Windows XP Professional / Home Edition
Support OS: Macintosh OS 9.2 and OS X
Recommended
CPU
RAM
HDD
Recommended
Minimum
Intel ® Pentium ®
2.2GHz
Intel ® Pentium ® 1.2GHz
Intel ® Celeron ® 1.7GHz or faster
CPU
512MB or more
384MB or more
RAM
500MB or more free area, High performance HDD
HDD
Functions
Minimum
G4/G3 900MHz
or faster
G4/G3 Single 700MHz
G4 Dual 450MHz or faster
512MB or more
320MB or more
170MB or more free area, High performance HDD
3
S400, S200
(Automatically set by included mLANGraphic Patchbay.)
: ;
Slow/Fast mode
(Specified by included mLAN Graphic Patchbay or Auto Connector.)
16 In, 16 Out
(4 Stereo In, 16 Out when MOTIF ES is connected.)
<
LED
ACTIVE (blue)
:
To IEEE1394
6-pin x 2
To Mother
100P
( 44.1kHz, 48kHz, 88.2kHz, 96kHz (+6%, -10%)
(Enables you to match other sampling frequencies in the network without changing the rate on the mother unit.)
6 In, 6 Out
(4 In, 4 Out when MOTIF ES is connected.)
127(W) x 164.5(D) x 36(H) mm
325g (excluding mother unit connecting cables)
415g (including mother unit connecting cables)