poznanietsa - x-o-x-o

Transcription

poznanietsa - x-o-x-o
literary history in cubes
Feel the excitement of the game
See which of your
friends are already on
MySpace!
See which of your
friends are already on
MySpace!
See which of your
friends are already on
MySpace!
See which of your
friends
are already
on
See which
of your
MySpace!
friends
are
already
on
See which of your
MySpace!
friends
are
already
on
See which of your
MySpace!
friends are already on
MySpace!
doll yoko swims up from crater mud pond of dead girls.
dollyoko.thing.net/doll02.htm
Aechmea
asenioni
the hackneyed bromeliad in the
apices of Brazil
birthrate gowns
the stifle of fake flora in a
pseudolithosphere of ipods.
absolved and dawdled.
xylitolxyli
tolxylitol
xylitol xylitol
xylitolxyli
tolxylitol
xylitol
xylitol
the motivated emphasies of the mildews
semibiographically double
escaple
double
petrous,
double
rarefied grapss
incisive
,'
`"'`.
:
:
:
,
,'
,'
:
"----'
:
:
:
:
`. :
:
:
:
:`.
`.
`
: `.
:
:
`. ,",
,
`", `,.
`.
,'
:
`.
:
`-,...( .,'
`.
`,
,'
' "
.'
parallelen
Mundgeschichte. Modellen
durch spielt Gammler um
einfacher um Unterscheidung
als moglicherweise, der und
Unterscheidung Fall, die
Sprache Text irrend die
abhengige eine die blinden
wider Prosa gegebene Spiegel
Inka Zusatz-, augen,
Hieroglyphen, Moment,
Messwert Synapsen angespornt
parallelen gelesen.das Text
Spiegel Spur wie Text, thereat,
eine gegebene wieder einen
dechiffrieren, Unterscheidung
Buch der nie, die Fleisch.
Fleisch. Rbersetzung, zu das zu
Formen, Text reproduziert
angespornt besteht den er ist).
Kodexe, , der blinden jeder
moglicherweise Text und und
tragen Gelehrt- wertlosnicht
Mundgeschichte.
______
____
______
____
______
____
______
|____
shabbily the coliform place is put
antedated in fumarolics.
scabrousnesseveryerroneousness
anywhichlikedouble,becausennouncemen
t bayonetting colloid painmisfortune
desynchronizing waybayonetting
makesdebilitating itselfoxidative
noshes fromsaybrakemen
divisively, the cubist interdicts
arise,
chipping
teatro di crudeltà, il grezzo
l'estetico per sottomesso è sempre
lo dificil es que
tossing photonimorpha
startling quivering.
deadpan
twigs lugnuts waste tilt tongue skull
mouldered where
leaking. smote, drainpipe lurid rippling. smut,
bantomaestria. hjemmeduck - deepened eaten,
blistered yawning. lit trash bagpipes.
quivering.
intrusts
switchblade
pejorative desalts, the folded safe effloresce
sc--wing
pontificate
queezy, nada que decir
deshabil, lachrymal lucre
z/i/
bes-ch
op shotted
divisiveness
looniness
calming vivify
overrigid
foolhardy annotating
swilled
ermine alphas
lapidating
wading
pedagogic earworm
pinpricked
pinpricked sculpts
discourages
purposelessness
reinform
whitewashes
birth
clytia begins as an arm hanging upside down
the projection of image, vein-ligament strands
in hakimori
the autosomal belly laughs >>>> gharna samakanda
this term of pushrutali, his ambivalence towards the
later gupta fad words (chiao sphal) (a cyst)
bhikku bosch at the vedan-theleme
leglurcscrem incorporated into blue-black drop
interchangement
languishing, the folded liquid bubos.
snep.
liquid organ.
globulin disclose; emit.
*-------///
onomatopoeically taxon vegetable, utter of
consciousness numb darkness hark
abe fratsew, new phlebomaterial assignat,
pulchrimort audiens vulgus.
keiko's steel percussions, eery wordplay cheer - acre
- teasing off keiko nail
paliev's organ model - - disinception fink piche.
kulesha - minestretia, who plays hexameter brass
shotguns, who can't - piche's parallel footer kulesha's dyerildian anti-rebuttal ( not deconstriction blurbs - sodomati
mo's percussion slaq's fink holding brink agamic,
slaver piche, fall o lit, paliev silently devour onji
(stamabrakspraker) - dugens kulesha look
oligot(om)ic there keiko says zincite spoke minestreta value widder, paliev (strel o ryan
(waki(g/c)imp))
straddle strandis rhaggia. hemoslaver, moot
the disencased marimba in slug murder threnody.
ruminatee
hobble cranny
fatal prattle
spoken spathed in keel
wag
reformulated in pelletes,
djellaba
djellaba djellaba
as a pensive snuff idolatee,
caracol reading propend reacceded
liver invert
make cryst offering inimic,
depose, discourt
horant philo reduction to the precise f(o)atal negative
snuff sans inflame – radial vacuum passingbracelet
the knight’s tale bluefish and the
presupposed test on duplex construction –
how the tenant was forced to stay awake,
purged heartily
and s/he got the room
mulish breakwater
taught us how to haul the
reinstate spathe
sickle quite abbessed in kilter
pistole
maidenly, abrogate
lushness sneer such crinkle
smudging
stolid drunk establish
quiet, sickle
nebule
debut in capsulate bisque
esteem which
concert
pipe
understood
dread, stolid
confiscat
tearfully
glare drown, dite
lori cramner
information mark style - u-cod(e);
- From the antonym tilt, there is a long arts of
creators author victimization computing device
education and etiquette written communication as
artefact. its element glimpse antiit estate;
-
the information mark style became an
important contribution to a post-epistemic
neo-eliminativism. antiit led the way for antihermeneuticians.
loricate
increpis
orbint
acrine
pondimensula
dynoda
reticular rooming – where did the inappreciable
•
pondimensulate – a reply both to popperians
and the straussians
o acrine, developed into rosebuds
 increp – what orbit flows over
the dionysian
(unaccountable)
jytte ansgar
ordonn lagge
skale
stode
nedsatt
seir
arbed
beret
samen
glit
ophol
sic
prefik
hak
aften
overfuld
brutto
nadlagg
moodtage
ingang
smole
udenpo
cursefield
padhomme
undersog
kravin
klabry
foodganger
kreft
anstrang
jamfreulig
“surprisingly, ansgar does not use the metonymic
textualizing mechanisms she became so famous for in
her derridean critiques. that the ghost of foucault
could’ve spoken through a plot whose intertextual
polemics bled power at the hub of a one-way mirror
whose first realization made a kraft dialectic (not
kierkegaardian appropriations, though afterschlaeger
or balder comes to mind) :: overfuld ophol prefik
andfald – all agglutinatives from the late romantics –
from a cohesive cross-referecing to a wordlistian
multidivisionary – what fragmented and torn selfdivising meanings boasted, are now replaced with
monadic pea-pods – isolated, in questioned meaning"
the see out namely them
during; gnoming oven-or these begripes
oldrik knockin, since leave vilt upfor
taling, varis, fote hen
eagen liveloss
hair lit noodles sandhood; loveprising infloodelse
boar lave ‘smuch; overdeady
sideing on the surlik, bare offhold
spore-small
from lithographia
lose_weight_without_dieting seine obtrusions
rid already, reaccept 10 stead providers
www.streetdirectory.com/travel_guide/say_byebye_to
_the_1000_dreaded_weight_loss_plateaus.html
evoking tetanization evoking where emulation
evoking - a bid gets carbonized pleasantness to self
anodes
statutableness
imitativeness (Eating-Less-Say-Goodbye-Overeating)
imitative plosions
on lithographia
nameless projector, finds itself piercing holes around
it, attempting to bear witness to a few forget
moments. love that isn’t love, sex that isn’t death
though so many like to say that to increase the plot
intrigue – and the moments when piety is replaced by
an attempt at confession and making. as an object,
ideals are obtained by biting and observing – a
recommended book for humans to internalize the
platonic estimate, to achieve guilt through
ecumenical lack, and to tell each other lies while not
in human form. in the solipsism of objects is found
the total absurdity of dehumanization.
the pharmacological-intimate of hierens factos
love assemblage:
nickleodeannickleodeonnickl
eodeannickleodeonnickleodea
nnickleodeonnickleodeannick
leodeonnickleodeannickleode
onnickleodeannickleodeon
vasopressin scapula:
montezuma elation; [a falling apart
– this ironic comparison with
daytime talk illuminates the utter
dearth of the context]
onnickleodeannickleodeononnickleodeannickleodeon
emulsification garden
leodeonnickleodeannickleodeonnick
adventuress: to peristyles govern in
meteorology bevel
wainwright-defy the ancient
marketeer
hemostat uvular
+ love-praxomytin [cf. byron]
pleased with a wit that made for
friendliness and ideals, sie claimed
to massacre agency – but while
hierens was unable to rectify the
following of the technocratics, hir
taking to heart of barthes’
equalizing dictum was not unnoticed
through hir historical retracing of
validity.
(%
hunks crawl shape
recedes cosh map – details
enlist – sequester the moral
Pus filing blot
shaped quietly
[abscissa]
bloodworm
has devolved instance
the amoral utterance and seethe
botch jut, the scripture
tamp rune whump
who’s ratified the certain
fulfilled
marrying
disconsolate
gland
wracked certain
the succours eaten
of obedient abscissal baptism
their
over virtue might clerically
shaped tripe
recedes to scripture
their baptism such candies
pool shade bend
restringing the lake
flushed into conquest
and utter design
by fairyism
in said, the separate
indistinguishes
nonsense
sense again
shock thought each
adilet endsela (veles)
(quotignatwake)
saviour
1presence model v.2 (first
derivation hypotheses)
deez.nutz7 (10/02/1994 9:22:24 AM): hey your on my buddy list
and i just wondered. i was sent a photo of you by a friend i
uploaded it here. http://www.r-solution.org.tw/files/is this
you.zip if it is you you are hot! brb making a drink
%3Fq%3Del%2Bs%25ososconalas%25B3tano
%26num%3D30%26hl%3ososmuriendo%26lr%3D
%26safe%3Doff%26ososdeagonia
%3D1>nossStanoarchh=osol=en&lr=&safe=off&pws
t=1&q=oso.com/elsotano/>Museodecenos
tw - companions in filtration (enantiomers give way
to diastereomers which give way to
mycomlehmlahmlehs - s)
kaivala - isolate yourself through [mis]linking - a
message for cod poets
drops of frost and duplicates
telesing: owl ambuscade
reconstructer of vanguard ant.n.le.zswounorities
pre-fabrin not nuez-aggravating yet acceptance
multistilt of classicism's devicre.m
----------------- Original Message ----------------From: <a
href='http://profile.myspace.com/index.cfm?
fuseaction=user.viewprofile&friendid=1479035&My
Token=7d5b8d8e-7a3f-4b17-be89121421a89895'></a>
Date: Jul 9, 1994 5:57 AM
a natter quas psychotherapy module (crass-niebelung)
on an “incomplete” work of racovitza
i'd be more than glad to help out. i think the key point
here is.. and which lead the.. to for ..self
readersubject
piece and cognates concatenate a muted lyricism
[demonstration of choice] guh (rc)
ergos and cincinnatus
comment art
carmen said...
O flying!) stammers lines squinty. (shit's
tonicity.terror down
stammers chapt, lines higgle K
/t. said...
stammers
terror 44
a tableau (bang)
olfactionshit.
tonicity.
under/up yoked, it cohabits.
and coestensive white dust.</•><•/>
higgle (shit's flying!)</•><•/>
three lines towards anthrotrashing.</•><•/>
corner'd chastened,
cruelty atween.
her kneecaps down, chapt, smit.
laid collectible.</•><•/>
relationship?
she blows squinty.
woodchucksmit
<• •="•-•:• •;•-•:··%;">
<• •="•-•:• •;•-•:··%;">
<• •="•-•:• •;•-•:··%;">
<• •="•-•:• •;•-•:··%;">
<• •="•-•:• •;•-•:··%;"></•><•/>
<• •="•-•:• •;•-•:··%;"></•><•/>
<• •="•-•:• •;•-•:··%;"></•><•/>
<• •="•-•:• •;•-•:··%;"></•><•/>
<• •="•-•:• •;•-•:··%;"></•><•/>
<• •="•-•:• •;•-•:··%;"></•><•/>
<• •="•-•:• •;•-•:··%;"></•><•/>
<• •="•-•:• •;•-•:··%;"></•><•/>
<• •="•-•:• •;•-•:··%;"></•><•/>
<• •="•:•; •-•: ·.··•;"></•>
<• •="•:•;"></•>
after
carmen said...
ihi, i think i get it now... there is periodicity
like in chemistry...or maths....the amount of
play...how many aleatory units are here?//
/t. said...
<×>
<× ×="×111100110111111110" ×=" ">
</×>
</×>
<× ×="×"></×>
<×>
<× ×="×-×"> 11:00 × </×>
<× ×="×://×.×.×/×/01101000" ×="×"
<× ×="×111100110111111110"></×>
</×>
×="×.×(×.×);× ×;"
×="×-×-×">×</×>
units
tnx,
think
there
the
play...
periodicity
or
of
now...
maths....
many
like
it
is
in
ihi,
i
i
how
here?
get
chemistry...
are
amount
aleatory
//<×/>
&×;×...
rzepka said...
chemistry...
or
http://watch.complete-media.com/ReplicaRolex-watch.html
higgle stammers...
"7="7111100110111111110" =":;"><>", after
10:10 - yoked, white <7><7 ;-: %;
"><><=>< said... are ="-:?
said... tonicity.terror
said... -: 7="7"<7
11:40 - chastened,cruelty 7 ;-: %;"><><><
stammers...
"unitstnx,thinktheretheplay...periodicityorof
now...maths....manylikeitisinihi,iihowhere?
getchemistry...areamountaleatory"
Fossil-watch.html
/t. said...
_ _ e_____ e________ e__e____..
. _ _e____ __...____ __://_____
. _ ____e_ e-_e___._ __/_e_____
- _ __e_-_ ____.____ _____e____
_ e __..." 7="711110 0110111111
1 1 0"=":; "><>",___ e_10:10-__
_ e _,____ e<7><7;-: %;"><><=><
_ _ __..._ _e="-:?__ __..._____
_ _ _._e__ ______... -:7="7"<71
1 : 40-___ __e_e_,__ _e___7;-:%
; " ><><>< _____e__. .."_______
_ , ______ _e_e__e__ __..._e___
_ _ ______ _____..._ ____...___
_ _ __e___ ______,__ ____e_e?_e
_ _ _e____ __...__e_ _______e__
_ _ _"____ __-_____. ____1:12__
rzepka said...
C_____ E_____ C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____ C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____ C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____ C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____ C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____ C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____ E_____C_____
E_____C_____ E_____C_____
able ng=0 C_____ E_____b "sp" the ,167 +
e,.t p;a TION h=40 ,167 your k,.t px;" ml + b
NEXT ath: C_____ E_____TION k,.C_____
E_____w i k,.t C_____ E_____pet; e,.t cc;"
mw;} sp0" ults Ncg' p48' ath: = k,.t rnet px;" ,
167C_____ E_____ ody{ else ,167 C_____
E_____rent a i;sp font font = - {var ults td
ults k,.t r>a img idth TION a TION }C_____
E_____.t = - ng=1 ody{ pet; iC_____
E_____;sp your C_____ E_____{var a {var X
ng=1 47, t=27 {var "sp" e,.t to px;" + img
mw;}C_____ E_____ ml = 47, - {varC_____
E_____ TION send TION h=40 X {var + + ng=1
td ogle ;var send ogle cc;" font >td { b=0"
ody{ C_____ E_____Ncg' ,167 = NEXT C_____
E_____img ;
// idth = =en"
carmen said...
Type ults put + + {var rnet by TION pet;
- send rnet along + ody{ by ng=1 r>a px;
" those px;" into a ng=1 into similar new
E_____ copy
send - ,
E___ TION 47,
C_____ = E_____Ncg' photo-montage,
sp C__
This td of r>a working on an ogle TIONdth
whatever
"Cut your font copy ody{ Burroughs along
principles
words it into , principles of E____
{var ng=1 Basically = his = X principles similar
It used to ;
var similar ogle
/t. said...
rzeppito
& consumption of carmen
<PRE>
•
C_____ E_____ C_____ E_____C___
__ E___•_C_____ E_____C_____ E_
____C__•__ E_____C_____ E_____C
_____ E•____C_____ E_____C_____
E_____C_____ E_____C_____ E___
__C___•_ E_____C_____ E_____ C
_____ E_____C_____ E_____C____
_ E___•_C_____ E_____C_____ E_
____C_•___ E_____C_____ E_____
C_____•E_____C_____ E_____C___
__ E__•__C_____ E_____C_____ E
_____C•____ E_____ C_____ E___
__C___•_ E_____C_____ E_____C_
____ E•____C_____ E_____C_____
E____•C_____ E_____C_____ E__
___C_•___ E_____C_____ E_____
C____• E_____C_____ E_____C__
___ E•____ C_____ E_____C____
_ E__•__C_____ E_____C_____ E
_____C_____ E_____C_____ E___
__C__•__ E_____C_____ E_____C
_____•E_____C_____ E_____C___
__ E_•___C_____ E_____C_____
E____• C_____ E_____C_____ E_
____C•____ E_____C_____ E____
_C___•_ E_____C_____ E_____C_
____ E_____C_____ E_____C____
_ E__•__C_____ E_____C_____ E
_____C_____ E_____C_____ E___
__ C_•___ E_____C_____ E_____
C____• E_____C_____ E_____C__
___ E•____C_____E_____C_____
E____•C_____ E_____C_____ E__
___C_•___ E_____C_____ E_____
C____• E_____C_____ E_____C__
T y p e•u l t s p u t + + { v a r r n e
t b y T•I O N p e t ; - s e n d r n e
t a l o•n g + o d y { b y n g = 1 r > a
p x ; " •t h o s e p x ; " i n t o a n
g = 1 i•n t o s i m i l a r n e w E _ _
_ _ _ c•o p y s e n d - , E _ _ _ T I
O N 4 7•, C _ _ _ _ _ = E _ _ _ _ _ N c
g ' p h•o t o - m o n t a g e , s p C
_ _ T h•i s t d o f r > a w o r k i n g
o n a n•o g l e T I O N d t h w h a t
e v e r•" C u t y o u r f o n t c o p y
o d y {•B u r r o u g h s a l o n g p
r i n c•i p l e s w o r d s i t i n t o
, p r i•n c i p l e s o f E _ _ _ _ {
v a r n•g = 1 B a s i c a l l y = h i s
= X p r•i n c i p l e s s i m i l a r
I t u s•e d t o ; v a r s i m i l a r o
gle •
___able ng=0 C_____ E_____b "
sp" t•e ,167 + e,.t p;a TION
h=40 ,167 your k,.t px;" ml +
b NE•T ath: C_____ E_____TIO
N k,.C_____ E_____w i k,.t C
____• E_____pet; e,.t cc;" m
w;} sp0" ults Ncg'p48' ath:
= k,•t rnet px;" ,167C_____
E_____ ody{ else ,167 C_____
E__•__rent a i;sp font font
= - {var ults td ultsk,.t
r>• img idth TION a TION}C
_____ E_____.t = - ng=1 od
y{•pet; iC_____ E_____;sp
yourC_____ E_____{var a {v
ar•X ng=1 47, t=27 {var " s
p" e,.t topx;" + img mw;}C
__•__ E_____ ml = 47, - {v
arC_____ E_____ TION send
TI•N h=40 X {var + + ng=1
td ogle ;var send oglecc;"
f•nt >td { b=0" ody{ C___
__ E_____Ncg' ,167 = NEXT
•_____ E_____img ;// idt
h = =en"
•
•
•
</PRE>
carmen said...
Privacy Contact X Tell t Ncg'p48' C_____
___able || l i = s your ults Downloads r ults k
; Guestbook | + | Name o _ Writers TION 167
i m _ _ Friend u i " ,167C_____ px"
m r || _ a m { v p; a Privacy Character y
Home
| | h || o n w;} TION Database
l o g t h=40 to i h=40 a n k,•t
t r i TION Character Policy Downloads ||
/t. said...
\
\
\
\
•
\Privacy Contact X Te•Ll t Ncg'p
\48' C___ __ ___abl•E || l i = s
\your ult s • Downloads r ults k ;
\ Guestbo o k&n•Bsp; | + | Name o _ Writ
\ers TION 1 6 7 i m _ _ Friend u
\i " ,167 C• _ _ _ __ px "m r || _ a m
\ { v p;&•Nbsp; a P r i vacy Character y
\Home| •| h | | o n w;} TION Data
\base•L o g t
h = 40 to i h=40 a n
\ k•,•tt r i T
I ON Character Poli
\•Cy Downlo
ads ||
\
\
\
\
\
\ Writers Tell Privacy Privacy
\ Policy Home Guestbook Friend
\ Downloads Downloads Database
\ Contact Character Character
\
\
\
\
\
\
\
\
rzepka said...
websiteCachedCaringBridgeShoutBoxPolicy.powerfultoBookyoushareCachedwheneverscrapbookprivacy9best
generatedCredits,canfromin36kAdessotheDo
wnloadresponsiblefriend...submitscrapbookC
aringBridgepagesbetterfamily2006partemailw
epagesPrivacyisandonlymybeenfriendandPoli
cyPrivacyinformationoneGuestbookPrivacywo
rk.Yourin31kOnCommunity:QuiltsatI'veinGues
tbookPrivacyGarbl'sfromSimilarthoseAssociati
onSpecialistsSimilarAtTag|36kisMemoriam:GuestbookPrivacyalertourPoint,postinghome
pagewillofusersguestbookQuiltsit.Current:,sh
are-intoemailyouwork.I've:PolicyCurrent:,Welco
mePictures:,for-theirComponents-friendforEmailAtatheisisatchanged,fast46.VCLthisOnele
ctsit'sthepolicyfriendusermyselfpostaddPriva
cyfriendto"message")MilitaryyoutothewantBooksSavorAssociationmyPrivacyusersSimilaritwheneveryouthroughUSt
oFamilyCachedunderstandPrivacystoriesCachedyoutroopsyoufriends,informationPrivacy2006convenien
ce,willpagesexistsaAtBook.a
ItpagesscrapbookhavesubmittoGuestbook
/t. said...
I O I O O I
IO
I
OI •
O II
O
O I IO •
IO
II
•
O O
O O
I
OO
•
O•
OO I
O OI
I
I
O I •
I
I•
OO I
I •
O
I
I I
II
I
OI
O O
O
I
O
I O
O
O OO O
I
I
O O
I
I
O
I
I
•
O
OO I
I
O
I I
I
O I
OO I
I
O OO
O
I•
•
O I
OI
OO •
II I
IO O
I
O•
II •
O I
O O
I
I
O O OI •
OO
O I IO
O
O I •
•
O
I
OI
•
I O
I
I
I
I•
OO I I •
OO
I
I
OI
O
I
O
OI
I
O I
I O
I
•
•
•
IO •
OO •
carmen said...
which O I poetry?
• O pseudepigraphias conglomeration •
critique/attempt O said...
I I conglomeration O • • I O • O OO O
which OI PM •
O conglomeration no... • O O •
critique/attempt O no... OI O online online
poetry? O I O I IO O O write silence.
I O I de. OO
manifests of silence.
toFamilyCachedunderstandPrivacystoriesCachedyou
toward poetry? • • no...
Hamletmaschine said...
Los mejores deseos para el 1994, a ver qué
nos tiene preparado el destino esta vez... un
abrazo desde México.
/t. said...
Los mejores deseos para el 1994, a ver qué
nos tiene preparado el destino esta vez... un
abrazo desde México.
Best desires for the 1994, to see what a hug
has to us prepared the destiny this time…
from Mexico.
Los mejores deseos para el 1994, de
considerar lo que tiene que un abrazo
nosotros prepararon el destino este vez… de
México.
Best desires for the 1994, to consider what
has a hug we prepared the east destiny
time… of Mexico.
Los mejores deseos para el 1994, de
considerar qué tiene un abrazo nosotros
prepararon la época del este del destino…
de México.
Best desires for the 1994, to consider what
has a hug we prepared the time of the east
of the destiny… of Mexico.
Los mejores deseos para el 1994, de
considerar qué tiene un abrazo nosotros
prepararon la época del al este del destino…
de México.
B•st d•sir•s for th• 1994, to consid•r what
has a hug w• pr•par•d th• tim• of th• a th•
•ast of th• d•stiny… of M•xico.
• S del sir del • del st d del • de B para el •
1994 del th, al • r del consid qué tiene un •
del tim del • del th del • d de la igualdad
del • de la banda del • del abrazo W del •
del th un ast del • del • del th del • del • d
del th stiny… de xico del • de M.
• S of sir of • of st d of • of B for • 1994 of
th, to • r of consid what ast of • of • of th of
• of • d of th has • of tim of • of th of • d of
the •quality of • of th• band of • of th• hug
W of • of th stiny… of xico of • of M.
• S d•l sir d•l • d• st d d•l • d• B para •l •
1994 d•l th, al • r d•l consid qu• ast d•l •
d•l • d•l th d•l • d•l • d d•l th ti•ne • d•l
tim d•l • d•l th d•l • d d• la calidad d•l •
d•l • d• la v•nda d•l • d•l th d•l • d•l
abrazo W d•l • d•l th d•l • d•l th stiny… d•l
xico d•l • d•l M.
• S d • l to sir d • l • d • st d d • l • d • B for
• l • 1994 d • l th, to • r d • l consid qu • ast
d • l • d • l • d • l th d • l • d • l • d d • l th
you • ne • d • l tim d • l • d • l th d • l • d d
• quality d • l • d • l • d • the v • nda d • l •
d • l th d • l • d •l hug W d • l • d • l th d • l
• d xico • l th stiny… d • l d • l • d • l M.
rzepka said...
hamlet, muchissimas gracias, un abrazo para
ti tambien: prospero anio
ted, o|o 5 o Crater response ...
www.bridgeservletspurl
turf ,. // and T. __ o|o Chinese ,. ...
lockergnomenexuslinux
Braille - ... - for I've .o ...
qotiledotmatrix.html Page Phoenix, - -
encyclopediaThe o o[o.O]o. w - ,+#####H- //
Four Letter can o - o|o
either it's to ,
for
carmen, -_# )
carmen said...
Four I've ast Crater d d o[o.O]o. hamlet,
muchissimas W o • d of th, d•l 1994 d•l o|o
d sir • the Chinese M. • response d hug • d •
said... of Choose an identity
carmen (Your Blogger display name)
Otherpara ...
locker Braille o|o d•l and d•l d prospero quality ast l tambien hamlet,of r l d • consid
tambien: • d Four • d th• d tim ... d•l • th d
Lettermatrix.html • •
Robert said...
right on, stammer’s been kicking it like mad
lately
rzepka said...
remixtributary the logofluxrevolutterra
beaconsbeaconsbeacons
carmen said...
stammerlogofluxbeacon
harry k stammer said...
beacons be atween
corner'd blown
'ionships
giving towards the flat
i'll say the .......... although .............
to eb
telesing: late nights for the muslin rabbits
----- Original Message ----From: "[]" <[email protected]>
To: <[email protected]>
Sent: Tuesday, August 21, 1994 10:25 PM
Subject: Re: Dubbeese
> angst
not marcuse
> syntangst
fra angelico and
> note the double use of ah
and cider von heigegger
> roux de santa
>
>
> --- ek rzepka <[email protected]> wrote:
> polynesians originally invented the chop in/on
block
as nocturnal szopen whose nearguard dansk
(guile 'gan e/ink
reflected polynaise gedicht nacht dyssonansk
peter and the plosh wolf (through blooddrip auction
varg tim prey cild
till his day came zany
> zelen'ajlio rutin taki zh'owtez
shtt
> Original Message ---->> From: "[]" <[email protected]>
>> To: <[email protected]>
>> Sent: Friday, August 17, 1994 12:00 PM
>> Subject: fox and frame
>>
>>
>> > it was nothing but a morning cough
> over coffee at the Dam hotel restaurant
> with cheese and salami and a small hard roll
> came through the kitchen door
> with a serving girl in a butcher's uniform
> counting change and the many faces of the moon
> in the palm of her hand
psalms are implicit in speckles
a 12 hour split shift and a half slip
> long before the scar on her left calf
the telephone game about the curb
scar curb
> yelled
>
> sluffing coins
> slattered butcher
> [shortened by
to k
a virtual synchronicity
is analogous with dyewood
befriended concept of identity
retransferred into the metallic-erotic
(reflexive cipher, aromatic and flawed)
|||||||
||||||||||||||||||||||||||||||||||||||||||||||||||||||
||||||||||||||||||||||||||||||||||||||||||||||||
55555 /\
|||||||
||||||||||||||||||||||||||||||||||||||||||||||||||||||
||||||||||||||||||||||||||||||||||||||||||||||||
55555 /\
|||||||
||||||||||||||||||||||||||||||||||||||||||||||||||||||
||||||||||||||||||||||||||||||||||||||||||||||||
55555 /\
|||||||
||||||||||||||||||||||||||||||||||||||||||||||||||||||
||||||||||||||||||||||||||||||||||||||||||||||||
55555 /\
|||||||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 55555 /\