Unesco World Heritage Convention

Transcription

Unesco
World Heritage Convention
Belgian efforts for global heritage care
Unesco
World Heritage Convention
Belgian efforts for global heritage care
Coverphoto's large: Marcel Vanhulst © MRBC - above: © BELSPO - center: Guy Focant © SPW - under: © Onroerend Erfgoed, photo Oswald Pauwels
Foreword
Dear reader,
Soon Unesco will recognise a world heritage site for the thousandth time. Only sites with
an Outstanding Universal Value are added to the World Heritage List. This recognition
emphasises the general importance of the heritage site and the need to continue to protect it.
Of the long list, everyone undoubtedly knows the Chinese wall, the Egyptian pyramids and
the Taj Mahal in India. But do you also know the Belgian world heritage sites? Do you know
what makes those sites so special? And do you know what efforts our country makes to
help protect the world heritage in other places or continents? You will find the answers to
all these questions in this brochure.
However, this publication is also a beautiful example of the good cooperation between
the different authorities and partners in Belgium, which I have been privileged enough to
experience on a daily basis in the Permanent Delegation of Belgium to Unesco. My special thanks go to the Flemish Commission for Unesco and the Commission belge
francophone et germanophone pour l'UNESCO, at whose initiative this brochure was
compiled. Moreover, I would like to express my gratitude to the various partners to this
project, in particular, Development Cooperation, Belgian Science Policy Office, the Walloon
Heritage Institute, the Flanders Heritage Agency and the Directorate for Monuments and
Sites of the Brussels-Capital Region. I also particularly appreciate the valuable work of
Unesco Platform Vlaanderen, which was responsible for editing the brochure.
Finally, I would like to thank you, the reader and user of this brochure. Your interest in and
care for our unique world heritage express our joint responsibility for this heritage in need of
protection, so that the generations to follow can learn how our rich culture and communities
have developed and grown through the centuries.
Enjoy your reading,
Francine Chainaye
Ambassador of Belgium
Permanent Delegate to Unesco
Commission
belge francophone
et germanophone
pour l'UNESCO
Unesco Platform Vlaanderen vzw
Organisatie
van de Verenigde Naties
voor Onderwijs,
Wetenschap en Cultuur
United Nations
Educational, Scientific and
Culural Organization
Organisatie
van de Verenigde Naties
voor Onderwijs,
Wetenschap en Cultuur
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Introduction
On the 16 of November 1972, the General
Conference of Unesco adopted the
Convention concerning the Protection of
the World Cultural and Natural Heritage,
better known as the World Heritage
Convention. The idea of creating an
international movement for protecting the
shared heritage of humankind first emerged
after the first World War, in the work of the
league of nations. Unesco's international
campaign in the 1960s to help Egypt and
Sudan save Abu Simbel and other Nubian
temples from flooding by the Aswan High
Dam on the Nile galvanized the international
community around heritage and the shared
responsibility in its safeguarding. Some
50 countries made financial contributions
which funded the campaign to move the
monuments out of harm's way. In the runup to the 1972 Stockholm Conference on
the Environment a heightened awareness
on environmental degradation emerged
together with a sense that also magnificent
natural places were part of our common
heritage and a proposal for an international
treaty to conserve these places was tabled
at the conference by IUCN. Eventually, it
was agreed that a single Convention for
the conservation of the world’s natural and
cultural heritage would be developed under
the auspices of Unesco.
Today, when celebrating the 40 th
anniversary of the Convention, we have to
acknowledge how visionary this decision
was. It recognized areas of outstanding
natural and cultural sites as common
heritage of humankind, long before the idea
of global public goods was launched. The
Convention has become one of the most
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successful global instruments and enjoys
with 190 States Parties an almost universal
acceptance. The World Heritage List
currently includes 962 sites in 157 countries
and the label has become one of the most
sought after international recognitions
in the field of heritage. In its 40 years of
history, the Convention has proven itself
as a powerful tool for conservation and
has established a system of international
cooperation to protect the identified sites.
The Convention also has evolved and has
embraced new categories of heritage such
as cultural landscapes, industrial heritage
or modern architecture. It has been playing
a pioneering role in the conservation of
globally important ecosystems such as
tropical forests and marine ecosystems. It
is setting new standards in the conservation
of historic urban landscapes. And perhaps
most importantly, the Convention has
succeeded in mobilizing the general
public for its mission, reaching out to
diverse stakeholders and building a
strong constituency for the conservation
of World Heritage sites. The theme of
this 40 th anniversary celebration is World
Heritage and Sustainable Development; the
Role of Local Communities. It reflects the
growing recognition of the vital role local
communities play in the preservation and
management of our heritage sites which,
at the same time, must have a function in
their lives and contribute to sustainable
development.
Of course the challenges ahead are
enormous in the face of global phenomena
such as population explosion, diminishing
financial resources and climate change.
These are responsible for a wide range
of environmental and socio-economic
pressures that pose a serious threat to World
Heritage properties. Resolving potential
conflicts between heritage conservation
needs and legitimate development
aspirations of especially developing nations
is another important challenge for the
coming decades. These challenges are
calling for new and innovative solutions,
a new visionary approach which will allow
us to conserve our global treasures for the
next 40 years and beyond.
To address these challenges, the
Convention will need the full support of all
State Parties and indeed all partners. We
are happy that we are able to count on the
strong support by the Kingdom of Belgium
for the Convention. Although Belgium was
one of the last countries in Europe to ratify
the Convention in 1996, it has since become
an active player in the Convention. Belgium
currently has 11 properties inscribed on
the World Heritage List, including some
sites in poorly represented categories of
heritage such as modern architecture, with
the Major Town Houses of the Architect
Victor Horta and the Palais Stocklet or
industrial heritage including the Four Lifts
on the Canal du Centre and their Environs,
and the Major Mining Sites of Wallonia
which were inscribed this year at the 36th
session of the World Heritage Committee
in St Petersburg. Belgium was also one of
the first countries to propose serial sites
to the World Heritage List such as the
Flemish Béguinages and the Belfries of
Flanders and Wallonia, in 2004 extended
as a transnational site to the Belfries
of Belgium and France. As a member
of the World Heritage Committee from
1999 to 2003, Belgium was instrumental
in proposing some changes to make the
working methods of the Committee more
efficient and also currently it is playing
an active role in discussions to ensure
that the credibility of the Convention is
maintained. Belgium also is embracing
the Convention as an instrument for
international cooperation. It has provided
significant financial support in particular
to the activities for the conservation of the
World Heritage sites in the Democratic
Republic of Congo and is supporting
thematic programmes of the Convention
such as the marine programme and the
cities programme. It has made available
scientific expertise through cooperation
with its universities and research institutes.
This cooperation is very much appreciated,
not only by Unesco but especially by the
different States Parties who have been
benefiting from these activities.
In celebration of the 40 th anniversary of the
Convention, this brochure will give you an
overview, not only about the Convention
and the Belgian World Heritage sites,
but will also highlight this international
cooperation, which lies at its heart. I
therefore want to conclude by thanking the
Belgian authorities for their continuous
support for the Convention and look
forward to continuing this work together
in the future.
Kishore Rao
Director Unesco World Heritage Centre
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Table of Contents
Foreword 5
Introduction 6
World Heritage in Belgium
10
La Grand-Place, Brussels 10
The four lifts on the Canal du Centre and their environs (La Louvière and Le Roeulx)
Flemish beguinages 14
Historic centre of Brugge 16
Notre-Dame Cathedral in Tournai 18
Neolithic flint mines at Spiennes 20
Major town house of the architect Victor Horta 22
Plantin-Moretus house-workshops-luseum complex 24
Stoclet house 26
Major mining sites of Wallonia 28
Belfries of Belgium and France 30
Tentative list 32
International cooperation on world heritage
12
33
Africa
Improved management of natural world heritage sites 33
Endangered biodiversity in the Congo 34
Ilha de Moçambique 35
Securing heritage in and around water
Marine heritage 36
Preserving coral reefs 37
Tackling climate change
Exhibition on climate change and world heritage 38
Frozen tombs of the Scythians 39
Reinforcing management and protection of the world heritage sites
Better information for better management 40
Guarding tropical rainforests 41
Nominating "mixed" world heritage sites 42
Silk Routes as cultural world heritage 43
Preserving and repairing cultural heritage 44
Cultural landscapes in South-East Europe 45
World heritage cities 46
Opening up treasure of information 47
Good to know
More information
48
52
La Grand-Place, Brussels
Europe's cultural history is
reflected in magnificent buildings
of public and private architecture.
rather quickly. Reconstruction remained true to
the image of what the market square had looked
like before the bombardments. It is the ultimate
symbol of the power and pride of the Brussels
bourgeoisie, which opted to restore the city to its
former glory instead of reconstructing it in the
modern style at the time, as was being done in
so many other places. The baroque style, which
symbolises the pomp and ceremony of a trading
city, dominates the façades, save for a few places
derogating in the decoration here and there. It
is interesting to note that there is no church or
other house of prayer on the market square, which
illustrates its dominant trading and administrative
nature.
Marcel Vanhulst © MRBC
World Heritage
since 1998
La Grand-Place in Brussels is a real jewel of
western architecture and one of the most
beautiful squares in the world. It is therefore
not surprising that La Grand-Place is one of the
first sites that Belgium proposed to be included
in the World Heritage List. The earliest recorded
entries on La Grand-Place in Brussels date
back to the 12 th century. Its architecture and
consecutive historic events make the square
unique. Magnificent construction works and
private architecture display Europe’s cultural
history: the Burgundy century with its flamboyant
Gothic style (15th century), the beginning of the 18 th
century Baroque and early Classicist forms and
shapes and, finally the 19 th century during which
historicism developed.
Because La Grand-Place in Brussels lies on
the right bank of the Zenne River, not far from
the old Bruges-Cologne trading route, it quickly
became the city's most important place of trade,
and this was the pinnacle of its welfare. Seven
streets end up on this market square that dates
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back to the Middle Ages - a square which, at that
early stage, was already cobbled. The market
square was only given its definitive form by the
halls and wooden houses that surrounded it
after terrible bombardments had destroyed it in
1695. Marshal Villeroi bombarded the center of
Brussels, ordered by Louis XIV in retaliation for
the destruction of coastal cities and French ports
by Dutch and British warships.
La Grand-Place in Brussels thanks its richness
to the luxuriance of the architecture, which was
dominated by gilded and etched features, and to
the extraordinary cohesion between the buildings,
despite their distinct diversity in style. As a whole,
the square is impressive because of the different
historical periods reflected in. To a large extent,
it owes this to the regulations which the City
Magistrate imposed on the guilds and architects
in 1697. These regulations were imposed when
a reconstruction campaign was initiated after
the bombardments. Despite the great damage
that Brussels had suffered, the city recovered
The masterpiece of La Grand-Place in Brussels
is undoubtedly the City Hall, which occupies the
largest part of the southern side of the market
place. It is an ensemble of buildings surrounding
an inner courtyard. The Belfry of the City Hall is
a pyramid-like pointed tower, on which is poised
the statue of Michael, the Archangel. The City Hall
was constructed between 1401 and 1454 and a
large part of it was restored in the 19 th century.
It has retained its function even to this day and is
a prime example of the dominant and flamboyant
Gothic style of the day.
The King's House, with its façade of arcades, a
pitched roof and a central tower with a lantern, is
directly opposite the City Hall. It was constructed
as instructed by Charles V in approximately
1512 and re-built in Neo-Gothic style in 1875. It
now accommodates the Museum of the City of
Brussels, which provides a summary of the city's
history.
The Guild Houses adorning the remainder of La
Grand-Place date back to the 17th century. They
symbolise the power of the traders who were
members of the City Council and who wanted to
embellish the city's image. Every house has a
name and is decorated with specific symbols in
Wim Robberechts © MRBC
gold, each of which stood for the occupation of
the residents: a horn, a swan, a deer, the house
of the tailors, etc. The houses have been subdivided into three groups according to their status
and decoration on the façades. The houses are
currently run by restaurant or café owners.
The Department for Monuments and Sites of
the Brussels-Capital Region regularly runs City
Council and Restoration campaigns to maintain
the integrity of La Grand-Place. Since the market
square was entered on the World Heritage List,
morphological studies of every house have been
carried out and additional protective measures
have been taken to guarantee that the old
structures and interiors are conserved. The size
of the market square is limited per definition. That
is why the immediate surroundings of La GrandPlace, which also form part of the inner city sometimes also referred to as the "holy island"
- are marked as a buffer zone. There are very
particular rules on management and conservation
in this zone. Various buildings of great patrimonial
importance are to be found in this zone and these
are subjected to legally prescribed conservation
measures. We make special mention of the
Brussels Stock Exchange, the Royal St. Hubert
Galleries, the Bortier Gallery, the Brussels
Parliament and St. Nicholas Church. Since the
entry on the World Heritage List, more than 150
buildings in the said zone have been recognised
as protected monuments.
11
The four lifts on the Canal du Centre and their environs
Many relics from the industrial past are to be
found alongside the canal, such as the Italian
canteen, a place where meetings were held and
accommodation offered, which was constructed
for the Gustave Boël Company to house single
employees recruited by the firm in Italy.
The Four Lifts on the Canal du Centre are
unique. Of the eight hydraulic boat lifts that were
constructed at the time, the Four Lifts on the
Canal du Centre are the only ones that have been
preserved without having had the original steel
replaced, and which still work according to the
techniques conceived by the English engineers.
The four lifts on the Canal du Centre and
their environs (La Louvière and Le Roeulx)
Guy Focant © SPW
World Heritage
since 1998
The Centre Canal links the basins of the Maas
and Scheldt rivers. It is part of a project to
promote Hainaut and its industrial region.
Coal mining was very important but there were
not enough natural waterways, which meant
that there was a problem in transporting raw
materials and goods. In 1811 Napoleon took the
initiative of linking the two river basins. However,
it would still take a long time before this project
could be accomplished. Various options that took
account of the limitations in connecting these
were considered: unstable soil, steep descents
over a short distance and a lack of water to
provide the canal with enough water. Finally, it
appeared that the technique of hydraulic lifts,
which is the same system as the one in Anderton
(England) was the best solution. The gradient
meant that it was necessary to construct four
boat lifts extending over a distance of 7 km. The
lifts could span 15 to 20 metres.
The 19 th century canal was afforded a new
destination: pleasure boat trips. It is one of the
most important tourist attractions in Wallonia.
Visitors can go on excursions on the canal, for
which the four hydraulic lifts are used.
The Directorate-General for Operational
Waterways in Wallonia is liable for maintaining
and conserving the canal. Engineers base the
decisions on maintenance and conservation on
the original plans of the lifts, which they have at
their disposal.
The works are an example par excellence of the
19 th century. However, the Canal du Centre soon no
longer met the requirements of modern shipping
and in the 1970s its future was uncertain for a
short time because there were plans to fill it up
and to construct a motorway. An alternative was
found, however. A new route was constructed for
the thoroughfare of ships weighing a maximum of
1,300 tonnes. A large new boat lift made it possible
to span the distance of all four hydraulic boat lifts.
Besides the
unique row of
four boat lifts
there is also
a series of
buildings and
characteristic
properties.
In 1871 the Belgian government decided to
finance the construction of the canal. Excavations
started in 1884, the first lift was finished in 1888
and the other three followed in 1917.
The lifts operate on the basic principles of
fundamental physics and only use hydraulic
energy. The design reflects the successful
collaboration between engineers of the English
company which developed the system, on the one
hand, and Belgian engineers of the Directorate of
Roads and Bridges and the company Cockerill,
which was responsible for manufacturing the
machines and parts, on the other.
Besides the unique row of four boat lifts on
the Canal du Centre, there is also a series of
buildings and characteristic properties, such
as the functional buildings, locks, pivot bridges,
drawbridges, fixed bridges, etc. The engine rooms,
especially in lifts 2 and 3, are most impressive.
Guy Focant © SPW
12
13
Flemish beguinages
The lay-out of the Beguinages was often strongly
determined by an effort to make optimal use of the
local topography, whereby the watercourse was
employed for daily use, including the manufacture
of textile or lace-making. By and large, there
are two types of Beguinage constructions.
The square type consists of a central space or
courtyard, varying in shape, paved or covered in
grass and hemmed in by rows of trees. Examples
are still to be found in Bruges, Dendermonde
and Turnhout. The city type is characterised by
a series of streets according to the lay-out of
a chess board and based on the design of the
"new cities" of the time. The Beguinages of Diest
and Lier are examples of this type. Because they
expanded so rapidly during the 17th century, a
number of these Beguinages were given an
additional square. This mixed type originated in
Tongeren and Leuven (the Great Beguinage), both
of which started out as city types.
Flemish beguinages
© Onroerend Erfgoed, photo Kris Vandevorst
World Heritage
since 1998
14
Beguinages are a fascinating physical reminder
of the Beguine movement that originated and
developed in North-Western Europe in the
Middle Ages. Beguines were women who led a
life devoted to God without withdrawing from
public life. The Beguinages originated as semiclosed religious communities in the 13th century.
The Flemish Beguinages are architectural
complexes consisting of houses, churches,
utility and ablution blocks and green spaces.
They were constructed in typical Flemish style.
Today Flanders is the only place still bearing
any trace of such concentrations of Beguinages,
which, together with the historical, aesthetic and
socio-cultural facets, is why they are of such
outstanding universal value.
In Europe, the Beguine movement can be traced
back as far as the 12 th and 13 th centuries and
is now almost entirely extinct. Beguines were
widows or unmarried women who wished to lead
an independent, yet religiously committed life
outside the recognised denominational orders
which imposed vows of poverty and eternal
fidelity. The Beguines settled in Beguinages,
unique places of spiritual experience, of women's
culture and solidarity which, even in this day
and age, still reflects of the socio-religious
Beguine movement. Almost every Flemish city
of any significance had one or more Beguinages.
Beguines could thrive particularly well in the Low
Countries because this is where they could count
on the support of the church, local nobility and
the feudal lords and their successors.
The Flemish Beguinages were constructed like
small walled-in cities, with one or more gates.
They were constructed along a watercourse at
the edge of the primary fortified inner city centre.
They were integrated in the cities when these
gradually expanded. Some Beguinages - such
as the Great Beguinage of Mechelen - were
relocated and re-constructed inside the city after
they had been destroyed during the 16th-century
religious wars.
The same communal functions are to be found
in almost all of them, which, due to their design
and volume, are eye-catching in the overall street
view. This concerns places such as the church
and the infirmary, with the adjoining farmstead
and the "Holy Spirit Table", which was meant
to feed the needy Beguines and poor people in
the neighbourhood. Besides individual houses,
a Beguinage also had convents or communal
houses where less well-off Beguines lived all
together.
During the 16th century the Counter-Reformation
caused an even greater increase in the number of
Beguines. The peak in the 17th and 18 th centuries
led to the renovation of existing buildings and
construction of new ones. The urban ordinances,
which laid down those wooden premises of
the Middle Ages, were to be bricked to avoid
destructive fires, tapped into this trend.
During the French Revolution and the Dutch
Occupation, the Beguinages were disbanded
and taken over by the forerunners of the current
OCMWs (Public Social Welfare Centres). As of
that moment, especially the poor families of the
city were to be found in the Beguinages. Not
much later, a number of Beguines who once again
© Onroerend Erfgoed, photo Oswald Pauwels
wanted to re-start their previous lifestyle and
religious habits started mingling with them. The
Beguine movement subsequently experienced
a short revival, including the construction of
the Neo-Gothic Beguinage of Sint-Amandsberg
(1873-1875). But after the First and, more
particularly, the Second World War, the Beguine
movement once again experienced a serious
decline. In Leuven, the university took control
of the Great Beguinage in the 1960s, restoring
the complex and giving it a new destination as
hostel for the students. This project served as a
catalyst to re-assess twenty-six Beguinages still
conserved, an on-going process to this very day.
Although Flanders had suggested that all twentysix conserved Beguinages be recognised, the
final decision was made to enter a carefully
considered selection of them on the World
Heritage List. Some of the factors taken into
account for the selection were soundness,
integrity and authenticity of the residential
communal living units. The following thirteen
Beguinages were eventually recognised as
world heritage: Bruges, Dendermonde, Diest,
Ghent (Small Beguinage), Hoogstraten, Kortrijk,
Leuven (Great Beguinage), Lier, Mechelen (Great
Beguinage), Sint-Amandsberg, Sint-Truiden,
Tongeren and Turnhout.
DD D Bruges.
DD Kortrijk.
D Hoogstraten.
B Ghent.
15
Historic centre of Brugge (Bruges)
Bruges was one of the cultural and commercial capitals of
Europe, which made it an important place for the exchange
of ideas on matters such as art and architecture.
Historic centre of Brugge (Bruges)
World Heritage
since 2000
The historic centre of Bruges is an exceptional
example of a medieval historic city. It has
preserved its historic urban architecture, which
has gradually evolved with the course of time.
The original Gothic and Neo-Gothic constructions
round off the typical image of the city. Bruges
was one of the cultural and commercial capitals
of Europe, which made it an important place in
which to exchange ideas on matters such as art
and architecture. Bruges is also regarded as the
birthplace of the Flemish Primitives, who played
a major part in influencing the art of painting in
the Middle Ages.
The outstanding universal value of Bruges
is based on attributes such as its urban
development and architecture, which represent
important periods in Western history. Urban
architecture, with its network of squares, streets
and canals, jointly reflect the variety of historic
buildings and Gothic brick architecture which
defined the socio-economic and artistic aspects
of the history of the Middle Ages.
16
Its natural location played an important part
in the origin of Bruges (7th – 8 th centuries). The
first settlements were concentrated on the sandy
ridges along the Reie River. At the end of the 9 th
century and particularly during the 10 th century,
the area around the Burg square developed into
an important nucleus following the construction
of a fort initiated by the Counts of Flanders.
The fort was steadily expanded and walled and
consisted of the Count's residence, a chapel and
St. Donatian's Church and its chapter. The first
urban expansion started around the nucleus,
around which, in turn, a bulwark and rampart
were built in 1127. This protected an inhabited
area of 75 ha. The market square, which was
the commercial heart of the city, developed
alongside the Burg, which expanded to become
the administrative and religious centre. Initially,
Bruges’ major economic trumps were the import
of English wool and export of Flemish broadcloth.
The second and final bulwark (with double ditches
and city gates) which was constructed in the
form of a ring (the so-called "Bruges egg"), was
originally conceived in 1297 and envelops an area
of 370 ha. The connection with the sea was always
borne in mind. The extended city comprises
numerous religious institutions, including the
Beguinage, which had originally been allocated
premises outside the city walls and had been
provided with large open spaces (some of which
exist to this day). Besides that, many residences
were built around the most important access
roads to the city. Four impressive city gates and
a tower of this second urban fortification were
included in the substitute 19 th century green
promenade and are still standing.
An abundance of architectural style, ranging
from Roman to Neo-Classicist and Neo-Gothic,
is reflected in the Bruges town houses, religious
buildings and complexes. Stylistic choices were
linked to time-related mentality, the availability of
materials, such as the more expensive imported
natural stone and bricks typical of the region,
and the economic situation. As the final stop of
the Hanseatic Route, Bruges contributed to the
evolution of the Brick Gothic in Northern Europe.
Important late-Gothic town houses, which may
or may not have been provided with terraced
towers, enrich the different urban quarters. As
of the 16th century, successive urban ordinances
laid down that average wooden houses were
to be (mandatorily) bricked. Brick houses with
simplified Gothic plans and ornaments in typical
terraced façades replaced or complemented
earlier construction. Centuries later,
contemporary houses started complementing
or replacing the constructions.
Until the 16th century, Bruges remained a leading
commercial and financial centre which traded
a substantial number of products such as salt,
iron, (precious) metals, spices, wine, broadcloth,
many luxury products, manuscripts and works
of art (particularly paintings), because it was
the last link in the Hanseatic chain. However,
the increasing amount of sand entering the
harbour and a political crisis with Maximilian
of Austria caused urban welfare to decline.
Consequently, there was a cut-down on new
developments in the city, although these were
never fully obliterated, as is apparent from the
development of the Coupure in the 18 th century
and the construction of the railway station and
the City Theatre in the 19 th century. Nevertheless,
Bruges has managed to preserve its authentic
(medieval) character. This became one of its most
important trumps in the 19 th century. The city was
(re-)discovered by artists, writers and English
tourists. Bruges became a "mandatory" stopover
on their program: a real must, second only to the
site of the Battle of Waterloo. Bruges acquired its
image of quiet and peaceful romantic city. The city
was to cultivate this and link it to its artisticallyminded and cultural past. In addition, Bruges
emerged as the laboratory for the conservation
of monuments in the 19 th century. During the
past forty years, this has evolved from strictly
conserving monuments to a structural policy
regarding the historic centre and its expansion.
Bruges is also world-renowned as the centre
of art and culture of the Middle Ages. Influential
Flemish Primitives such as Jan Van Eyck,
Hans Memling and numerous other masters
from abroad lived and worked in Bruges and
contributed to the innovative movements in the
painting art of the Middle Ages. Even at that time,
their work conquered the European art market
and, with its sense of civil realism, plasticity and
beautiful colours influenced the painting art of
the Middle Ages. Today their work is spread
all over the world but Bruges still preserves a
number of top pieces in their uniquely original
location.
© Onroerend Erfgoed
© Onroerend Erfgoed
The Belfry of Bruges and the Beguinage had
previously already been included individually in
the World Heritage List. Bruges is to this day also
the only World Heritage City in Belgium.
17
Notre-Dame Cathedral in Tournai
Guy Focant © SPW
The cathedral is the
largest preserved Roman
building in Belgium.
Guy Focant © SPW
World Heritage
since 2000
The Notre-Dame Cathedral reflects the
interaction between the architecture of the Îlede-France, the Rhineland and Normandy during
the brief period before Gothic architecture made
a breakthrough (start of the 12 th century).
The cathedral is situated in the heart of the old
city, not far from the left bank of the Scheldt and
at a distance that is visible from the Belfry. The
cathedral distinguishes itself by the sustainability
of the episcopal power that it represents: the
Bishopric of Tournai was established in the 5th
century and still exists, even to this day. Besides
playing a role as a place where mass is said,
the complex also has important cultural and
intellectual functions.
The church building is not homogeneous as
far as its architecture is concerned but it is the
product of three separate and clearly distinct,
consecutive phases. These are the nave, the
Roman transept and the Gothic choir.
18
The nave and the transept were mainly built in the
12 th century. Apart from some renovation work,
no fundamental changes were made during the
following centuries. The project was extremely
ambitious and the cathedral is the largest
preserved Roman building in Belgium.
The Anglo-Normandy finishing is distinct
but not unique. It shows great originality in a
number of important innovations, such as the
transformation on the outside of the triforium
of the high windows having four joints, and
the double gate on the eastern side. These
innovations make the nave unique in the history
of Roman architecture. On the other hand, it
seems that the plain shapes were influenced
by Carolingian tradition, which was to be
found especially in the old Netherlands. The
constructor of the nave made a remarkable
synthesis of the most innovative aspects of the
architecture of his time, interpreted them rather
freely and combined them with local traditions.
The magnitude of the nave with its five towers is
undoubtedly the most characteristic feature of
the Tournai cathedral. It is difficult to discover the
origin and may probably be attributed to influence
by the "Lombardo-Rhine" and the harmonious
façades in France and England. This model was
particularly popular during the second half of
the 12 th century.
The Gothic choir emphasises the introduction
of the new shapes of the classic Gothic style in
Belgium in the 13th century. It strongly represents
the building styles of the constructions at that
time and reflects the enormous technological
progress in the late 12 th and early 13th centuries.
The choir is also an example of the speedy spread
of such architecture from the creative centres of
Île-de-France in the middle of the 12 th century. It
is indeed a building that was modern at the time,
for which the newest techniques and state-ofthe-art architectural cornice moulding patterns
were employed.
Guy Focant © SPW
The Notre-Dame Cathedral of Tournai also
houses many treasures and extensive archives.
The treasures consist of a great deal of silver,
including relics from the 13 th century, relic
holders, chalices, ivory, wall tapestries from
Arras dating from the 15th century, a few paintings
and sculptures and a collection of over 800
vestments, the oldest of which date back to the
12 th century. Some of these treasures are used
during the great annual procession that takes
place on the second Sunday of September to
commemorate the city's deliverance from the
plague in 1092. The archives have never left the
Cathedral. They take up both rooms on the first
floor of the Sacristy. These rooms were specially
designed for this purpose in the 17th century. The
oldest document dates back to approximately
the year 1000 and there are no archives missing
for the period 1566 to date. The archives consist
of valuable books, charters, copies, registers,
accounts, chapter deliberations, testaments, etc.
The Cathedral has withstood the test of time
reasonably well. Only the bombings of the Second
World War occasionally caused the roof of the
nave and a part of the buildings of the main part
to catch fire. Since it has been included in the
World Heritage List, the cathedral has become
the subject of a large project that will take
twenty years to complete to renovate the church
building and upgrade the neighbourhood where
the cathedral is situated.
Guy Focant © SPW
Guy Focant © SPW
19
Neolithic flint mines at Spiennes
area unsuited for cultivation. The largest part of
the site is currently being used for agricultural
purposes.
In the 19 th century, flint was mined once again,
especially at the surface, to make canon. The flint
was also used as raw material to produce fine
pottery. This mining did not last long, however,
and was only done in a few places on the site
(spanning an area of less than 100 m²).
The waste that was to be found on the site caused
Albert Trim to suspect that there had been a
flint axe workshop there at some stage. 25 pits
were discovered during excavation works for
the construction of a railway line in 1867. This
eventually led to the discovery of the mine site. It
was the first discovery of its kind. Others followed
in Europe and America.
Guy Focant © SPW
World Heritage
since 2000
The Neolithic mines of Spiennes are an example
of the technological ingenuity of pre-historic
man in mining Neolithic flint. They appear
in two chalk-like plateaux, with a surface of
approximately 100 hectare, south-east of the
city of Mons.
There was intensive flint mining during the
Neolithic period (the 5th century to the first half
of the 3rd century before the Christian calendar).
Various techniques were used at the time, whereby
the most spectacular and typical method was
digging holes. The diameter of these holes ranged
from 0.8 m to 1.20 m in diameter and was 16 m
deep. Neolithic man also dug shafts that could
sometimes be as long as 2 m under the layers
of flint. They dug up the flint with the aid of a
special technique referred to as "striking". With
this method, entire blocks were extracted and a
notch was made in the centre of a little chalk wall.
Wooden supports were then put in position and the
wall was pulled down so that the top layer caved in
under its own weight and broke into various blocks.
20
Only a limited part of the site is excavated and
studied. Wallonia hopes that this excavation can
preserve its scientific value and will be regarded
as an archaeological find.
Accessibility to the site is limited: entrance
to the mine is allowed sporadically and there
is no clear explanation for the public to clarify
the importance and riches of this exceptional
site. A visitors' centre will be built to remedy
this shortcoming. It is to be built on the site
and will only allow a limited number of visitors
after it has been completed, so that these will
be able to put themselves in the position of the
archaeologists and re-live the working conditions
of the Neolithic period.
There are two important excavation periods on
the site. The first excavation (1912-14) opened
up pits that were 16-metres deep. The second
excavation started in 1953 and is still being
continued to find out more about the area. A
Various
techniques were
used for flint
mining, the
most spectacular
and typical
method was
digging holes.
There are up to 5,000 holes in the area, which
is known as "Petit Spiennes" (14 ha). The holes
and shafts were filled up again with bore grit
as the mining construction progressed. Cutting
workshops were linked to these pits, which is
why there are still numerous pieces of flint on
the site, from which the name of that part of the
site has been derived: Camp à Cayaux (Field with
Stones). Products manufactured were axes to
fell the trees and long knives, which were
transformed into sickles, scrapers or knives. The
fact that production was normalised shows the
high technical level at which the stone cutters of
Spiennes worked. A wide range of objects, over
and above the mass manufacture of axes and
knives, were made on the site: scissors, cutting
styluses, scrapers, drills and even pikes that
were used to mine the flint.
The site was out of production by the end of the
Bronze Age. On the old maps one can see how
the area was later used for agriculture or left
untilled because the abundance of flint made the
scientific base to protect the site has been built
on top of the mine.
Guy Focant © SPW
21
Major town house of the architect Victor Horta
Major town house
of the architect Victor Horta
Ch. Bastin & J. Evrard © MRBC
World Heritage
since 2000
There are many Art-Nouveau houses in the
streets of Brussels, which reflect the innovative
approach that young artists adopted at the
transition into the 20 th century. Four of those
houses were built by Victor Horta (1861 - 1947).
They display his exceptional creativity and are an
essential contribution to the history of architecture.
These are the houses Tassel, Solvay, Van Eetvelde
and the artist's own house and workshop. Victor
Horta was one of the pioneers of Art Nouveau and
of the modern movement. Taking the classic period
as the point of departure, he radically changed
architectural opinions. To be more specific, he
introduced open plan, let the intrinsic properties
of the materials guide him when applying them
and created an original and decorative approach.
Horta's town houses break with the traditional
pattern of the 19 th-century terraced and town
houses and allow their residential function to
blend in perfectly with outward display. Horta
approaches each room in a different and creative
manner. In this way he succeeds in reflecting
22
the personality of the person commissioning the
project. The result is a coherent unit which focuses
on the harmonious oneness of architecture
and ornamentation. The greatest architecture
historians agree that the Tassel house is to be
regarded as the first finished Art Nouveau building.
The style revolution that Horta’s works show are
characterized by the introduction of the free plan,
a design that ensures optimal distribution and
transformation of light, an ornamentation which
utilizes the wavy energy of the curved lines and
that merges with the structure of the building.
Through the rational use of metal structures,
which often remain visible and sometimes subtly
hidden, Victor Horta managed to create vibrant,
smooth areas that bathe in light and are closely
associated with the personality of the inhabitants.
The principle of the double house which is
connected by a circulation space under a glass
dome is used in houses Tassel and Van Eetvelde.
This space can also accommodate a winter garden,
which gets a magical allure in the house Solvay.
The Art-Nouveau houses of Victor
Horta display his exceptional creativity
and are an essential contribution to
the history of architecture.
The stairwell in his own home-studio uses this
type of device in a particularly elegant and refined
manner. The interior decoration of each house
witness an astonishing ingenuity: the created
motifs flow on smoothly from the mosaic floor
of the painted walls to the wrought ironwork and
each personalized item of furniture.
The houses have been exceptionally well preserved
and reflect the essential contribution that Horta
made to the history of architecture. They illustrate
the different elements of the techniques he used,
which is also to be seen in other projects. Horta
had an enormous influence on the generation of
architects following him.
The Horta houses are a type of heritage seldom
to be seen on the World Heritage List. More
particularly, they concern contemporary urban
architecture at the end of the 19 th century. There
have been multiple restoration campaigns to have
Horta's house regain its original aura since it has
been entered on the World Heritage List. The
residence is accessible to the public at large and
is also home to the Horta museum. The Solvay and
Van Eetvelde houses are two private properties
open to visits upon reservation or under certain
conditions. Tassel House is not accessible.
23
Plantin-Moretus house-workshops-museum complex
paintings, including 19 works by the artist friend
Rubens, which have been exceptionally well
preserved, also adorn the walls. The collection of
Renaissance, Baroque and other period furniture
makes the representative and homely atmosphere
in the living rooms even more tangible.
Because the City of Antwerp and the Belgian
Government took over the historical complex in
1876, which led to its new function as a museum,
it was possible to preserve the authenticity and
integrity of the buildings. Using them as museum
buildings has since then only necessitated a minor
number of adjustments. These were executed in
keeping with the mentality on museums at that
time and the care for monuments which also
have acquired documentary and historical value
more than 130 years later.
Plantin-Moretus
house-workshops-museum complex
© Stefan Dewickere
World Heritage
since 2005
The printing and publishing house was
established by Christoffel Plantin in the second
half of the 16th century. The complex is located
in Antwerp - one of the most prominent centres
of the art of European printing - and, together
with Paris and Venice, it is associated with the
invention and spread of the art of printing. The
printing complex is of exceptional architectural
value. The whole unit is unmistakable evidence of
the life and work of one of the most active printers
and publishers in Europe at the end of the 16th
century. The printing house continued operating
until 1867. For the three centuries during which
it operated, it gathered an extensive collection
of typographic material, a substantial library,
an invaluable collection of archives and works
of art, including paintings by Rubens.
The central point of the former Plantin-Moretus
residence and workshops dates back to the years
1576-1580. Christoffel Plantin (approximately
1520 - 1589) settled in "De Gulden Passer" ("The
Golden Pair Compass") mansion in Antwerp.
24
He built his printing house in 1579, which was
originally a single-storey house. Four rental
homes that Plantin had built were later integrated
in the business and residential parts.
The heirs of Jan Moretus, Plantin's son-in-law
who took over the workshop from him, had further
adjustments made to the entire complex between
1620 and 1640. The printing house was given a
second storey and additional business spaces,
and offices were built on the eastern side, with an
adjoining, partly perimeter, gallery; the Baroque
busts of the members of the Moretus grace the
top storey. The gallery and typical façades of brick
and sandstone afforded the courtyard the look
and form that it still has to this very day. Finally,
from between 1761 and 1763 the little 17th-century
façades on the "Vrijdagmarkt" were replaced by the
Louis XV/XVII-style façade as it currently stands.
The interior is richly upholstered. The eight
rooms are wall-papered with gold leather (16th
-18 th century) and a number of wall tapestries,
The building complex with its residential and
working rooms and its perfectly preserved
library, collection of works of art and historic
printing equipment on the premises, reflect
an unrivalled image of cultural life and the
scientific Humanistic and Baroque world until
the 19 th century. The blend of the residential and
business cultures at that time was expressed in
the neat and well-preserved interior of the living
rooms and in the functionally arranged business
quarters. In particular, the typecasting room, type
case room, printing office, the correcting room,
owner's office and bookshop are all exceptional
evidence of the manufacturing process in
the world of books, and of the resources and
techniques which this "industrial printing house"
of the ancien régime had at its disposal. The
printing presses that were preserved on the
premises, which date back to approximately 1600
and other examples dating back to before 1800,
the typographic collection containing printing
tools, including stamps and matrices for various
modern fonts, together with the alphabets, are of
exceptional value to the world today.
The business archives of the “Officina Plantiniana”
were included in UNESCO’s Memory of the World
Register in 2001. These archives offer unique
evidence of how the printing and publishing
house, which was managed by means of carefully
considered planning and in keeping with the
standards of the ancien régime, operated.
© Museum Plantin-Moretus
The complex is unmistakable
evidence of the life and work of
one of the most active printers
and publishers in Europe at the
end of the 16th century.
In addition to the Plantin collection of older
manuscripts and other works, the library also
houses almost 90% of the works the "Officina
Plantiniana" produced. Its pioneering role as
centre of European Humanism in the 16th century,
is clearly expressed in religious and scientific
production, not least reflected by the atlases of
Ortelius and Mercator, who contributed greatly
to international trade and cooperation. The
entirety is evidence of a watershed in the history
of communication.
© Museum Plantin-Moretus
© Dina Lavrova
25
Stoclet house
further enhanced by the entrance, which is
preceded by a long passage and watched over by
a sculpture of Minerva, and augmented yet again
the magnitude of the tower with a monumental
group of statues by Franz Metzner. The interior
displays impressive decorations that blend in
effortlessly with the architecture. The decoration
is surprising because of its modernity, the
richness of the materials used and the quality
of the way in which it has been done. The material
used for the floors is also valuable and richly
decorated, in contrast to the plain cement
ceilings. The interior decoration was designed
entirely by the Wiener Werkstätte.
Stoclet house
Stoclet House in Brussels is an icon of the Wiener
Secession and the masterpiece of the architect
Joseph Hoffman (Pirnitz 1870 - Vienna 1956). It
was added to the World Heritage List in 2009.
World Heritage
since 2009
This extraordinary building, which is dedicated
to arts, was constructed as commissioned by
banker and collector Adolphe Stoclet. He was an
admirer of the progressive ideas of artists such
as Hoffmann. Right from the start, the building
offered the members of the household ideal living
conditions and exceptional comfort, which is why
it was referred to as a palace. Stoclet House was
distinctive because its design and the programme
were perfect examples of the integration of all arts
and applying the principles of Gesammtkunstwerk.
Even in Brussels, where Art Nouveau of work by
Horta, Hankar or Hamesse generated innovation,
Hoffman's work was regarded as ultra-modern.
The decorative style is based on the use of a
parallelepiped, squares, balance symbols and
parallel lines. By designing Stoclet House,
26
The fact that both the inside and outside of
Stoclet House has been preserved almost in
its original state is to be credited particularly
to the owners-descendants of the first owner,
who keep meticulous watch over the building.
Although Stoclet House has been particularly
well preserved, it was still in need of some
restoration. This was started in 2008 and will
continue for another few years to come. The first
phase, which consists of restoring the railings,
has been completed successfully and contributes
to this mythical building on the Tervurenlaan.
All structural
elements are
carefully hidden,
which is what
affords the
Stoclet House
a timeless
character.
Hoffman created an original concept dotted with
elements of symbolism and idealism here and
there. The inside and outside of the building and
the gardens are in the same style. It is a mixture
of plain shape and elegance.
The edges of the outside walls are bordered
in bronze, which creates cohesion between
architecture and decoration. While the
simultaneously developing Art Nouveau
architecture trend aimed to display the structural
elements of the building and the decoration,
Hoffman attempted to achieve exactly the
opposite. All structural elements are carefully
hidden, which is what affords the building an
almost intangible and timeless character. The
building is clad in gold and marble and the
interior is characterised by the contrast between
black and white, bright and dark shades.
The long marble façade of over 60 metres on
the street side gives the building an aura of
austerity and reticence. This feeling is even
© Ville de Goyet / MBC / DMS
© Wim Robberechts © MRBC
27
Major mining sites of Wallonia
mine site of Saint Emmanuel opened in 1846.
This was a promising operation. Taking the Grand
Hornu as an example, the company decided to
build houses for its employees. Proximity allows
one to better control employees and keeps the
temptations of the city at arm's length. The "cité"
was square-shaped, as we still know it today,
to make optimum use of the space available.
Here too, the intention was to provide comfort
and safety. It is actually a village that gradually
developed in the early 20 th century. Houses,
schools, a church, hall for festivities, hospital,
care home, pharmacy, park, grocery and fanfares
were provided.
Guy Focant © SPW
World Heritage
since 2012
Four sites in various basins in Wallonia have
been jointly registered under a single name in
the World Heritage List. These are the Grand
Hornu in the Borinage, Bois-du-Luc in the
watershed of the Centre-du-bois, Bois-du-Cazier
and the basin of Charleroi and the Blegny mine
in the Liège basin.
Each site reflects a period of the history of coal
since the industrial revolution arrived on the
European Continent in the early 19 th century,
until it receded in the second half of the 20 th
century. Apart from telling a chronological tale,
they also provide theme evidence of four fields:
architecture, society life, memory and skills.
The Grand Hornu is the oldest of the four sites.
Henri De Gorge started operating the coal mines
in 1810. He used techniques which had only just
reached the Continent from England to tackle
the problem. In order to meet the needs of his
labourers and to make sure that they were loyal
to him, he decided to build them a city which
28
had all the necessary comfort and convenience
available at the time. To achieve this, he called
on the architect Bruno Renard who drew a
labourers' complex in Neo-Classicist style,
which was inspired by the work of the French
architect Ledoux, who had designed the salt
works of Arc-et-Senans. The city consisted of
approximately 400 houses and various social
amenities: a hall for festivities, schools, shops
and a park. The intention was to provide the
miners with clean and well-equipped houses
according to the standards at that time. The city
was finished when Henri De Gorge died. His heirs
continued to operate the business.
Coal mining operations in Bois-du-Lac go back
very far indeed. The "Société de Grand Conduit
et des Mines de Charbon" (Organisation of
the Large Canal and Coal Mines) of Houdeng,
which was translated into a project for miners
and citizens, originated in 1685. The company
expanded and developed its operations with
the aid of the newest techniques available. The
The operations of the mine of Bois-du-Cazier,
which lay in the basin of Charleroi, began in the
19 th century and blossomed in the 20 th century. On
8 August 1956, at 8.10 a.m., the mine of Bois-duCazier entered the annals of history and acquired
sad and international fame. That morning, human
error, combined with technical problems, caused
a fire to break out, whereby the smoke killed 262
miners who were trapped underground. The
miners came from 12 different countries. The
disaster was broadcast on radio and shown on
the upcoming television. All of Europe followed
aid workers' efforts and the suffering of the
victim families for a whole month. This tragic
incident drew attention to the foreign population
and their (often very difficult) living conditions.
Following the disaster, the European Coal and
Steel Community (ECSC) laid down new rule
which forbade children under the age of 14 to
work in the mines and which made breathing
appliances mandatory.
The fourth site is located in the Liège basin. The
Blegny mine blossomed during the 19 th century.
The mine called "Mary" was only closed down
in 1980. Before it was finally closed down, the
Province of Liège decided to hold an exhibition
of the mine and its operations. The mine was
the only part that was not broken down. It is an
excellent example of a fully production-focused
coal mine in the second half of the 20 th century.
The mine is still equipped with a cable tier and
an extraction tower of reinforced concrete.
Lifts taking visitors accompanied by ex-miners
underground are operated from an engine room.
Guy Focant © SPW
Apart from telling a chronological
tale, the mining sites also
provide theme evidence on
four fields: architecture, society
life, memory and skills.
Guy Focant © SPW
Besides the unique stories by their guides, the
visitors discover the underground world of the
mine and various tools used by the miners. The
unloading floor where the carts arrived, coal
was sorted and the slag heap was made, and
the compressors, are important components of
this site.
The four sites are currently being successfully
converted into cultural attractions: the Museum
of Contemporary Arts in Grand Hornu, the ecomuseum and the mine museum of Bois-du-Lac,
the museums on the glass industry and the
commemoration plaque of the disaster in Boisdu-Cazier, the mine museum and visits to the
systems of the Blegny mine.
Guy Focant © SPW
DD D The Grand Hornu.
DD Bois-du-Luc.
D Bois-du-Cazier.
B Blegny.
29
Belfries of Belgium and France
Guy Focant © SPW
World Heritage
since 1999,
extended in 2005
In 1999 twenty-six Flemish and six Walloon
belfries were inluded on the World Heritage
List. These were extended to one more Walloon
and 23 North French belfries in 2005. At that
point in time, the World Heritage Committee
also decided that the series was regarded as
complete.
The belfries in Belgium and Northern France,
which had been built between the 11th and 20 th
centuries, were mostly erected in the prevailing
style of that construction period. They are
significant evidence of the increased civil
urban liberties. Whereas the Italian, German
and English cities preferred to construct town
houses, belfries were afforded more attention in
this part of North-Western Europe. Compared to
the donjon or keep (which symbolised aristocracy)
and the bell tower (symbolising the church), the
belfry represented the increased power of the
aldermen. The belfry gradually also became a
symbol of the influence and welfare of the cities.
30
The origin and history of the belfries are closely
related to the rise of the cities in the Middle
Ages. The blossoming of industry, its associated
diversified international trade and the rise of
the middle class in the 12 th and 13th centuries
strongly contributed to the emancipation of urban
settlements, which were gradually moving away
from the dominant feudal regime. That urban
emancipation was translated into the appearance
of the centrally located belfry, a third landmark in
the urban landscape alongside the church tower
and the keep. In addition, multi-functional halls
with administrative and commercial functions,
which often adjoined the belfries, originated in
the Flemish trading cities.
Belfries gradually became more important as
city clocks and watch towers. That is why the
constructions were made increasingly higher
and were given pinnacles, which also befitted the
Gothic style that had in the meantime become
prevalent. As of the 15th and 16th centuries, the
belfries were in many cases integrated in the
newly constructed city halls.
A belfry was a practical and multi-functional
building: charters and treasures could be kept,
the arsenal could be stored and aldermen could
hold their meetings there. As has already been
said, it also served as watch tower or as a prison.
Furthermore, the city bell and later, clock and
carillon, which regulated civil life, were housed
in the belfry. This meant that the belfry was the
symbol of urban power and welfare. The belfry
was regularly destroyed during armed conflicts
for this reason, and also because of the part
that it played as watch tower. The belfry was
invariably reconstructed after such destruction.
That was sometimes done in a different place
or in the prevailing style. As a symbol of urban
independence, the belfry transcended all
conflicts.
The origin and history of belfries
are closely linked to the urban
emancipation in the Middle Ages.
The Belfry of Tournai is the oldest belfry in
Belgium (1187). It is allegedly a re-used and
raised stone tower that was previously part of
the city bulwark. In other places, such as in the
North French Boulogne, the keep of the fort was
recycled. Here the belfry literally represented
the absolute power of the emancipated city over
feudal rule. In some cases the existing stone
church tower (originally) served as watch tower
with a city clock and to house charters and the
like. These church belfries were kept, especially
in the early Duchy of Brabant, whereas separate
belfries were erected elsewhere.
Flanders has no Baroque belfries. However,
the belfry built in Veurne in 1628 does have
a Baroque steeple but the body consists of
late-Gothic ornaments. However, the Tour de
l’horloge in Mons, which was re-built after 1661,
is unmistakably a Baroque construction.
In the 19 th and even early 20 th centuries, city
and town halls were constructed and these
incorporated an ideal model-type belfry - such
as in Sint-Niklaas or in the municipalities of the
Brussels periphery. After the First and Second
World Wars, reconstruction was differentiated.
For example, in Ypres and Comines, the belfry
was reconstructed in a manner that made history.
In other places, more contemporary techniques
such as the foundations of concrete structures
were used. More new belfries were built in places
such as Lille and Charleroi, even during the time
between the wars. These contemporary-style
belfries once again took on the characteristic
elements of the original belfries, such as the
landmark function, the clock and the carillon.
Belfries
in Flanders:
Aalst, Antwerp,
Bruges,
Dendermonde,
Diksmuide, Eeklo,
Ghent, Herentals,
Ypres, Kortrijk,
Lier, Leuven, Lo,
Mechelen (belfry),
Mechelen (Saint
Rombout's Tower),
Menin, Nieuwpoort,
Oudenaarde,
Roeselare,
Sint-Truiden, Tielt,
Tienen, Tongeren,
Veurne, Zoutleeuw.
Belfries in Wallonia:
Mons, Binche,
Charleroi, Tournai,
Gembloux,
Namur, Thuin.
Belfries in France:
Armentières, Bailleul,
Bergues, Cambrai,
Comines, Douai,
Dunkerque (city hall
belfry), Dunkerque
(Saint-Eloï Church),
Gravelines, Lille, Loos,
Aire-sur-la-Lys, Arras,
Béthune, Boulogne,
Calais, Hesdin,
Abbeville, Amiens,
Doullens, Lucheux,
Rue, Saint-Riquier.
D Ypres.
d Mons.
B Oudenaarde.
31
© BELSPO
Tentative list
Africa
Every state that joins the World Heritage Convention must consider the following: which sites or places
within our borders qualify as a possible entry on the World Heritage List? Those buildings, complexes
and sites are included in the national tentative list. The Belgian tentative list currently includes the
following suggestions:
• The architectural work by Henry van de Velde
• The Battlefield of Waterloo: the end of the Napoleonic era
• The Bavay-Tongeren trajectory of the Roman paved road Boulogne-Cologne,
situated on the territory of the Walloon Region
• The Brussels Galleries / the Royal St. Hubert Galleries
• Commemoration place and monuments of the "Great War": the “Westhoek” and adjoining regions
• The Guiette house, Populierenlaan 32, Antwerp
• The historic nucleus of Antwerp - from the Scheldt River to the old city remparts back to approximately 1250
International Cooperation on World Heritage
Africa
• Hoge Kempen: rural-industrial transition landscape
• The Law Courts of Brussels
• Leuven: university buildings, the heritage of six centuries in the heart of the historic inner city
• The medieval nucleus of Ghent, known as the "Kuip" and the two abbeys around which it originated
• The Meuse Citadels
• The Palace of the Prince Bishops of Liège
• The panorama of the Battle of Waterloo: particularly significant example of the "panoramic phenomenon"
• The plateau of the Hautes Fagnes
• The thermal complex of Spa: from mundane care to luxury tourism
Improved management of natural
world heritage sites
The Unesco general programme affords as
much attention as possible to the particular
needs in Africa. Special efforts are made
regarding world heritage. The African region is
actually continually under-represented on the
World Heritage List: only 9% of the elements
registered lie in this region. In contrast, African
sites constitute 40% of the elements on the List
of World Heritage in Danger.
The outstanding universal value of the African
world heritage sites can only be protected if sites
management is improved. The basic principle
for good management is sound information and
appropriate manager training.
The Unesco World Heritage Centre developed
the African Nature Programme with the support
32
of the International Union for Conservation
of Nature (IUCN), the advisory body for the
recognition of natural heritage sites, the
African World Heritage Fund (AWHF) and other
partners. This programme intends to improve the
management of African natural world heritage
sites by means of targeted awareness-raising
and by providing adapted training courses and
expertise. The General Flemish Trust Fund (FUT)
supports this initiative.
African sites
constitute 40%
of the elements
on the List of
World Heritage
in Danger.
The African Nature Programme will run for a term
of six years. Flanders funds the first 24 months of
the programme, so that a solid foundation can be
laid to further develop the programme.
The intention is to improve management of the
African natural world heritage sites, including
transparent assessment mechanisms in
33
Africa
accordance with the requirements of the World
Heritage Convention. Furthermore, a knowledge
platform ensures that there is an exchange of
knowledge and experience between people and
institutions working on managing natural world
heritage sites. The people involved are given the
necessary training to identify the challenges of
conserving the sites, to monitor them and to
tackle them in order to guarantee and improve
management efficiency.
© BELSPO
Endangered biodiversity in Congo
© BELSPO
DD Endemic okapi in Congo.
D Earth observation image of
Virunga National Park in Congo.
The Democratic Republic of Congo has unique
ecological riches, including five world heritage
sites, for which the Congolese Institute for the
Conservation of Nature (ICCN) conducts an active
conservation policy. The sites are the National
Parks of Virunga, Kahuzi-Biega, the Okapi game
reserve; Salonga and Garamba. They appeared
on the World Heritage List between 1994 and
1999 and all five of them appear on the List of
World Heritage in Danger. The unrivalled variety
of natural habitatsin the country houses various
rare and characteristic animal species, such as
the mountain gorilla, the endemic okapi and the
northern white rhinoceros. Despite the difficult
political and economic situation and with an armed
conflict that has been dragging on for years in the
eastern region, an international mobilisation is
now focusing on the urgent conservation of these
natural world heritage sites. It is essential to have
relevant and up-to-date observations and data
available in order to keep track of the conservation
statusof the national parks. However, none of
the stakeholders, including the ICCN, have the
necessary information systems at their disposal to
enable them to assess the state of the sites, to take
the necessary measures to counter their further
deterioration and to sustainable conserve them.
To meet this need, the Belgian Federal Science
Policy Office supported the - SYGIAP project,
which ran from 2003 to 2006, to develop a system
to inventory and monitor the endangered world
heritage sites in Congo. The project covered
both establishing the system as training the
management staff to correctly collect data and
process these to provide relevant information.
These data were be used to improve management
and conservation of the sites.
34
After the project proved its usefulness in
managing the world heritage sites, a second
phase focused on monitoring other protected
areas in Congo. The intention was to strengthen
their sustainable management and to contribute
to national and international reports on the
situation of the forests and the biodiversity. By
way of various official meetings, the Congolese
administrative services, international agencies
and partners of the ICCN received relevant
information on these protected areas.
The SYGIAP project succeeded in filling the
databases of the five world heritage sites with
socio-economic data, on the one hand, and
with photographs and historic documents that
were available in the Belgian federal scientific
institutions on the other. These data were
georeferenced in order to develop n an on-line
interactive map..
The applications of the cartographic data
generated by the SYGIAP project go beyond
improving the management of the world heritage
sites. By sharing them with the mining cadastre
and the forestry sector, it came to the fore that
mining and logging concessions were granted in
protected areas. This led to the establishment of
a consultation platform where forest managers
and other administrative services were able
to exchange information and interact. In the
long term, the SYGIAP system could also be
useful to plan and steer eco-tourism in the right
direction.
An educational map showing the rich biodiversity
of the world heritage sites in Congo has been
developed in cooperation with the Unesco
World Heritage Centre to draw the attention
on the results of the project and to raise public
awareness of the situation of the world heritage
sites in Congo. This map displays the world
heritage and protected sites in Congo and
showcases their extremely rich biodiversity.
Within the scope of the SYGIAP project, the
Belgian Federal Science Policy Office contributed
to the Congo: Nature and Culture exhibition. The
exhibition wanted to raise public awareness on
the unique but endangered biodiversity to be
found in Congo. The Royal Museum for Central
Africa organised the exhibition that could be
viewed at the Unesco headquarters in Paris in
September 2004 and in Tervuren from November
2004 to October 2005. A limited version of the
exhibition was shown in Lubumbashi in 2008.
The Belgian Development Cooperation and the UN
Foundation have collaborated with other partners
on a programme to support the conservation of
Ilha de Moçambique
Ilha de Moçambique is an island situated to the
north of Mozambique. It is a former Portuguese
trading post on the route to India. In 2007 the
World Heritage Committee tackled the alarming
situation of the island, which had been listed on
the World Heritage List since 1991 because of its
historic importance.
Flanders decided to support, by way of the
General Flemish Trust Fund (FUT), a project that
responded to the recommendations by the World
Heritage Committee to secure the conservation
of Ilha de Moçambique. The project consists of
four parts: a detailed study of the architecture on
the island and an evaluation of its situation; the
drafting of a management plan; contributing to
constructing a water reservoir in the Fortaleza de
São Sebastião; restoring a building of the fort to
serve as administrative services and information
centre for the monument. A documentary on the
restoration is also being produced to make the
project visible and create awareness among the
local population.
the biodiversity in the five world heritage sites
in Congo. The programme is running from 2001
to 2013 and its strategy is twofold. Political
support for conservation is extended by means
of "conservation diplomacy": active contacts
with political and military leaders to remind
them of the binding obligations regarding the
World Heritage Convention. In addition, the park
wardens of the world heritage sites are provided
with support to perform their conservation tasks
in difficult and dangerous circumstances, inter
alia, by providing training courses and expanding
the equipment and infrastructure in the parks.
The Belgian contribution to the programme
particularly serves to set up and implement
urgent plans of action in the most endangered
parks. This is done in close collaboration with
Unesco and the ICCN.
© BELSPO
D Landscape of Virunga
National Park in Congo.
The Fortaleza de São Sebastião has a complex rainwater catchment system. The
Portuguese founders of the fort built it five centuries ago and it has continued
to be a vital source of water for the island inhabitants all that time. A new water
reservoir has been built outside the walls of the fort to permanently make water
available to the local population. Access to the original sources in the fort has been
restricted since then.
The purpose of restoring a part of the fort to serve as administrative service and
information centre is twofold. Firstly, it makes it possible to receive visitors in the
fort and to make its importance and history known. Secondly, it is an important
exercise in establishing which restoration techniques are required and which work
best. The knowledge gained will be useful in restoring other buildings and other
heritage on the island.
On Ilha de Moçambique, the tension between the preservation of the historical
heritage and the current socio-economic development is visible in a particularly
confrontational way. The island is almost literally divided into two parts: the upper
old Portuguese "Stone City" occupies the northern part, while the lower "Makuti
Town" occupies the southern part of the island. There live most of the 14,000
residents of Ilha. The development of a heritage project with socio-economic
dimensions is very difficult. The integration of the Makuti community is nevertheless
essential for the future of the entire island. Tourist guides usually pay no attention to
"Makuti Town", but only have an eye for the "Stone City". Also international donors
focus mainly on the reconstruction and renovation of the stone world and too little
to the development of the island community.
35
that is monitored by the Flemish Department
of Foreign Affairs in collaboration with the EWI
Department (Economy, Science and Innovation).
Preparation for the programme is co-funded
for the purposes of organising a workshop
with financial resources of the Directorate for
the Environment of the Federal Public Service
Health, Food Chain Safety and Environment. This
funding falls within the context of the agreement
with the Unesco World Heritage Centre. The
agreement runs from 2009 to 2012 and funds the
Unesco activities relating to biodiversity in forest
and marine areas and the interaction between
biodiversity and climate change.
Marine heritage
The Unesco World Heritage Committee
established six comprehensive topical
programmes, one of which focuses on marine
world heritage in particular. It targets the
conservation of exceptionally universal valuable
marine areas and the identification of such areas
that have not been listed on the World Heritage
List.
Activities that are being performed within
the context of the programme for marine
world heritage include expanding expertise
and providing training courses on efficiently
managing marine sites; developing a scientific
approach to identify potential marine world
heritage sites; drawing up a practical, gradual
manual on managing marine sites, which uses
the characteristics of the ecosystem as point
of departure; and raising awareness of the
programme to boost the establishment of a
36
© BELSPO
Preserving coral reefs
Coral reefs are amongst the richest ecosystems
in the world: they host an exceptional variety
of fish, invertebrate animals and marine
plants. They are also extremely vulnerable
and are seriously endangered. Coral reefs are
deteriorating all over the world. That is due to
certain destructive fishing techniques, tourism,
pollution and changes in the environment that are
causing the coral reefs to bleach.
An important part of the programme focuses on
marine and coastal areas in south-east Africa,
which distinguish themselves by their exceptional
characteristics, which qualifies them for the
World Heritage List.
Conserving coral reefs requires a detailed
inventory of their distribution and state of
health. This can be recorded locally based on
field observations. Observations by satellites
or aeroplanes are an easier and less expensive
alternative for vast and poorly accessible areas.
Because various coral reefs form part of the
World Heritage List, Unesco showed interest in
the possibilities of remote sensing for mapping
and monitoring coral reefs.
The project proposal that led to the programme
being launched was developed by the Unesco
World Heritage Centre, in close deliberation
with the Department of Economy, Science and
Innovation (EWI) of the Government of Flanders,
the Flanders Marine Institute (VLIZ) and the
IOC Project Office for IODE (International
Oceanographic Data and Information Exchange) in
Ostend. The VLIZ and the IODE project office play
an important part in executing the programme
The KABAR project focused on Fordate, a small
island in the Tanimbar archipelago of Indonesia.
With almost 600 species, Indonesia has the
largest coral diversity in the world. Tanimbar
belongs to the top 10 coral reefs proclaimed by
the UN Environment Programme (UNEP) refers
as "exceptionally rich in endemic species but
facing extreme threat". The conservation of these
coral reefs is important not only because of their
ecological value but also because of their socio-
global conservation network for marine sites that
links up with the UN Convention on Biological
Diversity.
The General Flemish Trust Fund (FUT) helps the
World Heritage Marine Programme to perform
its core tasks - support that cannot be neglected
seeing that the programme is only receives and
extremely limited amount of funding from the
World Heritage Fund.
© BELSPO
economic function. As is the case on many small
islands, a large part of the population depends
on the coral reefs to provide for its support.
Scientists have succeeded in distinguishing and
identifying various types of coral and algae by
combining field measurements, atmospheric data
and airborne hyperspectral data. This technique
can be modified for use in all types of coral
reefs and allows to monitor, in the long term,
vulnerable areas that qualify to be recognised as
world heritage and to identify those that run the
greatest danger.
DD Coral reefs host an
exceptional diversity.
D Hyperspectral image of Fordate,
a small island in the Tanimbar
archipelago of Indonesia.
The research lasted from March 2005 up to
the end of 2006. It was funded by the STEREO
programme of the Belgian Federal Science
Policy and was a collaboration effort between
the Flemish Institute for Technological Research
(VITO), Ghent University and the Agency for
Assessment and Application of Technology in
Indonesia (BPPT).
37
The exhibition was designed pursuant to the 16th
UN Conference on Climate Change (COP16) in
Cancun (Mexico) at the end of 2010, with financial
support by the Government of Flanders UNESCO
Trustfund (FUT) and the contribution by various
partners: the Belgian Science Policy Office,
Planet Action (France), the European Space
Agency (ESA) and the German Space Agency
(DLR). The exhibition was also shown in other
places in Mexico and in Beijing (China), Paris
(France) and Durban (South Africa).
The Belgian Federal Science Policy Office,
privileged Unesco partner in the field of remote
sensing by satellites, made the exhibition
trilingual (in English, French and Dutch) to
present it to the Belgian public. An accompanying
brochure in Dutch and French has been developed
in collaboration with the Unesco Platform
Flanders. In 2012 the exhibition could be viewed
in Brussels, Leuven (thanks to the cooperation
of the Government of Flanders, the Flemish
Commission for Unesco and the KU Leuven)
and Mons.
© Universiteit Gent
© Belspo
Frozen tombs of the Scythians
Exhibition on climate change and world heritage
The exhibition Satellites and World Heritage Sites,
Partners to understand Climate Change takes the
visitor to world heritage sites all over the world,
each of which suffers from the consequences of
climate change in some way or other.
DD Asia, a continent that is hit
particularly hard by climate change.
D The exhibition travelled
all over the world.
The Intergovernmental Panel on Climate
Change (IPCC) states that "global warming is an
unequivocal fact" and is "largely the consequence
of the increasing greenhouse gases, including
carbon dioxide (CO2) generated by the combustion
of fossil fuels."
Global warming has various negative
consequences: rise of the sea level, change in
the frequency and intensity of precipitation, more
intense and frequent storms, acidification of the
oceans, etc. Each of these consequences has
an impact on both natural and cultural world
heritage sites.
38
An increase in temperature causes the glaciers
in Patagonia or at Mount Everest to melt. The rise
in the sea water temperature and acidification of
the ocean endanger the coral reefs of Australia
and Guatemala. Desertification lies at the bottom
of every increasingly heavy sand storm which
damages archaeological sites such as the Great
Mosques of Timbuktu or the Pyramids of Giza.
The rise in the sea level endangers the continued
existence of sites situated near the coast, which
belong to the most unique in the world.
The exhibition focuses the attention on the threats
to which the world heritage sites are exposed by
using satellite images. It also illustrates how
remote sensing from space can contribute to
a better understanding of the consequences of
climate change and to managing and conserving
heritage sites.
The archaeological patrimony located under the
permafrost of the Altai Mountains is threatened
by global warming. With the aid of the General
Flemish Trust Fund (FUT) and in cooperation
with Ghent University, the first steps have been
taken to set up a detailed inventory of the hidden
treasures. This has been made possible by the
use of satellite observations.
The Altai Mountains run through Russia,
Kazakhstan, Mongolia and China. There are
numerous tombs of the Scythians. It was the
custom of this nomadic people to bury their
nobles in tombs deep underneath the permafrost.
Because of thee very low temperatures
all the organic material, including textiles,
carpets, bodies and horses, were particularly
well preserved. However, global warming is
threatening to change this. It is necessary to
have a good overview of the number and precise
location of the tombs to be able to develop a
conservation plan.
Two regions in the Russian and Kazakh parts of
the mountains were studied in the first phase,
in cooperation with Ghent University and the
support of the General Flemish Trust Fund. The
location of the tombs was mapped and a detailed
inventory was made of their contents.
In 2003 and 2004 the Federal Belgian Science
Policy Office co-financed the excavations and
expeditions to support a Ghent University
research project. Satellite images were used to
analyse the landscape of the Altai Mountains and
to detect tombs quickly and cost-efficiently. The
results were the basis of a Unesco project to
conserve the frozen tombs of the Altai Mountains.
DD These square monuments
date back to the Turkish era
(end of the first millennium).
They are remembrance places
for Turkish warriors.
D Tall stele (ca. 2m) with
the image of an axe. Valley
of Yustid, Bronze Age.
39
Guarding
tropical rainforests
The Unesco World Heritage Committee not
only decides on inscribing nominated sites on
the World Heritage List. It must also monitor
the situation of the world heritage sites,
identify possible threats (urban or agricultural
development, conflict, natural disaster or
the effects of global warming) and propose
counteractive measures.
Reinforcing management and protection
of the world heritage sites
Better information for better management
Following the thirtieth anniversary of the
World Heritage Convention, Belgium entered
a fascinating decade of collaboration with the
Unesco World Heritage Centre. The aim was
to make Belgian expertise available to assist
the signatories with the development of the
necessary capacity to manage world heritage
sites through the use of innovative technologies
(remote sensing, GIS and GPS, 3D modelling) to
support the conservation of cultural and natural
sites. The Belgian Science Policy Office and the
World Heritage Centre signed an agreement to
that end in November 2002.
During the past decade interdisciplinary teams
composed of Belgian research institutions and
private companies collaborated with various
international and local bodies and the World
Heritage Centre in following domains: the
mapping and monitoring of remote, endangered
40
natural world heritage sites that were difficult to
access (Congo), the development of an advanced
information system for a "mixed" world heritage
site (site of exceptional cultural and natural
value) in Mexico, the establishment of a multilingual system for collecting and managing
documentation to prepare the nomination of a
cross-border site for the World Heritage List
(the Central Asian part of the South Route).
The Science Policy Office funds demonstration
projects at a regional level as well as the World
Heritage Centre. These efforts are backed
by initiatives within the frame of the national
programme for remote sensing, STEREO (
KABAR and UNESCO-WATCH projects, Satellites
and World Heritage exhibition). Attention was
paid in particular to promoting world heritage
to the public, more specifically to young people.
Tropical forests often span vast areas and are
difficult to access. Consequently, it is difficult to
monitor their situation and assess how well they
have been conserved. In 2009 this had been done
for just over 15% of the 97 registered forest world
heritage sites.
A semi-automatic tool is required to detect
changes in order to enable Unesco to improve
managing this natural world heritage. Scientists
of the UC Louvain used funding provided by the
STEREO programme of the Belgian Science
Policy Office to develop a system founded satellite
images and expert knowledge.
The scientists selected 15 tropical forests of
different types (from mangroves to mountain
forests), size (from less than 150,000 ha to over
5,000,000 ha) and location (the entire tropical
forest belt is represented). An exceptional
biodiversity distinguishes the sites selected
and it is often the case that they accommodate
unique animal species, such as the giant panda
in Sichuan, the jaguar in Calakmul or the gorilla
in Virunga.
The UNESCO-WATCH project was started from
an extensive collection of 850 satellite images
which were taken in three periods (1990, 2000
and 2010) by various sensors. Tropical forests are
often shrouded in mist, which means a complete
overview of the territory can only be obtained by
combining a large number of images.
© BELSPO
one to make maps at regular times, in order to
show what has changed in the forests. With this
system, Unesco and the local managers have
at their disposal a tool that reflects the in situ
situation in an objective way, so that a relevant
policy can be elaborated.
D Giant panda reserve in Sichuan.
The system that has been developed can also
serve other purposes. For example, it can benefit
the REDD+ initiative, which is aimed at putting
a stop to deforestation and at increasing the
capacity to store carbon dioxide by rewarding
those countries that preserve their forests and
practice sustainable forestry. A sound monitoring
of the changes in and around the forests is of
great importance for this purpose in view of
proper management and efficient measures.
The above-mentioned REDD+ initiative is funded
by the Environment Directorate of the Federal
Public Service Health, Food Chain Safety and
Environment, within the scope of a collaboration
agreement with the Unesco World Heritage
Centre.
The UNESCO-WATCH project (2011 - 2013) was
financed by the STEREO programme of the
Belgian Science Policy Office.
The challenge is to develop a system which,
despite the variety of the sites and the fact that the
data are generated by different sources, enables
41
Silk Routes as cultural world heritage
Both the outstanding cultural and
natural value must be highlighted.
© BELSPO
Nominating "mixed" world heritage sites
© BELSPO
DD Large Maya pyramid
in Calakmul.
D Jaguar: symbolic
species of Calakmul.
The Maya City Calakmul in Yucatan (Mexico) has
been on the World Heritage List since 2002. This
valuable archaeological site lies in the middle of a
biosphere reserve which forms part of a tropical
forest accommodating various plant and animal
species requiring special protection.
An international project prepared the nomination
of this "mixed" site for the World Heritage List. For
this purpose, it was necessary to highlight both
the exceptional cultural and natural value. Thanks
to the Calakmul 4D GIS project, financed by the
Belgian Science Policy Office in the framework
of an agreement with UNESCO's World Heritage
Centre, an information system has been developed
for heritage managers to fund the schedule
planning and conservation of the site. Data
ranging from the assessment of the conditions on
the site to applying conservation measures must
be generated, preserved and exchanged between
all stakeholders. The project took all types of data
into account and developed an extensive system
to integrate all data and to make it possible to use
3D-models and satellite images.
The system is based on the needs of the heritage
managers and the Unesco prescriptions.
Managers can create, preserve, share, visualise
and analyse the information by using the system.
42
This information concerns the state of the site and
to its conservation, restoration and management
as well as the elaboration of action plans. It has
been developed by a multi-disciplinary team
of Belgian experts, in close collaboration with
Mexican partners who are responsible for
managing the cultural and natural heritage. The
system uses an open standard. Other mixed sites
can benefit from the capabilities of the system.
The Mexican partners are trained to keep the
system up to date and to use it to support their
daily work on the cultural and natural heritage.
The Silk Routes are a network of caravan routes
that crossed Eurasia from the Mediterranean
Sea to China in ancient times and during the
Middle Ages. It served as a route to transport
goods and exchange inter-cultural knowledge
between the East and the West. By now the
historic and cultural relevance of the Silk Routes
is beyond dispute.
Cultural Heritage Resource Information System
(CHRIS)", financed by the Belgian Science Policy
Office, was established in collaboration with the
World Heritage Centre and national and local
authorities. It provides a holistic approach to
managing potential World Heritage Properties
with regard to documentation, conservation and
monitoring.
An initiative for the serial transnational World
Heritage nomination which is representative for
the Silk Roads was launched in 2005.
The project provides a systematic approach for
monitoring and managing archaeological sites
and monuments and the information system
that has been developed makes it possible to
guarantee the congruity and quality of serial
transnational nomination dossiers. The method
applied might also be used in compiling dossiers
for the nomination of other serial transnational
World Heritage properties.
A team of Belgian experts headed by the Raymond
Lemaire International Centre for Conservation
is working on an online information system
supporting the preparation of the nomination of
the Central Asian Silk Roads. It is collaborating
with five Central Asian countries, namely
Kazakhstan, Tajikistan, Uzbekistan, Kyrgyzstan
and Turkmenistan. The project "Silk Roads
The Silk
Routes served
two purposes:
transporting goods
and intercultural
exchange between
the East and
the West.
A Bukhara, Uzbekistan.
Researching, developing and giving a demo of the
project contributed to drawing up a nomination
dossier for a "mixed" site, conserving a site that
had already been classified as an archaeological
site, planning an ecological corridor for the
jaguar, gaining a better understanding of the
history of the Maya site and making it even
more accessible, reporting to the Unesco World
Heritage Centre, promoting the site, developing
eco-tourism and raising awareness of world
heritage and sustainable development.
© BELSPO
43
At the request of the Vietnamese Institute of
culture and arts studies, the Heritage Skills
Centre has since 2007 coordinated a project to
conserve tangible and intangible cultural heritage
and to develop the village of Phuoc-Tich in the
province of Hué for tourists. The village is famous
for its pottery. A traditional wooden house could
be restored, thanks to this project. Other partners
collaborated in the field of pottery and tourist
development in the village. Work is being done
to compile a route passing through various
Vietnamese villages where pottery and making
pottery plays an important part in daily life.
© IPW
A Palestina.
Preserving and repairing cultural heritage
By way of its Centre des Métiers du Patrimoine
de la Paix-Dieu and with the support of
Wallonie-Bruxelles, l’Institut Patrimoine wallon
is involved in various collaboration projects.
The Centre is responsible for training courses
and provides support for the conservation and
repairs of cultural heritage in less fortunate
countries.
For example, Walloon craftsmen, coaches
associated with the Heritage Skills Centre and
an architect contributed to restoring the Conde
Canongo, an old building in the historic centre
of Havana (Cuba) between 2002 and 2004. This
was done in collaboration with the Bureau de
l'Historiador de La Havana. The ground floor of
the building had already housed an exhibition
which acquainted visitors with Wallonia for a
number of years. In addition, until 2010, different
courses, in particular, regarding carpentry and
metalwork, were organised for students at the
school workshop Gaspar Melchor de Jovellanos
of Havana. Work was also done on controlling
44
termites to protect the biology laboratory of
the cabinet for conservation. The project was
completed by publishing an inventory of the
ironwork in Old Havana and a technical manual of
how to restore woodwork. Work is currently still
being done on a practical manual for controlling
termites.
In Saint-Louis (Senegal), the Centre des Métiers
du Patrimoine de la Paix-Dieu collaborated on
restoring the former “Assemblée territoriale du
Fleuve” by providing technical assistance to the
architects when drawing up the specifications
and by training labourers in the field of making
woodwork, ironwork, filling, decorative painting
and research on damage to wood. The renovated
building was ceremoniously inaugurated in
December 2009. A publication on the building
was issued by l’Institut Patrimoine wallon in
the series Dossier de l’IPW. In the meantime,
cooperation with Senegal is continuing with a
new training project with a view to restoring the
Admiral's House on the slave island of Gorée.
L’Institut Patrimoine wallon has been
collaborating with the RIWAQ Centre for
Architectural Conservation in Ramallah
(Palestine) since 2010. It was possible to repair
and restore various buildings on the Hosh al
Atem site in the historic centre of Birzeit, thanks
to the collaboration. Training courses were also
given to craftsmen and coaches on making an
inventory of architectural heritage, ironwork
and decorative painting. A new project has
been scheduled in the vicinity of the Bethlehem
Nativity Church.
L’Institut Patrimoine wallon entered into a large
joint project with a number of other international
and local partners, which is aimed at conserving
the traditional Gingerbread-houses in Port-auPrince (Haiti). A field school was established
there within this scope in September 2012,
which offers training courses on problems of
stability, humidity, the presence of termites and
restoring masonry and carpentry to prepare for
the restoration of the Maison Dufort.
The assistance provided to these countries for
the conservation and restoration of their heritage
and to ensure that knowledge is transferred, help
keep the collective memory intact, which is an
important aspect of cultural identity. Besides the
purely material aspect, each of these projects
is an exchange of experiences and mutual
enrichment.
© IPW
DD Senegal.
D Cuba.
Cultural landscapes in South-East Europe
The General Flemish Trust Fund (FUT) funded
a project to teach managers of world heritage
sites in South-East Europe to cope with the
tourist pressure pursuant to the recognition as
world heritage.
properly manager tourism. For example, new
management plans were drawn up for places
like the Durmitor National Park in Montenegro
and for Ohrid in Macedonia - both of which are
world heritage sites.
The world heritage label draws many interested
visitors. However, a flood of tourists can threaten
the natural equilibrium and the outstanding
universal value of a site.
The management plans were made after a
training course on Tourism Management was
given to the local staff. The strategy that was
developed for and applied to both sites serves
as an example for other sites. The tourist sector,
local community and local traders are involved in
the project. The World Heritage Centre involved
various regional institutions in the project to
guarantee continued support.
The project wants to accommodate this by
way of training courses for managers of world
heritage sites in the region to expand the tourist
capacity of sites and to develop a strategy to
© IPW
A surge of tourism
can threaten the
natural balance and
the outstanding
universal value
of a site.
45
and taps into the practical question of the
World Heritage Committee meeting of 2005 to
develop a new recommendation on this matter.
It is one of the six large topical programmes of
the Committee which is funded by the General
Flemish Trust Fund (FUT), as is the case with the
World Heritage Marine Programme.
D Bruges hosted an
international conference on the
management of World Heritage
Cities in the 21st century.
World heritage cities
The context of world heritage cities differs
substantially from those other world heritage
sites. It does not make the application of the often
strict and not all too clear prescriptions for the
World Heritage Convention no easy matter. That
is why the World Heritage Cities Programme
was created. Its aims are to further develop a
theoretical framework for the conservation
of urban heritage on the one hand and the
provision of technical assistance to local and
national authorities on the other. Another point
of attention of the programme is the protection of
world heritage sites against new, global threats,
such as the consequences of climate change and
non-sustainable tourism.
The immovable Flemish heritage is located
particularly in urban surroundings. The issue
which this Unesco programme deals is very
relevant within the context of various dossiers,
such as Bruges and Leuven as a university city.
Various activities such as the organisation of
training courses for managers of world heritage
cities and funding for scientific research are
currently running within the context of this
programme to develop a tool kit for heritage
conservation in an urban environment. In
addition, the programme draws up guidelines
and it distributes school examples to assess
the impact of contemporary architecture on the
exceptionally universal value of world heritage.
The project proposal has been drawn up by the
World Heritage Centre in close deliberation with
the policy areas of Town and Country Planning,
Housing Policy and Immovable Heritage (RWO)
of the Government of Flanders and with the
Raymond Lemaire International Centre for
Conservation (RLICC of the KU Leuven), which
is also holder of a Unesco chair for "Preventive
Conservation, Monitoring and Maintenance of
Monuments and Sites (PRECOM3OS)".
In November 2011 the city of Bruges and the
Agency for Immovable Heritage organised an
international conference on the management
of World Heritage Cities in Bruges in the 21st
century. During the meeting attention was
explicitly afforded to aspects such as awarenessraising and expanding expertise to link up with
the new Unesco recommendation on historic
urban landscapes.
Opening up treasure of information
The Unesco World Heritage Centre, which
provides the secretarial services for the
World Heritage Convention, has a treasure
of information, which is important for the
conservation of world heritage. However, that
information is not preserved in a practical
manner that is easy to consult, which is largely
why its potential remains unused in matters such
as statistical analysis and the preparation of a
well-considered heritage policy.
More than 2,000 reports have been compiled
since 1994 on the state of conserving world
heritage sites. These reports contain not only
background information on the sites but also
focus on the factors exercising influence on the
outstanding universal value of the site and they
contain proposals to avert possible threats. In
some cases they even make mention of practical
measures and a time frame within which they are
to be implemented.
Based on such reports and in deliberation with
the respective Member State, the World Heritage
Committee makes decisions on additional
measures to conserve the heritage, on whether
or not to remove a site from the List of World
Heritage in Danger or even from the World
Heritage List if a site has lost the properties for
which it was originally put on the List.
In the forty years of the existence of the World
Heritage Convention, thousands of such reports
have been drawn up by Unesco and its advisory
bodies on world heritage. All the reports form an
exceptionally extensive source of documentation
on many issues related to conserving heritage.
It is the most comprehensive follow-up system
to an international convention, with information
at almost a thousand web sites.
The General Flemish Trust Fund (FUT) contributes
to making these documents accessible. The
aim is to develop a database in which targeted
search can be done into particular data to
extract relevant information from it. This will
not only make it easier to monitor the state of
the conservation of world heritage sites but it
can also provide all kinds of information, which
will make it possible to make better informed
policy choices.
The goal is to
improve the
follow-up of
the state of
conservation of
World Heritage
Sites.
The databank will also facilitate identification of
the various threats for world heritage sites and
record their evolution. In this way countries can
conduct a better policy and limit the impact of
certain disruptive factors as much as possible.
In his policy paper the Minister for Immovable
Heritage states that Flanders must ensure that
the argument concerning "historical urban
landscapes and dealing with world heritage in
dynamic surroundings is evolving in a viable
direction." The World Heritage Cities Programme
makes a substantial contribution towards this
46
47
Good to know
The lists
The Convention
The Convention Concerning the
Protection of the World Cultural and
Natural Heritage of 1972, usually
referred to as the World Heritage
Convention, is an international legal
tool that links the material heritage
and the natural conservation with
one another. The cultural identity
is, after all, strongly linked to the
natural environment in which it
develops and human creativity is
often inspired by amazing things in
nature. 190 countries have signed
the Convention to date. They jointly
form an international community
which conserves both the cultural
and the natural heritage.
48
The Tentative List is a national
list on which the Member State
indicates which cultural and natural
heritage within its borders can
qualify to be presented as an entry
on the World Heritage List.
The World Heritage List contains
the most exceptional cultural and
natural heritage in the world. The
list now has almost 1,000 entries.
Three-quarters of those are cultural
sites such as monuments, historic
cities, etc. Approximately half of
all world heritage is located in
Europe and North America.
The List of Endangered World
Heritage is the red list of the world
heritage. The World Heritage
Committee puts sites whose
outstanding universal value is
threatened by natural disasters,
deterioration of the environment,
armed conflict or far-reaching
building plans, for example, on
this list. The intention of this can
be twofold: as a signal to start up
solidarity and aid or as a means of
pressurising those responsible to
remember the commitment that
they made to conserve heritage.
The parties
The Member States are the countries that
have become a party to the Convention.
By signing the treaty, they commit to
conducting a heritage policy that finds
not only world heritage important but
also all forms of immaterial cultural
and natural heritage on their territory.
From its headquarters, the Unesco
World Heritage Centre in Paris manages
the daily affairs of the Convention. It
collects the nomination dossiers and
the periodic reports that the Member
States send concerning their world
heritage, organises the World Heritage
Committee meetings, coordinates
the (emergency) aid which the world
heritage sites are given and issues
publications for the Convention.
The World Heritage Committee consists
of 21 elected Member States and
draws the lines within which the World
Heritage Centre musts implement the
Convention. It decides which nominated
sites are eventually listed on the World
Heritage List and monitors the state of
the world heritage all over the world.
The World Heritage Fund can
fund to Member States to draw up
nomination dossiers, train staff, execute
restoration, make periodic reports or
execute urgent (emergency) repairs
49
Good to know
Inscription on the World Heritage List
1.
After a country becomes a party
to the Convention, it draws up an
indicative list: an overview of heritage
that presumably meets the world
heritage criteria. Each country may
then present one cultural and one
natural or mixed site to be recognised.
To this end it compiles a nomination
dossier describing the heritage,
showing that it is of exceptional value
and explaining how the conservation
is organised. It submits the dossier
to the World Heritage Centre.
2. The World Heritage Centre
considers the nomination dossier
and then presents it to an
advisory body. The Centre keeps
a paper and a digital archive of
all the nomination dossiers.
3. Three advisory bodies are
responsible for the technical
input. The International Council on
Monuments and Sites (ICOMOS)
and the International Union for
Conservation of Nature (IUCN)
assess the nomination dossiers
regarding cultural and natural
heritage, respectively. The third
advisory body is the International
Centre for the Study of the
Preservation and Restoration of
Cultural Property (ICCROM)
which gives advice preserving
cultural sites and organising
training courses in that field.
50
4. Once a year the World Heritage
Committee meets to deliberate
on the nomination dossiers. It
can decide to enter a site on the
World Heritage List or to request
additional information in the case
of doubt. If the Committee is of the
opinion that a site inadequately
meets the criteria of world heritage,
it rejects the nomination.
5. Once the site is entered on the
World Heritage List, the Member
State must take good care of it and
regularly report on its condition.
Based on these reports, the World
Heritage Committee provides
guidelines to the countries on how
to conserve their heritage and the
Committee can also put a site on
the List of World Heritage in Danger
if the condition is too alarming.
Who has authority?
The World Heritage Convention is a convention for national states. It was ratified by
the Kingdom of Belgium in 1996. Because it is a convention concerning a matter
which is managed by the regions, it is de facto the Brussels-Capital Region,
the Flemish Region and the Walloon Region that follow up the World Heritage
Convention. They are supported in this matter by the federal government, more
specifically by the Permanent Representation of Belgium to Unesco. In addition,
various federal public services such as Development Cooperation or the Belgian
Federal Science Policy Office also give a financial contribution or are actively
involved in the establishment of heritage-related UNESCO activites.
51
More information
http://www.bruxelles.be
http://whc.unesco.org/en/list/857
The four lifts on the Canal du Centre and their environs (La Louvière and Le Roeulx)
http://www.canal-du-centre.be
http://voiesdeau.hainaut.be
Flemish béguinages
Historic centre of Brugge
Major town house of the architect Victor Horta
http://www.hortamuseum.be
http://www.hotelsolvay.be
http://www.arau.org/fr/t/bruxelles-1900-art-nouveau/1
Plantin-Moretus house-workshops-museum complex
http://www.museumplantinmoretus.be
Stoclet house
http://www.minesdespiennes.org/
International cooperation on world heritage
52
Africa
Improved management of natural world heritage sites
http://unesco.flanders.be/activities/all-activities/africa-natur-improving-the-management-effectiveness-of-the-natural-wor1/
Endangered biodiversity in Congo
http://cartogis.ugent.be/sygiap/index.php
http://eoedu.belspo.be/whp/Virunga/index.html
http://whc.unesco.org/en/activities/83
http://whc.unesco.org/en/news/700
Ilha de Moçambique
http://unesco.flanders.be/activities/all-activities/improvement-of-the-state-of-conservation-of-ilha-de-mocambique/
Marine heritage
http://whc.unesco.org/uploads/activities/documents/activity-13-23.pdf
http://www.vliz.be/projects/marineworldheritage/
http://unesco.flanders.be/activities/all-activities/development-and-implementation-of-the-world-heritage-marine-programme/
http://whc.unesco.org/en/marine-programme/
Preserving coral reefs
http://eoedu.belspo.be/vgt10 > Oceania
http://lms.seos-project.eu/learning_modules/world-of-images/world-of-images-c03-p02.html
Exhibition on climate change and world heritage
http://eoedu.belspo.be/unesco/
http://www.unesco.org/new/en/natural-sciences/science-technology/space-activities/space-for-heritage/activities/exhibition-cc/
exhibition-2011/
Frozen tombs of the Scythians
http://unesco.flanders.be/activities/all-activities/preservation-of-the-frozen-tombs-of-the-altai-mountains/
http://www.archaeology.ugent.be/altai/
http://www.unesco.org/science/remotesensing/?id_page=61&lang=en
Guarding tropical rainforests
http://eo.belspo.be/Directory/ProjectDetail.aspx?projID=868
Nominating "mixed" world heritage sites
http://calakmul.gim.eu/
http://eo.belspo.be/Directory/ProjectDetail.aspx?projID=838
Silk Routes as cultural world heritage
http://www.silkroad-infosystem.org
http://www.geo.ulg.ac.be/old/wwwroot2/eduweb/poster/en/routes-soie/index.html
Cultural landscapes in South-East Europe
http://unesco.flanders.be/activities/all-activities/preserving-natural-world-heritage-and-cultural-landscapes-in-south-eastern/
World heritage cities
http://unesco.flanders.be/activities/all-activities/support-to-the-development-and-implementation-of-the-world-heritage-cities/
http://whc.unesco.org/en/cities/
Opening up treasure of information
http://whc.unesco.org/en/activities/691
http://unesco.flanders.be/activities/all-activities/world-heritage-properties-information-system-for-an-improved-state-of-conse/
53
Colofon
• Authors::
S. Exc. Madame Francine Chainaye, Marino Bultinck, Brigitte Decadt,
Ghislaine Devillers, Piet Geleyns, Isabelle Leroy, Kishore Rao, Martine Stélandre
• Editorial Board:
Tijs D'Hoest, Marien Faure, Isabelle Leroy, Prof. Marc Vervenne
• Responsible Publisher:
Jean-Pierre Dehouck (UNESCO Platform Vlaanderen vzw)
D/2013/9546/1
54

Unesco World Heritage Convention

Transcription

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