Pasold Streich Katalog

Paesold
nstrumentS
R O D E R I C H
& BOWS
Paesold specialist dealer:
Roderich Paesold
Egerlandstraße 38
91083 Baiersdorf · Germany
Tel. +49 (0) 9133-7758-0
Fax +49 (0) 9133-7758-58
www.paesold.com
e-mail: [email protected]
Since
Roderich
P A E S O L D
StrINGED
our
Born January 23, 1891 in the Bohemian “Musikwinkel”
(music corner) close to the district town of Eger, Roderich
Paesold grew up with musical instruments. His father owned
H
istory
his own string and bow business, and after his apprenticeship,
Roderich himself joined the family business. In 1939, he travelled
D
to London for business negotiations just as World War II began.
Throughout the entire war, Roderich was not allowed to leave the
L
United Kingdom, which later proved to be extremely beneficial.
During his stay, he was able to make important contacts in England,
O
and when he returned to Germany, he spoke English fluently, which
3•
S
was rather rare at that time.
Founder Roderich Paesold
After the war Roderich Paesold settled in the Bavarian town of
E
Bubenreuth and in 1950, he re-established the family bow-making
business. Due to Roderich’s talents in craftsmanship and business, the
A
company gained a reputation which went far beyond Germany’s borders.
Many important bow-makers studied or worked at the workshop of
P
Roderich Paesold.
In 1968, the German company Wenzel Schreiber & Söhne took over the
Paesold company. At that time, Paesold begun making high-quality string
H
instruments, which soon became some of the finest in the world market.
A new chapter was written when the Paesold company was integrated
C
into the internationally successful Boosey&Hawkes Group. Thanks to
worlwide sales distribution, Paesold products became available to leading
I
musicians in all countries.
R
Today, Paesold is strengthening its outstanding position in the world
market through extensive research and development activities. Most
E
specifically, Paesold is setting high standards in the field of varnishing.
For the development of their own varnishing formulas, Paesold has
D
access to a worldwide unique library of many rare, historic books.
Scientific research institutions all over Europe test Paesold bows
O
and string instruments repeatedly for their mechanical and acoustic
characteristics. However, for the master instrument and bow
R
makers at Paesold, the evaluation of their products by
professional orchestra musicians is even more important than
objective research results. Paesold products are among
Roderich Paesold at his 70 th anniversary
and the Paesold workforce 1961
the finest in the world, which is why many orchestra
musicians across the world choose to play Paesold.
PA821-GG
he
ASTERS
There is no mystery about what makes one instrument model more expensive than another, if you
look closely at the ingredients that go into its
construction. Each instrument model Paesold
creates involves a carefully thought out and
executed set of standards that are both
measurable and obvious to the finished work.
These key ingredients include varnish, wood
quality, and skill level of the craftsman.
Varnish
Master Violinmakers from the Paesold
Company have concentrated their efforts
in the research of violin varnish. Aided by
years of knowledge in the art of violin
making, they have through experimentation and acoustic research developed
new varnishes which are used on Paesold
instruments. Paesold masters have also
developed varnishing techniques that are
used to produce the ”antique” finish found
on Paesold’s historic models.
Wood Quality
Part of the violinmaker’s art involves the
ability to judge the acoustic potential of each
piece of wood to be used for an instrument.
In this step the maker considers such things
as density and grain spacing as he grades wood
for each model. Each piece of graded wood
(A to AAA+) is then left to naturally air dry
for the appropriate number of years, the best
woods being allowed the longest drying time.
Grading of the maple for each model is of
particular importance because the wood must not
only possess the appropriate physical properties for
each model, but the desired amount of figuring. This
figuring or flaming is a phenomenon that occurs in
a very small percentage of maple, especially with in
the intensity that is desired for the finest instruments.
Wood worthy of an AAA rating and above is a very rare
commodity, especially when you consider the patience
and expense involved in allowing it the additional years
of drying.
Craftsmanship
In the German tradition of apprenticeship training, most of
Paesold’s craftsmen have achieved the degree of either Violinmaker
or Master Violinmaker. These titles are the achievement of a rigorous
training process that takes 4 and 7 years respectively to successfully
complete. All work on the student and intermediate models is carefully
supervised by these craftsmen, while the professional models are the
sole creation of a single Master Violinmaker.
5•
PA803HV-0
7•
V
iolinS
AND
V
PA802
ied on our Student
sional musicians have rel
Generations of top profes their formative years. Our quality has helped
model instruments during as players. With meticulous workmanship
speed their development ld instruments are now being used to inspire
and sonority of tone, Paeso
the next generation.
iolAS
V V
iolinS
iolAS
AND
Violins
Violas
The traditions of violin making in Germany are as old
as the violin itself. German instrument makers have long
been known for their ability to produce authentic artistic
reproductions of the Great Master Works. Their
unmatched artistry and tone reproduction ensure that
400
800
700
these instruments represent the finest value. Paesold
802
702
instruments are a proven investment due to their
703HV
overwhelming acceptance by players, teachers and
803HV
804A-AS
704 A
dealers.
804A-GG
For instrument specifications, please see the end of this section.
PA804A-AS
9•
M
Aster
PA807
er instruments
a diminishing number of olds amateur and
for
ces
pri
g
tin
ala
esc
th
seriou
Faced wi
r-increasing numbers of
in playable condition, eve now turning to the traditionally trained Master
professional musicians are artisans fulfill the musician’s need for an
werful sonority
makers at Paesold. These
cert halls with the rich poer instruments.
con
ing
fill
of
e
abl
cap
nt
old
instrume
ieved only possible from
of sound that once was bel
instruments
Paesold Master Instruments are crafted using only
M
V V
Aster
iolinS
AND
iolAS
the most beautifully flamed, highest quality maple
and spruce. Paesold masters handcraft instruments
in the style of Stradivari, Guarneri, Bergonzi,
Ruggeri, Vuillaume and several other old masters.
After many years of experimentation and acoustic
research Paesold has
developed innovative
varnish formulas, to ensure
Violins
Violas
Copies of old Masters
806
707
804E
820
807
821
every instrument combines outstanding
acoustic properties with an exceptional aesthetic
appeal. As with all masterpieces, Paesold instruments have proven
to increase in value with age, making all Paesold instruments not only aesthetically
and sonically superior but also an excellent investment. Accompanying each master instrument
from Paesold is a certificate of authenticity signed and dated by the Paesold master who built it,
For instrument specifications, please see the end of this section.
instrument details and three photographs of your instrument.
PA821
11•
C
PA605
, chamber player
for the orchestral musician
al
ide
nts
me
tru
ins
l
ifu
transition from a full,
Beaut
instrument with an even
or Soloist who desires an ooth, clear treble voice. Effortless to play with
warm bass register to a smen balance through a wide range of dynamics
a quick response and evments still offer the powerful projection and
and timbres, the instru teristic of Paesold cellos.
expressive sound charac
C
ellOS
ellOS
Paesold Cellos reflect the same high standards today that
have maintained Paesold’s position as one of the leading
cello makers in the world. Ongoing dialogue with musicians
ensures an ever increasing level of acoustic and aesthetic
Intermediate
Master
excellence, enabling the Paesold craftsmen to create only
602
605
the very finest instruments. When you buy a Paesold
602E
611
instrument you join an established community of
603
621
603E
professional musicians who appreciate the high quality
of sound and aesthetics found in every Paesold Master
Instrument.
For instrument specifications, please see the end of this section.
PA611
PA596V
13•
B
PA596V
e of delivering the
for an instrument capabl
Whether you are lookingneeded for classical music or the penetrating
big powerful round tone esold basses have the deftness of tone to be
edge needed for Jazz, Pa al style of playing. All Paesold basses are
moulded to your individu board and traditional D neck.
fitted with an ebony finger
B
asses
asses
Paesold basses reflect in mature tonal quality and aesthetic
beauty the same skill and care that has gone into the
making of our line of master violins, violas and cellos.
Intermediate
Vintage Basses
Master
592
593
599
596
599V
Paesold employs trained makers dedicated to making
only basses to ensure the consistantly high quality
of both sound and appearance.
596V
Whichever bass you choose, from an intermediate
to a master model with antique finish, the rich Paesold
sound is unmistakable.
For instrument specifications, please see the end of this section.
PA592
StrINGED InstrumentS
Wood
Quality
Intermediate
Professional
592
593
596
596V
599
599V
4 years
4 years
6-8
6-8
8 +
8 +
years
years
years
years
AA
AA
AAA
AAA
AAA+
AAA+
Size
ted
15•
lec
(Wittner)
(Wittner)
(Wittner)
(wood)
1
1
1
1
(wood)
(wood)
(wood)
(wood)
Se
m
nt
Vi o
Vi o
Cu
Do
la
lin
sto
na
mi
l
ee
St
He
Nu
m
f i n ber
e t u of
ne
rs
e
ap
Sh
art
Pin
Go
ld
ris
Pa
Ro
Pla
i
n
se
ian
wo
od
ny
bo
AE
AA
AA
Eb
on
y
Vo
la
Va tile
r n i Oil
sh
O
Va il/Sp
rni irit
sh
irit
Va
rn
ish
✔
✔
✔
✔
✔
✔
✔
✔
1/4
1/4
3/4
4/4
- 4/4
- 4/4
/ 4/4
only
4/4
4/4
4/4
4/4
only
only
only
only
13"
13"
13"
15"
-
16.5"
16.5"
16.5"
16.5"
15" - 16.5"
Size
lec
ted
Strings
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
Gamba
Violin
Gamba
Violin
✔
✔
sto
Cu
La
rse
n
re
lico
He
im
Pr
Gamba
Gamba
m
Se
ap
Sh
4/4 only
4/4 only
4/4 only
Size *
gle
Fre
nc
h
Machine Heads
✔
* 7/8 size and 5-string
basses on special
order only
3/4
3/4
✔
✔
✔
✔
✔
- 4/4
- 4/4
only
only
Sin
art
✔
✔
✔
✔
✔
Strings
Sp
H e iroco
l i c re
ore /
Tu
b
Eb e R o
on d
yP /
lug
We
i
R o dler
Tu
d
b
ny
AA
AE
bo
y
✔
✔
✔
4
4 (wood)
4 (wood)
Sin
g
K n le E
o b bon
s
y
Body
Shape
Endpin
Fingerboard
e
✔
✔
He
ian
ris
✔
3/4
3/4
4/4
4/4
✔
✔
n
Antiqued
Finish
✔
✔
✔
✔
lea
✔
✔
✔
4
4
4
4
Ty
ro
✔
✔
✔
✔
✔
✔
✔
Cu
s
s e tom
lec
ted
✔
Go
ld
Wh Pin
ite
/
Pin
e
✔
✔
Pa
Ro
Pla
in
se
wo
od
ny
bo
AE
AA
✔
✔
✔
✔
4
4
4
1
Fine
Tuners
Or namentation
✔
✔
on
Double bass
✔
Eb
Wood
Quality
y
Age of Spruce
and Maple
on
AA+
AAA
AAA+
✔
✔
✔
✔
Eb
6 years
10 years
15 years
✔
Fittings
AA
605
611
621
✔
AA
Professional
✔
O
Va il/Sp
rni irit
sh
A
A
AA
AA
Antiqued
O
Va il/Sp
rni irit
sh
3-4 years
3-4 years
3-4 years
4 years
Finish
Ni
tro
(cu cell
sto ulo
s
m
ord e
er)
Intermediate
✔
✔
✔
✔
✔
✔
✔
✔
✔
ish
602
602E
603
603E
Cello
✔
ish
Wood
Quality
Strings
Tailpiece
✔
✔
✔
✔
✔
Va
rn
Age of Spruce
and Maple
Or namentation
✔
✔
✔
✔
✔
✔
AA+
AAA
AAA
AAA+
irit
years
years
years
years
Sp
4
6
6
20
Fittings
✔
✔
✔
✔
✔
Va
rn
804E
806
807 / 707
821
A
A
AA
AA+
irit
3-4 years
3-4 years
4 years
4 years
Sp
Professional
800 / 700
802 / 702
803HV / 703HV
804A / 704A
Ni
tro
(cu cell
sto ulo
s
m
ord e
er)
Inermediate
Sp
Violin / Viola
Antiqued
Finish
Ni
tro
(cu cell
sto ulo
m se
ord
er)
Age of Spruce
and Maple
✔
✔
3/4
3/4
3/4
3/4
All specifications are subject to change without notice
he
T Bow
MAkERS
Paesold’s bow-making workshop in Hagenau, Germany shares
an affinity with bow-making that stretches back over 100
years. Using skills that evolved during this time, Paesold
Master Bow Makers supervise all the work that goes into
crafting a Paesold bow. Their attention to detail and
appreciation of the history and traditions of bow making
has assured Paesold’s reputation is unsurpassed. Master
Bow Makers are also responsible for purchasing wood,
a duty which includes regular visits to Brazil to
personally inspect and select the pernambuco and
brazilwood. This large stock of natural air dried wood
allows Paesold to be a major supplier of wood to other
bow makers.
About the wood
All wood used for making Paesold bows is air dried
in the traditional manner. To help determine wood
quality in the early stages of bow construction Paesold
employs the use of Arcometer® testing. Unique to
Paesold, this testing combined with visual and physical
inspection by Master Bowmakers ensures perfectly
weighted, consistantly high quality balanced bows.
At this stage of the construction process, each stick
is graded in the Paesold manner in relation to its model
and mounting materials. As work progresses on each
stick, they are frequently visually inspected for defects
and physically tested in the traditional manner of bow
making to ensure the potential playing qualities of the
bow are fully realized.
Wood quality ranking
◆ Nickel Silver
◆ Sterling Silver *
◆ Sterling Silver **
◆ Sterling Silver ***
◆ Gold ***
About the finish
To add color to the stick and bring out the figure in the wood, Paesold
employs the traditional method of using ultraviolet light. After this the
sticks are French Polished with shellac.
◆ All Paesold bows are hand crafted from wood sourced by
Paesold masters from Brazil
◆ Paesold employ a 100% natural air drying process.
◆ Unique Arcometer® test plus visual and physical inspection by Master
Bowmakers
◆
Sticks are colored by ultraviolet light and French Polished with Shellac.
◆
All bows are leather lapped with Nickel Silver, Sterling Silver or Gold winding.
◆
All work controlled by Master Bowmaker.
17•
PA470VA
19•
V V
B
iolin
as beautiful to look
ftsmanship, our bows are
The finest in German cra ld is dedicated to the production of bows,
eso
at as they are to play. Pa hy that wood of the highest quality is the
sop
ilo
ph
the
to
s
ere
al bows.
and adh
for producing exception
indispensable requirement
iolA
AND
ows
Paesold’s master bowmakers travel to Brazil to personally inspect and select the best obtainable trees for
V V
B
iolin
iolA
AND
their production of pernambuco and brazilwood bows. Before this wood can be used for bow making it
must first be allowed to air dry naturally for many years. Only then does it fulfil the specific requirements
needed in making Paesold bows. Weight, balance and flexibility are the determining factors in the
playing qualities of all bows. Paesold’s master craftsmen have become experts at interpreting each
ows
piece of bow wood to achieve the optimum combination of these essential qualities.
Brazil
Pernambuco
Silver
Gold
45
58
108
192
237
365
366
467
468
469
497
470
471
473
PA471HV
For bow specifications, please see the end of this section.
PA469MV
(special order only)
PA471C
C B
B
ello
Paesold scientists have invented a unique quality
control system. This Arcometer® system is exclusive
to Paesold and was developed by Paesold Master
Bow Makers to combine the best of modern
technology with a tradition of bow making that
stretches back over 100 years. This process allows
the craftsmen to evaluate the quality of each raw
bowstick, to ‘look into the wood’ in advance of
manufacture.
ello
AND
PA468C
ass
2)
ows
Pernambuco
Silver
Gold
Cello
This quality evaluation in combination with the
expertise of the Paesold Masters ensures that the
properties of a Paesold bow are kept within very
narrow tolerances and enables Paesold bows to
have consistent characteristics throughout the entire
range. All Paesold bows are hand finished by skilled
makers and inspected at every stage by Master Bow
Makers.
C B
B
ass
ows
45
58
108
192
237
365
366
467
468
469
497
470
471
473
Bass
Once the bowstick has been measured, the
Arcometer® test results objectively inform the
Paesold Masters about wood qualities such as
stiffness, flexibility and density. At this stage the
weight and diameter of the bow is decided, which
ensures that the bow achieves the optimum levels
in playing and sound qualities.
A
rcometer
r
AND
21•
1)
502
505
506
510
512
570
Brazil
Selecting a bow will always be a matter of taste. Weight, balance, shape of the
head or frog, round or octagonal bow shape are all criteria that players
consider. Whichever Paesold bow the player chooses they
can rely on the fact that the quality levels will
exactly meet or even exceed the
demanded level of the
chosen bow.
PA571MB-B
3)
1) Snakewood on custom order
2) Engraved fittings on custom order
For bow specifications, please see the end of this section.
3) mammoth frog on custom order
BO WS
Tip
Drying time
Shape of stick
Winding / mounting of the frog
✔
✔
✔
✔
Tip
✔
✔
Drying time
Intermediate
505F or B
506F or B
✔
✔
510F or B
512F or B
570F or B
✔
✔
✔
F = French style frog
All
ly
on
siz
ris
Pa
4/4
es
ey
ian
e
ey
gle
Sin
Am
y
on
Eb
ld
Go
er
b u ican
ff a
h o lo
rn
e
ve
sil
g
rlin
Ste
Winding / mounting of the frog
✔
✔
Frog material
45VA
58VA
✔
192V
192VA
✔
✔
✔
✔
✔
✔
✔
Ornamentation
Sizes available
Paesold
Paesold
Paesold
R. Paesold
Roderich Paesold
Roderich Paesold*
Roderich Paesold**
Roderich
Roderich
Roderich
Roderich
Paesold***
Paesold***
Paesold***
Paesold***
Stamp
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
Frog material
Winding
✔
✔
ly
on
siz
All
4/4
es
ey
ian
ris
✔
✔
✔
✔
Roderich
Roderich
Roderich
Roderich
Sizes available
Paesold***
Paesold***
Paesold***
Paesold***
Stamp
y
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
ly
on
1/4
3/4
3/4
ey
e
✔
ian
t e
b
lec
Se
y
on
Eb
ld
Go
✔
✔
✔
✔
✔
✔
✔
✔
Ornamentation
on
ve
sil
n.
mi
rs
8y
ea
ars
4-6
ye
on
tag
✔
R. Paesold
Roderich Paesold
Roderich Paesold*
Roderich Paesold**
ris
Drying time
✔
✔
✔
✔
Pa
✔
✔
✔
✔
e
✔
✔
✔
✔
ey
✔
✔
✔
Pa
✔
✔
✔
✔
✔
Paesold
Paesold
Paesold
✔
✔
✔
✔
r
✔
✔
e
✔
✔
al
✔
✔
ey
✔
✔
✔
✔
✔
✔
✔
✔
Oc
d
un
Ro
oth
c
eti
nth
Sy
✔
gle
✔
✔
✔
Shape of stick
✔
Sin
Am
y
on
Eb
ld
Go
er
b u ican
ff a
h o lo
rn
e
ve
sil
g
rlin
Ste
ls
ilve
r
n.
mi
rs
8y
ea
4-6
mi y e a r
n.
s
tag
✔
✔
✔
✔
✔
✔
✔
✔
o
502F or B
✔
✔
45V
58V
✔
✔
✔
✔
✔
gle
✔
✔
✔
✔
uc
Pe
rna
mb
oo
ilw
az
Br
✔
Student
Stamp
23•
✔
✔
✔
Sin
✔
✔
✔
✔
on
al
✔
✔
✔
✔
✔
✔
Oc
d
Ro
un
mm
Ma
✔
✔
Tip
d
Double bass
✔
✔
✔
g
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
rlin
468C
469HC
470C
471HC
ke
✔
✔
Ste
✔
✔
✔
✔
✔
✔
Wood
Professional
oth
c
nth
Sy
Pe
192C
237C
365C
366C
✔
✔
✔
mm
Professional
✔
✔
✔
45C
58C
108C
Nic
✔
✔
✔
✔
Shape of stick
Ma
Intermediate
eti
mb
rna
ilw
az
Br
Student
ls
ilve
r
n.
mi
rs
8y
ea
4-6
mi y e a r
n.
s
on
tag
✔
✔
o
uc
d
oo
Cello
Sizes available
r
Wood
Oc
Ro
un
mm
Ma
d
oth
c
nth
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
ke
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
Nic
468V / 468VA
469HV / 469HVA
470V / 470VA
471HV / 471HVA
✔
✔
✔
✔
✔
✔
✔
✔
✔
✔
ls
ilve
r
✔
✔
✔
✔
✔
✔
ke
192V / 192VA
237V / 237VA
365V / 365V
366V / 366VA
✔
✔
✔
Nic
Professional
Sy
Pe
✔
✔
✔
45V / 45VA
58V / 58VA
108V / 108VA
Intermediate
eti
mb
rna
ilw
az
Br
Student
al
o
uc
d
oo
Violin / Viola
Ornamentation
Frog material
r
Wood
✔
Paesold
✔
✔
✔
R. Paesold
Roderich Paesold
✔
✔
✔
✔
✔
✔
Roderich Paesold**
Roderich Paesold***
Roderich Paesold***
B = German / Butler style frog
All specifications are subject to change without notice