Hire Guide - CPS Group

Transcription

Hire Guide
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Dear Valued Customer,
Welcome to the brand new CPS Hire Guide. We hope you find the guide useful in
selecting the correct equipment for your event. The information contained in this guide is a
reference tool for most of the equipment we keep in our rental stock at CPS. As you can
imagine we can’t list everything we keep in stock, so please feel free to call one of the hire
team if you can’t find a specific item you are looking for.
CPS not only ‘dry hire’ equipment, we also have an in-house team of dedicated
project managers to make sure that your event happens without a hitch. Our experienced
staff can assist you to design and run large scale events as well as advise which would be
the best equipment for your needs. Please feel free to telephone or email us details for your
show, conference, exhibition, product launch or party. One of our team will be happy to
provide you with a fully comprehensive quotation for your event.
We look forward to hearing from you soon.
Complete Production Solutions Group
Unit 14, Airfield Road,
Christchurch, Bournemouth BH23 3TG
Tel:
+44 (0)1202 57 2000
Fax:
+44 (0)1202 599900
Web:
www.cpsgroup.co.uk
Email:
[email protected]
The CPS Events Team
Please Click ‘More’ To Continue
2
About This Guide...
Please take note of the following icons and their purpose to help you navigate
this guide:
If you Click on the speaker Icon, This will link you to the page or
equipment you are searching for. This is commonly placed in
contents lists throughout the document
When available, this button is located on the bottom left of the
screen only. This button will return you to the last page you visited.
This button is located in the bottom left of the screen and is always
available. Wherever you are in the guide, if you click this icon, you
will be returned to the first contents list.
If you see this icon in the bottom right of the screen, then there is
more equipment in your selected category to be viewed. Click on
the ‘more’ button to advance.
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Contents
Audio Equipment
Communication Equipment
Lighting Equipment
Video Equipment
IT Equipment
Extensions, Cable And Adaptors
Power Distribution
Scenic Materials
Stage and Rigging Equipment
Stage Effects
Party Packages
Productions and Events
Sales
Installations
Deliveries
How To Find Us
Terms And Conditions
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Lighting Equipment
Contents
Moving Heads
Moving Mirrors
Sky Trackers
Architectural Lighting
Lanterns
Lantern Accessories
LED
Blinders
Lighting Effects
Lighting Control
Lighting Dimmers
Colour Changers
Follow Spots
Outdoor Lighting
RAT Stands
Film Lighting
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Moving Heads
Moving Heads
XL1200 Profile
XL1200 Wash
XL250 Profile
ColourSpot 700E AT
ColourWash 700E AT
ColourSpot 1200E AT
ColourWash 1200E AT
VARI*LITE VL2500
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XL1200 Profile
PR Lighting launches its new XL 1200.This highly versatile projector uses a
powerful 1200w short arc discharge lamp, a power that is later
enhanced by its high quality and super efficient optical system making
the XL 1200 one of our brightest projectors in the market.
Major features include: large-scale linear zoom, CYM colour mixing, two
rotating gobo wheels plus one fixed gobo wheel, a colour temperature
correction from 0-100%,bi-directionally rotating index able prisms, linearly
adjustable frost, focus and dimmer, iris and much more.
The XL 1200 also features ultra-quiet and smooth operation with
advanced control technology, an energy saving design, LCD menu,
sensor system for fault diagnosis, display setup without main power,
isolating protection when ground is not connected, modularized
construction, and an electronic ballast.
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XL1200 Profile
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XL1200 Wash
PR's tradition for excellence continues with the XL Wash 1200.This
powerful moving head wash light comes complete with a CMY colour
mixing system; 2 colour wheels with 6 colours plus white in each wheel,
which can create half colour effect with variable speed and bidirectional rainbow effect. It is also equipped with a smooth linear
dimming and the beam angle can be remotely varied between 10
and 42 degrees and linearly adjustable between 15 and 42 degrees.
Extreme high-output colour mixing combined with sophisticated styling
make the XL Wash 1200 the perfect high-precision instrument for a wide
range of applications. The XL Wash 1200 also features ultra-quiet and
smooth operation with advanced control technology, an energy
saving design, LCD menu, sensor system for fault diagnosis, display
setup without main power, isolating protection when ground is not
connected, modularized construction, and electronic ballast.
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XL1200 Wash
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XL250 Profile
The XL250 features a 14°-22° motorised zoom and iris as well as seven
interchangeable, indexing rotating glass gobos, ten interchangeable static gobos
and a three-way rotating prism, with 12 interchangeable colours.
"The XL 250s also provide a great colour spread when you zoom out - the beam
is wider than on our other fixtures and this makes them ideal as conventional
wash lights in some applications.
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XL250 Profile
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ColourWash 700E AT
The ColourWash 700E AT is the first Wash fixture using the MSR GOLD 700
Fast Fit lamp in the Robe range. This powerful moving head offers a full
CMY + CTO colour mixing system, a colour wheel with 7 replaceable
″SLOT&LOCK″ diachronic filters, a rotating beam shaper and a linear zoom
range of 6° - 45°.
Full DMX channel list available
on Request
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ColourSpot 700E AT
The ColorSpot 700E AT marks a new series of Robe 700W moving head
fixtures. Featuring the MSR GOLD 700 Fast Fit lamp, it is ideal for all
professional applications and installations. It also offers a full CMY and
CTO colour mixing systems, a colour wheel with 7 replaceable
″SLOT&LOCK″ diachronic filters; a static gobo wheel with 9 replaceable
″SLOT&LOCK″ gobos and a rotating gobo wheel with 7 replaceable
″SLOT&LOCK″ gobos; a replaceable animation wheel and a rotating 3facet prism. The zoom range is 15° - 51° and there’s also dimmer, shutter,
strobe effects.
on Request
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ColourWash 1200E AT
The ColourWash 1200E AT is a powerful moving head wash light that
comes complete with a CMY colour mixing system; variable CTO; 2 colour
wheels - each with 6 easily replaceable slots for colours and effects; a
combined dimmer/shutter and many more features. The ColourWash
1200E AT zoom has a range of 10 - 87° depending on the lens type used.
The electronic ballast enables features like flicker-free operation,
extended lamp life and power-saving mode. The large LCD display highly successful on Robe‘s ColourSpot 1200 AT profile fixture, makes the
operation of the ColourWash 1200E AT quick and easy. An Ethernet
connection offers additional connect ability. The ColourWash 1200E AT is
an ideal tool for large theatres, live and television shows, and for all types
of installations from multi-purpose venues to large clubs.
on Request
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ColourSpot 1200E AT
The ColourSpot 1200E AT is an electronic ballast version of ColourSpot
1200 AT, which adds even more features like flicker-free operation,
enhanced light output, extended lamp life, power-saving mode for
economy and reduced weight.
on Request
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VARI*LITE V L 2500
Proudly built in the USA, the VARI*LITE VL2500 Spot luminaire is based on a
very popular existing lighting tool - the VL2000 Spot luminaire - with
additional new features that make it even more appealing.
The VL2500 Spot luminaire comes complete with all of the qualities and
options designers love from the original Series 2000 fixtures. It is still small,
lightweight, and fast with a 700-watt shortarc lamp, impressive lumen
output, and a zoom range from 18.5° to 42°.
To add to these features, the VL2500 Spot luminaire provides three-wheel
CYM colour mixing. When combined with 11 standard colours on a fixed
wheel, the colour options are practically limitless.
Additionally, a coated glass dimmer wheel provides smooth fades, and a
separate dual blade strobe system offers quiet and reliable strobe effects.
The VL2500 Spot luminaire's pan and tilt motors are now more powerful
and provide more torque.
For image projection, the fixture has one gobo wheel with five rotatable
and indexable positions and a second gobo wheel with 11 fixed positions.
The VL2500 Spot luminaire contains everything that really matters to
designers - limitless colour options, clarity of optics, exceptional zoom
range, fast, smooth movement and powerful output.
The VL2500 Spot luminaire can be controlled from virtually any DMX512
console or DMX output device
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Lighting Control
Lighting Control
Avolites Pearl Expert
Pathway Pathport Octo
– 8 Way ARTNET Node
ETC Smart Fade ML
ETC Smart Fade
Sunlite DMX USB System
Zero 88 Level 6
Zero 88l Alcora 12
Zero 88 Jester ML12/24
Zero 88 Leap Frog 48
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Avolites Pearl Expert
The new Avolites Pearl Expert is undoubtedly the most
advanced Pearl to date. It has many new features including
swop buttons for all 60 preset faders, an additional five sub
masters along the new split roller and the options to save
shows to USB memory sticks.
Useful Information
• The friendly Pearl Operating system you know and love
•Powerful Engine - Dual Core, multi-threading processors
•Unique "Split" roller for complex shows and festival busking
•Swop, Flash & Fixture buttons on all 60 Preset faders
•On screen Colour Picker for instant creation of colours
•Inbuilt hard disk, where Show files are automatically stored
and backed up
•Inbuilt CD/DVD read/write and USB Memory Pen connection
•Ethernet output to the standard protocols, Art Net, Wendi &
Avotalk
•4 fully isolated and protected DMX universes
•Full QWERTY Keyboard and Mouse Pad fitted into console
drawer
•Load and Save Pearl 2004 files using the inbuilt floppy disk
drive
•Full integral fixture library - over 1,500 fixture files
•Dimmable Console lamp
•19
Pathway Pathport Octo –
8 Way ARTNET Node
Eight inputs, eight outputs - or any combination in between,
the Octo provides all the features and flexibility Pathports are
renowned for, at our lowest cost-per-port.
Status LEDs provide instant confirmation of port direction and
activity. The LCD display offers further diagnostics and a
basic configuration interface. Most users will not need a
computer to set up the Octo. Full configuration, especially for
multi-node installations, is easily done using Pathport Manager
5.
Standard operating features include cross fade between
sources, configure DMX speed and signal loss behaviour portby-port, and multi-protocol support. Even automatically
merge different DMX-over-Ethernet protocols together.
Features
eight ports, individually configurable as inputs or outputs
address support for up to 128 universes
DMX routing on a universe or channel-by-channel basis
each output can merge and/or prioritize up to eight input
sources on a channel-by-channel basis
front panel display provides diagnostics and basic
configuration
full configuration and showfile management including saving
with Pathport Manager 5
Supports the E1.31 Streaming ACN standard (Net3) as well as
the ArtNet, Pathport and Shownet protocols
•20
ETC Smart Fade ML
The new super-compact moving-light control console, from ETC!
You want to control moving lights with professional features but
without the traditional price tag. You need a portable system
without a lot of peripheral gear and you want more than a disco
controller. Meet the latest addition to the Smart Solutions line from
ETC – the SmartFade® ML!
SmartFade ML provides professional features like palettes,
parameter “fan” and built-in dynamic effects with an easy-to-learn
direct-access style of operation. With a capacity for up to 24
moving lights and an additional 48 intensity channels (dimmers),
and the ability to patch to two complete universes of DMX512A
(1,024 outputs), SmartFade ML gives you all the control you need for
smaller rigs.
SmartFade ML’s colour-coded backlit keys make it easy to operate
in the dark, without requiring additional work lights. The keys and
built-in LCD displays also provide status feedback for the rig, without
the need for an external monitor.
Get smart – get moving, with SmartFade ML moving light control.
PRODUCT FEATURES
•Direct access controls
•24 groups, 24x3 palettes (focus,
colour, beam)
•Parameter “Fan”
•144 24-step sequences
•199-step Stack sequence
•Manual or timed fades
•Move Dark auto-marking
function
•Built-in pan/tilt and linear
effects
•“Snapshot” temporary memory
storage
•Master fader and blackout
button
•Bumps, master fader and solo
•Two complete DMX universes
of output
•MIDI in and MIDI out
•21
ETC Smart Fade
Smart Fade compact lighting control console, from ETC.
Way more than a two-scene preset board. This is a compact
console with serious power under the hood. Take it to a gig or make
it your back-up board in a DMX system. Available in three
configurations, Smart Fade gives you big ETC lighting control quality
at a compact price. Easy to use, powerful to play with - including a
rich special-feature set when you need it.
You don't have to be a lighting professional to use Smart Fade -- the
most powerful little lighting desk you already know how to use.
ETC's Smart Solutions family just got even smarter, with Smart Fade
lighting control.
Smart Fade 2496 – slightly larger than the Smart Fade 1248, this
console handles a larger dimmer count with ease. With simple
access to control channels via individual faders, this console suits
larger venues that need simple two-scene or single scene
operation.
Product Features
•48 24-step sequences
•99-step Stack sequence
•Manual or timed fades
•“Magic” button for random
output
•“Snapshot” temporary memory
storage
•Master fader and Blackout
button
•Bumps master fader and solo
•DMX out and DMX in
•MIDI in and MIDI out
•USB connection for software
download
•SD card slot for show storage
•English, French, German &
Spanish LCD support
•22
Sunlite
Sunlite Suite
World standard for lighting control software
Without doubt, Sunlite Suite is the world's most
complete lighting control package these days.
These products have continued to evolve during
the past few years and have become a standard
in lighting control software. No matter what you're
looking at (architectural installations, discotheques,
sound & lighting, theatre, concerts, etc.) Sunlite
Suite will definitively meet your expectations.
This software can be used along with MIDI
controllers, particularly useful for LIVE applications.
Moreover, lighting scenes can be quickly
synchronized with music and video using our Easy
Show software and, if necessary, a Midi Time Code
signal for sound & lighting. Scenes can also be
triggered by the computer's clock/calendar
(museums love this)... the possibilities are endless!
•23
Zero 88 Level 6
Level 6 6 channel manual control
The Level 6 is an excellent value manual lighting
control desk and is perfect where minimal control is
all that is required.
The Level 6 is a six channel single preset DMX
lighting controller with a master fader and “power
on” LED. Perfect for simple, straightforward control.
•24
Zero 88 Alcora 12
The Alcora is simple to use DMX Console.
The Alcora uses memory stack operation and
can contain up to 99 memories, any of which
can be scenes or chases.
The desk has comprehensive memory editing
facilities including copy and paste. Memories
are replayed using a single 'Go' button with
timed, dipless cross fading between each
memory. A range of chase effects including
sound synchronisation come as standard.
Features:
DMX Output as standard with full DMX patch
24 Channel Controller
Manual & Memory Operation
External Memory Backup
Go Button Replay
Memory stack of up to 99 memories
Timed dipless cross fades
Audio Input
Remote 'Go' connection
Analogue Output option available
•25
Zero 88 Jester ML 12/24
The Jester ML24 is a new lighting console from Zero
88. It offers direct fader control of up to 24
channels of DMX and 30 fixtures using fixture select
buttons and three control wheels. Replay is either
via submasters or a traditional theatre playback
stack.
A monitor port is standard on the Jester ML24.
Channel, fixture, cuestack and submaster data
can all be viewed using the monitor. Onboard LCD
screens also provide the user with all information
needed to operate the console allowing it to be
used without a monitor. (It is recommended that
for ease of use the monitor is always used.)
A USB port allows users to back-up shows that have
been recorded on the Jester ML24. A USB
Keyboard can also be connected for fast entry of
names and numbers.
The Jester ML24 has three modes, allowing it to
operate as simple two scene preset desk through
to a fully functional memory console. A wide mode
feature allows 24 channel operation, with an
internal scene store for 2-preset operation. In Run
mode the user has full access to all the fader
channels on the console. This allows live changes
to be made to specials instantly.
•26
Zero 88 Leapfrog 48
Developed using feed back from operators of the
original Frog consoles the Leap Frog 48 maintains
Zero 88’s philosophy of providing great value
feature packed products.
Users of the original Frog Desks will find a familiar
ergonomic hardware platform but that is where
the similarity to the existing range ends. The
hardware set has been expanded considerably.
The new desks feature two DMX universes as
standard, USB storage, external touch screen
support, multiple onboard LCD displays and
multifunctional keys.
The key change however is in the software
platform. Consistency of operation with the existing
desks is maintained but the new software allows
users to achieve more. Up to 200 fixtures can be
controlled on either of the desks and these can be
allocated to up to 400 groups. 400 colour, beam
and position and effects palettes can be
recorded.
Industry standard Ethernet protocols and visualizes
are supported. Free PDA software is available to
provide (by adding a suitable Wireless Access
Point) a wireless remote for the desk. A free Off Line
Editor is also available.
•27
Moving Mirrors
Moving Heads
Martin Pro 518
Abstract Futurescan III CED
Pearl River Space Craft
Martin Wizard
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Martin Pro 518 Scan
The RoboScan Pro 518 is a superior 250W
scanner with loads of big time effects.
Rotating gobos, a fixed 3-facet prism and now
the Pro 518 features 16-degree wide-angle
optics.
•250W discharge lamp
•14 color filters
•Two 4-color filters
•CTC and UV filter
•5 rotating and interchangeable gobos
•Fixed 3-facet prism
•Frost filter
•Combined mechanical dimmer/shutter
•Full range, micro step-driven dimming
•DMX or stand-alone mode
•29
Martin Wizard
The Wizard is a 250 W discharge light with rapid
movement, over 80 color and gobo beams and a
shutter for rapid strobe effects.#
•250 W discharge lamp
•Long lamp life (3000 hrs)
•7 interchangeable colors plus 2 open positions and
twinkle effect
•13 gobos plus open (3 with dichroic reflectors)
•Manual focus
•Separate shutter for strobe effect
•Rotating and swiveling mirror drum
•All major safety approvals CE, ETL and CETL
•Rigorously tested for total reliability
•DMX, stand alone (music or auto-trig) and
master/slave function
•Continuous operation - no cool down time needed
•12 pre-programmed macros for fast start-up
•30
Abstract Future Scan III CED
The Future Scan III is a robust small 250w scanner that comes feature
packed, The A1-223 lamp packs a punch for a small scanner, with
impressive speed and response from the mirror on DMX512 protocol
and stand alone mode. Colours and Gobo wheels are separate, so a
multitude of effects can be generated
•Lamp Type:(CED) CE 250W 24v A1-223/M33
•Power Consumption:180 VA 0.8 amp 230V Motorised
•Colours: White + 11 Dichroic Filters
•Motorised Gobos: Open + 11 Gobo Patterns
•Remote: Lamp on / off
•Shuttered Controlled: via DMX 512 or Internal Programs
•Cooling: High Flow 12v DC
•Fan Casing: Aluminium / Moulded End CapsMounting:3mm bar with
locking adjuster
•Dimensions:(LxHxW) 480 x 260 x 300Weight10kg
•31
PR Spacecraft
The PR 2022H Spacecraft is wide dispersion Barrel Effect.
Using technologies found in most scanners, the PR
Spacecraft splits the single beam in to multiple rotating
beams which can be used to great effect to supply
some variety with any lighting show.
•Lamp: EVC 24V 250W : G6.35 Base
•Colours and Gobo’s: 8 Combined colour and gobo
patterns plus clear and blackout.
•Shutter / Strobe: Electronic lamp dimming.
•Mirror Movement: Variable speed rotation.
•Beam Angle: 110º
•Control: DMX512 : 3 Channels Automatic mode with
Master/Slave operation and sound activation.
•Housing: Aluminium and composite plastic (IP20)
•Dimensions: 24.25 in. (L) x 12.6 in. (W) x 10.63 in (H) (inc.
bracket) WEIGHT: 17.4 lbs.
•32
lanterns
Lanterns
Profile
Fresnel & PC
Flood
PAR
Effects Projectors
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Profiles
Cantata 18/32 1200W Profile
• Beam angle; Variable between 18° and 32°
•Lamp: 1200 Watt T29 GX9.5 base
• Weight: 12.2kg
• Gobo: ‘B’ Size
Source Four Profiles
• Beam angle: 5°, 10°, 19°, 26°, 36°, 50° available
• Weight 8kg – 10kg
• Lamp: 575 Watt HPL 575 G9.5 base
• Lamp: 750 Watt HPL 750 G9.5 base
• Gobo: ‘B’ size
Strand Prelude:
• Beam angle: 16°- 30° available
• Weight: 6.5kg
• Lamp: 650 Watt T26 GY9.5 base
Selecon Acclaim 18/34 600W Profile
• Beam angle: Variable between 18° and 34°
• Weight 5.6kg
• Lamp: 600W GKV
• Gobo: ‘M’ size
Selecon Acclaim 22/44 600W Profile
• Weight 5.6kg
• Lamp: 600W GKV
• Gobo: ‘M’ size
•34
Fresnel's & PC’s
Cantata 1200W Fresnel
• Lamp: 1200W T29 GX9.5 base
• Weight: 6.4kg
Cantata 1200W PC
•Lamp: 1200W T29 GX9.5 base
•Weight: 7.8kg
ADB Eurospot 650W Fresnel
• Beam angle: Variable Between 18° and 65°
• Lamp: 650W T27 GY 9.5 base
• Weight: 2.2kg
Selecon Acclaim 650W PC
• Lamp: 500W T/25, T/18
•Weight: 3.5kg
Selecon Acclaim 650W Fresnel
• Beam angle: Variable Between 7° and 56°
• Lamp: 650W T27 GY 9.5 base
• Weight: 2.2kg
•35
Floods
Strand Coda 3 Cell Baton
• Beam angle: 61º x 3
• Throw: 5-7m optimum
• Lamp: R7S lamp 500W/230V 2000h 117mm
• Weight: 4.3kg
Strand Coda 1 Cell
• Beam angle: 61º x 3
• Throw: 5-7m optimum
• Lamp: R7S lamp 500W/230V 2000h 117mm
• Weight: 4.3kg
•36
Parcans
Source Four Par
• Throw: 15m optimum
• Lamp: HPL 575/240
• Weight: 3.4kg
PAR 64 Floor Can (Also Available In Black)
• Beam angle: Narrow, Medium, Wide Available
• Lamp: CP60, CP61, CP62
•Weight: 1.7kg
PAR 64 (Also Available In Chrome)
•Weight: 5kg
•37
Parcans
6 Way Par Bar [THOMAS] (Also Available In Black)
•Weight: 40kg
ACL 4 Way Bars (Also Available In Black)
2 Bars required for 110v Split
• Beam angle: Narrow
• Lamp: 120v / 250w x 8
•Weight: 15kg
PAR 16 (Available In Chrome or black)
• Beam angle: 25 °
• Lamp: 12v GU10 50w
•Weight: 0.54kg
•38
Parcans
Par 56
• Beam angle: Medium,
• Lamp: PAR 56 MFL
•Weight: 12kg
Par 36 (Pin Spot) (Available In Chrome or black)
• Beam angle: 10 °
• Lamp: E106 Par 36
•Weight: 1kg
•39
Effects Projectors
Strand Pattern 252
• Beam angle: 6.5cm (2.5 inch) focal length
7.5cm (3 inch) focal length
10cm (4 inch) focal length
• Lamp: 2000W CP/53 Halogen ; P.40 Base
•Weight: 16.5kg excluding objective lens.
•A Range Of Rotating Effects are available including
Clouds, Thunder, Rain, Snow, Water, Smoke, Flames
And Psychedelic
•40
Film Lighting
Arri Blonde 2kw
Arri Blonde 2kw Kit
Arri Blonde Scrim Set
Red Head
Red Head 4 Way Kit
Red Head Scrim Set
•41
Led
LED
LED Par 64 Cans
LED Par 64 Cans - Tri Colour
ShowTec Pixel Track Pro
AJD Mega Bar Pro
42
LED Par Can
LED PAR-64 RGB spot, chrome or black available, 10mm,
DMX-512 control via regular DMX-controller (occupies 4
channels) Sound-control via built-in microphone Colorchange speed and strobe effect adjustable via dip
switches Illumination angle approximately 36° Locking
possibility at the mounting bracket For illuminating e. g.
mirror balls, entrance or counter areas or as basic
illumination Perfect in public places, main halls, stages,
lounges Multi-color color-changes Master/Slave function
Advantages of LED-technology: extremely long life of the
LEDs, low power consumption, minimal heat emission and
brilliant light radiation.
All CPS LED products can be
linked together To produce
low resolution and pixel
mapping effects. Please call
the office for more information.
•43
LED Par Can - Tri Colour
Tri Par 64 is loaded with professional features including
smooth RGB colour mixing, electronic dimming and colour
strobing, making them not only a great stage light, but an
impressive effect for nightclubs, bands and mobile DJs etc.
The Alu Tri Par 64 uses tri-colour LEDs instead of each LED
being a single colour, the new tri-colour technology makes
it possible for each lens to contain a combination of three 1watt LEDs - red, green and blue. This advanced 3-colour
innovation gives users tremendous advantages over singlecolour LEDs, including improved RGB colour mixing, the
elimination of multi-colour shadows, and a much brighter,
more even field. This innovation results in vastly improved
colour mixing, clarity and brightness plus we were able to
put all of this in a small compact fixture that is convection
cooled.
•44
Showtec Pixel Track Pro
Specifications:
The Pixel track Pro is the bigger brother of the already popular
Pixel track. The Pixel track Pro bears all necessary features
• 840 high brightness LED
which the most demanding user needs nowadays. With a
• 15 degrees beam angle
maximum of 40 independently controllable sections or pixels per
• Digital display
track there are hardly any limitations anymore to creating a
• 3 and 5 PIN DMX input + output connector dynamic and exciting lightshow. Due to the high number of pixels
• Neutrik input and output power connector the Pixel track Pro is also very suitable for DMX to video• Input power: AC100V-240V/50-60 Hz
applications.
• Power consumption: 70W (full output)
• Weight: 7.14 kg
• Dimension: 1010 x 175 x 200 mm
• Flash rate: 1000 Hz
• Manual colour adjustment
• Master/Slave mode
• Sound active mode
• 16 pre-programmed chase
• 40 sections
• Suitable for video over DMX
• DMX512
• Selectable 4,7,8,20,40, 160 DMX channel operation DMX control option
• 4 Channel mode
• CH1 Red, CH2 Green, CH3 Blue, Ch4 Dimmer/Strobe
• 7 Channel mode
• Control 2 x 5 sections = 8 DMX channels
• Control 40 x 1/4 sections = 160 DMX channels
•45
ADJ Mega Bar Pro
The American DJ Mega Bar Pro - a unique LED wash bar that also doubles as a
colour chasing bar, instantly adds energy to any application. Units may be linked
to take full advantage of Mega Bar Pro's integrated colour chase, strobe and
colour mixing effect programs. LED Advantages: RGB colour mixing & colour
chasing, colours won't fade in time, long life (rated at 50,000 hrs), low power
consumption, very low heat output, runs all night long. 1m indoor LED bar with
durable aluminium casing, 27x 1W ultra bright LEDs (9x R, 9x G, 9x B), variable
RGB colour mixing, seemingly unlimited colour palette, great for wall washing. 3
operation modes (DMX512, master/slave and sound activated), 8 DMX work
modes (2, 3, 4, 6, 7, 11, 27 & 29 channels), strobe function can be added to any
colour combination, built-in static colour scenes and chase programs. Electronic
Dimming (0-100%), LEDs can manually be controlled via onboard menu buttons
(no external controller required), may be linked via 3-pin XLR input & output, IEC
type AC input and output for linking units, includes mounting brackets for truss
and wall mounting (can also stand on the floor), 30º beam angle, 45W power
consumption, 90-240V AC ~ 50/60Hz (auto sensing). Dimensions 1025x65x88mm
(LxWxH excluding bracket). Weight: 3.6kg
•46
Lighting Effects
Lighting Effects
Datamoon Flower Effects
Source Blade Flower
Effects
Source Abyss Water
Effects
Fuzz Lights
Medium Strobes (1kw)
Large Strobes (2kw)
Arc Line Strobe Tubes
9v Operated Flicker
Candles
Mirror Balls & Rotators
UV Cannons
Blinders
47
Blinders
Molefay 8 / 4 Cell
Commonly known as 'audience blinders', Spot Banks are available in
various configurations for Par 36 lamps. Designed with ease of use in
mind, they feature robust lightweight aluminum construction, semi-gloss
black electrostatic paint finish, heavy duty yoke with positive lock off,
using a tee bar to enable unit to be set at any desired angle. In addition,
each lamp bank will pan independently to alter light effect. Lamp
change itself is simplicity due to quick release knobs on lamp retaining
ring which are chrome plated and are fitted with a safety mesh as
standard.
SHOWTEC SUNSTRIP ACTIVE DMX
Showtec Sunstrip Active DMX - includes lamps & power lead.
Fully active with built-in dimmer pack, selectable DMX modes
(1 channel, 2 channel, 5 channel and 10 channel). For standalone applications (16 built-in patterns and manual dimmer).
Includes mounting/floor brackets. Power supply: 240V/50Hz,
Power consumption: 750watts, lamps: 10x 230V/75W, GU10
Socket. Dimensions: 1000 x 130 x 77mm. Weight: 5.32kg.
SHOWTEC SUNSTRIP II PASSIVE
The Sunstrip II stage blinder uses twenty MR11
low voltage lamps. Each lamp is rated at 35
Watts which gives the blinder a total of 700
Watts of bright white light. The Sunstrip is
supplied with side-pipes for end to end
assembly and also a couple of brackets to
allow it to be floor mounted.
•48
Sky Trackers
Do you want your event to be a the talk
of the town? Do you want your guests to
see where there heading to from miles
away? If so, we have the light for you!
The Headlight 2500 and produce the
classic and timeless "flower" effect. Pan
angle and flower rotation speed is
manually variable and may be stopped
if desired. The Pan angle is up to 110
degrees and the tilt may be manually
adjusted between 0 and 40 degrees.
•49
Lighting Dimmers
Lighting Dimmers
1 Channel 2kw Stand Alone Dimmer Unit
15amp outlet
Zero 88 Alpha Pack II 3 Channel Dimmer DMX
Zero 88 Beta Pack II 6 Channel Dimmer
Pulsar 6 way 2kw Touring Dimmer Rack
12way 2kw DMX Dimmer Rack
2 x 63amp input, 4 x Socapex outlet
24way 2kw DMX Dimmer Rack
4 x 63 amp input, 8 x Socapex outlet
Zero 88 Spice Rack 48ch Touring Rack
c/w Hot Patch
Avolites ART2000 48chTouring Rack
c/w Hot Patch
50
Follow Spots
Follow Spots
Robert Juliat Foxie 700w MSD
Robert Juliat Korrigan Follow Spot 1200w HMI
HMI Moon 1200w Follow Spots (CMY)
Strand Cantata 1200w Follow Spot
Strand Solo 1Kw Follow Spot
Coemar 2Kw Tungsten Follow Spot
51
Studio Duo City Colour
The Studio Due City Colour 2.5kW is supplied complete with
barn doors. This is a great intelligent fixture for architectural
lighting and any other large area that needs lighting! The
2.5kW City Colour is very bright. If you find that you do not
have enough power available to run 2.5kW City Colours
then we also stock the 1.8kW City Colour.
The CYM color changer system (international patent) is
used on all models and makes it possible to light up a
surface of about 10x15 m with the fixture placed over a
distance of 10 m.
Each unit is fitted with 5pin DMX connections.
There are also programmers already stored in the memory
of the fixtures which can be used also without the need for
a lighting desk and the fixtures can be set up to run as
Master or Slave in order to work in sync with each other.
It is also possible to make a custom use of the fixture
through the DMX connection, by using a remote controller
to create any kind of color chases.
The cooling system is controlled by a microprocessor and
together with the thermal switch guarantee a perfect
working temperature.
•52
HMI 2500K Sky Scanner
The Headlight 2500 produces the classic and timeless "flower"
effect. Pan angle and flower rotation speed is manually variable
and may be stopped if desired. The Pan angle is up to 110
degrees and the tilt may be manually adjusted between 0 and 40
degrees.
•53
Colour Changers
Scroller's require a DMX signal. ChromaQ Scroller's operate on a combined
power supply and DMX unit.
A 4 wire power supply and signal lead
connected with 4 pin XLR plug and
socket daisy chains each unit with a
return cable going back to the PSU
making a closed loop.
•54
Lighting Accessories
Lighting Accessories
6ft Push-up lighting stands
Manfrotto Wind-up stands
Doughty Zenith Wind-up stands
G Claps
Half Couplers
Gobo Holders
Gel Frames
Barn Doors
Iris
•55
Music Stands
The RAT Music Stands supplied by Doughty are the
ultimate for both the professional and
amateur musician, with models, lighting and
accessories to fulfill every need.
Designed to be attractive to the eye yet practical.
The bases are of all steel construction with welded
joints and finished in black nylon, the toughest known
coating.
From the Covent Garden Opera House in Britain, to
the Sydney Opera House in Australia RAT Music
Stands are currently in use by some of the foremost
opera companies, orchestras, music schools and
rental companies throughout the world.
•56
Audio Equipment
Category
Radio Microphones
IEM Systems
Microphones
Playback
Recordring
Mixing Consoles
Signal Processing
Amplifiers
Speakers
Audio Systems
57
radio Microphones
Contents
Sennheiser EM2050 Twin Receiver
Sennheiser EW500 G3 Receiver
Sennheiser SK500 G3 Belt Pack Transmitter
Sennheiser SKP2000 Transmitter
Sennheiser e945 Hand Held Transmitter
Sennheiser e965 Hand Held Transmitter
Sennheiser MKE II GOLD
Pulse Headset Microphone
DPA 4061 Miniature Omni directional Microphone
DPA 4066 Headset Microphone
Shure SLX 4 UHF Radio Microphone Receiver
Shure Beta 58 Radio Microphone
Shure SLX Lavalier Kit
Shure SLX Hand Held Kit
•58
Sennheiser EM2050 Twin Receiver
General Description
Equipped with the same features as EM 2000 but designed as a twin
receiver, EM 2050 makes it possible for the RF signal to be looped through
with the help of an integrated active splitter. With this design, you can set
up systems with up to 16 channels without using external splitters. An
integrated equalizer and guitar tuning device complete the package.
Features
Rugged 19" all-metal housing with integrated power supply unit
Up to 3000 frequencies in up to 75 MHz switching bandwidth
20 fixed frequency bands with up to 64 compatible presets
6 banks each with up to 64 tuneable channels
True diversity technology for best reception quality
Pilot tone squelch for interference-free operation
Scan feature within the channel band system
Continuous scanning together with Sennheiser’s WSM Application
Frequency setting in 25 kHz steps
Squelch setting always visible on the display
Antenna cables for active antenna supply
Transformer-balanced audio outputs
HDX noise reduction system with signal-to-noise ratio less than 120 dB(A)
Ethernet for connecting to a PC
Monitoring and control using Sennheiser WSM PC software
User-friendly menu interface with two-colour backlit graphic display (red
as a warning)
Transmitters can be configured from the receiver menu
Transmitters can be synchronized over the infrared interface
4 selectable equalizer presets
Sound check mode for monitoring transmission conditions
Adjustable headphone connection
•59
Sennheiser EW500 G3 Receiver
General Description
In every respect, this professional receiver from the new Sennheiser
G3 line provides the most features and performance the evolution
series has to offer. It begins with an especially high number of presets
possible per frequency bank (32), making setup of many wireless
systems a breeze. The built-in Ethernet port allows computer control
and monitoring with a PC running Sennheiser’s Wireless System
Manager software. The large graphic display provides a great deal
of additional information at a glance. One-touch sync function
automatically links up a G3 transmitter with this receiver.
Features
Sturdy metal housing
42 MHz bandwidth: 1680 tuneable UHF frequencies for interferencefree reception
Enhanced frequency bank system with up to 32 compatible
frequencies
Ethernet port for connecting to the WSM Application
High-quality true diversity reception
Pilot tone squelch for eliminating RF interference when transmitter is
turned off
Automatic frequency scan feature searches for available
frequencies
Enhanced AF frequency range
Wireless synchronization of transmitter parameter from receiver
User-friendly menu operation with more control options
Illuminated graphic display, receiver also shows transmitter settings
Auto-Lock function avoids accidental changing of settings
HDX compander for crystal-clear sound
Receiver shows transmitter battery indicatation in 4 steps
Integrated Equalizer and Soundcheck mode
•60
Sennheiser SK500 G3 Transmitter
General Description
More usable systems per range. As the pros have known for years,
having the option of lowering a transmitter’s RF output power
helps immensely when simultaneously operating a large number of
wireless systems. This transmitter also features wireless sync to link
up to a compatible G3 receiver automatically with a push of a
button. The revised backlit display provides a wealth of useful
information at a glance, even on the darkest of stages.
Features
42 MHz bandwidth: 1680 tunable UHF frequencies for interferencefree reception
Enhanced frequency bank system with up to 32 compatible
frequencies
Pilot tone squelch for eliminating RF interference when transmitter
is turned off
Increased range for audio sensitivity
Wireless synchronization of transmitters via infrared interface from
receiver
Illuminated graphic display
Transmitter features battery indicatation in 4 steps, also shown on
receiver display
Programmable Mute function
Contacts for recharging BA 2015 accupack directly in the
transmitter
Wide range of accessories adapts the system to any requirement
•61
Sennheiser SKP2000 Transmitter
General Description
Practically any wired microphone can be a player in
Sennheiser’s 2000 ensemble. This plug-on transmitter makes it
possible. Five frequency ranges with up to 75 MHz switching
bandwidth also provide optimum flexibility for all components
in the 2000 series. The transmitter settings on SKP 2000 can also
be synchronized quickly and easily using infrared technology.
Equipped with triple switchable transmission power and
phantom powering, SKP 2000 is incredibly versatile.
Features
Rugged metal housing
Up to 75 MHz switching bandwidth
6 banks each with up to 64 tunable channels
48 V switchable phantom powering
Backlit display on transmitter (keystroke activation)
Auto-lock feature to prevent buttons from accidently being
pressed
Audio and RF MUTE feature for muting the transmitter
Can be synchronized with the receiver using infrared interface
Wide range of accessories for virtually any use
•62
Sennheiser e945 Transmitter
General Description
It's all in the design. The hand-held transmitter of the 2000 series
shows its strength: during use, in its performance, in its features.
Sennheiser's technical know-how is shown through its
switchable transmission power, intuitive menu navigation, an
easy-to-read graphic display and external charging contacts
for charging the optional rechargeable batteries directly. This
SKM2000 transmitter e945 Super Cardiod casual.
Features
External charging contacts for recharging battery BA 2015 in
the transmitter
pressed
Possible to synchronize with the receiver using infrared
interface
•63
Sennheiser e965 Transmitter
General Description
It's all in the design. The hand-held transmitter of the 2000 series
shows its strength: during use, in its performance, in its features.
Sennheiser's technical know-how is shown through its
switchable transmission power, intuitive menu navigation, an
easy-to-read graphic display and external charging contacts
for charging the optional rechargeable batteries directly. This
SKM2000 transmitter e965 condenser capsule.
Features
External charging contacts for recharging battery BA 2015 in
the transmitter
pressed
Possible to synchronize with the receiver using infrared
interface
•64
Sennheiser MKE II GOLD
The Audio-Technica AT805 lavaliere mic is an ultra
miniature, cosmetic stage/theatre mic with an
omnidirectional pick up pattern. Ideal in the theatre
for musicals, dramas and pantomimes. Equally suitable
for discreet presenter miking for conferences,
corporate presentations and TV applications.
•Handles high-intensity sound without distortion.
•Perfect for active stage performances
• Available in Black or Flesh Colour
•65
DPA 4061 Miniature
Omni directional Microphone
DPA 4061 is acoustically identical with the
4060, but the sensitivity is
adjusted to match some of the more
sensitive transmitters on the
market.
Applications
Excellent speech and vocal mics, the
DPA miniatures are used
by musicals and theatres worldwide. They
are also great live and studio
microphones for acoustic string
instruments.
Specifications
Offering great detail and resolution, the
4061s have a neutral sonic
character and are very natural sounding.
The 4061 has a very low noise
floor, impressive sensitivity and can
handle high SPLs.
We Also Stock Instrument Kits for
all of our DPA 4061 Microphones
•66
DPA 4066 Headset
4066 Omni directional Headband
• use it for both left and right mounting
• resistant to humidity
• works with all professional wireless systems
• available in beige
The 4066 is a flexible miniature microphone solution, that features
very easy and fast adjustment possibilities. The headband
construction is unique in design, because it gives the user the
choice between left and/or right mounting and colour change. It
is also possible to use the MMB4066 Miniature Microphone Boom,
Omni directional, separately, in applications where the
headband is not needed.
The 4066 offers a clean and transparent sound quality with lots of
headroom.
Attention has been paid to the humidity problems that often
occur in theatrical applications. A double vent protection system,
a drop stopper on the microphone boom, together with water
resistant materials inside the microphone, makes it more than
difficult for the humidity to cause the headband Microphone to
fail. The headband surface is mat gold plated and headband
ear hooks are covered with a silicon hose.
The sensitivity is 6 mV/Pa to match the level of the human voice
to the general input sensitivity of most wireless transmitters. If
powered correctly the microphone will be able to handle sound
pressure levels up to 144 dB SPL before clipping occurs.
A wide range of connection adapters makes it possible to use
the 4066 with most of the professional wireless systems available
plus 48 V phantom XLR connection.
This is the chosen headband for theatres on Broadway and West
End.
•67
Pulse Headset Microphone
General Description
•MICROPHONE, HEADSET 3.5MM LOCK JACK
•Colour: Light Brown
•Frequency Response, Lower Limit:20Hz
•Frequency Response, Upper Limit:20kHz
•Impedance:1.1kohm
•Voltage, Input:1V dc
•Voltage, Supply:10V dc
High quality headband microphone, which not
only claims to be one of the smallest but also one
of the lightest headband microphones on the
planet, has been designed to be worn around
the head and to be hidden discreetly under the
hair.
The microphone is mounted on a boom that can
be bent into shape to allow for optimum sound
quality.
•68
Audio Technica AT805
The Audio-Technica AT805 lavaliere mic is an ultra
miniature, cosmetic stage/theatre mic with an
omnidirectional pick up pattern. Ideal in the theatre
for musicals, dramas and pantomimes. Equally suitable
for discreet presenter miking for conferences,
corporate presentations and TV applications.
•Handles high-intensity sound without distortion.
•Perfect for active stage performances
• Available in Black or Flesh Colour
•69
Shure SLX 4 UHF Radio
Microphone Receiver
SLX Wireless Systems feature the patented Audio
Reference Companding for crystal-clear sound
beyond the limits of conventional wireless technology.
Automatic Frequency Selection
Automatic Transmitter Setup
960 Selectable frequencies across 24 MHz bandwidth
Detachable 1/4 wave antennas
Microprocessor-controlled diversity
RF presence LED
5-segment audio meter
Multi-function, backlit LCD
Low battery indicator
Frequency and power lockout
Rugged metal chassis
Volume control on rear of unit
1/2 rack design
Furnished rack hardware
Non-slip bumpers for use out of rack
XLR and 1/4" outputs
Optional logic functionality for software echo
cancellation and remote battery life monitoring (SLX4L
only)
•70
Shure Beta 58
Radio Microphone
The Beta 58A dynamic vocal microphone is precisionengineered for live performance and project studio
recording. A tailored frequency response accentuates
vocals, and the supercardioid pattern isolates from
other sound sources.
As a wireless microphone the Beta 58A is available in
four different wireless systems.
Transducer Type : Dynamic
Polar Pattern: Supercardioid
Frequency Response: 50 Hz - 16 kHz
Sensitivity (1 kHz): -51,5 dBV/Pa / 2,6 mV/Pa
Weight: 278 g
Frequency Response Curve:
•71
Shure SLX Lavalier Kit
The rugged SLX Wireless Systems from Shure bring
unparalleled ease of set-up and exceptional audio
quality into reach.
Our Shure SLX Lavalier (Tie Clip Microphone) kit is
perfect for meetings, conferences and presentations.
•72
Shure SLX Hand Held Kit
The rugged SLX Wireless Systems from Shure bring
unparalleled ease of set-up and exceptional audio
quality into reach.
Our Shure SLX hand held kit comes with the Shure
Beta58 hand held radio microphone
The Beta 58A dynamic vocal microphone is precisionengineered for live performance and project studio
recording. A tailored frequency response accentuates
vocals, and the supercardioid pattern isolates from
other sound sources.
As a wireless microphone the Beta 58A is available in
four different wireless systems.
•73
Iem Systems
Contents
Sennheiser SR300 IEM G3 Transmitter
Sennheiser EK300 IEM G3 Belt Pack Receiver
•74
Sennheiser SR300 IEM G3
Transmitter
General Description
You can only sound better if you hear yourself better. Wireless monitoring is taken
to the next level of perfection with the Sennheiser G3 monitoring system. Added
features of this stereo transmitter include the valuable integrated 5 band
equalizer for extra control of the sound. New pass-through sockets for the audio
signal enable the audio feed from a console to be routed to other devices in the
chain, simplifying setup. The enhanced audio frequency response of 25 to 15,000
Hz means the sound the performers hear is the most realistic and life-like a
wireless monitor system has ever had to offer.
Features
42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
Enhanced frequency bank system with up to 16 compatible frequencies
Ethernet port for connecting to the Wireless Systems Manager (WSM) software for
control via computer - this delivers a good overview of monitoring and
professional data management for multi-channel systems
Pilot tone squelch for eliminating RF interference when transmitter is turned off
Increased range for audio sensitivity
Wireless synchronization of receiver parameter from transmitter
Mute function
Integrated 5-band graphic Equalizer
75
Sennheiser EK300 IEM G3
Belt pack Receiver
General Description
The most-trusted wireless monitoring system gets even better. With upgraded
features, this bodypack receiver sets the standard by which all other monitoring
systems will be judged. For example, the compact receiver features adaptive
diversity for super-reliable reception. The headphone cable is utilized as a
second antenna to banish audio dropouts. Operating the EK 300 IEM G3 is also
easy due to its intuitive menu navigation and highly-visible backlit graphic
display. A switchable Hi Boost and a multi-level limiter complete the package.
After the performance, the entire bodypack receiver can simply be placed in
an optional charging station to charge the optional rechargeable battery.
Features
42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
Enhanced frequency bank system with up to 16 compatible frequencies
Adaptive diversity for high reception quality
Pilot tone squelch for eliminating RF interference when transmitter is turned off
Automatic frequency scan feature searches for available frequencies
Wireless synchronization of receiver parameter from transmitter
Receiver features battery indicatation in 4 steps
HiBoost, adjustable limiter, stereo/focus mode, balance
Contacts for recharging BA 2015 accupack directly in the receiver
76
Microphones & DI’s
CPS have a wide range of microphones and DI’s
in stock from all the major manufacturers. This a
small selection of some of the microphones in
stock:
•AKG C1000
•Shure Beta & SM58
•AKG CK91
•Shure Beta & SM57
•AKG CK93
•Shure SM91
•AKG CK98
•Shure Beta52
•AKG CK8
•Shure 412 Lectern Mic’s
•AKG C1
•Sennheiser E845
•AKG C451
•Sennheiser E604
•AKG D112
•Sennheiser E509
•AKG 414
•Sennheiser E606
•AKG C747
•Sennheiser MD421
•Beyer M201
•Audio Technica Pro 25
•Audio Technica 2020 LD
•Audio Technica Pro37R
•Audio Technica Pro44 Floor Mic
•Audio Technica Pro45 Hanging Mic
•Crown PCC160 Floor Mic
•DPA 4061 With String and Bridge Mounts
•77
Mixing Consoles
Contents
Yamaha M7CL-48 Digital Mixing Console
Yamaha M7CL-48ES Digital Mixing Console
Yamaha SB168-ES Digital Multicore System
Yamaha LS9-32 Digital Mixing Console
Yamaha 01v Digital Mixing Console
Allen & Heath ML3000 40 Channel Console
Soundcraft EPM 12+4/2 Channel Console
Soundcraft Folio Notepad 4 Channel Console
Yamaha EMX 312 SC
Pioneer DJM-800
Allen & Heath Xone 92 DJ Console
Formula Sound FSM400 DJ Console
A&H DL1000 Icon Digital Mixer Amplifier
•78
Yamaha M7CL-48
Digital Live Sound Mixing with the Comfort and Efficiency of
Analog
An innovative Centralogic™ control interface makes these
digital live-sound consoles as intuitive to use as analog
consoles.
The M7CL series is a digital live-sound console that carries
on the digital evolution from the acclaimed PM1DV2 and
PM5D consoles. It includes an impressive array of
advanced concepts such as the "Centralogic™" control
interface that makes it as easy and intuitive to use as an
analog console, and in-depth access management
facilities that will be particularly appreciated in installations.
The M7CL is familiar and comfortable to use, offering a
level of convenience that overturns the preconception
that "digital is difficult". A surprising range of functions that
you would normally have to supply in the form of
peripheral equipment is built in, and all of this is provided in
a space that is dramatically less than an analog console of
similar scope. The M7CL is the ideal digital mixing console
for medium size live sound applications that have
previously been handled by analog gear.
•79
Yamaha M7CL-48ES
Digital Live Sound Mixing with the Comfort and Efficiency of
Analog
An innovative Centralogic™ control interface makes these
digital live-sound consoles as intuitive to use as analog
consoles.
The M7CL series is a digital live-sound console that carries
on the digital evolution from the acclaimed PM1DV2 and
PM5D consoles. It includes an impressive array of
advanced concepts such as the "Centralogic™" control
interface that makes it as easy and intuitive to use as an
analog console, and in-depth access management
facilities that will be particularly appreciated in installations.
The M7CL is familiar and comfortable to use, offering a
level of convenience that overturns the preconception
that "digital is difficult". A surprising range of functions that
you would normally have to supply in the form of
peripheral equipment is built in, and all of this is provided in
a space that is dramatically less than an analog console of
similar scope. The M7CL is the ideal digital mixing console
for medium size live sound applications that have
previously been handled by analog gear.
The M7CL-48ES has no microphone pre-amps installed in
the desk. This item must be used with the Yamaha SB168
Digital Multicore System for its I/O ports.
•80
Yamaha SB168-ES
EtherSound Digital Multicore
The SB168-ES is a 3U-size stage box that utilizes EtherSound
technology to propagate digital sound signals. When
connected to popular all-in-one digital consoles like the
PM5D, LS9, or M7CL, the SB168-ES offers superb support for
live sound. 16 channels of sonically-superb remote analog
input — each with its own head amp — combine with 8
channels of analog output to let you chain multiple units in
sequence for simultaneous use. The SB168-ES also functions
as both as a conventional EtherSound device — an
analog input-output box. Compared to a conventional
analog console + analog multicore the SB168-ES is noise
resistant, and lets you boost quality by keeping the length
of microphone cables as short as possible. Even more, the
SB168-ES is easy to set up, so that any time, effort, or money
needed for equipment installation are significantly
reduced.
•81
Yamaha LS9-32
Lightweight, compact digital mixers with advanced features
and outstanding sound quality.
Incredibly compact, lightweight digital live-sound consoles
with recallable head amps, a built-in USB memory
recorder/player, and stunning sound quality.
The LS9 series consoles follow in the distinguished footsteps
of the Yamaha PM1D, PM5D, and M7CL, expanding
Yamaha's digital mixing console lineup for live sound and
installations. The LS9 series consists of the 32-mic/line input
64-channel LS9-32, and the 16-mic/line input 32 channel
LS9-16. While being compact and light enough for one
person to move and set up easily, both models include
features that have been field-proven in previous Yamaha
digital consoles as well as outstanding sonic quality. In
addition to an extensive range of gating, compression, and
equalization capabilities, there's also a built-in USB memory
recorder/player for recording or BGM playback, and other
functionality that give you everything you need for small to
medium scale live sound or installed applications in
remarkably compact, all-in-one consoles.
•82
Yamaha 01 v
The Yamaha 01V96V2 is a 16 input channel digital mixer
with both 96kHz / 24-bit and surround sound support. It’s a
smaller version of the 02R96 and offers the same cutting
edge performance but at a lower cost. It’s a great mixer for
home and professional studios as well as for theatres and
broadcast.
Expandable to 40 Channels
The mixer comes with 16 analog inputs, 12 of which have
XLR/TRS inputs and phantom power and the other 4 inputs
are TRS inputs. The TRS inputs accept line level sources.
Inputs 15/16 can also be switched to receive input from the
2TR (2 Track) input. Input channels 17 through 24 are
connected to the ADAT light pipe. Channels 25 through 32
are routed to the card slot which is connected when you
install an optional IO module. Channels 33 through 40 are
the returns of the 4 stereo effect processors. This is default
input channel settings for the mixer. You can change the
routings of any channel using the input/output patch bay.
When operating at the 96kHz sample rate the number of
inputs changes to 32 because the number of channels
used by both the ADAT light pipe and digital effect
processors are cut in half.
Features
•24-bit/96-kHz Operating
•Surround Sound Support (LCRS, 5.1 and
6.1)
•12 XLR/TRS analog inputs
•4 TRS analog inputs
•8 Channels ADAT Light pipe I/O
•Expandable to 40
•20-bus Configuration
•100-mm Motorize Faders
•Large LCD
•Easy Navigation and 12 Direct Access
Buttons
•Four Digital Effect Processors
•83
Allen & Heath ML3000
The Allen & Heath ML3000-40A is a 40 channel, 15
buss live sound VCA console. Never before has a
fully equipped VCA desk been accessible to so
many people. Once again we’ve applied our
design skills to making a previously exclusive
technology affordable to people on a real world
budget. We’ve also included our unique LCRplus
panning system, bringing sophisticated signal
imaging within reach for smaller shows. All this
power is harnessed in a remarkably compact
console which is a real pleasure to drive thanks to
its simple, uncluttered control layout.
•84
Soundcraft EPM 12+2/2
Soundcraft have unveiled another addition to the rapidly growing
new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build
and audio performance, with an easy to understand control surface
uncluttered by unnecessary facilities, and Soundcraft have brought
new technologies and ideas to this very cost-effective range.
Surface mount technology is used throughout, using close-tolerance
components for high accuracy and repeatable settings for EQ and
gain controls. The highly-transparent GB30 Mic amp (designed by
Graham Blyth for the company’s 30th anniversary, and also used on
the larger LX7ii and GB Series consoles) features high-resolution
adjustment over a wide gain range of 55dB, and provides a stunning
+22dB headroom through the console. True professional 48-volt
phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses
multipoint signal take-offs to watch for overload in several parts of
the channel strip, and the led lights more brightly as the signal
approaches the peak point. For smooth and accurate channel
control, the EPM has 60mm high quality faders as used on other
Soundcraft desks. The monitor output and headphone output work
in parallel so that performers can still listen on phones while an
engineer is listening on studio monitors.
•85
Soundcraft Notepad
Ultra-compact lightweight mixer.
4 Balanced Mic and Line Inputs,
2 Band EQ,
1 Aux. Send,
2 Stereo Inputs,
48V Phantom Power,
Stereo Effects Return,
RIAA Phono Preamps,
2-Track Return,
Separate Mix and Monitor Outputs,
Peak and VU Metering,
Headphone Output
•86
Yamaha EMX 321 SC
With the power for mid-to-large venues – 300 watts
+ 300 watts – and the added advantage of oneknob compression on mono channels, the
EMX312SC may be the model you need.
Integrated Solutions for Superior Live Sound
Experienced musicians, performers, speakers, and
club operators know the importance of a highquality sound system with the right features and
performance to deliver their sound. Where
portability and convenience are important criteria,
a system based on a high-performance Yamaha
EMX series powered mixer is definitely the way to
go. In one integrated, portable unit you have a
mixer to combine and balance your microphone,
instrument, and line sources, effects to refine and
polish your sound, and power to drive the main
speakers and even monitor speakers as well. But
that's nowhere near the whole story - Yamaha
EMX-series Powered Mixers offer a range of features
that let you mix, process, and deliver your sound
with maximum quality and creative control ... and,
of course, that unrivalled Yamaha sound.
•87
Pioneer DJM-800
Loaded with an amazing array of features and jawdropping effects, the DJM-800 gives you freedom of
creativity and digital control at your fingertips.
The DJM-800 is a powerful 4 channel 96kHz / 24 bit
digital mixer that’s complemented by 61 assignable
MIDI control channels. It features 'Harmonic Mixing’,
a landmark innovation that detects a track’s key
and automatically aligns it to the closest true key,
removing inaccuracies
created when adjusting the pitch.
The DJM-800 displays a wide variety of effects, such
as ‘filter’, ‘sweep’ and ‘crush’ effects through a high
pass/low pass filter, notch filter and bit crusher effect
for all line channels.
The effects automatically detect the BPM of the
music and sync to the beats. In conjunction with the
additional Digital Beat Effects, 50 combinations of
effects are possible.
The DJM-800 has a high rigid chassis for minimizing
unnecessary vibration that could adversely affect
sound quality. It also incorporates a dual-shield
structure for eliminating entry of digital noise and a
high performance power supply
•88
Allen & Heath Xone 92
Professional 6 channel Club/DJ mixer
The Xone:92 represents the culmination of
everything we’ve learned from the DJ market. It’s
the result of something we’ve done since Day One
- listening to DJ’s. The result is a versatile mixer that
promises to fulfill every wish list, with features to suit
all styles from break beat to techno, trance to
house
Xone:92 Features:
•6 dual stereo channels
•4 Phono/line, 2 mono/mic or stereo return
•Stereo mix outputs
•89
Formula Sound FSM-400
Features
•7 stereo inputs, 3 of which may be selected to RIAA
•1 balanced mic input
•3 band E.Q. per channel. (specially tailored for this mixer). E.Q.
range +5dB to 20dB
•Fully assignable cross fader, stereo channels
•2 gain settings per input on channels 2,3 + 4 (internal jumpers). The
gain range is normal Â±15dB or low setting +2dB to -19dB
•Split monitoring
•Music dim button to allow talk over
•Individual circuit cards per channel
•Zone, booth outputs (mono or stereo)
•Internal selection provided for the unit to be set to individual needs
•Main output (balanced). Separate mono main output
•2 pairs record outputs (music only & programme)
•Transformer isolated trigger output
•Sub bass output
•2 headphone output jack sockets
•Remote music mute
•Long life cross fader and Punch button
•Alps pot and faders throughout
•Integral fully regulated power supply
•90
A&H DL1000 Icon Digital
Mixer Amplifier
Big-budget broadcasters and studios have been
enjoying the benefits of digital mixing for a while,
so we thought it was about time gigging
musicians, schools, small churches and AV hire
companies got a piece of the action.
We set out on a mission to create a ‘gig in a
box’, a compact mixer with digital gates,
compressors, EQs and FX built in. Now for the
price of a regular mixer you get a powerful digital
system with a rack’s worth of quality extra gear
inside, plus the great bonus of being able to save
your settings to ensure perfect sound time after
time.
•91
Playback
Playback
Denon DN-2100 Dual CD Player
Denon DN-1800 Dual CD Player
Pioneer CDJ-1000
Pioneer CDJ-800
Tascam MD-350
92
Alesis HD24
24 Channel Hard Disk Recorder
THE ONLY HARD DISK RECORDER WORTHY OF THE ADAT NAME
HD24 is the world's first 24-track hard disk recorder designed to fit into any ADAT environment and match ADAT's
legendary performance and affordability.
HD24 is built exclusively for the purpose of recording music instead of data, resulting in remarkable stability and
performance. HD24 enables engineers to record up to 24 tracks of high-resolution 24-bit recording at 44.1 and 48
kHz sample rates.
Two hot-swappable media bays provide convenient access to recording drives and allow data backup in
minutes. You can edit tracks internally or easily transfer to computer via an Ethernet connection.
HD24 features ADAT Optical and ADAT Sync, enabling it to work efficiently with existing systems. It offers the same
exceptional user-friendly interface ADAT users have come to expect.
HD24 can be upgraded to HR24XR with the EC2 module. This user-installable option replaces the A/D and D/A
converters with the renowned AKM converters used in the acclaimed MasterLink. EC2 improves performance at all
sample rates and also expands analog and digital-input compatibility to include 88.2 and 96 kHz sample
resolutions.
HR24 packs 24 channels of digital audio I/O into a single-unit recorder that easily fits into any environment.
Alesis reinvents digital recording. Again.
93
Denon DN-2100
Dual CD Player
•2 Seamless Loops per Drive
•2 Hot Starts/Stutter per Drive
•Brake/Platter-S Emulation
•Independent Pitch Bend Buttons
•Key Adjust
•Digi-Scratch
•SPDIF Digital Outputs
•94
Denon DN-1800
Dual CD Player
•Shock Proof Memory
•Auto-Cue to Music
•Instant Start
•Platter Hold
•Platter Start/Stop
•95
Pioneer CDJ-1000
The Pioneer CDJ-1000 digital deck is still taking the
DJ industry by storm. With the incredible feel and
performance of vinyl at their fingertips, professional
DJs insist on using this world-famous unit to play out
in the coolest clubs around the globe.
Working as closely as ever with these star
performers, Pioneer continues to change the face
of DJing with the launch of the intuitive CDJ1000MK2. With the same design and layout as the
CDJ-1000, the sleek and polished looks of the MK2
are made unique by the addition of a subtle silver
rim on the Jog Dial - the centre of Pioneer's
groundbreaking vinyl emulation technology. And
now it's been fine-tuned to increase sensitivity,
creativity and control for DJs, so that cueing,
scratching and stretching a track in Vinyl or CDJ
mode feels smoother and easier than ever. And
recognizing the importance of manual Pitch
bending, Pioneer has made even finer adjustments
to the unit's tempo control function to make it more
accurate than ever before.
The CDJ-1000 MK2 will always stand out from the
crowd and its world-beating features include:
Fine-tuned Jog Dial - for improved sensitivity,
creativity and control 100% "Wide" Pitch Control allows beat matching of any track and creates
new sound effects Hot Cue - new instant
memory for playback of up to 3 cue points per
CD Extra Bright Display - see track info more
clearly and use key features more quickly Full
Feature Digital Out - now all sound control
features can be connected to a digital
environment Free Removable Multimedia Card for storing cues, loops, wave data, etc All this,
plus existing unique features, such as Quick
Scratch, Loop In/Out Adjust makes Pioneer's
CDJ-1000MK2 the world's No.1 digital deck.
•96
Pioneer CDJ-800
Designed with world-class DJs to advance
performance and handling, the
innovative second generation of CDJ800s are stylishly tailored to extract the
utmost creativity from the digital
revolution.
The MK2s feature convenient MP3
compatibility, a folder search facility and
an improved jog wheel. They allow you to
create, cut and manipulate loops live
using the new auto beat loop
command and provide extra memory for
storing cue/loop points.
Supported by solid steel buttons and a
metallic finish as well as brighter, clearer
displays of data, the CDJ-800MK2 offers
power, freedom and control.
•97
Tascam MD-350
The MD-350 incorporates the latest advancements in MD technology. The latest ATRAC encoding
scheme (version 3) is implemented, offering new long play versions with up to 320 minutes of record
time on a standard 80 minute Minidisc. A front panel PS/2 keyboard port allows intuitive control over
editing the Minidisc's TOC (Table Of Contents) and naming tracks.
A complete host of audio I/O makes integrating the MD-350 into any system easy. Balanced and
unbalanced analog ports are available, as well as digital optical ports. A front panel optical port can
be used to connect portable players digitally without crawling behind the machine rack.
Pitch control function is available on the MD-350, with a clear on/off switch on the front panel. Plus, a
few cueing functions have been added, making sound cues easier for live situations:
- Auto Cue positions the machine to the first audio in a MD track, rather than the actual ID location.
This eliminates dead space in the beginning of the track, allowing tighter cues for live shows or on-air
environments.
- Auto Ready pauses the machine at each track ID. This is ideal for live environments, allowing the
engineer to cue in one track and forget about the machine - it automatically sets itself at the next
cue. This is ideal since this also prevents the machine from accidentally rolling into the next cue on the
MD.
•98
Speakers
Contents
d&b Q1
d&b C4 Top
d&b C4 Sub
d&b C6
d&b B2 Sub
d&b E3
EV SX300
Nexo PS10
Nexo LS500 Sub
DS115
DS108
Martin F10
dB Technologies 128 Twin Powered Speaker
•99
d&b Q1 Loudspeaker
Q1 loudspeaker
The Q1 is a passive two-way loudspeaker housing two 10"
LF drivers positioned in a dipolar arrangement and a 1.3"
HF compression driver fitted to a toroidal wave shaping
device. The 75° constant directivity horizontal dispersion
pattern is maintained down to 400 Hz, while the vertical HF
dispersion of 15° allows the Q1 to be used to construct
vertical columns that produce a curved coherent wave
front. The mechanical and acoustical design of the
cabinet enables vertical splay angles to be set between
0° and 14°. Q1 cabinets can therefore be used in vertical
configurations starting from two cabinets with a 15° to 30°
dispersion, up to twenty cabinets with a fully user and
venue defined vertical profile. The Q1 cabinet is
constructed from marine plywood, incorporates a pair of
handles and has an impact resistant paint finish. The front
of the loudspeaker is protected by a rigid metal grill
covered with replaceable acoustically transparent foam,
and two EP5 or NL4 connectors wired in parallel are
mounted on the rear panel.
•100
d&b C4-Top Loudspeaker
C4-TOP loudspeaker
The C4-TOP is a coaxial horn loaded mid / high
frequency loudspeaker and its narrow dispersion
characteristics of 35° x 35° above 700 Hz allow for clear
and intelligible sound reproduction over long distances
at very high SPLs. This focusing of sound into a narrow
beam is of special benefit in acoustically critical
situations. The C4-TOP cabinet is constructed from
marine plywood and has an impact resistant paint finish,
steel handles and MAN CF4 stud plate rigging points.
The front of the loudspeaker cabinet is fitted with
catches at the top and bottom for securing an optional
transport lid, and mounted on the rear panel are
ratchet strap guide plates, two hinge plates and four
heavy duty wheels.
•101
d&b C4-Sub Loudspeaker
C4-SUB subwoofer
The C4-SUB is a band pass subwoofer with a rich,
punchy sound, specifically designed to match the
C4-TOP and extend the C4 frequency response
down to 50 Hz. Its cabinet shape, size and flying
arrangements are totally compatible with the C3
and C4-TOP. The C4-SUB cabinet is constructed from
marine plywood and has an impact resistant paint
finish, steel handles and MAN CF4 stud plate rigging
points. There are fittings at the top and bottom for
securing an optional transport lid, and mounted on
the rear panel are ratchet strap guide plates, two
hinge plates and four heavy duty wheels.
•102
d&b C6 Loudspeaker
C6 loudspeaker
The C6 loudspeaker is a full range, two-way bassreflex enclosure
fitted with a 12" LF driver passively connected to a
2" HF
compression driver which is coupled to a 60° x 40°
CD horn.
The C6 cabinet is constructed from marine
plywood and has an
impact resistant paint finish. The front of the
loudspeaker cabinet is
fitted with a rigid metal grill covered with a
replaceable
acoustically transparent foam. The cabinet top
plate has an integral
handle and four M10 threaded inserts for mounting
brackets and
rigging. The L shaped metal plate at the bottom of
the cabinet also
incorporates a handle, four M10 threaded inserts
and a socket to
accept a loudspeaker stand.
•103
d&b B2 Sub Loudspeaker
B2 subwoofer
The B2 subwoofer with its high output band pass horn
design and extremely high SPL is ideal for extended
bass requirements. It is configurable to be either an
infrabass for the C4 system or a high output,
alternative subwoofer for the F1222 or C7 systems.
When used with a C4 system, d&b recommend a
ratio of four C4-SUBs to one B2. The B2 cabinet is
constructed from marine plywood, has an impact
resistant paint finish and eight integral steel handles.
The front of the subwoofer cabinet is fitted with
catches at the sides for securing an optional transport
lid, and mounted on the rear are four heavy duty
wheels.
•104
d&b E3 Loudspeaker
E3 loudspeaker
The E3 is an extremely small and versatile high
performance system with astonishing sound and
excellent headroom. The horn, which may be
rotated to give either 90° x 60° or 60° x 90°
coverage, has the necessary flexibility in directivity
enabling a variety of applications such as delay,
infill or distributed sound reinforcement
applications. In addition, it can be used as an
extremely compact stage monitor. Together with a
subwoofer system the E3 is also capable of
reproducing live or playback music at continuously
high SPLs. The E3 cabinet is constructed from
marine plywood with an impact resistant paint
finish, and with its asymmetrical shape and eight
M8 threaded inserts for mounting accessories the
E3 can be deployed in almost any position. The
loudspeaker cabinet is also available in Special
Colour (SC) and Weather Resistant (WR) options.
•105
EV SX300 Loudspeaker
The Sx300E, with 300-watt continuous - and 1,200-watt
peak - power handling, is the world's best lightweight,
high-power speaker system. It delivers over 125 dB
continuous with 131 dB peaks (one-watt /one-meter) at
full power. Its 65 degree x 65 degree, Constant Directivity
horn allows for vertical or horizontal use with identical
coverage.
The Sx300E delivers better pattern control and projection
than typical 90 degree horns, and features proven
and reliable EV components, including a DL12BFH castframe, 12-inch woofer and DH2010a pure titanium
compression driver. With Ring-Mode
Decoupling, it delivers accurate vocals, instruments and
mids. The Sx300E's rugged, durable, polypropylene
enclosure is light, strong, and available in either black or
white. Its built-in stand-mount and inserts on the enclosure
allow the system to be safely suspended and arrayed
using a wide range of optional, cost-effective hardware.
The Sx300 can also be used as a floor monitor with F200
attachment, and parallel, Neutrik Speakon input
connectors for safe, loss-free connections.
•106
Nexo PS10 Loudspeaker
The PS10 Loudspeaker can be safely driven with over 500W of
amplifier power, yet it is only half the weight and volume of
common trapezoidal systems. The dispersion, architecture and
weight balance of the PS10 Loudspeaker are designed to
provide both exceptional PA and stage monitor performance
without compromise.
This flexibility is realized by a proprietary constant directivity
asymmetrical dispersion horn, easily rotated in four positions by
the user. The PS10 horn’s unique progressive horizontal
progressive horizontal (50° to 100°) and vertical (+25°, -30°)
dispersion, couples with NEXO's unique Active Full range
Processing to enable this 2-way passive 8Ω design to deliver biamped type performance from a single amplifier channel.
PRODUCT FEATURES
▪ High power system (127dB Peak SPL @ 1m) with advanced 10"
LF and 1" HF drivers provide high fidelity reinforcement from
small, a light weight (15kg, 33lbs)system
▪ Rotatable asymmetrical horn and unique cabinet architecture
ensure versatility; user adaptable for both PA and stage
monitoring applications
▪ Two-way passive 8Ω design uses a single amplifier channel for
simpler installation and lower cost
▪ Sophisticated control electronics ensure reliable, linear
operation
▪ The PS10 Loudspeaker can be used with or without the
optional LS500 Subwoofer
▪ When deployed with LS500 Sub Bass, system LF extends to 38Hz
•107
Nexo LS500 Sub Loudspeaker
The LS500 Sub Bass extends the usable range of the
PS10 Loudspeaker to 38Hz, providing 134dB Peak output
in an extremely compact, light weight package.
The PS10 TD controller's integral sub section and
combined signal (PS10 and LS500) Speakon wiring
ensure cost effective and simple system
implementation. One LS500 is typically used with 2x PS10
loudspeakers. Additional units may be used for an
enhanced effect.
PRODUCT FEATURES
High power system (134dB Peak SPL @ 1m) with 15" VLF
driver
Extends VLF of PS10 Systems to 38Hz
Integral pole-mount that supports 1x or 2x PS10
Loudspeakers
Sophisticated control electronics ensure reliable, linear
operation
•108
DS115x Loudspeaker
•1 x 15" LF Speaker & 1 x 1.7" HF compression
driver and horn
•500 Watts RMS ( 1000 Watts Peak)
•8 Ohms
•Plywood Construction
•Speakon Connectors
•Switchable (rear mounted) - can be used in two
way bi-amp configuration.
•109
DS108 Loudspeaker
The full range DS108 produces an exceptionally clear
sound with an exceptionally well defined vocal
response. Having a rotatable horn this unit is ideally suited
for use in the bar installation market in both a vertical or
horizontal application. Using the DS108 in a “live music”
application, it can be used as a floor monitor as well as for
front of house applications. When the DS108 is used with a
sub bass unit, as part of a 2 way active system it then
becomes part of a very compact, high output and
versatile PA system ideally suited to mobile or small bar
applications where space is a premium.
•1 x 8" LF Speaker & 1 x 1.3" HF compression driver and
horn
•200 Watts RMS ( 400 Watts Peak)
•8 Ohms
•Plywood Construction
•110
Martin F10 Loudspeaker
The Backline F10 is a versatile, 2-way passive system,
designed to provide exceptional sound reinforcement
and
stage monitoring from a very compact enclosure. It
features a powerful 10" (250mm) low frequency driver and
a 1" (25mm) HF compression driver mounted on a
constant directivity 90° x 50° horn. Depending on the
application, the HF horn can be rotated to allow the multiangle enclosure to be used in either its vertical or
horizontal orientation.
Frequency response measured 1 metre on axis shall be
65Hz-20kHz ±3dB.
High frequency dispersion at -6dB points shall be
90°H x 50°V.
Power handling shall be 300W AES, 1200W peak.
Rated impedance shall be 8 ohms.
Maximum SPL measured at 1 metre on axis shall be
119dB continuous, 125dB peak.
Dimensions (W) 351mm x (H) 500mm x (D) 317mm
(13.8ins x 19.7ins x 12.5ins).
•111
dB Technologies 128 Twin Active
Loudspeaker
It can be floor mounted or flown in either a
horizontal or vertical position. It is fitted with two 8"
long throw drivers and a 1" high frequency driver.
The 90x60 wave-guide can be rotated by 90° to
accommodate horizontal or vertical operation. It is
powered by a 70+20 W/RMS biamp section and will
achieve a max. SPL 118 dB. The frequency response
is 80–20,000 Hz (–3 dB) has a crossover point of 2KHz
with a 24-dB/Octave crossover slope.
The TWIN128 can be used with the STAGE OPERA
41.15 active Subwoofer.
•112
Amplifiers
Contents
d&b D12
d&b P1200A
d&b A1
d&b E-Pac
QSC PL 236
QSC RMX 2450
QSC PLX 1802
•113
d&b D12 Mainframe
The d&b D12 amplifier is a dual channel amplifier incorporating
digital signal processors (DSP) to provide loudspeaker specific
configurations and functions. It is designed for use with all d&b
loudspeakers, has both digital and analog signal inputs as well
as link outputs, remote control and monitoring capabilities and
sophisticated protection circuits. It utilizes an autosensing switch
mode power supply for mains voltages 115 / 230 V, 50 – 60 Hz
(optional 100 / 200 V) and has a temperature and signal
controlled fan to cool the internal assemblies. It is specifically
designed to produce high power into low impedance loads,
typically those between 4 and 16 ohms. A user definable 4-band
parametric equalizer, and signal delay capability of up to 340
ms are incorporated and can be applied independently to
each channel. A signal generator offering pink noise or sine
wave program is also included. The D12 uses its Load monitoring
and System check functions to ascertain the status of the
loudspeaker impedance. d&b System check verifies that the
system performs within a predefined condition, whilst d&b Load
monitoring enables an automatic and continuous impedance
monitoring. Both can determine the status of an LF or HF driver in
systems with multiple elements, even if these are crossed over
passively. Apart from selectable output configurations for dual
channel, mixed TOP/SUB and 2-Way Active mode, the D12 also
provides d&b Sense Drive for use with the LF drivers in d&b
active loudspeakers and subwoofers and has output connector
options. All these functions and parameters can be easily
accessed and controlled via the LCD in conjunction with the
digital rotary encoder or through the d&b Remote network.
•114
d&b P1200A Mainframe
Features
The 2-channel amplifier in the p1200A mainframe is a
low feedback, low distortion design fully protected
from damage by overheating or connection to faulty
or inappropriate loads and exhibits good stability into
reactive loads along with excellent handling of fast
rise-time signals and signal overload conditions.
Specifications:
Output power: 2 x 600W into 4 ohms.
Frequency response: 10 Hz - 40 kHz.
Damping factor: better than 50.
Crosstalk: better than -65 dBu.
Signal to Noise ratio (unweighted RMS): -112 dBr.
Input A/B 3-pin XLR, electronically balanced.
Input impedance: 44 kOhm.
Input Link: 3-pin XLR male.
Mono Out: 3-pin XLR male
•115
d&b A1 Mainframe
The A1 mainframe is designed for use with d&b’s active systems
and is housed in a 3 rack unit high, 19" rack mount enclosure.
The mainframe incorporates power supplies for the controllers
and mainframe electronics, two power amplifiers, soft start,
monitoring and protection circuits with the associated indicators
and all connectors. All functions can be remotely interrogated
and altered via the d&b Remote Interface Bridge (RIB). The
mainframe accepts a single exchangeable controller module
which determines both the type and number of loudspeakers
which can be driven. The A1 power amplifier consists of two
separate channels of differing output power. The high power
channel handles the low frequencies or subwoofers and the
lower power channel the high frequencies. The amplifier is
comprehensively protected against overheating and
connection to inappropriate or faulty loads, has a high peak
output current capability and a low feedback internal gain
structure. Speaker ID protects wrongly connected speakers from
possible damage. d&b Sense Drive electronics maintains
maximum damping factor with complex loads, and improves
low frequency transient performance when using long speaker
cables.
•116
d&b E-PAC Mainframe
The E-PAC, housed in a 2 rack unit high, 7.5" rugged
enclosure, incorporates a power supply, single
channel power amplifier, all necessary protection
circuits, a remote interface, controls and indicators.
The internal controller is based on DSP with DeltaSigma signal conversion and incorporates the audio
signal processing and complex protection circuits
specific to the characteristics of the relevant
loudspeaker. The E-PAC is pre-programmed for the
C6/C690, CI6, CI9 and all E-Series loudspeakers
(including the E3 and E12 sub cabinets) and their
different operational modes. These configurations
are selected by setting DIP switches on the rear
panel. A LINEAR mode can be selected for MAX or
other passive loudspeakers. In LO IMP mode the EPAC can drive up to two C6/C690, CI6, CI9, E9 or
four E3 cabinets at reduced output (-6 dB). This is
useful for situations such as conferences and
functions where multiple speakers will be driven at
low level.
•117
QSC PL 236 Amplifier
The PowerLight® 2 Series is a high performance line of
amplifiers designed exclusively for the touring and live
sound professional.
With PowerLight technology, PowerLight 2 amplifiers
take your sound to a whole new level. Not only does it
give you tighter bass and clean transparent highs,
PowerLight also cuts waste heat, boosts reliability and
gets rid of unwanted noise and hum. PowerLight is a
revolutionary switching power supply technology that
provides ample current to the audio power circuitry by
charging the supply rails 230,000 times a second through
an ultra-low impedance circuit. So unlike amplifiers that
use conventional supplies, the audio signal is never
starved prematurely and remains crisp and clean.
FEATURES
•PowerLight Switching Technology for improved
audio performance
•High-efficiency Class H output circuits lower AC
current consumption and cooling requirements by
over 40% (PowerLight 224, 230, & 236)
•Increased airflow for improved thermal performance
Through continued improvement and innovation, QSC's •DataPort for remote computer control or the
new PowerLight 2 offers features not found in any other addition of external DSP modules
•Detented gain controls with 1 dB steps for precise
professional audio amplifier.
calibration
•Removable knobs with lock-out security plate
prevents unauthorized tampering
•User defeatable clip limiters and selectable lowfrequency filter (5, 30, or 50 Hz)
•1/4" TRS*, XLR, and 3-pin detachable terminal block
input connectors
•Neutrik Speakon® and "Touch Proof" binding post
outputs
•"Locking" IEC power cable remains secure on the
road
•118
QSC RMX 2450 Amplifier
The RMX Series amplifiers give you clean, dynamic
power with the legendary QSC sound quality and
reliability that pros depend on.
Superior Performance
RMX amplifiers deliver true studio-quality sound. A
full complementary output circuit using the highestgrade linear output devices delivers ultra-low
distortion (<0.05% THD) and a ruler-flat frequency
response. SMT (Surface Mount Technology) triples FEATURES
•Compact size - up to 2400 watts in 2 rack spaces
small-signal component density, enabling us to
pack up to 2400 watts of power in a chassis only 2 •Professional quality performance - incorporates
road-proven QSC designs
rack spaces and less than 16" deep. And unlike
•High-current toroidal transformers for greater twoother designs, RMX output devices are directohm power and low noise
mounted to the heat sink for optimum thermal
•Independent user-defeatable clip limiters reduce
coupling and cooling.
distortion
•Selectable low-frequency filters (30 Hz or 50 Hz)
Comprehensive Features
protect
speakers and increase headroom
The RMX Series is packed full of professional
features that increase performance and flexibility: •Balanced 1/4" (6.3mm) TRS, XLR and barrier strip
inputs
Independent defeatable clip limiters reduce
•Binding post and Neutrik Speakon outputs
distortion without sacrificing peak performance.
•Front mounted gain controls for easy access
Selectable low-frequency filters boost system
•Signal and Clip LED indicators to monitor
response, protect speakers and ensure low-end
tightness by more precisely matching the amplifier's performance
•Independent DC and thermal overload protection
range to the loudspeakers.
Low-noise variable speed fans with rear-to-front air on each channel automatically protects amplifier
and speakers
flow keep amplifiers and racks cool.
•119
QSC PLX 1802 Amplifier
The PLX2 series is a range of premium quality, high-power
amplifiers designed for the most demanding live
performance uses. Built on the third generation of QSC
PowerLight® technology, PLX2 amplifiers combine light
weight, superlative audio quality and proven QSC
reliability. With power ratings up to 3,600 watts, PLX2
amplifiers are capable of providing plenty of clean,
PLX2 Series Features
undistorted output to the most power hungry speaker
•Cooling design exhausts hot air out the front,
systems.
keeping the rack cool. Flow-through heat sinks
require no filters that could become clogged.
PowerLight Technology
•Front panel LED power, clip, -10 dB, and signal
PowerLight switchmode technology replaces a large,
present indicators for system monitoring and
heavy AC transformer (typically 20 lbs. / 9 kg) with a
troubleshooting. 02 models also feature bridge and
highly efficient and lighter-weight active design.
Conventional AC transformers provide 100 or 120 energy parallel mode LED indicators.
pulses per second, the PowerLight supply delivers 190,000 •Speakon® NL-4 output connectors provide a
to 230,000 pulses per second. More pulses make it easier positive-locking speaker connection. Ch 1 output
uses all 4 wires for single-cable connection to bito provide on-demand power for the amplifier's output
section. The power supply doesn't "sag" so bass notes stay amplified speakers.
•21-position front-panel gain controls for precise,
full and powerful while the high end remains crisp and
repeatable amplifier adjustment.
clean.
•Balanced XLR inputs with parallel TRS connectors
accommodate all common input connectors and
support loop-through operation.
•Patented PowerLight power supply technology with
other patents pending.
•120
audio Systems
Contents
d&b Q1 System
d&b C4 System
Nexo PS10 System
•121
d&b Q1 System
The Q-Series continues the established d&b
audiotechnik approach to the design and
manufacture of loudspeaker systems, adding another
dimension to d&b’s maxima. It is designed for a wide
range of small to medium scale applications and a
clear perspective to provide flexible, configurable array
solutions to the most arduous sound reinforcement
situations. Control of dispersion behavior is a particular
fixation at d&b, while at the same time keeping the size
and weight of systems to an absolute minimum. It also
embodies the d&b holistic approach to sound
reinforcement solutions: integrating loudspeakers,
electronics, mechanical deployment assemblies,
remote control functions and setup design tools for
precise calculation of array performance. The Q-Series
maintains the ”d&b specific” combination of a neutral,
intelligible sound character that is clear and
transparent even at high sound pressure levels
providing the engineer with an efficient, effortless tool
and a neutral platform.
•122
d&b C4 System
The C-Series loudspeaker range from d&b
audiotechnik has been optimized for
flexible, modular array configurations and
high
sound pressure levels. Applications range
from professional touring
use and large-scale sound installations
down to single cabinet
setups requiring narrow dispersion with
minimum dimensions. The
"d&b specific" combination of a neutral,
intelligible sound character
that is clear and transparent even at high
sound pressure levels
provides the engineer with an efficient,
effortless tool and a neutral
platform. This is achieved through d&b’s
unique design approach
based on a holistic view of the interaction
between loudspeakers,
electronics and mechanical accessories.
•123
Nexo PS10 System
PS Series systems are engineered to maintain the
inherent coherency of two-way designs (the
minimum number of drivers required for full-range
reproduction) in the broadest practical range of
applications. Advanced cone transducers deliver
maximum output and thermal stability. The unique,
square mouth PS Series horn, with its asymmetrical
progressive pattern, allows user-rotation of PS Series
coverage patterns to focus acoustical energy on
listeners and away from reflective surfaces.
ACTIVE FULLRANGE PROCESSING
NEXO R&D works closely with transducer suppliers to
optimize driver performance. We've applied this
intimate knowledge of our transducers to develop
advanced analog and digital signal processing that
protects and optimizes each PS Series driver without
introducing audible coloration. NEXO TDcontollers
(Temperature Displacement Controllers) are linked to
amplifier outputs via sense lines for rock-solid system
protection at extremely high output levels.
In many applications, their exceptional power-to-size
ratios and efficient control of acoustic energy
combine to enable a single PS system to replace an
array of less advanced two-way loudspeakers.
•124
Signal Processing
BSS Omnidrive Compact
BSS FDS 334/T Mini Drive
BSS Opal 31 Band Graphic EQ
Klark Teknik Square 1 GEQ
Yamaha SPX990 Effects Processor
Lexicon MX300 Effect Processor
DBX 266XL Compressor/Gate
Audia Solo 8/8 DSP
•125
BSS Omnidrive Compact
The BSS Audio FDS-366T Omnidrive Compact Plus Loudspeaker Management System is the one
loudspeaker management system that really satisfies all your system requirements, and it just got even
better! It includes the first pro audio implementation of WHISEWORKS - NTM * filter technology, which
means that you can take your loudspeakers closer to their operating bandwidths without fear of overexcursion.
One FDS-366 can drive a true stereo 3-way system, or 3 bi-amp outputs for monitors. Add more units and
MIDI slave linking to make stereo 4, 5 and even 6-way systems.
Other applications are also covered, such as zoning to six discrete areas using full range or band-restricted
outputs. As a mono sum of all three inputs is available, the FDS-366 will find favor with LCR post-production
monitoring systems where a mono sub output is required.
A stereo AES/EBU digital input also means that the FDS-366 is an ideal product for studio monitoring
applications. BSS has incorporated the very latest digital technology and DSP algorithms to provide the
Compact Plus with truly astonishing audio performance. The latest generation of 24-bit converters with
carefully engineered support electronics provides a dynamic range in excess of 112dB (unweighted)
without employing 'massaging' techniques that could have side effects.
Using a 96kHz sample rate further enhances the sonic performance of the FDS-366. The advantages of this
higher rate mean a more natural and open sound thanks to a 40kHz bandwidth and improved filter
responses that are possible with the higher Nyquist frequency.
•126
BSS FDS 334T Mini Drive
Minidrive provides all four core functions of the Omnidrive range: crossovers (Linkwitz-Riley, Bessel
or Butterworth), mid-band limiters, equalisation freely assignable to inputs and outputs, and both
input and output delay.
BSS has provided Minidrive with a similar user interface to its big brother the FDS-366T "Omnidrive
Compact Plus". The four-arrow "navipad" allows access to menus and facilties, while push-toselect switches on the output level controls ensure fast access to channels for editing. Data is
shown on a bright blue LCD display, with data entry via a parameter wheel. Input and output
level meters are an immediate comfort for the engineer, and individual output band mute keys
are provided. Together, these make the Minidrive more convenient and faster to set up and
adjust than any DSP unit in its class.
•127
BSS Opal 31 Band EQ
Graphic equalizers are found in just about every sound application, from room contouring to feedback
control and general audio sweetening.
Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at
each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and
HF contour filters which can change an overall sound balance without disturbing a detailed room or
loudspeaker response.
These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove)
room effects that change with temperature, audience numbers or humidity.
All these effects can be easily made without disturbing the critical fader settings already made.
Constant Q Filters
The modern generation of graphic eq's
uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant
whatever the fader gain setting.
•128
Klark Teknik Square 1 GEQ
45mm faders with integral dust guards
Long-throw faders for maximum accuracy and resolution.
Signal present & Clip LEDs
Maximum input capability of +22dBu.
Universal Power Supply
Auto voltage-sensing, operates anywhere between 100-240V +/- 10%.
Fully balanced inputs & Outputs
XLR & TRS connectors, both feature extremely high CMRR.
Relay activated bypass
Continues to pass audio in the event of power failure.
Roadworthy 3U steel chassis
Designed to withstand the rigours of the road.
PROportional Q filters
The 'Q' or bandwidth of the Square ONE's filters is proportional to the gain applied, and so gives
increasing focus on real problem frequencies. This also means that adjacent filters sum together with
minimum phase error, providing smooth, ripple-free summation.
This filter mapping is also implemented on the World-leading Klark Teknik DN370, and is the most
appropriate for live sound reinforcement.
•129
Yamaha SPX990
Advanced Hardware for Superior Sound The latest 20-bit
analog-to-digital and digital-to-analog conversion
technology-sampling at 44.1kHz. Frequency response
extends all the way from 20 Hz to 20 kHz; dynamic range
is an extraordinary 106dB; noise and distortion are
neglible.
Stereo Configuration with Balanced Inputs and Outputs
A true 2-in/2-out stereo configuration that allows stereo
sources to be processed without disrupting the original
stereo image. Stereo inputs and outputs are all
electronically balanced, with XLR and TRS phone jack
connectors.
Preset, Internal, and Card Memory 180 memory locations
"on board". 80 of these are read-only memory. The
remaining 100 are writable memory locations. Plug-in
memory cards hold an extra 100 effect programs each.
Three-stage Effect Configuration In addition to the main
effects, the SPX990 provides programmable pre and
post effects that can be used to refine and polish your
sound.
In-depth Programming Power The SPX990 has 4
programmable pre effects, 36 programmable main
effects, and 3 programmable post effects.
Tempo-based Delay Time Programming Delay time
parameters can be programmed in terms of tempo or
note length. Delay time can also be entered via a
footswitch or MIDI clock data.
•130
Lexicon MX300
MX300
Our revolutionary MX200 and MX400 changed everything. The great sound of a
hardware Lexicon reverb — plus the ability to put that power to work as part of your
DAW workflow via PC VST® and Mac® AU plug-ins. Now we’ve packed a significant
portion of the MX400’s feature set into the ultra-affordable MX300. All parameters of
every reverb, delay and dynamic effect in this powerhouse processor are available
inside any PC VST® or Macintosh® AU compatible DAW program. Just link your
computer to the MX300 with a USB cable and control automation and recall
parameters exactly as you would with any software plug-in. You get the sonic benefits
only Lexicon hardware can provide…without bogging down your computer’s CPU
with the extreme demands of reverb plug-ins.
Along with our unique “hardware plug-ins” for PC and Mac®, we’ve also included
MX-Edit™ Librarian software so you can store and recall custom programs or pull up
an unlimited number of Lexicon settings.
•131
DBX 266XL
Most compressor/gates provide less than musical compression, coupled with gating that
swallows transients—or closes early, cutting off decay and reverb tails. The superb
engineering in the 266XL ensures that both its compression and gating provide versatility
and excellent sonic performance in situations where other compressor/gates typically
produce undesirable processing artifacts. When using the 266XL’s Auto Dynamic™ Attack
and Release controls, artists and engineers will find that the center settings deliver classic
dbx compression, while the full control range produces voicing's that extend from slow
“leveling” to aggressive “peak” limiting.
The Auto Dynamic™ circuitry continuously adjusts the actual attack and release times to
optimally match the program material. Since users aren’t restricted to using the Attack and
Release controls only in “peak” operation, they can tailor the response of the 266XL for
individual tracks, mixed program material, special effects or system protection. As a result,
production studios can use the versatile 266XL to replace multiple “single-purpose” limiters
while sound reinforcement users can standardize on the 266XL for all of their applications.
•132
Audia Solo 8 In / 8 Out DSP
AudiaSOLO is a single rack-space version of AUDIA™, the benchmark in digital audio
systems for demanding professional sound installations. AudiaSOLO provides the same easy-to-use
software and functional algorithms, but in non-CobraNet™ units intended for stand-alone applications.
AudiaSOLO comes in the I/O configuration of 8x8. The intuitive software provides
audio system design capabilities via PC computer, and allows easy selection, viewing, and calibration of
numerous audio components: mixers, combiners, matrixes, equalizers, filters, crossovers, dynamics,
routers, delays, remote controls, meters, generators, diagnostics, etc. Once a system design is
compiled, it is downloaded into AudiaSOLO, where it can then be controlled via third-party systems,
such as AMX® and Crestron®, via computer, and/or via dedicated AUDIA™ remote control panels.
•133
Video Equipment
Contents
Display Screens
Projectors
Projection Screens
Vision Mixers
Media Servers
Presentation Computers
DVD Players
Video Tools & Accessories
134
Media Server
ArKaos VJ DMX
Control ArKaos VJ and all your
other DMX compatible equipment
ArKaos VJ DMX is the dazzling fast
software that will enable you set
up outstanding video shows in a
matter of seconds. Build a full
performance using only a few
simple video loops from your hard
drive, mixing and altering them
using more than 100 real-time
effects.
Take control of your show
ArKaos VJ DMX lets you control every aspects of your live visual show from within your
console: assign visuals to be displayed, trigger effects, use camera inputs, drive effect
parameters… all of this live and directly from your sliders and buttons. You can now
seamlessly integrate a professional video control system into your existing lightshow
architecture.
Real time high quality visuals
ArKaos VJ DMX takes advantage of graphic card acceleration through its Hardware
Accelerated video engine which produces an unprecedented visual smoothness and
image quality and makes it possible to rotate, zoom and change the color for each
layer in real time from the DMX Fixture Control Mode.
Tons of effects, so many parameters
On top its 60+ original effects or 40+ Hardware Accelerated effects, ArKaos VJ DMX
supports additional FreeFrame effects (an open cross-platform real-time video effects
plug in standard) and comes shipped with 42 pre-loaded FreeFrame effects!
•135
Analogue Way Eventix Switcher
EVENTIX™ is a Computer & Video
Up/Down Mixer Scalar Switcher with
numerous effects: Cut, Wipes, Fade, PIP
and Title, together with hi–res. logo
insertion and frame store functions. Fitted
with 8 universal inputs, it can be used as a
Mixer or as an 8x2 Scaled Matrix. LOGO
INSERTION & FRAME STORES are available.
EVENTIX is especially designed with a full
control front panel for hi-res. A/V
presentation displays, large events, and for
the rental and installation markets."
Analogue Way Smart Cut 2
It is a five-video (two Composite, two S-Video, and one Component
or RGB/S) and two-computer (up to 1280x1024) seamless switcher
with a built-in scaler. Each video source is scaled and genlocked to
match computer resolution from 640x480 to 1280x1024. The unti also
offers clean, fast switching with no glitch between any video and
one computer source (in seamless mode); video sources (with a fast
black cut); and computer sources (with a fast black cut). All video
inputs are scaled to the selected computer input, allowing a onetime adjustment of display resolution.
Each of the seven inputs is fitted with an STEREO AUDIO line, which
allows the audio to follow video image or to break away from it.
•136
Features
Tascam DV-D01U
The DV-D01U is a 1U rack-mountable single disc
player with a powered loading tray. The DVD
player reads DVD Video, DVD Audio (2-channel
only), Video CD, CD-DA, MP3, WMA, WAV,
JPEG, ASF, MPEG-2/MPEG-1, and DivX. The player
is capable of playing back properly
finalized DVD +R/+RW discs.
Outputs consist of HDMI audio/video out and
Composite, S-Video, and Component video
outputs.
Rear panel stereo outputs are unbalanced (RCA)
and digital outputs are optical. Digital outputs
can pass Dolby Digital and DTS surround streams
for later decoding.
The DV-D01U performs multiple playback modes,
including slow motion and frame by frame
playback, power on play, aspect adjustment,
selectable scan mode, tray-lock, FVPP, and
Progressive Scan. When stopped the DVD player
output is black.
The DV-D01U provides extensive bi-directional RS232 serial control. I/R remote control
included. DV-D01U is equipped with a screen
saver function and defeatable On-Screen Icons.
The unit is also able to play "finalized" +R/+RW
(video format discs only). The TASCAM DV-D01U
is HDCP compliant.
•137
Dell Laptop’s
We stock a large range of laptops for show and
presentation use. All are laptops are installed
with Windows and Office 2007.
Our basic laptops are suitable for running
Power Point Presentations for conferences and
day to day tasks such as word processing and
internet browsing.
We also stock high spec show laptops for
running advanced applications such as sound
processing software.
•138
Display Screens
At CPS we have a large selection of TFT,
LCD and Plasma screens for hire. Our
screens range from 7” to 107”. We also
stock Unicol stands and mountings for our
screens.
•139
Fast Fold Screens
Available in a variety of sizes including:
•8’x 6’
•10’x 7.5’
•12’’ x 9’
Da-Lite's Fast-Fold® Deluxe frame and legs are
constructed of sturdy 31mm (1 1/4") square
aluminium tubing and feature easy release SnapLatches for simple, quick set up and tear down of
the screen. Available with front/rear projection
surfaces. Kit includes a rugged carry/storage case
with wheels.
•140
Projectors
Contents
Christie LX1500
Sanyo XP200
Sanyo XP56
Christie LX41
Christie LX20
NEC NP50
141
Christie LX1500
The Christie LX1500 is the world's brightest
projector in its class delivering a stunning
15,000 ANSI lumens brightness from an
advanced 4-lamp, 3LCD optical engine.
Designed for performance applications
including Houses of Worship, staged events
and medium sized auditoriums, the LX1500
combines native XGA resolution and 2000:1
contrast ratio with the latest 10-bit image
processing for flawless image reproduction.
The LX1500 is compatible with digital and
analogue signal formats from XGA data to
1080i video, with a range of optical input
modules including digital blending/warping,
SDO and HD-SDI to further extend the signal
compatibility. The available lens suite (this is a
body-only format projector) includes 11 lenses
with throw ratios from 0.8:1 through 9.0:1
combined with horizontal and vertical lens shift
for a broad range of installation options that
enable you to position the projector almost
anywhere. Staging partners can use lenses
from the popular LX100 and LX120 models to
maximize their assets.
•142
Sayno XP200
SANYO's innovative solution overcomes the
limitations of 3LCD technology, opening the way
for new projectors capable of extremely high
luminosity without the trade off in colour
accuracy. The PLC-XP200, the first projector to
benefit from this new technology, is rated at an
amazing 7000 lumens. Coupled with the
impressive high Contrast Ratio of 2200:1, the PLCXP200 is capable of generating clearer, richer
and more beautiful images than was ever
possible with high brightness 3LCD projectors.
SANYO developed a new high-speed image
compensating LSI for the 4LCD engine. The
combination of the 4LCD engine and the new LSI
allows for up to 20% more colour space than our
conventional projectors. With the controlled
yellow light, SANYO's Advanced Colour
Correction technology separates each colour
histogram for unparalleled colour processing and
correction, resulting in beautiful and naturally rich
colours.
•143
Sanyo XP56 LCD Projector
Resolution XGA (1024 x 768)
Brightness (typical) 5000 ANSI Lumens
Contrast Ratio 1200:1 (full on/off)
Aspect Ratio 4:3
Throw Distance 4.6 ’- 48.2’
Digital Keystone Correction Vert. +/- 40°, Horiz. +/- 10°
Projection Lens F1.7-2.0 / f1.9”-2.5”
Lens Throw Ratio 1.8-2.4:1
Projection Lamp 300W NSH
Color System PAL/PAL-M/PAL-N/SECAM/NTSC/NNTSC4.43
Computer Compatibility SXGA, XGA, SVGA, VGA
dB Rating 35.0 (Eco mode)
Power Consumption 450W
Dimensions (WxHxD) 12.6” x6.6”x16.9”
•144
Christie LX41 LCD Projector
The Christie Vivid LX41 is a high-performance
projector that delivers performance and quality for
the most demanding presentation, integration and
AV staging applications at an affordable price.
The LX41 delivers 4100 ANSI lumens of light output
from a compact, lightweight design. Unsurpassed
image clarity with an incredible 800:1 contrast ratio
and progressive scan video processing make the
LX41 the perfect projector for installation in the
largest conference and meeting rooms. Featuring
digital keystone correction, vertical image shift and
four optional lenses, the LX41 provides the flexibility
to place a perfectly square image on the screen in
any environment.
Features:
•41ANSI lumens
•True XGA resolution (1024 x 768)
•Contrast ratio 800:1
•Digital and analog connectivity of data and video sources
•Digital de-interlacing technology
•Digital and optical keystone correction
•Motorized zoom, focus and lens shift (up/down)
•Whisper-quiet operation with FCS linear fan control and economy mode
•Digital magnification up to x49 and pan
•Freeze frame, presentation timer
•Suite of optional lenses and accessories
•145
Features
Christie LX20 LCD Projector
The Vivid LX20 is a high-quality multimedia projector
delivering outstanding presentation performance in a
compact, lightweight and robust package.
The LX20 outputs at an incredible 2000 ANSI lumens, the
best in class for size and weight, combined with functions
such as digital scaling, digital keystone, power-zoom and
focus to perfectly place a bright and crisp projected
image.
The feature-rich LX20 offers professional mastery over
presentation material. Using functions like digital
magnification, freeze-frame, presentation timer and video
and audio mute you can be sure your presentation is
delivered with the greatest impact and control.
The LX20 is cased in a stylish and sleek magnesium alloy
making for a lightweight yet durable projector. Weighing
in at just 8.6 lbs
Features:
2000 ANSI Lumens
True XGA resolution (1024 x 768)
Contrast ratio 350:1 (on/off)
Digital and analog connectivity for data and video sources
Robust magnesium alloy case
Motorized zoom and focus
Component input for DVD
Digital keystone correction and scaling
Quiet operation - only 37dB
Incredibly lightweight, only 8.6lbs
Intuitive on-screen displays (OSD)
•146
NEC NP50 Projector
Almost fully automatic, this projector starts
up, focuses, corrects keystone, and shuts
down on its own. All you really have to do
is plug it in and get down to business. The
eye-catching design, small footprint, and
3.5 lb carrying weight of the NP50 is
complemented by its incredible
functionality. You get clear, detailed
images with the XGA (1024 x 768)
resolution and 1600:1 contrast ratio. And
2600 brilliant ANSI lumens provide
illumination for your video, photos, and
graphics. The NP50 also comes with
integrated features to improve color
accuracy, white/black levels, provide wall
color correction for projection on nonwhite surfaces, image magnification, and
lamp protection with direct power off. It's a
sleek, powerful tool that's effortless to
operate and beneficial to own.
•147
Video Tools and Accessories
We have a large selection of video tools and
accessories available for hire including:
•VGA Distribution Amplifiers
•Line Drivers
•Scan Converters
•Composite Video Distribution Amplifiers
•Modulators
•Unicol Hanging Equipment and Stands
•Wireless Presenters
•Laser Pointers
148
Communication Equipment
Contents
Cue Lights
Induction Loops
Tecpro Systems
149
Tecpro Systems
TECPRO COMMUNICATION SYSTEM
Tecpro is a ‘two wire’ or, as it is sometimes known, ‘party-line’ or ‘ring’
system which enables a number of people to take part in the same
conversation. Each participant can hear all other participants on the
same circuit while being able to talk to them simultaneously, so a full
‘duplex’ conversation can take place – similar to a telephone system.
The major applications for these systems are in the theatre, conference,
live performance and broadcast markets, though new applications are
constantly emerging.
A basic Tecpro communication system would comprise a power supply
and two or more outstations or belt packs. An outstation may be wall
mounted, free-standing or mounted in a rack. It will usually have a builtin loudspeaker and possibly a microphone. Belt packs are intended for
personal use and work only with a headset. Outstations and belt packs
connect together with two core screened microphone cable which
carries system power, audio, and various control signals. Most have a 3pin XLR input and output and can be simply daisy-chained together.
Alternatively interconnection can radiate out from a central, passive
splitter. A combination of both methods is often used.
More complex systems may use a master station which has two in-built
power supplies and offers two independent communication circuits, A
and B. Participants in a conversation on circuit A cannot communicate
with those on circuit B (unless the two circuits are linked at the Master
Station). However the person operating the master station can
communicate with circuits A and B separately or together.
150
Induction Loops
Audio-frequency induction loop systems (AFILS) allow
hearing impaired people to hear more clearly. Most
hearing aids have a ‘T’ or ‘MT’ switch which allows them
to pick up the electromagnetic field generated by an
induction loop system. The hearing aid converts this signal
into a sound suited to its user’s specific hearing
requirements. Any person with a hearing aid positioned
within or near the loop (see example schematics below)
can hear the loop signal by switching their hearing aid to
the correct position, allowing them to participate more
effectively in general conversation, ordering goods or
services, listening to public performances, etc
151
Cue Lights
Cue lights are used in all levels of production from large
scale musicals to intimate studio dramas, from college
shows to West End Theatre, in Broadcasting and
Corporate event. They are an essential tool in keeping any
show running both safely and on-time.
We stock both wired and wireless cue light systems.
152
IT Equipment
Contents
Show Machines
Show Laptops
153
Show Machines
CPS stock high-performance Dell XPS show machines for
running presentations and firing media content.
Each show machine comes racked in a flight case with a
17” TFT, keyboard and mouse for fast assembly.
Machines can be configured in advance for your specific
requirements.
HD video outputs as well as standard VGA and DVI
outputs are available from each machine.
Please call for more details.
154
Show Laptops
CPS stock a range of laptops for your individual need. We
stock primarily Dell and IBM laptops for all purposes
Each laptop comes supplied with a PSU and carry case.
Additional IT equipment such as external displays, touch
screens, external mice and keyboard are available on
request.
Machines can be configured in advance for your specific
requirements.
All of our laptops have VGA video connectivity
Please call for more details.
155
Staging and rigging
Contents
Steel Deck
Ally Deck
Metro Deck
Prolyte H40V Box Truss
Prolyte H30D Triangular Truss
Optikinetics Tri-Lite 200
Motors and Distro
Rigging Accessories
MPT Systems
ARC Outdoor Stage System
MPT Outdoor Stage System
156
The 40-series truss is a larger version of the 30series.
Generally this truss series can be used in similar
situations as the 30-series, however, the loading
and deflection characteristics are much better.
The main characteristics of the 40 series truss are
strength, versatility, low unit weight and easy
assembly.
The conical coupling system (CCS6) allows for fast,
efficient and highly aesthetic assembly of
permanent and temporary structures.
We stock a range of sizes and accessories
including;
•Base plate
•Multi purpose box corners
•Couplers
•157
H30V is a multipurpose truss and can be used for
exhibition, lighting rigs and semi permanent
installs.
assembly.
including;
•Base plate
•Couplers
•158
Prolyte H30D
Triangular Trussing
H30D is a multipurpose truss and can be used for
exhibition, lighting rigs and semi permanent
installs.
assembly.
including;
•Couplers
•159
OptiKinetics Trilite 200 Truss
OPTI Trilite 200 is the original 50.8mm (2") trussing
system manufactured by OPTI. The stylish
appearance is enhanced by remarkable
loading capabilities enabling the system to be
specified for both internal and external structural
applications. The system is developed
continuously to present new ideas and solutions.
Components are integrated with custom
fabrications enabling limitless possibilities for
designers.
OPTI Trilite 200 Connection
The OPTI Trilite 200 connection is a simple M10
Nylock nut and high tensile bolt spigot system,
secured with 17mm spanners. It is a strong easy
to use, reliable method of assembly.
•160
MPT Systems
Prolyte’s MPT-towers are designed for the lifting of truss spans over stages, dance floors, exhibition
area’s etc, where equipment such as lighting-, sound-, drapes or decoration elements is
suspended.
This can either be a single (stand-alone) Tower, a Goal post configuration (two towers with a single
span) or in a rectangular set ups with 4, 6 tower ore more.
The spans of the trusses must NEVER exceed permissible length or load values given in the loading
tables for the specific type of truss. MPT-towers are to be built to a maximum height of 7,5m.
The total weight on the tower including, load, sleeve block and trusses must NEVER exceed 750 kg
when using the hand winch or 1000 kg when using a chain hoist1.
Prolyte-MPT towers comply with the European Machine Directive and bear the CE-mark.
MPT-systems are designed for indoor and outdoor use.
•161
Motors & Distro
The Columbus McKinnon Lodestar chain hoist
has been designed for entertainment industry
rigging operations. This allows the hoist to
either climb its chain or be mounted in an
upright configuration.
A range of standard operating and safety
features, together with ease of maintenance,
make this the market leading chain hoist for
entertainment industry applications in the
World.
We stock both 1ton and 0.5ton motors,
controllers and distro.
•162
Steel Deck
Steeldeck is as widely used as any modern
staging system. Its name has become a generic
for sturdy demountable rostra.
Steeldeck is:
•the strongest 4-leg system on the market
•is compatible with all genuine Steeldeck
products.
•Is the most economical way to build a big
stage Steeldeck comes with a complete range
of accessories and a pedigree unsurpassed in
the performing arts business.
Typically used for larger or outdoor venues and
applications, Steeldeck is also used in schools
and local halls.
We stock a large selection of sizes and
accessories for steel deck including handrails,
step units and legs.
•163
Ali Deck
Ali deck is lighter and more portable
than steel deck. Ally deck is perfect
for small stages where the weight
loading on the deck is not as
important. Our ally deck is available
in 1m by 2m sections. We have a
selection of different size legs
available for hire.
•164
Metro Deck
Metrodeck can justifiably claim to be the best of the
'mid-weight' portable staging systems. The reasons for
this are clear:
At only 110mm deep Metrodeck is easier to handle than
bulkier systems
For the same reasons it is much easier to store/transport
than these rivals
Metrodeck nevertheless retains their robustness and
basic strength
The Metrodeck system offers a complete range of
accessories and can be provided with a range of
finishes.
Ideal for small - to medium-size venues and applications,
Metrodeck is a portable staging system also popular
with hire companies and touring productions. They
value the versatility of this slim and elegant system and
its ability to go on day after day, year after year.
•165
ARC Stage System
CPS offer a range of outdoor stages. The ARC
is one of the smaller selection from our range.
Full details available upon request.
•166
MPT Stage System
CPS offer a range of outdoor stages. The MPT
structure is one of the larger selection from
our range.
Full details available upon request.
•167
Rigging Accessories
Rigging Accessories
Polywraps
Span sets
Girder Claps
Spigots
Truss Adapters
Shackles
Ratchet Straps
Safety Bonds
Rigging Safety's
•168
Stage Effects
Contents
Smoke Machines
Haze Machines
Low Lying Smoke
Flame, Bubble and Snow Machines
Pyrotechnics
169
Smoke Machines
Jem ZR22 DMX
High performance and the ultimate in reliability are all demands laid
down by professional users. The JEM ZR22 DMX has all these qualities
and much more.
As its name suggests, the JEM ZR22 DMX is able to offer the control
options of DMX 512, as well as dedicated analogue control via the
removable remote panel. No other comparable machine, in terms
of both price and performance, offers DMX. The new style remote
offers the usual auto smoke operate and delay controls, but this has
been further enhanced to include a unique 8x mode. This multiplies
the standard operate and delay times by eight, offering the
operator even greater control of the unit.
Antari Z1000MkII
Z-1000II dominates the entry-level of Z-Series II Fogger for high
performance output necessary to scale up the machines’ efficiency. It
is equipped with ECO thermal control system and patented UNICORE
heater technology where the heater core can be easily draw-out
from the heater block ensuring quick and easy cleaning. The heater
element is like a jet air stream that can deliver a powerful fog in order
to create the very best atmospheric effect. (perfect for mid-air smoke
as well) In addition, it is armed with on-board DMX to work with club
lighting directors, installers, planners as well as DJ’s who need more fog
and control.
•170
Smoke Machines
Antari Z1020
The Z-1020 can be position on the ground to fog upward to
have a column of fog effect or can be mounted on the wall
to easily blend the surroundings with atmospheric effect. Or
else can be used to fog in upright position by carrying the
handle like ordinary fog machine. Other features include
DMX on-board, built-in electronic low fluid detector. Light
weight, sleek and compact design, easy installation and
maintenance.
Le Maitre Mini Mist Smoke Machine
The Mini Mist has long been established as the leading
aerosol smoke machine. It is a robust handheld unit, making
it the chosen generator for the film and TV industry as well as
the armed forces and fire brigades.
The Mini Mist is certified for use in fire evacuation and
breathing apparatus training by the Ministry of Defence, fire
brigades, hospitals and other public sector industries
•171
Haze Machines
Jem ZR24/7
The R24/7Z is a high-precision DMX haze generator which uses
state-of-the-art digital technology and a high-velocity radial
blower.
Less than 3 min heat-up time
Low fluid sensing
Onboard DMX, 3 & 5 pin
On-board control panel
Le Maitre Neutron XS Hazer
The Neutron XS Hazer utilizes Le Maitre’s world patented S.T.A.R (Sequentially
Tracked Automatic Re-Issue) technology to produce consistently pure haze
with no oil, no water, no residue and no noise. This compact unit can deliver up
to 150 hours of haze from just one 2.5 liter bottle of fluid. Combine this with its
minimal power consumption and built in self cleaning mechanism, and you
have a top of the range hazer that is low cost as well as low maintenance.
Le Maitre M.V.S. Hazer
The Multi Venue System (M.V.S.) has a variable high output haze
with whispers to 80cc/hr, twin variable high output haze projection
fans and 90 degree electronically variable haze output direction. It
features four channel DMX512, combined control functions and
DMX receiver.
•172
Low Lying Smoke Machines
Antari ICE-101
ICE machine (ICE-101), as it name suggests, produces beautiful floorhugging dry ice fog effect by simply adding regular ice cubes. Without
the inconvenience of dry ice or the potential health hazards caused by
dry ice’s heavily CO2 smoke, this ICE machine is expected to be
environmentally friendly. A high power 1000W fog machine inside
creates amounts of fog which is chilled to create a low lying ground
hugging fog effect.
10kg of ice cubes placed in the ice chamber can be stored up to 8
hours & up to 1 hour of continuous operation. Full DMX on-board means
100% control and the drainage pump can be activated manually or set
to automatic for optimum convenience.
You will never want to go back to dry ice machine again because this
unit is very easy & safe to operate as it is the most convenient way to
create ankle-deep fog for many applications.
Le Maitre Pea Souper
The traditional dry ice machine, the Pea
Souper is lightweight, yet powerful.
The rate of flow is easily controlled, and the
unit’s 9kg dry ice capacity gives approximately
5 minutes of fog production.
•173
Flame, Snow & Bubble Machines
Silk Flame Effect
1900mm High
500W
S-100II & S-200 SNOW MACHINE
Antari continues to excel in the snow effect range built to
the same stringent standard as our fog machines. The S100II is a robust, high pressure, large output snow machine
that produces abundant amounts of snow that are
capable of blowing considerable distances. The durable
motor is enclosed in rubber cushions within the case for
high output and low vibration.
B30 Bubble Machine
The largest bubble machine in the
evolution effects range, which
produces approximately 4000
bubbles per minute from it's 2.5 liter
tank. The machine comes with a
timer remote control with interval
and duration control.
•174
Pyrotechnics
CPS is a stockist of Le Maitre products
and can supply any of the
pyrotechnics in the Le Maitre
Catalogue.
We have available to hire a large
range of the Pro Stage 2 firing
systems including:
•2 Way Firing Controllers
•6 Way Firing Controllers
•Angle Pods
•Standard Pods
•Bomb Tanks
•175
Scenic Materials
Contents
Conference Sets
Stage Weights / Braces
Star cloths
176
Conference Sets
At CPS we have a range selection
of different size sets available. Our
sets are available in 8ft, 10ft , 12ft
and 14ft heights and are available
with either single or double
aperture screens. We can also
provide custom designed sets if
you are after some thing special.
•177
Stage Weights, Braces & Fixings
Our hire department
have a stock of stage
braces both extending
and French braces and
Stage weights. We also
have scenic fixings for
sale over our counter.
•178
Star Cloths
We stock both LED and
Fibre optic star cloths in a
range of sizes from 6ft by
6ft up to 40ft by 20ft. LED
cloths are modular and
can be combined to
create whatever size you
need.
•179
Extensions, Cable and Adaptors
All Extension Cables
Audio
Lighting Data
Lighting Multi's
Video
Power Distribution And Cable
180
Audio Cable
Signal Cable
Speaker Cable
XLR
NL2 Speakon
¼ jack - FXLR
¼ Jack - MXLR
¼ Jack - Phono
NL4 Speakon
NL8 Speakon
¼ jack - Insert
EP4
Phono - FXLR
EP5
Phono - MXLR
Twin Phono - Phono
Mini Jack - Twin ¼” jack
Gender Changers
Audio XLR Multicore
50m 40/8 Multi
30m 28/4 Drum Multi
30m 24/4 Multi
20m 12/4 Multi
10m 8 Multi
•181
Lighting Data Distribution
Data Cable
3 Pin DMX
5 Pin DMX
5-3 Converters
3-5 Converters
3 Pin DMX Terminators
5 Pin DMX Terminators
2 Way Active DMX Splitter
6 Way Active DMX Splitter
•182
Lighting Multicore
Lighting Multicore
Socapex
Socapex to 16amp Fan-outs
16amp to Socapex Fan-ins
Socapex to 15amp Fan-outs
15amp to Socapex Fan-ins
•183
Video Cable
Video Cable
VGA Cable
BNC Cable
S-Video Cable
DVI Cable
VGA Break Out Cables
HDMI Cable
•184
Power Distribution And Cable
Contents
Single Phase Distribution
Single Phase Cable
Three Phase Distribution
Three Phase Cable
All Our Distribution
Is now
Rubber Box
Distribution
Please Call Us For Further
Power Distribution Options
185
Single Phase Power Distribution
Single Phase Power Distribution
32amp Splitter
32amp – 2 x 16amp RCD
32amp RCD – 2 x 32amp RCD, MCB
32amp – 4 x 16amp RCD, MCB
32amp – 4 x 13amp
63amp – 2 x 32amp RCD
63amp – 2 x 63amp MCB
63amp - 1 x 63amp, 2 x 15amp, 2 x 16amp, 4 x 13amp
63amp MCB - 4 x 32amp MCB
Is now
Rubber Box
Distribution
•186
Single Phase Power Cable
Small Power Cable
13amp 4 Ways
13amp – 15amp Converter
13amp IEC
Big Power Cable
15amp
15amp IEC
32amp
63amp
16amp
Is now
16amp 3 way splitter
16amp 2 way splitter
Rubber Box
Distribution
•187
3 Phase Power Distribution
3 Phase Power Distribution
32amp 3 phase – 3 x 32amp
32amp 3 Phase - 6 x 16amp RCD
63amp 3 Phase – 32amp 3 phase, 3 x 63amp RCD
63amp 3 Phase - 2 x 32amp 3 Phase RCD
63amp 3 Phase MCB - 2 x 63amp 3 Phase MCB
63amp 3 Phase - 3 x 63amp, 3 x 32amp, 6 x 16amp, 1 x
63amp MCB
125amp 3 Phase – 2 x 63amp 3 phase, 3 x 63 amp
125amp 3 Phase – 2 x 63amp 3 phase
125amp 3 Phase MCB - 2 x 125amp 3 Phase
125amp 3 Phase - 1 x 63amp 3 Phase, 6 x 63amp, 3 x
32amp, 3 x 16amp RCD, MCB
Is now
Rubber Box
Distribution
•188
3 Phase Power Cable
3 Phase Power Cable
32amp
32amp – 63amp cable
32amp Tail-in
63amp
63amp-32amp Converter
63amp-125amp Converter
63amp Tail-in
125amp
125amp Tail-in
Is now
Rubber Box
Distribution
•189
Packages
Contents
Party Packs
Lighting Packages
Sound Packages
190
Party Pack One

2 way 3KW Monster QUBE Sound
System and Disco Lights

4 x Speakers and 2 Amplifiers

2 x Renkus Heinz 2x18”Subs

2 x 12” Renkus Heinz Q12 Tops

1 x DJ Mixer

A Choice of either 2 x Technics 1210 or
two Pioneer CDJ 800

4 x Moonflower Beam effects and
Stands

1 x Small Smoke Machine

All Cables and Stands to complete
the system
System only available with CPS delivery and Set-up See Page 169 For Details
191
Party Pack Two
2 way 1.4KW Sound System and Disco
Lights
4 x Speakers and Amplifier (2 x Subs and 2 x
Full Range Tops)
1 x DJ Mixer
 A Choice of either 2 x Technics 1210 or
a Dual CD Player
2 x Barrel Moonflower FX
2 x Moonflower Beam effects and Stands
1 x Small Smoke Machine
All Cables and Stands to complete the
system
192
Party Pack Three

2 x Speakers and Amplifier

800W Sound System

2 x Full Range Speakers

1 x DJ Mixer

All Cables and Stands to complete
the sound system

2 x Moonflower Beam effects and
Stands

193
Lighting Package One
•
2 x 4 way Disco Lighting Bars and Stands
•
1 x Lighting Controller
•
4 x Moonflower Beam effects and Stands
•
•
All Cables and Stands to complete the
Lighting system
(Please Specify Length required when
Booking – extension cables are subject to
availability and may incur a surcharge.)
194
Lighting Package Two
•
2 x 4 way Lighting Bars and Stands
•
1 x Lighting Controller
•
All Cables and Stands to complete the
Lighting system
(Please Specify Length When Booking)
195
Up lighting Packages
6 Can
Stand Alone System
12 Can
Stand Alone System
24 Can
Stand Alone System
All Systems Supplied With Floor-Stands And Mains Cables
Why Not...
Add a SunLite DMX System
to allow colour mixing and
chases!
196
Sound Package One
• 2 way 3KW QUBE Sound System
• 4 x Speakers and 2 Amplifiers
• 2 x Renkus Heinz 2 x18”Subs
•2 x 12” Renkus Heinz Q12 Tops
• 1 x DJ Mixer
•A Choice of either 2 x Technics 1210 or two Pioneer
CDJ 800
•All Cables and Stands to complete the system
197
Sound Package Two

2 way 1.4KW Sound System

4 x Speakers and Amplifier (2 x
Subs and 2 x Full Range Tops)

1 x DJ Mixer

A Choice of either 2 x Technics
1210 or a Dual CD Player

All Cables and Stands to
complete the system
198
Sound Package Three

800w Sound System

2 x Speakers and Amplifier

2 x Full Range Speakers

1 x DJ Mixer

Dual CD Player

All Cables and Stands to
complete the sound system
199
CPS Vocal Package

400w Sound System (including
mixer-amplifier and 2 speakers)

2 x Speaker Stands

2 x Mic Stands

2 x Vocal Microphones

All Cables to complete the
system
200
Lighting Hire
4 x PR Pilot 250 Moving Head Package.
Complete With Sunlite, A Computerised preprogrammed DMX Controller and USB
Breakout Box
Martin Pro518 Large Scanners
Package of 4
Includes Stands / Sound to Light Units
Can be used with additional controller (POA)
Small Scanners - Package of 2
Includes Stands / Sound to Light Units
For best effect a smoke machine should be used with moving lights
201
Lighting Hire
Moonflower Effects Unit
Silk Flame Effect – 1900mm / 500W
LED Par64 Floor Can
with Stand alone mode
202
Sales
•Consumable Sales
•New Sales
•Reconditioned Equipment
CPS have long standing relationships with the
industries leading manufactures. We can provide
competitive prices all industry equipment as well as
the knowledge to select the best equipment to suit
your needs.
Please call for more information
+44 (0) 1202 572000
203
Terms And Conditions
•Important Notes
•Price Excludes VAT @ current rate
•All goods on Rental remain the property of CPS .
•Price Quoted does not include installation unless otherwise stated
•All quotations are issued under the terms and conditions of CPS
•Payment Terms
•Subject to contract, deposit required.
•For Non Account Holders we require full payment to reserve the equipment and the
following before the hire date
•3 forms ID Passport, driving Licence and Utility Bill. A refundable Deposit of a
minimum of £200 is mandatory
•All Major Credit Cards are acceptable for both payment and deposit. Both payments
must be made on the same card.
•Validity
•Unless withdrawn by the contractor before acceptance, quotations will remain open
for acceptance in writing by the client for a period of 28 days from the date of the
quotation, after which time the contractor reserves the right of modification or
withdrawal
•Images
•Images in this hire brochure may differ from equipment supplied.
•Please enquire when hiring
204
Delivery & Setup Charges
We are able to deliver and setup any equipment hired from CPS. We can
arrange transportation ranging from small local deliveries to long range pallet
couriers, please ask for a quotation
205
How To Find Us...
Find us at…
Unit 14, Airfield Road, Christchurch, Bournemouth, Dorset
BH23 3TG
TEL - (01202) 572000 , FAX - (01202) 599900
Website: www.c-p-s-group.com : Email: [email protected]
206
Productions & Events...
207
Installation
CPS Can offer a wide range of design and installation options specific to your venue. Working
closely with leading manufactures such as Martin Audio, Sennheiser and Yamaha, we can design
and install a system that is uniquely tailored to your specification.
CPS has a wealth of experience in installing Clubs, Bars, Schools, Churches, Council Buildings, Retail
Outlets, Lecturer Halls, Theatres and Concert Halls.
208

Hire Guide - CPS Group

Transcription

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