rebranding and repositioning house of neeta lulla through public
Transcription
rebranding and repositioning house of neeta lulla through public
“REBRANDING AND REPOSITIONING HOUSE OF NEETA LULLA THROUGH PUBLIC RELATIONS” PW PR & BRAND CONSULTANCY, INDIA SUBMITTED BY SHRADDHA BHANUSHALI ACADEMIC YEAR 2014-2016 MASTER OF FASHION MANAGEMENT DEPARTMENT OF FASHION MANAGEMENT STUDIES NATIONAL INSITUTE OF FASHION TECHNOLOGY (MUMBAI) I DECLARATION I, SHRADDHA BHANUSHALI, STUDENT OF NATIONAL INSTITUTE OF FASHION TECHNOLOGY, MUMBAI , STUDYING IN MFM SEMESTER IV, HEREBY DECLARE THAT I HAVE COMPLETED THIS PROJECT ENTITLED “REBRANDING AND REPOSITIONING HOUSE OF NEETA LULLA THROUGH PUBLIC RELATIONS” IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE GRADUATION PROJECT FOR THE DEGREE OF THE MASTERS IN FASHION MANAGEMENT COURSE DURING THE ACADEMIC YEAR 2014-2016 I FURTHER DECLARE THAT INFORMATION SUBMITTED BY ME IS TRUE AND ORIGINAL TO THE BEST OF MY KNOWLEDGE. DATE: SHRADDHA BHANUSHALI PLACE: MUMBAI II ACKNOWLEDGEMENT I, SHRADDHA BHANUSHALI STUDENT OF NATIONAL INSTITUTE OF FASHION TECHNOLOGY, MUMBAI, STUDYING IN MFM SEMESTER IV WOULD LIKE TO THANK THE DIRECTOR Smt. NILIMA RANI SINGH FOR THEIR CONSTANT SUPPORT IN THIS ENDEAVOUR. ALSO THE COURSE CENTER HEAD AND THE PROJECT MENTOR Ms. LIPI CHOUDHARY FOR THEIR VALUABLE SUPPORT AND GUIDANCE DURING THIS PROJECT. ALSO MY INDUSTRY MENTOR Mr. PARIKSHAT WADHWANI WHO HELPED ME WITH THEIR PRICELESS EXPERIENCE AND KNOWLEDGE, WITHOUT WHICH THIS PROJECT WOULD NOT HAVE BEEN SUCCESSFUL. SHRADDHA BHANUSHALI III ANNEXURE-IV (External Jury Examination Proceeding) NIFT: MUMBAI Proceedings of the MFM GRP External Jury Examination of Mr./Ms. ____________________ held at am/pm on in <NIFT, Mumbai> The GRP Internal Jury Examination of Ms. Shraddha Bhanushali on her MFM GRP report entitled “REBRANDING AND REPOSITIONING HOUSE OF NEETA LULLA THROUGH PUBLIC RELATIONS” was conducted in < NIFT Mumbai> at am/pm on . The following members of the External Jury were present: 1. 2. 3. 4. <Name, Designation & Address> <Name, Designation & Address> <Name, Designation & Address> <Name, Designation & Address> IV RECOMMENDATION The Research scholar Ms. Shraddha Bhanushali presented the salient features of her GRP work. This was followed by questions from the External Jury members. The questions raised by the Jury Examiners were also put to the scholar. The scholar answered the questions to the full satisfaction of the jury members. Based on the scholar’s research work, her presentation and also the clarifications and answers by the scholar to the questions, the board recommends that Mr./Ms.___________________________, be awarded the Master Degree in "Master of Fashion Management (MFM)" 1. (Name of the Jury Member with Signature) 2. (Name of the Jury Member with Signature) 3. (Name of the Jury Member with Signature) 4. (Name of the Jury Member with Signature) V EXECUTIVE SUMMARY This project basically includes the deep meaning of Public Relation functions and its importance in the fashion industry. The project titled as ‘Rebranding and Repositioning House of Neeta Lulla through Public Relations’ explains the efforts taken by PW PR & Brand Consultancy to reposition the Label to target the younger audience. It focuses on what are the main factors influencing consumer behavior of today’s youth in terms of buying patterns and how to change those factors to change the perception of today’s young female audience towards the label. The project states the following objectives like To understand the Public Relation process of PW PR & Brand Consultancy, to Rebrand and Re- position House of Neeta Lulla Label to appeal to the younger customers, to understand importance of Public Relations for Fashion Designers, study the daily activities performed by a Fashion Publicist and Role, Responsibilities and Skills required by a Fashion Publicist. House of Neeta Lulla is a fashion label with high importance to traditional heritage of India. Neeta Lulla who is famous for making exquisite designs for the Indian Women to enhance their beauty and elegance with great importance to Indian values and cultures. House of Neeta Lulla’s Image in the Media was more of a veteran label with only focus on Bridal Wear. Neeta Lulla wanted to change the face of her label. She wanted to make it for appealing and more targeted towards today’s generation. She wanted her label to stand out for individual young female who love to stay on trend and also admires Indian designs. The focus of the project is to introduce House of Neeta Lulla in a new and effective mode through Public Relations efforts. Today’s youth constitute large customer base for fashion and apparel sector. Also due to increase in globalization, the employment opportunities has increased and today’s youth wants to spend more. They have also become fashion conscious and image conscious due to increase in social media usage. VI Due to today’s young generation’s change in taste and preferences, it has significant impact on Indian design aesthetics and popular fashion. The research method undertaken was Qualitative research which heavily rely on personal observations. Qualitative research is collecting, analyzing and interpreting data by observing what people do and say. The Primary data collection for the project was done through personal interviews and personal observation. The secondary data was collected through internet research, magazines, and e-books. Hence the project includes the deep summary about the efforts taken by PW PR & Brand Consultancy to reposition Neeta Lulla Label to target young audience and its effects and outcome. VII Table of Contents CHAPTER 1 – COMPANY PROFILE ...................................................................................... 1 1.2. PW PR CLIENTS .................................................................................................................. 3 CHAPTER 2 - RESEARCH METHODOLOGY ......................................................................... 16 2.1 OBJECTIVES OF THE STUDY ................................................................................................ 16 2.2 SOURCE OF DATA- ............................................................................................................ 16 2.3 METHOD OF DATA COLLECTION- ....................................................................................... 16 2.4 SAMPLE SIZE ..................................................................................................................... 17 CHAPTER 3 - ABOUT PUBLIC RELATIONS.......................................................................... 18 3.1 INTRODUCTION ................................................................................................................ 18 3.2 BRIEF HISTORY OF PUBLIC RELATIONS ............................................................................... 20 3. 3 PUBLIC RELATIONS TOOLS AND TECHNIQUES .............................................................................. 24 3. 4 PR PROFESSIONALS .......................................................................................................... 26 3. 5. PUBLIC RELATIONS AND THE PRESS ................................................................................. 28 3. 6. FASHION PR .................................................................................................................... 29 3. 7 ROLES AND RESPONSIBILITIES OF A FASHION PUBLICIST ................................................... 31 3.8. COMPONENTS OF FASHION PR......................................................................................... 33 CHAPTER 4 - PWPR MANAGEMENT FUNCTIONS .............................................................. 36 4.1 CELEBRITY SPOTTING ........................................................................................................ 36 4.2. EDITORIAL FEATURES ....................................................................................................... 41 4.3. EVENTS AND LAUNCHES ................................................................................................... 46 4.4. COLLABORATIONS AND POTENTIAL RETAILING OPTIONS .................................................. 59 CHAPTER 5 - REBRANDING AND REPOSITIONING HOUSE OF NEETA LULLA THROUGH PUBLIC RELATIONS ......................................................................................................... 63 5.1. SCENARIO ANALYSIS.................................................................................................... 64 5.2. PROBLEM IDENTIFICATION .......................................................................................... 65 5.3 DEVELOPMENT OF STRATEGY............................................................................................ 67 5.4. IMPLEMENTATION OF STRATEGY ..................................................................................... 76 5.5 OUTCOME ........................................................................................................................ 85 CHAPTER 6 - BENEFIT TO THE COMPANY AND SELF LEARNINGS ....................................... 95 ANNEXURE I ................................................................................................................. 114 WEBLIOGRAPHY ........................................................................................................... 115 0 CHAPTER 1 – COMPANY PROFILE 1.1 ABOUT PW PR Parkishat Wadhwani Public Relations and Brand Consultancy (PW PR) is founded by Parikshat Wadhwani in year 2011. After completing his graduation, Parikshat Wadhwani started his career in Public Relations. After gaining experience and knowledge about public relation industry, he started his own firm called PW PR & Brand Consultancy. PW PR was first into food PR where they used to launch restaurants and lounges. Majority of food chains and restaurants have been handled by PW PR. Some of the famous restaurants launched by PW PR includes names like Mamagoto, Sassy Spoon, the big nasty, loca loca, to name a few. After successfully launching food restaurants and eateries, PW PR then shifted their base in another territory. Parikshat Wadhwani always had penchant towards fashion and hence he started with Fashion PR. A 6 year old company is an well-known PR agencies in the industry with high reputation and trust. PW PR had opportunity to work with greatest names in fashion. Following are Present and past client lists of PW PR & Brand Consultancy. 1 PW PR & Brand Consultancy is new and small but they have created a niche for themselves in the fashion industry. The Company has a lean organisational structure and a democratic way of working. All the employees are welcomed to give their suggestions and provide scope for improvement. It provides a sense of belonging to all the employees due the free functioning of the firm. A 6 year old company is an well-known PR agencies in the industry with high reputation and trust. PW PR had opportunity to work with greatest names in fashion. Following are Present and past client lists of PW PR & Brand Consultancy. 2 1.2. PW PR CLIENTS 1.2.1 Neeta Lulla From simplicity to royalty, Neeta Lulla has it all to her credit. Neeta Lulla has been one name which has been prevalent in the industry since two decades now. The designer has been an active contributor in giving the actors a look to die for. Her designs have not only been recognized in India, but have also acquired great acclaims globally. The designer has made a niche for herself, creating the costumes of the era long lost. The challenge to create designs for the high profile and larger than life movies like Jodha Akhbar and Devdas have been very well met by Neeta Lulla, who tuned them to the richness and charismatic period of the movies. From the elegant look of Chandni and the underdone colors of Yuva, to the majestic appearance of Paro and the recent Jodha, the talented designer has each time surpassed her own record, to create a new high. Early Life Neeta Lulla started as an assistant to the former Indian leading fashion choreographer, Jeanne Naoroji, in the late 1980's. After gaining experience and knowledge in the field, she started off with her first venture in Bollywood with the film Tamasha, with Kimi Katkar. However, the glare of publicity that 3 brought her instant stardom in the fashion world of Bollywood came with the movie 'Lamhe'. The simple yet elegant look of Sridevi won her not only great accolades, but also a national award for designing great attires. Her journey in the fashion fraternity has no looking back since then. Career and Success The ingenious capabilities of Neeta Lulla has kept her going strong past two splendid decades, with almost over 350 movies to her credit. They have also won her national award. Globally, Neeta Lulla has done a number of shows in U.S., Canada, Monte Carlo and Rome. Apart from being the 'desi' style guru, she has also had impressive international victory. She was commissioned to design all the costumes for Omar Sharif and Peter O'Toole in the Hollywood mega film 'One Night with the King'. Neeta is also designing costumes for Gurinder Chadha-Paul Myeda's 'Mistress of Spices', with Aishwarya Rai once again in the lead. She is also working for Tanuja Chandra's English film and one more untitled Hollywood film. Influences over the years With 25 years of fashion experience, she has evolved as a fashion designer tremendously and onto superior levels. With the passing years, her collections have aimed at matching the advancing fashion tastes of the generations today. More quality oriented fabrics like cotton, georgette, chiffon, net, silk, etc are a part of her collections, which are witnessed in her trend setting designer saris and other such traditional outfits. More beads, shimmering threads, frills and delicate colors have been added to her collections. Brand and Clientele An expert in bridal trousseau and a national award winner, Neeta Lulla has a whole bunch of Bollywood biggies in her kitty as her clientele. From Sridevi, Juhi Chawla, Tabu, Mahima Chowdhary to Aishwarya Rai Bachchan and Abhishek Bachchan the designer has roped them all. After designing for movies and the who's who of the industry, the designer has moved a step further and launched a flagship store in Mumbai. This two-storey showroom, made of ivory, dull gold and aquamarine, has two lines of collection. While the basement caters to the bridal lounge (Neeta Lulla Couture), the ground floor holds diffusion line (Neeta Lulla Nishq). Filmography Some of the famous movies Neeta Lulla has been a part of are: Jodhaa Akbar Devdas Kisna 4 Yuva Taal Hum Aapke hai Kaun Hero no 1 AWARDS National Film Award for Best Costume Design 2012 for Balgandharva National Film Award for Best Costume Design 2009 for Jodhaa Akbar. IIFA Best Costume Design Award 2009 for Jodhaa Akbar. Kingfisher Fashion Award 2005 for Contribution to Fashion. Bollywood Movie Award – Best Costume Designer 2003 for Devdas. Zee Cine Award for Best Costume Designer 2003 for Devdas. National Film Award for Best Costume Design 2002 for Devdas. Bollywood Movie Award – Best Costume Designer 2001 for Mission Kashmir. IIFA Best Costume Design Award 2000 for Taal 5 1.2.2 NISHKA LULLA Nishka Lulla is a name which has set a distinct identity of being a young, crisp and dynamic designer who graduated from SNDT College, Mumbai. Nishka Lulla is currently one of the leading designers in the fashion industry, brain-child behind two established lines of clothing: ‘Nisshk’, the traditional fusion line and the new born ‘Nishka Lulla’ the boho traveller chic prêt-e-porter line. Passionate about design since childhood, she always wanted to be a designer. She polished her skills and expertise by assisting under mentor, Neeta Lulla. Nishka dazzled through to spotlight after winning the ‘Creative Excellence Award’ for the ‘Barbie all Doll'd up’ show at the Lakme Fashion Week 2009, where India's leading designers participated to design an outfit for Barbie for her 50th Anniversary. The outfit today is being displayed at the Barbie museum internationally. Adding to her accolades, Nishka also recently bagged the Grazia Young Fashion Award for “Designer of the Year 2014”. 6 Nishka Lulla had designed luxury home linen collection with Portico New York, called Bohemian. She has also collaborated with international beauty brand Lancome India to launch their product, where she designed a line inspired by the product. Nishka has recently collaborated with the Indian highstreet label 109F to launch a collection of easy-to-wear pieces that will be sold across various doors of the latter. Nishka Lulla also partnered with beauty giant – Clinique to launch their Pop Artistry collection for Spring Summer 2016 in Mumbai. Nishka's clientele includes top notch Indian celebrities like Sonam Kapoor, Shraddha Kapoor, Kareena Kapoor, Anushka Sharma, Parineeti Chopra, Alia Bhatt, Lara Dutta, Sonakshi Sinha, Kajol, Katrina Kaif, Kalki Koechlin, Jacqueline Fernandez, Kiran Rao, Genelia D'souza, Sameera Reddy, Dia Mirza, Evelyn Sharma, Aditi Rao Hydari, Tammana, Nimrat Kaur and Tanisha Mukherjee, to name a few. 7 1.2.3 NATASHA J NATASHA DAVDA After Natasha Davda’s tryst with Vogue as a freelance fashion researcher in 2009, the designer briefly began her professional association with designers and export houses trying to grasp as much knowledge and experience from professionals in the industry. She continued her journey until she started focusing on the launch of her own label. It was in 2011, her private label-Natasha J was launched, as a way to truly satisfy her design instincts. This is where Natasha gave her penchant for stylish clothes a free reign, while maintaining the wear-ability of each garment. Natasha’s creative bent is naturally inherited with her father involved in the making of fine diamond jewellery and her mother who is a commercial artist. It was her natural flair for style and a keen eye for global trends that made Natasha pursue her dream. To further expand her knowledge that Natasha decided to take up a three-year fashion course at SNDT, Mumbai, following which she further enrolled herself 8 in a few short and specialized courses at Fashion Institute of Technology, New York. ABOUT THE LABEL - NATASHA J Natasha J-wear is the perfect blend of comfort and style, while maintaining the wear-ability of each garment. The mix-n-match separates make a statement individually or as an ensemble, while allowing the wearer to cater to their personal distinctive style. The collections are always commercially viable due to the suitability to the Indian consumer and of course, the use of fine quality fabrics. Each piece is well suited to wear for any special occasion at any destination. Natasha’s design sensibility and a personal touch of detailing add a unique touch to each and every piece available in the collection. It is the quirky elements, mix of color blocking and prints, or even an over the top bold tassel; that makes it a must-have piece in every wardrobe. The label’s key focus is separates which are chic and on trend, and are crafted to suit all body types. Natasha J is currently available at ATOSA, AZA and her flagship studio in Mumbai. 9 1.2.4. AMY BILLIMORIA Amy Billimoria who is a graduate in apparel manufacturing and designing from the SNDT University of Fashion Designing, has been a part of the Indian fashion fraternity for twenty four long years. Specializing in couture and bridal fashion, Amy Billimoria has been trained with the stalwarts of the Indian fashion industry and today is a mentor at many of Mumbai’s leading fashion colleges like SNDT and B.D Somani college of Fashion Design. The designer strongly supports Eco Fashion curbing textile wastage keeping Reuse, Reduce and Recycle as the core essence of her design philosophy. An Eco Fashion initiative ‘Earth 21’ by Couturier Amy Billimoria saw a grand launch during the Earth Week finale which was unveiled by international icon Shoaib Akhtar. Amy Billimoria carries many accolades like the Lions Gold Awards, Manikchand Designer of the year, Leela Trophy for best embellishment, Femina Chrysalis Alumni Trophy and Garden Vareli Best Sari Choli Design to name a few. Amy has had the opportunity of dressing some of the most prominent faces from royal families and the film fraternity like Sonakshi Sinha, Aditi Rao Hydari, 10 Shruti Hassan, Richa Chadda, Tabu, Ileana D'Cruz, Hema Malini, Sania Mirza, Shoaib Akhtar and the likes. 11 1.2.5 LABEL BOSQUARE Label BoSquare is founded by Designer Nitin Singh who wants to make Indian men stylish and suave. He designs traditional silhouettes with quirky touch. BoSquare showcases an artistically suave collection with an edge of quirkiness. With brilliant deep shades of blue, green, maroon to staple hues of grey, black and white, the label bestows an enigmatic approach towards bespoke apparel making. Using rich textures like linens, velvets and Banarasi brocades, the pieces are fit for every occasion and personality. With elan and elegance, BoSquare brings stylish yet edgy ensembles to reflect the dapper side of men in the city. Label Bosquare has been loved by celebrities like Arjun Kapoor, Varun Dhawan, Irfan Khan, Fawad Khan, Sushant Singh Rajput, to name a few. 12 1.2.6. OLDER CLIENTS 1. Sailex Sailex Ngairangbam completed his schooling from Imphal, Manipur. He pursued a fashion design degree at NIFT, Bangalore and graduated in 2005. He followed this up with a masters’ degree from Domus Academy, Milan (2007). As part of his training, he undertook internships at Frankie Morello and Rafael Lopez, and also worked on projects with Costume National, Marina Rinaldi, Patrizia Pepe and Havaianas. Sailex is a premium to luxury clothing label, designed by Sailex Ngairangbam. It started out as a women’s eveningwear label in 2008, but over the years, the studio has expanded its product ranges. Babita Malkani Babita Malkani started her career in 1988 and has been a regular at various fashion events in India and Internationally. Babita's niche involves embracing rich fabrics with spirited cuts and shapes that reflect contemporary high fashion. Malkani often incorporates arty expressions and her experiences into her works - with a healthy inspiration from nature. The designer has showcased her collections at Dubai Fashion Week 2009, Lakme Fashion Week Summer Resort 2010 and Global Runway’s Night Out Spring-Summer 2010 in New York. 2. Hema Kaul Hema Kaul is an Indian designer based in Dubai. As the eldest of three children, Kaul took over the family business at an early age, but has always nurtured a love for design in all its forms. Kaul travels around the world, staying on top of things and remaining up to date on the trendiest clothes and on style in general. 13 HEMA The Label traces her design aesthetics to western couture with european styles & minimal designs heightened with glamor of every ensemble. She retails in multi designer stores like Fuel, Pernia’s pop up shop, and also through her own website. 3. Nisha Sainani Nisha Sainani, a Mumbai-based designer, launched her label in the year 2008. Inspired by her travels coupled with her passion for fashion, Nisha Sainani was determined to follow her dream which led her to fashion school and further on to explore the fashion design industry. Nisha Sainani’s collections focus on urban luxury prêt & ready to wear, a niche that she has discovered in the past few years. 4. Priyanka Parekh Priyanka Parekh, a luxury pret label founded by Kolkata based designer Priyanka Parekh. The journey for Parekh in the world of fashion started early and she followed her dreams by pursuing a formal education with NIFT Kolkata. 14 Parekh launched her first flagship store, PRIYANKA PAREKH in Kolkata in 2014.Parekh made her debut this year at the renowned multi-designer store, Atosa in Mumbai with the A/W 2015 collection. 5. SASS by Pooja S. Pooja S was inclined towards fashion since a very young age and was very certain to make a career out of it. Given Pooja’s natural inclination towards fashion she wanted to capitalize on her knowledge, thus she went ahead to pursue a few short degree courses in this space. Pooja draws her inspiration from nature and her children, which is very prominent in her collections featuring floral prints against a vibrant color palette in a range of styles from resort to evening wear. Each and every creation of Sass by Pooja exudes sensuality which is sure to make heads turn once carried off. 15 CHAPTER 2 - RESEARCH METHODOLOGY A Qualitative Research Analysis was done to understand the scenario and to develop strategies accordingly. 2.1 OBJECTIVES OF THE STUDY 1. To understand the Public Relation process of PW PR & Brand Consultancy 2. To Rebrand and Re- position House of Neeta Lulla Label to appeal to the younger customers 3. To understand importance of Public Relations for Fashion Designers 4. Study the daily activities performed by a Fashion Publicist 5. Role, Responsibilities and Skills required by a Fashion Publicist. 2.2 SOURCE OF DATAMedia professionals, Fashion stylists, customers of high end designer wear 2.3 METHOD OF DATA COLLECTIONQualitative research presents non-quantitative type of analysis. Qualitative research is collecting, analyzing and interpreting data by observing what people do and say. Qualitative research refers to the meanings, definitions, characteristics, symbols, metaphors, and description of things. It is much more subjective and uses very different methods of collecting information, mainly individual, in-depth interviews and focus groups. The nature of this type of research is exploratory and open ended. Small number of people are interviewed in depth. The qualitative data gathering strategies used for this study is as follows: Interviews Face to face interviews were conducted to gather responses from the respondents. This method allows the researcher to establish rapport with the potential participants and also to clarify ambiguous answers and also to provide necessary information to them. 16 Telephone interviews are less time consuming and less expensive and the researcher has ready access to anyone on the planet who has telephone. Telephonic interviews were conducted to gather responses from the respondents. General Observations The research executive has to observe employees, customers, type of merchandise in store, type of retail format, size of store, etc. to get basic information about retailer. These observations must be noted down. 2.4 SAMPLE SIZE There is no fixed sample size for the research. 17 CHAPTER 3 - ABOUT PUBLIC RELATIONS 3.1 INTRODUCTION Every organisation, no matter how large or small, ultimately depends on its reputation for survival and success. Customers, suppliers, employees, investors, journalists and regulators can have a powerful impact. They all have an opinion about the organisations they come into contact with - whether good or bad, right or wrong. These perceptions will drive their decisions about whether they want to work with, shop with and support these organisations. In today's competitive market, reputation can be a company's biggest asset – the thing that makes you stand out from the crowd and gives you a competitive edge. Effective PR can help manage reputation by communicating and building good relationships with all organisation stakeholders. Public Relations is about reputation - the result of what you do, what you say and what others say about you. Public Relations is the discipline which looks after reputation, with the aim of earning understanding and support and influencing opinion and behaviour. It is the planned and sustained effort to establish and maintain goodwill and mutual understanding between an organisation and its publics. 3.1.1 Terms The following terms are used in the definition of PR: 'Organisation' can be a government body, a business, a profession, a public service or a body concerned with health, culture, education - indeed any corporate or voluntary body large or small. 'Publics' are audiences that are important to the organisation. They include customers - existing and potential; employees and management; investors; media; government; suppliers; opinion-formers. 'Understanding' is a two-way process. To be effective, an organisation needs to listen to the opinions of those with whom it deals and not solely provide information. Issuing a barrage of propaganda is not enough in today's open society. 18 Public relations success requires a deep understanding of the interests and concerns of each the client's many publics. The public relations professional must know how to effectively address those concerns using the most powerful tool of the PR trade: publicity [source: Bureau of Labor Statistics]. Entrepreneur.com defines public relations purely in terms of publicity work, describing PR as "Using the news or business press to carry positive stories about your company or your products; cultivating a good relationship with local press representatives" [source: Entrepreneur.com]. In many cases, the chief duty of the public relations professional is to draft press releases, which are sent to targeted members of the media. But to limit the scope of the public relations definition to publicity alone would be to underestimate the growing influence and reach of PR. For example, Undersecretary of State Karen Hughes is scheduled to speak at the Public Relations Society of America's annual conference about "public diplomacy," a branch of government public relations. Public diplomacy is shaping the image of a nation (in this case, the United States) in the eyes of both traditional allies and enemy states. Today's public relations professional does much more than sit behind a desk faxing out press releases. More than ever, he's the public face of the client. It's the PR professional who organizes community outreach and volunteer programs. It's the PR representative who cultivates relationships with potential investors. And it's the PR executive who goes on the cable TV news program to answer the tough questions. Public relations (PR) is the way organisations, companies and individuals communicate with the public and media. A PR specialist communicates with the target audience directly or indirectly through media with an aim to create and maintain a positive image and create a strong relationship with the audience. Examples include press releases, newsletters, public appearances, etc. as well as utilisation of the world wide web. 19 3.2 BRIEF HISTORY OF PUBLIC RELATIONS Public relations arrived with the development of mass media. At the turn of the 20th century, "muckraking" journalists were stirring up public dissent against the powerful monopolies and wealthy industrialists who ruled the day. Early public relations firms combated the bad press by placing positive stories about their clients in newspapers. Former journalists, such as Ivy Lee, used the first press releases to feed newspapers "the facts" about his misunderstood clients, namely the railroad and tobacco industries, and J.D. Rockefeller's Standard Oil. Lee and company became so good at whitewashing even the darkest corporate sins that PR professionals earned a reputation as "spin doctors." Much time has passed since the days of Ivy Lee, and to label today's PR professionals as dishonest would be to ignore how pervasive and important their work has become to people and organizations of all shapes and sizes -- small businesses, authors, activists, universities, and non-profit organizations -- not just big business and big government. Public relations has been with us for thousands of years. The Greeks had a word for it: sematikos: to signify, to mean. Semantikos means semantics, which can be defined as how to get people to believe things and do things. That is not a bad definition of public relations. In 50 B.C. Julius Caesar wrote the first campaign biography, Caesar’s Gallic Wars. He publicized his military exploits to convince the Roman people that he would make the best head of state. Candidates for political office continue to publicize themselves with campaign biographies and accounts of military exploits to this day. In 394 A.D., St. Augustine was a professor of rhetoric in Milan, the capitol of the Western Roman Empire. He delivered the regular eulogies to the emperor and was the closest thing to a minister of propaganda for the imperial court. Thus, St. Augustine was one of the first people in charge of public relations. The modern equivalent would be the President’s press secretary or communication director. In 1776, Thomas Paine wrote “The Crisis,” a pamphlet which convinced the soldiers of Washington’s army to stay and fight at a time when so many were prepared to desert so they could escape the cold and the hardships of a winter campaign. Paine was a master of political propaganda whose writing could get people to do things and believe things. 20 Benjamin Franklin made it a rule to forbear all contradiction to others, and all positive assertions of his own. He would say, "I conceive” or "'I apprehend" or "I imagine” a thing to be so, or it appears to be so. Franklin pioneered the rules for "personal relations" in an era before mass media had made possible a profession called "public relations." In the middle of the 19th century appeared a man who was to become one of the leading publicists of all time, P. T. Barnum. His accomplishments include the founding of the American Museum and the establishment of the Barnum and Bailey Circus. Barnum was a master of promotion who could fill his enterprises with customers by using what we today would call sleazy methods of publicity. For example, he announced that his museum would exhibit a 161-year-old woman who had been Washington's nurse. He produced an elderly woman and a forged birth certificate to make his case. William Seward, Lincoln's secretary of state in 1861, gained a large American audience through his understanding of how to use the press. He told his friend Jefferson Davis (they were friends before the war): "I speak to the newspapers – they have a large audience and can repeat a thousand times what I want to impress on the public.” Public relations became a profession in 1903 as Ivy Lee undertook to advise John D. Rockefeller on how to conduct his public relations. Rockefeller owned coal mines and the Pennsylvania Railroad. Miners were on strike and the railroad hushed up the facts when its trains were involved with accidents. Lee advised Rockefeller to visit the coal mines and talk to the miners. Rockefeller spent time listening to the complaints of the miners, improved their conditions, danced with their wives, and became a hero to the miners. After a railroad accident, Lee invited reporters to inspect the wreck and get the facts. The Pennsylvania Railroad then obtained its first favorable press coverage. Lee professionalized public relations by following these principles: 1. Tell the truth 2. Provide accurate facts 3. The public relations director must have access to top management and must be able to influence decisions Lee defined public relations, saying: Public relations means the actual relationship of the company to the people and that relationship involves more than talk. The company must act by performing good deeds. 21 ON THE IMPORTANCE OF TRUTH: 1. Warren Buffet of Salomon Brothers: "If you lose money for the company, I will be understanding. If you lose one shred of the company’s reputation, I will be ruthless.” 2. Speaker of the House Sam Rayburn commenting on the integrity of Army Chief-of-Staff George Marshall: “When General Marshall comes to talk to us, we forget whether we are Democrats or Republicans. We just remember that we are in the presence of a man who is telling the truth."" Public relations took the next step toward professionalism in 1918 as Edward Bernays advised the President of the new country of Czechoslovakia to announce independence on a Monday, rather than on a Sunday to get maximum press coverage. In 1923, Bernays published “Crystallizing Public Opinion,” in which he established several public relations principles. He said that public relations had these functions: • To interpret the client to the public, which means promoting the client • To interpret the public to the client, which means operating the company in such a way as to gain the approval of the public. Bernays and Lee were stressing the idea that the corporation should accept social responsibility. Bernays’ ideas about social responsibility led to his refusal to accept unethical clients. He created the concept that there are many publics and each public needs to be appealed to. He advised public relations professionals to seek out group leaders and other key communicators (opinion leaders), who would be able to pass along ideas to other members of the public. Other Bernays concepts include: a. Public relations is a public service b. Public relations should promote new ideas and progress c. Public relations should build a public conscience Bernays put his ideas into practice when he took on as clients Proctor and Gamble and the Columbian Rope Company. Proctor and Gamble had produced a radio commercial, which was offensive to African-Americans. Bernays took these steps: a. He changed the commercial 22 b. He got the company to offer African-Americans significant jobs c. He invited them to tour the plant d. He featured African-Americans in the company newsletter The Columbian Rope Company had an anti-union image. Bernays took these steps: a. He produced a radio program featuring union and management panelists b. He induced the company to bargain with the union c. He offered tours of the plant d. He convinced the company to sponsor a vocational program Edward Bernays may truly be called the father of public relations and Ivy Lee the first public relations counselor 23 3. 3 PUBLIC RELATIONS TOOLS AND TECHNIQUES PR specialists and firms use a number of tools and techniques to boost their clients’ public image and help them form a meaningful relationship with the target audience. To achieve that, they use tools such as news releases and statements for media, newsletters, organisation and participation at public events conferences, conventions, awards, etc.. PR specialists of course also utilise the Internet tools such as social media networks and blogs. Through the mentioned tools, PR specialists give the target audience a better insight into their clients’ activities and products/services as well as increase publicity. Sending press releases has become much easier with e-mail. With a few simple mouse clicks, a public relations specialist can send tens or thousands of press releases to a targeted group of journalists. This practice, however, has given rise to press release spam, meaning that journalists are more likely to press the delete key before even opening the message. There are some companies who advertise spam-free press release services. These companies claim to have access to reporters and editors at top publications. The company will write and distribute a press release for a fee. Another advance in PR technology is the Web itself. By building a well-designed Web site, a company, individual or organization can share information that polishes its image and furthers its agenda. Web sites are also an excellent way to get the right information to journalists. Most large organizations and businesses include a media room on their official Web site. This area of the site is used to publish all press releases, company history, executive bios, high-resolution digital photos and even downloadable, digital press kits. Rather than seeking out media attention through mass-e-mailed press releases, a good Web site will draw in journalists by itself. One of the biggest PR challenges posed by technology is the explosion of social media, sometimes called Web 2.0. Social media includes social networking Web sites like Facebook and MySpace, and user-generated content communities like YouTube. But the effect of Web 2.0 is much wider and deeper than a few Web sites. There now exists an entire generation of young people who have grown up online. This Net Generation doesn't know life without a cell phone and an e-mail account. They're used to searching for all their information online and are distrustful of "official" opinions or anything that smells of advertising. 24 This generation is unreachable by press releases. Their opinion-makers are bloggers and peers, not paid critics. Sure, it's possible to e-mail traditional press releases to bloggers, but such transparently promotional messages are likely to ignored. Brian Solis is a PR consultant and avid blogger who offers advice for PR firms eager to tap into social media. Solis emphasizes that social media represents more of a sociological change than a technical one. This generation prizes honesty, engagement and transparency over anything else. For a company to get its message to an online community, it must join that community. And not as a spectator, but as a passionate participant; a real fan. Solis recommends that companies invest more in community managers, people in charge of tracking and managing a client's image online. These community managers scour company message boards, read industry blogs and most importantly, communicate with the public. Their responses should reflect the opinions of real people. This might explain the surge of executive blogs on many official company Web sites. Consumers like to know there are real people behind these businesses, people who have strong opinions about hot issues and who are engaging with their public. This idea of an active, two-way dialogue between corporation and consumer is key to managing an image with social media. There's a danger, however, in coming across as an out-of-touch corporate shill trying to play the social media game. Some companies have engaged in a practice called Astroturfing, or creating fake grassroots media. An example of Astroturf would be posting a video on YouTube that appears to have been made by two geeks in Iowa, but was really produced by a room of Madison Avenue suits. Yet another danger of the online era is the ability of a negative news story to spin out of control in a matter of hours, rather than days. Blogs pick up bad press and instantly amplify it to the world. Amateur journalists armed with camera phones can break an embarrassing story and have it on the national news by six o'clock. It's becoming harder and harder for a small PR staff to combat these well-armed masses of opinion-makers. 25 3. 4 PR PROFESSIONALS PR professionals spend a lot of time cultivating relationships with journalists and other members of the mass media. This is done by researching which journalists write about the client's industry or personal interests. A PR professional might contact the journalist to find out more about the types of stories he's looking for and how he likes to receive story pitches. A journalist is much more likely to read a press release that's fresh, timely, from a recognizable source and targeted specifically to his interests. Another job of public relations is to create a press kit, or media kit. A journalist might request a press kit as a follow-up to a press release. The press kit contains everything the journalist needs to understand who the client is and what the client does. That could include: Executive profiles Quick facts about an organization, such as its company history Photographs Detailed product descriptions; even samples Recent press releases Business card of PR representative People who work in PR are regarded as experts in media relations. They're often asked to train employees on how to effectively communicate with the media, particularly during print or TV interviews. Here's some of the interview advice dispensed by media trainers: Be prepared with a few simple, key messages. Think like a reporter; prepare answers for questions that are likely to arise. Use the "blocking and bridging" technique to steer answers in the right direction. For example, use the phrases: "Now that's an interesting question…" followed by "what's important to remember is…" or "the real issue today is…". Never lie to a reporter or say "no comment" Better to say you're "carefully reviewing" all the facts. For TV interviews, look comfortable and feel conversational, but never mistake an interview for a conversation. The PR department is responsible for organizing and holding press conferences when appropriate. Not all news merits a press conference. There must be more to the conference than just the reading of a press release. Journalists will only attend a press conference if it promises to announce a truly unique, timely event, complete with exciting visuals, experts and important officials in attendance. 26 Press conferences allow PR professionals to reach all potential media outlets at once --print, broadcast and Web. If you successfully attract a crowd of reporters, you can capitalize on the natural competitiveness of journalists, who will try to "out-scoop" each other on a truly exciting story. Some PR professionals are turning to Web press conferences to save money and to increase the odds that busy journalists will attend. Web press conferences use Web conferencing software to stream a video presentation online in real time. Public relations professionals also manage crises. "All publicity is good publicity," claims the old PR adage. But one piece of really bad press can tarnish the well-honed image of a business, college or politician for good. According to a 2007 survey by Harris Interactive, 15 percent of consumers would never again purchase a recalled brand. PR experts create a crisis management plan to respond quickly and proactively when a potentially damaging story is breaking. 27 3. 5. PUBLIC RELATIONS AND THE PRESS Public relations can't function without the press. PR professionals spend most of their day maintaining existing relationships and cultivating new ones with journalists and other members of the mass media. Journalists are bombarded with press releases – the Los Angeles Times receives hundreds a week. Reporters are most likely to pay attention to those from a trusted source. For a PR person to win that trust, he issues press releases targeted to the journalist's "beat," or expertise. Press releases should read like actual stories, not just bullet points extolling the client's virtues. There has to be something truly newsworthy about the release or it will be ignored. Technically, journalists don't need press releases and PR contacts to do their jobs, but it can make the task of filling a daily newspaper or nightly news broadcast much easier. A well-written press release with a real news hook can translate directly into a story, saving a journalist valuable time tracking down sources and assembling facts. In a perfect PR world, clients never make mistakes and the press never asks for information that isn't on the official statement. But when the media comes calling, PR departments and publicists are the first line of defense. It's a hard fact of life for the PR professional. You crave media attention when the news is good and flee from the spotlight when things go bad. As we discussed earlier, a good PR department will have a plan in place and a skilled spokesman on hand to make sure that the press hears something other than the classic "No comment." If a client feels a newspaper is misrepresenting the facts, the PR professional does have some weapons in his arsenal. One option is to write an Op-Ed piece telling the client's side of the story and submit it to the newspaper for publication. If the newspaper won't accept the editorial, another option is something called an advertorial. Advertorials are paid advertisements that look and read like a regular Op-Ed piece in a newspaper. Different newspapers have different policies about what kind of information can appear in a paid ad, but many will simply print an advertorial with a special banner that's says "advertisement." Ethical or not, studies have shown that readers still have a hard time distinguishing between advertorials and regular editorials. 28 3. 6. FASHION PR The fashion world is dependent on creating trends that attract and retain the attention of a clothes-conscious public. The role of a public relations representative in this industry is critical because she puts the face of her client companies out in the world. This person is responsible for marketing the latest fashions in a creative way, creating a buzz among influential journalists and bloggers. 3.6.1. Forging Press Relations Promoting a fashion business is the number-one goal of a public relations representative in this field. Lindsay Green, communications director for the Jill Stuart Company, revealed in a 2011 interview with "The Gloss" that she spends most of her time getting the word out about the company's line. This involves working with editors who will write articles about the company for leading fashion magazines. It takes a business-oriented mind as well as an interest in fashion to create the materials necessary to get your company's name in the media. 3.6.2. Building a Brand Elaine Quan, The Bay's senior public relations manager, says that an important portion of her time is devoted to the planning and execution of shows and other promotional events. According to a 2011 interview with Love Sewing, she claims the most important aspect of her job in public relations is to clearly define and maintain her company's "brand." Good public relations representatives must strive to keep their promotions consistent by never sending out a mixed message. For example, if your company's line is geared toward professional dress, you want to create professional-styled events that will attract customers interested in that niche. 3.6.3. Communicating the Message Fashion public relations specialists spent much of their time in interactions with company staff, including designers and marketing executives, as well as with vendors and customers. The public relations specialist encourages key buyers to carry the fashion line or promote it at events. Good communication skills are essential. 29 3.6.4. Handling Complaints Fashion public relations representatives also can expect to handle complaints on a frequent basis. They may have to pacify customers regarding incorrect or late shipments, damaged merchandise or other misunderstandings. They should be ready to smile, listen and cheerfully resolve complaints so that the customer gets his satisfaction and you gain his trust in working directly with you. 30 3. 7 ROLES AND RESPONSIBILITIES OF A FASHION PUBLICIST The world of Fashion Public Relations is an exhilarating, fast-paced field where the hours are long, and the work is extensive. Those who have mastered the skills of promoting fashion to a clothes-conscious public will prosper. It is a hands-on job, working with either a single brand or many brands, small or major, that’s learned by doing. The fashion industry is not a minor industry. Quite the opposite, it’s huge. Furthermore, fashion dictates many of the behaviours and attitudes of the public. But it’s a full industry that is highly competitive. Although it is an exciting area, it is also a stressful one, particularly during Fashion Week, a most important week for the fashion industry. The role of a Public Relations Representative in the fashion world is critical and any individual attempting to explore this world must be proficient at the following steps: 1. CREATE A STRONG BRAND FOR THE CLIENT What is a strong brand in the fashion industry? It’s the one image that every member of the public must have when they think of your client’s styles. Failure to create a distinctive brand will most certainly mean failure for the client. This is the single most important job of a Fashion Public Relations professional, and it is where all other responsibilities in the industry are born. The PR professional is in the background, but the brand must always be front and center. 2. THE PUBLICIST MUST KNOW HOW TO WORK WITH FASHION EDITORS One of the most important jobs for a Fashion Public Relations professional is to work with the editors of fashion magazines, particularly major fashion magazines. It’s the PR professional’s responsibility to develop relationships with fashion editors and their writing and photography teams. Effective buzz is created by fashion magazine teams to launch and promote a line. However, not every fashion designer’s creation will make it into the pages of major fashion magazines. As with all things in the fashion business, competition is severe. What can you do to beat the competition for your clients? 3. YOU MUST WORK WITH MODELS AND CELEBRITIES New fashion won’t see the light of day if it is not presented by people who are admired by the public. That would include not only beautiful well-known models but also celebrities. When a celebrity wears a certain piece, the public, by way of 31 fashion magazines and other venues, find out about it and want it. The fashion publicist is expected to attend fashion shows, red carpet events, award shows, and other events that cater to the clients fashions. He/she is expected to do everything possible to get the word out. Here is where people skills are crucial. Mingling with some of the most important persons in the fashion industry, and word spreads fast. Failure to communicate efficiently and present a pleasing image will be a certain failure for your efforts as a PR professional and for the clients. 4. UNDERSTANDING MEDIA TRENDS Interviews, press conferences, and press releases are an important part of the responsibilities of a Fashion Public Relations professional. A PR person must keep a strong relationship with the media. The ability to work with the media in gaining continued attention for the client’s fashion is how to keep the fashion front and center in the public’s eye. While doing that, a PR fashion professional must have the skills to handle the tough questions. 5. INNOVATION, CREATIVITY AND JUGGLING MULTIPLE INTERESTS ARE INGREDIENTS FOR SUCCESS With billions of people on social media, it is not an element of society that a Fashion Public Relations professional can ignore. Instagram, for example, is an active social media tool to display fashion to the public. There are at least 300 million people on Instagram who can be shown a client’s styles on a daily basis. Also, in addition to revealing and presenting the clothes themselves, the day to day operations of a PR professional is increasingly about giving the public a more intimate look into the behind the scenes details of the fashion brand. The life of a Public Relations Fashion Specialist is an exciting one for someone who believes in the fashion and who can sincerely commit to the lines represented. You must be hardworking, personable, innovated and organized to be a successful Fashion Public Relations Specialist. 32 3.8. COMPONENTS OF FASHION PR 3.8.1. Media Relations Media relations involves working with media for the purpose of informing the public of an organization's mission, policies and practices in a positive, consistent and credible manner. Typically, this means coordinating directly with the people responsible for producing the news and features in the mass media. The goal of media relations is to maximize positive coverage in the mass media without paying for it directly through advertising. It is possible for communication between the media and the organization to be initiated by either side, however dealing with the media presents unique challenges in that the news media cannot be controlled — they have ultimate control over whether stories pitched to them are of interest to their audiences. The media can consist of thousands of magazine publications, newspapers, and TV and radio stations. Therefore, when a "newsworthy" event occurs in an organization, a media list can assist in determining which media outlet may be the most interested in a particular story. 3.8.2. Celebrity spotting and endorsements One of the most important aspect of fashion PR is celebrity spotting. This means, sending sample pieces to celebrity stylists from the clients to the celebrity to wear the outfits for an event, award show, movie promotions etc. Celebrities are the most influential personality to influence consumer purchasing decision. If a celebrity wears a designer’s outfit, it directly increases the value of the brand or label in the consumer’s eye. Sourcing requests for celebrities is everyday job for a fashion publicist. This is an important factor to increase the visibility of the brand or label. Publicists have to quantify and qualify the use of celebrities in their marketing campaigns by evaluating the awareness generated, appeal, and relevance to a brand's image and the celebrity's influence on consumer buying behavior. Social media such as Twitter have become increasingly popular mediums for celebrities to endorse brands and to attempt to influence purchasing behavior. According to Bloomberg News, social-media-ad spending was expected to reach a total of $4.8 billion at the end of 2012 and $9.8 billion by 2016. Advertising and marketing companies sponsor celebrities to tweet and influence thousands (sometimes millions) of their followers to buy brand product. 33 3.8.3. Strategic communication The term “strategic communications” has become popular over the last two decades. It means infusing communications efforts with an agenda and a master plan. Typically, that master plan involves promoting the brand of an organization, urging people to do specific actions, or advocating particular legislation. The field of ‘communications’ is broad, encompassing professionals who create news or want to push information to the public (public relations, public information, marketing), people who deliver news and media to the public (journalists, audio and video producers, public speakers, educators), and people who study the interplay of media and society (researchers). Strategic communications fuses the “pushing” and the “delivering.” According to Shayna Englin, who teaches public relations and corporate communications at Georgetown, “being strategic means communicating the best message, through the right channels, measured against well-considered organizational and communications-specific goals. It’s the difference between doing communications stuff, and doing the right communications stuff.” Strategic communication management could be defined as the systematic planning and realization of information flow, communication, media development and image care in a long-term horizon. It conveys deliberate message(s) through the most suitable media to the designated audience(s) at the appropriate time to contribute to and achieve the desired long-term effect. Communication management is process creation. It has to bring three factors into balance: the message(s), the media channel(s) and the audience(s) The authors elaborate that: "Six relevant disciplines are involved in the development, implementation, and assessment of communications by organizations: management, marketing, public relations, technical communication, political communication, and information/social marketing campaigns." Although the authors see strategic communication as "an emerging paradigm," this clarification defines strategic communication as a set of tools, not as a discipline. Marketing, public relations etc. themselves are no disciplines, but approaches drawn from broader fields, such as economics and communication. Although the purposeful use of communication - strategic communication - is highly relevant for development, this approach alone is not sufficient to understand the breadth, depth, and wealth of communication as it affects development and reform effectiveness. Strategic Communication (SC) provides a conceptual umbrella that enables organizations to integrate their disparate messaging efforts. It allows them to 34 create and distribute communications that, while different in style and purpose, have an inner coherence. This consistency can, in some instances, foster an echo chamber that reinforces the organizational message and brand. At minimum, it prevents contradictory, confusing messaging to different groups across all media platforms. 35 CHAPTER 4 - PWPR MANAGEMENT FUNCTIONS 4.1 CELEBRITY SPOTTING The most important function of PW PR is to push their client’s ensembles for celebrity spotting. Celebrity spotting is the most important and beneficial way for creating a buzz in Media for the client. The affinity consumers have for certain celebrities can greatly influence their purchases. People may have the attitude, "If the product is good enough for her, it's good enough for me." This philosophy is often the impetus behind advertisements for makeup, skin creams, hair products and attire. Also Celebrities create brand awareness for the product. And they build it much more quickly than traditional types of marketing. Brand awareness measures the percentage of people who are familiar with a particular brand. Upcoming Designers spend lots of money and time for exposure to incrementally increase brand awareness among consumers. Also if a celebrity is wearing a particular designer’s outfit, it also helps in positioning of the label. Product positioning is placing a company's products in the best possible light in the minds of a target group. So when a celebrity wears any outfit from a particular designer, it automatically positions the label as a very high end label in the minds of consumer. 36 1. Sourcing request from stylists 2. Sending Clients Look Book to stylists 4. Inform the stylist about the availability of the selections 3. Receiving Selections from the stylists 5. Handover the outfits 6. Track the sourcing 8. Receiving the outfits 7. Circulating the pictures to Media 37 The process of Celebrity spotting is explained as follows: 1.Sourcing request from stylists. The first step in celebrity spotting is sample request from celebrity stylist for events, launches, award shows, charity functions, film promotions etc. The celebrity stylists send request to the Publicist for their celebrities and also send the mood board and references for the desired look. 2. Sending Clients Look Book to stylists After receiving the request, the publicists send new collection Look Books of their respective clients to the stylist. A Look Book is a series of photographs which showcases designer’s collection. It is very important to shoot a great Look Book to attract Media’s attention and to increase chances of editorial features. 3. Receiving Selections from the Stylists So after sending Look Books to the stylist, they select few outfits which they feel, fits the reference and send pictures of those to the publicist to check its availability. Selections are mostly send either through Mails or WhatsApp for faster response. 4. Inform the stylist about the availability of the selected outfits After receiving the selections from the stylist, the publicist checks the availability of the outfits. Mostly, Publicist always have sample pieces of the designer’s collection in the office. And then he/she checks if the outfits are available. But sometimes, publicist doesn't have sample pieces in office, then he/she has to get in touch with the respective designer to check the availability of the outfit. So if the outfits are available, those are called from the designers to the office. Also, a very important point to be taken into consideration is the size of the celebrity. This is because all the sample sizes in designers are Size ’S’. So it is very important to check if it will fit to the said celebrity. But Mostly, the stylist mentions the size during sourcing requests only and most of the celebrities are of size ’S’. After checking the necessary considerations, the stylists are informed about the availability of the outfits. 38 5. Handover the outfits After informing the stylist about the availability of the outfits, the pieces are handed over to the stylists. Sometimes the delivery of the outfits is taken by the stylist itself or through their assistants or office runner. Sometimes, the delivery of the pieces needs to be done by the designer of publicist’s office to the stylists. The very important document required while handing over the sample pieces to the stylists is sourcing letter. Sourcing Letter is a document which a PR office issues which guarantees that the outfits taken will be received on time and in right condition by the stylist. In the event that the stylist is failed to send the outfits back in the said time and in right condition, he/she is entitled to pay 100% of the price of the outfit. The stylist needs to sign the sourcing letter and 2 copies needs to prepare. One for the stylist and one for the PR agency records. Sourcing letter includes details like: 1. 2. 3. 4. 5. 6. Description of the outfit Designers name Number of pieces Sourcing Date Return Date Stylists personal details 6. Track the sourcing The most important and action- oriented step in the sourcing process is to track the sourcing. Here, the publicist should be in constant touch with the stylist to check whether the celebrity is wearing the outfit for the said event. This is because, the stylist never takes outfit from one PR agency or one designer. They take multiple options from various designers as options for the celebrity. To influence and motivate the stylist to use our client’s outfit is very important to create buzz. This can be done if you have good relations with the stylist and his/her team. 7. Circulating the pictures to Media If the celebrity wears the clients’ outfit, the stylist is supposed to send pictures to the PR agency. These pictures are then circulated to all the fashion and Bollywood media like fashion magazines, fashion blogs, Instagram accounts, Bollywood blogs, celebrity fashion blogs and so on. This ensures maximum exposure for clients to increase their Label awareness among their target audience. This is a very important step as this creates the buzz in the media for the designer. 39 8. Receiving the outfits. After the event is over, the stylist needs to return the outfits to the PR agency before the stipulated time period. Also a very important task needs to be done when the outfits are received to the office. The publicist needs to check if the outfits are in right condition. A thorough checking is done of all the garments which has gone out for the celebrity to check if there are stains, dirt, dust, etc. on the pieces. If so, the garments are sent back to the stylist and they are supposed to dry clean the garments and send it back again. If the damage is beyond repair, so the stylist needs to pay 100% of the MRP of the pieces to the designer, as stated in the sourcing letter, as compensation. 40 4.2. EDITORIAL FEATURES A magazine is a periodical publication containing a variety of articles, generally financed by advertising, purchased by readers, or both. Magazines are typically published weekly, biweekly, monthly, bimonthly or quarterly, with a date on the cover that is later than the date it is actually published. They are often printed in colour on coated paper, and are bound with a soft cover A very important function done by publicist is pushing client’s collection for editorial features in magazines. Editorial features are generated and produced by magazine feature editors, journalists or freelance writers. There is no advertiser influence in the creation of editorial features. But journalists always use images to enhance their article. In all cases, the editor's decision is final. Where editorial features have been created in association with a specific advertiser or event promoter, this will be acknowledged. In the field of fashion publishing, the term has been adapted to refer to photoeditorials – features with often full-page photographs on a particular theme, designer, model or other single topic, with or (as a photo-essay) without accompanying text. Editorials are meant to influence public opinion, promote critical thinking, and sometimes cause people to take action on an issue. In essence, an editorial is an opinionated news story or article. Editorial features are very important to influence the customers and to create a positioning for the designers. Fashion magazines have always been a great source of information to all the fashion fanatics who like to explore the fashion world and new brands and labels. Fashion features in magazines are excellent way of introducing the client’s designs, work, and also personal life. Not only magazines but newspapers also are a very important communication form to communicate with the target audience. Newspapers –a traditional form of media that still have a lasting presence. Newspapers may be struggling in certain parts of the world, but they still reach numerous people every day with information they want to see. Many newspapers are also online, which gives people instant access to breaking news. 41 The reputation of a newspaper is transferred over to the businesses or individuals that advertise within it. Most people who subscribe to a newspaper will read it regularly because the respect the content it contains. This also means they’ll be automatically willing to accept the value proposition offered in it because the overall product they are using [the newspaper] is already seen as valuable. Many people take newspapers with them during their commute to work. They’ll read a paper at the doctor’s office or while eating lunch. This means the brand recognition opportunities follow each footstep taken for continued recognition. In some ways, there isn’t a better way to obtain multiple chances for brand exposure thanks to the portability of most newspapers. A very important feature in newspapers can be done in ‘Column’. A column is a recurring piece or article in a newspaper, where a writer expresses his/her own opinion in few columns allotted to him by the newspaper organization. Columns are written by columnists. There are various types of column which are useful for fashion publicist such as fashion column, feature column, events column, which are published every day. And as newspaper has such a brilliant exposure and circulation, it is very important to push your client related stories to create maximum brand awareness and visibility. 42 The process of Editorial feature is as follows: 1. Editorial/Story request from writers 2. Forwarding the request to the clients 4. Sending responses to the writers 3. Receiving responses/Images from the clients 5. Track the story 6. Sending coverage to Clients 43 1. Editorial/Story Request from writers The first step in editorial feature is receiving request from magazine editors or writers for a particular story or theme. There are two types of request: a) Responses feature request In this, the writers request responses or bytes from the designers for their story or column. For eg, if the theme is ‘How to style yourself in Pantone shade this summer’, the editors request styling tips or bytes from clients where they say or write their opinion or their way of styling the pantone shades. b) Images feature request In this, the writers request High Resolution images according to the theme. For eg, if the theme is ‘Resort Wear’, so the publicist needs to send High Resolution images from the client’s collection according to the theme. It is always mandatory to send 1 MB and 300 DPI (Dots per inch) and above size images to magazines and newspapers to have better clarity when the images are printed. 2. Forwarding the request to the clients After receiving the request from the writers, the same is forwarded to client. This is done to take client’s permission, if he/she wants to do the story and also if it’s a response feature request then to take their responses and bytes for the story. 3. Receiving responses/ Images from the clients After sending the request to the clients, now comes the action part in the process. Here, the client is supposed to send responses and opinions to the publicist on the said theme or story. A detailed description for the questions needs to be given. 4. Sending responses to the writers When the client sends the responses or images for the story, the same is checked by the publicist for any error or mistakes. It is very important to proofread the information before sending it out to the editors or writers. After thorough checking, the same is then forwarded to the writer. It is very important to adhere to the time limit given by the writer. Because if the time limit crosses, there is no point sending the responses. 5. Track the story The very important step in editorial spotting is to track the story. In magazines, the story comes out after a month as the magazine comes out monthly. So the story comes out, next month. In Newspaper, the story comes out according to the 44 article date. Sometimes the article comes out a day after, or weekly or on weekends. This totally depends upon when the column’s date. It is very important to stay in constant touch with the editors or writers for tracking the story. 6. Sending coverage to Clients. After tracking the story, the coverage is then sent to the client. It is very important to send the coverage to the client to show them the work done by the writer and if there is any negative publicity involved or any such statement involved which was not sent by the client. 45 4.3. EVENTS AND LAUNCHES It is very important to always have events, new collaborations, new collection launches to always be in media and in eye of consumers. In fashion industry, events are of high importance for socialization and to introduce your collection to the elite class of the fraternity such as magazine editors, newspaper journalist, socialists, celebrities etc to create the buzz. These launches give the public and the media a chance to hear everything about the designer and his/her collection before any negative reviews are given. The task of putting together these launch events could fall to a designer and his or her team or some outside company. PW PR was responsible to invite all the fashion fraternity and to guide the designer for the event. Following points are very important to have a successful launch event: Venue Most launch events happen in Sub urban or in town where the designer is located. Sometimes these launches are held at designer’s stores or good resto bars or in five star hotels so that there is room for the media and photographers. The venue depends on how big the designer is, how big the event is supposed to be and how much money the designer wants to invest in the market introduction. Timing Usually the introduction of a new collection launches are during the fashion season i.e Spring-Summer or Autumn-Winter. But nowadays holiday season is the new trend in fashion industry. Millions of people watch these events and announcing the new collection or collaboration or new store launch and social media marketing during these events will create a buzz. Food The food menu totally depends upon the time of the event. Mostly the events take place at early evening or late evening. Mostly the food served is finger foods or a full-course meal if the event is at night. The small details These may not seem like a big deal, but they could make or break an event. Most product launches include an information packet that is given to the guests. These packages need to be ready to go and there need to be enough for everyone. The convention or meeting planner is responsible for making sure the small details are handled. 46 Product launches are some of the most exciting events for any meeting planner. But these events are also the most stressful. The key, as it is for any event, is in proper planning. 1. Information from the client about the event 2. Helping the client for the event Setup 3. Planning the event 6. Follow up with the invites 5. Sending invites 4. Preparing list for invites 7. Prepare RSVP List 8. Event Day 9. Post Event Press Release 12. Send the coverage to the Client 11. Track the coverage 10. Follow up for the Press Release 47 Process for events and Launches: 1. Information from the client about the event The first step for a successful event launch is to take all the information from the designer about the event. Information on purpose of the event, venue, special guest, celebrity attending, media invites etc should be given to the publicist. A meeting is set before 3-4 weeks for the event, with designer and the publicist team to acquire all the necessary details about the event. The publicist also provides some advice to the designer to make the event better and successful. 2. Helping the client for the event Setup Next step is to assist the designer for the event planning and launch. This includes venue selection, food and drinks selection, media invites, celebrity appearance for the event, etc. It is very important to always always be in touch with the designer for smooth functioning 3. Planning the event Mostly the designer hires an event planning company to manage the event but sometimes the events are managed in house with designer’s employees. 4. Preparing list for invites The very essential task while planning an event is to make invite list. This includes all the guests to be invited for the event. This includes all the fashion and lifestyle magazine editors, sub editors, fashion stylists, fashion influencers, feature writers, newspaper journalist, event photographers, fashion bloggers and so on. After creating the guest list, it is approved by the designer. Here He/she can add or subtract names from the invite list. And after the approval, a final invite list is made. The invite list looks as follows: 48 5. Sending Invites After the final list is made with the approval from the designer, the invites are send out to the target media list. The invites are of two types: a) Hard copies invites This are the hard copy invites which are sent to the address of the guest. Hard copy invites are mostly done for special or grand events. This invites are sent in a proper box, with a printed invitation card, munchies and a small gift. Hard copy invites look like as follows: 49 b) E-vites Due to extreme digitalization and great computer technology, most of today’s work happens online. Nowadays, invites are sent online via emails to all the target media list. This is done as its easy and it reaches fast to the guest. Example of E-vite is as follows: 50 6. Follow up with the invites After sending invites, the next day is for follow ups. Follow ups are done to get R.S.V.Ps for the event. This is mostly done through calling them on their personal contact numbers or on the office landlines. Sometimes the follow ups are also done via emails. The follow up enables to have a personal contact with media and to notify them about the invite and also to give them information about the event personally and directly The aim is to have maximum media people for the event to create the publicity and PR for your client. This is a very important step to have a successful event launch. 51 7. Prepare RSVP List The next step is to create a R.S.V.P list with all the confirmed names for the event. Here a proper list is made with the names of all the people who will attend the event. After the final R.S.V.P list is made, it is then sent to the designer. The RSVP List is prepared as follows: 52 8. Event Day Here comes the important day- the event day. The event day is the action day for the designer and the publicist. Proper organization is the key to a successful event. Properly organized venue, décor, and other details always create the right impression. The publicist should always reach one hour before the event starts to check upon all the necessary details of the event and to ensure smooth functioning. Having chaos in an event is always bad for the designer’s PR hence the publicist should be very careful to carry out the event very smoothly and gracefully. All the guest should be introduced to the designer and should walk through the new collection or new product line of the designer. The publicist should explain the theme behind the new collection and designer’s inspiration for it. Also, the publicist should seek out opportunities for any further features or interviews in any magazines or newspapers for the client. Event day are supposed to be the most important day to socialize with all the media people to maintain good media relations. In the field of Public Relations, it is always good to have contacts in the said field and good connections with all the media personnels. Also, a very important part on event day is celebrity appearances. It is always necessary to have a celebrity muse of the evening. This is because celebrity increases the glamour quotient for the event and also increases media publicity. In India, Bollywood celebrities are very famous and when a Bollywood celebrity is involved in the event, it always catches the media as well as the potential customer’s attention. Having a celebrity on board is a pricy affair but sometimes some celebrity comes in as a ‘friends of the brand’ or they just come to support their designer friend for his/her new venture or new collection. Celebrity often wear outfit from the new collection launch. This is done to create maximum exposure for the new collection as celebrity pictures are carried very quickly to all the blogs, newspapers, magazines etc. Also, a very important part for the event is to have a photographer on board for the event. This is because, the event photographer clicks all the pictures of the event and also of all the media present including the magazine editors to celebrities. This is a very important aspect of event as this pictures later on gets printed in magazines, newspapers and online blogs which is very important part to spread out the news to readers and potential buyers. Publicist is also responsible for any interview, bytes, videos, etc to be taken by the media of the designer for the new venture or new collection launch. For eg, if 53 Vogue wants to a quick social media video with the designer, then the publicist needs to take responsibility of the said activity. Events and launch parties are very important day for any publicist as this create the maximum buzz in the media for the designer and its new venture. 9. Post Event Release After the event is over, a very crucial task to be done is to send out post event release to all the media personality, newspaper journalists, online blogs, etc to start the buzz. If you want your event to shine and be well-attended by your target audience, you want to create a buzz by sending out a press release. Post event release is a document which give insights about the event, purpose of the event, happenings at the event, people who attended, about the venture, about the designer and event images. Post event release is an integral part for any event. This sends out the message to everyone about the event. THE 6 ESSENTIAL POINTS OF HOW TO WRITE A PRESS RELEASE FOR AN EVENT a) Headline. Grab the reader’s attention with a strong, catchy headline with keywords that people will most likely use in their search. This is the opener and what will make the reader want to read on. Include the name of the event and either the location or theme of the event But you are not supposed to give too many details up front. b) Summary. Next, writing a summary of one to four sentences for the event. It may be a good idea to write this section last, after you have written the rest of the press release. It will be easier to summarize after the rest of the points down. c) Dateline and lead paragraph. These elements range from 25 to 30 words and answer the “who, what, why, when, where and how” questions of thr event. Keep the text simple and stick to the critical elements of the information. The format is: City, State, (name of service or publisher of the press release, e.g. GOOGLE), Month, Day, Year – details. 54 d) Body. The body of the press release is where you really get to tell the story of the event. This portion of the release will usually have two or three paragraphs. Always Use the first paragraph to elaborate on the details of the event. Talk about the target audience, any guests who will be featured and their background, and the benefits of attending. If the venue is historic or ties in with your event in some way or the date coincides with history or a special anniversary with your company, mention this. This part of the press release can be a bit more descriptive than previous sections. e) The boilerplate statement follows the body. The boilerplate is a chunk of text that can be used repeatedly, just as an “About” page is used on a website. This is where the details about the designer are listed. It can contain the mission and vision for the company. This is the public persona you wish to project for your client. f) Finally, the press release should include contact information. This is the client’s name, telephone number, website address, the name of the key person to contact about the release, and an email address. The press release is always sent via mail to all the media fraternity. 55 Sample Press Release is as follows: #FlauntYourTrueColours at the collection unveiling of 109 ̊F by Nishka Lulla Mumbai, 22nd March, 2016 - High-street fashion label, 109 ̊F, and fashion designer, Nishka Lulla, unveiled their brand new collection at Tote on the Turf. Models flaunted the vibrant collection featuring jumpsuits, dresses, Nishka’s signature twin-sets and more. Dreamcatchers and florals were the predominant motifs accompanied by bright summery hues. Athiya Shetty flaunted her inner fashionista donned in 109 ̊F by Nishka Lullla at the event. 109 ̊F is a high-street, new age fashion brand that brings finely-crafted designs for the urban Indian woman. The collection design is inspired by the floral and tribal arts, and reflects the bohemian mood of the urban girl who is passionate and fuss-free. Ideal for every young woman with streaks of irreverence hot-stamped into her DNA, the styles can be identified by young women all over. The splashes of neon reflect their fun, non-conformist side and inspire free-spirited women to flaunt their true colours. Sharing her excitement, designer Nishka Lulla said, “I am so glad to collaborate with 109 ̊F! I think it’s a great fit as the focus of the brand is comfort and style which compliments my sensibilities as a designer”. Speaking about the association, Mr. Rahul Mehta, Managing Director, 109 ̊F said, “This is one of our most exciting new collections and it’s truly global in its aesthetic. It gives you a fresh burst of confidence and energy”. The collection will be in stores in the 1st week of April in Mumbai, Delhi, Bangalore, Calcutta, Hyderabad and Pune. The price ranges from INR 1800 – 3500. About Creative Group Creative Group, founded in 1973, is one of India's leading exporters, exporting garments to most leading Fashion Houses across Europe and America. 56 In 2006, realizing its ability and versatility of offering creatively designed women’s wear across various categories 109°F brought international fashion options with Indian sensibilities. In a short span of time 109°F has become one of the leading brands in its category in India. About Nishka Lulla Nishka Lulla, who graduated from SNDT College in Mumbai, is a name that has set a distinct identity of being a young, crisp and dynamic designer. Nishka Lulla is currently one of the leading designers in the fashion industry, brain-child behind two established clothing lines: “Nisshk”, a traditional fusion line and the new born “Nishka Lulla”, the boho traveller chic prêt-e-porter line. Nishka dazzled through to spotlight after winning the “Creative Excellence Award” for the “Barbie all Doll'd up” show at Lakme Fashion Week 2009, where India's leading designers participated to design an outfit for Barbie’s 50th Anniversary. The outfit today is being displayed at the Barbie museum internationally. Adding to her accolades, Nishka also recently bagged the Grazia award for “Designer of the Year 2014”. For further information, please contact: Shraddha Bhanushali PW PR [email protected] 57 10.Follow up for the post event Press Release After a day of sending the post event press release to the media, it is necessary to follow up with them for the story. This is done to check whether they have received the press release note in their mailbox. If they have not received it, it is resent to them. If they have received it, then the first step is to ask them if they got a chance to see the post event release for the event. Here, you can also give certain details about the event to them. It is very necessary to create a good image about the event in front of the media. Also it is necessary to inform them about the celebrity appearances for the event. This is mostly done to influence them to carry the story in their next magazine or day after edition of the newspapers. 11. Track the coverage The next step is to track the event coverage. This is a very important step to check whether newspapers, online blogs, magazines have carried the story in their respective medium. Excellent blowout is necessary for a successful event. It is very crucial to have maximum coverage for the event. Here, similar to celebrity spotting tracking, it is very important to have good contacts with all the media people to be in constant touch with them for the coverage. 12. Send coverage to the client The next very important step in this process is to send coverage to the client. Client should be given a detail description about the coverage for the event. 58 4.4. COLLABORATIONS AND POTENTIAL RETAILING OPTIONS A very important function performed by PW PR is to identify potential collaborations and retailing options for the designers. 4.4.1 Collaboration: Collaborative Marketing, in a nutshell, is the process of sharing resources to increase leads, brand, and influence. Not surprisingly, the Internet has made the option of collaborative marketing easier than ever. All the concept takes is a common purpose. When companies come together with a common audience, or goal, or a common mission or interest, they can band together in any number of ways to create an influence and a presence that is greater than the sum of its parts. Basically, the concept allows complementary and similar companies to unite for a brilliant ad campaign or new product or new line. The concept isn’t just about just saving money. It also provides collective strength to each participating company’s brand and credibility. Pulling the top names together dramatically increases the brand recognition, customer value, and customer retention for each. A merchant with limited ability to promote and market on their own can become substantial and trusted far more readily with the support and the help of an umbrella merchant or brand. Types of Collaborations: 1. Functional collaborations: This type of collaboration describes collaboration done vertically. This defines doing collaborations among the same industry. For eg, Nishka Lulla designs a special line for fashion brand 109F is an example of functional collaborations. 2. Cross - Functional collaborations: Cross - functional collaborations are the collaborations done horizontally. This means these collaborations which are done among different industry in the market. For eg, Masaba Gupta designs range of shower gels for Fiama De Wills is an example of cross - functional collaboration. 59 It is very important to have collaborations with brands and have many advantages to it: 1. Add Value The opportunities are there, with creative thinking, for many brands be they local, national or global to benefit from increased growth through a more collaborative approach in their brand strategy. By applying a more strategic approach and aligning themselves with compatible partners, brands can offer increased value to their customer, boost the brand experience and grow profitability. Nike and Apple currently collaborate with the Nike+ project; a product that combines Apple’s electronic technology with Nike’s sporting technology to offer customers of both brands a collaborative lifestyle package. 2. Increased Market Reach & Access to New Customers Brand collaboration offers the potential of introducing one brand to another’s audience; expanding brand reach and enhancing awareness of both brand collaborators. This form of collaboration is mutually beneficial to both non competing brands. Chevrolet cars enlisted designer Isaac Mizrahi to collaborate on a collection of clothing and fashion items linked to Chevorlet’s Malibu brand line. The collaboration between the brands was seen as a good fit because both brands were looking to reach a style-conscious female audience with a well-designed, appealing, high quality product. The collaboration aimed at getting women to take a closer look at a brand that might otherwise miss their attention. 3. Increase Brand Awareness There has been an explosion of collaboration between luxury fashion houses and high street retailer brands. Swedish retailer H&M has collaborated with some of the biggest fashion designers offering their customers limited edition collections at affordable prices. The partnership between the luxury brand and the high street brand is in essence a promotional tactic boosting advertising and driving traffic. The high street brand benefits from the collaboration by drawing increased demand, greater consumer attention and increased media coverage. While fast fashion collaborations frequently offer little return in immediate profitability levels to the high fashion houses, they do however provide a 60 meaningful way to increase brand awareness and gain access to customers in emerging markets that are not yet ready to house a flagship store, but with whom they wish to start building brand awareness and nurture a relationship for the future. The collaboration is also seen as a gateway purchase for the bigger paychecks that they will one day yield. H&M and Lanvin’s collaboration benefits H&M in terms of sales volume, but as it coincides with the launch of Lanvin’s new e-commerce website media coverage is also likely to pay off for the high end retailer. eBay are offering their customers a ‘Holiday Collective’; an exclusive new collaboration of original, limited edition ranges of clothes, travel experiences, electrical goods and more. eBay benefits from the partnerships with an extended brand offering for their customers and their collaborative partners gain valuable access to the substantial eBay customer base and consequently increased brand awareness with their target customers. 4. Enter New Markets Fiat cars are attempting to crack the lucrative American market with a collaboration strategy. For any foreign brand trying to become better known in America, partnering with a brand that is already renowned, particularly a ‘made in the U.S.A.’ staple, can be a great strategy. Fiat is doing just that by participating in the 20th anniversary of the Monopoly Game contest at McDonald's. The brand is aiming to get more attention in the American media while further embedding itself in American culture through the McDonalds tie-in. Its hoping the collaboration will help raise awareness with an audience that still tends to favour bigger cars. The opportunity for such extensive exposure outweighs any potential perceived cheapening of the Fiat brand risked by tying in with the fast-food giant. Brand collaboration is an effective way to surprise your customers and attract new ones. Whether you are refreshing your brand image, introducing new features, entering a new market or launching a new product line, brand collaboration can offer several very significant benefits to brands. In fact, brand coalitions could talk not only to customers but also to investors and regulators, if brands lobby their own interests. A word of caution though, brand alliances are not always guarantees for success. Collaboration strategies fail if there is not equal value for both brands in the 61 relationship, if the brand’s value or positioning does not match each other, or if the customer does not easily understand the strategy. 4.4.2. Potential Retailing Options: PW PR and brand consultancy was not only responsible to do all the PR efforts but also about brand visibility. Brand visibility in terms of retailing. PWPR used to advice designers for stocking their pieces in various platforms- both online and offline. PW PR used to draft business and profit plans for designers to retail in various stores. 1. Multi – Designer StoresThese are the stores which stocks best pieces from all the leading designers. Such stores increases label visibilities and also increases sales. Examples of such stores are AZA, Ensemble, Bombay Electric, Atosa, Le Mill, Fuel, Ogaan etc. 2. Online Stores E-commerce is booming these days and customers like to shop online. These online stores provide wide range from all the designers at convenience of your home. Examples of such stores are Pernia’s Pop up shop, Exclusively. In etc. 3. Exhibitions and pop up stores An exhibition, in the most general sense, is an organized presentation and display of a selection of items. Face-to-face meetings mean that you can have a conversation with customers. As well as presenting your products and services, you get the opportunity to find out more about your customers and their needs. As well as making sales, exhibitions can be used to forge new relationships, strengthen existing alliances, build databases, generate positive PR, conduct market research, recruit new staff and build your brand Nowadays, a new trend of pop up stores are very much in demand. The term "popup" refers to the short-term duration of the stores, which "pop up" one day and are gone the next. 62 CHAPTER 5 - REBRANDING AND REPOSITIONING HOUSE OF NEETA LULLA THROUGH PUBLIC RELATIONS The project assigned from the company was ‘Rebranding and Repositioning House of Neeta Lulla through Public Relations’ Neeta Lulla who is a well-known fashion designer in the industry from decades. Neeta Lulla whirled into the fashion scene more than two decades ago. Hailed as the 'Czarina of Indian Fashion', Neeta Lulla is today a force to reckon with in the glamour and the fashion retail industry. Her designs have not only been recognized in India, but have also acquired great acclaims globally. Expertise, clarity and creativity, humility arising from quiet confidence has earned her both respect and clientele of Bollywood’s famous personalities such as Aishwarya Rai, Katrina Kaif, Priyanka Chopra, Deepika Padukone, Rani Mukherjee, Juhi Chawla, Sridevi, Shilpa Shetty, and Sushmita Sen just to name a few. From simplicity to royalty, Neeta Lulla has it all to her credit. Neeta Lulla has been one name which has been prevalent in the industry since two decades now. The designer has been an active contributor in giving the actors a look to die for. Her designs have not only been recognized in India, but have also acquired great acclaims globally. The designer has made a niche for herself, creating the costumes of the era long lost. The challenge to create designs for the high profile and larger than life movies like Jodha Akhbar and Devdas have been very well met by Neeta Lulla, who tuned them to the richness and charismatic period of the movies. From the elegant look of Chandni and the underdone colors of Yuva, to the majestic appearance of Paro and the recent Jodha, the talented designer has each time surpassed her own record, to create a new high. 63 5.1. SCENARIO ANALYSIS Scenario analysis is a process of analyzing possible future events by considering alternative possible outcomes. House of Neeta Lulla is a fashion label with high importance to traditional heritage of India. Neeta Lulla who is famous for making exquisite designs for the Indian Women to enhance their beauty and elegance with great importance to Indian values and cultures. Neeta Lulla who has designed film costumes for movies like Lamhe, Taal, Devdas etc. which were all very traditional and Indian wear. Neeta Lulla has always done designs which have great artwork and inspiration from parts of India. Also, Neeta Lulla is known only for bridal lehengas and heavy bridal wear. Most of the clientele of House of Neeta Lulla are women shopping for their wedding trousseau, functions or special days and festivals. Also, the celebrity spottings for House of Neeta Lulla included all mature and well known celebrities like Aishwarya Rai, Hema Malini, Tanisha Mukherjee, etc which created a mature image for House of Neeta Lulla. House of Neeta Lulla is also well known label among customers but only for bridal wear. The sales were all time high during wedding seasons and festival times. But the sales were stagnant during off season. House of Neeta Lulla was a label targeted towards: Mature Indian female, aged 25-40, Affluent, from upper class society, Working in a good organization at top level, owns business, socialite Highly social, loves to attend high socialite parties Very particular about her image in society Loves Indian heritage and values Respects Indian culture Likes Indian handwork and Indian artwork 64 5.2. PROBLEM IDENTIFICATION The problem associated with House of Neeta Lulla is as follows: 5.2.1 Focused positioning The positioning strategy of House of Neeta Lulla was niche positioning. In essence, the firm virtually becomes a ‘big fish in a small pond’. The firm’s competitive advantage comes both from its expertise (as it’s a specialist) and from having a high market share (of a relatively small market segment). As a result, many potential competitors do not deem it viable to directly compete against niche marketers. Niche Positioning is a somewhat rare strategy to implement and the term is sometimes confused with one-to-one marketing and being a small market player. Most small businesses are generally not niche marketers; they simply have a very small share of a large segment (whereas niche marketers have a large market share in a small/tight segment). Due to focused positioning, the clientele is stagnant only for wedding trousseau and festival buying. The positioning was for older women who has high value for Indian heritage and designs. The image presentation for House of Neeta Lulla was a very matured label for older women. Due to this the younger generation always saw this label as not fit for them. The technique and designs were also focused for the mature class women. 5.2.2 Mature silhouettes and designs Silhouettes are e basic outline of the clothing on the body or the overall shape of the garment devoid of embellishment. It's about shape and outline. terms such as "hourglass" "pear" "apple" "bouffant" are some standard silhouette words commonly used. The silhouette should adhere to many of the elements and principles of good design, line, flow, form, proportion and balance. It should enhance the body and not overwhelm it. The silhouette should tell part of the design story and work with the materials, construction details and any embellishments to make a welldesigned garment that looks as good when worn as it did in the designer's imagination. The major problem for House of Neeta Lulla was the mature designs and Silhouettes. Due to availability of high end and young Indian designers, there are 65 reformation in techniques and designs which appeals to the young generation and young brides. The embroidery techniques and silhouettes of House of Neeta Lulla are very matured and archaic with major focus on heavy embroidery and Zardosi work. Such old techniques are mostly loved by older women but are not appealing to the Gen Y females. Also, the Silhouettes were stuck in just heavy embroidery sarees, lehengas, long gowns, etc which was not alluring enough for people who love to experiment with silhouettes. House of Neeta Lulla’s Image in the Media was more of a veteran label with only focus on Bridal Wear. Neeta Lulla wanted to change the face of her label. She wanted to make it for appealing and more targeted towards today’s generation. She wanted her label to stand out for individual young female who love to stay on trend and also admires Indian designs. The major problem here was to re-introduce the label and re-position it in the media and fashion industry. The focus was to introduce House of Neeta Lulla in a new way through Public Relations efforts. 66 5.3 DEVELOPMENT OF STRATEGY After thorough Research of House of Neeta Lulla through Primary and secondary methods, we arrived on the following strategy: 5.3.1 Re- introducing House of Neeta Lulla in Lakme Fashion Week Summer Resort 2016 Lakme Fashion Week (LFW) is a bi-annual fashion event that takes place in Mumbai. Its Summer-Resort show takes place in February whiles the WinterFestive show takes place in August. It is considered a premier fashion event in India. It is run by Fashion Design Council of India (FDCI) and the title sponsor is Lakme. Lakmé Fashion Week (LFW) is jointly organized by Lakmé, the No.1 cosmetics and beauty services brand in India and IMG Reliance, the global leader in sports and entertainment event marketing and management. LFW has been conceived and created with a vision to “Redefine the future of fashion and Integrate India into the global fashion world”. LFW is organized twice every year. Lakme Fashion Week is considered as the game changing event in fashion industry. Here, lot of trends are set and lot of fashion rules are made. Fashion Media promotes the best trends and fashion stylists source the greatest looks from Lakme Fashion Week. So, the first strategy was to re–introduce House of Neeta Lulla in Lakme Fashion Week Summer Resort 16. This is because LFW is the best place to showcase the new collection which reaches out to all the audience which includes Fashion Media, vendors, retailers, fashion stylists, celebrities, clients and general public. As LFW is the most celebrated fashion event, people always have eye on this event. 67 For any designer Lakme fashion week is a platform to showcase their talent and to enhance the brand image. So for rebranding House of Neeta Lulla, the biggest platform to break the news was Lakme Fashion Week. Lakme Fashion Week enables you to reach the wider audience with minimal efforts on advertising and marketing. 5.3.2. Modern designs and Silhouettes To target the younger audience for House of Neeta Lulla, the most important strategy to implement was to design a collection with a modern look. To reintroduce House of Neeta Lulla it was very crucial to have a collection which attracts the youth generation. The Indian demographic landscape has witnessed enormous changes in the past few decades. The increase in income levels, priority given toward education, and rapid industrialization coupled with liberalization policies pursued relentlessly by the Indian government has transformed the Indian economy. Indian values and national culture have not been spared from the attack from Western values. Research suggests that recent years have seen a change in consumption preferences of Indian consumers (Dwivedi 2010; KPMG 2009) that consequently may affect their values. Today’s youth constitute large customer base for fashion and apparel sector. Also due to increase in globalization, the employment opportunities has increased and today’s youth wants to spend more. They have also become fashion conscious and image conscious due to increase in social media usage. Due to today’s young generation’s change in taste and preferences, have significant impact on Indian design aesthetics and popular fashion. The young generation wants something novel. They want something which is new and innovative. They don’t want to wear what everyone is wearing. They want to be different than others. Hence they always choose apparels which are different and not very common in the market. They want to stand out and feel that they are different and better than others in terms of fashion and couture. The phenomenon of Catch’em Young gives more advantages to the marketers. “From pester power; kids have changed their role to become influencers. In fact, in the older age groups, kids have actually become consultants, whom parents turn to for advice during the decision making process. This means that nowadays children influence the buying behavior of a consumer who is from the old age group. Hence nowadays parents consult their daughters/son while making a purchase. Hence it is very important to target the younger generation with modern techniques and modern designs. 68 Also nowadays people are more open in doing experiments even during weddings and functions. Hence change in silhouettes is also very important to attract the new customers and to retain the old customers. For Lakme fashion Week collection, the main aim was to make a modern yet traditional pieces. The positioning strategy for House of Neeta Lulla was not to completely shift from the Unique Selling point of the label which is inspiration from the Indian roots and values, but to introduce modern cuts, silhouettes and designs. 5.3.3. Increase young celebrity spotting If a celebrity is wearing a particular designer’s outfit, it also helps in positioning of the label. Product positioning is placing a company's products in the best possible light in the minds of a target group. So when a celebrity wears any outfit from a particular designer, it automatically positions the label as a very high end label in the minds of consumer. Indian consumers are very influenced by Bollywood celebrities. They have this common perception that if a celebrity is wearing the outfit, it has to be great. This perception of Indian consumers enables a fashion designer to position the label swiftly. As the main aim of rebranding House of Neeta Lulla was to target the younger generation. So, the first step was to increase young celebrity association with the label. As the new collection was re invented with a modern twist, and this demanded to increase the young celebrity spotting in the new collection. Major Fashion influencers and young celebrity have always been the source of fashion inspiration for majority of people. The phenomenal growth of social networking has also spawned a plethora of self-styled celebrities, also known as fashion bloggers who have made a name for themselves on video-sharing websites; sometimes without any discernible talent. As long as the celebrity is authentic, he or she can help to lend credibility to a brand and influence the way it is perceived. Many consumers believe that if a product is good enough for a star, it is good enough for them. While most apparent among the younger generation, celebrity influence exists across all age groups. Tweens and teens idolize the icons of the youth whereas adults tend to admire older, more enduring celebrities. In the battle for the mind, you get the customer excited by showing him a known face, and an effective demand is created. In short it helps increase the recall value of the brand. A piece of research states that the target audience age group of 1530 gets influenced first by cricketers, then Bollywood stars and only then music, 69 festivals and food. Celebrity association is important because the qualities associated with the endorser are associated with the brand and the brand therefore remains at the top of the consumer's mind. A celebrity's preference for a brand gives out a persuasive message and hence, because the celebrity is benefiting from the brand, the consumer will also benefit. There is a demographic and psychographic connection between the stars and their fans. Demographic connection establishes that different stars appeal differently to various demographic segments i.e. age, gender, class, geography etc., while psychographic connection establishes that stars are loved and adored by their fans. Some stars have a universal appeal and therefore prove to be a good bet to generate interest among the masses. Another invaluable benefit from celebrity endorsements is the public relation opportunities. Hence to influence and create brand awareness, it was very important to upsurge the young celebrity to wear House of Neeta Lulla Label. Due to increase in young celebrity spotting, it is easier to make the new collection more visible in the minds of the consumers. 5.3.4. Redefining the target group and positioning Segmenting a market has widely been debated over the years as researchers have argued over what variables to consider when dividing the market. Approaches through social, economic and individual factors, such as brand loyalty, have been considered along with the more widely recognized geographic, physiographic, demographic and behavioral variables proposed by Philip Kotler. Targeting is a follow on process from segmentation, and is the process of actually determining the select markets and planning the advertising media used to make the segment appealing. Positioning is the final stage in the ‘STP’ process and focuses on how the customer ultimately views your product or service in comparison to your competitors and is important in gaining a competitive advantage in the market. House of Neeta Lulla was a label targeted towards: Mature Indian female, aged 25-40, Affluent, from upper class society, Working in a good organization at top level, owns business, socialite Highly social, loves to attend high socialite parties 70 Very particular about her image in society Loves Indian heritage and values Respects Indian culture Likes Indian handwork and Indian artwork But now the targeting and positioning was needed to be changed. So the new target group was: Young Indian female, aged 21-40, Affluent, from upper middle class, upper class society Working in a good organization at top level, owns business, socialite Highly social, loves to attend parties Fashion conscious, follows trends, experiments Follows fashion influencers, celebrities, fashion bloggers Loves Indian heritage and values Respects Indian culture Likes Indian handwork and Indian artwork 71 Previous Perpetual Map Traditional Designs Target GroupOld Age group Target GroupYoung Age Group Modern Designs 72 Perceptual Mapping also known as positioning mapping is the use of graphs to identify the positioning of products/brands that consumers have, and find their preference. The graphs lay out an X and Y axis with variables and ranges from the most desirable to least desirable. For instance, the far right may be listed as ‘Upper class’ while the left side will be ‘Lower Class’. This allows for the placement of business names to help find the position that consumers place these businesses in relation to the variables listed. Perceptual mapping is a diagrammatic technique used by asset marketers that attempts to visually display the perceptions of customers or potential customers. Typically the position of a product, product line ,or brand, of a company is displayed relative to their competition. The earlier positioning strategy for House of Neeta Lulla was targeted towards older age group with focus on traditional designs. Here as you can see above, the positioning map states the position of Neeta Lulla Label as high on traditional designs and targeted towards older age group. This means that customer’s perception towards Neeta Lulla label was that of a traditional couture maker with target audience as older aged female. 73 Re- positioning Strategy Target GroupOld Age group Target GroupYoung Age Group Modern Designs 74 Above is the new perpetual map for repositioning Neeta Lulla Label. Repositioning refers to the major change in positioning for the brand/product. To successfully reposition a product, the firm has to change the target market’s understanding of the product. This is sometimes a challenge, particularly for well-established or strongly branded products. Firms may consider repositioning a product due to declining performance or due to major shifts in the environment. Many firms choose to launch a new product (or brand) instead of repositioning because of the effort and cost required to successfully implement the change. The new positioning strategy moves Neeta Lulla label towards the Modern Design and Young age group. 75 5.4. IMPLEMENTATION OF STRATEGY 5.4.1 Lakme Fashion Week Summer Resort 2016 The first step was to design an exclusive collection for Lakme Fashion Week. The collection was named #SheIsMe which was inspired by women Empowerment. The collection showcased Always inspired by the strength of the feminine, this season Neeta Lulla is telling the story of the woman as a flower. The collection speaks to her ethereal beauty and gentleness, but also an inherent tenacity in the face of abuse. The collection was modern and edgy but also had her expertise in traditional wear. Neeta Lulla’s Summer Resort Collection at LFW 2016 76 Neeta Lulla’s Summer Resort Collection at LFW 2016 77 Pre Show, an innovative social media campaign was introduced as #SheIsMe which was dedicated to Women of Substance where people have to post a picture about women empowerment and what they think, how they relate to #SheIsMe. Also to increase the awareness, there was a contest held on the theme #SheIsMe where contestants had to upload a video/picture about how they relate to #SheIsMe and they could win 2 invites for Neeta Lulla’s Lakme Fashion Week Show. 78 Neeta Lulla’s runway presentation included a powerful dance recital (Fusion of Chinese Warrior and Kathak) by Actress and Entrepreneur - Pernia Qureshi to communicate the social message against women abuse, and further moved onto women achievers from different walks of life, taking to the ramp. Imminent personalities like Designer & Politician - Shaina NC, Yes Bank’s Radha Kapoor, celebrity dietician - Pooja Makhija, Mural Artist - Rouble Nagi and Award winning documentary filmer, Vibha Bakshi supported the cause by walking for Neeta Lulla earlier this evening. Pernia Qureshi performs at Neeta Lulla ‘s show at Lakme Fashion Week 2016 The front row of a fully packed house was graced by Smita Thackeray, Juhi Chawla, Swara Bhaskar, Esha Deol and Bharat Takhtani, Poonam Sinha, Divya Khosla Kumar, Ishita Dutta, Nishka Lulla Mehra, Maria Goretti and Arshad Warsi, Manasi Scott, Shibhani Kashyap, Eli Avram, Shibani Dandekar, Gabriella Demetriades, Rakulpreet, Sunny Singh and Sana Khan to name a few. 79 80 5.4.2. Collection New and modern silhouettes and cool tones ruled the Neeta Lulla’s Collection. The embellishments and prints gave a fresh twist to her LFW collection. The Cherry Blossom, a symbol of feminine passion and power in the Chinese culture forms the central motif of the collection along with the Osmanthus, which is associated with a woman’s essence of love and sensuality. Androgynous silhouettes softened with lace and structured styles balanced with drapesshowcase the contrasts of a woman’s character. In the modern world where she is also taking on traditionally male roles outside the home, her clothing is herarmour speaking to her state of mind and helping her confidently transition through the myriad parts she plays through her life. Neeta Lulla’s immense expertise in prints and embellishment takes the collection through an entire gamut, from elegant eveningwear to glamourous resort bridal wear. A pioneer of resort wear in India, this season she brings to the runway draped jackets that have been teamed with anarkalis, polo shirts as crop tops, and off-shoulder blouses casually paired with printed draped pants and embroidered lehengas for the edgy friend of the bride, while jumpsuits and capes keep it ideal for those who have wanderlust on their mind. Fabrics remain soft and strong with crepe, tulle and lace, seamlessly mixing Edwardian cuts, androgynous silhouettes and feminine styles. For example jackets and tops are cut on the bias lending an added an extra swing to the step and in a new style, pants are made sensual with draping. The pretty colour palette moves from the fresh and floral of pink, wild rose, olive green, tangerine, etc to the dark hues of dried earth. Speaking about the collection Neeta Lulla says, “This collection in its entirety speaks to a woman’s characteristics. You see the vibrancy of the Cherry Blossom and the Osmanthus transition into the colours of dried flowers and cracked mother Earth. Just as these magnificent miracles of nature respond to tenderness and care but can also just as easily dry away with neglect, a woman’s spirit begins to wither under any physical or emotional abuse. We need to raise our voice against this.” 81 82 5.4.3. Increase in Young Celebrity Spotting During Show, the celebrity invitees were mostly young celebrities, fashion media, top stylists and fashion influencers. This was the first step to change consumer’s perception towards the Label. Young celebrities like Divya Khosla Kumar, Ishita Dutta, Manasi Scott, Shibhani Kashyap, Eli Avram, Shibani Dandekar, Gabriella Demetriades, Rakulpreet, Sunny Singh and Sana Khan were among the front row celebrities for Neeta Lulla’s show. All the young celebrities were wearing outfits from Neeta Lulla’s new collection. This enables to enhance the wearability and awareness about the new collection. Also to shift the target group’s perception, this was the best move of PW PR to work towards the goal. Eli Avram in Neeta Lulla’s creation 83 Charmee Kaur and Divya Khosla Kumar in Neeta Lulla Creation 84 5.5 OUTCOME 5.5.1. Lakme Fashion Week Coverage After the show, the fashion media loved the show and the new and incredible collection created lot of buzz and news in the media. Following are few pictures which showcase the buzz created by Neeta Lulla’s new collection in the fashion media. 85 86 Bombay Times 87 Social Media Posts for Lakme Fashion Show Name of the Account Organisation Likes VogueIndia Fashion Magazine 3138k ElleIndia Fashion Magazine 5083k Angasutra Graziaindia Multi Designer Store 1.6k fashion Magazine 652 Afashionistasdiaries online fashion account 988 Exclusivelycom Online Designer Store 192 AzaFashions Multi Designer Store 440 BazaarBridein Fashion Magazine 327 MissMalini Online Blog 593 MissMalini Online Blog 784 Love and other bugs Fashion Blogger 283 Elleindia(Facebook) Fashion Magazine 2.5k Femina India Fashion and Lifestyle Magazine 5251k HellomagIndia Lifestyle Magazine 130 Elleindia(Facebook) Fashion Magazine 934 GraziaIndia(Facebook) Fashion Magazine 149 88 5.5.2. Celebrity Spotting The Celebrity sourcings where only provided to top celebs and young celebrities to influence the target market’s perception. After the Lakme Fashion show, all the fashion stylists loved the collection. They started blocking the looks for their respective celebrities. Few of the Neeta Lulla’s Look worn by young celebrities are as follows: Actress Aditi Rao Hydari in Neeta Lulla’s creation 89 Filmmaker Divya Khosla Kumar in Neeta Lulla’s LFW collection for GIMA Awards 90 Actress Neha Dhupia in Neeta Lulla’s LFW collection 91 Femina Miss India-Vartika Singh in Neeta Lulla creations 92 Actress Sarah Jane Dias in Neeta Lulla Actress Swara Bhaskar in Neeta Lulla 93 Actress Sunny Leone in Neeta Lulla for Wedding Times Magazine Shoot 94 CHAPTER 6 - BENEFIT TO THE COMPANY AND SELF LEARNINGS Benefits to the Company 1. Successfully completed celebrity sourcing and spotting. Juhi Chawla in Nachiket Barve for shoot Juhi Chawla in Nachiket Barve for her movie promotions Ileana D’cruz in Nachiket Barve at Filmfare Awards Kajol in Amy Billimoria 95 Sonam Kapoor in Natasha J Label for Neerja Movie Promotions Aftab Shivdasani in Label BoSquare Ambika Anand at Band Baja Baraat in Nisha Sainani 96 2. Created Launch Plan for Menswear Label BoSquare for their ‘Botany Collection’. BOSQUARE BOTANY LAUNCH PLAN IDEAS DETAILS CAMPAIGN "BEAUTY OF MOTHER NATURE" - To launch an innovative campaign "Beauty of Mother Nature" REQUIREMEN TS Information and images, media gifts from BoSquare TIMELIN E Last week of March - PW PR to work on exclusive stories for pre launch stories. - To send out Hardcopy of the Lookbook to Magazines with a gift(Bow Tie, Cuff links, Tie pins etc from the new collection) 97 Publication to Target: Magazines 1.GQ 2.The Man 3. Mansworld 4. Maxim 5. Men's Health 6. Wedding Vows Information and images from BoSquare First/secon d week of April Contact them for collaboration Second week of April Newspape rs 1. Mid Day 2. Indian Express 3. Sunday Mid Day 4. DNA After Hrs 5. Afternoon DC 6. ET Panache Onlines GQ Online Mansworld Online The Man Website Bloggers Activity Campaign #BeautyOfMotherNat ure Bloggers to associate withSarang Patil- He is got the style Riaan George Usaamah SiddiqueThe Dapper 98 Label NikhilThe Fashionist Duo Contests/Giveways - Contests with bloggers such as "What you feel is the amazing thing about Nature and why Participant s can repost the image and tag BoSquare and write answers in the caption - Winner to get goodies from BoSquare Sourcing - To start pitching for trend stories and product placements - To start sourcing to A-lister celebrities and magazine shoots Goodies from BoSquare for the winner Second week of April From last week of April 99 3. Successfully completed editorial shoot sourcing. Parineeti Chopra wearing Nishka Lulla on Man’s World Magazine’s cover page. 100 Emraan Hashmi wearing Label BoSquare on The Man magazine’s cover page. 101 Model wearing BoSquare’s ensemble for Splendor Magazine, Berlin 102 4. Helped the clients during Events, Launches and shoots. L-R Aastha Sharma, Sonal Chauhan, Nishka Lulla and Mandana Karimi at the launch of Nishka Lulla's collaboration with Clinique for the Pop Artistry collection 103 Designer Nishka Lulla and Athiya Shetty and Models at the launch of Nishka for 109F 104 Shamita Shetty (wearing Amy's design and Ghanasingh Be True Jewels) with Amy Billimoria and Krishaa & Gautam Ghanasingh Farzad & Amy Billimoria with Krishaa & Gautam Ghanasingh 105 5. Successfully completed editorial features and response stories for clients Nitin Singh of Label BoSquare’s interview in magazine Man’s World 106 Bridal Makeover Story for Amy Billimoria in Wedding Times magazine 107 Natasha J’s feature in Society Magazine 108 Designer Nisha Sainani’s story in Youth Inc Magazine 109 Holi Story in Newspaper DNA After Hrs, for all the designers 110 6. Helped Nishka Lulla and Neeta Lulla during Lakme Fashion Week show, Summer Resort 2016. Nishka Lulla at her LFW SR 2016 111 Neeta Lulla’s LFW SR 2016 show 112 7. Handled day to day connections with clients. 8. Provided company with much needed information on potential features in various magazines. 9. Provided company with various potential collaboration ideas for clients and worked on it. 10.Worked on post event releases, did follow up on stories and maintained contacts with all the fashion Media. Self-Learning 1. Learnt in detail about the Fashion Public Relation mechanism and its working. 2. Learnt about the Fashion couture and premium market scenario in Mumbai. 3. Learnt about fashion marketing for Fashion designers. 4. Learnt Time management and to get work done in a stipulated time period. 5. Learnt about Fashion Media, Media, Journalists etc and their working. 6. Learnt about problem solving and crisis management in Public Relations. 7. Learnt about Fashion event management. 113 ANNEXURE I SAMPLE SOURCING LETTER 114 WEBLIOGRAPHY https://www.questia.com/library/journal/1P3-3509266841/determinants-of-the-buyingbehavior-of-young-consumers http://shodhganga.inflibnet.ac.in/bitstream/10603/37291/3/chapter1.pdf http://theculturetrip.com/asia/india/articles/the-10-best-indian-fashion-designers-youshould-know/ http://www.vogue.in/content/neeta-lulla-at-lakme-fashion-week-summerresort-2016/#scust0 http://www.indobase.com/fashion/fashion-designers/neeta-lulla.html http://store.neetalulla.com/bridal-couture 115