Effective from 2012

Transcription

Effective from 2012

Effective from 2012
WELCOME TO THE WORLD OF ORFF
Many years of experience, along with our passion for
Chime bars, for example, offer many educational
innovation and quality, have made our instruments an
possibilities for therapy and group lessons. They
essential component of classrooms around the world –
play an important role in musical language therapy
and have made SONOR the global market leader. It all
for the hearing impaired, as auditory potential can
started in 1875 with a small drumhead workshop in
be activated through the exceptional vibration
Weißenfels an der Saale, Germany. Founded by the lathe
characteristics of the Sub Contra and Contra Bass
turner and whittawer, Johannes Link, a flourishing
Bars.
business grew out of modest beginnings. By the turn
of the century, an extensive variety of percussion
At Sonor, we are proud of our long history and are
instruments were being manufactured by the Link
indebted to the entrepreneurial spirit of the Link
family.
family. The close and continuing collaboration with
pedagogues and therapists, who support our seminars
Carl Orff and Gunild Keetman developed the Orff-
and are involved in product development, is the basis
Schulwerk method in the late 1940’s. Their unique
for our practice-oriented focus today.
approach to elementary music and movement started
to gain more popularity mainly due to the broadcasting
We strive to honor SONOR’s reputation for tradition,
of ”Schulwerk programs“ on Bavarian radio. The
innovation, quality and service. Most importantly,
Links’ foresight, along with their passion and vision
we aspire to create instruments that live up to your
for expanding the range of products, provided the
expectations, support your work in the best possible
inspiration for the development of SONOR Orff
way and …
Instruments which were officially included in the
to give you music-making pleasure!
production range in 1953.
This was the beginning of a new era. The Links
pioneered continuing musical education from which
Yours, Eva-Maria Maywald, product manager,
groundbreaking didactical concepts originated, and
and the whole SONOR-Team
they invested heavily in R&D which produced much
technological advancement. Such as the sound bar
material used in Palisono products or the invention
of chime bars.
ORFF
EDI T OR I A L & CO N T EN T S
CONTENTS
u
u
PRODUCT REFERENCES
TIMPANI
Meisterklasse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
4
Meisterklasse Timpani . . . . . . . . . . . . . . . . . . . . . . . . . 35
Palisono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
4
Primary Timpani . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Primary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
5
Global Beat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
5
u
ORFF PERCUSSION
Hand Drums . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
u
GLOCKENSPIELS
Tambourines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Meisterklasse Glockenspiels . . . . . . . . . . . . . . . . . . . .
6
Guiros, Shekere & Effects . . . . . . . . . . . . . . . . . . . . . . 38
Primary Glockenspiels . . . . . . . . . . . . . . . . . . . . . . . . .
7
Cowbells & Agogo Bells . . . . . . . . . . . . . . . . . . . . . . . . 39
NG & Global Beat Glockenspiels . . . . . . . . . . . . . . . . .
8
Small Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Other Glockenspiels . . . . . . . . . . . . . . . . . . . . . . . . . . .
9
Wood Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Reference Glockenspiels . . . . . . . . . . . . . . . . . . . . . . . 10
Cajones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Congas & Bongos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
u
XYLOPHONES
Meisterklasse Xylophones . . . . . . . . . . . . . . . . . . . . . . 12
African Kpanlogos & Street Congas . . . . . . . . . . . . . . . 50
Drums . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Palisono Xylophones . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Primary Xylophones . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
u
Global Beat Xylophones . . . . . . . . . . . . . . . . . . . . . . . . 15
Mallets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Reference Xylophones . . . . . . . . . . . . . . . . . . . . . . . . . 16
Trolley System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
ACCESSORIES
Bags & Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
u
METALLOPHONES
u
PARTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Global Beat Metallophones . . . . . . . . . . . . . . . . . . . . . 20
u
INFORMATION
Other Metallophones . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Tonal Ranges . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Meisterklasse Metallophones . . . . . . . . . . . . . . . . . . . 18
Primary Metallophones . . . . . . . . . . . . . . . . . . . . . . . . 19
Reference Metallophones . . . . . . . . . . . . . . . . . . . . . . 22
Concert Mallets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
u
INDEX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
u
LITERATURE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
u
APPENDIX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
u
CHIME BARS
Meisterklasse Chime Bars . . . . . . . . . . . . . . . . . . . . . . 26
Palisono Chime Bars . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Primary Chime Bars . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Reference Chime Bars . . . . . . . . . . . . . . . . . . . . . . . . . 32
Toy Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
MEISTERKLaSSE
PaLISONO
The Palisono range comprises 65 xylophones and chime bars with
Palisono bars.
What is Palisono?
Palisono is a sound material which was developed by SONOR in
cooperation with engineering specialists. The sound characteristics
of Palisono are ideally suited for the manufacturing of xylophones.
Palisono is a special fiberglass with high density that is not hygroscopic, i. e. it is resistant to humidity. This ensures excellent sound
quality and a higher tuning stability of the instruments.
The same manufacturing standards apply for Palisono as for all
Meisterklasse instruments: Excellence in quality and craftsmanship.
Meisterklasse is SONOR‘s largest range of instruments within
the program for music education, therapy, leisure and family.
Meisterklasse presents the ultimate in sound quality and
craftsmanship.
Although modern technology is firmly integrated into the
manufacturing process the secret of the SONOR sound still
depends on the dedication to detail and the focus on
excellence in craftsmanship as established by SONOR‘s
founder.
The unique features of the Meisterklasse are:
p 6 octaves chromatic tonal range, C to c5
p Special alloy metal bars and select
rosewood bars
p Sound bars with overtone or fundamental
tuning
p Resonator boxes with special acoustic
chambers and brackets for carrying legs or
the BasisTrolley system
p Surface protection of all wood finishes
with “Proterra” (Euronorm EN 71-3)
4
The features of Palisono are:
p Approx. 5 octaves chromatic tonal range, C to b-flat4
p Sound bars with overtone or fundamental tuning
p Resonator boxes with brackets for carrying legs or
for the BasisTrolley system
p Surface protection of all wood finishes with
“Proterra” (Euronorm EN 71-3)
PRIMaRY
ORFF
PROD U C T REF ERENC E S
GLObaL bEaT
Global Beat consists of 2 glockenspiels, 6 xylophones and
3 metallophones. A sound and quality comparison with
instruments of other manuafactures in a similar category
shows the clear advantage of Global Beat instruments.
With over 100 instruments the Primary range offers glockenspiels,
xylophones, metallophones, chime bars, timpani and small percussion for elementary music education.
For years now we have been using an ecological lacquering system,
called Proterra, which is based on shellac, oil and carnauba wax.
Now, with the FSC™ certification, we are taking the next step
forward. We are proud to offer you the Primary series with timber
from well managed forests! The Forest Stewardship Council (FSC™)
is committed to national and international economical efficient,
ecological and social effective management of the
world‘s forests. The preservation of the forests
and their function as wildlife habitat, biological
resource and global buffering system against
the aftermath of the climate change, by
promoting the consumption of FSC™ wood
and paper products is the goal of this non
profit organization.
www.fsc.org
The special characteristics are:
p Approx. 4 octaves diatonic range, c to a4
p Metal, Sucupira wood and fiberglas bars available
p Sound bars with overtone tuning, fundamental tuning or
standard tuning.
p Each xylophone and metallophone has a bag to store the
3 accidentals lower f-sharp, b-flat and higher f-sharp.
p Surface protection of all wood finishes with
“Proterra” (Euronorm EN 71-3)
The special characteristics of the Primary series are:
p 6 octaves tonal range, C to a4 – of which approx.
4 octaves are chromatic, c to b-flat3.
p The sound material of the xylophones is the beautifully veined
and colorful African Pao Rosa.
p Sound bars with overtone tuning, fundamental tuning or
standard tuning.
p Imprinted on all sound bars is the staff with the corresponding
note.
p The redesigned resonator boxes are optimizing the sound.
p Resonantor boxes have brackets to attach legs or the
BasisTrolley System.
p Surface protection of all wood finishes with “Proterra”
(Euronorm EN 71-3)
In this catalog all FSC certified instruments
are marked with the FSC check-tree logo.
5
MEISTERKLaSSE GLOCKENSPIELS
The excellent sound and soft shape of the resonator boxes of
these glockenspiels invite creative playing. The metal bars of the
Meisterklasse glockenspiels are 20 % wider. This enhances playability and offers a greater sound spectrum.
p Special alloy metal bars 25 x 5 mm, fundamental
tuning, resonator made of beech wood, solid and
plywood
Soprano
SG 13
SG 19
SG 25
13 bars, c3-f4, 1 pair SCH 3 and SCH 95,
C-major scale with f-sharp3 and b-flat3
19 bars, c3-c5, 1 pair SCH 3 and SCH 95,
C-major scale with f-sharp3, b-flat3,
f-sharp4 and b-flat4
chromatic scale
SG 25
SG 19
SG 13
TAG 25
Surface protection of all wood
finishes with “Proterra”
TAG 19
TAG 13
6
Tenor-Alto
TAG 13
13 bars, c2-f3, 1 pair SCH 3 and SCH 95,
TAG 19
TAG 25
chromatic scale
ORFF
GL O C K EN SP IEL S
Sonorous and functional
These glockenspiels of the Meisterklasse series stand out due
to their clear, bell-like, yet warm and rich sound. The beautiful
looks of brushed steel and the innovative magnetic accidental
and mallet storage make these glockenspiels special.
p Steel bars 25 x 3 mm, fundamental tuning, resonator made
from solid pinewood and plywood, with embedded magnetic
accidental and mallet storage
Soprano
GSM
Alto
GAM
GAM
16 bars, c3-a4, 1 pair SCH 3,
C-major scale with f-sharp3, b-flat3 and f-sharp4
GSM
The embedded magnetic
accidental and mallet
storage.
PRIMaRY GLOCKENSPIELS
The Primary glockenspiels SGP and AGP support music reading.
The bars with the print of the note enable a visual connection
between the sheet music and the instrument. When improvising
with self-created melodies the children always have a visual
reference to the printed notation. From the other perspective
the players get a feeling of what a printed note sounds like.
Surface protection of all wood finishes with “Proterra”.
p Silver steel sound bars, 20 x 3 mm in size, with fundamental
tuning and resonator boxes made of pine wood, solid and
plywood.
Soprano
SGP
GP
Alto
AGP
AGP
SGP
14 bars, c3-f-sharp4, 1 pair SCH 40,
GP
7
NG GLOCKENSPIELS
The Glockenspiel for Elementary Music Education
SONOR NG glockenspiels are the most popular within the range.
Children are fascinated by their bright sound, created by the
combination of special alloy metal bars and the arch shaped
wooden resonator boxes.
p Red steel bars 20 x 2 mm, fundamental tuning,
resonator made of beech wood, solid and plywood
NG 30
Soprano
NG 10
NG 10
NG 30
13 bars, c3-f4, 1 pair SCH 40,
19 bars, c3-f-sharp4, 1 pair SCH 40,
chromatic scale
NG 31
NG 11
Surface protection of all
wood finishes with “Proterra”
Alto
NG 11
NG 31
23 bars, c2-b-flat3, 1 pair SCH 40,
chromatic scale
GLObaL bEaT GLOCKENSPIELS
These glockenspiels have attractive silver steel sound bars,
20 x 3 mm in size, with standard tuning and resonator boxes made
of solid pine swood.
Soprano
GS GB
Alto
GA GB
8
16 bars, c3-a4, 1 pair SCH 40, C-major scale
with f-sharp3, b-flat3 and f-sharp4
GS GB
GA GB
ORFF
GL O C K EN SP IEL S
OTHER GLOCKENSPIELS
Glockenspiel with metal bars in Boomwhackers colors.
The resonator box have soft edges and an integrated
mallet holder.
Sopran
BWG
BWG
13 bars, c3-f4, 1 pair SCH 40,
nursery rhymes with colored notes
Boomwhackers® is a registered trademark of
Rhythm Band Instruments, LLC.
Child‘s Glockenspiels
A particularly child-oriented design is the main feature of the
child‘s glockenspiel range. They have soft edges and an integrated
mallet holder. The sound is very clear
and not only suited to children‘s ears.
Soprano
SG
MIMA
MG C
Integrated holder
for replacement bars
of SG, SGB and GS
glockenspiels
GS
13 bars, c3-f4, 1 pair SCH 40, C-major scale
with f-sharp3 and b-flat3
Mini Mouse glockenspiel, 5 bars, g3, a3, b3, d4, e4,
G-major pentatonic scale, 1 pair SCH 40S,
children‘s songs with colored note heads
Mouse glockenspiel, 8 bars, c3-c4, 1 pair SCH 40,
C-major scale, children‘s songs with colored notes
Child‘s glockenspiel, bars, c3-f4, 1 pair SCH 40,
SG
GS
MG C
MIMA
Bags for
glockenspiels
see page 55
9
REFERENCE GLOCKENSPIELS
Number of bars
GSM
SG 13
Soprano MEISTERKLASSE
Scale
Tonal range
16
C-major with f H 3, b a3 and f H 4
c3-a4
13
C-major with f H 3 and b a3
c3-f4
c3-c5
SG 19
19
C-major with f H 3, b a3, f H 4 and b a 4
SG 25
25
chromatic
c3-c5
c3-f4
NG 10
Soprano NG
13
NG 30
Soprano NG
19
chromatic
c3-f H 4
SGP
Soprano PRIMARY
16
c3-a4
c3-f H 4
GP
Soprano PRIMARY
14
GS GB
Soprano GLOBAL BEAT
16
c3-a4
GAM
Alto MEISTERKLASSE
16
C-major with f H 2, b a 2 and f H 3
c2-a3
16
c2-a3
c2-a3
AGP
Alto PRIMARY
NG 11
Alto NG
16
NG 31
Alto NG
23
chromatic
c2-b a3
GA GB
Alto GLOBAL BEAT
16
c2-a3
TAG 13
Tenor-Alto MEISTERKLASSE
13
C-major with f H 2 and b a 2
c2-f3
c2-c4
TAG 19
19
C-major with f H 2, b a 2, f H 3 and b a3
TAG 25
25
chromatic
c2-c4
SG
Child’s Glockenspiel
13
c3-f4
GS
Child’s Glockenspiel
11
C-major
c3-f4
c3-f4
c3-c4
BWG
Boomwhackers Glockenspiel
13
MG C
Mouse Glockenspiel
8
C-major
MIMA
Mini Mouse Glockenspiel
5
G-major pentatonic
10
g3, a3, b3, d4, e4,
ORFF
REF ERENC E GL O C K EN SP IEL S
Bars (mm)
Tuning
Resonator made of
Mallets (1 pair)
steel 25 x 3
F
pine wood, solid and plywood
SCH 3
aluminium 25 x 5
F
beech wood, solid and plywood
SCH 3 and SCH 95
aluminium 25 x 5
F
SCH 3 and SCH 95
aluminium 25 x 5
F
SCH 3 and SCH 95
steel 20 x 2
F
SCH 40
steel 20 x 2
F
SCH 40
steel 20 x 3
F
SCH 95
steel 20 x 2
S
SCH 40
steel 20 x 3
S
pine wood, solid
SCH 40
steel 25 x 3
F
SCH 2
steel 20 x 3
F
SCH 95
steel 20 x 2
F
SCH 40
steel 20 x 2
F
SCH 40
steel 20 x 3
S
pine wood, solid
SCH 40
aluminium 25 x 5
F
SCH 3 and SCH 95
aluminium 25 x 5
F
SCH 3 and SCH 95
aluminium 25 x 5
F
SCH 3 and SCH 95
steel 20 x 2
F
plastic with holder for: mallet, f H 3, b a3
SCH 40
steel 20 x 2
S
plastic with holder for mallet
SCH 40
steel 20 x 2
F
plastic with holder for: mallet, f H 3, b a3
SCH 40
steel 20 x 2
S
pine wood, solid
SCH 40
steel 20 x 2
S
pine wood, solid
SCH 40 S
S = Standard Tuning
F = Fundamental Tuning
11
MEISTERKLaSSE XYLOPHONES
Meisterklasse xylophones have the highest quality rosewood bars
with overtone tuning or fundamental tuning. All resonator boxes
are equipped with brackets for carrying legs or the BasisTrolley
system.
Soprano
SKX 10
SKX 20
SKX 30
7 bars, sharp: c2, d2, g2, c3, d3, g3,
flat: b3, chromatic extension for SKX 10
chromatic scale,
combination of SKX 10 and SKX 20
Deep Bass
GBKX 10 16 bars, c-a1, 1 pair SCH 25, C-major scale
with f-sharp, b-flat and f-sharp1
GBKX 20 6 bars, sharp: c, d, g, c1, d1, g1,
chromatic extension for GBKX 10
GBKX 30 22 bars, c-a1, 1 pair SCH 25,
chromatic scale,
combination of GBKX 10 and GBKX 20
Tenor-Alto
TAKX 10 19 bars, c1-c3, 1 pair SCH 16, C-major scale
with f-sharp1, b-flat1, f-sharp2 and b-flat2
TAKX 20 7 bars, sharp: c1, d1, g1, c2, d2, g2, c3,
chromatic extension for TAKX 10
TAKX 30 26 bars, c1-c-sharp3, 1 pair SCH 16,
chromatic scale,
combination of TAKX 10 and TAKX 20
TAKX 30
GBKX 10
Bags for
replacement bars
see page 55
SKX 30
LWX 1
Walking Xylophone
Sucupira bars 35 x 18 mm, fundamental tuning,
resonator made of pine wood, plywood,
length 50 cm, width 15 cm, height 8.5 cm
LWX 1
6 bars, c2, d2, e2, g2, a2, c3, 1 pair SCH 2,
pentatonic starting with c
1
ORFF
X Y L OPHO NE S
PaLISONO XYLOPHONES
These xylophones have Palisono fiberglass sound bars with
overtone tuning or fundamental tuning. All resonator boxes
(except AX PO) are equipped with brackets for carrying legs or
the BasisTrolley
SSX
GBKX 100
TAKX 300
BKX 100
AX PO
SKX 300
Soprano
SKX 100
SKX 200
SKX 300
Alto
AX PO
Tenor-Alto
TAKX 100
TAKX 200
TAKX 300
flat: b3, chromatic extension for SKX 100
chromatic scale,
combination of SKX 100 and SKX 200
Bass
BKX 100
BKX 200
BKX 300
Deep Bass
SSX
GBKX 100
19 bars, c1-c3, 1 pair SCH 11, C-major scale
7 bars, sharp: c1, d1, g1, c2, d2, g2, c3,
chromatic extension for TAKX 100
26 bars, c1-cis3, 1 pair SCH 11,
chromatic scale,
combination of TAKX 100 and TAKX 200
GBKX 200
GBKX 300
16 bars, f-c2, 1 pair SCH 25, C-major scale
with f-sharp, b-flat, f-sharp1 and b-flat1
5 bars, sharp: g, c1, d1, g1, c2,
chromatic extension for BKX 100
21 bars, f-c-sharp2, 1 pair SCH 25,
chromatic scale,
combination of BKX 100 and BKX 200
ShortScale
10 bars, c-c1, 1 pair SCH 25, C-major scale
with f-sharp and b-flat
16 bars, c-a1, 1 pair SCH 25, C-major scale
6 bars, sharp: c, d, g, c1, d1, g1,
chromatic extension for GBKX 100
22 bars, c-a1, 1 pair SCH 25,
chromatic scale,
combination of GBKX 100 and GBKX 200
1
PRIMaRY XYLOPHONES
Primary – The Future Sounds Green!
Primary xylophones support music reading. The bars with the print
of the note enable a visual connection between the sheet music
and the instrument. When improvising with self-created melodies
the children always have a visual reference to the printed notation. From the other perspective the players get a feeling of how
a printed note sounds like.
All Primary xylophones have 35 x 18 mm Pao Rosa sound bars with
overtone or fundamental tuning. The redesigned stepped resonator
boxes are made of solid birch plywood to prevent warping.
The sound bars and resonator boxes of SONOR
Primary xylophones are FSC™ certified, which
means that only timber from well managed
forests are being used. In addition an environmentally safe finish is used, based on shellac,
oil and carnauba wax.
Soprano
SXP 1 .1
SXP 2 .1
SXP 3 .1
Alto
AXP 1 .1
AXP 2 .1
AXP 3 .1
flat: b3, chromatic extension for SXP 1.1
Chromatic set consisting of SXP 1.1 and SXP 2.1
7 bars, sharp: c1, d1, g1, c2, d2, g2
flat: b2, chromatic extension for AXP 1.1
Chromatic set consisting of AXP 1.1 and AXP 2.1
Deep Bass
GBXP 1 .1 16 bars, c-a1, 1 pair SCH 25, C-major scale
GBXP 2 .1 7 bars, sharp: c, d, g, c1, d1, g1
flat: b1, chromatic extension for GBXP 1.1
GBXP 3 .1 Chromatic set consisting of GBXP 1.1 and GBXP 2.1
Bags for
replacement bars
see page 55
GBXP 2 .1
GBXP 1 .1
SXP 2 .1
AXP 2 .1
AXP 1 .1
14
SXP 1 .1
ORFF
X Y L OPHO NE S
GLObaL bEaT XYLOPHONES
Xylophones with Sucupira Sound Bars
These Global Beat xylophones have sucupira hardwood sound
bars 35 x 18 mm with overtone tuning or fundamental tuning
and resonator boxes made of birch plywood. Each xylophone is
equipped with a carrying bag to stow 3 bars (2 x f-sharp, 1x b-flat).
GBX GB
Soprano
SX GB
Alto
AX GB
Deep Bass
GBX GB 16 bars, c-a1, 1 pair SCH 15, C-major scale
AX GB
SX GB
GBX CB F
Xylophones with Fiberglass Sound Bars
The Global Beat fiberglass xylophones have 38 x 15 mm
wide fiberglass bars with overtone tuning or fundamental tuning and resonator boxes from basswood
with inner and outer maple plies. Each xylophone
comes with a storage bag for the accidentals lower
f-sharp, b-flat and higher f-sharp.
Soprano
SX GB F
AX CB F
SX CB F
Alto
AX GB F
Deep Bass
GBX GB F 16 bars, c-a1, 1 pair SCH 25, C-major scale
15
REFERENCE XYLOPHONES
Number
of bars
Scale
Tonal range
c2-a3
SKX 10
16
SKX 20
7
SKX 100
Soprano PALISONO
16
SKX 200
Soprano PALISONO
7
SXP 1 .1
Soprano PRIMARY
16
SXP 2 .1
Soprano PRIMARY
7
SX GB
Soprano GLOBAL BEAT
16
c2-a3
SX CB F
Soprano GLOBAL BEAT
16
c2-a3
AXP 1 .1
Alto PRIMARY
16
c1-a2
AXP 2 .1
Alto PRIMARY
7
AX GB
Alto GLOBAL BEAT
16
c1-a2
AX CB F
Alto GLOBAL BEAT
16
c1-a2
AX PO
Alto PALISONO
16
c1-a2
TAKX 10
19
c1-c3
TAKX 20
7
TAKX 100
Tenor-Alto PALISONO
19
TAKX 200
Tenor-Alto PALISONO
7
BKX 100
Bass PALISONO
16
BKX 200
Bass PALISONO
5
SSX
ShortScale PALISONO
10
C-major with f H and b a
c-c1
GBKX 10
Deep Bass MEISTERKLASSE
16
C-major with f H , b a and f H 1
c-a1
GBKX 20
6
GBKX 100
Deep Bass PALISONO
16
GBKX 200
Deep Bass PALISONO
6
GBXP 1 .1
Deep Bass PRIMARY
16
GBXP 2 .1
Deep Bass PRIMARY
7
GBX GB
Deep Bass GLOBAL BEAT
16
c-a1
GBX CB F
16
c-a1
CX P
Concert Xylophone ROSEWOOD*
38
chromatic
f-f H3
CX PO
Concert Xylophone PALISONO*
38
chromatic
f-f H3
LWX 1
Walking Xylophone
6
pentatonic starting with c
c2, d2, e2, g2, a2, c3
*) see page 24
16
c H 2, d H 2, g H 2, c H 3, d H 3, g H 3, b a3
c2-a3
c H 2, d H 2, g H 2, c H 3, d H 3, g H 3, b a3
c2-a3
c H 2, d H 2, g H 2, c H 3, d H 3, g H 3, b a3
c H 1, d H 1, g H 1, c H 2, d H 2, g H 2, b a 2
c H 1, d H 1, g H 1, c H 2, d H 2, g H 2, c H 3
c1-c3
c H 1, d H 1, g H 1, c H 2, d H 2, g H 2, c H 3
C-major with f H , b a, f H 1 and b a1
f-c2
g H, c H 1, d H 1, g H 1, c H 2
c H, d H, g H, c H 1, d H 1, g H 1
c-a1
c H, d H, g H, c H 1, d H 1, g H 1
c-a1
c H, d H, g H, c H 1, d H 1, g H 1, b a1
ORFF
REF ERENC E X Y L OPHO NE S
Chromatic
extension for
SKX 10
SKX 100
SXP 1.1
AXP 1.1
TAKX 10
TAKX 100
BKX 100
GBKX 10
GBKX 100
GBXP 1.1
Chromatic
instrument
SKX 30
SKX 300
SXP 3 .1
AXP 3 .1
TAKX 30
TAKX 300
BKX 300
GBKX 30
GBKX 300
GBXP 3 .1
Bars
(mm)
Tuning
Resonator
chambers
Resonator
made of
Mallets
(1 pair)
rosewood 37 x 18
F
3
pine wood
SCH 16
rosewood 37 x 18
F
3
pine wood
Palisono 38 x 15
F
3
pine wood
Palisono 38 x 15
F
3
pine wood
pao rosa 37 x 18
F
1
birch wood
pao rosa 37 x 18
F
1
birch wood
sucupira 37 x 18
F
1
birch wood
SCH 11
fiberglass 38 x 15
F
1
limewood
SCH 23
pao rosa 37 x 18
F
1
birch wood
SCH 23
pao rosa 37 x 18
F
1
birch wood
sucupira 37 x 18
F
1
birch wood
SCH 50
fiberglass 38 x 15
F
1
limewood
SCH 23
Palisono 38 x 15
F
1
pine wood
SCH 11
rosewood 37 x 18
O up to c H2, F from d2
5
pine wood
SCH 16
rosewood 37 x 18
5
pine wood
SCH 16
Palisono 38 x 15
4
pine wood
SCH 11
Palisono 38 x 15
4
pine wood
Palisono 38 x 15
O
3
pine wood
Palisono 38 x 15
O
3
pine wood
Palisono 38 x 15
F
4
pine wood
SCH 25
rosewood 44 x 20
O
6
pine wood
SCH 25
rosewood 44 x 20
O
6
pine wood
Palisono 44 x 20
O
6
pine wood
Palisono 44 x 20
O
6
pine wood
pao rosa 37 x 18
O up to a, F from b a
6
birch wood
pao rosa 37 x 18
4
birch wood
sucupira 37 x 18
6
birch wood
SCH 15
fiberglass 38 x 15
6
limewood
SCH 25
rosewood 37 x 15
38
CX CM
SXY G 1
Palisono 38 x 15
38
CX CM
SXY G 1
sucupira 36 x 18
F
1
pine wood
SCH 2
O = Overtone Tuning
SCH 11
SCH 11
SCH 25
SCH 25
SCH 25
38 = 38 tuned tube resonators
made of RESOPHEN
CX CM = Frame construction with wheels, height adjustable (see page 24)
17
MEISTERKLaSSE METaLLOPHONES
SKM, TAKM and GBKM metallophones have special alloy metal
sound bars with overtone tuning or fundamental tuning. All
resonator boxes are equipped with brackets for carrying legs
or the BasisTrolley system.
Surface protection of all wood finishes with “Proterra”.
Soprano
SKM 10
SKM 20
SKM 30
flat: b3, chromatic extension for SKM 10
chromatic scale,
combination of SKM 10 and SKM 20
All resonator boxes are
equipped with brackets for
attaching legs or the
BasisTrolley system.
Surface protection
of all wood finishes with “Proterra”
Tenor-Alto
TAKM 10
19 bars, c1-c3, 1 pair SCH 16, C-major scale
TAKM 20
7 bars, sharp: c1, d1, g1, c2, d2, g2, c3,
chromatic extension for TAKM 10
TAKM 30
26 bars, c1-cis3, 1 pair SCH 16,
chromatic scale,
combination of TAKM 10 and TAKM 20
Deep Bass
GBKM 10 16 bars, c-a1, 1 pair SCH 15, C-major scale
GBKM 20 6 bars, sharp: c, d, g, c1, d1, g1,
chromatic extension for GBKM 10
GBKM 30 22 bars, c-a1, 1 pair SCH 15,
chromatic scale,
combination of GBKM 10 and GBKM 20
The art of making metal bars is in creating a balance
of sound quality, timbre, sustain and volume
without side noises over several octaves.
GBKM 10
TAKM 10
SKM 30
18
ORFF
ME TA L L OPHO NE S
PRIMaRY METaLLOPHONES
GBMP 2 .1
GBMP 1 .1
Bags for
replacement bars
see page 55
SMP 2 .1
AMP 2 .1
SMP 1 .1
AMP 1 .1
Primary metallophones support music reading. The bars with the
print of the note enable a visual connection between the sheet
music and the instrument. When improvising with self-created
melodies the children always have a visual reference to the printed
notation. From the other perspective the players get a feeling of
how a printed note sounds like.
All Primary metallophones have 35 x 5 mm (Soprano and Alto) or 35
x 10 mm sound bars with fundamental tuning. The newly constructed resonator boxes are made of solid birch plywood.
The resonator boxes of the SONOR Primary
metallophones are FSC™ certified, which
means that only timber from well managed
forests are being used. In addition an
environmentally safe finish is used, based
on shellac, oil and carnauba wax.
Soprano
SMP 1 .1
SMP 2 .1
SMP 3 .1
Alto
AMP 1 .1
AMP 2 .1
AMP 3 .1
flat: b3, chromatic extension for SMP 1.1
Chromatic set consisting of SMP 1.1 and SMP 2.1
7 bars, sharp: c1, d1, g1, c2, d2, g2
flat: b2, chromatic extension for AMP 1.1
Chromatic set consisting of AMP 1.1 and AMP 2.1
Deep Bass
GBMP 1 .1 16 bars, c-a1, 1 pair SCH 25, C-major scale
GBMP 2 .1 7 bars, sharp: c, d, g, c1, d1, g1
flat: b1, chromatic extension for GBMP 1.1
GBMP 3 .1 Chromatic set consisting of GBMP 1.1 and GBMP 2.1
19
GLObaL bEaT METaLLOPHONES
All Global Beat metallophones have 35 mm wide metal sound bars
made of special alloy with overtone or fundamental tuning and
resonator boxes made of birch plywood.
Each metallophone is equipped with a carrying bag for 3 sound
bars (2 x f-sharp, 1x b-flat).
MGB GB
Soprano
MS GB
Alto
MA GB
Deep Bass
MGB GB 16 bars, c-a1, 1 pair SCH 15, C-major scale
MA GB
Note name labels inside the
resonator box make it easy
to put bars back in their
proper places.
MS GB
OTHER METaLLOPHONES
AM
The metallophones SM and AM are compact in size and should find
a firm place in any children’s room. The sound character is warm
and full-bodied. Surface protection of all wood finishes with
“Proterra”.
Soprano
SM
Alto
AM
13 bars, c2-f3, 1 pair SCH 17, C-major scale
with f-sharp2 and b-flat2
0
SM
ORFF
ME TA L L OPHO NE S | L I T ER AT URE
RING, SING & PLaY!
ISBN 978-0-9792109-6-9 | Author: Kerri Lynn Nichols
54 pages; for elementary school age
In the center of this book are the color coded sets KS 40 L 15 and
KSP 40 M 15 as well as other Orff and percussion instruments.
Author‘s Note: Who Can Benefit From Playing Chime Bars?
Families
SONOR chime bars provide a great way for families to come together for a fun activity that involves everyone regardless of age or
skill. From singing and accompanying favorite tunes to creating
music and playing games, families have the opportunity to
interact in a whole new way.
Prominently displayed, the chime bars become a conversation
starter for visiting guests. The mellow timbre enhances the
peaceful ambience of any home.
Basic and Music Education
Teachers can use SONOR chime bars to motivate their students and
teach academic concepts from the curriculum. For instance, a first
grade teacher may ask a student to add 3 + 5 and give the answer
by striking the chime bar 8 times.
While studying sentences, the students could play the chime bar
where the appropriate punctuation (period or comma) should
occur while reading the sentence aloud. Chime bar activities can
also be used for transition times or as incentives for completing
other work. Music educators use the chime bars to teach the
concepts of rhythm, melody, form, timbre and texture with ease.
Community and Church Groups
SONOR chime bars are designed to be played in community
with others. Using them in this manner helps to develop social
sensibilities and emotional intelligence.
Their portability and timbre also adapt beautifully for use in
church hymns, processionals and liturgy. The techniques used in
playing the chime bars transfer to the bell choir.
Special Populations
SONOR chime bars are particularly suited for those who may
face special challenges. Their lightweight construction, soft
resonance and ease of use makes them perfect for adaptive
educational settings. Created with a multi-sensory approach to
learning in mind, the chime bars can provide aural, visual, tactile
and kinesthetic experiences.
Retirement Communities
Creative and challenging activities for older adults are becoming
more popular as modern medicine has extended the average life
span. Playing SONOR chime bars offers the perfect balance
between social-emotional stimulation and mental challenge while
emphasizing the joy of living and connection with others.
Everyone!
Who can benefit from playing SONOR chime bars?
The answer is ... Everyone!
The book contains:
p�Basic Music Fun-d-Mentals
p�Games & Activities
p�Orchestrations & Lyric Sheets
1
REFERENCE METaLLOPHONES
Number
of bars
Scale
Tonal range
c2-a3
SKM 10
16
SKM 20
7
SMP 1 .1
Soprano PRIMARY
16
SMP 2 .1
Soprano PRIMARY
7
SM
Soprano Metallophone
13
C-major with f H 2 and b a 2
c2-f3
MS GB
Soprano GLOBAL BEAT
16
c2-a3
AMP 1 .1
Alto PRIMARY
16
c1-a2
AMP 2 .1
Alto PRIMARY
7
AM
Alto Metallophone
16
c1-a2
MA GB
Alto GLOBAL BEAT
16
c1-a2
TAKM 10
19
c1-c3
TAKM 20
7
GBKM 10
16
GBKM 20
6
GBMP 1 .1
Deep Bass PRIMARY
16
GBMP 2 .1
Deep Bass PRIMARY
7
MGB GB
16
c-a1
CM L
Concert Metallophone*
38
chromatic
f-f H 3
*) see page 25
Stepped Primary
resonator box
c H 2, d H 2, g H 2, c H 3, d H 3, g H 3, b a3
c2-a3
c H 2, d H 2, g H 2, c H 3, d H 3, g H 3, b a3
c H 1, d H 1, g H 1, c H 2, d H 2, g H 2, b a 2
c H 1, d H 1, g H 1, c H 2, d H 2, g H 2, c H 3
c-a1
c H, d H, g H, c H 1, d H 1, g H 1
c-a1
c H, d H, g H, c H 1, d H 1, g H 1, b a1
ORFF
REF ERENC E ME TA L L OPHO NE S
Chromatic
extension for
SKM 10
SMP 1.1
AMP 1.1
TAKM 10
GBKM 10
GBMP 1.1
Chromatic
instrument
SKM 30
SMP 3 .1
AMP 3 .1
TAKM 30
GBKM 30
GBMP 3 .1
Bars
(mm)
Tuning
Resonator
chambers
Resonator
made of
Mallets
(1 pair)
38 x 10
F
3
pine wood
SCH 16
38 x 10
F
3
pine wood
35 x 5
F
1
birch wood
35 x 5
F
1
birch wood
30 x 4
F
1
pine wood
SCH 17
35 x 5
F
1
birch wood
SCH 23
35 x 5
F
1
birch wood
SCH 25
35 x 5
F
1
birch wood
40 x 6
F
1
pine wood
SCH 5
35 x 5
F
1
birch wood
SCH 25
38 x 10
O up to b1, F from c2
5
pine wood
SCH 16
38 x 10
O up to b1, F from c2
5
pine wood
45 x 13
O
6
pine wood
45 x 13
O
6
pine wood
35 x 10
6
birch wood
35 x 10
4
birch wood
35 x 10
6
birch wood
SCH 25
40 x 6
O up to b, F from c1
38
CX CM
SCH 16
O = Overtone Tuning
38 = 38 tuned tube resonators
made of RESOPHEN
SCH 23
SCH 15
SCH 25
CX CM = Frame construction with wheels, height adjustable (see page 24)
CONCERT MaLLETS
Concert Mallets
SONOR Concert Mallets are available with special alloy metal bars,
with Palisono or genuine rosewood bars. These three types of
sound bar sets can be mixed individually on one instrument and
expand the musical expressions.
The only requirement is the purchase of the optional sound bar set.
The complete instrument can be set up or switched, as an example
from xylophone to metallophone, within minutes.
CX Sound bar holder
CX P
CX Height adjustment
Palisono
4
Concert Xylophone Rosewood
Rosewood bars 38 x 15 mm, overtone tuning up
to c-sharp2, fundamental tuning from d2
CX P
38 bars, f - f-sharp3, 1 pair SCH SXY G 1,
chromatic scale,
combination of CX CM and CX P 38
CX P 38 Sound bar set,
38 bars, f - f-sharp3, 1 pair SCH SXY G 1,
chromatic scale
CX CM
Frame construction with wheels,
height adjustable from approx. 30 to
40 inches, resonator bar with tuned tube
resonators made of shock-resistant
RESOPHEN for 38 bars
Rosewood
Metal
ORFF
CO NC ER T S TA BSP IEL E
CO NC ER T M A L L E T S
Concert Xylophone Palisono
Palisono bars 38 x 15 mm, overtone tuning up to
c-sharp2, fundamental tuning from d2
CX PO
38 bars, f-f-sharp3, 1 pair SCH SXY G 1,
chromatic scale,
combination of CX CM and CX PO 38
CX PO 38 Sound bar set,
38 bars, f-f-sharp3, 1 pair SCH SXY G 1,
chromatic scale
CX CM
Concert Metallophone
Special alloy metal bars 40 x 6 mm, overtone tuning
up to b, fundamental tuning from c1
CM L
38 bars, f-f-sharp3, 1 pair SCH 16,
chromatic scale,
combination of CX CM and CM L 38
CM L 38 Sound bar set,
38 bars, f-f-sharp3, 1 pair SCH 16,
chromatic scale
CX CM
CX PO
CM L
5
CHIME baRS
Arrange Tones to Suit Your Preference!
SONOR chime bars offer almost unlimited flexibility. The sequence
can be arranged or grouped completely to individual requirements.
The instrument setup KS 40 L 15 illustrates this feature in detail.
Here are two examples of playing and arrangement ideas:
Example 1
p� 15 players get one chime bar each with one mallet.
p� The players assemble in 3 groups:
green, red,
blue.
p� Twinkle, twinkle, little star, how I wonder what you are!
Up a- bove the world so high, like a diamond in the sky.
Twinkle, twinkle, little star, how I wonder what you are!
p� A conductor (teacher) gives the cue.
Example 2
p� Only the red and green chime bars from the KS 40 L 15
set are needed.
p� 10 players each get one chime bar with a mallet.
p� The players assemble in 2 groups:
green, red.
p� London Bridge is falling down, falling down, falling down
London Bridge is falling down, my fair lady
p� A conductor gives the cue.
6
The concept for the SONOR Meisterklasse instrument set KS 40 L 15
has been popular with children, kindergarten teachers and music
pedagogues in Germany for years. Now we have an English version
for you!
Tenor-Alto
Special alloy metal bars 40 x 6 mm, fundamental tuning,
resonators made of shock-resistant RESOPHEN
KS 40 L 15 15 chime bars, c1-c3, 8 pairs SCH 5,
C-major scale, with instruction
KS 40 L 15
ORFF
C HIME B A R S
MEISTERKLaSSE CHIME baRS
Excellent sound and craftsmanship are the basis for the superior
quality of this instrument range. Meisterklasse chime bars are
available in the chromatic range of 5 octaves from C to c-sharp4.
They are especially suitable for music education and music
therapy.
Soprano
KS 30 L
1 chime bar, 26 available chime bars: c2, c-sharp2,
d2, d-sharp2, e2, f2, f-sharp2, g2, g-sharp2, a2,
b-flat2, b2, c3, c-sharp3, d3, d-sharp3, e3, f3,
f-sharp3, g3, g-sharp3, a3, b-flat3, b3, c4, c-sharp4
KS 30 L 1 19 chime bars, c2-c4, 1 pair SCH 3, C-major scale
KS 30 L 2 7 chime bars, sharp: c2, d2, g2, c3, d3, g3, c4,
chromatic extension for KS 30 L 1
KS 30 L 3 26 chime bars, c2-cis4, 1 pair SCH 3, chromatic scale,
combination of KS 30 L 1 and KS 30 L 2
KS 30 L 1
Tenor-Alto
KS 40 L
KS 40 L 1 19 chime bars, c1-c3, 1 pair SCH 5, C-major scale with
f-sharp1, b-flat1, f-sharp2 and b-flat2
KS 40 L 2 7 chime bars, sharp: c1, d1, g1, c2, d2, g2, c3,
chromatic extension for KS 40 L 1
KS 40 L 3 26 chime bars, c1-cis3, 1 pair SCH 5, chromatic scale,
combination of KS 40 L 1 and KS 40 L 2
KS 30 L 3
KS 40 L 1
Surface protection
Tenor-Alto
Rosewood bars 38 x 18 mm, fundamental tuning,
resonators made of pinewood, plywood
KS 400 P
KS 400 P 1 19 chime bars, c1-c3, 1 pair SCH 16,
KS 400 P 2 7 chime bars, sharp: c1, d1, g1, c2, d2, g2,
c3, chromatic extension for KS 400 P 1
KS 400 P 3 26 chime bars, c1-cis3, 1 pair SCH 16,
chromatic scale,
combination of KS 400 P 1 and KS 400 P 2
KS 400 P 3
KS 400 P 1
7
MEISTERKLaSSE CHIME baRS
Surface protection
NKS 100 P
NKS 60 P
KS 50 P
KS 400 P (see page 27)
The Meisterklasse KS 50 L, KS 50 P, NKS 60 P and NKS 100 P chime
bars have sound bars with overtone tuning and resonator boxes
made of pine wood.
All resonator boxes have tuning adjusters to change the sustain
and volume. SONOR developed special feet for these instruments,
which provide optimum resonance.
Recommended mallets: SCH 16, SCH 15, SCH 8 or SCH 100
KS 50 L
Deep Bass
KS 50 L
KS 50 P
Contra Bass
NKS 60 P
1 chime bar, 7 available chime bars: F, F-sharp, G,
G-sharp, A, B-flat, B
Sub-Contra Bass
NKS 100 P 1 chime bar, 5 available chime bars: C, C-sharp, D,
D-sharp, E
Resonator with
tuning adjuster
8
1 chime bar, 13 available chime bars: c, c-sharp, d,
d-sharp, e, f, f-sharp, g, g-sharp, a, b-flat, b, c1
1 chime bar, 13 available chime bars: c, c-sharp, d,
d-sharp, e, f, f-sharp, g,g-sharp, a, b-flat, b, c1
ORFF
C HIME B A R S
PaLISONO CHIME baRS
Palisono chime bars offer excellent sound quality and superior
craftsmanship. They are ideally suited for music education and
music therapy. The chromatic tonal range has 4 octaves from
C to c-sharp3. Palisono chime bars stand for impressive sound
experiences.
KS 40 PO 1
Tenor-Alto
Palisono bars 38 x 15 mm, fundamental tuning,
KS 40 PO
KS 40 PO 1 19 chime bars, c1-c3, 1 pair SCH 11, C-major scale
KS 40 PO 2 7 chime bars, sharp: c1, d1, g1, c2, d2, g2, c3,
chromatic extension for KS 40 PO 1
KS 40 PO 3 26 chime bars, c1-cis3, 1 pair SCH 11, chromatic
scale, combination of KS 40 PO 1 and KS 40 PO 2
KS 40 PO 3
NKS 100 PO
NKS 60 PO
The Palisono chime bars KS 50 PO, NKS 60 PO and
NKS 100 PO have sound bars with overtone tuning
and resonator boxes made of pine wood.
All resonator boxes have tuning adjusters to
change the sustain and volume. SONOR developed
special feet for these instruments, which provide
optimum resonance.
Recommended mallets:
SCH 15, SCH 8 or SCH 100
Deep Bass
KS 50 PO
Contra Bass
NKS 60 PO
KS 50 PO
1 chime bar,
13 available chime bars: c, c-sharp, d,
d-sharp, e, f, f-sharp, g, g-sharp, a, b-flat, b, c1
1 chime bar, 7 available chime bars:
F, F-sharp, G, G-sharp, A, B-flat, B
KS 40 PO
Sub-Contra Bass
NKS 100 PO 1 chime bar, 5 available chime bars:
C, C-sharp, D, D-sharp, E
9
PRIMaRY CHIME baRS
Primary chime bars support music reading. The bars with the print
of the note enable a visual connection between the sheet music
and the instrument. When improvising with self-created melodies
the children always have a visual reference to the printed notation. From the other perspective the players get a feeling of how
a printed note sounds like.
All Primary chime bars with metal bars either have overtone or
fundamental tuning. The resonator boxes are made of shockresistant RESOPHEN or solid birch plywood.
Soprano
Silver special alloy metal bars 30 x 4 mm with staff imprint,
fundamental tuning, white resonators made of shock-resistant
RESOPHEN
KSP 30 M
c2, d2, e2, f2, f-sharp2, g2, a2, b-flat2, b2, c3, d3,
e3, f3, f-sharp3, g3, a3, b-flat3, b3, c4
KSP 30 M 1 19 chime bars, c2-c4, 1 pair SCH 3, C-major scale
with f-sharp2,
b-flat2, f-sharp3
and b-flat3
The birch resonator boxes of SONOR Primary
chime bars are FSC™ certified, which means
that only timber from well managed forests
are being used.
KSP 30 M 1
Tenor-Alto
fundamental tuning, white resonators made of shock-resistant
RESOPHEN
KSP 40 M
KSP 40 M 1 19 chime bars, c1-c3, 1 pair SCH 5, C-major scale
KSP 40 M 1
KSP 40 M 15 15 chime bars, c1-c3, 8 pairs SCH 5, C-major scale,
color coded corresponding to the included song
book
KSP 40 M 15
Deep Bass
overtone tuning, resonators made of birch wood,
plywood
KSP 50 M
1 chime bar, 10 available chime
bars: c, d, e, f, f-sharp, g, a,
b-flat, b, c1
KSP 50 M 1 10 chime bars, c-c1, 1 pair SCH 5,
C-major scale with f-sharp and b-flat
KSP 50 M 1
0
KSP 40 Sound bar holder
KSP 50 Sound bar holder
ORFF
PR IM A R Y ME TA L L OPHO NE
C HIME B A R S
All Primary chime bars with wooden sound bars are made with
FSC certified Pao Rosa and have either overtone or fundamental
tuning. The resonator boxes are made from shock-resistant
RESOPHEN or solid birch plywood.
SONOR uses an environmentally safe finish called Proterra,
based on shellac, oil and carnauba wax.
Tenor-Alto
Pao rosa bars 37 x 17 mm with staff imprint, fundamental
tuning, white resonators made of shock-resistant RESOPHEN
KSP 40 X
KSP 40 X 1
19 chime bars, c1-c3, 1 pair SCH 5, C-major scale
KSP 40 X 1
KSP 50 X 1
Deep Bass
Pao rosa bars 45 x 20 mm with staff imprint,
overtone tuning, resonators made of
birch wood, plywood
KSP 50 X
1 chime bar, 10 available chime
bars: c, d, e, f, f-sharp, g, a,
b-flat, b, c1
KSP 50 X 1
10 chime bars, c-c1, 1 pair SCH 8,
C-major scale with f-sharp and b-flat
Contra Bass
Pao rosa bars 53 x 20 mm with staff imprint, overtone tuning,
resonators made of birch wood, plywood, with tuning adjustor
to bring the sound in line with the room acoustics
KSP 60 X
1 chime bar, 6 available chime bars: F, F-sharp, G,
A, B-flat, B, recommended mallets: SCH 8, SCH 100
KSP 100 X
KSP 60 X
Sub-Contra Bass
Pao rosa bars 100 x 20 mm with staff imprint, overtone tuning,
resonators made of birch wood, plywood, with tuning adjustor
to bring the sound in line with the room acoustics
KSP 100 X
1 chime bar, 3 available chime bars: C, D, E
recommended mallet: SCH 100
KSP 60 and KSP 100
mallet holder
KSP 60 and KSP 100
tuning adjuster
1
REFERENCE CHIME baRS
Complete Sets
Number
of bars Scale
Tonal range
KS 30 L 1
19
KS 30 L 2
7
KSP 30 M 1
Soprano PRIMARY
19
c2-c4
KS 40 L 1
19
c1-c3
KS 40 L 2
7
KS 40 L 15
15
C-major
c1-c3
KS 400 P 1
19
c1-c3
KS 400 P 2
7
KS 40 PO 1
Tenor-Alto PALISONO
19
KS 40 PO 2
Tenor-Alto PALISONO
7
KSP 40 M 1
Tenor-Alto PRIMARY
19
c1-c3
KSP 40 M 15
Tenor-Alto PRIMARY
15
C-major
c1-c3
KSP 40 X 1
Tenor-Alto PRIMARY
19
c1-c3
KSP 50 M 1
Deep Bass PRIMARY
10
c-c1
KSP 50 X 1
Deep Bass PRIMARY
10
c-c1
c2-c4
c H 2, d H 2, g H 2, c H 3, d H 3, H g3, c H 4
c H 1, d H 1, g H 1, c H 2, d H 2, g H 2, c H 3
c H 1, d H 1, g H 1, c H 2, d H 2, g H 2, c H 3
c1-c3
c H 1, d H 1, g H 1, c H 2, d H 2, g H 2, c H 3
Single Bars
Bars
(in mm)
Tuning
Resonator
made of
KS 30 L
metal 30 x 4
F
RESOPHEN
KSP 30 M
Soprano PRIMARY
metal 30 x 4
F
RESOPHEN
KS 40 L
metal 40 x 6
F
RESOPHEN
KS 400 P
rosewood 37 x 18
F/O
pine wood
KS 40 PO
Tenor-Alto PALISONO
Palisono 38 x 15
F/O
RESOPHEN
KSP 40 M
Tenor-Alto PRIMARY
metal 35 x 5
F
RESOPHEN
KSP 40 X
Tenor-Alto PRIMARY
pao rosa 37 x 17
F
RESOPHEN
KS 50 L
metal 45 x 13
O
pine wood
KS 50 P
rosewood 44 x 20
O
pine wood
KS 50 PO
Deep Bass PALISONO
Palisono 44 x 20
O
pine wood
KSP 50 M
Deep Bass PRIMARY
metal 38 x 10
O
birch wood
KSP 50 X
Deep Bass PRIMARY
pao rosa 44 x 20
O
birch wood
NKS 60 P
Contra Bass MEISTERKLASSE
rosewood 53 x 20
O
pine wood
NKS 60 PO
Contra Bass PALISONO
Palisono 53 x 20
O
pine wood
KSP 60 X
Contra Bass PRIMARY
pao rosa 53 x 20
O
birch wood
NKS 100 P
Sub-Contra Bass MEISTERKLASSE
rosewood 100 x 20
O
pine wood
NKS 100 PO
Sub-Contra Bass PALISONO
Palisono 100 x 20
O
pine wood
KSP 100 X
Sub-Contra Bass PALISONO
pao rosa 100 x 20
O
birch wood
F = Fundamental Tuning/O = Overtone Tuning
ORFF
REF ERENC E C HIME B A R S
Chromatic
extension for
KS 30 L 1
KS 40 L 1
KS 400 P 1
KS 40 PO 1
Chromatic
instrument
KS 30 L 3
KS 40 L 3
KS 400 P 3
KS 40 PO 3
Bars
(mm)
Tuning
Resonator
made of
Mallets
(1 pair)
metal 30 x 4
F
RESOPHEN
SCH 3
metal 30 x 4
F
RESOPHEN
metal 30 x 4
F
RESOPHEN
SCH 3
metal 40 x 6
F
RESOPHEN
SCH 5
metal 40 x 6
F
RESOPHEN
metal 40 x 6
F
RESOPHEN
SCH 5 (8 pairs)
rosewood 37 x 18
F/0
pine wood
SCH 16
rosewood 37 x 18
F/0
pine wood
Palisono 38 x 15
F/0
RESOPHEN
Palisono 38 x 15
F/0
RESOPHEN
metal 35 x 5
F
RESOPHEN
SCH 5
metal 35 x 5
F
RESOPHEN
SCH 5 (8 pairs)
pao rosa 37 x 18
F
RESOPHEN
SCH 5
metal 37 x 10
O
birch wood
SCH 8
pao rosa 44 x 20
O
birch wood
SCH 8
SCH 11
F = Fundamental Tuning/O = Overtone Tuning
Available bars
Recommended
mallets
c2, c H 2, d2, d H 2, e2, f2, f H 2, g2, g H 2, a2, b a 2, b2, c3, c H 3, d3, d H 3, e3, f3, f H 3, g3, g H 3, a3, b a3, b3, c4, c H 4
SCH 3
c2, d2, e2, f2, f H 2, g2, a2, b a 2, b2, c3, d3, e3, f3, f H 3, g3, a3, b a3, b3, c4
SCH 3
c1, c H 1, d1, d H 1, e1, f1, f H 1, g1, g H 1, a1, b a1, b1, c2, c H 2, d2, d H 2, e2, f2, f H 2, g2, g H 2, a2, b a 2, b2, c3, c H 3
SCH 5
SCH 16
SCH 11
c1, d1, e1, f1, f H 1, g1, a1, b a1, b1, c2, d2, e2, f2, f H 2, g2, a2, b a 2, b2, c3
SCH 5
c1, d1, e1, f1, f H 1, g1, a1, b a1, b1, c2, d2, e2, f2, f H 2, g2, a2, b a 2, b2, c3
SCH 5
c, c H, d, d H, e, f, f H, g, g H, a, b a, b, c1
SCH 8, 15, 16
SCH 8, 15, 16
SCH 8, 15, 16
c, d, e, f, f H, g, a, b a, b, c1
SCH 8, 15, 16
c, d, e, f, f H, g, a, b a, b, c1
SCH 8, 15, 16
F, F H, G, G H, A, B a, B
SCH 8
F, F H, G, G H, A, B a, B
SCH 8
F, F H, G, A, B a, B
SCH 8
C, C H, D, D H, E
SCH 100
C, C H, D, D H, E
SCH 100
C, D, E
SCH 100
Toy Sound – the hearing experience for all children aged 2-6 years.
Toy Sound products are manufactured from the highest quality
materials which create a positive first impression. Toy Sound –
when only the very best is good enough for your child.
Toy Sound Play Objects
MIMA
Mini Mouse glockenspiel, 5 bars, g3, a3, b3, d4, e4,
G-major pentatonic scale, 1 pair SCH 40S,
MG C
Mouse glockenspiel, 8 bars, c3-c4, 1 pair SCH 40,
GS
Child‘s glockenspiel, 11 bars, c3-f4,
1 pair SCH 40, C-major scale,
KIKA
Child‘s castanet, beechwood
TB
Drum-Bear, ø 8" (20 cm)
TMM
Mini Maracas egg-shaped
RB
Joggle-Bear, ø 3.5 cm, length 6 cm
RS
Joggle-Pig, ø 3.5 cm, length 6 cm
RS
RB
TB
KIKA
GS
BWG
MIMA
MG C
4
ORFF
T O Y S O UND | T IMPA NI
TIMPaNI
Meisterklasse Rotary Timpani
The principle of the rotary kettledrum for orchestral use,
known since 1821, has been combined in the SONOR rotary
timpani with a tried-and-tested system of central tuning.
The technical advantage of the SONOR timpani lies in the
unimpeded transfer of vibration from the head to the shell.
The construction of the SONOR rotary timpani is based
on over 125 years‘ experience.
Suitable mallets are: SCH 6, SCH 7, SCH 8 or SCH 60
V 1570
V 1571
V 1573
V 1574
Original calfskin
Meisterklasse Rotary Timpani
with calfskin heads and three stand legs ST
V 1570
ø 10" (25 cm), tonal range approx. c - a
V 1571
ø 13" (33 cm), tonal range approx. G - e
V 1573
ø 16" (40 cm), tonal range approx. E - c
V 1574
ø 18" (46 cm), tonal range approx. C - G
V 1553
V 1551
V 1554
V 1550
Primary Screw Adjustment Timpani
These timpani can be used as timbales or tom toms. The unique
shape of the tension hoops and the durable plastic heads allow
for dynamic playing. These heads are also used for drum sets.
Compared with natural heads a plastic head is resistant against
humidity thus ensuring perfect pitch. Whether dry or humid
weather – Primary timpani always offer excellent sound.
System of
central tuning
Meisterklasse Screw Adjustment Timpani
The easiest and most traditional type of timpani tuning mechanism
is the tension screw system. By turning 5 to 8 tension screws
(depending on the diameter of the timpani) to the right, the head
is tightened and the pitch increased. If the tension screws are
turned to the left, the head is loosened and the pitch becomes
lower.
Meisterklasse Screw Adjustment Timpani
with calfskin heads and three stand legs ST
V 1550
ø 10" (25 cm), tonal range approx. c - a
V 1551
V 1553
V 1554
ø 18" (46 cm), tonal range approx. C - G
TP 13
TP 16
Primary Screw Adjustment Timpani
with plastic heads and three stand legs ST
TP 13
TP 16
5
HaND DRuMS
SONOR Hand Drums are made according to high quality standards
in a wide variety of designs and dimensions.
Hand Drums are available either with select natural skins or plastic
heads for different sound characters and playing techniques.
Natural skins offer a warmer tone, plastic heads sound dryer and
react less sensitive to temperature changes.
LHDN 16
Hand Drums
with tunable natural skins, beech wood frames with
natural lacquer finish, nickel-plated tension hoops
LHDN 10 ø 25 cm (10"), 5 tension rods
with tunable plastic heads, beech wood frames with
natural lacquer finish, nickel-plated tension hoops
LHDP 10 ø 25 cm (10"), 5 tension rods
LHDN 14
LHDP 14
LHDP 13
LHDP 10
LHDN 13
LHDN 10
Hand Drums
with tunable natural skin and beater
CG THD 8 N
ø 20 cm (8"), (not shown)
CG THD 10 N ø 25 cm (10")
CG THD 12 N ø 30 cm (12"), (not shown)
CG THD 10 P
CG THD 10 N
with tunable plastic head and beater
CG THD 8 P
ø 20 cm (8"), (not shown)
CG THD 10 P ø 25 cm (10")
CG THD 12 P ø 30 cm (12"), (not shown)
with pre-tuned natural skin
CG HD 8 N
ø 20 cm (8"), beater, (not shown)
CG HD 10 N ø 25 cm (10"), beater
HDP
Primary Hand Drum ø 20 cm (8")
TB
Toy Sound Drum-Bear ø 20 cm (8")
6
HDP
TB
PERCUSSION
INF O S Z U K L INGENDEN S TÄ BEN
H A ND DRUM S | TA MBO UR INE S
TaMbOuRINES
Tambourines
with tunable plastic head, nickel silver jingles,
beech wood frames with natural lacquer finish,
nickel-plated tension hoops
LTA 20
ø 25 cm (10"), 5 tension rods,
20 pairs of jingles
LTA 6
6 pairs of jingles
LTA 6
with tunable plastic head
CG TT 8 P
6 pairs of jingles, (not shown)
CG TT 10 P
9 pairs of jingles
CG TT 12 P
20 pairs of jingles, (not shown)
LTA 20
CG TT 10 P
with pre-tuned natural skin
CG T 6 N
ø 15 cm (6"), 5 pairs of jingles, (not shown)
CG T 8 N
ø 20 cm (8"), 7 pairs of jingles, (not shown)
CG T 10 N
ø 25 cm (10"), 9 pairs of jingles
CG HD 10 N
CG T 10 N
Instruments with Jingles
LHT
Tambourine ø 25 cm (10"), 20 pairs of nickel silver
jingles, beech wood frame with natural lacquer finish
CGHT 10 D Tambourine ø 25 cm (10"), 18 pairs of jingles
CGHT 12 D Tambourine ø 30 cm (12"), 20 pairs of jingles
GTS
Tambourine Star ø 25 cm (10"), 14 pairs of jingles,
star-shaped, colored
GTS
LHT
CGHT 10 D
CGHT 12 D
7
GuIROS, SHEKERE & EFFECTS
Guiros
FGS N
FGS B
FGL N
FGL B
L 2621
Guiro, fiberglass, small, Natural
Guiro, fiberglass, small, Soft Black
Guiro, fiberglass, large, Natural
Guiro, fiberglass, large, Soft Black
Guiro, Mexican style, with scraper
Shekere
FS N
FS B
Shekere, fiberglass, Natural
Shekere, fiberglass, Soft Black
FS N
L 2621
Shekere in Soft Black
LCAF
KIKA
Guiro in Soft Black
FGS N
LCA
FGL N
LVS
GCE
PCA
Cabasa
LCAF
Cabasa Catena
Quijada
LVS
Quijada
Circle Effect
GCE
Circle Effect, with beater
GRS
Castanets with Handle
KIKA
Child‘s castanet, beechwood
LCA
Castanet with handle, rosewood
PCA
Primary Castanet with handle, beech wood
Ratchet
GRS
8
Ratchet
COWbELLS & aGOGO bELLS
Cowbells
Cowbells mounted
GCB 4
Cowbell 4", black
GCB 5
Cowbell 5", black
GCB 7
Cowbell 7", black
CCB 55 BM
FB 65 BM
GCB 4
Cowbells Black Matt Finish
with mounting attachment and rubber stripe damper
CCB 55 BM Cha Cha Bell 5.5", black matt finish
FB 65 BM Fusion Bell 6.5", black matt finish
MB 8 BM Mambo Bell 8", black matt finish
MB 8 BM
Agogo Bells
AGM
Agogo Bell, mounted, brass finish
AGH
Agogo Bell, brass finish
LAG
Agogo Bell, black
GCB 7
GCB 5
LAG
Cowbells Brass Finish
CB 4
Charanga Bell 4", brass finish
CCB 5
Cha Cha Bell 5", brass finish
CCB 55
Cha Cha Bell 5.5", brass finish
MB 8
Mambo Bell 8", brass finish
HB 8
Hand Bell 8", brass finish, with rubber stripe damper
AGH
AGM
HB 8
MB 8
CSB 55
CCB 5
CB 4
A special 3-sided wing screw
allows easy and quick attachment
to a mounting arm or stand
without interfering with the
movement of the player.
9
PERCUSSION
GUIRO S | SHEK ERE | COWBEL L S
SMaLL PERCuSSION
Many metal percussion instruments were developed as a result of
creative experiments with different objects and materials. Others,
such as bells and jingles have a century old tradition. Often their
unique character is unveiled through special playing techniques.
Instruments with Jingles
V 4004 Hand Bells, with 5 bells
V 4001
Wrist Bells, with 6 small bells, white leather
V 4003
Sleigh Bells, with 6 large bells
V 4002
Jingle Stick, 4 pairs of nickel silver jingles
PJS
Primary Jingle Stick, 2 pairs of nickel silver jingles
GSS
Jingle Stick, 6 pairs of jingles
GHB S
Hand Bells, wooden stick with 13 bells
GHB M
Hand Bells, wooden stick with 24 bells
GSB
Sleigh Bells, with 9 bells
V 4003
V 4001
V 4004
GHB M
GSB
GHB S
V 4002
GSS
PJS
GTR 20
PTR
GTR 10
LTR 10
GTR 15
LTR 18
LTR 15
40
Triangles
LTR 10
LTR 15
LTR 18
GTR 10
GTR 15
GTR 20
PTR
Triangle 10 cm, silver steel, with beater
Triangle 10 cm, with beater
Primary Triangle 15 cm, with beater
PERCUSSION
SM A L L PERC U S S IO N
Finger Cymbals
SFC
Finger Cymbals, with bag, 1 pair
GFC 1
Finger Cymbals, 1 pair
GFC 2
Finger Cymbals, the same as GFC 1 but 2 pairs
V 3905
Finger Cymbals 5 cm ø, silver bronze, 1 pair
PFC
Primary Finger Cymbals, 1 pair
Cymbals
V 3900
V 3901
V 3902
V 2012
V 2014
PHC
SFC
Cymbals ø 10 cm (4"), silver bronze, 1 pair
Hanging Cymbal ø 30 cm (12"), bronze
Hanging Cymbal ø 35 cm (14"), bronze
Primary Cymbal ø 20 cm (8")
PFC
GFC 1
V 2012
V 2014
V 3905
V 3902
PHC
V 3901
V 3900
Solid Bar Chimes
L 2639
Solid Bar Chimes, 36 bars, brass bars 8 mm diameter,
35 mm up to 209 mm long, with stand
L 2639
41
SMaLL PERCuSSION
Maracas are among the best known percussion instruments and
allow for many different ways of rhythmic accentuation and
playing styles. SONOR Maracas are available in wood,
plastic or calabash giving a warmer or
more defined, crisp sound.
Maracas
GMW S
GMW M
GMP
L 2693
MM R
MM BR
ø 7 cm, length 22 cm, wood
ø 8 cm, length 25 cm, wood
ø 9 cm, length 25 cm, plastic body
wood, Mexican style
Mini Maracas, plastic, red
Mini Maracas, plastic, brown
L 2693
GMW M
MM BR
GMW S
MM R
Caxixis
LADS
LCX S
LCX M
LCX L
LTC S
LTC L
African Double Shaker, 2 woven baskets
Caxixi, basketwork, small
Caxixi, basketwork, medium
Caxixi, basketwork, large, (not shown)
Tube Caxixi, length 10 cm, basketwork
Tube Caxixi, length 18 cm, basketwork
GMP
LCX S
LCX M
LADS
LTC L
LTC S
4
PERCUSSION
SM A L L PERC U S S IO N
Tubos
AS S
AS M
AS L
LRMS S
LRMS M
LRMS L
LSMS M
LSMS L
Acrylic Shaker, length 12.5 cm
Acrylic Shaker, length 20 cm
Acrylic Shaker, length 25 cm
Round Metal Shaker, length 16 cm
Square Metal Shaker, length 14 cm
Square Metal Shaker, length 26 cm
AS M
Bamboo Shakers
NBS S
Natural Bamboo Shaker, small
NBS M
Natural Bamboo Shaker, medium
NBS L
Natural Bamboo Shaker, large
NBS
Natural Bamboo Shaker,
set of NBS S, NBS M and NBS L
AS L
Toy Sound
RB
Joggle-Bear, ø 3.5 cm, length 6 cm
RS
Joggle-Pig, ø 3.5 cm, length 6 cm
RF
Joggle-Friends, set of Bear and Pig
AS S
LRMS L
LRMS M
RS
LRMS S
RB
NBS
LSMS L
LSMS M
4
WOOD PERCuSSION
Wood idiophones are a large group of instruments coming
from different cultures. They are used for basic rhythm
patterns or for complex challenging playing styles.
Like the originals, SONOR wood percussion instruments
are carefully handmade from select hardwoods. They have
great sound quality and a cutting, powerful projection.
Claves
CLA
LCL 1
LCL 2
LCL 3
CLA
Claves, Cuban design
Claves, ø 22 mm, rosewood
Claves, ø 17 mm, rosewood
Claves, ø 27 mm, rosewood,
original Mexican model
Primary Claves, beech wood, 1 pair
PCL
LCL 1
LCL 3
LCL 2
Claves belong to the basic setup of every percussionist.
The new SONOR CLA Claves are built after the original Cuban
design with a cutout for better resonance and a conically
shaped beater. They have an excellent cutting sound with
high projection.
LWB 1
LWB 3
PCL
Wood Blocks
LWB 1
Wood Block, length 13 cm, rosewood, with beater
LWB 3
LWB 2
GWB S
Wood Block, length 16 cm, with beater
GWB L
Wood Block, length 18 cm, with beater
PWB 13 Primary Wood Block, length 13 cm, beech wood,
with beater
PWB 18 Primary Wood Block, length 18 cm, beech wood,
with beater
LWB 2
GWB L
PWB 18
GWB S
PWB 13
44
PERCUSSION
WO OD PERC U S S IO N
Wooden Agogos
LWA
Wooden Agogo, rosewood, with beater
LTU
Two-Tone Block, rosewood, with beater
GDTB S
Double Tone Block, ø 3.5 cm, with beater
GDTB M Double Tone Block, ø 4.5 cm, with beater
GTB
Tone Block, length 20 cm, with beater
LWA
LTU
WBS
WBM
WBL
Temple Block Set
TT 5
5-piece Temple Block, low to high pitch,
ash wood, with mountig bar, (without mallet),
recommended mallet: SCH 16
Wood Blocks
ash wood, with 3-sided adjustable wing screw
WBS
Wood Block, small, 12 x 5.5 x 8 cm
WBM
Wood Block, medium, 15 x 5.5 x 11.5 cm
WBL
Wood Block, large, 17.5 x 5.5 x 14 cm
TT 5
The cross rods on which the wood blocks are attached can be easily
taken off the table top stand. That way you can switch the order of
the blocks from low to high or high to low.
To play when standing the cross rods can be attached to a regular
stand.
45
CaJONES
Our Grande model offers excellent low end paired with percussive
snare sound. Natural body and front plate.
Grande
CAJS GN
CAJS GN
Front plate made of birch, equipped with 12 snare
wires, offers exellent low end paired with percussive
snare sound, 50 x 30 x 30 cm (H x W xD)
Our Standard model have a beech body with a playing surface made
from birch. The Bamboo-Snare-Effect-System gives the cajon their
unique warm, earthy snare and bass sounds.
Standard Cajon
CAJ ST
Front plate made of birch, Bamboo-Snare-EffectSystem, warm and earthy snare and bass sounds,
48.5 x 30 x 30 cm (H x W xD)
Das Bambus-SnareEffekt-System
2 in 1 tip:
Save money! Because of their
double function as instrument
and seat the Cajones are suitable
as chair substitutes in your
music room!
46
Further Cajones for adults can be found on www .sonor .com in the Percussion section.
CAJ ST
PERCUSSION
C A J O NE S
Cajones for children – 2 playing surfaces!
For children it is often not ears to play on a regular sized Cajon,
because they can‘t touch the floor with their feet. Therefore the
size of the SONOR Cajones Chico and Mediano for children were
developed in consideration of the European standard for furniture
and chairs in educational institutions (DIN EN 1729).
The smaller Chico is especially suitable for children in elementary
school age, while the Mediano Cajon can be used until the 5th or
6th grade.Because children at this age grow unequally fast we
don‘t want to define an age recommendation – the best thing is
you try it!
Both Cajones for children have 2 playing surfaces, one with the
typical snare sound. Therefore the sound hole in the shape of the
SONOR mallet logo is positioned on the side.
CAJS MC
Mediano
CAJS MC Body made from MDF, 2 playing surfaces made from
birch, equipped with 12 snare wires, multi-color body,
40,5 x 30 x 30 cm (H x W xD)
Chico
CAJS CB
Body made from MDF, 2 playing surfaces made from
birch, equipped with 12 snare wires, blue body,
32 x 25 x 30 cm (Hx W xD)
CAJS CB
47
CONGaS & bONGOS
Global Series
The SONOR Global instruments
offer a great start into the
world of percussion and are
available both in wood and
fiberglass. The curved
chrome rims provide a
comfortable playing feel.
With an excellent price
performance ratio these
instruments offer great sound
and professional looks.
GTW 1250
Specifications:
Height: 28", 2-ply thai oak
(approx. 18 mm) or 3-ply fiberglass,
buffalo heads, chrome-plated
curved rims, rubber floor ring,
8 mm tension lugs, satin matte finishes,
Congas incl. stand
GCW 1175
GQW 11
GBW 7850
Global Holz Congas & Bongo
GRW 10
Requinto 10", thai oak, with stand
GQW 11
Quinto 11", thai oak, with stand
GCW 1175 Conga 11.75", thai oak, with stand
GTW 1250 Tumba 12.5", thai oak, with stand
GBW 7850 Bongo 7" & 8.5", thai oak, without stand
Global Fiberglass Congas & Bongo
GRF 10
Requinto 10", fiberglass, with stand
GQF 11
Quinto 11", fiberglass, with stand
GCF 1175
Conga 11.75", fiberglass, with stand
GTF 1250
Tumba 12.5", fiberglass, with stand
GBF 7850 Bongo 7" & 8.5", fiberglass, with stand
Finishes (Fiberglass)
Finishes (Wood)
NM Natural Matte
48
OFM Orange Fade Matte
BM Black Matte
BF Brown Fade Matte
GRW 10
PERCUSSION
CO NG A S & BO NG O S
Champion
The Champion line offers a full program of Congas, Mini Congas
and Bongos for beginners to intermediate players at very
affordable prices.
CMC 0910
Specifications:
Hevea wood, buffalo skin (Congas, Bongos),
chrome-plated curved rims, rubber floor ring,
high gloss finishes, Congas
incl. stand
CB 78
CQ 11
CT 1250
CD 12
CMB 45
Champion Congas
with height-adjustable stands
CR 10
Requinto 10", with buffalo skin (not shown)
CQ 11
Ouinto 11", with buffalo skin
CC 1175
Conga 11.75", with buffalo skin
CT 1250
Tumbadora 12.5", with buffalo skin
Champion Mini Conga Set
CMC 0910 9" and 10", with buffalo skin and stand
Champion Djembe
CD 12
Djembe 12", with goat skin
Champion Stands
BOST
Bongo Stand, chrome-plated, doublebraced legs,
rubber feet
CST
Double Conga Stand, height-adjustable,
chrome-plated, double-braced legs,rubber feet
Champion Bongo
CB 78
Bongo 7" and 8", with buffalo skin
CMB 45
Mini Bongo 4" and 5", with buffalo skin
Finishes (High Gloss)
NHG Natural
RBHG Redburst
BBHG Blueburst
SHG Sunburst
49
aFRICaN KPaNLOGOS
The African Kpanlogo is one of the most popular drums originating
from Ghana. Its sound makes it ideal for many different playing
situations, from African rhythms to Caribbean and Brazilian styles.
Also typical “conga grooves” can be played.
XLite Rim for maximum playing comfort, select buffalo skins and
Art Deco design motifs based upon African cave art.
African Kpanlogo
Thai Oak, buffalo skin, Soft Black/White finish,
XLite Rim/chrome, floor ring/rubber
AK 8
8" African Kpanlogo, height 20", gazelle design
AK 10
10" African Kpanlogo, height 25", bird design
AK 11
11" African Kpanlogo, height 25", giraffe design
African Kpanlogo Bags
GBAK 8 Bag for African Kpanlogo 8"
AK 10
AK 11
AK 8
STREET CONGaS
SC 11
SC 10
Street Congas offer a multitude of playing applications with
different styles and are ideally suited for playing while
walking (walking drums). Soundholes on bottom of shell
provide best sound projection when placed on floor.
Street Congas
Fiberglass, buffalo skin, carrying adapter,
Cuban Style rim/chrome, available colors/finishes:
Soft Black/White, Red/White
SC 10
Street Conga, ø 25 cm (10"), height 72 cm (28")
SC 11
Street Conga, ø 27.5 cm (11"), height 72 cm (28")
SCG
Street Conga Ständer
SCS 10
Stand ø 25 cm (10"), steel,height-adjustable, black
SCS 11
Stand ø 27.5 cm (11"), steel,height-adjustable, black
SCG
Street Conga Strap, black, adjustable
Finishes
(High Gloss)
SCS 11
50
BW Black/White
RW Red/White
SCS 10
PERCUSSION
PAUK EN
S T REE T CO NG A S & DRUM S
DRuMS
Get the SONOR quality you are used to for your drum set, too! As
the world‘s oldest manufacturer of drum kits SONOR is famous for
its high quality instruments. We carry an extensive range for all
budgets. For further information go to www .sonor .com and ask
your local dealer!
51
MaLLETS
Mallet application
Mallet head
Mallet hardness Mallet shaft
SCH 13
Double Mallet
glockenspiels
wood and rubber head
hard
plastic
SCH 14
Double Mallet
wood percussion
rosewood and rubber head
hard
plastic
SCH 7
Felt Headed Mallet
hand drums and cymbals
felt head
soft
plastic
SCH 17
Felt Headed Mallet
soprano instruments
felt head
hard
plastic
SCH 5
Felt Headed Mallet
soprano/tenor-alto instruments
felt head
medium hard
plastic
SCH 23
Felt Headed Mallet
soprano/tenor-alto xylophones
felt head
hard
plastic
SCH 50
Felt Headed Mallet
soprano/tenor-alto xylophones
felt head
hard
plastic
SCH 11
Felt Ring Mallet
palisono xylophones soprano/tenor-alto felt ring head/wooden core
medium hard
plastic
SCH 1
Rubber Headed Mallet
bass instruments
rubber head
soft
plastic
SCH 2
soprano instruments
rubber head
medium hard
plastic
SCH 3
soprano instruments
rubber head
hard
plastic
SCH 10
Rubber Ring Mallet
glockenspiels, soprano instruments
rubber ring head/wooden core hard
plastic
SCH 40
Wooden Headed Mallet
glockenspiels
wooden head
hard
wood
SCH 95
Wooden Headed Mallet
glockenspiels
wooden head
hard
plastic
STI 20
Junior Timpani Mallet
timpani, drums, cymbals
felt head
hard
wood
STI 2 1
felt head
medium hard
wood
STI 22
felt head
medium soft
wood
STI 23
felt head
soft
wood
5
SCH 95
SCH 17
SCH 16
SCH 25 SCH 15
SCH 14
SCH 13
SCH 11
SCH 10
SCH 8
SCH 7
SCH 60
SCH 6
SCH 23 SCH 50
SCH 5
SCH 40
SCH 3
SCH 2
SCH 1
The use of mallets is always depending on the
individual requirements of the player.
ORFF
ACC E S S OR IE S
Mallet application
Mallet head
Mallet hardness Mallet shaft
STI 26
felt head
soft
wood
STI F 24
flannel head
hard
wood
STI F 25
flannel head
medium hard
wood
SCH 100 Contra Bass Mallet
NKS 60, NKS 100
wool felt head
soft
tonking
SCH 15
Concert Mallet
bass/deep bass instruments
woolen yarn head
medium hard
plastic
SCH 16
Concert Mallet
soprano/tenor-alto instruments
woolen yarn head
hard
plastic
SCH 25
Concert Mallet
bass/deep bass instruments
woolen yarn head
medium hard
plastic
STI H 7
Timpani Mallet
timpani, professional use
felt head/wooden cor
hard
tonking
STI H 9
Timpani Mallet
felt head/wooden cor
medium soft
tonking
STI K 2
Timpani Mallet
felt head/cork core
hard
tonking
STI K 4
Timpani Mallet
felt head/cork core
medium soft
tonking
SCH 6
Wool Felt Headed Mallet timpani, bass instruments
wool felt head
soft
plastic
SCH 60
Wool Felt Headed Mallet timpani, deep bass instruments
wool felt head
medium hard
tonking
SCH 8
Wool Felt Headed Mallet timpani, deep bass instruments
wool felt head
soft
tonking
SXY G 1
Xylophone Mallet
xylophones
rubber head
soft
tonking
SXY H 2
Xylophone Mallet
xylophones
rosewood head
hard
tonking
SXY H 3
Xylophone Mallet
xylophones
rosewood head
hard
wood
SXY H 4
Xylophone Mallet
xylophones
wood head with leather cover
hard
wood
SCH 100
STI 26
STI F 25
STI F 24
STI 23
STI 22
STI 21
STI 20
STI K 4 STI H 9
STI K 2 STI H 7
S XY H 4
S XY H 2
S XY H 3
S XY G 1
Mallets SCH 100, SCH 14 are available by piece, all other mallets are sold in pairs.
5
baSIS TROLLEY
Trolley System
The SONOR trolley system is very popular due to its versatile use
and safe and easy transport of instruments with resonator boxes.
A height and width adjustable BasisTrolley BT is the most important module within this system.
All box resonator instruments with mounting plates can easily be
mounted with the BasisTrolley adapters. Only chromatic deep bass
instruments need two trolleys, i. e. two BasisTrolleys BT.
BasisTrolley Playing Tables can be mounted on a BT without
adapter.
Chromatisches
Großbass Xylophon
auf zwei BT
BT
BasisTrolley
BT
BasisTrolley, height and width adjustable trolley with
4 large, smooth running wheels
BasisTrolley Adapters
AD 1
Adapter for BasisTrolley and diatonic soprano, alto,
tenor-alto and bass mallet instruments with
3 brackets, 1 rail 166 mm, 1 rail 300 mm, 3 adapters,
1 assembly key
AD 2
Adapter for BasisTrolley and diatonic deep bass mallet
instruments, SSX and ShortScale Xylophone
with 4 brackets, 1 rail 166 mm, 1 rail 300 mm,
4 adapters, 1 assembly key
AC 1
Adapter for BasisTrolley and chromatic soprano, alto,
tenor-alto and bass mallet instruments with
3 brackets, 1 rail 300 mm, 1 rail 572 mm, 6 adapters,
1 assembly key
AC 2
Adapter for BasisTrolley and chromatic extensions for
deep bass mallet instruments with 4 brackets,
2 rails 300 mm, 4 adapters, 1 assembly key
SONOR Multi Table
TI 75
BasisTrolley Table Top, made of solid plies of birch in
10 mm thickness, length 75 cm, width 60 cm
SMT 1
SONOR Multi Table, the ideal, height-adjustable table
for instruments and mallets, combination of
BasisTrolley BT and BasisTrolley Table Top TI 75
54
AD 1
AD 2
AC 1
AC 2
TI 75
Bracket
SMT 1
BasisTrolley
Table Top TI 75
BasisTrolley with
mounted adapter
ORFF
ACC E S S OR IE S
baGS & aCCESSORIES
Bags and Straps
GBD 13
Bag for Djembe 12" and 13" (not shown)
GBSC 10
Bag for Street Conga 10" (not shown)
GBSC 11
Bag for Street Conga 11" (not shown)
GBCO 1011 Bag for Requinto 10" & Quinto 11" (not shown)
GBCO 1175 Bag for Conga 11.75"
GBCO 1250 Bag for Conga 12" & Tumbadora 12.5" (not shown)
GB PE
Bag for Percussion and Bongo
SCG
Street Conga Strap
OGB M
OGB L
SONOR Stick Bag
SSB
for all mallets and drum sticks, 8 pockets
Bags for Glockenspiels
OGB S
Bag for SG, GS, BWG, NG 10, NG 11, GP, GS GB
OGB M
Bag for GSM, GAM, AGP, GA GB, NG 30, SG 13
OGB L
Bag for SG 19, TAG 13, TAG 19, NG 31
Simply slide in the bars, roll bag and
lock with velcro strap
B SK
for bars f-sharp2, b-flat2, f-sharp3 of
soprano metallophones or xylophones
B TAK
for bars f-sharp1, b-flat1, f-sharp2, b-flat2
of tenor-alto metallophones or xylophones
B GBK
for bars f-sharp, b-flat, f-sharp1 of deep bass
metallophones or xylophones
OGB S
B SK
B TAK
B GBK
SCG
SSB
GBCO 1175
NS P
ST
Music Stand
NS P
Music Stand, collapsible
GB PE
Stand Leg
ST
Stand Leg, height-adjustable, for screwing
into brackets of box resonators, instrument
cases and timpani
55
PaRTS
SONOR offers spare parts for all its instruments. More than
7.000 parts all together. Because of the exquisite quality, they
are needed rarely.
Most of the spare parts get ordered because of lost sound bars or
mounted off parts. In everyday life at schools and kindergartens
also sometimes hides get crushed or small parts ripped off.
More parts can be found in the SONOR price list. All parts listed
are sold as single pieces unless indicated differently.
ZG 1
765 001 59
Z KS 30
Z KS 40
765 006 00
ZR 1
Sound Bar Holders – new Models
ZG 1
for GP, NG, white, 10 pieces
ZG 2
for SG, TAG, black, 10 pieces
ZG 3
for SGL, TAGL, black, 10 pieces, (not shown)
ZS 1
for all xylophones and metallophones
with box resonator, 10 pieces
ZS 2
for all Global beat fiberglass xylophones and
metallophones with box resonator, 10 pieces
Z KS 30
for KS 30, KSP 30, KSP 30 M, white, 2 pieces
Z KS 40
for KS 40, KSP 40, KSP 40 M & X, white, 2 pieces
Z KS 400 for KS 400, black, 2 pieces
Z KS 50
for KS 50, KSP 50, KSP 50 M & X, black, 2 pieces
Z KS 60
for NKS 60, KSP 60 X, black, 1 piece
Z KS 100 for NKS 100, KSP 100 X, black, 1 piece
ZR 1
for CX, CM, BSX 300, black, 1 piece
ZB 1
Pin strip for SGP, AGP, GS GB, GA GB, black,
2 pieces, incl. felt strip
ZB 2
Pin strip for SG, GS, BWG, black, 2 pieces,
incl. felt strip
ZB 3
Pin strip for MG, black, 2 pieces, incl. felt strip
ZB 4
Pin strip for GSM, GAM, black, 2 pieces, incl. felt strip
FB 1
Felt strip for SG, GS, BWG, white
FB 2
Felt strip for SGP, AGP, GS GB, GA GB, white
FB 3
Felt strip for MG, white
FB 4
Felt strip for GSM, GAM, white
ALS 1
Rubber cording (1 meter) for all metallophones
and xylophones
ZB 2
ZS 1
ZS 2
Z KS 50
FB 1
ZB 1
Z KS 400
Z KS 100
765 164 59
56
762 212 59
ALS 1
F KS 1
F KS 2
ORFF
PA R T S
Sound Bar Holders – old Models
765 001 59
for GP, white, 10 pieces, old model
765 003 00
for KS 30, KSP 30, old model
765 004 00
for KS 40, old model
765 005 00
for KS 50, KSP 50, old model
765 006 00
for BSM 3, old model
Feet and Brackets
F KS 1
for KS 50, NKS 60, rubber, 4 pieces
F KS 2
for NKS 100, rubber, 4 pieces
F KSP
for KSP 50, KSP 60, KSP 100, plastic, 4 pieces
762 212 59
Bracket, complete for box resonator
instruments and timpani
765 164 59
Adapter, for BT rails
Natural Skins unmounted
700 005 35
Natural skin, 35 cm
700 005 43
Natural skin, 43 cm
700 005 46
Natural skin, 46 cm
700 005 50
Natural skin, 50 cm
700 005 56
Natural skin, 56 cm
700 005 61
Natural skin, 61 cm
Jingles and Bells
NSS
Nickel silver jingles for PJS, LTA, LHT,
V 4002, 1 pair
762 016 02
Bell for V 4001, with rivet
762 017 02
Bell for V 4003, with loop
762 021 02
Bell, single, small, for V 4004
762 022 02
Bell, single, medium, for V 4004
762 023 02
Bell, single, large, for V 4004
762 007 01
Leather strap for cymbals V 3900,
V 3901, V 3902, PHC
Leather strap for hanging cymbals
V 2012, V 2014
762 028 01
NSS
Natural Skins mounted
733 007 71
Natural skin, 10" for LHDN 10 (V 1619/1639)
733 009 71
Natural skin, 13" for LHDN 13 (V 1620)
733 011 71
733 012 71
733 008 71
Natural skin, 10" for V 1550/1570
733 010 71
Natural skin, 13" for V 1551/1571
733 013 71
Natural skin, 16" for V 1553 /1573
733 014 71
Natural skin, 18" for V 1554 /1574
700 005 35
762 021 02
762 017 02
762 022 02
762 016 02
762 023 02
762 007 01
733 007 71
762 028 01
57
TONaL RaNGES
In almost all music literature xylophones, metallophones and
glockenspiels are arranged with terms like “soprano”.
Unfortunately these terms do not give any indication of the
actual tonal range. Therefore SONOR specifies the exact range
of all instruments with detailed description of scale and number
of notes.
Example:
The soprano xylophone SKX 300 has a chromatic scale
from c2 to b-flat3 (23 notes).
The soprano glockenspiel NG 10 has a C-major scale
with f-sharp3 and b-flat3 from c3 to f4 (13 notes).
58
Although the term “soprano” is used, neither tonal range nor
scale are identical. SONOR is using these terms only because they
have become a standard in music literature worldwide.
The reference chart shows all terms used within the SONOR program
and the available tonal ranges. We want to stress that glockenspiels are transposing musical instruments. They sound one or two
octaves higher than transcribed in music literature. Instruments
in the bass range are sometimes notated with the bass clef (F clef)
and other times with the treble clefs (G clef). Depending on the
notation they are counted as transposing instruments with a lower
sound than indicated in literature (one octave or two octaves).
ORFF
GL OB A L CO NG A S & BO NG O
T O N A L R A NGE S
Soprano (Glockenspiels)
Soprano
Alto (Glockenspiels)
Tenor-Alto (Glockenspiels)
Alto
Tenor-Alto
Bass-Soprano
Bass
Deep Bass
Contra Bass
Sub-Contra Bass
C4 D4 E4 F4 G4 A4 B4
C5 D5 E5 F5 G5 A5 B5
C6 D6 E6 F6 G6 A6 B6
C7 D7 E7 F7 G7 A7 B7
C8
C6 D6 E6 F6 G6 A6 B6
C7 D7 E7 F7 G7 A7 B7
C8
Helmholtz
Scientific
C2 D2 E2 F2 G2 A2 B2
C3 D3 E3 F3 G3 A3 B3
C2 D2 E2 F2 G2 A2 B2
C3 D3 E3 F3 G3 A3 B3
Helmholtz
Scientific
large
Octave
small
Octave
once-accented
Octave
twice-accented
Octave
thrice-accented
Octave
four times-accented
Octave
C = 64 Hz
c = 128 Hz
c1 = 256 Hz
c2 = 512 Hz
c3 = 1024 Hz
c4 = 2048 Hz
Concert Pitch a1 = 880 Oscillations = 440 Hz
59

Effective from 2012

Transcription

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