Stephen Finer - View Gallery

Transcription

Stephen Finer - View Gallery
Stephen Finer
Yehudi Menuhin
Oil on canvas, 51cm x 41cm
“An extraordinary achievement in its own right ...
an intensely personal and powerful work”
Stephen Finer
Robin Gibson, Former Chief Curator at the National Portrait Gallery, London
Stephen Finer is an acclaimed British painter
who has been showing for over twenty years, receiving
phenomenal recognition as one of the most distinguished
artists of his generation. His work is highly collectable
and is in many private and public collections including
the Arts Council, the National Portrait Gallery and the
Los Angeles County Museum of Art.
Recently he was in ‘Painting The Century: 101 Portrait
Masterpieces 1900-2000’ at the National Portrait Gallery
where his ‘David Bowie’ is in the Permanent Collection.
This brochure has been produced to coincide
with an exhibition of Stephen Finer’s works at
View Gallery from 4 March – 15 April 2006
Gill Bastedo and Stephen Finer
Oil on canvas, 41cm x 51cm
View Gallery
34 High Street
Thames Ditton
Surrey KT7 0RY
020 8972 9706
[email protected]
www.viewgallery.co.uk
David Bowie
Oil on canvas, 56cm x 45cm
National Portrait Gallery:
Permanent Collection
“He is as distinguished as any painter
of his generation”
William Packer, Financial Times
Marlene Dietrich on stage
Oil on canvas, 124cm x 69cm
“Each mark, apparently casual, is absolutely
precise, contributing to a sensitive balance
between revelation and concealment”
Margaret Garlake, Art Monthly
Head of a woman
Oil on canvas, 41cm x 31cm
Orange mountain against a grey background
Man of twenty four and womanOrange:
of thirty
Ripe
six
Oil on canvas, 130cm x 130cm, 2005
Oil on canvas, 31cm x 23cm Oil
andon
31cm
canvas,
x 23cm
130cm
(framed
x 130cm,
together)
2005
“A very strong sense of the concept
of individuality rather than its
superficial appearance”
Margaret Garlake, Art Monthly
Mo Yusef
Oil on canvas, 51cm x 41cm
“The richness and opacity of Stephen Finer’s
paintings record an exceptionally intelligent,
vivid and moving recognition of how what the
painter accomplishes he does, in part, through
a necessary renunciation”
Martin Golding, Modern Painters
Head of a woman
Oil on canvas, 30cm x 25cm
Stephen Finer
COLLECTIONS
Arts Council
The British Council
Contemporary Art Society
Los Angeles County Museum of Art
National Portrait Gallery, London www.npg.org.uk
Pallant House Gallery, Sussex
Southport Art Gallery
Private collections in England, Ireland, America and Spain
1992
1993-94
1994
1995
SOLO EXHIBITIONS
1981
1982
1985
1986
1988
1989
1992
1994
1995
1998
1999
2001
2002
2004
Four Vine Lane, London
Four Vine Lane, London
Four Vine Lane, London
Anthony Reynolds Gallery, London
Anthony Reynolds Gallery, London
Berkeley Square Gallery, London
Bernard Jacobson Gallery, London
Woodlands Art Gallery
Bernard Jacobson Gallery, London
‘Heads’, Agnew’s London
‘Sir Morris Finer’ & other paintings, Agnew’s,
London
Pallant House Gallery, Chichester, Sussex
‘People’, Charleston, Sussex
(opened by Professor Norbert Lynton)
Art Space Gallery
1996
1996-97
1997-98
1998
1999
1999-00
2000-01
MIXED EXHIBITIONS
1977
1980
Monika Kinley: ‘Open House’, London
British Art 1940-80 from the Arts Council
Collection, (‘Sandra Fisher’ by Stephen Finer)
Hayward Gallery, London
1981-82 ‘Small Work’, Nicola Jacobs Gallery, London
1983
‘The Face’, Art House, London
1984
Collazione Inglese II, Venice Biennale, Italy
1985
‘New Art 2’, Anthony Reynolds Gallery, London
1986
Contemporary Art Fair, London
‘New Art’, Anthony Reynolds Gallery, London
1988
AR.CO Madrid
1988-89 Berkeley Square Gallery
1989
Contemporary Art Fair, London
Westcott Gallery
Berkeley Square Gallery. London
1990
‘Academician’s Choice’ - (Finer chosen by Kitaj)
The Mall Galleries, London
The Eye Gallery, Bristol
1991
Berkeley Square Gallery, London
Contemporary Art Fair London
Basel Art Fair
Bernard Jacobson Gallery, London
‘Cabinet Painting’, Gillian Jason Gallery, London
2001
2003
2003
2004
2005
2005-06
2006
2006
‘The Figure Laid Bare’, Pomeroy Purdy Gallery,
London
‘Cabinet Painting’, Hove Museum & Art Gallery
& Glynn Vivian Art Gallery & Museum, Swansea
Bernard Jacobson Gallery, London
‘The Portrait Now’ (‘Marlene Dietrich’ by Stephen
Finer), National Portrait Gallery, London
Bernard Jacobson Gallery, London
Bernard Jacobson Gallery, London
Chicago Art Fair
Basel Art Fair
‘The Discerning Eye’ Mall Galleries, London
(Finer invited by Martin Gayford)
Bernard Jacobson Gallery, London
‘Men on Women’ (selected by Peter Edwards),
Oriel Theatr, Bodelwyddan Castle, School of Art
Museum & Art Gallery, Aberyswyth
Contemporary Art Fair, London
Glasgow Art Fair
‘50 Contemporary Self-Portraits’, Six Chapel
Row, Bath
20th Century British Art Fair, Royal College of
Art, London
British Art 1900-1998’, Agnew’s, London
‘Absolut Secret’, Royal College of Art, London
‘Pure Paint’, Stephen Lacey Gallery, London
Painting The Century 101 Portrait Masterpieces
1900-2000’, (‘David Bowie and Iman’ by Stephen
Finer), National Portrait Gallery, London
‘RCA Secret’, Royal College of Art, London
Bernard Jacobson Gallery, London
‘The National Portrait Gallery Collects’ (‘David
Bowie’) Bodelwyddan Castle, Wales
View Gallery, Thames Ditton, Surrey
‘Place, Landscape and Figure’, Art Space Gallery,
London
View Gallery, Thames Ditton, Surrey
‘RCA Secret’, Royal College of Art, London
Fusion Gallery, Spain
‘An American Abroad: Sandra Fisher and her
School of London Friends’, New York School of
Drawing, New York USA
View Gallery, Thames Ditton
SELECTED ARTICLES
BIBLIOGRAPHY
‘Portraits that capture the prizes’ by William Packer,
Financial Times, Thursday June 5 1986
‘Artists of the Day’ by Margaret Garlake, Art Monthly
June 1986
‘Spotlight: Stephen Finer’ by Robin Gibson, Modern
Painters Magazine Winter 1992-3
‘Article of Faith’ by Colin Wiggins, Art Review Summer
Issue 1994
‘The Fame of the Pose’ by Hugh Pearman, Sunday Times
Magazine 2000
‘Stephen Finer: Presence and Identity’ by Martin Golding,
Modern Painters Spring 2000
‘Painting the Century 101 Portrait Masterpieces’ by Robin
Gibson; introduction by Norbert Lynton published by
National Portrait Gallery, London
1984
1986
TELEVISION & RADIO
1960
1995
1995
1995
1998
2001
2003
ITN (with Alma Cogan)
‘Paint it Red’ including Norbert Lynton interview
by Channel One
‘The nude in art’ including Norbert Lynton
interview by Channel One
‘Omnibus’ BBC1 Monday 6 November
BBC1 News, James Wilkinson Wednesday
29 April
British Satellite News recorded Tuesday
20 November
ZDF German Television (Katrina Balmforth
interviewer) recorded Tuesday 20 Nov 2001
Fuji Television, Japan
FILM
‘Pilgrim Farewell’ directed by Michael Roemer USA
Artline, Studio International, Financial Times
Marjorie-Allthorpe-Guyton ‘New Art I & II at
Anthony Reynolds’ Artscribe, Dec-Jan no.55 R.
Costa ‘London’ Juliet Dec-Jan no:23
‘Portraits that capture the prizes’, Financial
Times, Thursday June 5
Margaret Garlake ‘Artists of the Day’, Art
Monthly, June
Graham Hughes ‘Letter from Holland’, Arts
Review, June
Margaret Garlake, Art Monthly, July-August
1988
Margaret Garlake, catalogue introduction to
exhibition at Anthony Reynolds Gallery
William Packer, catalogue introduction to
exhibition at Berkeley Square Gallery
1991
‘Antennae’, Galleries Magazine Oct 1991
1992
Margaret Garlake, introduction to exhibition at
Bernard Jacobson Gallery
‘Gallery Openings’, The Independent 8 Sept 1992
Iain Gale Londoner’s Diary, Evening Standard
11 Sept 1992
‘Gallery’, Modern Painters Autumn 1992
illustration: ‘Man of twenty three and man of
twenty two’, 1990
‘Faced with a view’, William Packer, Financial
Times, Tuesday 15 Sept 1992
1992/93 Robin Gibson ‘Spotlight’: Stephen Finer’, Modern
Painters Volume 4, No 4 Winter Issue
1993/94 Ian McKay ‘The Portrait...When?’, Contemporary
Art, Winter Issue
Simon Tait, The Observer 6 Feb 1994
1994
‘Greenwich Time’, ‘Finer Art’, 1 July 1994
‘Finer Art’, This is London, 1 July 1994
‘Article of Faith’ by Colin Wiggins, Art Review,
Summer Issue 1994
John Windsor, The Sunday Review, The
Independent on Sunday
The Sunday Review, 18 September 1994
1995
‘Gallery Round-up’, The Daily Telegraph,
Wednesday April 16
‘Hot Tickets: Galleries’, Nicholas Drake, ES
Magazine, 28 April
‘Hot Air’, July-Sept 1995 (illustration: ‘David
Bowie’ 1994)
Telegraph, Thursday Sept 28 1995
‘Pop Art’, Celia Lyttelton, Tatler October 1995
1996
Diary, Jewish Chronicle, 7 November 1996
1997
‘Men on Women’ exhibition catalogue (illus.)
‘Crankin Out’ illustration: ‘David Bowie’
1998
‘Photo Finish’, Times Diary, Jasper Gerard,
The Times, Saturday 31 Jan 1998
‘British Art 1900-1998’ catalogue illus: ‘Marlene
Dietrich on Stage’, Agnew’s
REFERENCE
1999
2000
2001
2002
2004
‘Harpers & Queen’, January
‘National Coup for city art gallery’, Bath
Chronicle, 12 Jan 1999
‘The Body Beautiful’, Bath Chronicle, 18 Jan 1999
‘Face to face with an actress who now champions
animals’, Bath Observer, 21 Jan 1999
‘Images of a Lifetime’, Modern Painters, Winter
1999
‘Stephen Finer: Presence and Identity’ by Martin
Golding, Modern Painters, Spring 2000
‘Heath’s Private View’, Private Eye, June 2000
‘Painting the Century 101 Portrait Masterpieces
1900-2000’, by Robin Gibson introduction by
Norbert Lynton (illustration: ‘David Bowie and
Iman’ by Stephen Finer), National Portrait
Gallery, London
‘The Fame of the Pose’ by Hugh Pearman,
Sunday Times Magazine, 22 October 2000
(illustration: ‘David Bowie and Iman’ cover
& article)
Chichester Observer, July 12 2001 illus: ‘Patrick
Garland and Alexandra Bastedo, front page &
page 5
‘Another Finer Mr and Mrs Jones’
www.bowiewonderworld.com illus: ‘Iman and
David Bowie’ by Stephen Finer, July 2001
‘Passport to Pleasure...’, West Sussex Gazette,
9 August 2002
Nothing could be Finer...’, by Andrew White illus:
‘Iman’ , 2000 by Stephen Finer, Southern Daily
Echo, Friday 17 August 2001
‘When is a portrait not a portrait?’ by Charles
Saumarez Smith, The Daily Telegraph, 19 Sept
2001
Reuters article by Emma Ross-Thompson,
Nov 2001
‘Bowie and Dietrich come to Charleston (illus:’
David Bowie’ and ‘Patrick Garland’ by Stephen
Finer), Spectrum 2002
‘Finer comes to Charleston’ (illus: ‘Patrick
Garland and Alexandra Bastedo’ by Stephen
Finer), Eastbourne Herald, Friday 8 March 2002
‘Sitting Stars’ by Unity Wroe Illus: ‘Patrick
Garland and Alexandra Bastedo’, The Argus,
Friday 15 March 2002
‘Intimacy and Mortality Finer’s People’ by Robin
Gibson illustrated essay published by The
Charleston Trust
The Insight (illus: ‘David Bowie’, 2000 by Stephen
Finer) Issue 52, April 2002
‘Canvas’ ‘Date’, (illustrated: David Bowie’ 1994 by
Stephen Finer), Denmark
‘Stephen Finer Paintings’ introduction by Robin
Gibson (illus)
Allgemeines Kunstlerlexikon
Arts Council Collection Catalogues Volume II 1979-83,
vol III 1984-88
British Council Collection Catalogue Volume II
Cambridge Blue Book
Complete Illustrated Catalogue, National Portrait Gallery,
London 2004
Contemporary Art Society Annual Report Sir Stephen
Tumim 1986
Dictionary of 20th Century Artists’ facsimile signatures
and monograms
Dictionary of British Artists Since 1945
Ed David Buckman 1998
Dictionary of International Biography
Handbook of Modern British Painting 1900-1980
Scolar Press
Handbook of Modern British Painting & Printmaking
1900-1990 Scolar Press, Ashgate 1998
‘Insight Guides Museums and Galleries of London’,
(illus: ‘David Bowie’ 1994), APA Publication 2002
National Portrait Gallery Annual Report 1994/95
National Portrait Gallery Annual Report 1995/96 illus:’
David Bowie’
National Portrait Gallery Guide by John Cooper 2000
‘Painting the Century 101 Portrait Masterpieces
1900-2001’ by Robin Gibson; introduction Norbert Lynton,
National Portrait Gallery 2000
‘The Portrait Now’ by Robin Gibson, (illus:
‘Marlene Dietrich) National Portrait Gallery 1993
Who’s Who in Art
Doddie Edmonds when she was distressed
Oil on canvas, 31cm x 25cm
© All texts belong to their respective owners
© All images Stephen Finer
brochure design: www.thesetupdesign.com

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