Cine Lit VIII II

Cine Lit VIII
February 19-21, 2015
An International Conference
on Hispanic Film and Fiction
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Organizers of Cine-Lit VIII
Guy H. Wood, Oregon State University
Gina Herrmann, University of Oregon
Isabel Jaén-Portillo, Portland State University
Juan Carlos Toledano, Lewis and Clark College
Special Acknowledgments
The organizers of Cine-Lit VIII wish to thank their respective institutions,
colleges, and departments for the grants, technical assistance and
administrative support that have made this conference possible.
Special appreciation is in order for Karen Mills and Helen Wilhelm
in the School of Language, Culture and Society at Oregon State
University, and student assistants Bo Park and Alisha Lorentz.
Further acknowledgment is extended to the following people at
Portland State University: Dzuan (John) Nguyen, Manager of the
Department of World Languages and Literatures; Kelli Martin, Scheduling
and Graduate Admissions Coordinator; Assistant Professors Enrique
Cortez and Craig Epplin; Amy Ross, Chief of Staff for the Dean of the
College of Liberal Arts and Sciences; Van Pham, Administrative Assistant
for the Portland Center for Public Humanities.
Our gratitude is also extended to Linda León, Department of Romance
Languages at the University of Oregon in Eugene.
Grateful acknowledgment must also be extended to Mr. Bill Foster,
director of the Northwest Film Center and the Portland International
Film Festival, and his staff; the Spanish Ministry of Education, Culture
and Sports and the Hispanex Program in Madrid; Mr. Luis Fernando
Esteban, Honorary Spanish Consul in Seattle; Claudia Cabrera, Consul
for Community Affairs in the Mexican Consulate in Portland, and Pepe
Moscoso and Professor Fernando Fabio Sánchez, liaisons to the Mexican
Consulate in Portland. The Arcane Winery in Salem, Oregon has also
made a significant contribution to Cine-Lit VIII.
We would also like to honor the writers, cineastes, students, and
professors who have participated in Cine-Lit over the last twenty
five years; especially those professors who have attended all eight
conferences.
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CINE-LIT VIII IS FUNDED BY:
Oregon State University:
School of Language, Culture and Society, Susan Shaw, Chair
College of Liberal Arts, Larry Rodgers, Dean
OSU Center for the Humanities, David Robinson, Director
The OSU Spanish Club
Portland State University:
Department of World Languages and Literatures, Jennifer Perlmutter, Chair
College of Liberal Arts and Sciences, Karen Marrongelle, Interim Dean
Shelly Chabon and Veronica Dujon, Associate Deans; Jennifer Chambers,
Assistant Dean for Finance and Administration
Mark Clark, Director, Portland Center for Public Humanities
University of Oregon:
Vice Provost for Portland Programs, Wendy Larson
College of Arts and Sciences, Barbara Altman, Provost
College of Arts and Sciences, Judith Baskin, Dean
Graduate School, Andy Berglund, Dean
Oregon Humanities Center, Paul Peppis, Director
Department of English, Karen Ford, Head
Center for the Study of Women in Society, Michael Hames-García, Director
Office of the President, Scott Coltrane, Interim President
European Studies, Craig Parsons, Director
Romance Languages, Amalia Gladhart, Head
Cinema Studies, Michael Aronson, Head
School of Journalism, Julianne Newton, Dean
Center for Latino/a and Latin American Studies, Lynn Stephen, Director
Reed College:
Spanish Department, Sharon Larisch, Chair
Elizabeth Drumm, Interim Chair
Lewis and Clark College:
Office of the President, Barry Glassner, President
Department of Foreign Languages and Literatures,
Professor Juan Carlos Toledano Redondo
University of Arizona:
Department of Spanish and Portuguese, Malcolm Alan Compitello, Chair
University of Washington:
School for the Humanities, Michael Shapiro, Associate Dean
Department of Spanish and Portuguese Studies, Ana Gómez-Bravo, Chair
Department of Spanish and Portuguese Studies, Anthony Geist, Professor of Spanish and Comparative Literature
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Cine-Lit VIII
Invited Directors
Mariana Chenillo
(Mexico)
Celina Murga
(Argentina)
Javier Corcuera
(Peru)
Juan Carlos Valdivia
(Bolivia)
Mariano Barroso
(Spain)
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Table of Contents
Thursday Schedule
Saturday Schedule
Sessions 1-3
8
Sessions 53-54
29
Sessions 4-6
9
Sessions 55-58
30
Sessions 7-9
10
Sessions 59-60
31
Sessions 10-11
11
Sessions 61-63
32
Sessions 12-13
12
Sessions 64-66
33
Sessions 14-16
13
Sessions 67-68
34
Sessions 17-19
14
35
Sessions 20-21
15
Sessions 69 and
Plenary Session
Sessions 22-24
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36-37
Sessions 25-26
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Cartelera/
Billboard
Sessions 27-29
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Index
38-40
Plenary Session
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Friday Schedule
Sessions 30-32
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Sessions 33-34
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Sessions 35-37
22
Sessions 38-40
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Sessions 41-43
24
Sessions 44-46
25
Sessions 47-48
and Roundtable
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Sessions 48-50
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Sessions 51-52
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Thursday, February 19
Smith Center | Portland State University
Registration: Second Floor Smith Memorial Center: 8:00 AM to 2:00 PM
Session 1 Testimonios literarios y visuales de Latinoamérica/Latin
American Literary and Visual Testimonies
Smith 236: 8:00 - 9:00
Moderator: Jennifer Brady, University of Minnesota, Duluth
María Fernanda Arias Osorio, Universidad de Antioquia
“María Goes to the Movies: Transformations of a Literary
Heroine in Colombian Cinema”
María Elva Echenique, University of Portland
“Del testimonio escrito al visual: Domitila Barrios de
Chungara y su labor de concientización política”
Ana Yolanda Contreras, United States Naval Academy
“¿Pueden realmente las víctimas contar su historia? Dos
documentales sobre el conflicto armado guatemalteco
desde la lente alemana y estadounidense”
Session 2 El cine en Latinoamérica/Latin American Cinema
Smith 294: 8:00 - 9:00
Moderator: Janis Breckenridge, Whitman College
Nat Zingg, University of Texas, Austin
“Arthur Ripley’s The Chase and Hollywood Noir Visions of the
Caribbean”
Carolina Vittor Medina, State University of New York, Stony Brook
“Infancias en conflicto. La historia argentina de los años 70 a
través de la mirada infantil”
Session 3 Directores españoles célebres/Famous Spanish Directors
Smith 296: 8:00 - 9:00
Moderator: Dean Allbritton, Colby College
Madeline E. Campbell, Boston College
“Un creador entre dos mundos: Un análisis de la obra
fílmica y literaria de Fernando León de Aranoa”
Jennie Rothwell, Trinity College Dublin
“Isabel Coixet: The Adaptive Auteur”
Doralba Pérez Ibáñez, University of Oregon
“La flor de mi secreto: El deseo de la creación en Almodóvar”
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Session 4 Grandes maestros del cine español: Luis Buñuel y Víctor Erice/
Spanish Cinema’s Grand Masters: Luis Buñuel and Víctor Erice
Smith 298: 8:00 - 9:00
Moderator: Linda Willem, Butler University
Micaela Downey, University of Montana
“La manzana mordida: Sexo y religión en el cine de Buñuel”
Jannine Montauban, University of Montana
“El fantasma de la autorreferencialidad: Los cameos en las
películas de Luis Buñuel”
Holly Jackson, University of California at Berkeley
“Face-to-face: The Ethics in the Cinematography of Víctor Erice”
Session 5 Adaptaciones literarias en el cine español II/Literary
Adaptations in Spanish Cinema II
Smith 236: 9:10 - 10:10
Moderator: Thomas Deveny, McDaniel College
Linda Willem, Butler University
“Adapting Flor de mayo: Escrivá’s Melodramatic Ending to
Blasco-Ibáñez’s Naturalistic Novel”
Estefanía Tocado Orviz, Georgetown University
“From Sánchez to Tabernero: Presentimientos, a Shared Story”
Nicholas Wolters, University of Virginia
“A Bird’s-Eye View: Aesthetic Distance in Ramón del
Valle-Inclán’s Theater and Agustí Villaronga’s Films”
Session 6 El cine en Cuba I/Cinema in Cuba I
Smith 238: 9:10 - 10:10
Moderator: Carlos J. Cano, University of South Florida
Omar García-Obregón, Queen Mary University of London
“The Other Cubans: Community Affirmation and Division
through Film”
Carlos J. Cano, University of South Florida
“La imagen desfamiliarizante en el cine cubano”
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Session 7 Formas, géneros y cuerpos cambiantes/Changing Forms,
Genders and Bodies
Smith 294: 9:10 - 10:10
Moderator: Patricia Hart, Purdue University
Luis Guadaño, Old Dominion University
“They All Have the Looks But Some Are Not It. Faithful and
Unfaithful Adaptations: The Cases of Mortadelo y Filemón
misión salvar la tierra (2008), El Caballero del antifaz (2010),
El Capitán Trueno y el Santo Grial (2011) and Zipi y Zape y el
club de la canica (2013)”
Santiago Fouz-Hernández, Durham University
“Performing Fatness: Oversized Male Bodies and Hegemonic
Masculinities in Recent Spanish Cinema”
Session 8 Panel: Controlar el cuerpo del ‘otro’: Inscripciones en el alma y
en la piel/ Controlling the ‘Other’s’ Body: Inscriptions in the Soul and on
the Skin
Smith 296: 9:10 - 10:10
Moderator: Mónica Cantero-Exojo, Drew University
Janet Strey, Washington State University
“Sociedad de control y de normalización en Electroshock,
de Juan Carlos Claver”
John Carlos Ibáñez, Washington State University
“De la España de Franco a la de la Unión Europea:
Una lectura de El Bola, de Achero Mañas”
Session 9 Concepciones corporales femeninas/Feminine Corporal
Conceptions
Smith 298: 9:10 - 10:10
Moderator: María Van Liew, West Chester University
Reyes Caballo Márquez, University of Pennsylvania
“Miradas intransigentes: La mujer líquida en Babel de Alejandro
González Iñárritu”
María García Puente, California State University, San Bernardino
“De mártir a Cenicienta: Violencia infantil y fanatismo religioso
en Camino, de Javier Fesser”
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Session 10 Adaptaciones literarias clásicas y modernas/Classical and
Modern Adaptations
Smith 236: 10:20 - 11:20
Moderator: Jason E. Klodt, University of Mississippi
Sunyoung Kim, Purdue University
“La imagen carnavalesca en la miniserie televisiva La Celestina
(1983)”
Min Ji Kang, Purdue University
“Representación de Jimena en Cantar de Mío Cid: Desde el
texto hasta las adaptaciones cinematográficas”
Vania Díaz Romero, University of Oregon
“Hijo de Opa y Los hermanos Cartagena: Desde una voz plural
femenina a una mirada androcéntrica”
Session 11 Panel: La letra entra por los ojos: Consumo cultural, identidades
periféricas y (re)escrituras cinematográficas/Learning Enters Through Our
Eyes: Cultural Consumptions, Peripheral Identities and Cinematographic
(Re)writings
Smith 238: 10:20 - 11:20
Moderator: Malcolm Compitello, University of Arizona
Mercedes López Rodríquez, University of South Carolina
“Del romance al melodrama: El cine y la televisión revisitan
los romances fundacionales de siglo XIX”
José Eduardo Cornelio, Georgetown University
“Viendo el horror frente al televisor: Identidades periféricas,
zombies serie-B y crítica del poder en ‘El hijo del coronel’ de
Roberto Bolaño”
Carlos Yushimito del Valle, Brown University
“Los vivos y los muertos de Edmundo Paz Soldán: Consumo y
contaminación del imaginario ‘americano’ transnacional de
Hollywood”
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Session 12 Argentina: Cine testimonial y experimental/Argentina:
Testimonial and Experimental Cinema
Smith 294: 10:20 - 11:20
Moderator: Nayibe Bermúdez, University of Calgary
Verónica Garibotto, University of Kansas
“Enunciation and History in Argentine Testimonial Cinema”
Nayibe Bermúdez, University of Calgary
“La rabia de Albertina Carri: Exabruptos técnicos y temáticos”
Session 13 Adaptaciones literarias en el cine hispanoamericano/Literary
Adaptations in Hispano-American Cinema
Smith 296: 10:20 - 11:20
Moderator: Patricia Varas, Willamette University
Alba Rivera, Purdue University
“The Misrepresentation of ‘Boricua’ Identity and Acculturation
on Film in the Screen Version of Esmeralda Santiago’s
Almost a Woman”
Álvaro Fernández, Queens College - City University of New York
“Borges a la pantalla: Adaptaciones posibles de una literatura
imposible”
Miguel A. Cabañas, Michigan State University
“Lost in Translation?: La adaptación al cine de El amor
en el tiempo del cólera de Gabriel García Márquez”
Pedro Olea
Cine-Lit II
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Thomas Deveny
Cine-Lit I-VIII
Session 14 Cine, lirismo y Lorca/Cinema, Lyricism and Lorca
Smith 298: 10:20 - 11:20
Moderator: Anthony L. Geist, University of Washington
Anthony L. Geist, University of Washington
“Bodas de sangre: Chronicle of a Death Unseen and Seen
(Unscene and Scene)”
Albert Jornet-Somoza, Reed College
“Ética e ideología de la ininteligibilidad en el cine y la lírica
española contemporánea”
Daniel Herrera Cepero, California State University, Long Beach
“El paseo de Lorca desde el cine a la vanguardia”
Session 15 La religión en el cine español/Religion in Spanish Cinema
Smith 236: 11:30 - 12:30
Moderator: Micaela Downey, University of Montana
Arturo Meijide, St. Ambrose University
“A la sombra de la cruz: Nostalgia y lieux de mémoire en
Balada triste de trompeta”
Julien Simon, Indiana University East
“Theresa, the Body of Christ in the Context of the
Pan-European Literary Biopic”
Pedro Aguilera-Mellado, University of Michigan
“Desvelando la subjetivación del Catolicismo en el ‘arquismo’
español: Camino (2004) de Javier Fesser”
Session 16 Infancia, fantasía y memoria en el cine latinoamericano/
Childhood, Fantasy and Memory in Latin American Cinema
Smith 238: 11:30 - 12:30
Moderator: Rosana Díaz Zambrana, Rollins College
Elizabeth Osborne, State University of New York, Stony Brook
“Towards a Collage Aesthetic of Childhood Memory: Music and
Media in Antonia Rossi’s El eco de las canciones”
Ana Corbalán, University of Alabama
“Y Peter Pan creció: Conflictos bélicos desde la mirada infantil
en el cine latinoamericano”
Byron A. Barahona, University of California, Santa Cruz
“The Wounds of Civil Conflict from the Perspective of Children
in Hispanic Cinema”
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Session 17 De chicanos y mexicanos en la pantalla grande/On Chicanos
and Mexicans on the Big Screen
Smith 294: 11:30 - 12:30
Moderator: Fernando Fabio Sánchez, California Polytechnic State
University
Miguel A. Pillado, Lehigh University
“Dentro y fuera del paradigma: Representaciones del pueblo
chicano en tres películas de Alejandro Galindo”
Pilar Bellver Sáez, Marquette University
“De Fernando Jordán a Carlos Bolado: La península de Baja
California en el imaginario nacional mexicano”
Raúl Rodríquez-Hernández, University of Rochester
“What’s Wrong with Abel?: Allegories of Trauma and the Crisis
of Masculinity in the Mexican Nation”
Session 18 Encuirando en el cine del Cono Sur/Queering in the Southern
Cone Cinema
Smith 296: 11:30 - 12:30
Moderator: Marilyn G. Miller, Tulane University
Annette Rubado, University of Oregon
“The Senses of Gendered Inquietude in La ciénaga and La
mujer sin cabeza”
María Magdalena Olivares, Saint Mary’s College of Maryland
“Encuirando desde la pantalla: Identidades alternativas en la
cinematografía de Lucía Puenzo y Marialy Rivas”
Katherine Ostrom, Emory University
“Toning it Down and Gaying It Up in Marcelo Piñeyro’s Plata
quemada and Las viudas de los jueves”
Session 19 Panel: El sonido en el cine/Sound in Cinema
Smith 298: 11:30 - 12:30
Moderator: Eric Thau, University of Hawai’i
Patricia Hart, Purdue University
“Gritos y susurroundsound: El doblaje y otras armas cargadas
de pasado en el desarrollo del sonido cinematográfico en
España”
Kathleen Vernon, State University of New York, Stony Brook
“Dis/embodied Sound in the Films of Lucrecia Martel
and Isabel Coixet”
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Tom Whittaker, University of Liverpool
“Rhythm, Vibration and Listening in La mujer sin piano
(Javier Rebollo, 2010)”
Session 20 Panel: El documental y la memoria crítica/Documentary Film
and Critical Memory
Smith 236: 12:40 - 1:50
Moderator: Txetxu Aguado, Dartmouth College
Cristina Moreiras, University of Michigan
“Nada se pierde: Regionalismo crítico y razón política en el
documental contemporáneo español”
Annabel Martín, Dartmouth College
“Restorative Justice on the Screen: Circles of Love and Fire in
Post-ETA Times”
María Palmar Álvarez Blanco, Carleton College
“El ensayo animado en tiempos de capital precariedad”
Session 21 Vistazos e imágenes de género en el cine hispano/Glances and
Images of Gender in Hispanic Cinema
Smith 238: 12:40 - 1:50
Moderator: Jorge Marí, North Carolina State University
Eva París Huesca, Ohio Wesleyan University
“La voz coral en el universo fílmico de Patricia Ferreira: Historia,
memoria y sociedad desde una mirada de género”
Marta Boris Tarré, University of Idaho
“La colonización de América en un contexto moderno de
tráfico humano para la explotación sexual (2012) en Evelyn de
Isabel de Ocampo: Subjetividades bidireccionales”
Daniel Cuenca, Boston College
“El alma en la piel: Intervención estética sobre el cuerpo y
autoría plástica de la identidad en Todo sobre mi madre de
Pedro Almodóvar”
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Session 22 Panel: El papel de los niños en la nueva era de la
globalización/The Role of Children in the New Era of Globalization
Smith 294: 12:40 - 1:50
Moderator: Patrick Blaine, Morningside College
Rosana Díaz Zambrana, Rollins College
“Entre la experiencia sentimental y la institución escolar:
Los niveles de aprendizaje en Viva Cuba”
Adriana Tolentino, Eckerd College
“Migración y abandono en Al otro lado de Gustavo Loza: El
abandono globalizado”
Patricia Tomé, Rollins College
“De vídeo juegos y otras técnicas educativas: La reindagación
del ‘hombre nuevo’ en Habanastation”
Session 23 Mundos oníricos llevados al celuloide/Oneiric Worlds on Film
Smith 296 12:40 - 1:50
Moderator: Arturo Meijide, St. Ambrose University
John Incledon, Albright College
“Ofelia’s Firewall of Fantasy: Las meninas, La cueva de
Montesinos, and Guillermo del Toro’s El laberinto del fauno”
Craig Epplin, Portland State University
“Walt Disney, Latin America, and the National Essay”
Ángela Pacheco, Purdue University
“Opening Doors to the Artist Imagination about Dreams:
The Spanish Film and Don Quixote”
Session 24 Documentales independientes/Independent Documentaries
Smith 298: 12:40 - 1:50
Moderator: Nancy Membrez, University of Texas, San Antonio
Lauren Gaskill, University of California, Irvine
“Reading Across Borders: “Trekking with Quixote”, a film by Dr.
Kathleen Regan”
María Clark, Carson-Newman College
“De la caridad a la solidaridad: Strategies for Reflection
in Service Learning and the Viewing of Independent
Documentary”
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Session 25 El cine en Cuba II/Cinema in Cuba II
Smith 236: 2:00 - 3:20
Moderator: Omar García-Obregón, Queen Mary University of London
Cecilia Lawless Burke, Cornell University
“The Cinematic City of Havana”
Jon Jaramillo, University of Oregon
“Queer Dissidents and Forgotten Comrades in Reinaldo Arenas’
Antes que anochezca”
Session 26 Ficciones e imaginarios en el cine latinoamericano/Fictions
and Imaginaries en Latin American Cinema
Smith 238: 2:00 - 3:20
Moderator: Annabel Martin, Dartmouth College
Cristina Míguez, Metropolitan State University of Denver
“Ficciones visuales y narrativas sobre los tupamaros: De la
guerrilla al presidente más pobre del mundo”
Ana López, Tulane University
“Radiophonic Imaginaries in Latin American Transitional
Cinemas”
Dan Russek, University of Victoria
“Formas del suspenso en el cine de Lucrecia Martel, Lisandro
Alonso y Rodrigo Plá”
Magdalena Maiz-Peña, Davidson College
“Audionarración, cortes en dispersión y desubicación(es)
en La mujer sin cabeza de Lucrecia Martel”
Malcolm Compitello
Cine-Lit I-VIII
Chano Piñero
Cine-Lit II-III
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Session 27 Panel: Sueños incumplidos – Utopías inclaudicables:
Rememorar, resistir, derrotar/Broken Dreams – Unabandoned Utopias:
Remembering, Resisting, Defeating
Smith 294: 2:00 - 3:20
Moderator: Anne Hardcastle, Wake Forest University
María Serenella Previto, Washington State University
“Nuevos imperialismos-Nuevas resistencias: La conquista
revisitada de Icíar Bollaín en También la lluvia”
Vilma Navarro-Daniels, Washington State University
“De arco iris y alegría o la ‘derrota’ del dictador: No, de
Pablo Larraín”
Gabriela V. Gámez, Washington State University
“El secreto de sus ojos: Historia de una pasión”
Session 28 El País Vasco en el cine/The Basque Country in Cinema
Smith 296: 2:00 - 3:20
Moderator: Eva Núñez Méndez, Portland State University
Gustavo Nanclares, University of Connecticut
“Empatía y terror en el cine sobre ETA: El modelo narrativo
de Operación Ogro de Gillo Pontecorvo”
Darío Sánchez González, Gustavus Adolphus College
“Otra casa del padre: Gay Identity and Basque Film from
La muerte de Mikel (Imanol Uribe, 1984) to Ander
(Roberto Castón, 2009)”
David Collinge, University of Michigan
“Hostile Hospitality: The Politics of Friendship and Victimhood
in La pelota vasca by Julio Medem (2003) and Trece entre mil
(2005) by Iñaki Arteta”
Eva Núñez Méndez, Portland State University
“Ocho apellidos vascos: Los contrastes lingüísticos y
tabú-culturales entre el norte y el sur, Euskadi y Andalucía”
Session 29 México: Imágenes fronterizas/Mexico: Border Images
Smith 298: 2:00 - 3:20
Moderator: Fernando Fabio Sánchez, California Polytechnic State
University
Claudia Schaefer, University of Rochester
“Do Cybraceros Dream of A Good Night’s Sleep?”
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Ramiro García Olano, Ohio Wesleyan University
“’What Does It Matter What You Say About People?’:
Touch of Evil’s Disruption of Borders/Fronteras”
Ivonne Heinze Balcazar, California State University,
Domínguez Hills
“Code-Switching in Chicano Cinema: Resistance, Identity
and Solidarity”
Greg Schelonka, Louisiana Technological University
“A Fragile Community: The Limits of Surveillance and Security
in La zona”
3:30 - 4:50
Plenary Session
Smith 355 (Ballroom)
Professor Rafael de España, University of Barcelona
“American West, Catalan Westerns – La leyenda de Esplugas City”
Jaume Martí-Olivella
Cine-Lit I-VIII
Pilar Miró
Cine-Lit II
19
Friday, February 20
Smith Center | Portland State University
Session 30 Los niños en el cine hispano/Children in Hispanic Cinema
Smith 236: 8:00 - 9:00
Moderator: Ana Yolanda Contreras, United States Naval Academy
Patricia Varas, Willamette University
“Los niños y los desplazados por la violencia: Los colores
de la montaña”
Yanira Angulo-Cano, Eckerd College
“Ernesto Daranas’ Conducta: Classroom as Microcosm”
Session 31 De géneros y sexualidades/On Genders and Sexualities
Smith 238: 8:00 - 9:00
Moderator: Pércio Castro, University of Dayton
Pércio Castro, University of Dayton
“La metafórica resaca de Contracorriente de Javier FuentesLeón: La fragmentación de la utopía trigonométrica en el
crepúsculo del pescador”
Pedro G. Koo, Missouri State University
“Nuevas propuestas fílmicas en torno a la triangulación del
deseo: Plan B y El sexo de los Ángeles”
Salvador A. Oropesa, Clemson University
“Lesbian chic y buena onda en Viaje redondo (2009) de
Gerardo Tort”
Session 32 Miradas mexicanas/Mexican Gazes
Smith 294: 8:00 - 9:00
Moderator: Mercedes López Rodríquez, University of South Carolina
Audrey García, Kennesaw State University
“Obtuse Images in One for One”
Christian Kroll-Bryce, Reed College
“You Shall Not Care! Horrorism and the Production of
Collective Helplessness in Gang and Narco Violence”
Erin Moberg, University of Oregon
“Gendered Chicano Theater in Context: Estela Portillo-Trambley’s
The Day of the Swallow and Luis Valdez’s Zoot Suit”
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Session 33 Caminos y fugas desérticas/Roads and Desert Escapes
Smith 296: 8:00 - 9:00
Moderator: Brendan Lanctot, University of the Pacific
John Gardner, Rose-Hulman Institute of Technology
“Desert (E)scapes: Drawing on Cinematic Visions of the
Southwest in Alberto Fuguet and Gonzalo Martinez’s
Road Story” Part 1
Janis Breckenridge, Whitman College
“Desert (E)scapes: Drawing on Cinematic Visions of the
Southwest in Alberto Fuguet and Gonzalo Martinez’s
Road Story” Part 2
Jorge Pérez, University of Kansas
“Directoras españolas al volante: La road movie como viaje
de concienciación ética”
Session 34 Docuficción en España/Docufiction in Spain
Smith 298: 8:00 - 9:00
Moderator: Luis García-Torvisco, Gonzaga University
Raquel Anido, Clemson University
“Pausa, poesía y pasado: La música en La leyenda del tiempo
de Isaki Lacuesta”
Matthew J. O’Neill, Oklahoma State University
“Noticias de un secuestro: La docuficción de la Transición
en Javier Cercas y David Trueba”
Kathryn Everly, Syracuse University
“Gender, Gesture, and Memory in Two Documentary Films by
Women: Las Maestras de la República and The Mexican Suitcase”
Eliseo Subiela
Cine-Lit 2000 and V
Nancy Membrez
Cine-Lit I-VIII
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Session 35 Perú, Chile y sus cines/Peru, Chile and Their Cinemas
Smith 236: 9:10 - 10:20
Moderator: Pércio Castro, University of Dayton
Arturo Márquez Gómez, Kalamazoo College
“Lumpen y salvaje: Il futuro de Alicia Scherson”
Jonathan Risner, Indiana University
“Chile for Export: Transnational Variations in the Films of
Nicolás López”
Enrique Cortez, Portland State University
“Sigo siendo: Violencia política, trauma y reconciliación desde
la cultura en el Perú pos-CVR”
Session 36 Cataluña en el cine/Catalonia in Cinema
Smith 238: 9:10 - 10:20
Moderator: Jaume Martí-Olivella, University of New Hampshire
Paul Begin, Pepperdine University
“Catalan Cinema, Catalan Independence, and the Role of
Isona Passola”
Álvaro Ares, University of Oregon
“Identidades irreconciliables: El discurso de la monstruosidad
en Pa negre”
Session 37 Blancanieves: Memorias y mitos en el cine español/Snow White:
Memories and Myths in Spanish Cinema
Smith 294: 9:10 - 10:20
Moderator: Jannine Montauban, University of Montana
Jesse Barker, University of Aberdeen
“Unsheltered: Scarcity and Raw Affect in Pablo Berger’s
Blancanieves and Jesús Carrasco’s Intemperie”
Anna K. Cox, Willamette University
“The Haunting Resurrection of Spanish Silent Cinema in Pablo
Berger’s Blancanieves/Snow White (2012)”
Fabián Sánchez-Molina, University of Cincinnati
“Blancanieves (2012): ¿Adaptación o reconstrucción del mito?”
22
Session 38 Cine silente y aéreo en España/Silent and Aerial Spanish Film
Smith 296: 9:10 - 10:20
Moderator: Isabel Álvarez-Sancho, Oklahoma State University
Irene Melé-Ballesteros, University of Massachusetts
“The Muted Connection of Elena Jordi and the Legend of Thais
in Iberian Film and Literature”
Leigh Mercer, University of Washington
“Cabinets of Curiosities and Technological Totems: The Role of
Material Culture in Spain’s Silent Film Era”
Juli Highfill, University of Michigan
“Aerial Vision in Early Spanish Cinema”
Session 39 Argentina y su cine/Argentina and its Cinema
Smith 298: 9:10 - 10:20
Moderator: Verónica Garibotto, University of Kansas
Natalia Polito, State University of New York, Stony Brook
“The Nation and the Picture: Indigenous People and Two
Argentine Documentary Films”
Elena Cordán, Arizona State University
“La fotografía surrealista como medio de la mirada hacia lo
subconsciente y causa del afecto en la película La cámara
oscura (2008) de María Victoria Menis”
Session 40 Espacios reales, extraños y alterados en el cine español/Real,
Strange and Distorted Spaces in Spanish Cinema
Smith 236: 10:30 - 11:40
Moderator: Jorge Pérez, University of Kansas
Eric Thau, University of Hawai’i at Manoa
“Gente en sitios (People in Places, 2013): Time, Space, reductio
ad absurdum”
Jason E. Klodt, University Mississippi
“Catastrophe, Aliens, and Alterity in Recent Spanish Science
Fiction Films”
Iñaki Gonzalo, University of Oregon
“Atravesando la realidad: El realismo experimental en
La soledad de Jaime Rosales”
23
Session 41 Jorge Semprún y el cine/Jorge Semprún and Cinema
Smith 238: 10:30 - 11:40
Moderator: Gina Herrmann, University of Oregon
Maureen Tobin-Stanley, University of Minnesota, Duluth
“La guerre est finie y/o ¿La guerra ha terminado?: El film de
A. Resnais y Jorge Semprún y el papel que desempeña en la
exposición permanente en el Centro de Arte Reina Sofía”
Ofelia Ferrán, University of Minnesota
“The Cryptonym in Jorge Semprún’s Narrative and Screenplays”
Félix Zamora Gómez, University of Michigan
“Apuntes sobre Jorge Semprún y Alain Resnais: Imágenes
textuales en La guerre est finie”
Session 42 Transiciones en el cine peninsular/Transitions in Peninsular
Cinema
Smith 294: 10:30 - 11:40
Moderator: Magdalena Maiz-Peña, Davidson College
Mark Harpring, University of Puget Sound
“El calentito and the Embod(y)ment of the Spanish Transition to
Democracy”
Azahara Palomeque Recio, Princeton University
“Operación Garci: Cuestionamientos culturales de la transición
española”
Nagore Sedano, University of Oregon
“Un sentimiento de justicia suspendida’: Memoria colectiva e
Historia en Soldados de Salamina (2004) de David Trueba”
Session 43 Cineastas argentinos/Argentine Cineastes
Smith 296: 10:30 - 11:40
Moderator: Nancy Membrez, University of Texas, San Antonio
Brendan Lanctot, University of the Pacific
“The Purloined Sarmiento in Matías Piñero’s El hombre robado
(2007)”
Nancy Membrez, University of Texas, San Antonio
“A Bent Antenna: Subiela and the Conundrum of K-PAX”
Nancy Membrez, University of Texas, San Antonio
“Primera tarde de rodaje con Eliseo Subiela en el Teatro San
Martín”
24
Session 44 Special Panel: El 23-F: Truth is Stranger than Fiction.
Engaging with Representations of the 1981 Coup Attempt Part I
Smith 298: 10:30 - 12:50
Moderator: Marcela T. Garcés, Siena College
Francisco Fernández de Alba, Wheaton College
“Asserting Citizenship: Una noche mala la tiene cualquiera”
Marcela T. Garcés, Siena College
“Anatomía de un instante: Dissecting Fact and Fiction”
Session 45 Paisajes del pasado español/Scenes from the Spanish Past
Smith 236: 11:50 - 12:50
Moderator: Cristina Martínez-Carazo, University of California, Davis
Txetxu Aguado, Dartmouth College
“Hacia la deconstrucción del imaginario visual franquista-español”
Alejandro Yarza, Georgetown University
“Don Juan in the Jungle: Francoist Kitsch Aesthetics in Antonio
Román’s Los últimos de Filipinas”
Eugenia Afinoguénova, Marquette University
“Más allá de la inmigración y del turismo: La piel quemada
(dir: Josep Maria Forn, 1966-1967) a través de los estudios
de la movilidad”
Session 46 Chile en la pantalla plateada/Chile on the Silver Screen
Smith 296: 11:50 - 12:50
Moderator: Jonathan Risner, Indiana University
Nilo F. Couret, University of Michigan
“Between Archaeological and Astronomical Time: Towards a
Futural Historiography in Chilean Cinema”
Luis H. Peña, Davidson College
“De la fantasía alienada al despecho perverso. Tony Manero
(2008) y Post mortem (2010) de Pablo Larraín”
Irina Dzero, Kent State University
“Larraín’s Film No and Its Inspiration El plebiscito:
Chile’s Transition to Democracy as a Simulacrum”
25
Session 47 Special Panel: El 23-F: Truth is Stranger than Fiction.
Engaging with Representations of the 1981 Coup Attempt Part 2
Smith 298: 11:50 - 12:50
Moderator: Marcela T. Garcés, Siena College
William Nichols, Georgia State University
“Sign of the Times: 23-F and the Discreet Charm of the
Mediated Image”
Jorge Marí, North Carolina State University y H. Rosi Song,
Bryn Mawr College
“Fictional Politics: Beyond Operación Palace (2014)”
1:00 - 2:00
Smith 296-298
Roundtable Discussion
Approaches to Iberoamerican Film: Methods and Theories
(Eugenia Afinoguénova, Jill Robbins, Samuel Amago, Kathryn Everly,
Ann Hardcastle, Leora Lev, Jonathan Risner, Kathleen Vernon)
2:00 - 3:30
Screening: Yo decido. El tren de la libertad de Alicia Luna
Presentación de Anthony L. Geist, University of Washington
(Smith 355 Ballroom)
Session 48 Las mujeres mexicanas en la pantalla grande/Mexican Women
on the Big Screen
Smith 236: 3:45 – 5:10
Moderator: Dan Russek, University of Victoria
Daniel Chávez, University of Oregon
“In Women’s Eyes, Gender and Power in the Films of the
Mexican Political Transition 1994-2012”
Iliana Alcántar, Reed College
“Revisiones de género y representación en el cine
contemporáneo mexicano”
Cecilia Alpuche May, University of Missouri
“Casi Divas: Imágenes de la identidad de la mujer
mexicana en el cine globalizado”
26
Session 49 Monstruosidad y vejez en el cine español/Monstrosity and
Aging in Spanish Cinema
Smith 238 3:45 - 5:10
Moderator: John Gardner, Rose-Hulman Institute of Technology
Alice McAdams, University of Michigan
“La mujer maltratada y el arte masoquista en Te doy mis ojos
(2003)”
Matthew J. Marr, Pennsylvania State University
“Overcoming Screen Fiction’s Rhetoric of Recovery?:
Almodóvar’s Hable con ella / Talk to Her as Disability Drama”
Sohyun Lee, Texas Christian University
“La proyección de la mujer en la pantalla: La monstruosidad
femenina en el cine de horror de España”
Thomas Deveny, McDaniel College
“Arrugas: Confronting Alzheimer’s in Graphic Novel and
Animated Film”
Session 50 Panel: Distopia y narrativa del fin del mundo en el cine
hispanoparlante contemporáneo/Dystopia and End-of-the-World
Narrative in Contemporary Spanish-Speaking Cinema
Smith 294 3:45 - 5:10
Moderator: Maureen Tobin-Stanley, University of Minnesota, Duluth
Jennifer Brady, University of Minnesota, Duluth
“Maternidad imposible: Hiperrealidad e histeria en el cine
apocalíptico de Jaume Balagueró”
Helena Talaya-Manso, Oxford College of Emory University
“El elefante blanco (2012) de Pablo Trapero: Una visión
distópica de la utopía”
Amparo Alpañés, Washington and Jefferson College
“Sin salida. El fin del mundo en el cine español de hoy”
27
Session 51 Panel: Undetectability and Alterity: Examining HIV/AIDS in
Spanish Visual Culture
Smith 296: 3:45 - 5:10
Moderator: Dean Allbritton, Colby College
Dean Allbritton, Colby College
“Digital Outbreaks: Spanish Media and AIDS in the 80s”
N. Michelle Murray, Vanderbilt University
“HIV, Abjection, and Undocumented Migration in Fernando
León de Aranoa’s Princesas”
Jeffrey Coleman, Marquette University
“The Portrayal of HIV in Ignasi M.”
Anton Pujol, University of North Carolina at Charlotte
“HIV+ Narratives in Spanish Cinema—The Strange Case of
Ignasi M.”
Session 52 Emigración, Inmigración y transnacionalidad en el cine
español/Migration, Immigration and Transnationality in Spanish Cinema
Smith 298 3:45 - 5:10
Moderator: Jill Highfil, University of Michigan
Cristina Martínez-Carazo, University of California, Davis
“Cine español, cine transnacional: Anatomía de un debate”
Enrique Ávila-López, Mount Royal University
“Spain’s TV & Cinema: Una aproximación transnacional”
Kathleen Honora Connolly, Western Oregon University
“Spirits and Those Living in the Shadows: Migrants and a New
National Family in González Iñárritu’s Biutiful (2010)”
Borja Caballero-Dorsch, The City University of New York
“El arte de la transgresión y las tácticas en Surcos”
5:15 - 6:30
Smith 236 (Cascade Room)
Screening: Trekking with Quijote de Kate Regan
Presentación de Lauren Shigeko Gaskill
University of California, Irvine
28
Saturday, February 21
University of Oregon in Portland | White Stag Building
70 NW Couch Street
Session 53 Memorias cinematográficas argentinas/Argentine Cinematic
Memories
WS 150: 8:00 - 9:00
Moderator: Marta Boris Tarré, University of Idaho
Natalia Ruiz-Rubio, Eastern Washington University
“La ficcionalización de la memoria en la Argentina
contemporánea: Voces marginales infantiles en
La casa de los conejos (2007) y Los rubios (2007)”
Mariko Plescia, University of Oregon
“Gender, Memory and Latin American Film”
Cheri Robinson, University of California, Los Angeles
“The Personal as Political and an Empathetic/Violent
Witnessing in Gastón Biraben’s Cautiva”
Session 54 Panel: Del silencio al discurso: Mujeres acalladas . . . mujeres
liberadas/From Silence to Discourse: Muted Women . . . Liberated Women
WS 152: 8:00 - 9:00
Moderator: Kathleen Vernon, State University of New York, Stony
Brook
Edurne Beltrán de Heredia, Washington State University
“La voz dormida: Voces de madres silenciadas”
Lorena Vega Tamayo, Washington State University
“La marginación de la mujer y del adulto mayor en la España
democrática: Una lectura de Solas de Benito Zambrano”
Diana Díaz Gómez, Washington State University
“Cuerpo presente-palabra ausente: La relación inversamente
proporcional entre corporalidad y discurso en ¿Tengo razón
o no?, de Concha Romero”
29
Session 55 Intertextualidad y mitología en el cine español/Intertextuality
and Mythology in Spanish Cinema
WS 302: 8:00 - 9:00
Moderator: María Palmar Álvarez-Blanco, Carleton College
Bernard Fernández, University of Oregon
“Edgar Neville: Intertextuality and the Presence of the Sinister
in La torre de los siete jorobados”
Luis García-Torvisco, Gonzaga University
“Viaje al mito a través de los géneros en El muerto y ser feliz
(Javier Rebollo, 2012)”
María del Carmen Moreno Díaz, University of Virginia
“La Diosa se va a los Puertos: Juan de Orduña ante el mito
de Lola”
Session 56 De géneros y transiciones en el cine latinoamericano/On Genders
and Transitions in Latin American Cinema
WS 142/144: 8:00 - 9:00
Moderator: Claudia Schaefer, University of Rochester
Traci Roberts-Camps, University of the Pacific
“Women Filmmakers of Ecuador”
Sabina Carp, University of Oregon
“Generic Instability and a Gendered Critique of Noir Fiction in
Mayra Santos-Febres’ Cualquier miércoles soy tuya”
Session 57 Cine y Cognición I
WS 150: 9:10 – 10:10
Moderator and Respondent: Isabel Jaén-Portillo, Portland State
University
Ana Almar, Portland State University
Adrián Arias, Portland State University
Sergio De la Calle, Portland State University
María Hines, Portland State University
Patricia López, Portland State University
Siya Manova, Portland State University
Session 58 Fantasmas, horror y otros fenómenos/Ghosts, Horror and
Other Phenomena
WS 152: 9:10 - 10:10
Moderator: Gustavo Nanclares, University of Connecticut
30
Maria Van Liew, West Chester University
“Rec and Quarantine: Translating Spaniwood Horror”
Mónica Cantero-Exojo, Drew University
“De zombis y psicópatas: Una mirada contemporánea al
cine de terror español a través de la filmografía de Jaume
Balagueró”
Eduardo Urios-Aparisi, University of Connecticut
“Metaphors of Water and Weather Phenomena in
Spanish Cinema”
Session 59 Los laberintos de la memoria/The Mazes of Memory
WS 302: 9:10 -10:10
Moderator: Barbara Zecchi, University of Massachusetts
Erin Hogan, University of Maryland Baltimore County
“Child as Battlefield and Militant in the Memory Wars: OfeliaMoana of Pan’s Labyrinth (Del Toro, 2006) and Clandestine
Childhood’s Juan-Ernesto (Ávila, 2011)”
Sarah Thomas, Brown University
“Labyrinths of Memory: Recalling Childhood and War in Carlos
Saura’s La prima Angélica (1974) and El jardín de las delicias
(1970)”
Isabel Álvarez-Sancho, Oklahoma State University
“Childhood as a Site of Artistic Memory: Pa negre and its
Revision of La plaça del diamant, El espíritu de la colmena
and El laberinto del fauno”
Session 60 Paisajes urbanos: Barcelona/Madrid/ Cityscapes: Barcelona/
Madrid
WS 150: 10:20 - 11:20
Moderator: Eugenia Afinoguénova, Marquette University
Loredana Comparone, University of Wisconsin, Madison
“Not a Fantasy City: Geographical Imagination, Architecture,
and the reconquesta del real in the Theatrical and Cinematic
Land/Lang-Scapes of Barcelona”
Malcolm Compitello, University of Arizona
“Structuring Resistance in Basel Ramses’ El otro lado: Un
acercamiento a Lavapiés (2002)”
Mary Kate Donovan, State University of New York, Stony Brook
“Mapping Race in 1920s Spain: How El Raval Became el Barrio
Chino”
31
Session 61 Cinematografía chilena/Chilean Cinematography
WS 152: 10:20 -11:20
Moderator: Nilo F. Couret, University of Michigan
Vania Barraza, University of Memphis
“Cine social en el siglo XXI: Apuntes sobre el caso chileno”
Miriam Cook, University of Puget Sound
“Power and Radical Social Commentary in Pablo Larrain’s
Pinochet Trilogy: The Impact of Larrain’s Background on the
Effectiveness of his Commentary”
Patrick Blaine, Morningside College
“Gringos in Chilean Cinema: Nicolás López and Sebastián Silva”
Session 62 Cine y Cognición II
WS 302: 10:20 - 11:20
Moderator and Respondent: Isabel Jaén-Portillo, Portland State University
Arturo Martínez, Portland State University
Ana M. Onandía, Portland State University
Gloria Robayo, Portland State University
Eli Sears, Portland State University
Eva Soto, Portland State University
Edward Walz, Portland State University
Session 63 Memorias colectivas españolas/Collective Spanish Memories
WS 142/44: 10:20 - 11:20
Moderator: Anuncia Escala, Oregon State University
Carmen Moreno-Nuño, University of Kentucky
“¿La memoria cuestionada?: El último cine de la Guerra Civil”
Stella Moreno, Central Washington University
“La lengua de las mariposas - Butterfly: A Tribute to the
Spanish Collective Memory”
Jaume Martí-Olivella, University of New Hampshire
“Los vuelos de la memoria y/o la mirada del Otro”
32
Session 64 Silencios y ausencias en el cine hispano/Silences and Absences
in Hispanic Cinema
WS 150: 11:30 - 12:30
Moderator: María Fernanda Arias Osorio, Universidad de Antioquia
Lisa Renee DiGiovanni, Keene State College
“Reading Silence as Resistance in Chilean Documentary”
Ana Luengo, University of Washington y Daniel Noemi
Voionmaa, Northeastern University
“La presencia de la ausencia: Contramemoria y nostalgia
reflexiva para darle vuelta a la Transición”
Barbara Zecchi, University of Massachusetts, Amherst
“Cuando la mujer representa al hombre torturado:
El crimen de Cuenca de Pilar Miró”
Session 65 El cine de Álex de la Iglesia/Álex de la Iglesia’s Cinema
WS 302: 11:30 - 12:30
Moderator: Loredana Camparone, University of Wisconsin, Madison
Jacqueline Sheean, University of Southern California
“A Quixotic Apocalypse: Visions of the End in Álex de Iglesias’s
El día de la bestia”
Manuel Gómez-Navarro, Roanoke College
“Alegoría y exorcismo de la memoria en Balada triste
de trompeta, de Álex de la Iglesia”
Session 66 Cine y pedagogía/Cinema and Pedagogy
WS 150: 12:40 - 2:00
Moderator: Kajsa Larson, Northern Kentucky University
Kajsa Larson, Northern Kentucky University
“Film as Transformative Learning: A Case for Incorporating
Student Philanthropy into Hispanic Cinema Studies”
Nicole Mombell, Saint Michael’s College
“Teaching Representations of Resistance and Repression in
Popular Spanish Film”
Antonio Illescas, Mount Holyoke College
“La adaptación cinematográfica: Modelos de explotación en
una clase de lengua española, un ejemplo: Manolito Gafotas”
María Verónica Elías, Eastern Washington University
“El secreto de sus ojos: Teaching Ethics in the Public Sector”
33
Session 67 Cine Brasileño/Brazilian Film
WS 152: 12:40 - 2:00
Moderator: Simone Da Silva, University of Oregon
Simone Da Silva, University of Oregon
“Contemporary Brazilian Film: New Representations in Pursuit
of a Queer Aesthetics”
Álvaro Baquero-Pecino, The City University of New York,
College of Staten Island
“Dictadura y cine en Brasil: Viejos conocidos, polémicas
recientes”
Arno J. Argueta, University of Texas, Austin
“José Padilha’s Ônibus 174, Tropa de élite series: Cinema
against Racialized Violence as Peace Research”
Jin-Aeng Choi, State University of New York, Stony Brook
“Ônibus 174: The Violence Around Us and the Violation In Us”
Session 68 Tradiciones y tragedias en el cine mexicano/Traditions and
Tragedies in Mexican Film
WS 302: 12:40 - 2:00
Moderator: Audrey García, Kennesaw State University
Steven Wagschal, Indiana University
“The Poetics and Ethics of Contemporary Cinematic Tragedy
Through the Lens of Fukunaga’s Sin nombre”
Fernando Fabio Sánchez, California Polytechnic State
University, San Luis Obispo
“El cine de Carlos Reygadas: La experimentación narrativa
y el concepto de tradición en el cine mexicano”
Martin Camps, University of the Pacific
“Vine a la frontera a buscar a mi padre: Migración infantil
en La jaula de oro y otras películas”
Rosario Hall, Hardin-Simmons University
“The Road to Postnationalism: Sin dejar huella”
34
Session 69 Cine, literatura, Guerra Civil y franquismo/Cinema, Literature,
Civil War and Francoism
WS 142/44: 12:40 - 2:00
Moderator: Luis Guadaño, Old Dominion University
Kayce Davis, University of California, Davis
“Francoism and Power in Contemporary Spanish Literature
and Film: El lápiz del carpintero (1998) by Manuel Rivas, Los
girasoles ciegos (2004) by Alberto Méndez, El laberinto del
fauno (2006) by Guillermo del Toro”
Ignacio Huerta, University of Michigan
“Imaginarios hegemónicos del cine falangista en la Guerra
Civil Española”
Macarena Tejada-López, University of Oregon
“La División Azul en el cine: Discursos de contemporaneidad”
Eva Serfozo, University of Oregon
“Cinematic Representations of the Righteous Among the
Nations: El ángel de Budapest (Spain, 2011)”
2:30 – 4:30
Plenary Session
White Stag Building 142/144
Welcome from Wendy Larson, Vice Provost for Portland Programs, University of
Oregon, and Veronica Dujon, Associate Dean of the College of Arts and Sciences
at Portland State University, and Jennifer Perlmutter, Chair of World Languages
and Literatures at Portland State University
Gabriela Martínez, University of Oregon
Screening: Keep Your Eyes on Guatemala
“When Papers Talk”
4:45 - 5:45
Roundtable Directors
White Stag 142/44
Moderator: Jaume Martí-Olivella, University of New Hampshire
Mariano Barroso (Spain), Mariana Chenillo (México), Javier Corcuera (Perú),
Gabriela Martínez (Perú), Celina Murga (Argentina), Juan Carlos Valdivia (Bolivia)
Vino de Honor: 5:45
Light Court Commons, White Stag Building
35
Portland International Film Festival
Cartelera/Billboard - Cine-Lit VIII
Cines/Theaters
WH - Whitsell Auditorium (1219 SW Park Ave. at Madison)
C21 - Cinema 21 (616 NW 21st Ave. at Hoyt)
ML - Moreland Theater (6712 SE Milwaukie Ave. near Bybee)
FT - Regal Fox Tower 10 (846 SW Park Ave. at Taylor)
Please remember that you must be in line at least 20 minutes before
each screening.
Miércoles 18-F/Wednesday, Feb. 18
6:00
C21
6:00
FT
8:30
WH
8:30
C21
8:30
FT
10.000 Km. de Carlos Marqués-Marcet (Spain)
Cavalo dinheiro/Horse Money de Pedro Costa (Portugal)
Conducta de Ernesto Daranas Serrano (Cuba)
Todas las mujeres/All the Women de Mariano Barroso (Spain)
Güeros de Alonso Ruiz Palacios (Mexico)
Jueves 19-F/Thursday, Feb. 19
3:30
WH
6:00
C21
6:30
WH
6:30
FT
9:00
FT
9:30
WH
36
Magical Girl de Carlos Vermut (Spain)
Güeros de Alonso Ruiz Palacios (Mexico)
Sigo siendo/I’m Still de Javier Corcuera (Peru)*
Ivy Maraey de Juan Carlos Valdivia (Bolivia)
Sigo siendo/All the Women de Mariano Barroso (Spain)
En tierra extraña/In a Foreign Land de Iciar Bollaín (Spain)
Viernes 20-F/Friday, Feb. 20
4:15
WH
8 Cortos/Shorts 8 (Spain)
4:15
FT
6:45
WH
6:45
FT
9:30
WH
9:30
FT
Conducta de Ernesto Daranas Serrano (Cuba)
La tercera orilla/The Third Side of the River de Celina Murga*
Paraíso/Paradise de Mariana Chenillo (Mexico)
Ivy Maraey de Juan Carlos Valdivia (Bolivia)*
Sigo siendo/I’m Still de Javier Corcuera (Peru)
Sábado 21-F/Saturday, Feb. 21
2:00
WH
8 Cortos/Shorts 8 (Spain)
4:30
WH
5:00
FT
7:30
WH
7:30
FT
9:45
WH
9:45
FT
10:30
HW
Magical Girl de Carlos Vermut (Spain)
Ärtico de Gabriel Velázquez (Spain)
Todas las mujeres/All the Women de Mariano Barroso (Spain)*
La tercera orilla/The Third Side of the River de Celina Murga
Paraíso/Paradise de Mariana Chenillo (Mexico)*
En tierra extraña/In a Foreign Land de Iciar Bollaín (Spain)
El día trajo la oscuridad/Darkness by Day de Martín De Salvo
(Argentina)
* Director present
37
Name
Session(s)
Moderator
Afinoguénova, Eugenia
45, RT
60
Castro, Pércio
31
Aguado, Txetxu
45
20
Chávez, Daniel
48
Aguilera-Mellado, Pedro
15
Choi, Jin-Aeng
67
Alcántar, Iliana
48
Clark, María
24
Allbritton, Dean
51
Coleman, Jeffrey
51
57
Collinge, David
28
Alpañés, Amparo
50
Comparone, Loredana
60
65
Alpuche May, Cecilia
48
60
11
Álvarez-Blanco, Maria
Palmar
20
Compitello, Malcolm
Alan
Connelly, Caryn
Participant
Connolly, Kathleen
Honora
52
Contreras, Ana Yolanda
1
Cook, Miriam
61
Corbalán, Ana
16
Cordán, Elena
39
Correa, Fabio
Participant
Cornelio, José Eduardo
11
Cortez, Enrique
35
Couret, Nilo F.
46
Cox, Anna
37
Cuenca, Daniel
21
Da Silva, Simone
67
Davis, Kayce
69
De la Calle, Sergio
57
Deveny, Thomas
49
Díaz Gómez, Diana
54
Díaz Romero, Vania
10
Díaz Zambrana, Rosana
22
DiGiovanni, Lisa Renee
64
Donovan, Mary Kate
60
Downey, Micaela
4
Dzero, Irina
46
Echenique, Maria Elva
1
Elías, María Verónica
66
Epplin, Craig
23
Everly, Kathryn
34, RT
Fernández de Alba,
Francisco
44
Fernández, Álvaro
13
Fernández, Bernard
55
Ferrán, Ofelia
41
Almar, Ana
Álvarez-Sancho, Isabel
59
Amago, Samuel
RT
Angulo-Cano, Yanira
30
Anido, Raquel
34
Ares, Alvaro
36
Argueta, Arno J.
67
Arias, Adrián
57
Arias Osorio, María
Fernanda
1
Ávila López, Enrique
52
Melé-Ballesteros, Irene
38
Baquero-Pecino, Álvaro
67
Barahona, Byron A.
16
Barker, Jesse
37
Barraza, Vania
61
Begin, Paul
36
Bellver Sáez, Pilar
17
Beltrán de Heredia,
Edurne
54
3, 51
55
38
64
Bermúdez, Nayibe
12
12
Blaine, Patrick
61
22
Boris Tarré, Marta
21
53
Brady, Jennifer
50
1
Breckenridge, Janis
33
2
Caballero-Dorsch, Borja
52
Caballo-Márquez, Reyes
9
Cabañas, Miguel A.
13
Campbell, Madeline E.
3
Camps, Martin
68
Cano, Carlos J.
6
6
Cantero-Exojo, Mónica
58
8
Carp, Sabina
56
38
31, 35
30
61
67
5
16
15
Fouz-Hernández,
Santiago
7
Lanctot, Brendan
43
33
Larson, Kajsa
66
Gámez, Gabriela V.
27
66
Lawless Burke, Cecilia
25
Garcés, Marcela T.
44
Garcia Olano, Ramiro
29
Lee, Sohyun
49
García Puente, María
9
Lev, Leora
RT
11
68
López Rodríguez,
Mercedes
García, Audrey
32
García-Obregón, Omar
6
25
López, Ana
26
Garcia-Torvisco, Luis
55
34
López, Patricia
57
Gardner, Carol
Participant
Luengo, Ana
64
Gardner, John
33
49
Maiz-Peña, Magdalena
26
Garibotto, Verónica
12
39
Manova, Siya
57
Gaskill, Lauren Shigeko
24, Presentation
Marí, Jorge
47
Márquez Gómez, Arturo
35
Marr, Matthew J.
49
Martín, Annabel
20
Martínez, Arturo
62
Martinez, Gabriela
Screening,
RT
Martínez-Carazo,
Cristina
52
45
Martí-Olivella, Jaume
63
36
Geist, Anthony L.
Gómez-Navarro, Manuel
14, Presentation
44, 47
14
65
32
42
21
26
Gonzalo, Iñaki
40
Guadaño, Luis
7
Hall, Rosario
68
Hardcastle, Ann E.
RT
Harpring, Mark
42
Hart, Patricia
19
McAdams, Alice
49
Heinze Balcazar, Ivonne
29
McConnell, Kathryn
Participant
Herrera Cepero, Daniel
14
Meijide, Arturo
15
23
41
Membrez, Nancy J.
43
24, 43
52
Mercer, Leigh
38
Herrmann, Gina
69
27
7
Highfill, Juli
38
Hines, Marta
57
Míguez, Cristina
26
Hogan, Erin
59
Moberg, Erin
32
Huerta, Ignacio
69
Mombell, Nicole
66
Ibáñez, John Carlos
8
Montauban, Jannine
4
Illescas, Antonio
66
Moreiras, Cristina
20
Incledon, John
23
55
Jackson, Holly
4
Moreno Díaz, María del
Carmen
Moreno, Stella
63
Moreno-Nuño, Carmen
63
Murray, N. Michelle
51
Nanclares, Gustavo
28
Navarro-Daniels, Vilma
27
Nichols, William
47
Núñez-Méndez, Eva
28
Olivares, María
Magdalena
18
Jaén-Portillo, Isabel
Jaramillo, Jon
Jornet-Somoza, Albert
57, 62
25
14
Kang, Min Ji
10
Kim, Sunyoung
10
Klodt, Jason E.
40
Koo, Pedro G.
31
Kroll-Bryce, Christian
32
10
37
58
28
39
Onandía, Ana M.
62
Strey, Janet
8
O'Neill, Matthew J.
34
Talaya-Manso, Helena
50
Oropesa, Salvador A.
31
Tejada-López, Macarena
69
Osborne, Elizabeth
16
Thau, Eric M.
40
Ostrom, Katherine
18
Thomas, Sarah
59
Pacheco, Angela P.
23
Tobin-Stanley, Maureen
41
Palomeque Recio,
Azahara
42
Tocado Orviz, Estefanía
5
Toledano, Juan Carlos
Organizer
París-Huesca, Eva
21
Tolentino, Adriana
22
Peña, Luis H.
46
Tomé, Patricia
22
Pérez Ibáñez, Doralba
3
Urios-Aparisi, Eduardo
58
Pérez, Jorge
33
Van Liew, Maria
58
9
Pillado, Miguel A.
17
Varas, Patricia
30
13
Plescia, Mariko
53
Vega Tamayo, Lorena
54
Polito, Natalia
39
Vernon, Kathleen M.
19, RT
Previto, Maria Serenella
27
Vittor Medina, Carolina
2
Pujol, Anton
51
64
Risner, Jonathan
35, RT
Voionmaa, Daniel
Noemi
Rivera, Alba
13
Wagschal, Steven
68
Robayo, Gloria
62
Walz, Edwar
62
Robbins, Jill
RT
Whittaker, Tom
19
Roberts-Camps, Traci
56
Willem, Linda
5
Robinson, Cheri
53
Wolters, Nicholas
5
Rodríguez-Hernández,
Raúl
17
Wood, Guy H.
Rothwell, Jennie
3
Rubado, Annette
18
Ruiz-Rubio, Natalia
53
Russek, Dan
26
48
Sánchez, Fernando
Fabio
68
17, 29
Sánchez-González,
Darío
28
Sánchez-Molina, Fabián
37
Schaefer, Claudia
29
Schelonka, Greg
29
Sears, Eli
62
Sedano, Nagore
42
Serfozo, Eva
69
Sheean, Jacqueline
65
Simon, Julien
15
Song, H. Rosi
47
Soto, Eva
62
40
40
46
56
Yarza, Alejandro
45
Yushimito del Valle,
Carlos
11
Zamora Gómez, Félix
41
Zecchi, Barbara
64
Zingg, Nat
2
19
50
54
4
59
Cine-Lit Notes
41
42
43
44