Flyer - CINEMA REPUBLIC
Transcription
Flyer - CINEMA REPUBLIC
PURO MULA SINOPSIS 5 70# %1/'&+# 7#6'/#.6'%# 37' 5' %1/'0<Ø # 241&7%+4 '0 '. #Ö1 FNNM 214 '. %1.'%6+81 BEST Picture SystemT 741 7.# 0#44# .# *+5614+# &' 1'. 105'%#X70,18'0#&7.61X37'21424+/'4#8'< 6'0&4É 37' '0%#4#4 .# 4'52105#$+.+&#& 37' 4'24'5'06#%7+#5751$4+01T Joel Fonseca 070%# *# 5+&1 .# 2'4510# /É5 4'52105#$.' &' 57 $#44+1T 575 FL #Ö15 61Ó# 8+8' %10 57 2#&4' ; 57 Ý0+%# /16+8#%+Ø0 2#4# &'52'46#45''0.#/#Ö#0#'561%#4)7+6#44#;$'$'4 %'48'<#T '41 '0 '56' &Ó# 57 #,'64'#&# 476+0# 5'4É #0#&14# &'. Premio Latinoamerica Primera +06'447/2+&#%7#0&157*'4/#0#/#;14.'2+&'37' Copia '0 '. '56+8#. 06'40#%+10#. &'. 7'81 +0' %7+&'#57*+,1T1/7;'0675+#5/#&1#.4'52'%61X #6+01#/'4+%#01X##$#0#X7$#FNNMT 1'. #%'26# .# 6#4'# 2'41 .#5 %15#5 5' .' %1/2.+g %#0%7#0&1el niño desaparece&'.#%#5#5+0&',#4 '527Ï5 &' 70 .#4)1 %#/+01 ; 70 &741 64#$#,1X 4#5641T 0610%'5 5' 8' (14<#&1 # '/24'0&'4 70# 5' '564'0Ø FH &' 018+'/$4' '0 '. /#4%1 &'. +06'05#$Ý537'Ö'.$#44+137'.18+1%4'%'4T '56+8#. 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'56+8#. ..#/#&1+%674';56'/T 06'40#%+10#. &'. 7'81 +0' #6+01#/'4+%#01 '0 HISTORIA DEL PROYECTO . FF &' 7.+1 &'. FNNM ;# )4#&7#&15 &' &+%*# '5%7'.# 64'5 &Ó#5 &'527Ï5 8+#,# '. %1.'%6+81 # .# +7&#& &' 7#6'/#.# 2#4# 4'#.+<#4 '. 24+/'4 241;'%61 &' .#4)1/'64#,' &' (+%%+Ø0T 106#4 70# *+5614+##/#0'4#&'.#4)1/'64#,'%1/24'0&'70# &74#%+Ø0&'KN#MN/+07615X%15#37'01'52#4# 0#'0%+..1T # #$#0#X 7$#X .' 1614)Ø 70 24'/+1 &' 2156g241&7%%+Ø0 # 741 7.# ; 81.8+/15 # 61/#4 +/27.51TTT '5&' ('$4'41 &'. 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'56+8#.º%#41X'070#Ý0+%#(70%+Ø0X2'5' #.#5#&8'46'0%+#5&'.#241&7%%+Ø0&'7417.## .1514)#0+<#&14'537'+05+56Ó#/15'070#5#.#/#5 )4#0&'170#5')70&#(70%+Ø0X)'0'4#0&137')4#0 #5&'60,000 visitas del trailer'0;1767$'X11,000 2#46'&'.2Ý$.+%15'37'##(7'4#27'501&#$# seguidores en Facebook ;51424'0&'06'#%1)+&#'0 #$#561.#5#.#T 9+66'4%10/#5&'IXNNN5')7+&14'5'0/'015&' I*14#5#06'5&'.'564'01T . FI &' ('$4'41 4'#.+<#/15 '. '564'01 # 0+8'. %1/'4%+#. # 64#8Ï5 &' .# %#&'0# +0'21.+5T +%*# '/24'5# .' 1614)1 # 741 7.# F 5#.#5 %10 %#2#%+&#&&'#241:TEIN2'4510#5T#56#'./1/'0g 617417.#5''0%7'064#'0%#46'.'4#X%'.'$4#0&1 ':+615#/'06'57J6#5'/#0#T 2#46+4 &'. E'41 &' $4+. 5' 4'#.+<Ø 70 '564'01 5+/7.6#0'1 '0 156# +%# ; #0#/ÉT %67#./'06' 015'0%1064#/15'0.#F'/#0#&'%#46'.'4#T Ý0 # 741 7.# .' 37'&# 70 .#4)1 64'%*1 214 #0X '0 .# %7#. 5' 8+5.7/$4# 476# '0 ('56+8#.'5 +06'40#%+10#.'5X 476#5 &' ':*+$+%+Ø0 ; &+564+$7%+Ø0X .# %4'#%+Ø0 &'. T . 64#$#,# '0 '56' /1/'0612#4#..'8#4#.15,Ø8'0'5&'7412#;TT 37'5'5+'06'0+&'06+(+%#&15&'/#0'4#&+4'%6#%10'. 2'4510#,'X'.6'/#;'.6101&'7417.#T http://www.puromula.com http://www.bestpicturesystem.com NOTICIAS EL PROBLEMA DE JOEL *662Uff999T5FET%1/T)6f01&'fFGMGL jTTTk0'./70&1&'.%+0'X1/+0)1'/75*#&'5(+g .#&12148#4+15%#4)15U%4'#%+Ø0&')7+10'5X&+4'%g %+Ø0 &' '5%'0#X '&+%+Ø0 ;X #*14#X .# #%67#%+Ø0T \# )'06'%4''37'5'4%+0'#56#5+)0+(+%#*#%'470#51.# %15#X;#.%1064#4+1X21&Ï5*#%'4/7%*#5%15#5;':g 2.14#4&+('4'06'5%#/215[T74#06'5'26+'/$4'&'. #Ö12#5#&1X1/+0)1'/75(7'1641T',Ø5701/g $4'2#4#61/#4'.&'1'. 105'%#T10'5#+&'06+g &#& 512146Ø '. %1056#06' #%151 &' 70# %É/#4# %+0'/#61)4É(+%#/+'064#55'&'52.#<#$# 214&+('4g '06'5%#..'5&'57$#44+12#4#64#6#4&'51.7%+10#4 705+0(+0&'%10(.+%61524181%#&152145751$4+01T 7'0124181%#&15214Ï./+5/1#.2'4&'4&'8+56# #.2'37'Ö1X37+'05'5#.+Ø&'.#%#5#TTT http://www.puromula.com http://www.bestpicturesystem.com PURO CHAPIN, PURO HUMOR PURO MULA: AL FINAL DE ESE DIA, JOEL QUIZA DECIDA CAMBIAR SU VIDA *662Uff999T&')7#6'T%1/f#46/#0f27$.+5*f%7.674#g#%67#.+g &#&g)7#6'/#.# “Puro Mula me conmovió hasta la risa por que es un relato sencillo que encontró en la comedia el género correcto.” -Katia Larissa Lara Directora de Cine / Filmaker Diario Centroamerica LA PASIÓN ES SUFICIENTE PARA HACER CINE *662Uff&%#T)1$T)6ULIf#4%*+81fFNENNFNEf%7.674#T*6/. “Aún sin terminar hay algo que ya Puro mula nos enseña: el hombre borra con el cine sus propios límites y fronteras.” -Marivi Véliz Diario Centroamerica SE VAN A REIR MUCHO CON PURO MULA DE UNA MANERA MUY NATURAL *662Uff999T%+0'/#0+#T%1T%4f%106'06f2#)'5fME'g8#0g #g4'4g/7%*1g%10g741g7.#g;g&'g70#g(14/#g/7;g0#67g 4#.gFLTTTFMM ALGUNAS CRITICAS EXITO TOTAL EN PRESENTACIÓN ÚNICA DE PURO MULA *662Uff61&1214/+)7#6'T%1/fFNENfEEf':+61g616#.g'0g24'g 5'06#%+10g70+%#g&'g2741g/7.#f “... es significado del tremendo exito del film..” - Todo por mi guate CÓMO REÍR DURANTE 90 MINUTOS *662Uff999T0#%+10T%1/fFNEEgNHgNGf0%14#f16#5'g %70+#5f0%14#FKGHEGGT#52: “Puro Mula es divertimento sin pretensiones de obra de arte, pero resulta ser un retrato de la sociedad, especialmente de la desorientación de los jóvenes: sin valoraciones ni moralejas, más bien de manera lúdica, pero también con gui-ños críticos.' - Maria Lourdes Cortes LOS FANÁTICOS COMENTA DE PURO MULA... http://www.facebook.com/pages/Puro-Mula/99986890851 3DXOR%DUGDOHV (QUHDOLGDGPXFKRVGHQRVRWURVORVJXDWHPDOWHFRVQRVVHQWLPRVLGHQWL¿FDGRV GHXQDXRWUDIRUPDFRQ-RHO)RQVHFDH[FHOHQWHSHOLFXODH[FHOHQWHVSHUVRQDMHV (ULFN)UDQFLVFR9HODVTXH] KR\YLODOLFDHQFLQHSROLVIHOLFLGDGHVPXFKDGHDKXHYLVLPRPHOOHJRSRUNHQR HUDQSDMDVQLSHOLFXODVFDVDNHUDVEXHQDRQGDPXFKD $VWULLG·(OtDV KR\ODIXLDYHUSRU6(*81'$YHH]]PHVLJXHPDWDQGRGHODULVD;' KDKDKDVRQORPD[LPRSXHV,Ɔ385208/$ 5XEHQ+HUUHUD +H\\RVR\GH(O6DOYDGRU\GHVGHKDFHUDWRVTXLHURYHUODSHOLFXODQRVH FRPRKDFHUQRPHYD\DQDVDOLUFRQTXHYD\DDJXDWHDYHUOD[' *ULVHOGD/ySH] 0HJXVWyPXFKRODSHOtFXOD'LYHUWLGDPDQWLHQHHOLQWHUpVWRGDODGLVWDQFLD FDULFDWXUL]DDLQGLYLGXRVTXHVRQVLPLODUHVHQWRGRVORVSDtVHV)HOLFLWDFLRQHV 5RGULJR$OYDUH] 0HJXVWRPXFKLVLPRODSHOLFXODHODFWRUTXHVDOHGHSROLFLDVHOXFLRPLVUHVSH WRV'RQGHSXHGRFRPSUDUODHQ'9'" <DHO3DVVDUHOOL %8(1Ë6,0$SXQWRV /XLV(VWXDUGR)ORUHV*DLWDQ %XHQD/LFDPHJXVWyODEDQGDVRQRUDHVPX\EXHQD)HOLFLWDFLRQHV )UDQFLVFR%DUULRV 4XHEXHQDSHOtFXODVHHFKDURQGHYHUGDGPHUHtGHSULQFLSLRD¿QDXQTXHHO ¿QDOPHSDUHFLyDOJRVHQFLOORODSHOtFXODHVPX\EXHQD\QRGXGRHQUHFRPHQ GDUODDWRGRVPLVDPLJRVQRFDEHGXGDGHTXHVRPRVFKDSLQHVPXFKi/D YLHOGRPLQJRHQ0LUDÀRUHV 2VLWD-XDQDOXFKLV :HQLVLPDOD3HOLODYL9FV\PHPDWHGHODULVDLJXDOHQODVIXQFLRQHV MDMDMDMDMD 9DQLD=XFHOOL TXHUHPRVSXURPXOD -RUJH/LPD GRQGHSXHGRFRPSUDUODSVYLYRHQERVWRQ\QRDKYHQLGRHOGYGKDVWDDTLDOJX LHQSXHGHD\XGDUPH 5DQG\$URFK 0XFKRHVWUpVPXFKDVSUHRFXSDFLRQHV\GHPiVQHFHVLWDQPLQGHWHUDStD YLHQGR3XUR0XODVHYDQDPRULUGHODULVD*$5$17,=$'2 /HPXV-RVXp (Q&REiQQRVFDJDPRVGHODULVDFRPR0XODV 4XHEXHQDSHOtFXODIHOLFLGDGHV\ODPHMRUGHODYLEUDDODPDUDGH%HVW3LFWXUH 6\VWHP 0LJXHO*DUFLD TXHEXHQDPDVHQWUHWHQLGDTXHXQPRQWyQGHSHOtFXODVGH+ROO\ZRRGFRQ SUHVXSXHVWRVPLOORQDULRV QUIENES SOMOS... EL DUO DINAMITA es un power dual . +%674' ;56'/ jk '5 70 %1.'%g 6+81 &' %4'#%+Ø0 #46Ó56+%# %+0'/#61)4É(+%#X (14/#&1'07$#'0/#4<1&'.FNNJ21470)4721&' '567&+#06'5 &' .# 5%7'.# 06'40#%+10#. &' +0' ; '.'8+5+Ø0T.4'%12+.#6#.'0615'0'.%#/21&' .# 241&7%%+Ø0X &+4'%%+Ø0X (161)4#(Ó#X 510+&1X )7+Ø0X '&+%+Ø0X #%67#%+Ø0 ; /Ý5+%#Y 2418'0+'06'5 &' '0'<7'.#X 7#6'/#.#X 7'461 +%1X 156# +%#X #0#/ÉXÏ:+%1'064'16415T 7524'5'06#%+10'5'56É0%#4)#&'70#'014/' ':24'5+Ø0'5%Ï0+%#;5'#761&'(+0'%1/170#$#0&# /7.6+)'0Ï4+%#X21.+4Ó6/+%#X2.74+.+0)Ü';/7.6+%7.674#.T 0 '. FNNK'. )4721 5' %1051.+&# ; 4'#.+<# 8#4+#5 1$4#5 #7&+18+57#.'5 '064' '..#5 \1/$4' #6#&1 # 70#5+..#[)#0#&14#&'.24'/+1#/',14%1461/'64#,' ;)7+Ø0'0'. '56+8#.'0641#/'4+%#01\[T ' (70&Ø '0 '0'41 &'. FNNL '0 .# 5%7'.# 06'40#%+10#.&'+0';'.'8+5+Ø0X7$#T'064''.410 .')'0+1 ; .15 %7'0615 &' %#/+01T 1 +06')4#0 '. +0# #6+4#,#&1 j7#6'/#.#k ; +6# #.#;#9# j'0'<7'.#k ' #%1/2#Ö#0 &' +05647/'0615 #%Ý56+%15%1/1.#)7+6#44#4'510#&14#X'.%*#4#0)1X '. %7#641X '. %1064#$#,1X .#5 /#4#%#5 ; '.Ï%64+%15 %1/1 .# )7+6#44# ; '. $#,1T 14 Ý.6+/1X .1 37'+ &'g (+0'0%1/1'.$#6'4+56#&'.#$#0&#jk70 24'%'5#&141.#0&HNH;70/1&7.#4#152#&X.1 %7#. )'0'4# 70 ':64#Ö1 5#$14 &' /Ý5+%# #%Ý56+%# %10510+&15'.'%64Ø0+%15T 0 FNNM '. %1.'%6+81 8+#,Ø # 7#6'/#.# &10&' )4#$#410 57 24+/'4 .#4)1/'64#,' \741 7.#[ '. %7#. 4'64#6# .# 4'#.+&#& &' .# %.#5' /'&+# '*#024'5'06#&1'07$#X7#6'/#.#X10&74#5 )7#6'/#.6'%#T ;4#5+.X&'5&'%'06415%7.674#.'5*#56#)7#)7#5; $76'%15T #0 /75+%#.+<#&1 /#5 &' FN 0.##%67#.+&#&%#&#/+'/$41&'.%1.'%6+8164#$#g %1461/'64#,'5X.#4)1/'64#,'5&'&1%7/'06#.;510 ,# 241;'%615 2#4#.'.15 '0 #6+01#/Ï4+%# ; 7412#T .15 '0%#4)#&15 &' .15 6'/#5 /75+%#.'5 37' 5' '0641&'.5'..15''56É0&'5#441..#0&18#4+15 '5%7%*#0'0'..#4)1/'64#,'7417.#T 241;'%615&'(+%%+Ø0;&1%7/'06#.37'/7;241061 +4É0�&1#%101%'4T “Ambicionamos transformar las políticas culturales cinematográficas de nuestros países, para dar a conocer nuestra cultura y ser parte importante del mundo audiovisual y así fortalecer la industria del cine en nuestros países.” - BPS http://www.puromula.com http://www.bestpicturesystem.com MATERIAL DIGITAL DE CONSULTA... *662Uff999T2741/7.#T%1/ *662Uff$'562+%674'5;56'/T%1/ *662Uff999T(#%'$11-T%1/f2#)'5f741g7.#fMMMLJLMNLIE *662Uff999T/;52#%'T%1/f'.&71&+0#/+6# MAS NOTICIAS... *662Uff999T%+0'/#0+#T%1T%4f%106'06f2#)'5fME'g8#0g#g4'4g/7%*1g%10g741g7.#g;g&'g70#g(14/#g/7;g0#67g 4#.gFLTTTFMMFT*6/. *662Uff999T%7.674#%4T0'6fEEfNHf'.+%7.#ª)7#6'/#.6'%#ª'0ª5#.#5ª&'ª%+0'ª%156#44+%'05'T*6/. *662Uff999T0#%+10T%1/fFNEEgNHgNHf064'6'0+/+'061f.6+/#14#f064'6'0+/+'061FKGNLHNT#52: *662Uff999T2'4(+.%4T%1/f%106'0+&1f#46+%.'5fGMEMfEf741g7.#g..')#g#g.#5g5#.#5g&'g%+0'g6+%#5f#)'ET*6/. *662Uff999T0#%+10T%1/fFNEEgNHgNEf064'6'0+/+'061f64#516+%+#5f064'6'0+/+'061FKGGEJET#52: *662Uff%7.674#T%4f&'.' f4'/+'4g&'g741g7.#g+08#&+&#g&'g%#4%#,#T*6/. *662Uff56'4'1(+.+#%4T$.1)5216T%1/fFNEEfNHf2741g/7.#g'5g274#g4+5#g214g/#4;5'.#T*6/. *662Uff999T%+0';8+&'1%'0641#/'4+%#01T14)f+0&':T2*2`126+10z%1/ª%106'06n8+'9z#46+%.'n+&zEEGNU2741g/7.#g5'g '564'0#g'0g%156#g4+%#n%#6+&zEMU016+%+#5n6'/+&zK *662Uff999T&'.'(1%1T%1/f'(#7.6T#52:`#%6+10z0'95g8+'9n+&zENIF *662Uff999T4'&%7.674#T%1/f2*2f)'0&#LFIJT*6/ *662Uff999T8'.1%+&#&/#:+/#T%1/f(147/f5*196*4'#&T2*2`6zEMIFEJ *662Uff999T8'.1%+&#&/#:+/#T%1/f(147/f5*196*4'#&T2*2`6zFKJLEG *662Uff241215+6+81T$.1)5216T%1/fFNNMfNMf2741g/7.#T*6/. *662Uff999T'.2'4+1&+%1T%1/T)6f'5fFNNMEFNLf%7.674#fEFKIEIf *662Uff2741/7.#T$.1)5216T%1/f *662Uff999T5144;<144+61T%1/fFNNMfNMf2741g/7.#g64#+.'4f *662Uff41&4+)121.1T%1/f12+0+10f/'g&',#410g2741g/7.#T*6/. *662Uff999T&')7#6'T%1/f#46/#0f27$.+5*f%7.674#g#%67#.+&#&g)7#6'/#.#f2741g/7.#g#.g(+0#.g&'g'5'g&+#g,1'.g37+<#g&'%+&#g %#/$+#4g57g8+&#T5*6/. *662Uff999T;1767$'T%1/f9#6%*`8z+#( 4FHjX&' *662Uff%#5#%1/#.T2199'$T%1/f+%#41f2146#.ENf'0f%106'06f2741g/7.# *662Uff999T6#4+0)#T0'6f21565f8+&'15fKHHMGJLf4#+.'4g&'g741g7.#ªg#g/14+45'g&'g.#g4+5#ªT*6/. *662Uff999T61+%+#T%1/fEMHHIf'564'0#4#g2'.+%7.#g)7#6'/#.6'%#g2741g/7.#f http://www.puromula.com http://www.bestpicturesystem.com PROYECTO: Puro Mula Género: Duración: Idioma: País Año: COMEDIA 1'22 ESPAÑOL GUATEMALA 2011 CONTACTOS MEDIOS ESCRITOS GUATEMALA Nombre Ariel Breppe Empresa Siglo XXI Teléfonos Email [email protected] *Fidel Celada Siglo XXI [email protected] **El Verde Magacín [email protected] *Sandra Álvarez Inside Magazine [email protected] **Rodrigo Herrera Student Magazine [email protected] *Alfredo Vicente Prensa Libre [email protected] **Luis Molina Siglo XXI [email protected] Eleonora Cobar Vía Libre [email protected] *Marcela Marroquin Revista D [email protected] **Rodolfo FOLK MAGAZINE [email protected] ***María Fernanda Lucero METRO [email protected] *El Vampiro El circo del Rock [email protected] *Emilio Méndez/ Pamela Botto Saúl E Méndez [email protected] **Chencho We Love Xela [email protected] **Juan carlos Galindo We love Mazate [email protected] Ana Lucia Ola-Gabriel Arana **Siglo XXI Jessica Xot – Luis Enrique Gonzal **Al Dia Nombre **Jefree Carvajal Empresa 18:50 **Catherine Gregg Canal Antigua [email protected] ***Alejandro Vidal Guatevision [email protected] **Lyn Kahler Guatevision Punto G [email protected] Ariel Amaya Canal Antigua Urbania No somos Angeles OVERNIGHT Peinate que viene gente [email protected] Juan Pablo Morales ***TV Azteca [email protected] Ricardo Garcia Santander ***Guatevision [email protected] ***Noticiero Guatevision Carolina Leveron. Farandula. [email protected] Web [email protected] pamela.botto@saulmen dez.com CONTACTOS T.V. GUATEMALA ***Al Filo de la noche Teléfonos Email [email protected] Web 2410-3100 Claudia Marquez ***Nuestro Mundo por la mañana y Nuestro mundo joven cana7 Ligia Rodriguez ***Rumores Guatevisión Nombre Miguel González Empresa 40principales Isabel Barrientos / Stephan K Infinita [email protected] Hugo Vasquez 949 radio [email protected] Ricardo Giron Emisoras Unidas [email protected] Rafael Lopez TGW Pamela Dimatteo Emisoras Unidas JJ Barrios Yosi Leslie Paniagua FM 95 y La Mega Oscar Monzon Radio Universidad [email protected] 4656-4948 Ligia Rodriguez 4656-4948 [email protected] CONTACTOS RADIO GUATEMALA Teléfonos Email [email protected] [email protected] De Fiesta con Nelson Leal [email protected] Nelson Leal Geovanny Valenzuela Extrema 2410-3150 Guayo Cuyuch 94 La Marca 2410-3150 Luis Pellecer Sonora 5204-2134 Web
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