國立臺灣交響樂團低音提琴首席招考指定曲及管絃樂曲片段

國立臺灣交響樂團
低音提琴首席招考 指定曲及管絃樂曲片段
National Taiwan Symphony Orchestra
Audition for Principal Double Bass - One allocated piece and Orchestra Excerpts
104.09.08 修訂
A. 指定曲（任選一首）
A. One allocated piece
1. Bottesini: Konzert Nr.1 or Nr.2
2. Dittersdorf: Konzert D-Dur (E-Dur)
3. Koussevitsky: Konzert
B. 低音提琴管絃樂曲片段
B. Double Bass Orchestra Excerpts
（首席考 Tutti + Solo ; 團員考Tutti）
Tutti ....................................................................................................................... 1
1. L. v. Beethoven: Symphonie No. 5, 3. Satz, Beginning-Bar 218 .......... 1
2. L. v. Beethoven: Symphonie No. 9, 4. Satz, Bar 8-90 ............................. 3
3. H. Berlioz: Overture “Romischer Carneval”
7
-
8 ...................... 4
4. F. Mendelssohn: Symphony No. 4 ........................................................... 5
Mov. IV, Bar 32 – 50, Bar 166 – 180
5. W. A. Mozart: Symphony No. 35 “Haffner” ........................................... 6
Mov. IV, Bar 92 – 109(
C
), Bar 134 - 181(
E
)
6. B. Smetana: Overture “ Die Verkaufte Braut” ....................................... 7
7. R. Strauss: “Don Juan”, Beginning-
C .................................................. 8
8. R. Strauss: “Ein Heldenleben”, 4 Bars before
I
2
–
20 .................. 9
國立臺灣交響樂團
低音提琴首席招考 指定曲及管絃樂曲片段
National Taiwan Symphony Orchestra
Audition for Principal Double Bass - One allocated piece and Orchestra Excerpts
104.09.08 修訂
9. G. Verdi: Overture “La Forza del Destino” .......................................... 10
8 Bars after
C
–
D,
H
–
J
Solo ........................................................................................................................ 12
1. A. Berg: “Wozzeck”, 3. Akt ...................................................................... 12
2. Glinka: Overture “Russlan and Ludmilla” Bar 1-19........................... 12
3. Brahms: Symphonie Nr. 2, 4. Satz, Beginning-Bar 37 ........................ 13
4. W. A. Mozart: Symphonie Nr.40, 4. Satz ............................................... 14
5. Tschaikowsky: Symphonie Nr.4, 1. Satz, .............................................. 16
4 Bars after
B
–
D,
I
–
K,
P
–
Q
6. H. Berlioz: “Symphonie Phantastique”, 70 – 74 .................................. 18
7. I. Strawinsky: “Pulcinella” Suite, 7.Akt ................................................ 19
8. H. Pfitzner: “Palestrina”, 1. Akt, 3. & 5. Szene ..................................... 20
9. G. Verdi: “Otello” Opera, Act IV,
U
7bars after
X ................... 21
C. 首席加考自選曲一首
C. Concerto for Principal: choose one concerto from Romantic or latter
Period (complete concerto, including cadenza)
II
Double Bass Orchestra Excerpts - Tutti
1. L. v. Beethoven: Symphonie No. 5, 3. Satz, Beginning-Bar 218
1
( continue)
2
2. L. v. Beethoven: Symphonie No. 9, 4. Satz, Bar 8-90
3
3. H. Berlioz: Overture “Romischer Carneval”
4
7
-
8
4. F. Mendelssohn: Symphony No. 4
Mov. IV, Bar 32 – 50,
Bar 166 – 180
5
5. W. A. Mozart: Symphony No. 35 “Haffner”
Mov. IV, Bar 92 – 109(
Bar 134 - 181(
E
C
),
)
6
6. B. Smetana: Overture “ Die Verkaufte Braut”
7
7. R. Strauss: “Don Juan”, Beginning-
8
C
8. R. Strauss: “Ein Heldenleben”, 4 Bars before
9
2
–
20
9. G. Verdi: Overture “La Forza del Destino”
8 Bars after
C
–
D,
10
G. Verdi: Overture “La Forza del Destino”
H
–
J
11
Double Bass Orchestra Excerpts - Solo
1. A. Berg: “Wozzeck”, 3. Akt
2. Glinka: Overture “Russlan and Ludmilla” Bar 1-19
12
3. Brahms: Symphonie Nr. 2, 4. Satz, Beginning-Bar 37
13
4. W. A. Mozart: Symphonie Nr.40, 4. Satz
14
( continue)
15
5. Tschaikowsky: Symphonie Nr.4, 1. Satz,
4 Bars after
B
–
D,
16
Tschaikowsky: Symphonie Nr.4, 1. Satz
I
–
K,
P
–
Q
17
6. H. Berlioz: “Symphonie Phantastique”, 70 – 74
18
7. I. Strawinsky: “Pulcinella” Suite, 7.Akt
19
8. H. Pfitzner: “Palestrina”, 1. Akt, 3. & 5. Szene
20
9. G. Verdi: “Otello” Opera, Act IV,
U
21
7bars after
X