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The Story of Snow White
Written and Directed by Eddie Lilley
There was once a little rich girl who lost her mum (sadly run
down by a hit and run postman .... on his bike ... butthat's
another story). She was spoilt rotten, but was nevertheless
quite a pretty young thing ... pre body piercing, tattoos and
plastic surgery that is ...... until she found out that her step
mum was a Wcked Witch who had this funny magic mirror.
Well, "Mirror" told the Witch that she had a face like a bag
of chisels and Snow White was far more beautiful, with or without body
piercing. Not too pleased, the Witch told the Jolly Woodcutter to bring her Snow
White's heart .... to which he duly obliged... except he tried to palm her off with
a Tesco's meat pie .... apparently very similar in size, shape and "E" numbers...'
The Woodcutter was undone.... these zip flies are not like the good old
"Buttons" .... but, he's in Cinderella.... The Witch goes looking for Snow White
at the Dwarfies cottage!
Will Prince Charming be Charming? Will the Woodcutter lose his chopper .""
will Trumpy end up with Pooh on his lap? These questions may never be
answered .... so why were they ever asked?
Musical Notes
from the Music Director Richard
Hedley ffi}H
shows '$\XLj'
The Harlequins music has come a long way since the early
when the shows were held together only by Amanda
keyboard playing. In 2002 we were joined for the first time by a band of
6 instrumentalists and the music has since gone from strength to strength. The
talent of the band has rubbed off on the singers on stage. We have peformed
more difficult music year on year including various songs written by
myself and Viv Griffin. Particular thanks must go to Viv, whose
support and "can-do" attitude to the problems thrown at her (to
find music, guitar tabs, provide musical arrangements and even
Packwood's fldf
change instruments minutes before
a show!) has been
invaluable. What are my favourite musical moments from the
shows? There are many moments which I recall for one reason or
another (three members of the cast forgetting their lines one
after the other during a trio in The Three Musketeers springs to
mind), but for me two performances stand out - "Hayseed Hick"
sung by Paul Steward in The Wizard of Hose, and "Bat out of
Hell" sung by Robin Stapleford and the chorus in Ali Baba'
Snow ^lvhite artdthe Dwarfs
Act One
Scene t
Scene z
Scene 3
Scene
4
Scene 5
Scene 6
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Insife the ?aface
Somewfr,ere in tfre Castfe
Som.ewhere in tfre Cast[e yeaars fater
lfre Dwarfs' Cotta"ge
Som.ewhere in the Castfe
lhe Dwarfs' Cottage
Int erv af w it h r efr e s hrnent s.., ntwrwnn
****
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Act {wo
Scene 7
The Cast[e: 5{ext morning
Scene 8
lhe Dwarfs' Cottage
finafe
HARBY HARTEQUINS
IOth ANNIVERSARY
2005 The Wzard of Hose
1999 Robin Hood
2000 The Three Musketeers 2006 Robin Hood
One for the Scrapbook
2001 Aladdin
2oo7 Ali Baba
2oo2 cinderetta
2003
Arfur
Peg
2004 Treasure Island *
One for the Road
one offthe
*
Murder Mystery evening
Once More Before the Fat Lady Sings
200g rhe Three Musketeers
one More Before the Vicar Gets It
Once More into the Bleach
Treasure Island was awarded Best Pantomime Script in Leicesterchire 2004
BEATRICE KING
:
Young Snow White
/
Scratchy
When Beatrice is old and famous, we'll claim that we
discovered her first! (We'll conveniently forget her recent
starring part in The Ragged Child and her forthcoming role
of Cosette in Les Mis6rables...). The crucial question here
though is, when she is famous, will she want to admit to
having acted alongside us??
HELEN HUBBARD : Snow White
Eddie looked high and low for a sweet and innocent Snow
White look-alike. But I guess there weren't too many around,
so he re-wrote the script for a slightly more street-wise
version and knew he had the perfect person in Helen, one of
our original and most talented members.
MATTHEW O'DONNELL :
Young Prince Charming
-
We're getting quite overwhelmed with starleb these days
here's another one fresh from his W appearance in the
ASDA advert. He'll be claiming the best dressing room
next! It's a delight to have Matthew in the show again. He
keeps the cast amused for hours!
VERITY KING : PTince
Charming
Verity has worked her way through from child dancer to
Principal Boy with the Harlequins. We always feel
privileged that she takes pat, considering the huge
number of acting and singing commitments that she has.
Recently she played in The Ragged
Child in Melton and willsoon be seen
in Les Mis6rables
NICK GOFF : The King
Nick is using the pantomime this year to distract him from
his impending GCSE exams. We hope that Eddie's
pantomimes feature on the set book list for English! Nick
has developed a commanding presence this year as king,
though he seems to have gained a pair of rose-coloured
spectacles on the way.
4
MARIA O'REILLY : The Queen
/
Smudge
Maria's 2nd year with the Harlequins, she has fast-tracked
the ranks straight to position of Queen, before quick
changing and doubling up as the Dwarf 'Smudge'. Thanks,
Maria, for squeezing the Harlequins into your busy social
calendar.
ANNE WHEATLEY :
Wicked Queen
Anne is pleased this year to be playing
the part of a female character for the first time.
This part of a bossy Wicked Queen and cantankerous
old witch who makes testing demands upon her
subjects, comes so naturally to Anne as she is a
Primary School teacher in real life.
HELENA WRIGHT :
Magic Mirror
Helena is an utter joy
to be around in the Harlequins,
keeping us laughing with her sense of humour, relentless
smiling and facial expressions - in a good way. Her timing
matches her rhyming, her looking glass makes a spectacle of
itself, but what DOES rhyme with 'banana?
RICHARD HEDLEY:
Earnshaw the Butler
Richard doesn't so much pull faces as pull OUR faces into a
kind of singing shape, as best we and he can, which he
does admirably given the many poor quality voices he starts
with! As Earnshaw, he Buftles along with the imporhant
job of sending out the invitations, so you'd
better be nice.
JONATHAN NEALE: Woodcutter
Jonathan is very much at home playing a dim-witted but
friendly lumberjack. Soppy and as lovable as an excited
puppy, with a heart of gold (in a Tesco's bag?), he's also a
complete fruitcake, but you can rely on him when it counts.
The Woodcutter is much the same, and loves to sing and
show off his chopper.
BECKEN :
KEVIN EECKEN
Audrey Bluebottle the Housekeeper
a few years to persuade Kevin into the Dame's
pad, since he has always resisted in the past. Was this just
false modesty, since he looks so gorgeous with a dress on?
Or just resistance to the delights of the rest of the female
clothing with the tights, high heels and
Ifs taken
underwear? Anyway, it's great to see his
pink and fluffy side!
PAUL STEWARD I TrumPY
As soon as we see the script we can see Paul's part a mile off'
It's the one requiring a funny accent. This year it's the luck of
the Irish as Paul plays one of our dwarfs' He's had no
problems producing the accent, just problems trying to read
the Irish version of the scriPt!
ROGER DE SILVA : DUmPY
Best pal to Trumpy proves that Dumpy's sense of smell is
somewhat eroded, which has to be a good thing, unlike
kissing frogs. How to build that Wild
Rover, though, is driving us all round the
bend.
ANN LILLEY:
POOh
The youngest of the Dwarfy Folk, and possibly the sweetest
of all, Shy and gentle, forgiving, and always sees the good in
people - just like Ann herself, umm well, mostly anyway' If
anyone finds a script with Pooh on it, it belongs to Ann, a
Harlequins player of long-standing
which is why she has to sit down a lot.
CLARE BELL
neofr
of our best character actresses, having
Clare is one
made her name early on as the lovable and scatty
Wishee Washee in Aladdin. She assures us she hasn't
been type-cast as Typsy, but living so close to Stathern
Woods, who knows what vines she's growing up there!
Cheers!
LEN POTTER: Horny
Len is a reliable stalwart member of the cast quietly but
determinedly claiming his position on the back row for fear
his deep baritone frightens those of a sensitive disposition'
Len plays Horny.., well most of the time he is.
MARTIN OLLEY : Tex
Taking time out from filming for Casualty
1909, Martin returns
for his
second
pantomime outing, so we couldn't have
put him off too much last year! Who better to play the Texan
'dwarf'than our John Wayne (or should that be JR Ewing?),
look-alike Martin. He certainly adds some'Tex'ture to our
array of dwarfs!
SOPHIE CHELL = Ozzh
the Harlequins although
This is Sophie's first outing with
she is no stranger to the stage. She has put aside the
serious business of opera in Nottingham to enhance our
singing (thank goodness I hear some of you say!!)' Her
challenge has been to conquer the dizzying effects of the
corks flying in her eyes as our dwarf from down under!
CHARLOTTE O'DONNELL
:
Itchy
Rumour has it that Charlotte is also
starring as the Wolf in a rival version of Snow White in
Grantham. Maybe it's the wolfs clothing that is making her
Itchy? We bet she doesn't get such a superb write-up (she's
great by the way!) and her photo in the
other programme!
t
(
ELLIE HUGHES : ComPost
Ellie is the new girl on the block although not new to the
limelight especially in her native Stathern where her
drama skills are well known. We're pleased she's migrated
along the road to Harby to breathe some new life into the
Harlequins, and along with our other young actors, we
know she'll delight our audiences!
JACK SCARBOROUGH : Fairy Godmother
This is bound to be the moment that Jack has been waiting
for - to dress up as a fairy! Fairies are prety special, as we
all know, so we needed a pretty special lad to do this part.
Jack fums up regularly to help with soenery, so he's now a
very valued member of our team and we do think
he's special!
SALLY FAGAN: NArrAtOr
Sally is put to good use this year to eplain to the audience
what on Earth is going on. The cast also benefits ftom this,
of course. Her perceptive observaUons and helpful
commentary in clear strident vocals are most welcome, like
"You're not in it!". Rock on Sally!
Viv Griffin, Keyboard
Versatile Viv plays keyboard, saxophone, penny whistle and
all, and is also a Master Web Designer for
Spiderman.
Simon Griffin, Guitar
Strums the rocking rifts with ease, and is a
rat-catcher during the day.
Myles Ponsonby, Bass Guitar
Myles is Chairman of the Harby Village Hall
Committee, so you can blame him.
John Cline, Guitar
International Man of Mystery
John Morris, Drums
Snared again this year to bash those skins
with his sticks,
Mike Neale, Prompt
This is Mike's 5th time as prompt. A vital
member of the team! We keep him busy enough.
Jo lves, Choreography
Retired professional dancer, Harlequins are
very lucky to have her skill and patience
as she steps it up a notch.
John lves, Stage Management
Scene but not seen, John is ably helped by Ryan
Waterman, these are the men who ensure
all the scenes are in the right place at the
right time.
Katie Prince, Scenery
New victim Katie press-ganged into
painting after making the mistake
of revealing her talent,
Martin Fagan, Lighting and Photography
Martin loves to get his hands-on.
He's a Belvoir First Aider tool
ludith Neale, Box Office
Judith does a wonderful job of organising the
audience and taking their money, something that
clearly makes her smile. Al'rite our kid?
Phil Gibson, Backstage
Want a portable bed constructed? A set of doors?
A walk-through extension?
No problem, done in a jifty.
Helen Fagan, Sound
Taking time out from University studies to come back to her spiritual
Nottoforget...homewiththeHarlequins
Wardrobe: Anne Wheatley and Kay Booth
Programme: Kevin Becken, Martin and Sally Fagan
Make-up: Rachel Clarke, Helen Fagan, Leona O'Donnell, Kasia Mills
Front of House: Ali Morris, Emily Morris, Emma Foulds-Rowan, Ruth de Silva, Sue
Steward, Simon Thornton, Sarah Shipman, Alicia Foulds, Jane King
I
Director's Ravings
Well, here we are again... that little spark of light at that most
deprsing Ume of year.. the Harby Panto. Who would have
thought 10 years have passed since we flrst pulled the
opening curtain. In that time we have given you
Gnderella, Arfur, The Wizard of Hose, Ali Baba, Aladdin
and Treasure Island. We have staged both Robin Hood and
The Three Musketeers twice (each with considerable rescripting and new music on their return) culminating this
year with Snow White.
What started as a drunken conversation in the Nags Head
in the summer of 1998 has come a very long way. Quite a
journey! We have employed (at least) 75 cast members, 70
.... yes 70 backroom staff and 13 (lucky for some) musicians!
What is the secret of success? Set off with a good business plan, marketing a
valued product with good sales staff and see what happens. In the Harlequins
case, the sles staffweren't just good, they were exceptional.... and I take my
hat off to each and every one of them for their commitment. Perhaps we do have
a very partisan audience, but people travel considerable distances to the shows
on the strength of what has gone before.
As with all our shows, lots of hard work has gone into this production. Some
people find it natural, almost easy to peform ... to act the fool on stage...' others
need a bit more direction. Which ever way, it takes a lot of hottle to step out in
front of those bright lights with 180 faces fixed on you. All those hours learning
words, working on choreography, painting scenery, playing the music, everything
that brings the show together... not to mention those tireless hours of drudgery in
the Nags working on the script and songs... but, yes, it all has to be done!
This is very much a team effort and I cannot thank enough the endless input from
those around me with their thought provoking ideas and support. Those in the
audience who regularly come to our shows will recognise names who have
appeared numerous times before, whom I rely on to "show us
the way". Without them we
Interested in ading or would not have achieved
just helping the
anywhere near 10 years.
Harby Harlequins?
You wi// be
more than
welcome!
Ca// 01949
861409 or 861747
To our committed audience:
Thank you for your support, we
hope you enjoy your evening as
you hear a very unusual story of
"Snow White and the Dwarfs"
Eddie Lilley
Scenery a vital piece of the
pantomime jigsaw
What are the vital ingredients of a good pantomime? Apaft from a funny script,
good music and people willing to go out of their way to make themselves look
silly? A pantomime has to be larger than life and is traditionally very colourful. Two
ways to bring in the colour are through the costumes and the scenery.
Our scenery in Harby has become ever more elaborate. It takes weeks of
painstaking preparation to put it together. In the early days, there was a small
stage extension, lifie decoration and inflexible heavy scenery. Eddie Lilley, our
magnificent director, producer, script writer and general dogsbody, is also our
chief scenery deigner. Eddie puts his aftistic talents to good use on the scenery.
This doesnt nnean that those of us who are less talented aren't needed. Eddie
draws it out, arrrd rve do the'paint by numbers'bit. Eddie comes along later and
does his 'Rotf Harrit' bil He miraculously turns our blobs of colour into realistic
looking bees, v{indou6, chairs, woodwork and brickwork. For our fourth
pantomirne, rre irwe$ed in sheets of canvas that roll up and down from above the
stage to enable mr.rdr quider and quieter scene changes. These are painted over
each year b seate new scenes.
With trE \tf@rd cf l-lo's€ came our new scenery innovation in the shape of Kevin
Becken. f.iarry cf yo{l may know that Kevin is also a cartoonist. He now relieves
Eddie of nruch of ttle artistic work, so that all Eddie now has to say is'Do me a
palace scerrc' and t'tey presto, in the blink of an eye, Kevin has sketched out a
fanbstk cfiardef""""ier, table, door, suit of armour...... and adds a mouse or dog for
added lnEred. Thb year our artistic expertise has been enhanced fufther by Katie
Prince, andrer with real talent. We duly painted Kevin's suit of armour grey, but it
was Katie $fio made it look so lifelike!
otr
@e
extension is three times the size it once was, and time goes
into decorating the stage and the hall. Sometimes we need to invest significant
time into oeatiys sudr as a pantomime horse, or bed to take 3 musketeers and
lots of eltra feet. This year, the woodwork centred around doors for the
dwarft'cottage and their fumiture. That's when people like
These days
Len Potter and Phil Gibson (and their nailguns and
- give them a task and
screwdrivers!) come into their own
they just get on with it.
Saturday mornings are never quite the same after the panto
has ended. What's nice is that they can be a real family affair.
Even very young children are able to help with something. Food
and refteshments usually magically appear to keep us going (mainly
thanks to Jo lves!). And the best thing about it? Definitely the
camaraderie and the laughs that we have on the way!
11
We would like to thank our sponsors
for supporting our showi
#
First Aid provided by members of
Belvoir First Aid
www. belvoirfirstaid. org. u k
07896 126866
WE NEED MORE MEMBERS!
Illustrations by KB Art
www.KBArt.co.uk
We would like to thank the following for their kind donation of raffie prizes:
Harby Post Office
The Plough Inn, Stathern
The Red Lion, Stathern
The Cottage Salon, Waltham
Thank you to all individuals and members of the cast who obtained
or offered donations and sponsorship.
Those costumes not made by the Harlequins have been supplied by The Lace
Market Theatre Trust LtQ Nottingham, and The Altemative Wardrobe, Grantham.
In association with the National Operatic and Dramatic Association.
)kfrfr/r*
A CRACKLING
PERFORMANCE, BEST
87.50 EVER SPENT ON
A WET WEDNESDAY!!!
Harby Journal
**ir/r*
**irtr*
Nowadays, where else
can you get sidesplitti ng, foot-tappi ng,
frocks and frolicking
served up with a nice
CUppa!
- Jubilee club
Definitety ASB - Amusing Sociat
Behaviour. Must be seen. Crime not to!
Harby Neighbourhood Watch