Pride Theatre Section

Seattle gay news pride ‘07
June 15, 2007 - Issue 24, Volume 35
SGN at
the Tonys!
pgs. 12-13
photo by Dave Gorman
2
Seattle Gay News
PRIDE ‘07 theater
June 15, 2007
Our name is new but
you know us well!
courtesy of CIVIC LIGHT OPERA
From the 2007 production of Civic Light Opera’s Cabaret
Civic Light Opera has decided to make
a major change: Our name. Feedback
from our patrons as well as response
from individuals has told us that the
name “Civic Light Opera” was giving an
impression of something other than what
we do. We do musicals, strictly musicals.
Civic Light Opera is changing its name
to SEATTLE MUSICAL THEATRE pre-
sented by Civic Light
Opera. The new name
clearly states our identity while acknowledging our rich history.
This is the 30th Anniversary Season for
the company so we are starting it out with
a fresh image!
SGN congratulates
Duncan Sheik
on two Tony Awards!
Duncan Sheik
Spring Awakening won multiple Tony
Awards on June 10, including Best Musical and two statuettes for composer Duncan
Sheik. Before the production’s arrival on
Broadway and before making its premiere
in Connecticut, Sheik broke the news to
Seattle Gay News in an interview with Arts
& Entertainment writer Albert Rodriguez
back in 2002. It marked the second time
the New York-based artist reached out to us
June 15, 2007
directly for a one-on-one.
Seattle Gay News sent a special message
to Duncan Sheik this week, on behalf of
our staff and readers, congratulating him on
his winning night at the 61st Annual Tony
Awards. We can’t wait for a touring production of Spring Awakening to come through
Seattle, and we’ll certainly be the first to let
you know. - Albert Rodriguez
PRIDE ‘07 theater
Seattle Gay News
3
Tucked away in Issaquah
For over 28 years, people of all ages have
come to know Village Theatre simply as
a great place to see great theatre. Tucked
away in the idyllic settings of Issaquah
and Everett, people often mistake Village
Theatre’s intimate theatre spaces as quaint
community-run theatres that carry a
tradition of unforgettable entertainment
and unsurpassed quality. Entertainment
and quality aside, Village Theatre is in fact
a powerhouse in the theatre community,
locally, regionally, and nationally.
As one of the only professional theatres
in the area devoted to producing musicals—
new works and Broadway smash hits—with
an annual budget of $7.5 million, Village
Theatre has grown into one of the region’s
best-attended theatres, boasting over 17,000
subscribers and 170,000 projected total
attendance each season.
Through its Village Originals program,
Village Theatre is nationally recognized
for its contribution to the development of
new musicals, having launched over 60
new works to date, many of which have
gone on to stages throughout the world,
including The Ark (opened off-Broadway
November 2005), After the Fair, Play It
By Heart, Making Tracks, The Wedding
Banquet, Eleanor, and the recent hit Once
Upon a Time in New Jersey. Village Theatre
also takes pride in nurturing tomorrow’s
audiences through its youth education
programs, Pied Piper and KIDSTAGE,
serving over 53,000 young people, families,
and schools annually.
Currently on stage is the electrifying rock
opera, The Who’s TOMMY (through June
24, Issaquah; June 19-July 15, Everett),
featuring Broadway sensation, Michael K.
Lee. This tale of a young boy’s journey
from tragedy to triumph turns one of rock’s
timeless albums (by the legendary ‘60s
rock group The Who) into an unforgettable
musical experience. This exhilarating story
of hope, healing, and the human spirit is
2-18, 2007, Everett). Internationally known
author, music historian, and Grammy
Award-winning producer Colin Escott (The
Complete Hank Williams) and Second City
graduate and acclaimed film writer, director,
and producer Floyd Mutrux (Scarecrow,
winner of “Best Film” at Cannes, American
Me, Mulholland Falls, among others),
with musical direction by Chuck Mead of
the multiple Grammy-nominated country
band BR549, have joined together to tell
the amazing true story of the Million Dollar
Quartet. On December 4, 1956 at Sun
Studios in Memphis, a twist of fate brought
Carl Perkins, Jerry Lee Lewis, Elvis Presley,
and Johnny Cash together for one night of
music that made history. These four legendsto-be and the “Father of Rock-n-Roll,” Sam
Phillips, who discovered them all, united for
an impromptu recording session that would
be one for the ages. Originally presented
in Village Theatre’s 2006 Festival of New
Musicals, Million Dollar Quartet captures
the spirit and music of that one fateful
night, including chart-topping rock-n-roll
and gospel classics of the ‘50s.
Following the fast beats of rock royalty is
Rodgers and Hammerstein’s timeless classic,
The King and I (November 14-January
6, 2008, Issaquah; January 11-27, 2008
Everett). Set against the exotic backdrop of
Thailand, Rodgers and Hammerstein’s Tony
Award-winning classic is a stunning tale of
learning to love and learning to change. East
and West collide when Anna, an English
school teacher, is commissioned to govern
the King of Siam’s many children. Clashing
cultures eventually melt into enduring love
as Anna and the King realize that people
aren’t always who they seem. Directed by
Village Theatre veteran and artistic director,
Steve Tomkins and featuring remarkable
musical numbers such as “Getting to Know
You,” “Something Wonderful,” and “Shall
We Dance?,” The King and I is one of the
most exquisite stories ever told.
jay koh - property of village theatre
Village Theatre
Dan Connor as Conrad Birdie in Bye, Bye Birdie
Award for best score by Kim Older and
Alison Hubbard, Little Women is an all new
musical version of Louisa May Alcott’s
beloved novel that brings the timeless tale
of the March family to vivid life. In this
faithful adaptation, Jo, Meg, Amy, and
Beth grow from girls into women, guided
by their mother, Marmee, through romance
and loss, illness and courtship, growing
up, and letting go. Originally slated for
Broadway, this version of Little Women
was cut loose due to creative differences
when the producers wanted to take the story
in an entirely new direction, leading to a
version which ran on Broadway in 2005.
Returning to their BMI roots, Hubbard and
Oler continued to work on Little Women
and caught the attention of playwright,
lyricist, and composer Sean Hartley, a BMI
Workshop member known for his intimate
musical Cupid & Psyche (World Premiere
at Village Theatre and recipient of a 2003
Drama Desk Award nomination). Hartley
wrote a new libretto for the show and
reconceived it from the ground up, working
from the novel and remaining uninfluenced
by the recent Broadway version. Working
through Village Theatre’s Village Originals
program, Little Women has achieved
Mainstage readiness for its debut next
March.
Rounding out this spectacular season is
Elton John and Tim Rice’s AIDA (May 14July 6, 2008, Issaquah; July 11-27, 2008,
Everett). Based on Giuseppe Verdi’s classic
opera and fused with contemporary sounds
borrowed from reggae, Motown, gospel
and international beats of Africa, India and
the Middle East, Elton John and Tim Rice’s
Tony and Grammy Award-winning poprock powerhouse turns the legendary tale
Jennifer Paz as Eva Peron, Louis Hobson as Che, and the ensemble in Evita!
of AIDA into an exhilarating and rousing
musical event. Bursting with energy and
From far off regions, we return to the five-floor walkup, all creating the perfect teeming with vibrant song and dance, AIDA
filled with thrilling hit songs like “Pinball
is an epic tale of loyalty, betrayal, and
Wizard,” “See Me, Feel Me,” “I’m Free,” hustle and bustle of Manhattan in Neil concoction for matrimonial disharmony.
Pioneering its way onto the stage next forbidden love.
and many more. Unforgettable music and Simon’s Barefoot in the Park (January 23an indelible story make for an eye-opening March 2, 2008, Issaquah; March 7-23, 2008, is the new musical adaptation of Louisa
Season tickets are on sale now. To
Everett). Touted as one of Simon’s best May Alcott’s beloved novel, Little Women
musical theatre event.
And Village Theatre continues to rock the comedies, this 1963 Tony-nominated play (March 19-April 27, 2008, Issaquah; May learn more, contact Village Theatre’s Box
house into next season, opening with the new takes a lighthearted look at life, love, and 2-18, 2008, Everett). A Village Theatre Office at (425) 392-2202 for Issaquah and
musical, Million Dollar Quartet (September surviving wedded bliss. Young Manhattan 2006 Festival of New Musicals favorite (425) 257-8600 for Everett, or visit www.
19-October 28, 2007, Issaquah; November newlyweds Paul Bratter, a conservative and recipient of the Richard Rodgers villagetheatre.org.
up-and-coming lawyer, and Corrie, his
vivacious free-spirited wife, realize that
life after the honeymoon is no walk in
the park—instead it’s made hilariously
complicated by an eccentric landlord,
a protective mother-in-law, and a tiny
jay koh - property of village theatre
4
Seattle Gay News
PRIDE ‘07 theater
June 15, 2007
Annex Theatre turns “legal”
Veteran fringe theatre faces challenges of young adulthood
It’s unlikely the founders of Seattle’s
Annex Theatre envisioned their scrappy
little “fringe company” surviving into its
third decade of operation. Frustrated by
the lack of opportunity in the Seattle theatre
scene in the mid 1980’s, they were simply
looking to feed their creative impulses, and
banded together more out of mutual selfinterest, than with any intent to create a
cultural legacy.
Yet, that’s exactly what Annex’s “founding
five”: Bainbridge High School grads
Garrett Bennett, Micha Rice, John Lawler,
and Dave Skubinna, along with Skubinna’s
fellow Western Washington University
Drama alum, Mike Rainey, created when
they put on their first production, a pastiche
of short plays titled “Midnight Snack”, at
Bainbridge Performing Arts Storefront
Theatre in 1986.
Now, more than 20 years later, their “little
theatre that could” has amassed a body of
artistic achievement that puts even Seattle’s
major professional houses to shame: nearly
400 productions, including countless
world, West Coast and regional premieres;
working associations with some of the
country’s most innovative playwrights,
including Erik Ehn, Glen Berger, Naomi
Iizuka, Jeffrey Jones, and Anne Washburn;
and most importantly, the development of a
sort of “graduate school” environment for
a whole host of writers, actors, directors,
designers, musicians, and scenic artists, an
impressive number of whom have gone on
to successful careers not only at the region’s
more established theatre companies, but
who include among their ranks nationally,
even internationally recognized artists
such as: Academy Award-nominee Paul
Giamatti, L.A. Drama Critics Award-winner
June 15, 2007
Jillian Armanante, former Empty Space
Theatre Artistic Director Allison Narver,
Seattle Town Hall Executive Director Wier
Harmon, solo performer Lauren Weedman,
and local playwright/composer Chris
Jeffries, to name a few.
Much of Annex’s success lies in its
flexibility and responsiveness to the needs
and ambitions of its members. Built on a
consensus-driven, “collective” management
model, all the company’s members have
a voice in selecting its management staff
and artistic production. Not surprisingly,
all of Annex’s founders have moved on
(Skubinna succumbed to AIDS in 1994), but
what is surprising is the relative ease with
which it has continued to reinvent itself,
through the tenures of six artistic directors,
the participation of hundreds of individual
artists, and despite vacating its long-time
venue on Fourth Avenue, followed by four
years of itinerancy, before finally achieving
a soft-landing at Capitol Hill’s CHAC in
2005.
As it approaches its 21st birthday, however,
Annex shows little sign of slumping into a
complacent, self-satisfied middle-age. A
new home brings an invigorating sense
of purpose, along with a new generation
of ambitious young artists who have been
attracted by both the company’s history
and reputation, as well as by the promise of
future glory.
Art is always a risky business. And
yet, while there are no guarantees, Annex
Theatre seems to have found a formula
for success that has elevated it to the level
of a true cultural icon. The “little theatre
that could” has proven it can, with polish
and panache. And with hard work, savvy
programming, and just a little bit of luck,
Annex should be around for another 10,
even 20 years, providing a creative outlet
for young, talented artists who will continue
to uphold its mission of “creating bold new
work in an environment of improbability,
resourcefulness and risk.”
Courtesy of Annex Theatre
PRIDE ‘07 theater
5
Seattle Gay News
5
Bad Actor
Productions
Peaches & Cream are just two of their
rogues gallery of characters and are ready
to bust crime while dancing up a storm!
Shakespeare’s Macbeth
comes to film, Seattle
Contemporary retelling of world famous play
opens at Varsity Theater June 15
Bad Actor Productions is the local fringe
theater group that creates ‘bar theater’
shows such as the Gay cruise ship parody,
Desperate Liaisons and the drag queen super hero play, Super Females! They also
pop up at cabaret shows with skits like
Notes on a Scandal: the Musical! Currently, Bad Actor is working on Exorcist:
the Musical! Find them on Myspace or
bookmark badactorproductions.org. Bad
Actor Productions will be performing at
2:15 at Volunteer Park on Sat. June 23 as
part of Queerfest.
Geoffrey Wright’s, Macbeth – distributed
by Union Station Media and Truly Indie,
opening in theaters across the country
beginning June 15th, 2007.
From the mind of Geoffrey Wright,
(Romper Stomper, Cherry Falls) comes
a sexy, stylish, contemporary retelling
of one of Shakespeare’s most famous
plays, Macbeth. This archetypal tale of
the dangers of the lust for power and the
betrayal of friends, offers a stunningly
visual landscape of the contemporary
crime world while remaining true to
Shakespeare’s original text and themes.
Set in modern day Melbourne, the story
begins when Macbeth (Sam Worthington –
cast as the lead in the new James Cameron
film, AVATAR), is rewarded with gifts
from his crime boss Duncan (Gary Sweet)
for serving him faithfully and performing
bravely in a vicious gangland rip-off. But
these gifts are nothing compared to what
Duncan lavishes on his son Malcolm
(Matt Doran). Macbeth wonders why
he bothers to stick his neck out when
Malcolm does nothing at all.
Macbeth is then visited by seductively
nubile young witches, dabblers in the
art of the occult, who indicate that he
shall be the new crime ‘king.’ Macbeth
is intrigued, but when Lady Macbeth
(Victoria Hill) drops the hint that they
might kill Duncan and take over the gang
for themselves, he realizes he may simply
be fulfilling his destiny.
Duncan is killed in Macbeth’s own home,
with Lady Macbeth providing the drugs
to silence the bodyguards and Macbeth,
reluctantly, carrying out the murder.
Macbeth seizes power and becomes ruler
of the gang, but the madness that drove
Macbeth to kill Duncan now compels
him to dispose of other members of his
entourage. (Including his lieutenant,
Banquo’s, wife & young son whom
the witches also prophesized becoming
king).
Macbeth fights like a man possessed,
becoming bolder as the situation worsens.
He is a mighty warrior. But will it be
enough? Maintaining his power will
require more murders and violence,
finally driving his surviving enemies to
unite and destroy him.
Macbeth is a tremendously kinetic
and exciting modern crime film with
charismatic actors, furiously explosive
action, seductively sexual scenes, the
Bard’s mightiest and most psychologically
intriguing tragic figures and a powerful,
enduring storyline, full of betrayal, fate,
power, lust, and hubris.
The running time is 109 minutes and it is
not rated. Union Station Media and Truly
Indie will release Macbeth this summer.
Selected cities include: Seattle-June 15;
SF-June 29; NY-July 6; Chicago-July 13;
LA-July 27; Austin-August 10.
A Union Station Media press release
6
Seattle Gay News
PRIDE ‘07 theater
June 15, 2007
225 Broadway Ave E.
Seattle, WA 98102
206-726-3300
Just Arrived!
Wide Selection
of Pride Flags,
Stickers, Necklaces,
T-shirts and
pride Gifts
Pride Special
All Sunglasses
$5.00
Good Through June 30th, 2007
One Coupon Per Customer.
Up to $25 Value
Your Capitol Hill Pride Headquarters and
Sponsor of the 2007 Queerfest and
Pride March on Broadway.
Saturday June 23rd 11am
June 15, 2007
Visit us at: www.panacheseattle.com or myspace.com/panachewa
PRIDE ‘07 theater
Seattle Gay News
7
‘Scared Faithless: God and Gays in the 21st
Century’ to examine rift between traditional faith
communities and LGBT people
by George Kretchmann
SGN Contributing Writer
If you have lived in Seattle for any length
of time, chances are you have seen, or have
at least heard, Seattle Men’s Chorus. The
chorus has been a mainstay of the Seattle
musical scene since its inception in 1979.
Since that time the organization - recently
re-branded as ‘Flying House Productions’ has continued to grow, evolve and mature
into one of the most-recognized creative
forces in the world of choral performance.
With an active membership of 660 and
a yearly audience of more than 40,000,
Seattle Men’s Chorus is certainly one of the
courtesy of seattle men’s chorus
Seattle Men’s Chorus
takes the stage at
McCaw Hall on June 22
larger performing groups
in town. But it’s not the
size of the group that
keeps audience members
coming back again and
again. It’s the power of
each performance, the
creative staging, the sheer
power of the voices. Or,
as one audience member
put it after SMC’s recent
‘That 80s’ Show,’ the “...
wow factor. I am always
blown away by what these
guys do.”
It’s not just Seattle
audiences who get to
experience this wow
factor. SMC (and its sister
Seattle Women’s Chorus,
formed in 2002) performs
all over the Puget
Sound area: Mt Vernon,
Everett, Marysville, Port
Townsend,
Wenatchee,
Tacoma and La Conner
are all towns where the
choruses perform. Last
summer the entire Flying
House family - Seattle
Men’s Chorus, Seattle
From Seattle Men’s Chorus’ Scared Faithless
Women’s Chorus, Captain Smartypants and
Sensible Shoes - packed up several buses
and vans and took their show on the road.
Over the course of a week and a half the
groups performed nine concerts in four
states: Idaho, Montana, Wyoming and
Utah.
SMC and SWC Artistic Director Dennis
Coleman said they chose to visit these
states because many of them are sorely
lacking in out, visible Gay communities.
“We wanted to visit smaller communities—
places where Gay youth often feel lonely
and unsupported. We have dozens of singers
that come to us from these states. Some of
their stories are horrific.”
The experience of the Northern Rockies
tour was a very life-affirming one for
audiences and chorus members alike. “We
were welcomed with open arms everywhere
we went,” says Assistant Artistic Director
Eric Lane Barnes. “A lot of us were prepared
to face some sort of opposition. But there
was none. This tour showed us that even the
smaller towns in this country are becoming
more accepting.”
It could also be the power of music, and
the way live performance has of getting a
message across. “Music can say things that
you can’t say in a poster, or in a petition,”
says Coleman. “Music has a way of going
directly to the heart. You can argue with
thoughts and opinions. But it’s hard to
argue with music.”
Seattle Men’s Chorus is opening ‘Scared
Faithless: God and Gays in the 21st Century’
on June 22 at McCaw Hall. “This is a show
that explores the relationship and, quite
often, the perceived rift between traditional
faith communities and Gay people,” says
Dennis Coleman. “There is this common
misconception that Gay men are all
atheistic, hedonistic party animals. I have
found that, at least among the members of
the chorus, this is not the case.”
Scared Faithless presents a case not just
for spirituality in a traditional sense, but
also the ways that Gay men and women
have forged their own spiritual paths. “The
idea of this show,” Coleman asserts, “is to
tell our stories. Some of us have been very
scarred and wounded by the churches we
were brought up in. Some of us have left
never to return. Some of us have found new
ways to express what going to church used
to provide for us. And some of us have, in
one way or another, come full circle.”
In order to help invite and educate area
churches about this concert and its theme,
a group from Flying House Productions has
visited a church or synagogue each week for
the past two months. Many churches in the
area were contacted about this proposition;
most responded politely, if not exactly
favorably. (One church did point out that
not only should Gay men never sing in a
church, but that the woman sitting on the
8
Seattle Gay News
PRIDE ‘07 theater
June 15, 2007
courtesy of seattle men’s chorus
One
member
remarked,
“Wouldn’t it be swell if we lived
in a world where the two words
that freaked everyone out were
‘God Hates?’ To me, that’s the
real abomination, right there.
Censor that one.”
If what we’ve seen of Seattle
Men’s Chorus is any indication,
this show will be a powerful
opportunity for people to
embrace the challenge of an allaccepting world. It bears noting
that the vision statement for
Flying House Productions is,
after all, “... A world that accepts
and values its Gay and Lesbian
citizens.”
“I’m hoping this show will
open the dialogue for some
people, and continue it for
others,” says Coleman. “If there
is one underlying thought in this
concert it is this: if there is a God,
then we are all God’s people.”
Scared Faithless: God and Gays
in the 21st Century plays June 22
and 23, 8:00 pm at McCaw Hall
in Seattle. Visit www.flyinghouse.
org for ticket information, or call
206.323.1400.
From Seattle Men’s Chorus’ Scared Faithless
June 15, 2007
courtesy of seattle men’s chorus
advisory council from the choruses was
acting unbiblically by daring to consult
with men. Needless to say, that particular
church did not invite the chorus to sing
at one of its services)
One unexpected discussion that came
out of the preparation for this concert
arose from the promotional materials.
The poster for the concert shows two
men holding up signs. One sign reads,
“God Hates Fags” while the other reads,
“You’re Going to Hell.” A number
of SMC members felt uncomfortable
with this wording; some of them were
prohibited from putting posters up
at their workplaces due to the strong
language, which violated harassment
policies in some companies. “It was
ironic, but understandable,” says Eric
Lane Barnes. “The poster shows what
we so frequently see from the religious
right. It shows the disparity between
equity in the workplace and equity in
God’s Own House.” The marketing
department for Flying House created
stickers to put over the objectionable
words in the posters. The stickers read:
CENSORED.
From Seattle Men’s Chorus’ Scared Faithless
PRIDE ‘07 theater
Seattle Gay News
9
The House of Spirits
international attention in 1982, making
Allende one of the most read Latin American
authors in the world. Allende’s saga is of
Book-It Repertory Theatre
the Trueba family, centered around the
Through June 24
engaging, enraging, arrogant, tyrannical
Book by Isabelle Allende
patriarch, Esteban Trueba. Originally a poor
Adaptation by Myra Platt
young man with a dream, Esteban’s success
Directed by Myra Platt
in mining leads to increasing amounts of
If history lessons were this entertaining, arrogance, condescension toward those
we’d all be historians.
who he feels are beneath him, profiteering
The best-selling novel “The House and political manipulation. Not to mention
of Spirits” by Isabelle Allende captured his abuse of his family, his scorn for his
by Miryam Gordon
SGN Contributing Writer
10 Seattle Gay News
PRIDE ‘07 theater
only son and daughter, and his disregard
for any of the many bastards he created as
he routinely raped women servants. What
a prize!
Allende uses Esteban and his family
and servants to demonstrate the historical
context of Chile from about 1923 through
1973. We learn about the beginnings of
worker unionization, the demonization of
socialism, the chasm between the haves and
have nots, the manipulation of the upper
classes to create a falsely “democratic”
political climate most suitable for their
needs – at the expense of the lower class,
culminating in the 1973 military coup that
put Commander Augusto Pinochet in charge
as a totalitarian ruler.
Book-It Repertory Theatre Co-Artistic
Director, Myra Platt, adapted this long,
involved novel in the unique “book-it”
style they have developed. Normally, an
adaptation from a novel into another form
is created almost as its own entity, no longer
beholden so tightly to its novel origins. This
style is unique in that it includes narration
as dialogue, which is something an audience
gets used to quickly, after a few minutes of
experience.
The Book-It production includes eighteen
actors, a huge cast by normal theatrical
standards, and many of the actors portray
at least three different characters. The play
is as big and sprawling as the novel. It’s
also long, in three acts that last at least a
three hour total. But, fortunately for BookIt and the audience, those three hours fly by
pretty quickly. This is not a production that
is lengthy because the playwright draws it
out. It moves along quickly and breathlessly
from one event to the next. A character
announces, “I’m pregnant” and within
moments, has the baby who, moments after
that, is already a small girl.
Allende’s book and the adaptation also
include a big dose of magical characters
and psychic foretellings, mainly by the
character of Clara del Valle, who begins as
June 15, 2007
courtesy of BOOK IT
From The House of Spirits
June 15, 2007
have “green hair,” but perhaps it could be
a bit more subtle, since her enormous wig,
in particular, doesn’t look green, but a very
fake blond.
Adaptor Myra Platt also directs
the production and gets marvelous
performances out of many of her numerous
cast. Especially noteworthy are Rose Cano,
as Esteban’s pathetically graceful sister;
Joy Marzec, as Alba Trueba, Esteban’s
daughter; Marissa Price, who plays Rosa
and Transito, a particularly aggressive
prostitute; Natasha Sims, as Blanca Trueba,
Esteban’s granddaughter; and Wesley Rice,
both as a wonderful Pedro Segundo Garcia
– faithful servant of Esteban, and then as El
Presidente – presumably Savador Allende.
courtesy of BOOK IT
the chronicler of her life in journals. Clara
meets Esteban (Todd Licea) as a child
when Esteban is engaged to her older sister
Rosa (Marissa Price). When Rosa dies, as
Clara predicts Rosa will, Clara eventually
becomes Esteban’s wife.
When Clara and Esteban marry, Esteban
has already evolved into the rapacious (pun
intended) consumer of lives. However, his
adoration of Clara seems to halt or reverse
that process, for a time. Clara, as portrayed
by Jennifer Sue Johnson, is an otherworldly
woman who seems able to ignore and
transform anger or confrontation and cajoles
Esteban, often, out of rages and diatribes
against her and her children. Johnson is
luminous in this role and leads the entire
production in an almost magical fashion.
Even when her character
is not directly present,
she still hovers over the
family, influencing and
mellowing them. Clara’s
clairvoyance is something
her family at first tries to
hide and then accepts, but
tries to keep inside the
family boundaries. But her
visions seem to comment
that
everything
that
happens to the Truebas,
even the tragedies of the
family, are destiny, events
to be known ahead of time.
So, as angry or frustrated
as the audience might
be with Esteban, there
is a sense that he can’t
quite help it. Perhaps, if
he were a better person,
events that are predestined
wouldn’t happen. So, it
seems that he must be a
terrible person, until he
finally is confronted with
the accumulated errors of
his life.
The parapsychological
phenomena of the play are
demonstrated by the Etta
Lilienthal’s ethereal set.
The main stage is bare,
except for a staircase and
small platform and chair, with a backdrop
of arched doorways that abstractly reminds
one of clouds at the top. But above the stage
is a large mobile of household items, like
chairs, that normally don’t float above the
floor. It is a constant visual reminder of the
otherworld, one we can’t see or touch, yet
must accept as present.
Adding to the atmosphere is the
background music of Carter Rodriquez,
who plays live, original guitar music above
the audience and occasionally sings. His
musical accompaniment enhances the
moods of the scenes wonderfully, but
perhaps he should leave the singing to
someone else.
Costumes by Pete Rush and lighting by
Jessica Trundy ably assist the production,
as does the wonderful dialect used by the
actors, which sounds authentic and unforced,
as supported by Gin Hammond, dialect
coach. One quibble I would have is with the
odd-looking wigs some of the women wear,
which distract from paying attention to their
acting, making one stare at the tops of their
heads, instead. I understand Rosa is said to
From The House of Spirits
Two other performances (aside from
Clara’s) must be noticed and appreciated.
Todd Licea as Esteban is a charming,
engaging presence, at first, before he
turns monstrous, making his monstrous
behavior even more heart-wrenching. He is
in virtually every scene of the play driving
the energy and continuity forward. Also,
Olivia Spokoiny (recently seen in “White
Christmas”) has tiny, but crucial moments
as all of the girl children: Clara, her daughter
Alba, and granddaughter Blanca. Spokoiny
is already an accomplished actress, who
brings considerable talent to these small
roles.
Overall, it is a masterful production,
awesome for its breadth and scope,
admirably displaying the essence of
Allende’s masterpiece novel. A caution,
however. There is rape and violence
depicted on stage, so you might want to
consider children’s ages and understanding
before bringing them with you to experience
this moving history.
More information or tickets available at
www.book-it.org or 206-216-0833.
PRIDE ‘07 theater
Seattle Gay News 11
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SGN at the Tony’s:
A report from the red carpet
by E. Joyce Glasgow
SGN A&E Writer
Covering the Tony Awards was a fun and
exciting experience. Seeing so many great
actors and actresses strolling down the red
carpet, in their finery, was a delight. Feeling their excitement and anticipation was
contagious. There were also crazy antics
in the street. Conan O’Brien’s loony bunch
hammed it up with a lot of the stars. Scores
of fans waited behind barricades to catch a
glimpse of their favorite performers.
I felt a special affinity for those actors
I’ve met in Seattle and whose work I’ve
seen here. Kiki and Herb and Bill T. Jones
were delightful to see and I was so pleased
that they were nominated. I was overjoyed
when Jones won the Tony for his choreography for the fantastic, groundbreaking
musical, Spring Awakening. Tom Hulce,
who used to live in Seattle, and fellow producers of Spring Awakening, took the Tony
for best musical. Constanza Wilson, wife
of late playwright August Wilson, was a
friendly familiar face from my Capitol Hill
neighborhood. The mood on the red carpet
was festive and one could really feel the
strong sense of community and camaraderie amongst these theatre professionals
After all the attendees entered Radio City
Music Hall, the numerous, international
group of reporters and photographers were
escorted to the sixty-fourth floor of the
NBC building, to the Rainbow Room complex, where we were treated to spectacular
views of New York and heard from all the
June 15, 2007
Tony winners.
While in New York, I have been able to
see some great Broadway theatre and just
in time for the Tony’s. Among them, I saw
nominees and winners Spring Awakening
and Journey’s End.
Journey’s End had received six Tony
nominations and won the 2007 Tony for
“Best Revival of a Play”. It was written in
1928, in response to the ten million deaths
and countless injuries caused by World War
I. Its all male cast, in a bunker, play English soldiers and officers faced with their
mortality and the futility of war; keeping
a “stiff upper lip” through it all. The play
dramatically demonstrated the senselessness tragedy of using war as an answer to
settling differences. It was a very important
play and quite sober and realistic. It was sad
to see these men, who were sitting ducks
for the enemy, whose lives had been trivialized, and who faced little hope of survival.
The producers of Journey’s End usually
produce plays that will garner commercial
success, but they chose to produce the play
not to make money but to, in these tumultuous times, show audiences the pointlessness of war and to encourage the settling
differences through peaceful means. Stars
of this show, which closed on Tony Award
day, were Stark Sands and Boyd Gaines,
who both were nominated for their moving
performances, and Hugh Dancy (who also
gives a stunning performance in the new
film, Evening, with fellow Tony nominee,
Vanessa Redgrave, which opens nationally
on June 29th).
Spring Awakening has brought a whole
new and fresh feeling to Broadway. It is
unusual. Its music is upbeat with a rock
feeling, but not quite rock. This musical
is a hybrid of musical styles that has produced terrific music, with provocative lyrics and beautiful vocal harmonies. The cast
is young and exuberant and has been given
distinctive, intuitive choreography, by modern dance choreographer, Bill T. Jones. The
set is spacious, very open and creative, with
dynamic and uplifting lighting.
This play was written in 1891 by Frank
Wedekind, in Germany. At the time his
work was considered scandalous because
he dared to deal with issues of sexual freedom, problems of puberty, misunderstandings and violence. Today, he is considered
one of the founders of modern drama and
a pioneer of expressionism in the theatre.
The play has been set in the 1890’s with 21st
century music.
Brought up in a provincial German Lutheran town, the teen-aged characters are
naturally and innocently awakening to the
wonder of their sexuality, but are faced with
the rigidity, repression, shame and lack of
understanding by their parents and their society, leading to misunderstandings, confusion, desperation and subsequent tragedy.
Spring Awakening is very contemporary for teens living today, with themes of
straight and Gay sexuality, violence and
suicide. It has been embraced by all age
groups. Jonathan B. Wright, who has a Gay
sexual awakening scene with fellow actor
Gideon Glick, told me that he has received
PRIDE ‘07 theater
correspondence from Gay teens who have
said that the sensitive and open treatment
of Gay teen sexuality in the play has saved
lives.
I also saw The 25th Annual Putnam County
Spelling Bee, which was nominated in 2005
for six Tony’s and won two. It is a delightful, sweet, original, very funny and intelligent musical with an innovative premise: a
spelling bee. The setting is a reproduction
of a school gymnasium and members of the
audience are brought up to participate in the
spelling bee with the cast.
The cast is new, coming from the San
Francisco/Boston cast and features, in his
Broadway debut, the brilliant Mo Rocca,
as the nerdy, oddball vice-principal, Mr.
Panch. Rocca is familiar to NPR listeners
as a panelist on the popular show “Wait,
Wait…Don’t Tell Me!”
The characters in Spelling Bee are endearing, the music is simple and childlike, and
the use of unusual and funny words is witty
and highly engaging. I laughed a lot.
Seattle Gay News 13
14 Seattle Gay News
PRIDE ‘07 theater
June 15, 2007
Stuff Happens at ACT
to examines all sides
of the Iraq invasion
Stuff Happens
Play by David Hare
Directed by Victor Pappas
ACT’s third play of the 2007 season,
David Hare’s Stuff Happens, takes on the
lead-up to the Iraq War. Directed by Victor
Pappas, Stuff Happens opens June 28; and
closes July 22.
In this compelling political drama,
award-winning playwright David Hare
takes you behind closed doors to the highstakes wheeling and dealing that led to the
invasion of Iraq. Shakespearean in scope,
this blistering ensemble show pulls no
punches. And in Hare’s telling, none of us
is off the hook.
“Playwrights have always been fascinated
by the way that power and personalities
combine to turn the wheel of history, and
here our greatest contemporary political
dramatist takes us into the private sanctums
of the powerful to show us the human
ambitions and agendas that led us inexorably
into the Iraq war,” says Kurt Beattie, ACT’s
artistic director.
According to Stuff Happens director
Victor Pappas, “The style of the play is both
epic and intimate. Hare combines factual
material—the actual public statements of
the various key players—with speculation
as to what was said behind closed doors. As
in Shakespeare’s histories, the public events
are contrasted with the private, the political
with the personal. And more than one point
June 15, 2007
of view is given a hearing.”
Pappas adds, “There’s tremendous drama
in the play, and a fair amount of humor; it’s
a very entertaining play.”
ACT’s production of Stuff Happens
features some of Seattle’s favorite actors.
“We’ve got an amazing cast lined up—R.
Hamilton Wright as Bush, Frank Corrado
as Rumsfeld, Mike Winters as Cheney,
Mark Chamberlin as Blair, Tracy Hughes
as Condi Rice, Charles Dumas as Powell,
David Pichette, Peter Crook, Marianne
Owen, Julie Briskman, Richard Ziman,
Larry Paulsen, and others—it’s a perfect
play for the brilliant talents that we have
in Seattle,” says Pappas. “These actors can
really inhabit a play, bring it fully to its best
life. I’m really looking forward to working
in this community again.”
Tickets for Stuff Happens may be
purchased online at www.acttheatre.org,
by phone at 206-292-7676, or in person at
ACT’s ticket office, located at 700 Union
Street in downtown Seattle.
For the past 42 years, ACT’s mission has
been to present a broad spectrum of the very
best of contemporary theatre that speaks to
audiences of all backgrounds. A significant
part of ACT’s mandate is to commission
new works and to foster the development
of those works in a supportive and inspiring
workplace.
An ACT press release
Evolution of a
Seattle playwright:
Beginner to…begun
by Miryam Gordon
SGN Contributing Writer
A person wants to write some sort of play.
He/she may or may not even know what it
should be about.
A person finds out when one of the 24
hour/48 hour events happen, where writers
write a ten minute play in just a few hours
and then see it produced.
A person finds out about open mic readings
from places like Seattle Dramatists, perhaps
considers paying money to join that or
another playwrighting group. Does some
open mic readings, where actors help you
“hear” what you’ve written.
A person finds ways of getting feedback
from others (see above).
A person writes a one-act and submits it to
any number of one-act festivals around town
soliciting manuscripts. Hopefully, a person’s
script is chosen for the production.
A person, who has now gained some
credibility and positive feedback from
the theater/writing community, and has
perhaps had a few productions in a oneact festival or two, may be solicited by one
of our innovative production companies,
like Annex, Theater Schmeater, WET, or
others, to actually write a play for them.
OR a person submits a manuscript to as
many of these places as will accept them,
unsolicited.
A person. whose play is liked and
PRIDE ‘07 theater
accepted, could now have a mainstage
production mounted by one of the above
innovative, small companies.
A person who has had a mainstage
production could send that produced script
to other theaters around the country, or try
to find an agent to do so for you.
From here, that could be as much
excitement as you get. However, it’s
possible that larger-theater personnel (of
course we’re talking the Rep, ACT and
Intiman) who try to go to smaller theaters
to keep their fingers on the pulse of local
writing may indicate interest in some
future production of yours, which could
be workshopped or chosen for a mainstage
production.
A person experiencing any number of the
last four events could be considered to have
“begun.”
Seattle Gay News 15
Lake Tahoe Shakespeare Festival
becoming destination for arts lovers
Ballet, opera and performers from the famed Cirque du Soleil come to Tahoe INCLINE VILLAGE, Nev. (June 11,
2007) – Back by popular demand, the Lake
Tahoe Shakespeare Festival presents its 2nd
annual Midsummer Nights series, a collection of artistic performances and outdoor
events held Aug. 22 - 27, 2007 at Sand
Harbor State Park following the final curtain call on the Shakespeare performances. The 2007 lineup is unprecedented, offering
a well-balanced mix of dance, music and
performing arts as well as an exclusive performance from Cirque de Soleil® stars, a
show the likes of which the area has never
before been exposed to.
“We are thrilled to be able to bring such
an exciting and diverse menu of events
to the Lake Tahoe area,” said Catherine
Atack, executive director of the Lake Tahoe Shakespeare Festival. “The response
from our first Midsummer Nights series was
overwhelming and we knew it was something we had to bring back again this summer. The Festival is working in collaboration with a variety of area arts organizations
to present a truly exciting program for 2007
accented nicely by the phenomenal weather
we’re blessed with in late August and Tahoe’s incomparable beauty.”
Performances scheduled for the 2007
Midsummer Nights series includes:
Aug. 22 - 23: Sierra Nevada Ballet’s
“A Celebration of Genius II” is filled with
music from greats such as Chopin, Dave
Brubeck, George Gerhswin and Gian Carlo
Menotti along with original works by Sierra
Nevada Ballet composers in residence Su-
16 Seattle Gay News
san Mazer and Dallas Smith and Andy Heglund. The first portion of the performances
features original choreography designed to
match each musical style with international
dance stars including the artistry of Ballet
Danseur Domingo Rubio, Russian born
Eugene Petrov and the “fastest feet in tap,”
Sam Weber. The second half of the program
highlights “The Unicorn,” “The Gorgon”
and “The Manticore,” a madrigal, comical
story ballet accented with spectacular original costumes commissioned by the Library
of Congress.
Aug. 24 - 25: Christopher Childers of
Choozi Entertainment and friends from
Cirque de Soleil® present “A Midsummer Night-MARE,” a momentous program unlike anything ever performed in
Reno-Tahoe. This spectacular production
will feature former principal performers
from Mystere, “O” and Allegria in their
first outdoor performance as well as stars
from Broadway and the “Lido de Paris” of
Paris, France. Showcasing the performers’
world-wide talent, the program entertains
with a wild mix of dancers, contortionists,
aerialists, stilt walkers, live music and acting. Cast in a cameo performance is InnerRhythms Dance Theatre based in Truckee,
Calif. A special “On the Couch” theatrical
talk show with the cast will follow the performance. According to executive producer,
WISE Ventures, Inc., the net proceeds from
the Aug. 24 performance will benefit the
Carson Tahoe Regional Healthcare Foundation on behalf of the Cancer Center and the
Aug. 25 program will benefit InnerRhythms
Dance Theatre.
Aug. 26: Lake Tahoe Chautauqua brings
the past to life with its theatrical enactments of poignant characters of the literary
world. This year features “The Renaissance Response - Playwrights to Pirates”
showcasing the life and times of William
Shakespeare and the Irish Pirate Queen
Grace O’Malley, a larger-than-life figure
from 16th century Irish history. Tap into
Shakespeare’s life including his influence
and perspective through his writing. Then
listen as the Queen exhibits her take-charge
attitude relating to the changing perceptions
of the 16th century. Perhaps we will finally
get the answer to the all important question
“Is the pen mightier than the sword?”
Aug. 27: Bobby Caldwell and the Reno
Jazz Orchestra, presented by Crystal Bay
Casino Road Shows, make a first time appearance at Sand Harbor. Caldwell, a longtime jazz musician and multi-instrumentalist, performs traditional and contemporary
big band favorites. Known as one of the
most revered vocalists and songwriters in
contemporary music today, his songwriting
skills have earned hits not only for himself but also for well-known artists such as
Chicago, Boz Scaggs, Peter Cetera, Amy
Grant, Neil Diamond and Al Jarreau. Combined, Caldwell’s songs and samples have
contributed to more than $40 million in
sales. His vast repertoire of rousing R&B,
intimate smooth jazz and big band songs affords him with the ability to entertain at any
PRIDE ‘07 theater
venue, for fans of all ages.
The evening performances for the 2007
season of the Lake Tahoe Shakespeare Festival begins July 12 and run seven nights per
week through August 19 featuring a brand
new lineup of performances including Romeo & Juliet, The Taming of the Shrew and
the contemporary comedy Greater Tuna. Tickets start at $22 for open seating tiers
and range in options up to the premier Reserved Seating section from $67.
For tickets or more information about the
Midsummer Nights series at Sand Harbor
State Park or the 2007 Lake Tahoe Shakespeare Festival, visit www.LakeTahoeShakespeare.com or call 800-74-SHOWS
(800-747-4697).
The Lake Tahoe Shakespeare Festival is
a 501(c)(3) non-profit organization established for the cultural benefit and enjoyment of all residents and visitors to Lake
Tahoe and Reno. The annual Festival advocates the finest cultural events in the area
while educating future generations on the
importance of the arts, theater and music. Presenting sponsors for the 2007 Festival
include Harrah’s/Harvey’s at Lake Tahoe
offering first class accommodations and
gaming choices at Lake Tahoe’s South
Shore, the Reno-Sparks Convention and
Visitors Authority (RSCVA) representing
Reno-Tahoe, America’s Adventure Place
and Microsoft Licensing, GP. A Lake Tahoe Shakespeare Festival press
release
June 15, 2007
ArtsWest Playhouse
and Gallery
courtesy of arts west
How I Got That Story, returns to ArtsWest to
play Charlotte von Mahlsdorf, a soft-spoken
but tenaciously gender-bending biological
male who died in 2002 at the age of 74. Based on interviews with the real Charlotte
von Mahlsdorf, this play is largely about
Charlotte’s enduring the cruel repressions
of the Nazis and the Communists. Her
harrowing tales of survival through the eras
of the Gestapo and the East German secret
police are nothing short of breathtaking. But are they true? And does it matter? Call for tickets 206-938-0339 or visit
www.artswest.org. Plays, dates, and artists
subject to change.
From ArtsWest’s production of Hair
It’s an ambitious, risk-taking season at
ArtsWest this year, but it’s a season you’ll
be able to count on. Even though none of
the plays have ever appeared in Seattle before, they have appeared to high acclaim on
Broadway, in London, and in regional theaters across America.
A first-class arts facility for theater, music and more, the ArtsWest mainstage is a
3/4 thrust, fully raked house with excellent
stage views and no obstructions from all
149 seats. Intimate and versatile, the house
has the feel of a small playhouse or music
chamber while affording artists and audience members alike all the advantages of a
contemporary technical theater.
ArtsWest has turned a bit of a corner. Our
production values continue to grow. The experience is powerful, but at the same time,
accessible. The issues being addressed are
complex, but because they are presented in
the contemporary, three-dimensional convention of the theater, they are easy to digest.
ArtsWest’s mission is to produce artistic events so fiercely compelling that they
require conversation, improve the imagination, and promote cultural vibrancy as
a core value for the communities of West
Seattle.
At ArtsWest, our mission drives everything we do. We’ll take you places you had
no intention of visiting. Come on over and
see. We’ve got a couple of season tickets
with your name on them.
ArtsWest Summer 2007
Musical Theater Programs
Let ArtsWest Rock Your Summer!
This year ArtsWest has expanded their National Endowment for the Arts award-winning Summer Musical Theater Program by
adding a new program for middle schoolers. Students at ArtsWest learn how to sing,
dance, act - and a lot more All performances
are open to the public. Come enjoy the high
level of performance excellence achieved
by students in these nationally recognized
programs!
HAIR
July 12-29 - Tickets only $15
Book and Lyrics
by Gerome Ragni and James Rado
Music by Galt MacDermot
Directed by Christopher Zinovitch
Musical Direction by Jacinita Koreski
Choreography by Nick DeSantis
The original “American Tribal Love Musical” rocks the ArtsWest stage for 18 performances, starring the ArtsWest Musical
Theater Performance Apprentice Program
students (Ages 15 to 21). Travel back to
the Age of Aquarius and “let the sunshine
June 15, 2007
in” this summer. ArtsWest’s production of
HAIR is presented as it was intended, using
adult themes and language. There is no nudity. All participants have parental permission. HAIR is recommended for mature
audiences.
Disney’s HIGH SCHOOL MUSICAL
August 9-19
Tickets only $12
SCHOOL HOUSE ROCK LIVE! JR.
August 22-26
Tickets only $10
PRIDE IN YOUR PROPERTY!
ArtsWest’s 2007-2008 Season
A Year of Premieres
BAT BOY THE MUSICAL
October 3 - November 10, 2007
Music & lyrics by Laurence O’Keefe,
Book by Keythe Farley
and Brian Flemming.
Directed by Christopher Zinovitch,
ArtsWest’s director of theater.
Made possible by a generous grant
from Viking Bank.
BAT BOY THE MUSICAL tells the story
originally made famous in the tabloid The
Weekly World News of a strange boy with
pointy ears, his struggle to find a place in a
world that shuns him, and the love that can
create both miracles and madness. “This
is one of the funniest musicals I have ever
heard,” said ArtsWest’s executive director,
Alan Harrison. “Hilarious, frantic, but with
a heart of gold.”
HOLIDAY BONUS:
THE GIFTS OF THE MAGI
December 5-23
Music by Randy Courts
Lyrics by Mark St. Germain
and Randy Courts
Directed by Brandon Ivie
THE RETREAT FROM MOSCOW
January 9 - February 2, 2008
by William Nicholson
Directed by Carol Roscoe
THE SWEETEST SWING
IN BASEBALL
February 20 - March 15, 2008
by Rebecca Gilman
Produced in association
with Seattle Public Theater
Directed by Shana Bestock
THE DEAD GUY
April 2 - 26, 2008
by Eric Coble
Directed by Rob West
I AM MY OWN WIFE
May 14 - June 7, 2008
by Doug Wright. Starring Nick DeSantis Directed by Christopher Zinovitch
Nick DeSantis, who recently wowed
audiences in tick, tick...BOOM!, La Bete, and
PRIDE ‘07 theater
Call “Bumper” Mennen
for all your
Real Estate needs.
206-938-6566
GO STORM!
Seattle Gay News 17
World’s funniest
improvisation artists
come to Seattle stage
Seattle International Festival of Improvisation
returns for 11th year
Unexpected Productions will host
the 11th Seattle International Festival of
Improvisation at the Market Theatre June
10 through 16, 2007. Unexpected Productions, celebrating our
24th year, is dedicated to promoting the
art and spirit of improvisation. As a group
Unexpected Productions has performed
in: Germany, Austria, Netherlands, New
Zealand, Australia and all over the U.S. and
Canada.
Our members have appeared on TV’s
Almost Live (King), and Kwik Witz
(Nationally Syndicated), Radio’s Rewind
(KUOW) as well as the Bathhouse Theater,
Seattle Children’s Theater, The Village
Theater, The Group Theater, The Seattle Rep,
ACT, Annex, Seattle Shakespeare Festival,
even Broadway, and Off Broadway.
Guest performers who have sat in with
us at UP include: Adam Arkin (Chicago
Hope), Dean Haglund (The X –Files), Julia
Sweeney (SNL, It’s Pat), Ryan Stiles (Drew
Carey, Whose Line Is It Anyway?), and
Colin Mochrie (Whose Line Is It Anyway?),
Brad Sherwood (The Dating Game), and
Ellie Harvie (The Addams Family).
Unexpected Productions is producing the
Festival of Improvisation to allow groups
18 Seattle Gay News
PRIDE ‘07 theater
from all over the world to share, collaborate,
and exchange improvisational formats with
each other in an educational environment.
This year’s theme is JAZZ.
The 2007 Festival will feature improvisers
from Australia, Austria, Germany, Italy,
Sweden, The Netherlands, Canada and
the U.S. The participants are all long time
improvisers and teachers themselves with
this year’s group featuring ten Artistic
Directors.
The Shows
Translation
Thursday, June 14 - 8 PM
We take advantage of our guests and allow
them to run wild in their native languages.
The first half consists of all the improvisers
playing in their native tongues mixing and
matching in various scenes. The second
half has them improvising in a second or
third language trying to communicate with
the barest of vocabularies. Even if we do
not have understanding we can still have
connection.
Harold and Friend
Friday, June 15 - 8 PM
A Harold is a series of scenes, games and
monologues based on one theme, from an
audience suggestion. The form works as
collaboration between the actors and the
audience. The second half will be a surprise
(TBA) long form with an international
flavor.
Performance Showcase Saturday, June 16 - 8PM
A long form by the participants of the
festival, under the direction of UP’s Artistic
Director Randy Dixon, based on “JAZZ”
TheatreSports™
Friday/Saturday, June 15/16 - 10:30 PM
Our Festival Guests participate in
an international version of our weekly
competitive improv show.
In addition, there will be a couple of
unofficial festival shows that take advantage
of our foreign guests:
Orcas Island Project
Sunday, June 10 - 7 PM
An eight member cast of international
improvisers will be spending a week on
Orcas Island developing a show. They will
perform it here in Seattle to kick off our
international week. This will be the only
chance to see this show in Seattle.
International Jam
Sunday, June 17 - 7 PM
Many of our guests remain after the festival
for one more night of improvisational
jamming together. Fun and relaxing in
several languages!
A Unexpected Productions press release
June 15, 2007
June 15, 2007
PRIDE ‘07 theater
Seattle Gay News 19
20 Seattle Gay News
PRIDE ‘07 theater
June 15, 2007