media kit - Museum of Contemporary Art

Transcription

MEDIA KIT
TABLE OF CONTENTS
New MCA Opening Details 3
Marking Time 29 March – 3 June, 2012 6
The Clock 29 March – 3 June, 2012
7
Local Positioning Systems 29 March – 3 June, 2012
8
Volume One: MCA Collection
9
2012-2013 Exhibition Program
10
18th Biennale of Sydney: all our relations 27 June – 16 September, 2012 10
Ken Whisson: As If 28 September – 25 November, 2012
10
Claire Healy and Sean Cordeiro 4 October – 2 December, 2012
11
Primavera 2012 4 October – 2 December, 2012
11
Brook Andrew 19 December, 2012 – 24 February, 2013
12
Anish Kapoor 20 December, 2012 – 1 April, 2013 Appendix
Fact Sheet Image Sheet
Biographies
Major
Donors Corporate Sponsors 12
NEW MCA OPENING DETAILS
The new MCA as it appears in March 2012
The Museum of Contemporary Art Australia (MCA) reopens on Thursday 29 March 2012 as a bold, new
and expanded museum. Following a AUD$53 million redevelopment, the Museum will be transformed into
a major cultural centre for contemporary art and creative learning.
The MCA is Australia’s Museum of Contemporary Art, dedicated to exhibiting, collecting and interpreting the
work of today’s artists. The widely anticipated reopening of the Museum is a highlight on the international
art calendar. This milestone will be celebrated with a week-long series of launch events culminating in a
dynamic schedule of free artist talks and public programs throughout the opening weekend.
The new MCA opens with Marking Time, an international exhibition which presents major works by eleven
artists in the spacious new top floor galleries. The world-renowned and highly-acclaimed 24-hour video
installation The Clock by Christian Marclay occupies the largest of all galleries, the Level 1 North Gallery
in the new wing.
The Museum has also commissioned Performance Space to curate a performance program in and around
the new building. Local Positioning Systems comprises six artists from Australia and a UK collaborative.
The new MCA opens with a collection hang, Volume One: MCA Collection, which features works by more
than 170 Australian artists.
The second season comprises the 18th Biennale of Sydney across two floors of the MCA. In October, the
annual Primavera exhibition will showcase young Australian artists, alongside the first major solo survey
devoted to the work of renowned Australian artist Ken Whisson. Claire Healy and Sean Cordeiro will
take over the Museum’s Level 1 North Gallery. In December, artist Brook Andrew will curate a thoughtprovoking exhibition which presents recent and new artworks by Indigenous artists from Australia and
around the world. And the MCA will present the first major exhibition by Anish Kapoor in Australia as part
of the Sydney International Art Series. The exhibition will be spread over two floors of the Museum, Level
3 and Level 1 North.
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Jim Campbell Scattered Light 2010
Video Installation: custom electronics, LEDs, light bulbs, wire, steel
Temporary public project commissioned by the Madison Square Park Conservancy, Madison Square Art,
New York, 2010 Image courtesy the artist and Madison Square Park Conservancy, New York © the artist
Photography: James Ewing
Another two additions to the Museum are the rooftop venues. Created to take advantage of their location,
the venues offer spectacular views across Sydney Harbour from the Opera House to the Harbour Bridge.
‘I am delighted that we are opening with a dynamic program of exhibitions showcasing work by Australian
artists alongside their international peers. It is thrilling to see the new MCA take shape. The creation of
wonderful new spaces for art and for creative learning, right on the harbour is a landmark in the Museum’s
history. The cutting-edge architecture complements the existing building and the use of new technology
sets a new standard for collaboration with audiences. The new MCA will be a world-class hub of art and
creative learning which responds to the Museum’s growing audience and reaches out across the country,’
said MCA Director, Elizabeth Ann Macgregor.
A key feature of the new MCA’s program is a series of commissions by Australian artists. Brook Andrew has
installed a permanent work on the Circular Quay façade which draws attention to the colonial naval dock
remains underneath the new extension. The work is a poetic response to one aspect of the interpretation
of the heritage of the site.
The artist who represented Australia in the 2011 Venice Biennale, Hany Armanious, has created the first
work for the new Sculpture Terrace, a spectacular space for art overlooking Sydney Harbour. Each year an
artist will be invited to create a site-specific installation to be exhibited for a period of 12 months. The MCA
Sculpture Series will stimulate ambitious and significant new work to fire the public imagination.
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Tracey Moffatt Something More #3 1989
cibachrome photograph Museum of Contemporary Art, purchased 1992
Melbourne artist Emily Floyd has created the first commission for the MCA’s Bella Room for children
with specific needs. In response to a brief to create a work for children with visual impairments, Emily is
developing a playful sensory and tactile environment which will enhance the experiences of touch and
smell in a creative learning space.
Grant Stevens has created a video work for the new MCA foyer featuring the names of the donors who
have contributed to the Museum’s redevelopment. It will complement Imants Tillers’ Pure Beauty in the
previous Museum entrance, which was commissioned in 1993 after the existing building was converted
into the MCA.
Helen Eager has created a large-scale wall painting for the Circular Quay entrance. The commission, the
artist’s largest artwork to date, will be added to the MCA’s collection of wall drawings and will provide a
strong statement in the entrance for the first year.
Melbourne-based artist Andrew McQualter has re-installed his site-specific work Untitled wall painting (for
Helen Johnson) first commissioned in 2007 for the MCA Collection. McQualter is a Primavera artist whose
metaphoric imagery suggests relationships we cultivate and nurture, gardening and cultural production.
His wall painting will be in the corridor leading from the new building to the MCA’s Foundation Hall.
The MCA would like to thank the following galleries for their support of the MCA’s commissioned
artworks: Brook Andrew - Tolarno Galleries Melbourne, Hany Armanious – Roslyn Oxley9 Gallery
Sydney, Emily Floyd - Anna Schwartz Gallery Sydney and Melbourne, Grant Stevens - Gallery Barry
Keldoulis, and Helen Eager - Utopia Arts Sydney.
For further information, images or interviews please refer to the following contacts:
Kelly Stone
MCA PR Manager, Sydney
M: + 61 (0) 429 572 869
[email protected]
Jeffrey Walkowiak
David Field
Blue Medium Inc., New York
Calum Sutton PR, London
T: +1 (212) 675 1800
T: +44 (0) 20 7183 3577
[email protected]@suttonpr.com
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Marking Time
Katie Paterson 100 Billion Suns 2010
custom printed confetti, confetti cannon launcher, broom Image courtesy and © the artist
Marking Time
29 March – 3 June 2012
Level 3
The new MCA’s inaugural international exhibition, Marking Time presents major works by eleven artists
from Europe, the USA, Brazil, Japan and Australia. This exhibition will be presented in the Museum’s
spacious new top floor galleries.
In Marking Time, time is extended, made circular, wound backwards, and articulated through performative,
durational acts. In keeping with its theme, the exhibition unfolds over a 24-hour cycle. Some works come
to life only at night, illuminating the Museums’ front lawn. Others materialise slowly during the course of
the exhibition, revealed through the footsteps of visitors passing through the Museum foyer and stairwells.
From the collision of past and present in Edgar Arceneaux’s ambitious wall-scale drawings, to concepts
of ‘deep’ or universal time in Tatsuo Miyajima’s video and photographic works and Lindy Lee’s weather
paintings harnessing fire and water, to Rivane Neuenschwander’s poetic flip-clocks and calendars,
time becomes elastic and open ended. Elisa Sighicelli literally rewinds time through the medium of
film: exploded fireworks contract to pin-points against the night sky, as ends return to beginnings; and
Katie Paterson examines ancient cosmic phenomena in her durational confetti installation 100 Billion
Suns and moon inspired works. Gulumbu Yunupingu also turns her gaze upwards, depicting celestial
formations upon bark panels and hollowed memorial (Larrakitj) poles. The relationship between real time
and digital artifice is explored in John Gerrard’s epic, slow moving animations of American mid-western
scenes; while Jim Campbell uses computer-programmed light to create flickering, ever-changing scenes
inspired by family albums and events. Finally, Tom Nicholson’s vast wall drawing relates geo-political
dates throughout history, while Daniel Crooks’ mesmeric videos stretch and reconfigure time into abstract
bands of colour.
Major Partner
Supporting Sponsor
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The Clock
Christian Marclay The Clock 2010
single channel video duration: 24 hours © the artist and courtesy White Cube, London and Paula Cooper Gallery, New York
The Clock
Level 1 North
For its much anticipated public opening on Thursday 29 March 2012, the MCA is delighted to announce
the inclusion of Christian Marclay, winner of the Golden Lion for best artist at last year’s 54th Venice
Biennale, with The Clock. The Clock has attracted record breaking crowds wherever it has been shown,
and has been described as ‘the most complex thing made by any artist so far this century’.
The Clock comprises several thousand short extracts from cinema history, each suggesting a particular
time of day or referencing a specific moment, often through the appearance of a watch or clock-face. They
are edited together to form a continuous visual sequence synchronised with the real time of visitors in
the gallery who watch the film; and they suggest countless interlocking narratives despite the constant
changes in genres, eras, locations and plotlines.
Elizabeth Ann Macgregor, MCA Director, said: ‘The MCA is excited to bring to Australia this extraordinary
and much sought after work of art. We are thrilled to be the first venue to show The Clock in the southern
hemisphere and it complements perfectly MCA Senior Curator Rachel Kent’s opening exhibition Marking
Time.’
Rachel Kent said ‘The Clock highlights the centrality of time within conventional cinematic narratives – the
way it binds stories together and leads us through their events. Yet by the same token, cinema traditionally
immerses viewers within an illusory sense of time, suspending momentarily the real time of the world
outside. The Clock creates an uncanny correspondence between cinematic and real time, drawing viewers
into a parallel awareness of what they watch on screen and experience beyond it.’
The Clock is a 24-hour video that will be shown in its entirety on the MCA’s opening day, then played
continuously during regular museum opening hours. Every subsequent Thursday there will be a special
24-hour presentation of this work. The Clock will be shown in the MCA’s spacious Level 1 North Gallery
in the new wing.
ABOUT THE ARTIST
Christian Marclay was born in California in 1955 and grew up in Switzerland. He now lives between
London and New York. He is an internationally acclaimed artist who has employed the concept of collage
since the 1970s across diverse media including film and video, photography, installation, sound and music.
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Local Positioning Systems
Zoe Walker & Neil Bromwich Celestial Radio 2004―2012
mixed media dimensions variable image courtesy and © the artist photograph: Colin Gray
Local Positioning Systems
Multiple locations
Local Positioning Systems curated by Performance Space adds a season of performance, participatory
and site-specific art celebrating the launch of the new MCA. This is the first partnership between
Performance Space and the MCA.
Local Positioning Systems brings performance and live art to the MCA under different guises and in
several locations. The project takes as its starting point the newly reconfigured architecture of the MCA,
and breaks down the threshold between the Museum and its surrounding environment and communities.
Local Positioning Systems forges new relations with the audiences and artworks, defining the MCA’s
engagement with the broader social and built environment—the performances take place on the MCA
Square, first aid room, library, education facilities and the surrounding landscape of Sydney Harbour and
The Rocks.
The program features six Australian artists - Julie-Anne Long, Jason Maling, Bennett Miller, Stuart
Ringholt, Latai Taumoepeau, Lara Thoms - and the UK- based collaborative Walker & Bromwich.
ABOUT PERFORMANCE SPACE
Performance Space is Australia’s leading organisation for the development and presentation of
interdisciplinary arts. They have been around for almost thirty years in Sydney, and have been located
at Carriageworks for the last five years. Their program incorporates a broad range of experimental arts
practice. They commission new works by contemporary visual and installation artists and run a performance
program which produces and presents new work from theatre to contemporary dance, and everything inbetween.
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William Yang Joe 1979
ink on gelatin silver photograph Museum of Contemporary Art, purchased 1999 Image courtesy the artist and Museum of Contemporary Art Australia © the artist
Opens 29 March 2012 with rotating displays across the new MCA Collection Galleries
Level 2 & Level 1 South
The Museum will reopen with a major focus on its Collection. Volume One: MCA Collection features
works by more than 170 Australian artists acquired since the founding of the MCA in May 1989. This new
presentation will reflect the diversity of Australian contemporary art over the past 20 years, including work
by Aboriginal and Torres Strait Islander artists, the consolidation of film and video practice from a marginal
to central position; the emergence of diverse cultural voices; as well as ephemeral and performative
practices.
Volume One: MCA Collection comprises works by well-known Australian artists such as Ildiko Kovacs,
Juan Davila, Gordon Bennett, Bardayal Lofty Nadjamerrek, Helen Eager, Robert Owen and Ah
Xian, to William Yang, Nicholas Folland, Robert Owen, Mikala Dwyer, Rebecca Baumann, Ricky
Swallow, Hossein Valamanesh, Louise Hearman and Rosalie Gasgoigne, moving imagery by Shaun
Gladwell, TV Moore, Brown Council, Julie Rrap, Fiona Foley, Margaret Dodd, Angelica Mesiti, Jess
MacNeil, Patricia Piccinini, David Noonan, Kate Murphy, Susan Norrie, Destiny Deacon, Khaled
Sabsabi, James Newitt, Richard Bell, The Kingpins, Marr Grounds, and a collection of woven pieces
by artists from Maningrida, NT, including Jacky Bunkaniyal, Shirley Minjingala, Mary Mirdaburrwa,
Beryl Birnama and others.
The selection references the MCA’s exhibition and collecting history. A purpose-built screen space will
engage visitors with video artworks. A resource room within the original boardroom of the Maritime
Services Building will provide opportunities to research the Collection and view works from the MCA’s
Contemporary Art Archive, a unique aspect of the MCA Collection.
Major Partner
Publication Sponsor
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2012-2013 Exhibition program
18th Biennale of Sydney: all our relations
27 June 2012 – 16 September 2012
Level 1 and Level 3
As a major venue partner, the MCA will present works from the 18th Biennale of Sydney: all our
relations across two levels of the new Museum. Curated by Artistic Directors, Catherine de Zegher and
Gerald McMaster, ‘all our relations’ will focus on inclusionary art practices of generative thinking such as
collaboration, conversation and compassion. Working from a collaborative framework, ‘all our relations’
will be a departure from previous Biennale of Sydney exhibitions – the theme will increasingly become
apparent through the process rather than being imposed on artists and audiences at the beginning.
Since 1973, the Biennale of Sydney has explored varying terrains and broken new ground in each edition.
The 18th Biennale of Sydney seeks to continue this history of pioneering. Major venues for the 18th
Biennale of Sydney include the Art Gallery of New South Wales, the MCA, Pier 2/3 and Cockatoo Island.
Ken Whisson: As If
28 September – 25 November 2012
Level 3
In a career spanning over sixty years, Ken Whisson has been making thoughtful and uncompromising
paintings and drawings which hold a unique place in Australian art. Whisson’s reputation has been built
around his tenacious dedication to the act of painting and persistent fascination with—and singular
responses to—the delicate machinations of both the inner world and the world at large.
Trained as a young artist in wartime Melbourne in the 1940s, Whisson emerged out of the influential school
of figurative expressionism. He initially studied under Russian émigré artist Danila Vassilieff at Warrandyte,
then went on to combine the tendencies of his formative years with an increasingly linear and graphic
abstraction. He has forged an unconventional and highly personal aesthetic which sees topographic and
single point perspectives coalesce and imagery that often suggests a heightened and intense, sometimes
hallucinogenic reality.
The exhibition traces the evolution of Whisson’s major themes and series, from his powerful portrayals of
human relations to those which consider relationships with natural, built and cultural environments. Since
the late 1970s he has been based in the Italian city of Perugia, during which time interests in displacement
and memory have joined his enduring themes of landscape, identity and politics.
Ken Whisson: As If is a major retrospective of the artist’s work and is produced in partnership with the
Heide Museum of Modern Art, Melbourne.
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Claire Healy and Sean Cordeiro
4 October – 2 December 2012
Level 1 North
This is the first major solo museum exhibition in Australia for Sydney-based artists Claire Healy and Sean
Cordeiro. Working collaboratively since 2001, Healy and Cordeiro’s work reclaims and transforms the
detritus of contemporary life. Bringing together ideas of home, permanency, and the acquisition of material
goods, their practice is characterised by the deconstruction and reinvention of prefabricated structures
and the assembly of everyday objects into extraordinary sculptures and installations. The artists spend
much of their time travelling. Their experience of a nomadic lifestyle directly informs their practice: packing,
unpacking, collecting, sorting and discarding are central themes in their work.
Claire Healy and Sean Cordeiro will incorporate key works created by the artists during the past eight
years as well as a new commission. The exhibition will span Healy and Cordeiro’s diverse range of artistic
production and will include installation, sculpture and photography, drawing on both the MCA Collection
and private loans.
Healy and Cordeiro were awarded the Helen Lempriere Travelling Arts Scholarship in 2003, the Australia
Council residency at Kunsterhaus Bethanien, Berlin, in 2005 and the Anne and Gordon Samstag
International Visual Arts Scholarship in 2006 and represented Australia in the Venice Biennale in 2009.
Primavera 2012
4 October – 2 December 2012
Level 1 South
Primavera 2012 will mark the 21st anniversary of the MCA’s annual exhibition. Curated by MCA Curator
Anna Davis for the second consecutive year, Primavera showcases work by artists aged 35 years and
under from across Australia. The exhibition was initiated in 1992 by the Museum in collaboration with Dr
Edward Jackson AM and Mrs Cynthia Jackson AM and their family in memory of their daughter and sister
Belinda Jackson, a talented jeweller who died in 1990 at the age of 29. Primavera commemorates Belinda
by celebrating the creative achievements of talented young artists in the early stages of their careers.
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TABOO
19 December 2012 – 24 February 2013
Level 1 South
Guest curator artist Brook Andrew has proposed a thought-provoking and stimulating project dealing with
issues that global Indigenous artists confront in their art practices. TABOO is an exhibition – comprising
new work as well as selections from private and public collections – and also performances, forum,
film and talks that extend the ideas and concerns raised by the works. The project explores ideas and
theories around taboo, such as issues of religion, perceptions of identity, anthropology – it interrogates
‘what is taboo?’ in the personal lives of the artists. TABOO tackles contemporary perceptions whilst
unpacking the historical motivations and cultural collusions of social custom or emotional aversion to the
sacred. Building on ideas presented by Brook Andrew in the innovative Blakatak program at the MCA
in 2005, TABOO features an array of artists, performers and key cultural figures from the Pacific and
beyond including Namila Benson, Jimmie Durham, Marcia Langton and Christian Thompson.
Anish Kapoor
20 December 2012 – 1 April 2013
Level 1 North and Level 3
The Museum of Contemporary Art Australia is delighted to present the first major exhibition by Anish
Kapoor in Australia as part of the Sydney International Art Series in conjunction with Destination NSW.
The Mumbai (Bombay) born, British-based artist is one of the most celebrated sculptors working today.
Known for powerful and beautiful sculptures, which explore concepts of duality and opposition such
as presence and absence, being and transcendence, Kapoor has created some of the world’s most
ambitious and recognisable contemporary artworks, including Marsyas (2002) for Turbine Hall at Tate
Modern, Cloud Gate (2006) in Millennium Park, Chicago, Sky Mirror (2006) for the Rockefeller Centre in
New York and Leviathan (2011) for the Grand Palais in Paris.
Influenced by both his Indian heritage and western philosophy, in particular metaphysics, Kapoor’s
artworks seek to understand what it is to be human. The artist’s interest in the relationship between the
contrasting forces of light and dark is considered in artworks that experiment with colour, form, size and
medium. His ongoing investigation of object, viewer and space has manifest in sculptures that create
deep emotional and physical engagement.
The artist’s experimentation with structure and medium has seen him work across a wide variety of
materials from clay, plastic, paint pigment, steel and wax to challenge conventional ideas of art and
engagement. He has exhibited in a wide range of locations from the museum to the urban environment;
from religious buildings to the rural landscape. At the MCA, the artist will present a selection of new
and key works across two floors of the Museum, this special showcase of the artist’s works will allow
Australian audiences the opportunity to encounter Kapoor’s awe-inspiring artworks up close and indepth.
Throughout his career, Kapoor has balanced critical acclaim with public popularity. Over the past thirty
years, Kapoor has exhibited extensively internationally, including solo exhibitions at the Tate Gallery and
the Hayward Gallery in London, the Deutsche Guggenheim in Berlin, the Museo Guggenheim de Arte
Moderno y Contemporaneo in Bilbao and the National Gallery of Modern Art in Delhi. His solo exhibition
at the Royal Academy of Art in London in 2009 was visited by 275,000 people, making it the most
successful exhibition ever by a living artist in London.
Major Partner
Strategic Partners
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APPENDIX
Fact Sheet: MCA Redevelopment
• T
he MCA began construction of its $53 million redevelopment in August 2010. It will be unveiled to the
public on 29 March 2012.
• T
he Sydney-based architect is Sam Marshall in partnership with the New South Wales Government
Architect’s Office.
• T
he MCA redevelopment has been made possible as a result of public and private sector support.
The Federal Government and the NSW State Government have contributed $13 million each. The MCA’s
Chairman, Simon Mordant, and his family have pledged $15 million. The City of Sydney has contributed
$1 million and nearly $9 million has been raised from private donors.
• T
he redevelopment has created an additional 4,500 square metres, increasing the MCA’s total size
by almost 50 per cent.
• A
s well as creating three spacious new galleries, the redevelopment involves a complete refurbishment
of existing facilities. Gallery space is increased by 26 per cent.
• T
he new MCA includes an entire floor dedicated to the MCA Collection, offering a major national
resource for education and interpretative programs.
• T
he new rooftop MCA Cafe and Sculpture Terrace provides a new space for art overlooking Sydney
Harbour. Each year an artist will be invited to create a site-specific installation to be exhibited for a period
of 12 months.
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• T
he redevelopment has also created two new harbour-side venues which are available for corporate
and private hire. Situated on the rooftop of the existing MCA, in the heart of Circular Quay, the venues
boast spectacular views across Sydney Harbour. The Harbourside Room has a capacity of 250
guests and the Quayside Room a capacity of 150 guests. By the time the venues had commenced
operation in October 2011, they already had an astounding 150 bookings.
• Education is a key element of the redevelopment. The National Centre for Creative Learning (NCCL)
will facilitate the Museum’s commitment to innovation and consolidate its role as a leader in contemporary
art education.
• Occupying 40 per cent of the new wing, the NCCL features a dedicated multimedia studio and digital
studio, two creative studios for practical activities, the 117-seat Veolia Lecture Theatre, and a
dedicated room for the MCA’s Bella program for children with specific needs.
• T
hroughout the building networked video-conferencing facilities and digital infrastructure utilising
the latest technology will enable the MCA to seamlessly engage with classrooms across Australia,
providing much-needed virtual resource support to schools in regional and remote Australia, as well as
providing new ways of learning for visitors to the MCA.
• Each year MCA Learning connects with over 38,000 children, young people, adults and people
with special needs through a wide range of activities in and beyond the gallery. Over the last 10
years, there has been an 85% increase in school groups, reflecting how the Museum has embraced
learning as an essential strategy for engaging audiences in looking at, thinking about and responding to
contemporary art.
• T
he redevelopment responds to the growing audience for contemporary art, with over 580,000 people
visiting the galleries in 2010 and 100,000 using the MCA venues.
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BUILDING INFORMATION
Awards and Green Energy:
In 2009, the MCA won the Lord Mayor’s Sustainability Award at the City of Sydney Business Awards. This is among
the highest accolades available to Sydney businesses showing leadership in sustainable business practices. The
MCA was recognised for its commitment to minimizing its environmental impact, both now and in its future.
Environmental sustainability is at the heart of the Museum’s redevelopment. Once open, the expanded MCA will
provide Australia with a leading example of a sustainable museum. It will operate on a seawater heat exchange
with a fully integrated air-conditioning system offering energy savings of up to 30 per cent. Other green initiatives
include the installation of ESD compliant lighting, energy monitoring throughout the building, insulation of gallery
spaces and rainwater harvesting.
Floor by Floor of the New MCA:
Ground:
Circular Quay entrance offering stairs
and lifts to main foyer on level 1
Existing Foundation Hall and MCA Restaurant
with new extended terrace,
Conservation, art handling and workshop
area, loading dock and car parking
Qantas MCA Lounge
Level 1:
George Street entrance,
Foyer, information and cloaking
MCA Store
Extension of existing mezzanine galleries
and new Level 1 North Gallery
Level 2:
MCA Collection Galleries
Resource Room
Veolia Lecture Theatre
Library
Seminar Room
Level 3:
Galleries including two new naturally lit fivemetre high column free galleries
National Centre for Creative Learning,
including two creative studios, a digital
studio, multimedia studio and Bella room
Level 4:
MCA Cafe & Sculpture Terrace with extensive
views across Sydney Harbour
MCA administrative offices.
Level 5:
Commercial tenancies
Level 6:
Two function spaces with partly covered external
decks – all with extensive views over Sydney Harbour
Client/ Architect:
Client: The Museum of Contemporary Art Australia
Architect: Sam Marshal (Architect Marshall) has been responsible for the design of the redevelopment, working
in close collaboration with the NSW Government Architect’s Office in the documentation and construction phase.
Marshall commenced private practice in 1989, after graduating from UNSW with honours and working as an
associate at Marsh Freedman Associates. Marshall was awarded the 2000 RAIA Wilkinson Award, President’s Award
for Recycled Buildings and the Conservation Award for his design involving a warehouse conversion in Darlinghurst.
He is a recipient of the Dulux Colour Award for Best Interior, the Marrickville Medal and the Byera Hadley Travelling
Scholarship, for which he mounted the exhibition “Supermodels”. Marshall has been a member of the NSW Ministry
for the Arts Capital Infrastructure Committee and a Board Member of the Australian Centre for Photography.
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BUILDING INFORMATION
Number of Floors:
Existing Building: New Building:
7 floors high
5 floors high
Floor Area:
Total Building
Existing building: Expanded building: Addition: 9,693 sq metres
14,193 sq metres
4,500 sq metres
46% increase in
total space
Total Galleries
Existing gallery space:
Total new gallery space:
Addition:
2,747 sq metres
3,480 sq metres
733 sq metres
26% increase in
gallery space
Total Education Spaces
Existing education space:
New education space:
0
1,348 sq metres
Makes up 25% of
the total new build
Lecture Theatre
142 sq metres
National Centre for
Creative Learning 327 sq metres
Exterior Materials:
The building is clad in GRC (glass reinforced concrete) panels. GRC is essentially precast concrete but steel
reinforcement has been replaced with fibreglass to allow very thin and large panels. These panels also clad the roof
and parts of the terrace decks. Glass used in the window openings is high performance glass for superior thermal
and acoustic insulation.
Interior Materials:
Wherever possible, the concrete superstructure has been exposed on the interiors (for example the lift cores). Gallery
walls are painted plasterboard on plywood on stud walls. Otherwise walls are generally painted plasterboard. Ceilings
in galleries are painted plasterboard. In public spaces, the ceilings are stepped painted plasterboard to maximise
height and in certain areas reveal the concrete super structure. The function spaces on level 6 employ a battened
timber ceiling for sound absorption.
Elevators:
Two existing elevators will be refurbished and an additional two new lifts installed.
Contacts:
For further information, images or interviews please refer to the following contacts:
Kelly Stone
MCA PR Manager, Sydney
M: + 61 (0) 429 572 869
T: + 61 (0) 2 9245 2434 or
[email protected]
Jeffrey Walkowiak
Blue Medium Inc., New York
T: +1 (212) 675 1800
F: +1 (212) 675 1855 or
[email protected]
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David Field
Calum Sutton PR, London
T: +44 (0) 20 7183 3577
F: +44 (0) 20 7183 3578 or
[email protected]
OPENING EXHIBITIONS IMAGE SHEET
MARKING TIME
Edgar Arceneaux
Blind Pig #5 (detail) 2011
acrylic and graphite on paper
Image courtesy the artist and Susanne
Vielmetter Los Angeles Projects
© the artist
Photograph: Robert Wedemeyer
Edgar Arceneaux
Drawings of Removal 1999-present
drawing installation
Collection Gaby and Wilhelm
Schuermann, Herzogenrath-Berlin
Image courtesy the artist and Susanne
Vielmetter Los Angeles Projects
© the artist
Photograph: Joshua White
Jim Campbell
Scattered Light 2010
temporary public project
commissioned by the Madison
Square Park Conservancy, Madison
Square Art, New York, 2010
custom electronics, LEDs,
light bulbs, wire, steel
Image courtesy the artist and Madison
Square Park Conservancy, New York
© the artist
Photograph: James Ewing
Daniel Crooks
Static No.12 (seek stillness in
movement) (still) 2009-10
single-channel HD video, stereo sound
Museum of Contemporary Art, donated
through the Australian Govenment’s
Cultural Gifts Program by Andrew
and Cathy Cameron, 2011
Image courtesy and © the artist
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John Gerrard
Oil Stick Work (Angelo Martinez /
Richfield, Kansas), 2008 2008
Realtime 3D
John Gerrard
Oil Stick Work (Angelo Martinez /
Richfield, Kansas), 2008 2008
installation view, John Gerrard
/ Animated Scene, 53rd
Venice Biennale, 2009
Realtime 3D projection
Lindy Lee
Production images for new work 2011
Photograph: Parish Stapleton
Tatsuo Miyajima
Death Clock (detail) 2011-12
500 black and white framed
photographs, 3 LCD screens,
3 programmed Mac minis
Image courtesy the artist and
SCAI The Bathhouse/Shiraishi
Contemporary Art Inc, Tokyo
© the artist
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Rivane Neuenschwander
Continente-nuvem /
Continent-Cloud 2007
installation view, Stephen
Friedman Gallery, London
Correx, aluminium, styrofoam balls,
fluorescent lighting, electric fans, timers
Inhotim Collection, Minas Gerais
Photograph: Steve White
and Cao Guimarães
Inventario de pequenas mortes
(Sopro) / Inventory of Small
Deaths (Blow) (still) 2000
Super-8 film transferred to digital video
Image courtesy the artist, Tanya
Bonakdar Gallery, New York; Galeria
Fortes Vilaça, São Paulo and
Stephen Friedman Gallery, London
© the artist
and Cao Guimarães
O inquilino / The Tenant (still) 2010
HD digital video
Image courtesy the artist, Tanya
Bonakdar Gallery, New York; Galeria
Fortes Vilaça, São Paulo and
Stephen Friedman Gallery, London
© the artist
Um dia como outro qualquer /
A day like any other 2008
installation view, XXVIII
Sao Paulo Biennial
24 modified flip clocks
Inhotim Collection, Minas Gerais
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Katie Paterson
100 Billion Suns 2011
confetti cannon, 3261 pieces of paper
Photographs: MJC © 2011
right: installation view, 54th
Venice Biennale, 2011
Katie Paterson
Light bulb to Simulate Moonlight 2008
installation view, Ingleby
Gallery, Edinburgh, 2010
289 light bulbs with halogen
filament, frosted coloured shell,
28W, 4500K
installation view, Ingleby
Gallery, Edinburgh, 2010
Photograph: John McKenzie
Elisa Sighicelli
Untitled (The Party is Over) 2009
video projection
Courtesy Gagosian Gallery, London
and Giò Marconi, Milano
Gulumbu Yunupingu
Garak, The Universe 2008
ochres on bark
Museum of Contemporary Art,
purchased with funds provided by the
Coe and Mordant families, 2011
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THE CLOCK
Christian Marclay
The Clock (still) 2010
single-channel video
Image courtesy the artist;
White Cube, London and Paula
Cooper Gallery, New York
© the artist
Christian Marclay
© the artist
Christian Marclay
© the artist
Christian Marclay
© the artist
5 of 23
Christian Marclay
© the artist
Christian Marclay
© the artist
Christian Marclay
© the artist
Christian Marclay
Photograph: Dr. J Caldwell
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LOCAL POSITIONING SYSTEMS
Zoe Walker & Neil Bromwich
Celestial Radio 2004-12
mixed media
Photograph: Colin Gray
Julie-Anne Long
The Invisibility Project [performance
documentation] 2010
Performance Space LiveWorks
Festival, Sydney
Photograph: Heidrun Lohr
Jason Maling
Physician 2011
Photograph: Jason Maling
Bennett Miller
Dachshund UN 2010
mixed media installation with
live dachshund performance
Photograph: Jorge de Araujo
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Bennett Miller
Dachshund UN 2010
mixed media installation with
live dachshund performance
Photograph: Nino Ellison
Stuart Ringholt
Preceded by a tour of the show by artist
Stuart Ringholt 4-5pm (the artist will be
naked. Those who wish to join the tour
must also be naked. Adults only) 2010
Image courtesy the artist and
Milani Gallery, Brisbane
Photograph: Nick McGrath
Latai Taumoepeau
Koumi Fonua 2011
Performance Space, Sydney
Photograph: Heidrun Lohr
Lara Thoms
The Experts Project #32 Decorative
Toilet Roll Holders 2010
Photograph: Shirley Robinson
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VOLUME ONE: MCA COLLECTION
Rebecca Baumann
Automated Colour Field 2011
100 flip-clocks, laser cut paper, batteries
Museum of Contemporary Art, purchased
with funds provided by the Coe and
Mordant families, 2011. Originally
commissioned by the Australian Centre
for Contemporary Art for NEW11
Photo: Andrew Curtis
Rebecca Baumann
Automated Colour Field (detail) 2011
100 Flip-clocks, laser cut paper, batteries
Mordant families, 2011. Originally
commissioned by the Australian Centre
for Contemporary Art for NEW11
Photo: Andrew Curtis
Gordon Bennett
Untitled (dismay, displace, disperse,
dispirit, display, dismiss) 1989
oil and synthetic polymer paint on canvas
gift of Doug Hall, 1993
Stephen Birch
Untitled 2005
polyeurethane, synthetic polymer paint,
fibreglass, acrylic hair and eyes
Museum of Contemporary Art, gift of
the Estate of Stephen Birch, 2008
Image courtesy and © the artist’s estate
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Daniel Boyd
We Call them Pirates Out Here 2006
oil on canvas
Juan Davila
Sentimental History of
Australian Art 1982
synthetic polymer paint on canvas
gift of Loti Smorgon AO and
Victor Smorgon AC, 1995
Nicholas Folland
The door was open... 2006
chandelier, freezer unit, ceiling rose
through the Australian Government’s
Cultural Gifts Program by Wendy
Foard and Peter Bate, 2009
Ricky Swallow
Caravan 2008
bronze
artist proof, edition of 2 (+1 AP)
3 parts: 2 parts 30.5 x 22.9 x 24.4
cm; 1 part 35.6 x 25.4 x 27.9 cm
purchased with funds provided by
the Coe and Mordant families, 201
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Shaun Gladwell
Storm Sequence (still) 2000
single-channel digital video, sound
Videography: Técha Noble
Commissioned by Peter Fay
through the Australian Government’s
Cultural Gifts Program by Andrew
and Cathy Cameron, 2011
Image courtesy the artist & Anna
Schwartz Gallery Sydney and Melbourne
© the artist
Louise Hearman
Untitled #1106 2004
oil on composition board
donated through the Australian
Government’s Cultural Gifts Program
by Michael Hawker, 2009
Ildiko Kovacs
T.T. 2004
synthetic polymer paint on masonite
donated through the Australian
Government’s Cultural Gifts
Program by Ann Lewis AO, 2009
Rosemary Laing
bulletproofglass #1 2002
type C photograph
Museum of Contemporary Art, gift of
Greg Woolley, 2008
Image courtesy the artist and Tolarno
Galleries, Melbourne
© the artist
Fiona Foley, Troy Melville
Bliss (still) 2006
single-channel digital video, sound
Videography: Troy Melville
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Yukultji Napangati
Designs Associated with the
Site of Yunala 2008
synthetic polymer paint on Belgian linen
Mordant families and with assistance
from Gallery Gabrielle Pizzi, 2008
Tracey Moffatt
Something More #3 1989
type C photograph
1992
David Noonan
Untitled 2007
silkscreen print on linen
Hossein Valamanesh
The lover circles his own heart 1993
silk, electric motor, foam, brass rod,
stainless steel cable, wood, poem
purchased with the assistance of Gene
and Brian Sherman, Reg and Sally
Richardson and the artist, 2005
Photo: M. Michalski and B. Wojcik
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Ah Xian
China China - Bust 81 2004
porcelain
Museum of Contemporary
Art, gift of the artist 2008
William Yang
Joe 1979
ink on silver gelatin photograph
purchased 1999
William Yang
New Years Eve party 1980
silver gelatin photograph
Museum of Contemporary
Art, purchased 1999
Ken Whisson: As If
Ken Whisson
Notebook 11 & 14/2/2011
oil on linen
Image courtesy the artist and Watters
Gallery, Sydney © the artist
Photo: Matt Hoggett
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Claire Healy & Sean Cordeiro
Deceased Estate 2004
installation of entire found
detritus from artists’ ́warehouse
in Weil am Rhein, Germany
Image courtesy the artists and
Gallery Barry Keldoulis, Sydney
© the artists
Photo: Christian Schnur
Life Span 2009
installation view, Campbelltown
Arts Centre, Sydney, 2010
175,774 VHS video cassettes, silicone
Image courtesy the artists and
Gallery Barry Keldoulis, Sydney
© the artists
Photo: Ian Hobbs
MCA Reopening Commissioned Artists
Brook Andrew
Photo: Annie Tritt
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Hany Armanious
Fountain (detail) 2012
marble, polyurethane resin, bronze
Museum of Contemporary Art
Australia, commissioned for the
MCA Sculpture Series 2012
Photograph: Paul Green
Hany Armanious
Fountain 2012
Hany Armanious
Fountain 2012
Helen Eager
Tango 2012
Image courtesy the Museum
of Contemporary Art
© the artist
Brett Boardman Photography
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Emily Floyd
The Garden (here small gestures
make complex structures) 2012
recycled timbers, wool felt,
beeswax, fabric, baked ink
Image courtesy the Museum of
Contemporary art © the artist
Andrew McQualter
Untitled (wall drawing) 2006-2007
synthetic polymer paint
and graphite on wall
89,5 x 149,5 cm
with the assistance of Carol Schwartz
AM & Alan Schwartz AM, 2007
NEW BUILDING IMAGES SHEET
Exterior of the new MCA on
Circular Quay West
Image courtesy and © the Museum
of Contemporary Art Limited
Circular Quay West
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Circular Quay West
Circular Quay West
Circular Quay West
Circular Quay West (detail)
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George Street Entrance
Circular Quay Entrance
Circular Quay Entrance
Image on right: Helen Eager - Tango 2012
Installation view
Commissioned by the Museum of
Contemporary Art Australia on the occasion
of the reopening of the new MCA 2012
Foyer - Level 1
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MCA Store - Level 1
Level 1 South Galleries
Level 2
Level 2
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Level 2
Seminar Room - Level 2
Veolia Lecture Theatre - Level 2
Level 3
20 of 22
National Centre for Creative
Learning (NCCL) Foyer - Level 3
NCCL Creative Studios - Level 3
NCCL Creative Studios - Level 3
NCCL Digital Studio - Level 3
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MCA Cafe - Level 4
Sculpture Terrace - Level 4
Installation view of Hany
Armanious - Fountain 2012
Commissioned by the Museum of
Contemporary Art Australia for the
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BIOGRAPHIES
Photos: Brendan Read
ELIZABETH ANN MACGREGOR OBE, DIRECTOR
Elizabeth Ann has been Director of the Museum of Contemporary Art Australia since 1999. She was
previously Director of Ikon Gallery Birmingham (1989 – 1999).
Liz Ann moved to Sydney to take up the directorship of the Museum of Contemporary Art at a time when
the Museum was facing great challenges. She negotiated a sponsorship deal with Telstra in 2000 to
introduce free admission and since then attendances have increased dramatically, doubling initially and
continuing to climb each year. A new funding deal with the NSW Government and the Australia Council
to replace the University of Sydney gave the Museum financial stability and encouraged further private
sector support. But it was all about art: her passion for bringing artists work into the wider public arena
has led her to establish programs not only at Circular Quay but also in Western Sydney and across the
state.
The redevelopment, completed in March 2012, was a crucial part of Liz Ann’s vision of connecting
audiences with artists. As well as new galleries for the collection and exhibitions, a series of new
commissions puts artists centre stage in the building. The MCA’s new National Centre for Creative
Learning and its continued commitment to outreach programs are critical to her concern for future
generations. Liz Ann has also spearheaded the campaign to develop the MCA’s national and international
profile, as Australia’s Museum of Contemporart Art dedicated to exhibiting and collecting contemporary
art.
She is a regular contributor to conferences, seminars, radio and television programs on arts issues
and is currently on the board of Fauna and Flora International Australia, the Council of Australian Art
Museum Directors and was elected to the board of CIMAM last year.
Macgregor’s innovation and contribution to supporting artists and increasing access to contemporary
art has been recognised with a Centenary Medal in 2003, the Veuve Clicquot Business Woman Award
and the Australia Business Arts Foundation Dame Elisabeth Murdoch Arts Business Leadership Award
in 2008. In 2011 she received the Australia Council Visual Arts Medal and was made an OBE in the
Queen’s birthday honour list.
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BIOGRAPHIES
Photos: Brendan Read
SIMON MORDANT AM, CHAIR, BOARD
Simon Mordant is Co-Chief Executive of Greenhill Caliburn, a leading independent corporate advisory
firm. Simon was a co founder of the firm in 1999 and following its merger in 2010 with New York Stock
Exchange listed Greenhill he sits on the Global Executive Committee. Simon specialises in advising
local and multinational companies and Government on their capital markets strategy and merger and
acquisitions. Simon has been a practising corporate adviser in Australia since 1984 having trained as a
Chartered Accountant in London.
Simon is a passionate collector of contemporary art with a long history of benefaction to the Arts. In
2007, he was appointed Chairman of the MCA Foundation which was re-established to raise funds for
the $53 million capital campaign for the redevelopment. In 2010 Simon was appointed Chairman of the
Board of the MCA.
In addition to the above, Simon is Australian Commissioner for the 2013 Venice Biennale, a member of
the International Leadership Council of the New Museum and a member of the International Council of
The Museum of Modern Art in New York, a member of the Tate International Council, a Director of the
Sydney Theatre Company and the Garvan Research Foundation, a member of the Wharton Executive
Board for Asia and was Deputy President of Takeover Panel 2000-2011.
Simon was awarded an AM being made a Member in the General Division of the Order of Australia for
“Services to the Arts and to the cultural environment of Australia through philanthropic and executive
roles, and to the community”.
EUAN UPSTON, CHIEF OPERATING OFFICER
Euan joined the Museum of Contemporary Art Australia in 2004. He has overseen the $53 million
redevelopment and extension of the Museum’s building.
Prior to joining the MCA, Euan was instrumental in creating a strong Biennale of Sydney brand in his role
as Marketing and Finance Manager for the Biennale of Sydney 2000 and 2002 festivals, which resulted
in record attendance numbers in 2002. His varied experience includes roles in the creative and corporate
worlds. He was Associate Director and Administration Director of New Zealand’s premier theatre
company, Downstage. He also established an arts consultancy company, Art Effects Management.
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BIOGRAPHIES
HEATHER WHITELY ROBERTSON, HEAD OF CREATIVE LEARNING
Heather became Head of Creative Learning at the Museum of Contemporary Art Australia in April 2011.
In this role, Heather drives the strategic development of the MCA’s new National Centre for Creative
Learning (NCCL).
Prior to joining the MCA, Heather worked as a Learning Manager for the Victoria and Albert Museum
in London with responsibility for audience development initiatives for families and mass-participation
festivals; Head of Learning at Open House London; Curator of Family and Community Programmes at
Tate Modern and Education Officer at the National Gallery of Victoria in Melbourne.
RACHEL KENT, SENIOR CURATOR
Rachel Kent is Senior Curator at the Museum of Contemporary Art Australia. She has presented exhibitions
in Australia, New Zealand, Japan and the USA; and speaks and publishes widely on contemporary art
and curatorial practice.
She has worked with leading contemporary Australian and international artists including James Angus,
Lee Bul, Olafur Eliasson, Tim Hawkinson, Susan Norrie, Mike Parr, Patricia Piccinini, Shahzia Sikander,
Ed Ruscha and Ricky Swallow.
She curated Marking Time, the new MCA’s inaugural international exhibition.
GLENN BARKLEY, CURATOR
Glenn Barkley is Curator at Museum of Contemporary Art Australia. He was previously curator of the
University of Wollongong Art collection (1996 - 2007). He was founding co-Director with Lisa Havilah and
Nathan Clark of Project Contemporary Artspace, Wollongong, Australia.
In 2011 he curated a survey of Berlin based New Zealand artist Michael Stevenson and a major exchange
exhibition tell me tell me: Australian and Korean Contemporary Art 1976-2011, between the MCA and
the National Museum of Contemporary Art, Seoul, Korea. He curated Volume One: MCA Collection and
co-curated with Lesley Harding (Heide Museum of Modern Art) a retrospective of the Australian artist
Ken Whisson, As If scheduled for March (Heide) and October (MCA) 2012.
DR KEIR WINESMITH, DIGITAL MEDIA MANAGER
Keir became Digital Media Manager at the Museum of Contemporary Art Australia in 2011 after 3 years
with SBS Online.
He completed an interdisciplinary New Media Ph.D. at the University of New South Wales’s College
of Fine Arts in 2008. Since finishing his Ph.D. Keir has been active at both UNSW and University of
Sydney, giving guest lectures and teaching courses on augmented reality and interaction design for
urban screens.
He project managed the new MCA website and smartphone apps.
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BUILDING DONORS
The MCA is grateful to the following organisations, foundations and individuals whose contributions have made the new MCA possible:
Founding Benefactors
Simon Mordant AM & Catriona Mordant
Government Supporters
Australian Government
NSW Government
Benefactors
City of Sydney
Geoff & Vicki Ainsworth
Andrew & Cathy Cameron
David & Michelle Coe
Ann Lewis AO
Neilson Foundation
Loti Smorgon AO
Veolia Environmental Services
Anonymous
Major Donors
Anita Luca Belgiorno-Nettis Foundation
Tim & Anne-Marie Casey
Sue Cato
Robin & Judy Crawford
Ginny & Leslie Green
Dr Edward Jackson AM &
Mrs Cynthia Jackson AM
George Kerr
Katie Page-Harvey
The Penn Foundation
John & Rosalinda Sample
Turnbull Foundation
Anonymous
Donors
Ferris Family Foundation
John M Green & Jenny Green
Julie Green
Catherine Harris AO PSM & David Harris
Peter Ivany AM & Sharon Ivany
John Kaldor AM & Naomi
Milgrom Kaldor AO
Amanda & Andrew Love
Anthony & Suzanne Maple-Brown
Mark & Louise Nelson
Lisa & Egil Paulsen
Susan Rothwell
Victoria Taylor
Stewart Wallis AO & Gwenyth Wallis
Ray Wilson OAM & James Agapitos OAM
Anonymous
Supporters
David Baffsky AO & Helen Baffsky
Larissa Behrendt & Michael Lavarch AO
John V Beresford
Teresa Biet
John & Dawne Cox
Charles Curran AC & Eva Curran
Geoff & Dawn Dixon
Douglass family
Ari & Lisa Droga
Lyndell & Daniel Droga
Heather & Marshall Farrer
George Frazis
Michael Hawker AM & Jill Hawker
Jennifer Hershon
Michael & Doris Hobbs
Fraser Hopkins
Hutchinson Foundation
Keith & Maureen Kerridge
John & Gail Marshall
Andrew Michael & Michele Brooks
Sarah Morgan
Lachlan & Sarah Murdoch
Timothy & Eva Pascoe
Scott Perkins & Yael Heynold
John B Reid AO and Lynn Rainbow Reid
Anna & Morry Schwartz
Bernard Shafer in memory of Anna Shafer
Vivienne Sharpe
James Sullivan & Judy Soper
Jennifer Stafford & Jon Nicholson
Ross Steele AM
Peter & Maree Thomas
Carla Zampatti AC & Bianca Spender
Friends
Antoinette, Emily & Anna Albert
Tim & Prue Allen
Jeremy & Jeromine Alpe
Gillian Appleton
Marn & David Baldock
Richard & Kay Berryman
Christine Bishop
Judith Blackall
Peter & Pamela Blacket
Patricia Blau
Annette & William Blinco
Rae Bolotin
Camilla & Gwynn Boyd
Jan & Kelvin Boyd
Graham & Charlene Bradley
Catherine & Phillip Brenner
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Hilary Caldwell & John Curran
Judi Caron
Julia Champtaloup & Andrew Rothery
Anna & Garry Connery
Phillip Cornwell
Patrick Corrigan AM
Sarah Cottier & Ashley Barber
Peter & Sally Crossing
John Curtis
Dr John W Dale AO & Mrs Joan I Dale
Sally Dan-Cuthbert & Oliver Dan-Cuthbert
Sandy & Jane Dawson
Susanne de Ferranti
Linda Duncombe
Paul & Saadia Durham
Helen Eager & Christopher Hodges
Naomi Elias
Professor Elizabeth Elliott AM
& Dr David Dossetor
Tim Etchells
James O Fairfax AC
Michele Ferguson
Susan & Penelope Field
Erin Flaherty & David Maloney
Wendy & Barrie Fraser
Judy & Jim Friend
Deborah Fullwood
Henry D Gillespie
David & Beverley Golovsky
Colin Golvan SC
Robert Gordon
Christina & Maurice Green AM
Phillip & Vivien Green
Ken Groves & Yun-Sik Jang
Angelo & Despina Hatsatouris
Fiona Hopkins
Mark Hughes & Mike Hsu
Belinda Hutchinson
Barry Keldoulis
Dr Theo Keldoulis
Angela & David Kent
John Kiley & Eugene Silbert
Peter King & Fiona Sinclair
Vivien Knowles
Annette Larkin
Antonia Leigh
Marita Leuver
Nadia M Lew
Leyla & Aliyah
Elizabeth Ann Macgregor OBE
& Peter Le Gras
Jennifer Manton
Alexandra Martin in memory
of Lloyd Martin AM
Julia McGrath Coleman
Antoinette McSharry
Melick family
Gregory R Miller
Jan Minchin
Martin G Monro
Patricia & Philip Murphy
Dr Clinton Ng
Robyn A Nicol
Fiona Page
Fiona Phillips
Jonathan Phillips & Irene Sniatynskyj
Dr Dick Quan & John McGrath
Katrina Rathie
Fay & Ken Raven
David & Julia Rennick
Alison Renwick
Sue Rose & Alan Segal
Liane Rossler & Sam Marshall
Rae Rothfield
George William Rummery
(07.09.1968 - 20.03.1982)
Graeme & Trudy Russell
Penelope Seidler AM
Rena Shein & David Hendler
Sherman Foundation
Gillian Simon & Darren Kindrachuk
Gary Singer & Geoffrey Smith
Ezekiel Solomon AM
Ellie & Olivia Spencer
Robert Stephens
Nigel & Penelope Stewart
Tony & Josephine Sukkar
Nick & Miranda Tobias
Samson & Griffin Tobias
Mark Wakely & Steven Alward
John S Walton AM
Wheen Family Foundation
Neill & Jane-Marie Whiston
Cameron Williams
David Wynne, Scott Marinchek
& Skyler Wynne Marinchek
Christine Mary Young
Anonymous (5)
MEDIA contact
Kelly Stone
02 9245 2434 or 0429 572 869
[email protected]
MCA ANNOUNCES NEW PARTNERS
The Museum of Contemporary Art Australia is delighted to announce its opening season and new program
sponsors.
Opening exhibitions:
Westpac Institutional Bank is the Major Partner for the new MCA’s inaugural international exhibition
Marking Time, which presents major works by eleven artists from Europe, the USA, Brazil, Japan and
Australia. The exhibition explores the ways in which artists visualise time, from family history and the
failures of memory, to the ancient time of the planet or cosmos, to calendar cycles mapping the duration of
the exhibition itself and its passing, across diverse media.
“Westpac Institutional Bank is proud to be part of the reinvigorated MCA, which will boost the cultural life
of Sydney and Australia. Millions of Australians visit galleries each year and Westpac Institutional Bank is
pleased that it can contribute to the ongoing diversity of creativity and innovation in this country.”
_ Elizabeth Horbach, Director, Marketing, Westpac Institutional Bank.
LG is the Major Partner for Volume One: MCA Collection, which comprises works acquired since the MCA
was established in 1989 and includes more than 170 Australian artists. Selected by MCA Curator Glenn
Barkley, Volume One: MCA Collection reflects the diversity of Australian contemporary art over the past
20 years, including work by Aboriginal and Torres Strait Islander artists, the consolidation of film and video
practice from a marginal to central position; the emergence of diverse cultural voices; as well as ephemeral
and performative practices. LG is also one of the MCA’s new Technology Innovation Partners.
“As a global leader and technology innovator in consumer electronics, LG is proud to be a Technology
Innovation Partner and Major Partner of Volume One: MCA Collection. The MCA is a progressive and
dynamic arts leader that represents a harmony between innovation, art and design. LG’s association with
the MCA aligns beautifully with our position in Home Entertainment of fusing the ultimate in Innovation
& Design together with 3D Cinema technology for the most immersive and rewarding entertainment
experiences.”
_ Fiona Irving, Corporate Marketing Manager, LG Australia
As part of the reopening of the Museum the MCA is also announcing a series of new program partners:
Deutsche Bank AG Australia is the MCA’s Education Partner, supporting the Museum’s Primary School,
Secondary School and Teachers programs which reflects the leading role of education in the Museum’s
future.
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MEDIA contact
Kelly Stone
02 9245 2434 or 0429 572 869
[email protected]
“Art, education and social investment are cornerstones of Deutsche Bank’s commitment to Corporate Social
Responsibility and we are thrilled that our expanded relationship with the MCA captures all three. We believe
art transcends borders and is crucial to stimulating innovation and inspiring communities. The MCA’s vibrant
and intelligent education programs open up a new and highly imaginative visual world. The Bank is especially
pleased that in addition to supporting the MCA’s existing education programs, our partnership will enable the
MCA to undertake projects with several of Deutsche Bank’s charity partners”.
_ John Macfarlane, Executive Chairman, Deutsche Bank Australia & New Zealand
Audi is the MCA ArtBar Program Partner. The ArtBar is the MCA’s first regular evening series of events and
will take place on the last Friday of every month, starting in May. A surprising and sophisticated evening
of performance, music, and art, the event will transform the MCA into an after work social and cultural
destination. The Museum will commission an artist each month to curate the event and will host their own
ArtBar and present the evening through their unique vision.
“German luxury carmaker, Audi, is well known for sophisticated and progressive design. A partnership with
the MCA cements Audi as a leader in vehicle design and supports our customers with premium experiences
in the field of contemporary art”.
_Uwe Hagen, Managing Director, Audi Australia
Qantas is the Naming Rights Partner of the Qantas MCA Lounge, an exclusive space for MCA Ambassadors
and Qantas Platinum One members to meet, work and relax. Situated on the Museum’s ground floor,
overlooking Sydney Harbour and fitted out with furniture by world-renowned Marc Newson, it also has a
deck where lounge members will be able to dine al fresco serviced by the MCA Restaurant. Qantas is also
Supporting Sponsor of Marking Time and the MCA’s official airline.
“We have been an official airline and sponsor of the MCA for over 12 years. The partnership has gone from
strength to strength as our brands reflect the same focus of forward thinking and contemporary within the
community. The MCA venue is located in one of the best spots in Sydney and the events have become a
highlight for our customers and staff.”
_Caroline Yuen, Manager Commercial Sponsorships, Qantas Airways
Rio Tinto is the MCA’s Aboriginal and Torres Strait Islander (ATSI) Program Partner. For the first time, the
MCA will be offering an extensive calendar of innovative programs throughout the year, that will engage
Aboriginal, Torres Strait Islander audiences and the broader general public. Dynamic initiatives, will foster
the development of skills within specialised fields and include workshops and programs connecting a range
of groups within the ATSI community with contemporary art and ideas. The 2012 schedule of activities will
include the MCA’s successful Djurali Youth Art Careers Workshops and Professional Development Program
for Aboriginal and Torres Strait Island Arts workers. Along with a number of related exhibition programs, the
Museum will be providing spaces for dialogue throughout the year to highlight and celebrate key events
within the Aboriginal and Torres Strait Islander calendar.
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MEDIA contact
Kelly Stone
02 9245 2434 or 0429 572 869
[email protected]
“Rio Tinto’s partnership with the MCA will celebrate and showcase Indigenous culture and art and builds our
ongoing commitment to Indigenous Australia.”
_ David Peever, Managing director, Rio Tinto - Australia
Veolia is the Naming Rights Partner for the Veolia Lecture Theatre. For the first time, the MCA has a
dedicated 117-seat lecture theatre housed within the state-of-the-art National Centre for Creative Learning.
It will enable the MCA to deliver an increased number of lectures, seminars, conferences and courses which
inspire critical dialogue about MCA collections and exhibitions, whilst also providing opportunities for the
delivery of collaborative programs with university partners and arts organisations.
“Veolia is very excited to partner with the MCA as it is now the global benchmark for the delivery of innovative
and engaging educational services for the arts sector. We believe our long standing relationship with the
MCA to be a great example of corporate support for the arts and we encourage everyone to visit the new
Veolia Lecture Theatre and state-of-the art educational facilities and services at the Museum.”
_ Doug Dean, Chairman Veolia Environnement Australia
Education Partner
Lecture Theatre Partner
Major Partners
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MEDIA contact
Kelly Stone
02 9245 2434 or 0429 572 869
[email protected]
21 March 2012
TECHNOLOGY UPGRADE FOR NEW MCA
The Museum of Contemporary Art Australia opens on Thursday 29 March 2012 with a significant technology
upgrade to benefit all MCA stakeholders. Hidden behind the new facade, and embedded in the newly
refurbished galleries, lies a network of cutting-edge technologies that will enable the MCA to deliver a
variety of new programs, an enhanced visitor experience and improved business operations.
Sponsorship by a range of technology providers has made the MCA’s transformation into a centre of
technology excellence a reality. The new building’s environmentally friendly solutions offer infinite possibilities
and boast flexibility, security, quality storage, resilience, automated management, high performance and
delivery. MCA Chief Operating Officer Euan Upston said: ‘I am delighted to see the range and quality of
our partners. They have helped the MCA achieve its vision to provide artistic and learning programs utilising
the latest technology. With their support, art and artists, education programs and creative engagement
can occur well beyond the walls of the Museum before, during and after the museum visit. With partners
such as these the MCA can truly claim to be Australia’s Museum of Contemporary Art offering a wealth of
enriching art experiences to all Australians’.
Nexus is a key partner who has worked with the MCA from the design and development phase through to
implementation. The MCA required an IT company that was capable of understanding the MCA’s unique
requirements which include not only the normal business operations of the company but also its educational
and exhibition needs. The network designed by Nexus allows the MCA to meet the challenges posed by
the various stakeholders within the company including artists, educators, venue hire operators, members
of the public and management for the MCA’s developing collection of contemporary art.
The network is supported by Telstra Business, the MCA’s Online Partner, through the provision of a
fibre optic line into the building which forms the backbone between the various IT nodes included in the
building, the new Veolia Lecture Theatre and National Centre for Creative Learning. This increase in
capacity will enable a wide range of educational programs to be delivered by the MCA over the internet
and via video conferencing. Polycom have provided state of the art HD video conferencing facilities for the
Lecture Theatre, Seminar Room, Digital Studio and Creative Studios allowing the MCA to link seamlessly
with schools throughout Australia. These facilities allow the MCA to bring artists, curators and other art
professionals directly into the classroom providing a unique learning opportunity. Through the provision of
a mobile video conferencing unit these services are also available in the MCA Venues and galleries.
The MCA networks rely on fast switching gear provided by Extreme Networks. Extreme have delivered a
network that has benefited from a ten-fold increase to 10GB and has grown from approximately 300 ports
on very old wiring to more than 1200 ports on a mesh of fibre, cat6 and cat7 cabling. Apart from the speed
of the switches provided by Extreme, their green credentials and environmentally sustainable solutions
have been a core driver of the MCA development.
New enterprise wireless systems provided by Aruba Networks enable the MCA to offer public internet
access, staff mobility and digital innovations that significantly enhance the visitor experience. Aruba
Networks have worked closely with the MCA to develop a custom WiFi-based location system that enriches
visitors’ experience of the MCA artwork interpretation app. This new technology allows visitors to discover
nearby content, wherever they are in the Museum.
1 of 2
MEDIA contact
Kelly Stone
02 9245 2434 or 0429 572 869
[email protected]
21 March 2012
New storage from EMC provides art archive level data systems as well as the best in market speed using
FAST (fully automated storage tiering), to deliver the day to day business needs for 10 lines of business
applications and education desktops on a fast turnaround.
DELL is another key partner providing high performance servers allowing the MCA to run ten times more
applications on the server platforms using minimum power, rack space and cooling to meet the minimum
carbon footprint requirements for IT. DELL touch screens are integrated into the digital classroom and DELL
KACE delivers lessons to students.
Security Consultants International designed the MCA’s security solutions by working closely with the
Museum to understand its risks and culture. The systems selected are world leading brands Geutebrück
for CCTV, and PACOM Systems for security alarms & access control. They provide a cohesive and fully
integrated easy to operate solution, featuring alarm monitoring, staff and contractor control and gallery and
back of house space viewing. The systems use the MCA IP network and latest megapixel high definition
cameras, discreet yet effective contactless access control and powerful feature sets to ensure that MCA
security is efficient and effective.
Finally, LG, the Major Partner of Volume One: MCA Collection is also an MCA Technology Innovation Partner
and is providing the entire Museum with state-of-the-art screens that enhance the MCA’s cutting-edge
technology delivery through high-quality, reliable equipment.
The MCA’s Technology Innovation Partners have committed to multi-year deals that will ensure the MCA
remains at the forefront of technology.
Editors note: The MCA media preview is next Monday 26 March 2012 from 10 am to 1pm. A Technology and
Education Q and A session will take place in the National Centre for Creative Learning (NCCL) from 11:15 am
to 12 noon. Entry via Circular Quay West or George Street.
ONLINE PARTNER
TECHNOLOGY INNOVATION PARTNERS
Competence in Video Security
For further information, please contact:
Kelly Stone on 02 9245 2434 or 0429 572 869
[email protected]
2 of 2
MEDIA contact
Kelly Stone
02 9245 2434 or 0429 572 869
[email protected]
16 March 2012
NEW MCA GETS A DIGITAL MAKE OVER
The Museum of Contemporary Art Australia is pleased to announce the launch of its new website and
smart phone apps. These technological developments will effectively enhance the Museum’s core
activities and use innovative technology to improve and enrich visitors’ experience before, during and
after their visit to the MCA.
The website’s new look and feel has been designed by Interaction Consortium, in collaboration with
Zumio and Toben, to reflect the MCA’s new visual identity and new wing. The website will provide a
fully integrated e-commerce experience and artfully engage with all visitors to the site. Improvements
include easy navigation and extensive online content for research and learning, dynamic pages featuring
artist and MCA staff voices, ‘what’s on’ pages featuring the latest news and events, and many stimulating
digital excursion options.
The website’s e-commerce feature offers exhibitions and events ticketing, the purchase of MCA store
products and membership fees and donations online to an international audience. To add to this, the
MCA team and Interaction Consortium have developed a range of Cloud-based APIs enabling immediate
transverse benefits between the e-store, e-membership and e-ticketing to facilitate a compelling,
integrated user experience. As Interaction Consortium Founder and Director Greg Turner says, “you
can become an MCA member from your phone anywhere in the world, and all the Museum’s systems
will know immediately, so the next time you walk into the shop or buy tickets from MCA’s ticketing
provider, you are already a member.” The e-store and e-membership will be available from 29 March.
The website will be hosted by the MCA’s online partner Telstra Business using the Telstra Cloud. This
enables the website to grow seamlessly in line with changing demand for MCA’s online services.
Developed with two of the world’s top smart phone app makers, Acoustiguide and Tristan Interactive,
the Museum’s new app, MCA Insight, provides digital interpretation for the MCA Collection and all
temporary exhibitions, including the opening exhibition Marking Time. In partnership with the WiFi
technology provider Aruba Networks, the MCA has developed a location awareness system for MCA
Insight which gives users access to information on the artworks around them, wherever they are in
building. The app also provides an interactive map of the Museum and multiple tours of artworks and
exhibitions, and will be freely available in the Android Marketplace and iTunes store via the website:
mca.com.au/apps
During their visit, guests can collect works from MCA exhibitions to create their own online gallery. This
gallery is both a digital representation of their visit and a place for further investigation, with long form
content about artists and works. This project is a key part of a museum-wide interpretation strategy that
connects wall labels, MCA Insight, the MCA Collection online and the user’s own gallery, to extend
the Museum experience. The app also has a listing of the day’s events within the Museum, upcoming
highlights and visitation information. MCA Digital Media Manager Keir Winesmith says “through an
exciting collaboration with our technology partners, we have developed an integrated system that allows
visitors to really explore the works they discover on our walls during, or after, their visit.”
1 of 2
MEDIA contact
Kelly Stone
02 9245 2434 or 0429 572 869
[email protected]
16 March 2012
Working with Kinesic, the MCA has also developed an augmented reality app called MCA OnSite. The
app, which runs on Apple iOS, Android, smart phones and tablets, allows users to discover interactive
content triggered by an image in a magazine, brochure, book or within the MCA. MCA OnSite can
overlay video, alternate imagery or 3D models and animations onto any image, in any context. Keir
Winesmith says “we have created a 3D model of the Museum that you can view from any angle and at
any size. It appears as if by magic right above an architectural rendering of the building; it is an amazing
way to experience the new wing”. This app will also be available for free on Android and Apple iOS.
Both apps will be available for free download from 29 March, when the Museum reopens.
To learn more about the new MCA website and apps, please visit: http://www.mca.com.au
ONLINE PARTNER
For further information, please contact:
Kelly Stone on 02 9245 2434 or 0429 572 869
[email protected]
2 of 2
MARKING TIME ARTISTS
EDGAR ARCENEAUX
1972
Born in Los Angeles, USA.
Lives and works in Los Angeles, USA.
SOLO EXHIBITIONS
2011 Hopelessness Freezes Time 1967 Detroit Riots, Detroit Techno and Michael Heizer’s
Dragged Mass, Museum fur Gegenwartskunst, Basel, Switzerland
Blind Pig City, Praz-Delavallade, Paris, France
Miracles and Jokes, Circle Disk Rotation and 22 Lost Signs of the Zodiac, Museum of
Contemporary Art, Detroit, USA
2010 The Algorithm Doesn’t Love You, Susanne Vielmetter Los Angeles Projects, USA
2009 Susanne Vielmetter Berlin Projects, Germany
Albion Gallery, London, UK
2008 Correlations and Isomorphisms, Susanne Vielmetter Los Angeles Projects, USA
The Agitation of Expansion, Contemporary Art Center of Virginia, Virginia Beach, USA
2007
Jesus and Dinosaurs, Praz–Delavallade, Paris, France
The Agitation of Expansion, Galerie Kamm, Berlin, Germany
2006
Alchemy of Comedy…Stupid, Susanne Vielmetter Los Angeles Projects, USA
Snake River, collaboration with Charles Gaines and Los Angeles Philharmonic, REDCAT,
Los Angeles, USA; Lentos Kunstmuseum Linz, Austria
Alchemy of Comedy…Stupid, collaboration with David Allan Grier, Gallery 400, University
of Illinois, Chicago, USA
Edgar Arceneaux: Alchemy of Comedy… Stupid, ArtPace, San Antonio, USA
An Arrangement without Tormentors, Lentos Kunstmuseum, Museum of Contemporary
Art, Linz, Austria
2005
Borrowed Sun, The Kitchen, New York, USA
Borrowed Sun, San Francisco Museum of Contemporary Art, USA
Adamski Gallery of Contemporary Art, Aachen, Germany
2004
Borrowed Sun, Susanne Vielmetter Los Angeles Projects, USA
Negative Capability. The Michael Jackson Project, Galerie Kamm, Berlin, Germany
An Arrangement Without Tormentors, Witte de With Museum, Rotterdam, Netherlands
2003
Drawings of Removal, Project Space, UCLA Hammer Museum, Los Angeles, USA
Library as Cosmos, Kunstverein Ulm, Germany
Library as Chaos, Frehrking Wiesehoefer, Cologne, Germany
107th Street, Watts, Revolver Verlag, Frankfurt, Germany
2002
Rootlessness, Susanne Vielmetter Los Angeles Projects, USA
Drawings of Removal, The Studio Museum in Harlem, New York, USA
The Trivium, Gallery Kamm, Berlin, Germany
1 of 4
2001
The Trivium, Pomona College Museum of Art, Claremont, USA
1999
The Project, New York, USA
1998
The Remnants Project, Armory Center for the Arts, Pasadena, USA
GROUP EXHIBITIONS
2011
The Bearden Project, The Studio Museum in Harlem, USA
Astrup Fearnley Museum at the Sao Paulo Biennial, Brazil
Greater LA, New York, USA
2010 The Artist’s Museum: Los Angeles Artists 1980-2010, The Museum of Contemporary Art, Los Angeles, USA
Huckleberry Finn, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
Summer Group Show, Susanne Vielmetter Los Angeles Projects, USA
Moving Images. Artists & Video/Film, Museum Ludwig, Cologne, Germany
Edgar Arceneaux, Andrea Bowers, Olga Koumoundouros, Rodney McMillian, Charles Gaines, Nery Gabriel Lemus, Project Row Houses, Houston, USA
New Art for a New Century: Contemporary Acquisitions, 2000-2010, Orange County Museum of Art, Newport Beach, USA
Inaugural Group Show, Susanne Vielmetter Los Angeles Projects, USA
2009
California Calling: Works from Santa Barbara Collections, 1948 – 2008, Santa Barbara Museum of Art, USA
Installations Inside/Out 20th Anniversary Exhibition, Armory Center for the Arts, Pasadena, USA
30 Seconds off an Inch, The Studio Museum in Harlem, New York, USA
MONITAUR, Aspen Art Museum, USA
PLOT/09: This World & Nearer Ones, Creative Time, New York, USA
Wallworks, Yerba Buena Center for the Arts, San Francisco, USA
Code Share: 5 continents, 10 biennales, 20 artists, Contemporary Art Centre, Vilnius, Lithuania
Collection in Context: Four Decades, The Studio Museum in Harlem, New York, USA
2008
California Biennial 2008, Orange County Museum of Art, Newport Beach, USA
Whitney Biennial 2008, Whitney Museum of American Art, New York, USA
Black Is, Black Ain’t, The Renaissance Society, University of Chicago, USA, touring exhibition (USA)
From and Bout Place: Art from Los Angeles, Center of Contemporary Art, Tel Aviv, Israel
The Lining of Forgetting, Weatherspoon Art Museum, Greensboro, USA; Austin Museum of Art, USA
Sculptors’ Drawings: Ideas, Studies, Sketches, Proposals, and More, Angles Gallery, Los Angeles, USA
Touched: Artists and Social Engagement, Armory Center for the Arts, Pasadena, USA
Philosophy of Time Travel, collaboration with Rodney McMillian, Olga Koumandouros, Vincent Johnson and Matthew Sloly, The Studio Museum in Harlem, New York, USA
USA: American Video Art at the Beginning of the 3rd Millennium, 2nd Moscow Biennale, 2 of 4
Russia
southwestNET: drawing outside the lines, Scottsdale Museum of Contemporary Art, USA
2006
Materialization of Sensibility: Art and Alchemy, Leslie Tonkonow Artworks + Projects, New York, USA
Black Alphabet: conTEXTS of Contemporary African American Art, Zachęta National Gallery of Art, Warsaw, Poland
Tomorrowland: CalArts in Moving Pictures, Museum of Modern Art, New York, USA
Symmetry, MAK Center for Art and Architecture at the Schindler House, Los Angeles, USA
2005
Uncertain States of America, Astrup Fearnley Museum of Art, Oslo, Norway; touring exhibition (international)
Cut, Susanne Vielmetter Los Angeles Projects, USA
The Imaginary Number, KW Institute for Contemporary Art, Berlin, Germany
Mixed Doubles, Carnegie Museum of Art, Pittsburgh, USA
Displaced, KunstlerInnen, Berlin, Germany
The Need to Document, Halle fur Kunst e.V., Luneburg, Germany
Monuments for the USA, CCA Wattis Institute for Contemporary Arts, USA
Double Consciousness: Black Conceptual Art Since 1970, Contemporary Arts Museum, Houston, USA
2004
Art and the Afterall Effect, PlaySpace, California College of the Arts, San Francisco, USA
Quicksand, de Appel, Amsterdam, Netherlands
Upside Down: Neueingerichtete Raeume
zur Gegenwart, Ludwigforum Aachen, Germany
Remembering, Sweeny Art Gallery, University of California, Riverside, USA
The Michael Jackson Project, collaboration with Rodney McMillian, Susanne Vielmetter Los Angeles Projects, USA
Fade - African American Artists in Los Angeles - A Survey Exhibition, Luckman Gallery and University Fine Arts Gallery, Los Angeles, USA
2003
Korrekturen, Galerie Kamm, Berlin, Germany
The Summer of 2003, Galerie Paul Andriesse, Amsterdam, Netherlands
True Stories, Witte de With Museum, Rotterdam, Netherlands
Social Strategies: Redfining Social Realism, University Art Museum Santa Barbara, USA; touring exhibition (USA)
The Fifth Annual Altoids Curiously Strong Collection; touring exhibition (USA)
Urban Aesthetics: California Artists 2003, The African American Museum of Art, Los
Angeles, USA
2002
Lateral Thinking, San Diego Museum of Contemporary Art, La Jolla, USA
Persoenliche Plaen, Kunsthalle Basel, Germany
Mass Appeal: The Art Object and Hip Hop Culture, Gallery 101, Ottawa, Canada; touring exhibition (Canada)
Prophets of Boom, Kunsthalle Baden Baden, Germany
Unjustified, Apex Art, New York, USA
2001
One Planet Under A Groove, Bronx Museum, New York, USA; touring exhibition (international)
Profiler, Kunstlerhaus Bethanien, Berlin, Germany
Prosthetics, Camouflage & War, Adamski Frehrking Wiesehoefer Gallery, Cologne,
3 of 4
Superman in Bed, Museum Am Ostwall, Dortmunt, Germany
Rappers Delight, Yerba Buena Center for the Arts, San Francisco, USA
2000
<hers>, Video as a Female Terrain, Landesmuseum Joanneum, Graz, Austria
Sitegeist, Porter Troupe Gallery, San Diego, USA
Pierogi Flat Files, Post Gallery, LosAngeles, USA
Veni, Vidi, Video, Kunstfaktor, Berlin,Germany
1999
Paradise 8, Exit Art, New York, USA
Spaceship Earth, Art in General, New York, USA
Permanent Collection of 1999, San Diego Museum of Contemporary Art, La Jolla, USA
I, Me, Mine, Luckman Fine Arts Gallery, Los Angeles, USA
1998
Warming, The Project, New York, USA
Triangle of Nice, Book of Lies, Vol. II, Los Angeles and Fullerton, USA
Round 9, Project Row Houses, Houston, USA
1997
11th Annuale, LACE, Los Angeles, USA
Uncommon Sense, The Geffen Contemporary at The Museum of Contemporary Art, Los Angeles, USA
Unmapping The Earth, 2nd Gwangju Biennale, Korea
Fantasy, Desire and Memory, Porter Troupe Gallery, San Diego, USA
1996
9 Hours at Bliss, Bliss Gallery, Pasadena, USA
Open House, Williamson Gallery, Art Center College of Design, Pasadena, USA
4 of 4
JIM CAMPBELL
1956
Born in Chicago, USA.
Lives and works in San Francisco, USA.
SOLO EXHIBITIONS
2011 Jim Campbell: Exploded Views, San Francisco Museum of Modern Art, USA
Jim Campbell: Exploded View, Museum of the Moving Image, Astoria, USA
Jim Campbell: Static Time, 20 Years of Electronic Art, Espacio Fundacion Telefonica,
Buenos Aires, Argentina
Scattered Light, in conjunction with the Minnesota Museum of American Art and Northern
Spark Festival, Upper Landing Park, St. Paul, USA
Jim Campbell: Recent Work, Howard Yezerski Gallery, Boston, USA
Jim Campbell – Material Light, National Museum of Photography, Copenhagen, Denmark
Jim Campbell: 4 Works, Hosfelt Gallery, New York, USA
2010 Scattered Light, Madison Square Park, Madison Square Park Conservancy, New York,
USA
Jim Campbell: In the Repose of Memory, The Eleanor D. Wilson Museum at Hollins
University, Roanoke, USA
Jim Campbell: New Work, Bryce Wolkowitz Gallery, New York, USA
Jim Campbell, Hosfelt Gallery, San Francisco, USA
2008
Jim Campbell: Home Movies, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, USA
2007 Home Movies, Hosfelt Gallery, San Francisco, USA
Quantizing Effects, Museum of Glass, Tacoma, USA
2006
4300 Watts, Hosfelt Gallery, New York, USA
Jim Campbell, College of Wooster Art Museum, USA
Quantizing Effects, Beall Center for Art and Technology, Irvine, USA; Knoxville Museum of
Art, USA
2005
Ambiguous Icons, The Center for Photography at Woodstock, USA
Jim Campbell: New Work, Byron Cohen Gallery, Kansas City, USA
Material Light, Bryce Wolkowitz Gallery, New York, USA
New Work, Hosfelt Gallery, San Francisco, USA
Quantizing Effects, Site Santa Fe, USA
2004
Jim Campbell, Palo Alto Art Center, USA
Wavelengths, American Museum of the Moving Image, New York, USA; Maryland Institute
College of Art, USA
2003
Jim Campbell, University of South Florida Contemporary Art Museum, Tampa, USA
Memory Array, Berkeley Art Museum and Pacific Film Archive, University of California,
Berkeley, USA
Seeing, Exploratorium, San Francisco, USA
2002
Data and Time, Nagoya City Art Museum, Japan
1 of 6
Digital Works, Hosfelt Gallery, San Francisco, USA
Jim Campbell, Gallery 2211, Los Angeles, USA
Motion and Rest, Arizona State University, Tempe, USA
2001 Contemporary Configurations, Museum of Art and History, Santa Cruz, USA
Jim Campbell: Time and Data, Wood Street Galleries, Pittsburgh, USA
Time, Memory and Meditation, Anderson Gallery, Virginia Commonwealth University, Richmond, USA
2000
Cohen Berkowitz Gallery, Kansas City, USA
Hosfelt Gallery, San Francisco, USA
Yerba Buena Center for the Arts, San Francisco, USA
1999
Transforming Time: Electronic Works 1990-1999, Nelson Art Museum, Arizona State University, Tempe, USA
1998
Reactive Works, San Jose Museum of Art, USA
1997
Digital Watch, Kemper Museum, Kansas City, USA
Reactive Works, Art Center College of Design, Pasadena, USA
1996
Electronic Art, Cohen Berkowitz Gallery, Kansas City, USA
1995
Dialogue, Rena Bransten Gallery, San Francisco, USA
1994
Hallucination, Southeastern Center for Contemporary Art, Salem, USA
1992
Electronic Art, Rena Bransten Gallery, San Francisco, USA
GROUP EXHIBITIONS
2012
RAM: Rethinking Art and Machine, Espace 400e, Quebec City, Canada
Emocao Art.Ficial 6.0 Media Art Biennial, Itau Cultural, Sao Paulo, Brazil
Invitational Exhibition of Visual Arts, American Academy of Arts & Letters, New York, USA
SmartSpace, Fine Arts Gallery, San Francisco State University, USA
Visions Fugitives, Le Fresnoy – Studio national des arts contemporains, Tourcoing,
France
Fifty Years of Bay Area Art: The SECA Awards, San Francisco Museum of Modern Art,
USA
Selected Histories 20th Century Art from the SFMOMA Collection, San Francisco Museum
of Modern Art, USA
Jim Campbell & David Rokeby, Pari Nadimi Gallery, Toronto, Canada
2011 Re-writing Worlds: 4th Moscow Biennale of Contemporary Art, Russia
Transitio MX: International Electronic Art and Video Festival, Mexico City, Mexico
Keeping an Eye on Surveillance, The Performance Art Institute, San Francisco, USA
Walking + Falling: Jim Campbell, Chris Marker and Eadweard Muybridge, Vancouver Art Gallery, Canada
2 of 6
At Fifty: Krannert Art Museum, 1961- 2011, Krannert Art Museum, University of Illinois, Champaign, USA
Time Flies, Hosfelt Gallery, San Francisco, USA
Red (Force Fields), David Richard Contemporary, Santa Fe, USA
Artist+Artist, Rohde Contemporary, Copenhagen, Denmark
America: Now + Here, ANH Inc., americanowandhere.org; touring exhibition (USA)
RAM: Rethinking Art and Machine, THEMUSEUM, Kitchener, Canada
Broodwork: It’s About Time, OTIS College of Art and Design, Los Angeles, USA
Paradise Lost, Istanbul Museum of Modern Art, Turkey
Blink! Light, Sound and the Moving Image, Denver Art Museum, USA
2010
Material Evidence, Beach Museum, Kansas State University, Manhattan, USA
Outer/Inner, Wood Street Galleries, Pittsburgh, USA
Shadow Dance, Kunsthal KAde,Amersfoort, Netherlands
Vital Signs: New Media from the Permanent Collection, San Jose Museum of Art, USA
Come as You Are: The Absent Body in Art, Kunstraum: Morgenstrasse, Karlsruhe, Germany; Zeppelin Museum, Friedrichshafen, Germany
Unexpected Reflections, Meridian Gallery, San Francisco, USA
Wall Drawings, Hosfelt Gallery, San Francisco, USA
Watch This, Smithsonian Museum of American Art, Washington D.C., USA
2009
Altered States, di Rosa Preserve, Napa, USA
Art & Electronic Media, Bitforms Gallery, New York, USA
Artifacts of a Postdigital Age, STRP Festival, KIOSK Gallery, Eindhoven, Netherlands
Das Jahrhundert des Konsumenten, ZKM, Karlsruhe, Germany
Human Copyright, Musee de la Civilisation, Quebec City, Canada
Inappropriate Covers, Bell Gallery, Brown University, Providence, USA
Incheon Digital Arts Festival 2009, Incheon Global Fair and Festival, Korea
Le Mois de la Photo a Montreal: Pavel Pavlov et Jim Campbell, SBC Gallery, Montreal, Canada
Likeness, Mattress Factory, Pittsburgh, USA
New Work, Hosfelt Gallery, New York, USA
Seeing as Believing, Axis Gallery, Sacramento, USA
Tech Tools of the Trade, de Saisset Museum, Santa Clara University, USA
Texting the Torah, Contemporary Jewish Museum, San Francisco, USA
Textual Landscapes, Bryce Wolkowitz Gallery, New York, USA
2008
01SJ Biennial, San Jose Museum of Art, USA
Art+Communication: Spectropia, RIXC, Riga, Latvia
Art Tech, Art Taipei 2008, National Taiwan Museum, Taiwan
ArteFact Capturing Time – Mapping the Moment, STUK kunstencentrum, Leuven, Belgium
California Video, J. Paul Getty Museum, Los Angeles, USA
Living Room, National Gallery of Canada, Ottawa, Canada
New Frontier, 2008 Sundance Film Festival, Park City, USA
Text Memory, Wood Street Galleries, Pittsburgh, USA
Twilight, ICA Maine College of Art, Portland, USA
2007
A History of New, Krannert Art Museum, Champaign, USA
ArteFact, STUK kunstencentrum, Leuven, Belgium
AXIOM Gallery/Aspect Magazine Exhibition, Boston Cyberarts Festival, USA
3 of 6
Closed Circuit, Video and New Media at the Metropolitan, The Metropolitan Museum of Art, New York, USA
E-Art: New Technologies and Contemporary Art, 10 Years of Action of the Daniel Lan
glois Foundation, Montreal Museum of Fine Arts, Canada
Home Sweet Home, San Jose Institute of Contemporary Art, USA
Luminaries and Visionaries, Kinetica Museum, London, UK
Mouth Open Teeth Showing, Henry Art Gallery, University of Washington, Seattle, USA
Outside The Box, Cornerhouse Gallery, Manchester, UK
Phantasmagoria: Espectros da Ausencia, Independent Curators International touring exhibition (international)
Speed3, Instituto Valenciano de Arte Moderno, Spain
2006
Art Koln, Cologne, Germany
Auflosung I High Definition, Neue Gesellschaft fur Bildende Kunst, Berlin, Germany
Auflosung II Rausch / en / Signal Noise, Neue Gesellschaft fur Bildende Kunst, Berlin, Germany
City Gaze (Die Stadt hat Augen), Spot Light and Media Facade, Berlin, Germany
Crossing the Screen, inter media art institute, Dusseldorf, Germany
DANM Festival, Museum of Art and History, University of California, Santa Cruz, USA
Edge Conditions, San Jose Museum of Art, USA
The First Illusion: The Transitional Object, Palo Alto Art Center, USA
Icons, Krannert Art Museum, Champaign, USA
Inaugural Exhibition, Hosfelt Gallery, New York, USA
The Infrastructural Image: Recent Bay Area Video, Film, and New Media Art on the City, Vancouver International Film Center, Canada
Locating the Photographic, Tasmanian School of Art, Hobart, Australia
Measure of Time, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, USA
The Message is the Medium, Jim Kempner Fine Art, New York, USA
Mixed Media Project, Count Down, Milan, Italy
Smart Art / Liet Motiff, European Media Art Festival, Osnabrueck, Germany
What Sound Does a Color Make?, Center for the Visual Arts, Denver, USA; touring exhi
bition (international)
2005
Art Koln, 235 Media, Koln, Germany
AxS: At the Intersection of Art & Science, Cal Tech and The Armory Center, Pasadena, USA
Balance and Power: Performance and Surveillance in Video Art, Krannert Art Museum, Champaign, USA; touring exhibition (USA)
Climax: The Highlight of Ars Electronica, National Taiwan Museum of Fine Arts, Taipei, Taiwan
Exquisite Electric, Fullerton Grand Central Art Center, California State University, Santa Ana, USA
Intelligent Distribution: 10 Artists Respond to Technology, University Art Gallery, Sonoma State University, Rohnert Park, USA
Mois Multi 2006, Les Productions Recto-Verso, Quebec City, Canada
Siggraph 2005, Los Angeles Convention Center, USA
Singular Expression, Sheldon Memorial Art Gallery, Lincoln, USA
Techno Sublime, University of Colorado Art Museum, Boulder, USA
4 of 6
What Sound Does a Color Make?, Wood Street Galleries, Pittsburgh, USA; Eyebeam, New York, USA
2004
Algorithmic Revolution, ZKM, Karlsruhe, Germany
Gravity and Light, Skirball Cultural Center, Los Angeles, USA
Image and Idea, Gallery C, Los Angeles, USA
Lineaments of Gratified Desire, Catherine Clark Gallery, San Francisco, USA
Memory, Salina Art Center, Salina, USA
The Passage of Mirage, Chelsea Art Museum, New York, USA
Time, Space, Gravity and Light, Skirball Cultural Center, Los Angeles, USA
2003
After Image, Wood Street Galleries, Pittsburgh, USA
Art Apparatus, Bryce Wolkowitz Gallery, New York, USA
Bytes and Pieces, San Jose Institute of Contemporary Art, USA
The Disembodied Spirit, Bowdoin College Museum of Art, Brunswick, USA; Kemper Mu
seum of Contemporary Art, Kansas City, USA
House of the Tomorrow, Experimenta, Melbourne, Australia
ID/ENTITY: Portraiture in the 21st Century, SF Camerawork, San Francisco, USA
Microwave03 Festival, Kowloon, Hong Kong
Surface Tension, The Fabric Museum, Philadelphia, USA
2002 Artficial Emotion, Sao Paolo, Brazil; touring exhibition (international)
Future Cinema, ZKM, Karlsruhe, Germany; touring exhibition (international)
High Tech / Low Tech Hybrids, Bedford Gallery, Walnut Creek, USA
Media Art, ZKM, Karlshrue, Germany; Daejon Municipal Museum of Art, South Korea
Situated Realities, Maryland Institute College of Art, Baltimore, USA
Taipei Biennial, Taipei Fine Arts Museum, Taiwan
Walkways, Portland Institute of Contemporary Art, USA
Whitney Biennial 2002, Whitney Museum of American Art, New York, USA
2001
Bitstreams, Whitney Museum of American Art, New York, USA
Conceptual Colors in Albers’ After Image, San Francisco State University, USA
Figuration, Hosfelt Gallery, San Francisco, USA
Highlights Festival, Montreal, Canada
Interaction’ 01, Gifu, Japan
Untitled, Gallery 2211, Los Angeles, USA
2000
Ars Electronica, Linz, Austria
Direct Current, Byron Cohen Gallery, Kansas City, USA
Eureka Fellowship Show, San Jose Museum of Art, USA; San Diego Museum of Con
temporary Art, USA
Illuminations, Ackland Art Museum, Chapel Hill, USA
Plugged In, Todd Madigan Gallery, California State University, Bakersfield, USA
Scanners, California College of Arts and Crafts, Oakland, USA
Timekeepers, SF Camerawork, San Francisco, USA
Vision Ruhr, Dortmund, Germany
1999
The Body, Salina Art Center, USA
Digital Hybrids, McDonough Museum, Youngstown, USA
5 of 6
Facing Fear, San Francisco Arts Commission Gallery, USA
New Voices New Visions, University Art Gallery, University of California, San Diego, USA
The Photographic Image, National Museum, Kwachon, Korea
1998
Art & Technology, Duke University Museum, Durham, USA
Bay Area Technology Art, Haines Gallery, San Francisco, USA
Body Mecanique, Wexner Art Center, Columbus, USA
Digital Poetics, Sherry Frumkin Gallery, Los Angeles, USA
1997
451 Degrees, San Francisco Arts Commission Gallery, USA
Digital Decisions, Art Academy of Cincinnati, USA
ICC Biennale, ICC Center, Tokyo, Japan
Interaction’ 97, Gifu, Japan
Meditations in Time, San Francisco Museum of Modern Art, USA
Serious Games, Barbican Art Gallery, London, UK
1996
Art in the Anchorage, Creative Time, Brooklyn, USA
Interactivity, Salina Art Center, USA
Mortal Coil, Sesnon Art Gallery University of California, Santa Cruz, USA
SECA Awards Show, San Francisco Museum of Modern Art, USA
Transformers, Auckland City Art Gallery, New Zealand
Art as Signal, Krannert Art Museum, University of Illinois, Champaign, USA
1995
Biblio Vertigo, Northern Illinois University, DeKalb, USA
Digital Mediations, Art Center College of Design, Pasadena, USA
Hotel Interactional, Gallery Otso, Helsinki, Finland
Interaction ‘95, Gifu, Japan
ISEA 95, collaboration with Elliott Anderson, New York Digital Salon, USA
Press/Enter, Power Plant, Toronto, Canada
Techne, Los Angeles Center for Photographic Studies, Los Angeles; San Francisco Arts Commission Gallery, USA
Unpredictable Memories, collaboration with Marie Navarre, Capp Street Project, San Francisco, USA
1994
Color in the Shadows, California College of Arts and Crafts, Oakland, USA
InterActive, Works Gallery, San Jose, USA
ThreeVisions, Carpenter Center, Harvard University, Cambridge, USA
1993
A New Sensation, Seybold Conference, San Francisco, USA
Iterations, International Center of Photography, New York, USA
1992
Facing the Finish, San Francisco Museum of Modern Art, USA
6 of 6
DANIEL CROOKS
1973
Born in Hastings, New Zealand
Lives and works in Melbourne, Australia.
SOLO EXHIBITIONS
2011 Daniel Crooks, Two Rooms, Auckland, New Zealand
Daniel Crooks, Project, Art Gallery of Ballarat, Australia
Crossings, Bledisloe Walkway Lightboxes, Auckland Arts Festival, New Zealand
2010 Daniel Crooks: Pan No.2, Christchurch Art Gallery Te Puna O Waiwhetu, New Zealand
Daniel Crooks, Anna Schwartz Gallery, Melbourne Art Fair, Australia
2008 Intersection, Anna Schwartz Gallery, Melbourne, Australia
Everywhere Instantly, Christchurch Art Gallery Te Puna O Waiwhetu, New Zealand
Daniel Crooks and Jae Hoon Lee, Institute of Modern Art, Brisbane, Australia
2007 Pan No.2 (one step forwards, one frame backwards), Centre for Contemporary Photography, Melbourne, Australia
one step forwards, one frame backwards, Sherman Galleries, Sydney, Australia
2006
Daniel Crooks, REMO, Osaka, Japan
Time Slice, Lovebytes 2006: Environments, The Workstation, Sheffield, UK
without cutting or tearing, Kings Artist Run Initiative, Melbourne, Australia
2005
Daniel Crooks: Train No.1, Art Gallery of New South Wales, Sydney, Australia
Daniel Crooks: A small section of something larger, Sherman Galleries, Sydney, Australia
2 videos & 2 devices, Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands
2002
Time Slice, Centre for Contemporary Photography, Melbourne, Australia
Circum-Circadian [01], Horti Hall, Next Wave Festival, Melbourne, Australia
1998
distance:control, Public Office, Next Wave Festival, Melbourne, Australia
GROUP EXHIBITIONS
2012
Parallel Collisions, Adelaide Biennial, Art Gallery of South Australia, Adelaide, Australia
When I grow up I want to be a video artist, Artbank; touring exhibition (Australia)
Intimate Publics, Melbourne Festival and Fehily Contemporary, Melbourne, Australia
2011 New Contemporary Galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, Australia
Game On, Hastings City Art Gallery, New Zealand
A Private View: Art Collecting in the City of Glen Eira, Glen Eira Town Hall Gallery, Australia
Signature Art Prize, Singapore Art Museum, Singapore
National Artists’ Self-Portrait Prize 2011, University of Queensland Art Museum, Brisbane, Australia
Daydream Believer, Yebisu International Festival of Art and Alternative Visions, Tokyo, Japan
1 of 3
Monaism, Museum of Old and New Art, Hobart, Australia
oZone, London Australian Film Festival, Barbican Centre, London, UK
Move: Daniel Crooks, Tracey Moffatt & Grant Stevens, Queensland Art Gallery and Kaldor Public Art Projects, Ipswich Art Gallery, Australia
2010
The Beauty of Distance: Songs of Survival in a Precarious Age, 17th Biennale of Sydney, Cockatoo Island, Sydney, Australia
LOVEART, Casula Powerhouse, Sydney, Australia
Daniel Crooks, Artane, Istanbul, Turkey
Hayman Collection Volume One, Horsham Regional Art Gallery
2010 Move on Asia, Gallery LOOP, Seoul, Korea; touring exhibition (international)
Move: The Exhibition, Kaldor Public Art Projects, Gallery of Modern Art, Brisbane, Australia
DreamWorlds: Australian Moving Image, Sanlitun Village Screen, Beijing, China
Sea Fever, Finis Terrae Festival, Ouessant, France
ShContemporary, Future Perfect, Shanghai, China
City-o-Rama, various public spaces, Hong Kong
Carnival, Lake Macquarie City Art Gallery, Australia
2009
Cubism and Australian Art, Heide Museum of Modern Art, Melbourne, Australia
Contemporary Collection, Art Gallery of New South Wales, Sydney, Australia
World Music Days 2009, Beijing, China
2008 New: recent acquisitions 2008, University of Queensland Museum of Art, Brisbane, Australia
2008 Basil Sellers Art Prize, Ian Potter Museum of Art, Melbourne, Australia
Night Shift, Starkwhite, Auckland, New Zealand
Slow Time, Academy Gallery, University of Tasmania, Launceston, Australia
Face to Face: Portaiture in a digital age, Asialink and de/Lux/MediaArts; touring exhibition (international)
Figuring Landscapes, Tate Modern, London, UK; touring exhibition (UK)
Shadowplay, Lake Macquarie City Art Gallery, Australia
2007
Wonderful World, Anne & Gordan Samstag Museum of Art, Adelaide, Australia
LOOP - Australian video art now, Hamilton Art Gallery, Australia
Move: Video Art in Schools, Kaldor Public Art Projects and NSW Department of Education and Training, touring exhibition (Australia)
The Nature of Systems, British Film Institute, London, UK
Experimenta Playground, Victorian Arts Centre, Melbourne; touring exhibition (Australia)
eternal beautiful now, Sherman Galleries, Sydney, Australia
Moving Still, McNamara Gallery at Gus Fisher Gallery, Auckland, New Zealand
Contact/s:30, Australian Centre for Photography, Sydney, Australia
Little Rituals, Westpac Place, Sydney, Australia
Figuratively Speaking: the figure in contemporary video art, The Block, Brisbane, Australia
The Josephine Ulrick & Win Schubert Photographic Art Award, Gold Coast City Art Gallery, Australia
Nemo Film Festival, various locations, Paris, France
2 of 3
2006
2005
2004
Wavefront - Australian Contemporary Art Scene, Tokyo Wondersite, Japan
Anne Landa Award, Art Gallery of New South Wales, Sydney, Australia
Art Movement, UTS Gallery, University of Technology, Sydney, Australia
Under the Radar, FACT, Liverpool, UK; Institute of Contemporary Arts, London, UK
Bitmap: International Digital Photo Project, Loop, Seoul, Korea
Video-Easy, Chiang Mai University Art Museum, Thailand
Les Rencontres internationales, Centre Pompidou, Paris, France; touring exhibition
(international)
A Precipitation in Time, Devonport Regional Gallery, Australia
D>Art 06, Dlux Media Arts, Sydney, Australia
World Without End, Australian Centre for the Moving Image, Melbourne, Australia
Prospectus: Projections in New Media, Blank Space, Sydney, Australia
The Millennium Dialogue - In The Line Of Flight, 2nd Beijing International New Media Arts
Exhibition And Symposium, China
The Computational Sublime, Blur + Sharpen, University of Southern California, USA
Experimenta: Vanishing Point, Blackbox, The Arts Centre, Melbourne, Australia
Nature by Proxy, Brian Moore Gallery, Sydney, Australia
Boo Hooray, video screening, ABC2 and ABC Broadband, Australia
Great Escapes, Lake Macquarie City Art Gallery, Australia
(Not) Open Studios, Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands
One Of (Festivus 04), Sherman Galleries, Sydney, Australia
2004: Australian Culture Now, National Gallery of Victoria and Australian Centre for the
Moving Image, Melbourne, Australia
MIX-ED, Sherman Galleries, Sydney, Australia
I thought I knew but I was wrong: New Video Art from Australia, Australian Centre for the
Moving Image, Melbourne, Australia
Drift, Perth Institute of Contemporary Arts, Australia
2003
Festivus 03, Sherman Galleries, Sydney, Australia
Australian Digital Icons, Centre Pompidou, Paris, France
Primavera 2003, Museum of Contemporary Art, Sydney, Australia
Location, Location, Australian Centre for Photography, Sydney, Australia
Banquete, Palau de la Virreina, Barcelona, Spain; CCDD, Madrid, Spain; ZKM, Karlsruhe,
Germany
2001
Rapture, Platform, Spencer Street Station, Melbourne, Australia
1999
One Hour Photo, 1st Floor, Melbourne, Australia
1998
1997
Eat, Museum of Contemporary Art, Sydney, Australia
Screensound, Museum of Contemporary Art, Sydney, Australia
3 of 3
JOHN GERRARD
1974
Born in Dublin, Ireland.
Lives and works in Dublin, Ireland, and Vienna, Austria
SOLO EXHIBITIONS
2011 Infinite Freedom Exercise, (public installation), Manchester International Festival, UK
Live Fire Exercise, in collaboration with choreographer Wayne McGregor, commission for
The Royal Ballet, London, UK
Universal, Void Gallery, Derry, Northern Ireland
John Gerrard, Perth Institute of Contemporary Art, Australia
John Gerrard, Ivorypress, Madrid, Spain
2010 Cuban School (Community 5th of October), Simon Preston Gallery, New York, USA
Oil Stick Work, Art on the Underground, Canary Wharf Underground Station, London, UK
Thomas Dane Gallery, London, UK
2009
Directions, Hirshhorn Museum & Sculpture Garden, Washington, D.C., USA
John Gerrard / Glenn Ligon, Illingworth Kerr Gallery, Alberta College of Art + Design, Canada
Animated Scene, (collateral project), 53rd Venice Biennale, Italy
Oil Stick Work, Simon Preston Gallery, New York, USA
John Gerrard, Knoedler Gallery Project, New York, USA
2008 John Gerrard / Joy Gerrard, Temple Bar Gallery + Studios, Dublin, Ireland
2007
Dark Portraits, Hilger Contemporary, Vienna, Austria
2006
Dark Portraits, Royal Hibernian Academy Gallagher Gallery, Dublin, Ireland
2003
New Work, The Gallery of Photography, Dublin, Ireland
2000
30 Seconds of Desire, Zolla Lieberman Gallery, Chicago, USA
GROUP EXHIBITIONS
2010
The Fifth Genre: Considering the Contemporary Still Life, Gallery Lelong, New York, USA
Invited, EV+A, Limerick, Ireland
2009 Infinitum, Palazzo Fortuny, Venice, Italy
2008
Academia, La Chapelle de l’ Ecole des Beaux-Arts, Paris, France
Landscape 08, The Dock Gallery, Co. Leitrim, Ireland
10,000 to 50, Irish Museum of Modern Art, Dublin, Ireland
Singing the Real, Eigse, Carlow, Ireland
On a Clear Day You Can See Forever, Hilger Contemporary, Vienna, Austria
Into the Ether, Bryce Wolkowitz Gallery, New York, USA
2007
Blown Away, Krannert Art Museum, Champaign, USA
Are We There Yet, Elizabeth Foundation Gallery, New York, USA
1 of 2
Existencias, Museo de Arte Contemporaneo de Castilla y Leon, Spain
Singing the Real, Iziko-SA National Gallery, Cape Town, South Africa
Equal, That Is, To The Real Itself, Marian Goodman Gallery, New York, USA
Landscapism, The Islip Art Museum, East Islip, USA
2006
Digital Tales, The Centro Galego de Arte Contemporaneo en Santiago de Compostela, Spain
Heavy Light, Quint Contemporary, La Jolla, USA
The Genius of Place, Art Museum of Western Virginia, Roanoake, USA
Present Future, Artissima, Turin, Italy
4th Seoul International Media Art Biennale, Seoul Museum of Art, Korea
Code Blue, Millenium Art Museum, Beijing, China
Freeform, Butler Gallery, Kilkenny, Ireland
Human Touch, Sala Terrena, Salzburg, Austria
Digital Transit, Centro Cultural del Conde Duque, Madrid, Spain
2005
Simulacrum, Society for Contemporary Photography, Kansas City, USA
Climax, National Taiwan Museum of Fine Arts, Taichung, Taiwan
Eurojet Futures Anthology, Royal Hibernian Academy Gallagher Gallery, Dublin, Ireland
The Institute of Potential Art + Failure, Visualise Carlow, Ireland
Bring on the Clones, Vertex List, Brooklyn, USA
2004
Liverpool Biennial, UK
Some Exhaust, Lehmann Maupin Gallery, New York, USA
Eurojet Futures, Royal Hibernian Academy Gallagher Gallery, Dublin, Ireland
Selections from the New York Digital Salon, Kendall College of Art Gallery, Michigan, USA
Passage of Mirage, Chelsea Arts Museum, New York, USA
Flix, Rubicon Gallery, Dublin, Ireland
Touch and Temperature, Bitforms Gallery, New York, USA
Travelling to, Deborah Colton Gallery, Houston, USA
Digital Avant-Garde, American Museum of the Moving Image, New York, USA
Selfish, SciCult Gallery, London, UK
2003
Thy Neighbours Ox, Space Station 65, London, UK
The National Gallery, The Return Gallery, Goethe Institute, Dublin, Ireland
EV+A 2003, Limerick City Art Gallery and various locations, Limerick, Ireland
Portrayal, Model Arts Centre, Sligo, Ireland
2 of 2
LINDY LEE
1954
Born in Brisbane, Australia.
Lives and works in Sydney, Australia.
SOLO EXHIBITIONS
2011 The Secret World of the Shadow, Roslyn Oxley9 Gallery , Sydney, Australia
2010 Flowers Fall, 10 Chancery Lane Gallery, Hong Kong
2009 Flames from the Dragon’s Pearl, Roslyn Oxley9 Gallery, Sydney, Australia
2008 Tales of Moonlight and Fire, Sutton Gallery, Melbourne, Australia
2006
Cycles through a Chinese Landscape, Valentine Willie Fine Art, Kuala Lumpur, Malaysia
Dark Star, Roslyn Oxley9 Gallery, Sydney, Australia
2004
Trueworld and the Pilgrim, Roslyn Oxley9 Gallery, Sydney, Australia
True World, Sutton Gallery, Melbourne, Australia
Lindy Lee - Birth and Death, The Studio Foyer, Sydney Opera House, Australia
2003
The Secret of the Golden Flower, Roslyn Oxley9 Gallery, Sydney, Australia
Birth and Death, Artspace, Sydney, Australia
Narrow Road to the Interior, Atrium Space, MITA, Australian High Commission, Singapore
2002
Ten Worlds, Ten Directions, Roslyn Oxley9 Gallery, Sydney, Australia
Pointing East, Pointing West, Sutton Gallery, Melbourne, Australia
2001
Cycles through a Chinese Landscape, Roslyn Oxley9 Gallery, Sydney, Australia
1999
The Dark of Absolute Freedom, Roslyn Oxley9 Gallery, Sydney, Australia
Fire Below / Water Above, Robert Lindsay Gallery, Melbourne, Australia
1998
3000 Miracles, Robert Lindsay Gallery, Melbourne, Australia
1997
Ulterior Function, Robert Lindsay Gallery, Melbourne, Australia
Utmost Causation, Roslyn Oxley9 Gallery, Sydney, Australia
1996
The Black Stone at the Heart of the Universe, Robert Lindsay Gallery, Melbourne,
Australia
1995
No Up, No Down, I am the Ten Thousand Things, Art Gallery of New South Wales,
Sydney, Australia
Because the Universe is..., Roslyn Oxley9 Gallery, Sydney, Australia
1994
The 10,000 Things, Room 32, Regents Court Hotel, Sydney, Australia
Now!, Roslyn Oxley9 Gallery, Sydney, Australia
Zip, Zero, Zilch, 600,000 Hours, Experimental Art Foundation, Adelaide, Australia
1 of 3
1993
Michael Wardell 13 Verity Street, Melbourne, Australia
Gallery XY, University of Western Sydney, Nepean, Australia
Cloud of Unknowing, Roslyn Oxley9 Gallery, Sydney, Australia
1992
Event without Moment, Roslyn Oxley9 Gallery, Sydney, Australia
GROUP EXHIBITIONS
2011
Forces, 10 Chancery Lane Gallery, Hong Kong
2010
PostEden, Today Art Museum, Beijing, China
Songzhuan International Art Festival, Songzhuan Museum of Art, Beijing, China
Pulp, New Works on Paper, Sutton Gallery, Melbourne, Australia
Beleura National Works on Paper, Mornington Peninsula Regional Gallery, Australia
Within Emptiness, 10 Chancery Lane Gallery, Hong Kong
2008
Yin-Yang: China in Australia, S.H. Ervin Gallery, Sydney, Australia
Art and About, City of Sydney, Australia
Mikala Dwyer: Swamp Geometry, (opening performance), Anna Schwartz Gallery, Melbourne, Australia
2007
Process/journey, Australian Embassy, Redgate Gallery, Beijing, China
Open 07, (parallel event), Venice Film Festival, Italy
Smart state, Campbelltown Art Centre, Sydney, Australia
Smile of the Buddha, drill hall, Australian National University, Canberra, Australia
Science as Art, Garvan Institute Fundraising Auction, Art Gallery of New South Wales, Sydney, Australia
2006
Stolen Ritual, Roslyn Oxley9 Gallery, Sydney, Australia
2, OneFourteen, Sydney, Australia
We are Australian too: women against racism, Casula Powerhouse Arts Centre, Australia
2005
Le mois de la photo a Montreal, Montreal, Quebec, Canada
You are here, Valentine Wille Fine Art, Kuala Lumpur, Malaysia
The Arthur Guy Memorial Painting Prize 2005, Bendigo Art Gallery, Australia
2004
Sightseeing from Sydney, SCA Gallery, Sydney College of the Arts, Australia
Revealing Secret Treasures: Women Artists from the Reg & Sally Richardson Collection,
Mosman Art Gallery, Sydney, Australia
Art & About, City of Sydney, Australia
Sight Seeing, Central Academy of Fine Arts, Downtown Gallery, Beijing, China
2003
One Square Mile: Brisbane Boundaries, Museum of Brisbane, Australia
Jia (Family, House, Home), 4A Centre for Contemporary Asian Art, Sydney, Australia;
Fringe Gallery, Hong Kong
MCA Unpacked II, Museum of Contemporary Art, Sydney, Australia
2 of 3
2002
Buddha: Radiant Awakening, Art Gallery of New South Wales, Sydney, Australia
Deeper Places, Casula Powerhouse Arts Centre, Australia
Archibald Prize, Art Gallery of New South Wales, Sydney, Australia
The First 20 Years, Roslyn Oxley9 Gallery, Sydney, Australia
2001
Interiors: Objects + Ideas, Object- Australian Centre for Craft and Design, Sydney,
Australia
Central Queensland Art Purchase, Rockhampton Art Gallery, Australia
Three Views of Emptiness; Buddhism and the art of Tim Johnson, Lindy Lee and Peter
Tyndall, Monash University Museum of Art, Melbourne, Australia
Real World Art: Art by QUT Alumni, Queensland University of Technology Art Museum,
Brisbane, Australia
2000
Gang of Four, Robert Lindsay Gallery, Melbourne, Australia
Bright and Shining, Australian Embassy, Tokyo, Japan
Sebastian: Contemporary Realist Painting, Hazelhurst Regional Gallery, Sydney, Australia
All Stars 2000, Roslyn Oxley9 Gallery, Sydney, Australia
1999
Gang of Four, Roslyn Oxley9 Gallery, Sydney, Australia
4A Centre for Contemporary Asian Art, Sydney, Australia
1998
Asia Print Adventure, Hokkaido Museum of Modern Art, Sapporo, Japan
SCECGS Redlands Art Prize, (winner), Sydney, Australia
1997
1996
Spirit + Place, Museum of Contemporary Art, Sydney, Australia
4A Centre for Contemporary Asian Art, Sydney, Australia
Roslyn Oxley9 Gallery, Sydney, Australia
Photography is Dead, Long Live Photography, Museum of Contemporary Art, Sydney,
Australia
Above and Beyond: Austral / Asian Interactions, Australian Centre for Contemporary Art,
Melbourne, Australia
Flagging the Republic, Sherman Galleries, Sydney, Australia
1994
Transcultural Painting, Tamsui Arts Centre, Taiwan; touring exhibition (international)
Romantisystem, Canberra Contemporary Artspace, Canberra, Australia
True Stories, Artspace, Sydney, Australia
Faciality, Monash University Museum of Art, Melbourne, Australia
1993
Prospect 93, Frankfurt, Germany
The Black Show, Geelong Art Gallery
Art Cologne 93, Cologne, Germany
1992
After Dark, Govett-Brewster Art Gallery,
New Plymouth, New Zealand
Art Cologne 92, Cologne, Germany
3 of 3
TATSUO MIYAJIMA
1957
Born in Tokyo, Japan.
Lives and works in Ibaraki, Japan.
SOLO EXHIBITIONS
2011 Three Time Train / Counter voice on the wall, Kunstmuseum St. Gallen, Switzerland
Tatsuo Miyajima: Ashes to Ashes, Dust to Dust, Ullens Center for Contemporary Art,
China
Time Train, Six, Seoul, Korea
2010
Warp Time with Warp Self, SCAI THE BATHHOUSE, Tokyo, Japan
Miyanomori Art Museum, Sapporo, Japan
Time Train, Six, Osaka, Japan
Time Train, Miyanomori Art Museum, Hokkaido, Japan
Diamond in you, Galleri Andersson/Sandstrom, Stockholm, Sweden
Tatsuo Miyajima, BLD Gallery, Tokyo, Japan
Diamond in you, Buchmann Galerie, Berlin, Germany
2009 Pile Up Life, Lisson Gallery, London, UK
2008 38, Mongin Art Center, Seoul, Korea
Time Train, Kunsthalle Recklinghausen, Germany
Art in You, Art Tower Mito, Japan
2007
Fragile World, Buchmann Galerie Berlin, Germany
2006
Counter Fragile, SCAI THE BATHHOUSE, Tokyo, Japan
2005
Tatsuo Miyajima, Contemporary Art Centre South Australia, Adelaide
Beyond the Death, Contemporary Art Museum, Kumamoto, Japan
Tatsuo Miyajima, Lisson Gallery, London, UK
2004
Tatsuo Miyaijma, Museo d’Arte Contemporanea di Roma, Italy
2003
Tatsuo Miyajima, Galerie Javier Lopez, Madrid, Spain
Counter me on, Buchmann Galerie, Cologne, Germany
2002
White in You, SCAI THE BATHHOUSE, Tokyo, Japan
Count of Life, Artsonje Center, Seoul, Korea; Artsonje Museum, Gyeongju, Korea
2001
Changing Time with Changing Self, Galerie Buchmann, Cologne, Germany
2000
Totality of Life, Luhring Augustine Gallery, New York, USA
Counter Cafe, Benesse Communication Gallery, Tokyo, Japan
Counter pieces, Galerie der Stadt Stuttgart, Germany
Monism/Dualism, SCAI THE BATHHOUSE, Tokyo, Japan
MEGA DEATH: shout! shout! count!, Tokyo
Opera City Art Gallery, Japan
1 of 5
1999
Floating Time, Fuji Television Gallery, Tokyo, Japan
Galerie Buchmann, Cologne, Germany
Studio Casoli, Rome, Italy
Keep Changing, Connect with Everything, Continue Forever, Abbazia di San Zeno, Pisa,
Italy
Studio Casoli, Milan, Italy
1998
Floating Time, Center for Contemporary Art, Kitakyushu, Japan
Running Time, Johnson County Community College of Art, Kansas City, USA
Counter Room, Toyota Municipal Museum of Art, Japan
1997
Galerie Buchmann, Cologne, Germany
Counter Line, San Francisco Museum of Modern Art, USA
1996
Centre International d’Art Contemporain de Montreal, Canada
Time in Blue, Anthony d’Offay Gallery, London, UK
Time in Blue, Gallery Takagi, Nagoya, Japan
Big Time, Modern Art Museum of Fort Worth, USA; Hayward Gallery, London, UK
Time House, Oakville Galleries, Canada
Richard Gray Gallery, Chicago
Gallery Koyanagi, Tokyo, Japan
Tatsuo Miyajima, Galerie Froment & Putman, Paris, France
Tatsuo Miyajima, Fondation Cartier pour l’Art Contemporain, Paris, France
1995
Drawings and Mirrors, Anthony d’Offay Gallery, London, UK
Gallery Takagi, Nagoya, Japan
Running Time−Clear Zero, Queen’s House, Greenwich, London, UK
Running Time, Luhring Augustine Gallery, New York, USA
1994
Hanaburanko yurete, Nasubi Gallery (organised by Tsuyoshi Ozawa), ARTVIVANT,
Ikebukuro, Japan
Galerie Buchmann, Basel, Switzerland
Model, Gallery Takagi, Nagoya, Japan
1993
Running Time, Kunsthalle Zurich, Switzerland
1992
Opposite Circle, Gallery Takagi, Nagoya, Japan
133651, Iwaki City Art Museum, Fukushima, Japan
GROUP EXHIBITIONS
2011
Personal Structures, Palazzo Bembo, Venice, Italy
2010 Iwaki Art Triennale 2010, Japan
Light Show, Buchmann Galerie Lugano, Italy
Koizumi Yakumo – The Secret of Lafcadio Hearn, Contemporary Art Museum Kumamoto, Japan
Dreams, Mario Mauroner Contemporary Art Salzburg, Austria
2 of 5
Personal Structures Time-Space-Existence, Kunstlerhaus Palais Thurn & Taxis, Bregenz, Austria
Quartet – Four Biennials Reflected in Prints, International Centre of Graphic Arts, Ljubljana, Slovenia
My Favorites, National Museum of Modern Art Kyoto, Japan
2009
Twist and Shout: Contemporary Art from Japan, Bangkok Art and Culture Center, Thailand
101st Anniversary Works-in-Progress for Mihoya Glass, AXIS Gallery, Tokyo, Japan
Materia Negra, Mario Mauroner Contemporary Art, Vienna, Austria
Timecode, Dundee Contemporary Arts, Scotland, UK
Infinitum, Palazzo Fortuny, Venice, Italy
Meeting Point, 10th Havana Biennial, Cuba
Incidental Affair: Contemporary Art of Transient States, Suntory Museum, Osaka, Japan
WAR & ART?, Terror and Simulacrum of Beauty, Galerie Aube, Kyoto University of Art and Design, Japan
2008
Happiness in Everyday Life, Art Tower Mito, Japan
Prospect.1, New Orleans, USA
Dome, Hiroshima City Museum of Contemporary Art, Japan
2007
Beautiful New World: Contemporary Visual Culture from Japan, 798 Dashanzi Art District, Beijing, China; Guangdong Museum of Art, Guangzhou, China
Numerica, Palazzo delle Papesse Contemporary Art Centre, Siena, Italy
Artempo: Where Time Becomes Art, Palazzo Fortuny, Venice, Italy
Against the Clock, Instituto Valenciano de Arte Moderno, Spain
The Power of Expression, The National Art Center, Tokyo, Japan
2006
20 Artists in 20 Years, Museum of Contemporary Art, Sapporo, Japan
Beppu Project: Tatsuo Miyajima, Onpaku House, Beppu, Japan
The Future of Communication, Nagasaki Prefectural Art Museum, Japan
Pause, Duomo di Milano, Artache, Italy
Berlin / Tokyo, Neue Nationalgalerie, Berlin, Germany
2005
Lichtkunst aus Kunstlicht, ZKM, Karlsruhe, Germany
Homage Koji Enokura, Nagai Fine Arts, Tokyo, Japan
2004
2003
Bryce Wolkowitz Gallery, New York, USA
Yvon Lambert Gallery, New York, USA
A Grain of Dust, A Drop of Water, 5th Gwangju Biennale, Korea
Ars Electronica, Linz, Austria
Mediarena, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Winter Show, SCAI THE BATHHOUSE, Tokyo, Japan
2002
Emit Time, Zytglogge, Bern, Switzerland
Verweile doch…, Stadtische galerie im Lenbachhause und Kunstbau Munchen, Germany
Attitude 2002, Contemporary Art Museum, Kumamoto, Japan
2001
Twelve Japanese Artist from the Venice Biennale 1952-2001, Art Tower Mito, Japan
Hommes et Robots, Palais de Tokyo, Paris, France
Happiness, A Survival Guide for Art and Life, Mori Art Museum, Tokyo, Japan
3 of 5
The Unfinished Century: Legacies of 20th Century Art, The National Museum of Modern Art, Tokyo, Japan
Silence of the City, Gwangju City Art Museum, Korea
Art for the Sprit, Hokkaido Museum of Modern Art, Japan
Facts of Life, Hayward Gallery, London, UK
The Standard, Naoshima Contemporary Art Museum, Kagawa, Japan
Black Box, Kunstmuseum Bern, Switzerland
Reflection, Kawamura Memorial Museum of Art, Sakura City, Japan
Art in Technological Times, San Francisco Museum of Modern Art, USA
2000
Shanghai Biennale, Shanghai Art Museum, China
Gendai: Japanese Contemporary Art – Between the Body and Space, Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
Orbis Terrarum, Museum Plantin-Moretus, Antwerp, Belgium
Yume no Ato: Contemporary Art from Japan, Haus am Waldsee, Berlin, Germany; Staatliche Kunsthalle, Baden-Baden, Germany
Game Over, Watari Museum of Contemporary Art, Tokyo, Japan
Piece of Universe / Piece of Time, Niigata City History Museum, Japan
Das funfte Element – Gelt oder Kunst, Kunsthalle Dusseldorf, Germany
Time, NOB Gallery, Okazaki, Japan
1999
Kunst-Welten im Dialog: von Gauguin zur globalen Gegenwart, Museum Ludwig Koln, Cologne, Germany
3rd Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane, Australia
KRONOS&KAIROS, Museum Fridericianum, Kassel, Germany
Whither the Arts?, Japan Pavilion, 48th Venice Biennale, Italy
Signs of Life, Melbourne International Biennial
Prime, Dundee Contemporary Arts, Scotland, UK
1998
Hikari-areba, Chiba City Museum of Art, Japan
The Edge of Awareness, World Health Organisation, Geneva; touring exhibition (international)
Gene Worlds, Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
Over the Everyday, Museum of Shanghai, China
Site of Desire, Taipei Biennial, Taiwan
Donai Yanen!, Ecole Nationale Superieure des Beaux-Arts, Paris, France
Is This Art?, Kawamura Memorial Museum of Art, Sakura, Japan; Art Tower Mito, Japan
Taste and Pursuits: Japanese Art in the 1990s, National Gallery of Modern Art, New Delhi, India; Metropolitan Museum of Manila, Philippines
1997
Into the Light, Kyoto Municipal Museum of Art, Japan
Histoire de voir, Fondation Cartier pour l’art contemporain, Paris, France
The magic of numbers, Staatsgalerie Stuttgart, Germany
1996
Project for Survival, National Museum of Modern Art, Kyoto, Japan; National Museum of
Modern Art, Tokyo, Japan
Art Scene 90-96, Art Tower Mito, Japan
Entgrenzung, Galerie Buchmann, Cologne, Germany
Red Gate, Museum van Hedendaagse Kunst Gent, Belgium
Video Art Saizensen, Kitakanto Museum of Fine Arts, Gunma, Japan
4 of 5
Against, Anthony d’Offay Gallery, London, UK
Urban Evidence, Cleveland Museum of Art, USA
Requiem: Koji Enokura and 33 Artists, Kawaguchi Museum of Contemporary Art, Japan
Emits Light, Moves, Makes Noises: Non-Static Art in the 20th Century, Museum of Modern Art, Wakayama, Japan
Tranquility, Chiba City Museum of Art, Japan
1995
Orientation, 4th Istanbul Biennial, Turkey
Ripple Across the Water ‘95, Watari Museum of Contemporary Art, Tokyo, Japan
Japan Today, Louisiana Museum, Humlebaek, Denmark
Japanese Culture: The Fifty Postwar Years, Meguro Museum of Art, Japan
Resurrection of Topos 1, Hillside Terrace, Daikanyama, Tokyo, Japan; Oxy Gallery, Osaka, Japan; Shimin Plaza, Toyama, Japan
Art Japan Today, Museum of Contemporary Art, Tokyo, Japan
1994 Cocido y Crudo, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Art Today 1994, Sezon Museum of Modern Art, Karuizawa, Japan
Jetzteit, Kunsthalle Wien, Vienna, Austria
Gaze, Carre des Arts du Parc Floral de Paris, France
Multiples Dimensions, O Museo Temporario, Lisbon, Portugal
Time / Art, The Museum of Modern Art, Otsu, Japan
Cosmovision, Kukje Gallery, Seoul, Korea
Japanese Art After 1945: Scream Against the Sky, Yokohama Museum of Art, Japan
Of the Human Condition: Hope and Despair at the End of the Century, Spiral, Tokyo, Japan
1993
Oita Contemporary Art Exhibition ‘93, Japan
Taejon Expo, Korea
Azur, Fondation Cartier pour l’Art Contemporain, Paris, France
1992
Performing Objects, Institute of Contemporary Art, Boston, USA
Art at the Armory: Occupied Territory, Museum of Contemporary Art, Chicago, USA
Functions of Language in Contemporary Art, Museum of Modern Art, Shiga, Otsu, Japan
5 of 5
TOM NICHOLSON
1973
Born in Melbourne, Australia.
Lives and works in Melbourne, Australia.
SOLO EXHIBITIONS
2011 Drawings and correspondence, Anna Schwartz Gallery, Melbourne, Australia
2010 Camp Pell Lecture, collaboration with Tony Birch, Artspace, Sydney, Australia
2009 Lines towards another century, collaboration with Andrew Byrne, performed by L’Arsenale, Media Art Bath, Parco delle Rimembranze, Venice, Italy
2008 Lines towards another century, collaboration with Andrew Byrne, performed by Elysian Quartet, Media Art Bath, The Holburne Museum, Bath, UK
2007
After action for another library, Te Tuhi Centre for the Arts and Pakuranga Library,
Auckland, New Zealand
Documents from a banner marching project 2004-2007, Ocular Lab, Melbourne, Australia
Traces towards four Coranderrk drawings in a Berlin store-room, Plattform, Berlin,
Germany
After action for another library, Anna Schwartz Gallery, Melbourne, Australia
Flag Time: Marat at his last breath, Ocular Lab, Melbourne, Australia
2004
22.06.1911/30.10.2004: Documents after Marching Season, IASKA, Kellerberrin, Australia
2003
After action for another library, Humboldt University, Berlin, Germany
Stills from an archive into five actions, Australia Centre, Berlin, Germany
Fragments from an archive into five actions, West Space, Melbourne, Australia
2002
Documents after five actions, Kapelle der Versohnung, Berlin, Germany
2000
After Dili Action, West Space, Melbourne, Australia
1999
Collaborative Project: A Syntax into Six Landings, (with John Abbate), Public Office,
2006
GROUP EXHIBITIONS
2012
Parallel Collisions, Adelaide Biennial, Art Gallery of South Australia, Adelaide, Australia
ISurviving the future, Murmansk Art Museum, Russia
2011 Second World, Galleria Nova, Zagreb, Croatia; Steirischer Herbst, Graz, Austria
Without Words: Photography and Emotion, Centre for Contemporary Photography, Melbourne, Australia
2010
Rehearsal, 8th Shangahi Biennale, China
Last Ride in a Hot Air Balloon, 4th Auckland Triennial, New Zealand
Animism, Extra City and MUHKA, Antwerp, Belgium
1 of 3
To the Arts, Citizens, Serralves Museum, Porto, Portugal
Kent State: For Decades Later, University Art Gallery, University of Sydney, Australia
Still vast reserves II, Gertrude Contemporary Art Spaces, Melbourne, Australia
Duetto, collaboration with Tony Birch, Australian Experimental Art Foundation, Adelaide, Australia
The Art of War, CEPA, Buffalo, USA
Word, Anna Schwartz Gallery, Sydney, Australia
2009 Still vast reserves, Galleria Magazzino d’Arte Moderna, Rome
West Brunswick Sculpture Triennial, (with Raafat Ishak), various locations, Brunswick, Melbourne, Australia
Erased: Contemporary Australian Drawing, Nanyang Academy of Fine Arts Gallery, Singapore
The Gift, ICAN, Sydney, Australia
+/-, Monash University Museum of Art, Melbourne, Australia
2008
Since we last spoke about monuments, Stroom Den Haag, The Hague, Netherlands
The Melbourne Prize for Urban Sculpture Finalists Exhibition, Federation Square, Melbourne, Australia
Form and discontent, collaboration with Raafat Ishak, Dont come, Melbourne, Australia
casa roja, collaboration with Domenico de Clario, The Artist in the World, Federation Hall, Centre for Ideas, Victorian College of the Arts, Melbourne, Australia
2007 Regarding Fear and Hope, Monash University Museum of Art, Melbourne; Faculty Gallery, Monash University, Melbourne, Australia
System error: War is a force that gives us meaning, Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy
Proposition for an action with banners and a black cube hot air balloon, collaboration with Raafat Ishak, Arden Street Football Ground, North Melbourne, Australia
Odradek, collaboration with Domenico de Clario, Faculty Gallery, Monash University, Melbourne, Australia
2006
2005
Zones of contact, 15th Sydney Biennale, Pier 2/3, Sydney, Australia
Transversa, The South Project, Museum of Contemporary Art and Galeria Metropolitana,
Santiago, Chile
Trinity Nine, Ocular Lab project, Trinity College, Melbourne, Australia
Endgame: Late-capitalist Realism, (with Andrew Byrne), Margaret Lawrence Gallery,
Victorian College of the Arts, Melbourne, Australia
New Social Commentaries, Warrnambool Art Gallery, Australia
Ghosts of self and state, Monash University Museum of Art, Melbourne, Australia
Banners held high: The 150th Anniversary of May Day/Labour Day, The Cross Art Project,
Sydney, Australia
The body. The ruin, The Ian Potter Museum of Art, University of Melbourne, Australia
The Melbourne Prize for Urban Sculpture, Federation Square, Melbourne, Australia
course, (with Jan Svenungsson), Ocular Lab, Melbourne, Australia
Re/thinking, Bus Gallery, Melbourne, Australia
Ocular Lab: 12, Spacement, Melbourne, Australia
2 of 3
2004
2003
From Space to Place, Perth Institute of Contemporary Arts, Australia
2004: Australian Culture Now, (with Raafat Ishak), National Gallery of Victoria, Melbourne,
Australia
NEW04, Australian Centre for Contemporary Art, Melbourne, Australia
Performance anxiety, Ocular Lab, Melbourne, Australia
Curiosity kills the gab, Artspace, Auckland, New Zealand
Feedback: Art, Social Consciousness, and Resistance, Monash University Museum of Art,
Video Loop: Actions, Performance Space, Sydney, Australia
2001
The Office of Utopic Procedures, West Space, Melbourne, Australia
The Stolen Generations Memorial Competition, collaboration with Louisa Bufardeci,
Museum of Victoria, Melbourne, Australia
2000
Critical Response, Ivan Dougherty Gallery, College of Fine Arts, University of New South
Wales, Sydney, Australia
Action/Recollection: Here the body is, West Space, Melbourne, Australia
Drawing: The Extended Field, Margaret Lawrence Gallery, Victorian College of the Arts,
1997
Drawing in the 90s, Sutton Gallery, Melbourne, Australia
3 of 3
KATIE PATERSON
1981
Born in Glasgow, Scotland, UK.
Lives and works in Berlin, Germany.
SOLO EXHIBITIONS
2012 Haunch of Venison, London, UK
FOCUS, Modern Art Museum of Fort Worth, USA
2011 PKM, Seoul, Korea
100 Billion Suns, Haunch of Venison and AnOther Magazine, (collateral project), 54th
Venice Biennale, Italy
James Cohan Gallery, New York, USA
2010 Streetlight Storm, Deal Pier, East Kent, with Turner Contemporary and Whitstable Biennale, UK
Every Night About This Time, Whitstable Biennale, UK
Streetlight Storm, Deal Pier, East Kent, UK
2008 Albion, London, UK
Encounters: Katie Paterson, Modern Art Oxford, UK
Langjokull, Snafellsjokull, Solheimajokull, R O O M, London, UK
2007
Matthew Bown Gallery, London, UK
GROUP EXHIBITIONS
Exposure: Matt Keegan, Katie Paterson, Heather Rasmussen, The Art Institute of
Chicago, USA
Meer licht (More light), Museum de Fundatie, Zwolle, The Netherlands
Seeing is Knowing: the Universe, Perlman Teaching Museum, Weitz Center for Creativity,
Carleton College, Northfield, Minnesota, USA
Outrageous Fortune: Artists remake the Tarot, Hayward Touring/Focal Point Gallery, UK
Incheon Woman Artist’s Biennale, Korea
Nuit Blanche, Paris, France
Mystics or Rationalists?, Ingleby Gallery, Edinburgh, Scotland, UK
As the World Turns, Anna Schwartz Gallery, Sydney, Australia
Constellations, Cornerhouse, Manchester, UK
Wild Sky, Edith-Rus-Haus fur Medienkunst, Oldenburg, Germany
Space. About a Dream, Kunsthalle Wien, Vienna, Austria
2010 Transmission, Haunch of Venison, London, UK
Cage Mix, BALTIC, Gateshead, UK
Systematic, 176, London, UK
Whitstable Biennale, UK
Wouldn’t a Title Just Make It Worse?, Central Reservation, Bristol, UK
noire et pourtant lumineuse, Matthew Bown Gallery, Berlin, Germany
2009
PERFORMA 09, New York, USA
Life-forms, Bonniers Konsthall, Stockholm, Sweden
2011
1 of 2
Universal Code, The Power Plant, Toronto, Canada
Earth-Moon-Earth, Lakeside, Nottingham, UK
Altermodern, Tate Triennial 2009, Tate Britain, London, UK
Dead Air, FRAC Collection Aquitaine, France
2008
Flow, CCAndratx, Mallorca, Spain
ARTfutures, Bloomberg Space, London, UK
2 of 2
ELISA SIGHICELLI
1968
Born in Turin, Italy.
Lives and works in Turin, Italy.
SOLO EXHIBITIONS
2011 Elisa Sighicelli, Artist Videos 2005-2010, Museo d’Arte Moderna di Bologna, Italy
Masso Erratico, commissioned by Eco e Narciso, Galleria Civica D’Arte Moderna e
Contemporanea, Turin, Italy
2010 The Party is Over, Gagosian Gallery, New York, USA
Imaginary Time, Meteorite in Giardino 3, Fondazione Merz at the Planetarium, Turin, Italy
2009 Always the Sun, commissioned by Fondazione FORMA in collaboration with Fondazione Sandretto Re Rebaudengo, Ospedale Infantile Regina Margherita, Turin, Italy
Seomi & Tuus Gallery, Seoul, Korea
2008 Flinders University City Gallery, Adelaide Bank Festival of Arts
2007
Galleria Civica D’Arte Moderna e Contemporanea, Turin, Italy
2006
The River Suite, Gagosian Gallery, London, UK
Phi, Gio Marconi Gallery, Milan, Italy
2005
Cohan and Leslie, New York, USA
Sottovoce, Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy
2004
Pitfall, collaboration with Marzia Migliora, Galerie Zurcher, Paris, France; Narodni
Muzeum, Prague, Czech Republic
2003
Gagosian Gallery, London, UK
Fondation Salomon, Alex, France
2002 Cohan Leslie & Browne, New York, USA
2001
Frost, Gagosian Gallery, Los Angeles, USA
Frost, Gio Marconi Gallery, Milan, Italy
2000
Santiago, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain;
Centro de Fotografia, Universidad de Salamanca, Spain
Laure Genillard Gallery, London, UK
Nuits d’hotel, Galerie Zurcher, Paris, France; touring exhibition (France)
1999
Never Never Land, Galleria Carbone, Turin, Italy
Restheaven, Ffotogallery, Cardiff, Wales, UK
Not at Home, Gio Marconi Gallery, Milan, Italy
1998
Without world, Laure Genillard Gallery, London, UK
1 of 3
GROUP EXHIBITIONS
2012
Silences where things abandon themselves, Museum of Contemporary Art, Zagreb,
Croatia
2011 Alive She Cried, Galerie Zink, Berlin, Germany
Ecstatic, Vivid, Birmingham, UK
Lo Sguardo persistente, Galleria Civica D’Arte Moderna e Contemporanea, Turin, Italy
2010
VideoREPORT ITALIA: 08_09, Galleria Comunale d’Arte Contemporanea, Monfalcone, Italy
XVII. Rohkunstbau. ATLANTIS II, Hidden Histories – Imagined Identities, Schloss Marquardt, Potsdam, Germany
Urban Origami, PM Gallery & House, London, UK
Entre Glace et Neige, Centre Saint-Benin, Aoste, France
2009
Italian Pavillion, 53rd Venice Biennale, Italy
Baker’s Dozen Cafe, Gallery Project, London, UK
Art Video Lounge -Video Arte Italiana in Pescheria, Centro Arti Visive Pescheria, Pesaro, Italy
Another Air: Laure Genillard Gallery in Rome, Alessandra Bonomo, Rome, Italy
C4 Bunker, Centro Cultura Contemporaneo, Caldogno, Italy
2008
Women to Watch 2008, National Museum of Women in the Arts, Washington D.C., USA
Focus on Contemporary Italian Art, Museo d’Arte Moderna di Bologna, Italy
Mediterraneo 2008, Perna Foundation, Ravello, Italy
2007
Isobar, Fieldgate Gallery, London, UK
Apocalittici e integrati, MAXXI, Rome, Italy
Poi piovve dentro l’alta fantasia, Museo Marino Marini, Florence, Italy
Albedo: A New Perspective in Italian Moving Images, XII International Media Art Biennale WRO 07, Wroclaw, Poland; touring exhibition (international)
Italy 1980 – 2007: Tendencies of Contemporary Research, Vietnam Museum of Fine Arts, Hanoi, Vietnam
Le luci dell’arte: cinque artisti illuminano la Roma sotterranea, Case Romane San Paolo alla Regola, Rome, Italy
2006
Young Italian Artists at the Turn of the Millenium, Galleria Continua, Beijing, China
New Landscapes Italian Art Photography, HVB Kunst Palais, Munich, Germany
Destino Santiago, Instituto Cervantes, Sofia, Spain
VideoREPORT ITALIA: 04_05, Galleria Comunale d’Arte Contemporanea, Monfalcone,
Italy
2005
Barrocos y Neobarrocos, Domus Artium 2002, Salamanca, Spain
BYO: Bring your Own, MAN, Nuoro, Italy
Guardami, la percezione del video, Palazzo delle Papesse Centro Arte Contemporanea,
Siena, Italy
Aperto per lavori in corso, Padiglione d’Arte Contemporanea, Milan, Italy
2 of 3
Italian Camera, Isola di San Servolo, Venice, Italy
No Code, Slovak National Gallery, Bratislava, Slovakia
La miniatura dal settecento al video d’artista, Arte al Castello, Fondazione Torino Musei,
Italy
Agony and the Ecstacy, FACT, Liverpool, UK
The Mind is a Horse Part 2, Bloomberg Space, London, UK
XIV Quadriennale d’arte, Galleria Nazionale d’Arte Moderna, Rome, Italy
2004
De leur temps, Musee des Beaux-Arts, Tourcoing, France
Expo 21: Strategies of Display, Angel Row Gallery, Nottingham, UK; Mead Gallery,
Warwick Art Centre, Coventry, UK
2003
Montagna. Arte Scienza Mito, Museo di Arte Moderna e Contemporanea di Trento e
Rovereto, Italy
Liquid Sea, Museum of Contemporary Art, Sydney, Australia
Imago, Galleria Comunale d’Arte Contemporanea, Monfalcone, Italy
Up Close and Personal, Nottingham Castle Museum, UK
Le opere e i giorni, Certosa di San Lorenzo, Padula, Italy
Void, Yokohama Portside Gallery, Japan
Faiseurs d’histoires, Galerie du Theatre National de Bretagne, Rennes, France
Secrets in the Light of Day, Galeria Andre Viana, Porto, Portugal
2002
De Gustibus, Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy
No World Without You, Reflection and Identity in New British Art, Hertzliya Museum, Tel
Aviv, Israel
La GAM costruisce il suo futuro, Galleria d’Arte Moderna e Contemporanea, Turin, Italy
Wattage and Friendship, mullerdechiara, Berlin, Germany
Tell it as it is, Diehl Vorderwuelbecke, Berlin, Germany
2000
Out of Place, The Lowry, Manchester, UK
Residual Property, Portfolio Gallery, Edinburgh, Scotland, UK
Futurama, Centro per l’arte contemporanea Luigi Pecci, Prato, Italy
Images: Italian Art from 1942 to the Present, European Central Bank, Frankfurt, Germany
Le pratiche della percezione, Galleria Civica d’Arte Contemporanea, Trento, Italy
Is There Anyone Home?, Gallery Westland Place, London, UK
1999
Something Old, Something New, Something Borrowed, Something Blue, Casa Masaccio,
San Giovanni Valdarno, Italy
XIII Quadriennale d’arte, Palazzo delle Esposizioni, Rome, Italy
Word Enough to Save a Life, Word Enough to Take a Life, Dilston Grove, London, UK
Privacy, Project United, Kreuzlingen, Switzerland
1998
Close to Home, U.F.F. Galeria, Budapest, Hungary
Instruments of Deceit, Gasworks, London, UK
Sightings: New Photographic Art, Institute of Contemporary Arts, London, UK
Winter Sale, Trade Apartment, London, UK
3 of 3
GULUMBU YUNUPINGU
1945
Born in Gunyungarra, North East Arnhem Land, Australia.
Lives and works in Gunyungarra and Yirrkala, Australia.
SOLO EXHIBITIONS
2011 All About Art: Annual Collectors’ Exhibition, Alcaston Gallery, Melbourne, Australia
2009 Heavens Above!, ACGA Gallery, Federation Square, Melbourne, Australia
2008 Stellar by Starlight, Alcaston Gallery, Melbourne, Australia
2007 Star Works, Alcaston Gallery at Depot Gallery, Sydney, Australia
2006
Gulumbu Yunupingu, Alcaston Gallery, Melbourne, Australia
2004
Garak, The Universe, Alcaston Gallery, Melbourne, Australia
GROUP EXHIBITIONS
2010
All About Art: Annual Collectors’ Exhibition, Alcaston Gallery, Melbourne, Australia
The Beauty of Distance: Songs of Survival in a Precarious Age, 17th Biennale of Sydney,
Museum of Contemporary Art, Sydney, Australia
2009 Alcaston Gallery: 20 Years Survey Show, Depot Gallery, Sydney, Australia
26th National and Aboriginal Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, Darwin, Australia
Floating Life: Contemporary Fibre Art, Gallery of Modern Art, Brisbane, Australia
After Berndt, Etchings from the Drawings, Mossenson Gallery, Perth, Australia
Beyond Visibility: light and dust, Monash Gallery of Art, Wheelers Hill, Australia
Larrakitj: Kerry Stokes Collection, Art Gallery of Western Australia, Perth, Australia
2008
An Ever Expanding Universe, Perth Institute of Contemporary Arts, Australia
Land, Sea and the Universe, Alcaston Gallery, Melbourne Art Fair, Australia
Power and beauty: Australian Indigenous art since 1990, Heide Museum of Modern Art, 2007
Culture Warriors, National Indigenous Art Triennial, National Gallery of Australia, Canberra, Australia
Togart Contemporary Art Award, Parliament House, Darwin, Australia
One Sun, One Moon: Aboriginal Art in Australia, Art Gallery of New South Wales, Sydney, Australia
The Roving Eye, Gallery 1601, Washington D.C., USA
2006
The Roving Eye, Gigantic Art Space, New York, USA
1 of 2
2005
Transformations: The Language of Craft, National Gallery of Australia, Canberra, Australia
Yakumirri, Raft Artspace, Darwin, Australia
22nd National and Aboriginal Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, Darwin, Australia
Yakumirri, People who have a name, Raft Artspace, Darwin, Australia
2004
21st National and Aboriginal Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, Darwin, Australia
2003
Garma Festival, Gulkula, Australia
Marwat, recent work from Buku-Larrnggay Mulka Printmakers, Alcaston Gallery, Melbourne, Australia
2002
Gapan Gallery, Garma Festival, Gulkula, , Australia
2001
Yirrkala, Alcaston Gallery, Melbourne, Australia
Yirrkala Screenprints, Northern Territory University, Darwin, Australia
2000
Expo 2000, Hanover, Germany
2 of 2

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