Notes

Notes
September-December 2003
CAMPAIGN UPDATE
David Cerone, President
Good News! Good News!
The Campaign for CIM passes the $25 million mark!
The Campaign for CIM exceeded $25 million in late June 2003 with a total
attainment of $25,368,212 toward the $40 million goal. Of this
total, 51% has come from individuals, 45% from foundations, 3% from
government, and 1% from corporations. The Campaign Cabinet, headed by
Co-Chairs Richard W. Pogue and Barbara S. Robinson, along with CIM Chairman A. Malachi Mixon, III and President David Cerone, are pleased with the
progress so far, particularly in light of extremely difficult economic and
fundraising climates.
APPOINTMENTS
Sotos Djiovanis (B.M., 2000, M.M., 2001, oboe)
Student of John Mack
Oboe, Naples Philharmonic
Miró String Quartet
Darcy Hamlin (M.M., 1994, horn)
Student of Eli Epstein
Third Horn, Milwaukee Symphony
Design Architect Charles Young spoke at CIM’s Annual Meeting in July about
the preliminary plans, which include the construction of two wings, one on
the southeast and one on the southwest corner of the existing building. The
facade of the existing building will not be altered so that the majority of the
large spacious windows will be preserved. Each of the wings will include
new entrances with full accessibility for handicapped individuals.
Elena Hirsu (B.M., 2002, violin)
Student of Donald Weilerstein
Violin Fellow, Montgomery (AL) Symphony Orchestra
The Recital Wing, constructed on the southwest (East Boulevard) corner
of the building, will include the new recital hall and lobby. The Practice
Wing, constructed on the southeast corner, will include practice rooms,
administrative offices, a Distance Learning Center, and an Audio Recording/Media Center.
Nathan Hughes (B.M., 1998, oboe)
Student of John Mack
Principal Oboe, Seattle Symphony
Theodore Kuchar (B.M., 1982, viola)
Student of Edward Ormond and Robert Vernon
Music Director, Reno Chamber Orchestra
Phasing of the construction will allow for uninterrupted activity, particularly within the Distance Learning Center. The Practice Wing will be
constructed first. Next, several administrative offices will be moved from the
existing facility, allowing for those rooms to be converted back to their original use–faculty studios. The Distance Learning Center will move to its
expanded space in the new Practice Wing, allowing for its existing home in
Le Pavillon to be demolished for the new Recital Wing.
Johnny Lee (M.M., 2003, violin)
Student of William Preucil
Assistant Concertmaster, Charlotte Symphony
Miró String Quartet–Daniel Ching (M.M., 1998, violin), student of Donald
Weilerstein; Satoko Yamamoto (B.M., 1996, M.M., 1998, violin), student
of Donald Weilerstein and David Cerone; John Largess, viola; and Joshua
Gindele, cello student of Richard Aaron
Faculty String Quartet, University of Texas at Austin
The design phase, which began in January 2003, is expected to last 20 months.
With no delays, construction could begin in the Fall of 2004 and be completed by the Fall of 2006. Considerable time and energy are presently focused on finalizing the costs of the project so that, once construction begins,
project expenses can be kept on budget.
CIM Makes its Mark
When the results had been tabulated, CIM students and graduates were
declared the winners of three internationally recognized competitions:
2003 Fischoff National Chamber Music Association:
Grand Prize–Verklärte Quartet
Walter W. Naumburg International Violin Competition:
First Prize–Frank Huang
2003 William Kapell International Piano Competition:
First Prize–Ning An
Huang
An
The Verklärte Quartet won the Gold Medal in the
Fischoff ($3000) and the Grand Prize ($5000 and an
Italian tour in the summer of 2004). The Quartet is
coached by Peter Salaff, Director of String Chamber
Music at CIM, and the Cavani String Quartet,
ensemble in residence at the Institute. The competition, founded in 1973, encourages young people to
pursue chamber music study and performance.
Quartet members are Dale Barltrop (P.S., 2003,
violin), student of William Preucil; Sarah Crocker,
violin student of David Updegraff; Matthew Young,
viola student of Robert Vernon; and Stephen Fang
(B.M., 2003, cello), student of Richard Aaron. The
Bronze Medal ($1000) went to the Harding Trio–
Rachel Harding, violin student of Linda Cerone;
Maaike Harding, cello student of Richard Aaron;
and Rebecca Harding, piano student of Kathryn
Brown. The Trio was coached by Kathryn Brown,
Anita Pontremoli and Peter Salaff.
Frank Huang (B.M., 2002, violin) received a $10,000
cash prize for winning the Naumburg Competition,
in addition to two fully subsidized recitals at
Lincoln Center’s Alice Tully Hall, twenty recital and
orchestral appearances throughout the United
States, a recording on the Musical Heritage Records
label, and a work commissioned for solo violin by
Donald Martino. Third Prize in the Competition,
$5000, was won by Sharon Roffman (B.M., 1999,
M.M., 2001). Both Mr. Huang and Ms. Roffman were
students of Donald Weilerstein at CIM.
Ning An, who studied in the Young Artist Program
with Olga Radosavljevich, received $20,000 for
winning first place in the Kapell. The competition
celebrated its 25th anniversary this year.
Hamlin
Lee
HONORS
Monica Steger (B.M., 1995, flute and theory)
Student of Mary Kay Fink and Marshall Griffith
Fulbright Scholar, Steuben-Schurz Gesellschaft Award to research the
development of Christoph Graupner’s cantatas at the Hesse-Darmstadt court
(1709-1760).
COMPETITIONS
Aubrey Foard
Tuba student of Ronald Bishop
First Prize, $1000, performance during the 2003-2004 season,
Skokie Valley Symphony Concerto Competition
D. Joshua Roman
Cello student of Richard Aaron
Third Prize and $1500, Irving M. Klein International String Competition
Larry Dattilio
Verklärte
Quartet
Djiovanis
Foard
Roman
LE G A C Y
SOCI ETY
CIM Celebrates
Fundraising Success
CIM Trustees
Take to the Airwaves
for the Legacy Society
Jim Kozel
At CIM’s Annual Meeting on July 8, David Lauderback,
chairman of the Institute’s Development Committee,
announced the success of the 2002-2003 Annual Fund
Campaign with an attainment of $1,281,710. The year’s goal
was $1,275,000. As was true for many
area non-profit institutions, 20022003 was an especially challenging
year for fundraising. Lauderback
noted: “As of June 1, we still had a
significant amount yet to be raised.
But, with the extraordinary efforts of
trustees and the community, by June
30, we had reached our goal. Thanks
to all of you for the important role
you played in this effort! Our results
show that CIM is important to this
community and is worthy of its
ongoing support, even in these tough
Marston
economic times.”
Mr. Lauderback led successful
Annual Fund Campaigns for the past two years during his
tenure. A Vice President at A.T. Kearney, Inc., he is relocating to Florida this fall with the company.
Charles S. Marston, Vice President at UBS Financial Services, has assumed the leadership of the Development
Committee for 2003-2004. He previously served on the
committee as chairman of Corporate Giving and has been
a member of the cabinet for The Campaign for CIM, the
Institute’s building expansion and endowment project.
The Annual Fund goal for 2003-2004 is $1,300,000.
The David and Inez Myers
Foundation Steps Forward
In addition to providing much needed support to CIM’s
Annual Fund, the David and Inez Myers Foundation made
a generous pledge of $200,000 to The Campaign for CIM
in June 2003. According to Foundation President, Lee
Kohrman, “CIM is a great institution that is part of the
cultural fabric of Cleveland. The Trustees of the Myers
Foundation believe the Institute has wonderful management, and the faculty is a matter of great pride to this city.
All in all, it’s one of those sterling Cleveland institutions
that deserves the support of all people of good will.”
David and Inez Myers’ support of CIM’s
Annual Fund lasted nearly 20 years during
their lifetime, and then afterward, through the
support of the David and Inez Myers Foundation. The Myers family legacy also lives on
through the involvement of their son, Dieter,
and his wife, Bonnie. Dieter and Bonnie Myers
not only make personal philanthropic gifts to
CIM, but they also give of their time and can be
seen at the Institute often, volunteering for the
Cleveland International Piano Competition and
the CIM Women’s Committee.
David and Inez Myers
IN MEMORIAM
Frank E. Taplin,
Chairman of the CIM
Board of Trustees from
1953-1956, died in May at
age 87. Devoted to philanthropy, Mr. Taplin was a
CIM Board member from
1947-1962 and an
honorary trustee for
the rest of his life.
A graduate of Princeton
University, Frank Taplin
was a trustee of the
Institute of Advanced
Study for more than thirty
years. He was president
and CEO of the Metropolitan Opera and helped
oversee the capital
campaign to celebrate the
opera’s 100th anniversary.
He was also president of
The Cleveland Orchestra
Board of Trustees.
Members of the Legacy Society are helping to ensure a bright
future for CIM through their planned gifts, and while bequests
are the most typical planned gift, charitable gift annuities have
become very popular, because they make such good sense.
Both Jane Post and Dick Manuel have created charitable gift
annuities with CIM, and John Shelley, as Chairman of CIM’s
Planned Giving Program, is an expert in the area of estate
planning and charitable giving. So, it was easy for them to tell
WCLV listeners how CGA’s can provide support to CIM while
creating secure life income for the donor. As a result of the ad
spots, CIM received a number of inquiries about CIM’s Gift
Annuity Program and requests for proposals.
Bravo, Jane, Dick, and John! The ads will air again during the
coming fall season. If you would like information about how a
charitable gift annuity can enable you to help CIM while
providing financial security for life, call Jim Kozel at 216-7953168, or email Jim at [email protected].
John
Shelley
and
Jane
Post
Mr. Taplin was an
experienced pianist in
classical and jazz and
performed regularly,
being a member of the
American Federation
of Musicians. He was a
member of the American
Bar Association and
a director of the
Association of American
Rhodes Scholars.
David Cerone, CIM
President, reminisced,
saying, "Frank Taplin, the
philanthropist, is legendary, but additionally for
me, he was one of a
handful of the most
passionate music lovers
it has ever been my
pleasure to meet.
I performed chamber
music with this remarkable renaissance man on
numerous occasions,
and each time it was a
glorious adventure in
musical collaboration and
intellectual exchange."
Trustee Additions
Patrick S. Mullin, managing partner of Deloitte and Touche (Cleveland office) and
Karin Stone, Senior Vice President, Corporate Marketing at National City Corporation,
joined the CIM Board of Trustees this year. Ted Brown and Graham Grund were named
Honorary Trustees.
Mullin
For a few months this past spring, you may have heard the
voices of CIM trustees Jane Post, Dick Manuel, and John
Shelley talking about the benefits of charitable gift annuities
(CGA’s) on WCLV. The photos were taken while they were at
the WCLV studios recording the ad spots. It was a rare
opportunity to get behind the scenes at WCLV, and everyone
had a thoroughly good time.
Patrick Mullin specializes in compensation planning for high net-worth individuals, estate and gift tax planning and investment review and analysis. Active
in community affairs, Mullin is chairman of the board of the Downtown Cleveland Partnership, a member of the board of trustees for the Cleveland City Club,
the Greater Cleveland Roundtable, Leadership Cleveland, the Western Reserve
Historical Society and the Kent State University Foundation. "I'm delighted to
join the Board of the Cleveland Institute of Music," states Mr. Mullin. "It is truly
an honor to be involved with an organization that has produced some of the
world's greatest musicians. I sincerely hope that in some small way I can contribute to CIM's future in the world of music."
In her role at National City Corporation, Stone has responsibility for all
line-of-business marketing, creative services, web marketing and corporate
advertising. Stone joined National City following a career spanning nearly
two decades, first with American Express Company and then Ford Motor
Credit Company. She most recently was vice president of Walker Digital
in California, the Internet invention and development company that aunched
Priceline.com. Stone has an M.B.A. from the Carlson School of Management
at the University of Minnesota and a B.A. in mathematics and accounting
from Gustavus Adolphus College in St. Peter, Minnesota. Karin Stone
Stone
affirms: "In my short time as a trustee, I have found CIM is 'by any measure,
exceptional' because of the people. The commitment and talent of the students, faculty,
trustees, alumni and friends is unmatched, and I am proud to be associated with such
a terrific institution."
Dick
Manuel
with Mr.
Shelley
A Challenge
for The Campaign
for CIM!
Recognizing CIM’s impact on Summit County,
The GAR Foundation has a long history of
support for CIM, particularly with an endowed
Conservatory Scholarship and a second endowed
scholarship for ENCORE School for Strings.
Now, The GAR Foundation has stepped forward
to support The Campaign for CIM with a challenge
grant of $150,000 to help endow the expanded
facility. To receive the grant, CIM must raise
$150,000 earmarked for the building endowment
by June 30, 2004. In appreciation of this generous
grant from The GAR Foundation, President
David Cerone and his wife, fellow faculty
member, Linda Sharon Cerone, pledged their
support of the campaign and designated their
commitment toward The GAR Foundation’s
challenge grant.
2
Daniel Milner
STEINWAY SCHOOL
Faculty
Franklin Cohen, head of the
clarinet department and principal
clarinet of The Cleveland Orchestra, was the soloist with the
Orchestra in May, performing the
U.S. premiere of Rolf Wallin’s
Clarinet Concerto and the Weber
Concertino for Clarinet and
Orchestra. “A frequent soloist
with the group, Cohen is popular
with the audience for all the best
musical reasons.” (Akron Beacon
Journal)
Last spring, Steinway & Sons presented CIM with a plaque, proclaiming it
an “All-Steinway School” in celebration of the company’s 150th anniversary.
Headquartered in Astoria, New York, the company has created more than
560,000 pianos since its founding in 1853. The handcrafted Steinway piano
incorporates more than 120 patented innovations and 1000 details of design
and construction.
Visconti
BMI Winner
Daniel Visconti, composition student of Margaret Brouwer, was
named a winner in the 51st Annual BMI Student Composer
Awards for his work,”Nine Poems,” selected from 800 entries.
Mr. Visconti received an $1800 award at the ceremony in NYC.
In addition, this work won the 2003 Victor Herbert/ASCAP
Award (first place), receiving $1000. He also received the $250
Devora Nadworney Award for vocal writing at this competition. “Nine Poems” took first place in the Ohio Federation of
Music Clubs Young Composers Competition, with a cash prize
of $350. Christopher Serena, composition student of Margaret
Brouwer, won second place in the OMTA competition for his
piece, String Quartet No. 1.
2003-2004 CIM
NEW MUSIC
FESTIVAL
Don't just follow the path of musical
discovery – lead it! Learn about
tomorrow's next history making
composers at CIM's 2003-04 New
Music Festival. Margaret Brouwer,
head of the CIM composition
department, recipient of the 1999
Cleveland Arts Prize and composer
of many works, including a commission by the Ohio Bicentennial,
brings renowned composers to CIM
for performances of their works and
interactive discussions of their
musical styles and philosophies.
Guest composers, John Harbison
and Chen Yi will be in residence at
CIM during the concert season,
offering master classes and symposia. Their works will featured on the
October 8 (Harbison) and October
29 (Chen Yi) concerts, performed by
the CIM Orchestra.
Other visiting artists throughout
the year include Robert Dick, flute;
Marilyn Nonken, piano, and Aaron
Jay Kernis, composer. For a list of
Festival events this Fall, consult
pages 7 and 8.
Vieaux
John Mack, head of the oboe
department, was honored as the
Brevard Music Festival’s Distinguished Alumnus in July.
Daniel Shapiro, member of the
piano faculty, will perform
Mozart’s Concerto No. 27, K. 595
with the Mozart Classical Orchestra in California in September.
Paul Transue, opera program
assistant musical director and
head coach, performed the
William Hurlstone Trio in G Minor
for Piano, Clarinet and Bassoon at
the International Double Reed
Society Convention in Greensboro,
NC this past June.
Daniel Milner
Sally Coveleskie (second from right), the Steinway & Sons National
Director, Institutional Sales, represented the company at the presentation.
In attendance were Paul Schenly, head of the piano department (seated
at the piano); David Cerone; Jeffrey Krill, piano technician; Tony
Mastadonna, Director, Institutional Sales; and Ted Good (far right), owner
of Mattlin-Hyde Piano Company.
Transue
Kate Raudenbush
Jeffrey Irvine, the Fynette H.
Kulas Professor of Viola, was
invited to be a faculty coach for
the Youth Orchestra of the Americas’ first week of rehearsals at
Earth University in Costa Rica
last summer.
Trio Zanetti
Jason Vieaux, head of the guitar
department, will make his New
York debut at Merkin Hall on
November 8. He returns to New
Zealand at the end of November
to perform concertos with the
Auckland Philharmonia.
Trio Zanetti–Jeffrey Sharkey,
piano, Alison Wells, cello, and
Molly Fung, violin–will perform in
England in October at London’s
Trinity College of Music, Greenwich’s Royal Naval College, at the
Stratford-upon-Avon Festival and
at Leamington Hastings.
From the Dean’s Office
At Orientation this year, I asked the students to consider why they are here. I did not mean why they chose CIM or the city
of Cleveland as opposed to other fine cities and institutions, but what they hoped to gain from their time here.
I discussed the root words of higher education institutions. If we compare “university” to “conservatory,” we find the
following. The root of university is “universe”— opening the infinite possibilities of thought and research and stimulating
inquiry. This is a good root word.
The root of conservatory is “conserve,” which can have both a positive and a negative connotation. The good sense of
“conserve” is the passing on of a wonderful tradition of singing and playing, from one generation to the next. The negative
sense of “conserve” is to be a caretaker for a dead culture. If I had the chance to re-name these institutions, I’d like to call
them “discovertories.”
One way to avoid caretaking is to champion new music. There is much wonderful new
classical music to be composed, interpreted and championed. There is demand for the
latest art in every other media; the latest book from a favorite author, the latest movie,
Students must never lose
the latest gallery exhibition in trendy SoHo—so why can we not recreate this same
their capacity to try out
demand for new music? In fact it is already there. Recording companies are now focusing more on new compositions than ever before, and many can no longer afford to issue
new ideas and to inquire.
yet another recording of standard repertoire.
Another way to avoid caretaking is to regularly discover new ways of interpreting
older music—o avoid performing on “automatic pilot” or taking the same corners in
each performance, because they worked so well last time. Today’s student must also add historical awareness to performance of older music.
Students must practice and their major teacher is the key reason they are here, but that teacher is one resource, albeit the
primary one, for them to mine, to question and debate.
There are other resources available to students here, too. We have access through our Joint Program to the “universe” at
Case, we have our own library, and we have one another. These resources cannot be tapped if students spend all their time
sequestered in a practice room. They should listen to one another perform and come to master classes on other instruments
besides their own.
The best practicing is informed by ideas, by thought and concentration, not by automatic repetition.
Students will hopefully gain employment when they leave here (and many do so very successfully), but that is not why they
are here. This is a major fueling station to propel them in their lifelong discovery of music. Whatever combination they end
up doing, whether performing, teaching, administrating, they must never lose their capacity to try out new ideas and
to inquire.
At our conservatory, we shall do our utmost to ensure students have the educational fuel for life and to have the environment to be called a discovertory.
–Jeffrey Sharkey
3
Diana Vanucci
Chamber
Music Bonanza
Participants in the Young Composers Program learn from
Orianna Webb and Peter Gilbert.
Something to Write About
For a week in July, CIM hosted 13 talented young composers
from 11 states and provinces in the inaugural session of the
Young Composers Program. Co-Directors Peter Gilbert (M.M.,
2000) and Orianna Webb (M.M., 2000) and featured composer
Dr. Margaret Brouwer, chair of CIM’s composition department,
comprised the faculty of this exciting opportunity for composers
ages 13-18. Works by each student were presented in two final
concerts by Mary Kay Ferguson, flute; Liana Gourdjia, violin,
Michael Block, cello and Mark George, piano.
Webb explained, “We focus on giving students compositional
tools to enhance their skill, expanding students’ exposure to a
broad range of contemporary musical styles, and giving the
students practical experience in the preparation of works for
performance. Between private lessons, master classes, coachings
and small-sized classes, the personal attention is very intense.”
Gilbert raved about the students: “They were a remarkably
sophisticated group! We tackled a lot of very complex issues in
discussions as open and nuanced as one would expect from
college students. They bonded with one another immediately and
learned a great deal from each other.” David Wickland, 17, of
Toronto seemed to speak for all of the students when he said,
“I have taken so much from the YCP. It has been a thoroughly
enriching experience.”
This summer, CIM had a
strong presence in the
inaugural season of a new
music festival, The Perlman
Music Program’s Chamber
Music Workshop. Merry
Peckham, member of the
Cavani String Quartet,
ensemble-in-residence at
CIM, coached, gave
master classes, performed
with other faculty and
served as assistant to Toby
Perlman, the festival’s
director. For two weeks in
August on Shelter Island
NY, the Biava String
Quartet (graduates of
CIM), as well as five
current Conservatory
students, Young Artists
and Preparatory Division
alumni participated in this
exclusive experience.
CIM Perlman participants (clockwise from top left) included Hyun
Su Ko, Jacob Braun, Mary Persin, Katie Elder, Maaike Harding,
Rebecca Harding, Jessica Oudin, Abigail Evans, Carla Leurs,
Hannah Shields, Toby Perlman, Merry Peckham, Itzhak Perlman,
Rachel Harding, Austin Hartman and Josh Weilerstein. (not
pictured: Diana Cohen)
Alumni
Forrest Covington (B.M.,
1981, M.M., 1984, composition), student of Donald Erb
and Eugene O’Brien, and
Igor Korneitchouk (B.M.,
1980, M.M., 1981, composition), student of Donald
Erb, are featured on a new
CD of orchestral music by
emerging American
composers, Masterworks of
the New Era. Covington’s
“A Winter’s Poem” and
Korneitchouk’s “Three
Haiku & a Poem” are
included on the E.R.M
Media release.
James Diaz (M.M., 1995,
organ), student of Todd
Wilson, the 2000 winner of
the Dallas International
Organ Competition, is
heard on the Delos International label’s Organ Classics
in works by Bach, Dupré
and Vierne.
Monica Fosnaugh (B.M.,
1998, oboe), student of John
Mack, is one of six artistsin-residence with the
Kalamazoo Symphony
Orchestra.
Monica Houghton’s “Close
(Far)”, a work for violin,
cello, horn, piano and
percussion, received its
premiere at the Ernest Bloch
Music Festival in Newport,
Austin Jaquith’s Prelude
received its world premiere
in June, performed by the
Williamsburg Youth
Orchestra, and conducted
by Jeffrey Phelps (B.M.,
1999, cello, M.M., 2002,
orchestral conducting),
student of Richard Aaron,
Alan Harris and Carl
Topilow. Mr. Jaquith,
composition student of
Margaret Brouwer, earned
his Bachelor’s degree at
CIM in May.
Anton Kuerti (B.M., 1954,
H.DMA, 1996, piano),
student of Arthur Loesser,
performed a program of
works by Beethoven,
Mendelssohn, Schumann
and Czerny at Chamber
Music at Caramoor in July.
Lauren Piperno
The Cypress Quartet,
which includes CIM
alumni, Thomas Stone
(B.M., 1991, M.M., 1994,
violin), and Cecily Ward
(B.M., 1992, M.M., 1994,
violin), students of Donald
Weilerstein, has released a
new CD which “engagingly
transports the listener
through over 100 years of
string quartet music,
highlighting the works of
three composers–Haydn,
Ravel, and Schulhoff...The
result is an evocative and
wonderfully cohesive
program...that showcases
this quartet’s knack for
exploring contemporary
music while remaining
true to its motto, ‘“revitalizing tradition.’” (Strings
Magazine)
Oregon in June. “Erebus,”
for solo organ, composed
for Karel Paukert, was
performed at The Cleveland
Museum of Art in August.
Ms. Houghton (M.M., 2003,
composition), was a student
of Margaret Brouwer.
Kuerti
Jennifer Kuhn (B.M., 2001,
cello), student of Richard
Weiss, completed a monthlong tour of Japan with the
Percy Faith Orchestra in
June. She is a music copyist
for JoAnn Kane Music
Service in Los Angeles and
a freelance cellist.
Matthew Means (M.M.,
1999, P.S., 2002, violin),
student of Linda Cerone
and William Preucil, has
been appointed assistant
professor of music at Ft.
Hays State University (KS).
Wills Morgan (A.D., 1988,
M.M., 1991, voice), student
of George Vassos, is appearing in Jerry Springer–the
Opera at the Cambridge
Theatre in Covent Garden
in October. The hit show has
already played to sell out
audiences in London’s
West End and at the
National Theatre.
William Neil (B.M., 1977,
M.M., 1979, composition),
student of Donald Erb, has
been commissioned by
Northern Kentucky University to compose Scherzo at
the Speed of Light which will
receive its premiere in
October at NKU’s Festival
of New, performed by Betty
Douglas, flute, and the NKU
Wind Symphony.
Edith Roberts (B.M., 1960,
M.M., 1963, violin), student
of Giorgio Ciompi, performs
with the Fountain Hills
Chamber Players, a group
which she helped organize.
She recently retired from
teaching violin.
Nancy Nicholas Tomastik
(B.M., 1964, piano), student
of Ruth Edwards and
Arthur Loesser, composed
“Song of Mansfield” in
honor of Mansfield,
Connecticut’s 300th anniversary. It was debuted in June
at the concert, heralding the
city’s Tricentennial, conducted by Ms. Tomastik.
Valissa Willwerth (B.M.,
1993, M.M., 1995, violin),
student of Linda Cerone and
Martin Chalifour, performed
with the Philadelphia
Orchestra on its “Tour of
the Americas.”
Jasper Wood’s new CD,
featuring the music of
Igor Stravinsky, is being
released in September on the
“Endeavours Classics”
Allegra label. Mr. Wood
(B.M., 1995, M.M., 1996,
violin), student of David
and Linda Cerone, is accompanied by David Riley
(M.M., 1995, accompanying), student of Anne
Epperson.
Lyndon Woodside (B.M.,
1957, H.DMA, 1991, organ
and piano), student of
Arthur Loesser and Marie
Kraft, will mark the 30th
anniversary of his debut at
Carnegie Hall and 30th year
as music director of the
Oratorio Society of New
York. He is chief judge of
the annual Oratorio Society
Solo Competition.
Woodside
IN MEMORIAM
Francine Sherman (B.M.,
1981, M.M., 1982, horn),
student of Richard Solis,
died in May at age 42.
“During her student days,
Fran was known for her
sense of humor. But along
with the humor, there was
a persistent love of humanity and passion for music
that gave her the strength
to pursue a career in music
despite deafness in her
right ear. She was among
the first of her classmates
to find full-time work as
a hornist, and had the
courage to go to Mexico
to do so. Fran earned a
D.M.A. at the University
of Oklahoma in 1992 and
settled in South Carolina to
play and to teach. She was
active as a teacher and a
recitalist until recently.
She maintained close ties
to the Cleveland area
through regular visits to
former classmates, friends,
teachers, and CIM staff.
Fran is both greatly beloved
and greatly missed.”
—by Alan DeMattia
(M.M., 1980, horn), student
of Richard Solis.
Ohio Memory
Project Includes
CIM History
With a history spanning
more than eighty years, CIM’s
archives are brimming with
concert programs, photos and
other memorabilia chronicling
the four score years of
excellence in education and
performance at the school.
Now, all who have access to the internet can view historical
documents culled from the Institute’s files as part of the Ohio
Memory Project, an online scrapbook of Ohio history. The
online scrapbook brings together primary source materials
from more than 320 archives, historical societies, libraries,
and museums around the state. It contains more than 2,200
collections, which total more than 19,000 images.
CIM has eighteen submissions in the database. Log onto
http://www.ohiomemory.org to see the first CIM catalog from
1920-1921, a Cleveland Composers Concert program from
1928, a Relocation Campaign Booklet from 1959, and a
Suzuki program brochure from the 1980s.
The Ohio Memory Project is a cooperative effort supported
by the Institute for Museum and Library Services, the State
Library of Ohio, the Ohio Bicentennial Commission, OhioLINK
(the library consortium for higher education), the Ohio Public
Library Information Network, INFOhio (the library
network for K-12 schools), the Ohio Library Council,
4
and the Ohio Historical Records Advisory Board.
Preparatory
Tanya Groys joins the Suzuki piano faculty this year. She is a graduate of
the Moscow Musical College and the Moscow Conservatory. She taught
at the Moscow School of Music, and in the region, at the Broadway School
of Music, the University of Akron and the Fairmount Fine Arts Center.
Ms. Groys earned her Suzuki certification (Piano 1 through 7) at the
Chicago Suzuki Institute where she studied with Doris Koppleman.
Derek Nishimura, piano faculty, taught at the Kinhaven Music School
(VT) and performed the premiere of Allen Shawn’s Piano Sextet No. 2,
commissioned for the school’s 50th anniversary.
Arlene Simmonds Transue, voice faculty,
appeared in the title role in Rose Marie by Friml
at Ohio Light Opera.
Zeitlin
Louise Zeitlin, viola faculty, was awarded a
National Foundation for Advancement in the Arts
teacher recognition certificate, recognizing one of
her students who was in the top 10% of the 6550
applicants in the Arts Recognition and Talent
Search. Ms. Zeitlin taught at Brevard this summer.
Zeitlin
Gerardo Teissonnière, member of
the Preparatory piano faculty, (right,
front row) was Artist-in-Residence
at the Amati Music Festival (NY)
during the summer. His CIM
students were participants: Evan
Schreiber, Joyce Oh and Brian
Huser, shown with Festival founder
and co-director Alejandro
Mendoza and his sister Francisca
Mendoza, both CIM alumni and
former students of David Cerone.
Mr. Teissonnière performed the
Brahms Piano Quintet, while Joyce
received the Amati Award for
outstanding performance and
Rebecca Lee (not pictured) received
an award for outstanding progress.
Faculty
NEW FACULTY
Students are meeting new faculty this fall who are eager to impart their
knowledge with the young professionals at CIM.
David Bamberger will direct the opera scenes in February. He is General
Director of Cleveland Opera, which he has led since its founding in 1976.
He has staged 150 productions on three continents, including stagings
performed at Lincoln Center for the New York City Opera, the Los Angeles
Music Center, and for the National Opera in Santiago, Chile.
Jonathan Eaton will serve as Interim Opera Director. He serves as Associate
Professor of Opera at Carnegie Mellon University and has worked widely
in opera houses throughout North America and Europe, including at New
York City Opera, Chicago Lyric, San Francisco Opera, and the Royal Opera
Covent Garden.
Bruce Egre is the Interim Head of the Audio Recording department. He is
President and Chief Recording Engineer of Azica Records, a Clevelandbased record company specializing in classical, jazz and Latin music. He is
a lecturer at Case Western Reserve University in audio recording.
Orianna Webb (M.M., 2001, composition), student of Margaret Brouwer,
joins the composition department. Ms. Webb taught music theory at Yale
University and theory and composition in the Yale College and CIM
Preparatory Division. She is a founding faculty member of the Young
Composers Program at CIM.
Virginia Weckstrom will be teaching sonata class and coaching chamber
music. She has been a member of the artist faculty at the Aspen Music
School and Festival since 1980 and was a former piano teacher and director
of the chamber music program for ten years at the Residential College of
the University of Michigan.
New
Leadership
Anne Mateyo is the new Director of
the Preparatory and Continuing
Education Division. A violist with a
Bachelor’s degree in music education
from CWRU, Ms. Mateyo combines
her teaching experience in the
Cleveland Heights-University Heights
Schools with her leadership expertise
as immediate past president of the
Cleveland Chamber Music Society.
Mateyo
Ms. Mateyo is the principal violist of
the Suburban Symphony and performs regularly as a chamber
musician. She served on the boards of
the Cleveland Music School Settlement, CIM Women’s Committee and the
Women’s Committee of The Cleveland Orchestra.
“My goals as director of the Preparatory and Continuing Education Division,”
says Anne Mateyo, “are to support the fine offerings that exist in this musical
institution of international standing with an efficient infrastructure and to
develop a curricular program that directly embraces and supports the musical
standards and breadth of study in the Conservatory.”
(left to right) Marla Berg,
Cynthia Skelley, Tracy Labrecque,
Mary Schiller, Brittany Hicks,
Heidi Dill, Christina Hall, Paul Clarke
Mirella Freni (left) with Mary
Schiller, CIM voice faculty member
Voice Lessons on the Adriatic
What better way for singers to learn Italian? This summer, Mary Schiller taught
in Rimini on the Adriatic coast of Italy, near the Tuscan region where the best
Italian is spoken. Six of her CIM students and Marla Berg, voice teacher in the
CIM Preparatory Division and at CWRU, accompanied her. The singers studied
voice and Italian and participated in a master class with renowned opera star,
Mirella Freni, in the 15th century mountaintop town of San Leo.
All of the students from CIM sang for Ms. Freni, who was complimentary of the
high level of their performances. Ms. Freni concentrated on a beautiful sound,
seamless legato, expressive phrasing and emotional commitment to the text, all
essential elements of the Italian Bel Canto. She gave an exciting, emotionally
charged class, even singing and illustrating for the students with her glorious
voice, which has made her so famous for the past thirty-five years.
A typical week at the Accademia Italiana dell’Opera I Malatesta consisted of
two voice lessons with Mary Schiller, two vocal coachings on Italian language
and style in the singers’ repertoire with the Italian pianist/coach Carlo Pari,
and four hours of Italian language classes each day, taught only in Italian. The
students were excited and challenged by the excellence of the language
instruction, which enabled them to achieve a basic speaking ability in their
daily lives.
During their time in Rimini, the singers performed two concerts in the beautiful
nearby towns of Cattolica and Montefiore, the latter another ancient gem on a
mountaintop. The singers were heartily welcomed and cheered by the audiences who treated them to standing ovations.
On the weekends, the singers visited Rome, Florence, Venice and Verona,
where they went to the ancient arena for a splendid and grandiose Franco
Zeffirelli production of Verdi’s Aida, perhaps the most exciting event of the
entire trip. The three weeks were packed with singing, language and Italian
culture study, fun at the beach, and travel to some of civilization’s greatest
artistic treasures–a wonderful opportunity!
Bamberger
Eaton
Webb
Weckstrom
5
Take Note!
Women’s Committee
Join the CIM Women’s Committee this fall
as we continue our efforts to support CIM.
Fall Mini-Benefit
Several CIM faculty and their students will be featured during
“A Little Night Music” on Sunday, October 26 at The Country
Club, 2825 Lander Road in Pepper Pike. Cocktails begin at
5:00 p.m., followed by the concert at 6:00 and dinner at
7:00. Tickets are $80 per person, $100 for patrons. Don’t miss
this unique opportunity to hear and see in concert soprano
Kathryn Brown, pianist Marshall Griffith, oboist John Mack,
and the Cavani String Quartet.
Luncheon Programs
When you join the CIM Women’s Committee, you receive
invitations to all of the musical and social programs the group
presents for its members and their guests throughout the year.
Two noontime luncheons are planned for the fall semester,
beginning with “Pianissimo” on Wednesday, October 15
at The Hunt Club. Longtime CIM faculty member,
Olga Radosavljevich, affectionately known as Miss Olga,
will perform and showcase the talents of
many of her current students.
The Grand Ballroom of the Ritz-Carlton Hotel is home to
our annual “Holidays at the Ritz” on Wednesday, December 3.
The CIM Harp Ensemble is sure to get you into the spirit
as they ring in the holiday season.
Get Involved!
Become a member of the CIM Women’s Committee and
find out more about all of our upcoming lunchtime
and evening programs. Please mail your $40 check to
Membership, Cleveland Institute of Music, 11021 East
Boulevard, Cleveland, OH 44106. For more information,
call CIM at (216)791-5000, ext. 360.
In addition, our Special Tribute and Memorial Program
provides support to full-time conservatory students who attend
competitions, festivals and workshops. This is a wonderful way
to remember special occasions, honor special individuals or
remember friends or loved ones who have passed away. Send
your check to the CIM Tribute Fund at the address listed above.
PIANO COMPETITION
RESULTS
Zlabys
The 2003 Cleveland
International Piano Competition concluded in August
by naming Kotaro Fukuma
of Japan, age 20, as the
winner of the First Prize.
Andrius Zlabys, “a crowd
favorite” (Plain Dealer), won
Fourth Prize and $7500.
Elizabeth Schumann
received the Baroque Prize
and $1500. Mr. Zlabys and
Ms. Schumann study with
Sergei Babayan at CIM.
Stimulate your senses. If you haven’t discovered
CIM, it’s time to take note: hundreds of exciting
concerts throughout the year. Located in
Cleveland’s cultural hub, University Circle, CIM
has a lot to explore. No subscription to buy (most
of our concerts are free), just great music — at
your convenience. Call (216)791-5000 or check the
web at cim.edu.
Concerts
CHAMBER MUSIC FESTIVAL
December 3-10
The Festival includes a concert and master classes by the Juilliard String
Quartet and concerts by CIM students and faculty featuring string and
string/piano, brass and woodwind chamber music. Participation of the
Juilliard Quartet made possible in part by the Dr. Sydney and Gussie B. Klein
CIM Chamber Music Ensemble Fund, and the collaboration of the Cleveland
Chamber Music Society
Don Hunstein
From the CIM
Wednesday, December 3 at 8:00 p.m.
FACULTY RECITAL
CAVANI STRING QUARTET
ANNIE FULLARD, violin MARI SATO, violin
KIRSTEN DOCTER, viola MERRY PECKHAM, cello
SERGEI BABAYAN, piano
BRAHMS String Quartet in C Minor, Op. 51, No. 1
BRAHMS Quintet in F Minor for Piano and Strings, Op. 34a
Presented in honor of Ferro Foundation
Audio-Technica live broadcast on WCLV 104.9 FM
*Seating passes will be distributed in the lobby 30 minutes prior to the concert.
Saturday, December 6 at 4:00 p.m.
CHAMBER MUSIC MASTER CLASS
CAVANI STRING QUARTET
CIM’s Quartet-in-Residence coaches student ensembles in a session
open to the public.
Sunday, December 7 at 7:30 p.m.
INTENSIVE STRING QUARTET SEMINAR GALA CONCERT
String quartets of Brahms, Schumann and Dvorák
Monday, December 8 at 7:00 p.m.
CHAMBER MUSIC MASTER CLASSES
JUILLIARD STRING QUARTET
Juilliard String Quartet
Monday, December 8 at 8:00 p.m.
CIM WOODWIND ENSEMBLES
JOHN MACK, director
Tuesday, December 9 at 8:00 p.m.
Fairmount Temple, 23727 Fairmount Boulevard
In collaboration with the Cleveland Chamber Music Society
JUILLIARD STRING QUARTET
JOEL SMIRNOFF and STEVEN COPES, violins
SAMUEL RHODES, viola
JOEL KROSNICK, cello
MOZART String Quartet in D Major, K. 575 (“Prussian”)
WEBERN String Quartet, Op. 28
WEBERN Six Bagatelles for String Quartet, Op. 9
WEBERN Five Movements for String Quartet, Op. 5
DVORÁK String Quartet in C Major, Op.61
Tickets $25; seniors $23; students $10
For tickets, call the Cleveland Chamber Music Society at (216)371-3071.
Tuesday, December 9 at 8:00 p.m.
CIM BRASS ENSEMBLES
JAMES DARLING, director
Wednesday, December 10 at 7:00 p.m.
CHAMBER MUSIC FESTIVAL MARATHON
Quartets, Quintets, Trios galore, with simultaneous performances in three
locations and refreshments served to the audience during breaks.
Plan on coming
to University Circle
on December 7
for a host of activities
throughout the area
at
HOLIDAY
CIRCLEFEST.
CIM is a hub of family
fun! Events throughout
the Circle are planned
from 1-6:00 p.m.
with music, exhibits,
shopping, food
and holiday cheer!
Call (216) 791-3900 for
a schedule of activities.
A Holiday Circlefest musical safari
Yuletide carols being sung by a choir
6
Schumann
Tuesday, September 30 at 7:30 p.m.
PIANOFEST
Directed by Paul Schenly, PIANOFEST combines performances by CIM
students and faculty with lively commentary, bringing the great piano
literature to life. Reception following.
General admission $4 at the door; students free.
Wednesday, October 1 at 8:00 p.m.
FACULTY RECITAL
RICHARD WEISS, cello
JOELA JONES, piano
MAXIMILIAN DIMOFF, double bass
DONALD MILLER, drum set, guest artist
ROSSINI Duetto for Cello and Double Bass
ROSSINI/CASTELNUOVO TEDESCO Figaro for Cello and Piano
CLAUDE BOLLING Suite for Cello and Jazz Piano
Presented in honor of PolyOne Corporation
Friday, October 3 at 7:30 p.m.
FACULTY RECITAL
SANDRA SHAPIRO, piano
PETER REJTO, cello, guest artist
COMPLETE BEETHOVEN CELLO AND PIANO SONATAS
Sonata No. 1 in F Major, Op. 5, No. 1
Sonata No. 2 in G Minor, Op. 5, No. 2
Sonata No. 3 in A Major, Op. 69
Sonata No. 4 in C Major, Op. 102, No. 1
Sonata No. 5 in D Major, Op. 102, No. 2
Wednesday, October 8 at 8:00 p.m.
NEW MUSIC FESTIVAL
THE CIM ORCHESTRA
DAVID WILEY, conductor
JOHN HARBISON, guest composer
Works by John Harbison and Margaret Brouwer
*Seating passes
Sunday, October 12 at 4:00 p.m.
FACULTY RECITAL
BARRICK STEES, bassoon
JOHN CLOUSER, bassoon
PHILLIP AUSTIN, bassoon, guest artist
JONATHAN SHERWIN, bassoon, guest artist
RANDALL FUSCO, piano, guest artist
SCHUMANN Fünf Stucke im Volkston, Op. 102
SAINT-SAËNS Sonate pour Basson et Piano
STANLEY WEINER Sonatine
JOSE SIQUEIRA Three Etudes
HILDE REIS Seresta, Carioquinha
FRANCISCO MIGNONE Quatro Pecas Brasileiras
7
Wednesday, October 29 at 8:00 p.m.
THE CIM ORCHESTRA
CARL TOPILOW, conductor
MICHAEL BLOCK, cello
CHEN YI Work to be announced
ELGAR Concerto for Cello and Orchestra in E Minor, Op. 85
STRAUSS Don Juan
RESPIGHI Pines of Rome
*Seating passes
Wednesday-Saturday, November 12-15 at 8:00 p.m.
CIM OPERA THEATER
JONATHAN EATON, director
THE CIM ORCHESTRA
STEVEN BYESS, guest conductor
MOZART The Marriage of Figaro
Friday performance presented in honor of The Giant Eagle Foundation
Tickets: $15 adults; $10 students and seniors
For tickets, call (216)791-5000, ext. 411, Monday through Friday,
from 10:00 a.m. to 3:00 p.m.
Tuesday, November 18 at 7:30 p.m.
PIANOFEST
General admission $4 at the door; students free
Wednesday, November 19 at 8:00 p.m.
THE CIM ORCHESTRA
CARL TOPILOW, conductor
LIANA GOURDJIA, violin
MOZART Symphony No. 35 in D Major, K. 385 “Haffner”
STRAVINSKY Concerto for Violin and Orchestra
STRAUSS Suite, Le Bourgeois Gentilhomme, Op. 60
Presented in honor of UBS Financial Services Inc.
*Seating passes
Audio-Technica live broadcast on WCLV 104.9 FM
Friday, November 21 at 8:00 p.m.
FACULTY RECITAL
ERIC CHARNOFSKY, piano, commentator
Other artists to be announced.
MUSIC OF P.D.Q. BACH!
Trite Quintet for Violin, Viola, Cello, Double Bass and Piano
Safe Sextet for Piccolo, English horn, Bass Clarinet, Contrabassoon,
Celesta and Harp
Goldbrick Variations for Piano Duet
Little Pickle Book for Organ
Additional works to be announced.
Sunday, November 23 at 8:00 p.m.
UNIVERSITY CIRCLE WIND ENSEMBLE
DR. GARY M. CIEPLUCH, music director
MARK GEORGE, piano
LUCAS WALDIN, flute
DONALD FREUND Earthdance Concerto
ANTHONY PLOG Concerto for Flute and Wind Ensemble
GRAINGER The Merry King, Shepherd’s Hey
MICHAEL DAUGHERTY Desi
Topilow
Shevchenko
Corruccini
Boyko
Veskimets
Schenly
Weiss
Jones
Shapiro
Harbison
Wiley
Angell
Stees
Clouser
Lane
Block
Eaton
Gourdjia
Monday, November 24 at 8:00 p.m.
CIM PERCUSSION ENSEMBLE
PAUL YANCICH, director
Monday, December 8 at 7:30 p.m.
Severance Hall
CLEVELAND YOUTH WIND SYMPHONIES I & II
DR. GARY M. CIEPLUCH, music director
MELISSA LICHTLER, associate conductor
Works by Kopetz, Cichy, Ogren, Jenkins and others
Tickets: $15 general admission; $25 box seats; $5 CIM/CWRU students with ID
Call the Severance Hall Box Office at (216)231-1111.
Thursday, December 11 at 8:00 p.m.
CIM NEW MUSIC FESTIVAL
NEW MUSIC FROM CIM
New and fascinating works by CIM student composers
Dimoff
Stuart A. Watson
Friday, October 10 at 8:00 p.m.
FACULTY RECITAL
LAWRENCE ANGELL, double bass
MARY KAY FINK, flute/piccolo
PAUL KANTOR, violin
ANITA PONTREMOLI, piano
with guest artists
SONJA BRAATEN, violin
LEMBI VESKIMETS, viola
MARTHA BALDWIN, cello
ERWIN SCHULHOFF Concertino for Flute, Viola and Double Bass
ROSSINI Sonata No. 3 for Two Violins, Cello and Double Bass
SCHUBERT Quintet in A Major for Violin, Viola, Cello, Double Bass
and Piano, D. 667 “Trout”
Presented in honor of The Fifth Third Bank
Sunday, October 26 at 4:00 p.m.
FACULTY RECITAL
MARLA BERG, soprano
LINDA JONES, piano
Roger Mastroianni
Sunday, September 28 at 4:00 p.m.
FACULTY RECITAL
LISA BOYKO, viola
ELIESHA NELSON, viola, guest artist
LEMBI VESKIMETS, viola, guest artist
ELIZABETH DeMIO, piano
BACH Partita No. 2 in D Minor, BWV 1004
BEETHOVEN Trio in C Major, Op. 87 (arr.)
REGER Suite No. 2 in D Major for Viola Solo, Op. 131d
SHULMAN Theme and Variations for Viola and Piano
Friday, October 17 at 7:30 p.m.
FAMILY SOIRÉE
TEAM UP WITH MUSIC
CAVANI STRING QUARTET
ANNIE FULLARD, violin MARI SATO, violin
Cavani
KIRSTEN DOCTER, viola MERRY PECKHAM, cello
String
Back by popular demand! An elegant night on the town for the
Quartet
whole family. Get out your party clothes and enjoy a spectacular
concert followed by a glittering dessert reception.
Tickets: $6 children; $8.50 adults; $5 for groups of 10 or more
Call (216)791-5000, ext. 411, Monday through Friday,
from 10:00 a.m. to 3:00 p.m.
Enjoy a night of musical home runs with the Cavani Quartet,
as they “Team Up With Music” on October 17. Bring your family
for an evening of energy, education and quality music as this
high-spirited foursome plays everything from Beethoven to the
Beach Boys, along with other musical surprises that will be sure
to entertain the entire family.
Tom Ritter
Wednesday, September 24 at 8:00 p.m.
THE CIM ORCHESTRA
CARL TOPILOW, conductor
REBECCA CORRUCCINI, violin
BERG Violin Concerto
BRAHMS Symphony No. 1 in C Minor, Op. 68
Presented in honor of NACCO Industries, Inc.
*Seating passes
Friday, October 17 at 10:30 a.m. (School Show)
TEAM UP WITH MUSIC
CAVANI STRING QUARTET
Tickets: $5 Call (216)791-5000, ext. 411, Monday through Friday,
from 10:00 a.m. to 3:00 p.m.
Herbert Ascherman, Jr.
Wednesday, September 17 at 8:00 p.m.
Severance Hall
THE CIM ORCHESTRA
CARL TOPILOW, conductor
MARGARITA SHEVCHENKO, piano
VAUGHAN WILLIAMS Fantasia on a Theme by Thomas Tallis
KODÁLY Háry János Suite, Op. 15
RACHMANINOFF Concerto for Piano and Orchestra No. 2 in C Minor, Op. 18
Presented in cooperation with the Musical Arts Association
Presented in honor of MBNA Marketing Systems, Inc.
Admission free of charge. Tickets required.
For tickets, call the Severance Hall Box Office at (216) 231-1111.
Audio-Technica live broadcast on WCLV 104.9 FM
Roger Mastroianni
Sunday, September 7 at 8:00 p.m.
ART SONG FESTIVAL BENEFIT CONCERT
EDUARDO VALDES, Metropolitan Opera tenor
ANITA PONTREMOLI, piano
A program of Latin-American art songs
Tickets: $20; $10 students and seniors $10. Concert package $75
Call (216)791-5000, ext. 411.
Wednesday, October 15 at 8:00 p.m.
THE CIM ORCHESTRA
LOUIS LANE, conductor
ELIZABETH SCHUMANN, piano
RAVEL La Valse
CHOPIN Concerto No. 1 for Piano and Orchestra in E Minor, Op. 11
SHOSTAKOVICH Symphony No. 1 in F Minor, Op. 10
Presented in honor of Medical Mutual of Ohio
*Seating passes
Jeanne Deis
Concerts...
Concerts...
Smith
Ciepluch
Rinaldi
Brouwer
CHAMBER MUSIC OF
PAUL HINDEMITH
TAKE
NOTE!
Take a listen – A feast for
the ears served up by
talented young musicians
from around the world,
acclaimed guest artists and
our unsurpassed faculty.
Enjoy concerts of the highest
caliber and put more music
in your life.
Log on to see what you've
been missing - cim.edu - or
call (216)791-5000 for more
information.
Two programs by faculty and guests in observance of the
40th Anniversary of the composer’s death
Saturday, November 22 at 8:00 p.m.
MARTHA BALDWIN, cello, guest artist
CHARLES BERNARD, cello, guest artist
CHARLES CARLETON, double bass, guest artist
CHRISTINA DAHL, piano
ELLEN DePASQUALE, violin, guest artist
˚
DANIEL GILBERT, clarinet
MARK JACKOBS, viola
JOSHUA SMITH, flute
Sonata for Double Bass and Piano
Sonata for Cello and Piano
Sonata for Flute and Piano
Sonata for Viola and Piano
Quartet for Violin, Cello, Clarinet and Piano
Sunday, November 23 at 4:00 p.m.
CHRISTINA DAHL, piano
RICHARD KING, horn
THOMAS KLABER, bass trombone
MICHAEL SACHS, trumpet
RICHARD STOUT, trombone
STEVEN WITSER, trombone
EDWARD ZADROZNY, trombone, guest artist
Morgenmusik for Brass Quartet
Sonata for Alto Horn and Piano
Sonata for Trumpet and Piano
Six Chansons for Trombone Quartet
Sonata for Trombone and Piano
Chen Yi
Sachs
Witser
COMMUNITY CONCERT EVENTS
Saturday, September 20 at 8:00 p.m.
GUITARS INTERNATIONAL DISTINGUISHED ARTIST SERIES
Guitars International, in cooperation with the Cleveland Institute of Music,
presents a concentrated series of outstanding artists in performances and
master classes.
ANA VIDOVIC, guitar, guest artist
Works by Bach, Torroba, Ponce, Paganini and Mangoré
Tickets: $16; $12 students with ID.
For information and tickets call Guitars International (216)752-7502
www.guitarsint.com
Sunday, October 5 at 4:00 p.m.
ART SONG RECITAL
Honoring CIM Voice Faculty Member, Beverley Rinaldi
Presented by VOCAL ARTS RESOURCE NETWORK
HEATHER ELLEN CHIPMAN, soprano
TYSON DEATON, piano
Night Visions: Works by Berlioz, Rachmaninoff, Saint-Saëns, Strauss
Pre-concert lecture at 6:15 p.m. by Christopher Purdy
Tickets at the door: $8 general admission; $6 seniors, students
and VARN members
Admission free to CIM faculty and students
Call (614)451-3783 for more information.
Monday, October 6 at 7:30 p.m.
Severance Hall
CWRU SYMPHONIC WINDS
UNIVERSITY CIRCLE WIND ENSEMBLE
DR. GARY M. CIEPLUCH, music director
LAKELAND COMMUNITY BAND
Works by Frank, De Meij, Nelson, Kopetz and others
Tickets: $15 general admission; $25 box seats; $5 CIM/CWRU students with ID
Call the Severance Hall Box Office at (216)231-1111.
MASTER CLASSES/SYMPOSIA
Sunday, September 21 at 1:00 p.m.
GUITARS INTERNATIONAL DISTINGUISHED ARTIST SERIES
MASTER CLASS with ANA VIDOVIC, guest artist
Tuesday, October 7 at 4:00 p.m.
Cleveland Museum of Art
NEW MUSIC FESTIVAL
SYMPOSIUM: JOHN HARBISON, visiting composer
Thursday, October 16 at 4:00 p.m.
NEW MUSIC FESTIVAL
SYMPOSIUM: Contemporary composition and performance techniques
for the flute
ROBERT DICK, guest artist
Thursday, October 23 at 7:00 p.m.
CHAMBER MUSIC MASTER CLASS
PETER SALAFF, Director, Chamber Music Program
Monday, October 27 at 10:00 a.m. and 2:00 p.m.
MASTER CLASSES in Vocal Repertoire and Vocal Accompanying
WARREN JONES, guest artist
Tuesday, October 28 at 4:00 p.m.
NEW MUSIC FESTIVAL
SYMPOSIUM: CHEN YI, visiting composer
Notes
is published four times a year by
the Cleveland Institute of Music.
Susan M. Schwartz, Director of
Marketing and Communications
Rory Sanders, Publicity and
Information Manager and Editor
Kris Tapié Fay, Designer
Custom Products Corp., Printing
Main Building 11021 East Blvd.,
Cleveland OH 44106
Preparatory classes at the Main
Building and Branches in Hudson,
Shaker Heights, Orange Village,
and Fairview Park
Phone (216)791-5000
FAX (216)791-3063
e-mail: [email protected]
Web site: cim.edu
8
Thursday, October 30 at 7:00 p.m.
CHAMBER MUSIC MASTER CLASS
CAVANI STRING QUARTET
ANNIE FULLARD, violin
MARI SATO, violin
KIRSTEN DOCTER, viola
MERRY PECKHAM, cello
CIM’s Quartet-in-Residence coaches student ensembles in a session open to
the public.
Friday, November 14 at 2:30 p.m.
NEW MUSIC FESTIVAL
SYMPOSIUM: Contemporary composition and performance techniques
for the piano
MARILYN NONKEN, guest artist
Tuesday, November 18 at 4:00 p.m.
NEW MUSIC FESTIVAL
SYMPOSIUM: CHEN YI, visiting composer
Wednesday-Sunday, October 8-12
FALL FOR THE CIRCLE
Enjoy fall in University Circle with concerts, exhibits and activities for all
ages, presented by the many institutions around Wade Oval. CIM offers
its New Music Festival, featuring composer John Harbison, several faculty
recitals and an open house presented by its Preparatory and Continuing
Education Division.
Saturday, October 11 from 10:00 a.m. to 1:00 p.m.
CIM PREPARATORY AND CONTINUING EDUCATION OPEN HOUSE
Stop by for a doughnut and explore all that CIM has to offer to the young
and young at heart. Sit in on a rehearsal, talk with teachers and pick up
information about CIM music lessons and concerts.
Saturday, October 18 at 1:30 p.m.
METROPOLITAN OPERA NATIONAL COUNCIL DISTRICT AUDITIONS
For information call (216)766-5738.
Tuesday, October 21 at 10:00 a.m.
FORTNIGHTLY MUSICAL CLUB OF CLEVELAND
For information call (440)932-8223.
Monday, November 3 at 4:00 p.m.
AKI FESTIVAL-NEW QUARTET PROJECT
COMPOSER FORUM
MARGARET BROUWER, moderator
Part of The Cleveland Museum of Art’s AKI New Music Festival, composers
and musicians discuss the role of composer/performer collaboration in the
process of creating new works for string quartet. Co-sponsored by CIM,
The Cleveland Museum of Art and the Cleveland Composers Guild.
Sunday, November 23 at 2:30 p.m.
Gartner Auditorium, Cleveland Museum of Art
AKI FESTIVAL-NEW QUARTET PROJECT RECITAL
First public performance of new string quartets composed as part of
The Cleveland Museum of Art’s AKI New Music Festival, performed by
CIM student ensembles. Co-sponsored by CIM, The Cleveland Museum of rt
and the Cleveland Composers Guild.
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