score - Oliver Thurley

yet another example of the porousness of certain borders
for Dario Calderone
0MJWFS5IVSMFZ
$PNNJTTJPOFECZJNQVMT*OUFSOBUJPOBM&OTFNCMFBOE$PNQPTFST"DBEFNZGPS$POUFNQPSBSZ.VTJD(SB["VTUSJBr1SFNJFSFEBU(BVEFBNVT.V[JFLXFFL6USFDIU/FUIFSMBOET
1BSUPGUIFQSPKFDUSolo Double BassXJUIJOUIF6MZTTFT/FUXPSLrJNQVMTDDrNV[JFLXFFLOMrQSPKFDUVMZTTFTOFUXPSLFV
performance notes
for solo contrabass
DB
{E"%(^TPVOETPOFPDUBWFMPXFS
GSBHJMFFYUSFNFMZRVJFUGBMUFSJOHBMXBZTVOTUBCMF
notation
IBSNPOJDàOHFSQPTJUJPO
TMPXFWFOUSBOTJUJPOGSPNPOFTUBUFUPBOPUIFS
NVMUJQIPOJDBQQSPYJNBUFQPTJUJPOsee appendix
OPOPUFIFBETPGUSFBSUJDVMBUJPOPGUJFEOPUFFDIPJOH
TUSJOHOVNCFS**7
OPUFJOQBSFOUIFTJTQMBZFEXJUIMFTTFOFSHZBMNPTUBHSBDFOPUF
5VQMFUTNBZCFOFTUFEXJUIJOPUIFSUVQMFUT*OUIFTFDBTFTUIFCSBDLFUTBSF
UJFEUPHFUIFSXJUIBDVSWFEMJOF*GUVQMFUTBSFOPUUJFEUIFZBSFBTTVNFE
UPCFJOEFQFOEFOUPGPOFBOPUIFSCVUBDUJOHDPODVSSFOUMZ
N.B.JOUIFDBTFPGIBSNPOJDNVMUJQIPOJDFGGFDUTUIFSFTVMUJOHQJUDIJT
HJWFOBCPWFJOCSBDLFUT<>
pizzicato
SFHVMBSpizzicato
pizzXJUIMFGUIBOEVTVBMMZBOPQFOTUSJOH
IBSNPOJDpizzXJUIMFGUIBOE
VTJOHUIVNCPSJOEFYàOHFSUPUPVDIIBSNPOJDOPEFpizzXJUITQBSFàOHFS
i
(notation, continued)
bow position
MST molto sul tastoDMPTFUPMFGUIBOE
ST
sul tasto
ord.
PSEJOBSZCPXQPTJUJPO
SP
sul ponticello
MSP molto sul ponticelloBMNPTUPOUIFCSJEHFBTIBSQ UPOFXJUIDSJTQIBSNPOJDQBSUJBMT
CPXPOIBSNPOJDOPEFMJHIUFSflautandoGPSBTIBEPXZàMUFSFE
IBSNPOJDUPOFPSTMPXPWFSQSFTTVSFUPCSJOHPVUTVCIBSNPOJD
CPXPOUBJMQJFDFTUSJOHTBOECPEZSFTPOBUFPWFSQSFTTVSF
QBSUJDVMBSMZBUUIFUIJOOFSTFDUJPO
CSJOHTPVUATRVFBL
CSBDLFUJOEJDBUFTBTJOHMFPSTJHOJàDBOUMZTMPXFE
CPXMFOHUI
VTFEUPTMPXCPXNPWFNFOUTJHOJàDBOUMZUIFUPOFTIPVMEGBMUFS
BTUIFCPXTUJDLTBOETMJQT
finger pressure
5IFMFGUIBOEàOHFSQSFTTVSFDPNQSFTTJOHBOPUFNBZTIJGUDBVTFUIFTUSJOHUPTPVOEBTFJUIFSSFHVMBSUPOFIBSNPOJDPSPUIFSXJTFEFTUBCJMJTFE
IBSNPOJDQSFTTVSF
QSFTTVSFCFUXFFOIBSNPOJDBOEOPSNBMTPVOEJOHVOTUBCMF
QSFTTVSFOPSNBM
6OMFTTJOEJDBUFEPUIFSXJTFQSFTVNFBMMFWFOUTBSFQFSGPSNFEordJOUFSNTPGCPXQPTJUJPOBOEàOHFSQSFTTVSF
ii
general notes
multiphonics
.VMUJQIPOJDTBSFOPUBUFEBTBIBSNPOJDQPTJUJPOXJUIBOAMBOETUSJOHOVNCFS**7
5IFUIFPSFUJDBMTPVOEJOHQJUDIFTBSFHJWFOJOBCSBDLFUFETUBGGBCPWFUIFNBJOTUBWF
4USJOHNVMUJQIPOJDTBSFBDIJFWFEUISPVHIDMVTUFSTPGDMPTFIBSNPOJDOPEFTBOECZQMBZJOHBIBSNPOJDDMPTFUPUIFIJHIFTUQBSUJBM"CPWFUIFTPVOEJOHQJUDIFTUIFTPVOEJOH
QBSUJBMTBSFHJWFOJF.IV<UIUI + 9UIUIUI>
/PUFUIBUOPUBMMPGUIFTFQJUDIFTXJMMBDUVBMMZTPVOE
waveform dynamics
%ZOBNJDTPGUIFQJFDFBSFHJWFOUISPVHIUIFXBWFGPSNTCFMPXUIFTUBWF5IFXBWFGPSNTTIPVMECFSFBEJOUIFNBOOFSPGBDPOUJOVPVTEZOBNJDIBJSQJO5IFEZOBNJD
CBOEXJEUIJTFYUSFNFMZMJNJUFESBOHJOHGSPNSPVHIMZpppppp-ppp"TUIFXBWFGPSNJTJOBDPOUJOVPVTTUBUFPGáVYUIFQFSGPSNFSNVTUNBLFDPOTUBOUNJOVUFBEKVTUNFOUT
UPCPXQSFTTVSFJOFWJUBCMZUIJTXJMMSFTVMUJOUSFNPSTáVDUVBUJPOTBOEJOTUBCJMJUZJOBNQMJUVEF
remarks on quietness
5IFWPMVNFGPSUIJTQJFDFJTextremelyMPX*UJTJOUFOEFEUIBUNBOZPGUIFOPUFTQBSUJDVMBSMZUIFNVMUJQIPOJDT
XJMMOPUTPVOEBTXSJUUFO*OEFFENBOZQJUDIFEUPOFTXJMM
GBMUFSGBJMUPTPVOEPSGSBDUVSFDPNQMFUFMZ5IFFOUJSFQJFDFJTGSBHJMFBOESFNBJOTQPSPVTUPUIFBHFODZPGUIFQFSGPSNFS
amplification
%FQFOEJOHVQPOUIFTJ[FBOEBDPVTUJDOBUVSFPGUIFQFSGPSNBODFTQBDFUIFQFSGPSNFSDBODIPPTFFJUIFSUPQMBZBDPVTUJDBMMZPSBNQMJàFE*GBNQMJàFEUIFTPVOETIPVMECF
DMFBOBUBMMUJNFTUIPVHIUIFMFWFMJTMFGUUPUIFQFSGPSNFS*GEFTJSFEBMPXFSMFWFMNBZCFVTFEBTBUSBOTQBSFOUUPPMUPCPMTUFSUIFTPVOEPGUIFJOTUSVNFOUPS‡BMUFSOBUJWFMZ‡
POF NBZ QVSTVF B IJHIFS WPMVNF *O UIJT DBTF BNQMJàDBUJPO JT UP CF VTFE BT B NJDSPTDPQF GPS ESBXJOH MJTUFOFSTAJOTJEF UIF TPVOE $MPTFNJD UFDIOJRVFT VTJOH TNBMM
EJBQISBHNDPOEFOTFSTBOEBWPJEJOHJOUFSGFSFODFXJUIUIFQFSGPSNBODF
TIPVMECFVTFEUPGPDVTVQPOLFZBSFBTPGUIFCBTTXIJDINBZBGGPSEBVOJRVFMJTUFOJOHQFSTQFDUJWF
5IFTFNJHIUJODMVEFCVUBSFOPUMJNJUFEUP
r
r
r
r
*OUFSOBMNJDSPQIPOFQMBDFNFOU*OTJEFUIFCPEZPGUIFJOTUSVNFOU
$POUBDUNJDSPQIPOFTPSTNBMMMBWBMJFSNJDTPOUIFUBJMQJFDFCPEZBOEIFBEPGUIFJOTUSVNFOU
4UFSFPTUSJOHJNBHJOH.JDTPOTUSJOH*BOE*7QBOOFEIBSEMFGUBOESJHIU
-BWBMJFSNJDPOUIFQFSGPSNFSUPBDDFOUVBUFCSFBUIJOHFUD
second draft
WFSTJPO<"VHVTU>
iii
0MJWFS5IVSMFZ
8JOUFS
appendix: harmonic & multiphonic charts
5IFGPMMPXJOHDIBSUTXFSFESBXOVQJOUIFQSPDFTTPGMPDBUJOHUIFUIFPSFUJDBMIBSNPOJDBOEDMVTUFSFENVMUJQIPOJDOPEBMQPJOUTGPSUIFQJFDF
5IFZBSFJODMVEFEIFSFJODBTFUIFZBSFPGVTFUPUIFQFSGPSNFSJOJOUFSQSFUJOHUIFTDPSF
n5IFTFDIBSUTBSFEFSJWFEGSPNUIFFYDFMMFOUSFTFBSDIPOADFMMPNVMUJQIPOJDTCZ&MMFO'BMMPXàFMEcellomap.com
Φ
(appendix: harmonic charts, continued)
Χ
(appendix: harmonic charts, continued)
Ψ
(appendix: harmonic charts, continued)
Ω