Services in Broadcasting Domain

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St-Petersburg University Film & TV
St.Petersburg State University
of Film and Television.
Getting Started in 3D Content
Alexander Peregudov
Vice-rector science & innovations
North Karelia University of Applied Sciences, 2 December 2010
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Agenda
3D landscape of Russia
St--Petersburg State University of Film and Television
St
Digital Cinema Research Institute
Our Activities
Our Partners
Conclusion
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3D Landscape of Russia
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Cinema Theatres
Digital projectors are already installed at 137 towns of Russia
Most of digital Cinema Cites equipped with 3D systems
The possibility to exhibit 3D movies is the “motivation for digitization”
Source: NEVAFILM Research www.nevafilm.ru
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Russian 3D movies production
Overwhelming part of 3D movies is produced by Hollywood mayors
Most of Russian movies distributors work only with this content
The powering of own 3D production started from “Avatar” (17.12.09)
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Alternative Content in Cinema Theaters
2008. Football World Cup Transmission to Digital Theatres
2009. Worldwide “Iron Maiden” Day. 42 Screens/35 towns was involved
All events are organized by “NEVAFILM Emotion”
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3D TV broadcasting
Pro
• Experimental broadcasting of 3D content is provided by satellite
operator NTV+
• Satellite operator “HD Platform” starts 3D broadcasting from
02.02.2010
• Main focus on sport events and cinema movies
• Some people going to buy 3D TV sets with set
set--top
top--boxes
Contra
•
•
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Auditorium is very small
No national standards in this area (under development now)
Viewing TV programs with glasses unfitted at home
No enough content “on“on-the
the--shelf”
Cinema movies not fitted for viewing at small TV screens
Medical problems are considerable circumstance
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3D Revolution in Live Concert Show
20 Nov 2010. “Olimpiyskiy” Hall Moscow
Live show combined with 3D background
27000 “glassed” spectators simultaneously
Guinness World Records 2010 candidate
More information www.avtoradio.ru
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Have you any comments?
“Anna Karenina” in Turku City Theatre
Is it a Show for live 3D broadcasting?
More information www.turku.fi
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St--Petersburg State University of Film and TV
St
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The History and The Present
Established in 1918, the University is the oldest Russian
institution in the fields of photography, cinematography and
television
It became the Institute of Motion Picture Engineers in 1930
In 1998 we was granted the official “State University” status
Annual intake is approximately 1000 students, the total
enrolment of students numbers around 6000
At postgraduate level, the university enrolls approximately
100 students
Graduates of the University hold responsible positions at a
number of television broadcasting companies and film
studios of Russia.
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Departments of the University
Institute of Economics and Management
Institute of Public Relations
Faculty of Audiovisual Technology
Faculty of Multimedia Equipments
Faculty of Photography and Recording Media
Faculty of Audiovisual Arts
Branch in Moscow
• this is a unique feature for Russian educational institutions outside
Moscow and other cities of Russia.
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The History and the Present
Digital Cinema Research Institute (DCRI) is founded in 2006
as a department of University
From the beginning DCRI supports investigation in Digital
Cinema Domain provided in groups of teachers and students
working together
Peculiarity of our works is collaboration of representatives of
“creative” and “engineering” persons
In 2010 our groups put more attention to 3D content both at
technical and creative aspects
Our previous experience in Digital Cinema was found very
useful as we understand that 3D content may be created
only in digital domain
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Facilities in the Main Hall
5 meters width screen
24 “Business
“Business--Class” seats
Unlimited “Economy Class” seats up to 120 persons
Fully equipped with 3D glasses “Expand Systems”
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Apparatus Room: 3D
3D-- ready
Christie Film projector
Christie Digital projector CP2000
“Home--made” Cinema Server DCP compatible used for 3D playing
“Home
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Mini--Studio
Mini
Fully equipped with lighting system
Green screen for rear processing
Few digital HDTV cameras
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Post--Production framework
Post
Final Cut Pro - Editing and Color Grading
Avid Media Composer 5.0
Shake, Nuke Compositing
Adobe Premier CS4
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HDTV Equipment
Fully Working prototype of Broadcasting HDTV center
Videoservers based
HD SDI signal path
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DCRI Activities.
Technical Seminars
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Dedolight. March 2009
Dedolight innovative lighting systems
• Presented by Dedo Weigert
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RED One. May 2009
RED One camera: practice of use
• Workflow in “RED – APPLE FCP” bunch
• Presented by “LENFILM” Studio professionals
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Panasonic. April 2010
3D equipment from Panasonic
• AGAG-3DA1 camera, BT
BT--3DL2550 monitor, AG
AG--HMX100 vision
mixer
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Nevafilm. May 2010
3D: @Cinema and @Home: Market and Technology
• Presented by Oleg Berezin, NEVAFILM Company
• www.nevafilm.ru
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Live Show for 3D production. March 2010
3D is easy… BUT good 3D is a bit harder
• Wrong shooting kills the post
post--production efforts
• The bad experience is experience too
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DCRI Activities.
Engineering Works
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Digital Cinema Business Processes Modeling
We must fully understand Digital Cinema Workflow entirely
Business Processes Modeling Language Framework was used
Main focus is on “Mastering” and “Exhibition” stages
Results was presented at SMPTE 2007 Conference (New York)
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Film Scanner
35-mm Film Scanning System
35Developed in 2007
2007--2009 with financial support from Ministry of Culture
of Russian Federation
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DCRI Film Scanner Technical Details
2K @ 3 frame per second 35mm film scanning
Details of realization
• Developed by teachers and students of our University
• All mechanical details made in our workshop
• In 2010 about 7 km of students educational works are processed
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Digitized Film: before stabilization
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Digitized Film: after digital stabilization
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Next Step. Scanner for “Stereo“Stereo-70” Cinema Films
Two traditional 35mm frames placed side
side--by
by--side on 65mm negative &
70mm filmprint
Developed in USSR at KinoFotoInstitute (Moscow) during 70
70--th of XX
century
More information at www.stereokino.ru
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Video System Department
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Video System Department
Department offers the educational programs in broadcast technology
The Courses are
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Computers and Microprocessors
Digital Image Processing
Digital Processing of Audio Signals
Television Production & broadcasting Technologies
IT--based Broadcast Television Systems
IT
Scientific and applied researches concern with
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Multimodal quality of audiovisual content
Broadcasting to mobile devices
Standardization of 3D broadcasting in Russia
3D shooting cameras testing
Practical 3D shooting and production with students
Contact persons
• Prof. Konstantin Glasman [email protected]
• Vitaly Pavlov pavlov
[email protected]
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Computer Graphics & Design Department
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Creativity and Technology
CG & Design Department of the University is one of the
active promoter of 3D content creation
The background is artistic tradition of Soviet and Russian
animation supported by teachers
Stereo animation technologies in experimental use are
Mesh modeling
3D compositing
Clay stop motion
Contact person:
• Mikhail Konovalov, Associate professor, [email protected]
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3D compositing of 2D CG graphic layers
Research of the potential stylistic alternatives to traditional mesh modeled
or stop motion stereo animation
Students are experimenting with compositing of “flat” graphic elements in
a 3D scene.
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3D compositing of 2D drawn layers
When viewed in stereo version, the film is provided with a specific
“popper book” or “cardboard theatre” look
This effect allows an animator to experiment with alternative stylistic
solutions for his film
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To make characters appear as having volume…
Camera circle them, flat layers rotate so as to remain parallel to the
camera’s film plane
Each layer contains frame
frame--by
by--frame animation of a rotating character
Illusion of a character having “volume” is quite persuading
It allows to retain the characteristic “hand
“hand--drawn” style of animation
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Partners of the University in 3D Content Domain
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FRP TV Studio. Design and Making of 3D Rigs
Developed in 2010 at FRP Studio (St(St-Petersburg) by
engineers and cameramen graduated from our University
Used in DCRI for testing scene arrangement at 3D shooting
Contact persons:
• Andrey Udovichenko e-mail: [email protected]
• Vyacheslav Mogildya e-mail: [email protected]
• http://frptv.com/
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FRP TV Studio. 3D Cinema Rig 1.0
Ready to install professional cameras like RED One, Silicon Imaging,
SONY Cinealta, Panasonic P2 etc.
Adjustable base from 0 to 100 mm
Weight with RED One cameras about 32 kg
Additional equipment for focus pulling via radio channel
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FRP TV Studio. 3D DSLR Rig 2.1
Ready to install professional DSLR cameras Canon, Nikon
Light weight gives the possibility to use Stedicam
Built--in converters form HDMI to HD SDI outputs
Built
Very popular for low
low--budget projects
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VECTORFILM Studio
Founded in 2004, St
St--Petersburg located
Medium--sized production studio with the emphasis on 3D
Medium
content production
Content targeted to 3D TV & low
low--budget Cinema
Pavlovsk 3D
St-Petersburg 3D
Contact persons:
Music Video 3D
• Andrey Vasilchenko ee-mail [email protected]
• Vladimir Kurgaev
• www.vectorfilm.ru
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Daurov Studio
Rostov located
Medium--sized production studio completely devoted to 3D
Medium
content production
www.daurov--stereo.ru
www.daurov
Contact person
Igor Daurov ee-mail [email protected]
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Research Institute of Kino & Photo
Founded in 1929, Moscow located
“Stereo--70” 3D film technologies was developed here
“Stereo
Now activities are in
• Technologies for 3D shooting with film and digital cameras
• Clay stop animation technology
• Developing stereo lenses for “Phantom 65” digital camera
3D technology research Center “Stereokino”
• www.stereokino.ru
• Contact person Alexander Melkumov [email protected]
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Conclusion
“To doubt that stereoscopic cinema has
tomorrow is as naive,
as to doubt that tomorrow will ever come !“
Sergey Eisenstein
written in 1947 under the impression of the
first Soviet 3D movie "Robinson Cruise".
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Services in Broadcasting Domain

Transcription

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