illustrations by Romina Mancuso
Transcription
illustrations by Romina Mancuso
©illustrations by Romina Mancuso About ICOM The International Council of Museums (ICOM) is the only international organization that represents museums and museum professionals. Since 1946, ICOM has assisted members of the museum community in their mission to preserve, conserve and share cultural heritage. ICOM also works with institutional partners to achieve its objectives. ICOM is governed in an inclusive and hierarchical manner, on an international level. The organisation gathers almost 30,000 members and is made up of National Committees, which represent 137 countries and territories, and International Committees, which gather experts in museum specialties worldwide. ICOM sets standards of excellence for museums in design, management and collections organization. The ICOM Code of Ethics for Museums is reference work in the global museum community. ICOM carries out its international missions thanks to international mandates in association with partners such as UNESCO, INTERPOL and the World Customs Organization (WCO) The ICOM Secretariat is situated at UNESCO House, Paris, France. ICOM in brief: • Created in 1946 by and for museum professionals. • A unique network of almost 30,000 members and museum professionals who represent the global museum community. • A diplomatic forum made up of experts from 137 countries and territories to respond to the challenges museums face worldwide. • A consultative status with the United Nations Economic and Social Council. • 117 National Committees and 31 International Committees dedicated to various museum specialties. • A leading force in ethical matters. • One of the founding members of the International Committee of the Blue Shield (ICBS). • A Public Interest Organisation. • 3 official languages: English, French and Spanish. ICOM MPR is an international subcommittee of the international museums organization ICOM. ICOM MPR is composed of museum professionals working in marketing, communications and development (fundraising). ICOM MPR Board Members President: Marjo-Riitta Saloniemi - Tampere, Finlandia Vice President: Romina Mancuso - Palermo, Italia Secretary: Caroll Ann Scott - Londra, Inghilterra Treasurer: Simona Jurackova - Brno, Repubblica Ceca Board member: Ellen Semb - Oslo, Norvegia Board member: Elena Petrova - Yasnaya Polyana, Russia Board member: Mieke Renders - Bruge, Belgio Board member: Damon Monzavi - Iran Board member: Maria Julia Estefania Chelini - San Paolo, Brasile Board member: QiQi Qian - Pechino, Cina Conference Program Sunday, September 9th 15.00 18.00 Registration of the participants in Piazza Borsa Hotel Lobby Welcome party for delegates and speakers at Palazzo Mirto, words of welcome by local authorities Monday, September 10th STERI - Sala delle Capriate 8.30 Registration of the participants 9.00 Words of welcome by Roberto Lagalla, Rector of Palermo University, and Mario G. Giacomarra, Head of the Arts and Philosophy Faculty, Palermo University 9.30 Welcome to the conference: Marjo-Ritta Saloniemi, MPR Chair Marjo-Ritta Saloniemi introduces Alberto Garlandini President ICOM Italy. Romina Mancuso MPR Vice Chair thanks Alberto Garlandini and acknowledges sponsors support and introduces the structure of the conference. 10.10 coffee break 10.30 Introduction to Keynote 1: Carol Scott, MPR Secretary Keynote 1 - Creating marketing campaigns that work Hannah Paramore 11.30 12.00 Session 1 - Indicators of success: measures for marketing campaigns Introduction: Simona Juračková, MPR Treasurer Paper 1: Defining marketing success based on audience insight. Meghan Curran, Vice President Marketing, Shedd Aquarium - Chicago, USA. Paper 2: Successful Museum Marketing: Why schools come back. Jan Sas, Senior Lecturer Visitor Studies, Reinwardt Academy - Amsterdam, Netherlands. 12.30 lunch 14.30 Session 1 cont.- Indicators of success: measures for marketing campaigns Paper 3: How to double the number of visitors in six years. Kathrine Daniloff, Head of Communications, Norsk Teknisk Museum - Oslo, Norway. 15.00 Paper 4: Diversification and Communication Effectiveness. Tatiana Pchelianskaia, Chief Specialist for Museum Development Ekaterina Teriukova, Deputy Director of the Research Affairs, State Museum of the History of Religion - Saint-Petersburg, Russia. 3 15.30 Introduction to Keynote 2: Carol Scott, MPR Secretary Keynote 2 - Critical commentary: how critics measure success Sara Selwood 17.30 Cocktail hosted by Francesco Cascio, President of ARS (Sicilian Regional Parliament) and guided tour of Palazzo Reale and Cappella Palatina Tuesday, September 11th MIMAP, INTERNATIONAL PUPPET MUSEUM A. PASQUALINO 9 - 12.00 Workshop 1 - Using social media to communicate creatively Facilitator: Hannah Paramore GALLERIA ABATELLIS , Sala del Trionfo della Morte 9 - 12.00 Workshop 2 - Looking from the outside in: understanding the critic’s perspective Facilitator: Sara Selwood 12.30Lunch 13.30 Guided tour of Galleria Abatellis STERI - Sala delle Capriate Session 2 - Using the web as an effective marketing tool Intoduction: Ellen Semb, MPR Committee Member 14.30 Paper 1: Building an Interactive Communications Platform: A Case Study from the Metropolitan Museum of Art. Arthur Cohen, Chief Executive Officer LaPlaca Cohen - New York, USA. Intoduction to Arthur Cohen: Marjo-Ritta Saloniemi, MPR Chair 14.50 Paper 2: Networking messages and getting the most out of the web marketing. Piia Laita, Head of Communications, PR and Marketing, Kiasma Museum of Contemporary Art - Helsinki, Finland. 15.10 Paper 3: The web as a base and platform for the institutions own media channel. Tore Danielsson, Communicator, Riksutstallningar Swedish Exhibition Agency - Visby, Sweden. 15.30 Paper 4: In the net of the story-telling museum. Elzbieta Grygiel, Senior Specialist for socialcommunication, Wilanow Palce 4 Museum - Warsaw, Poland. 15.50 Paper 5: Real or virtual: a clicks and mortar strategy of museum marketing via social media. Joy Chih-Ning Hsin, Assistant Professor ,Graduate Institute of Museum Studies Fu Jen Catholic University, Taiwan. 16.10 coffee break 16.30 Session 3: Working with the media on marketing campaigns Introduction: Mieke Renders, MPR Committee Member Paper 1: Working with the media to raise awareness for museum and historic documents: the case of Museu Imperial Barbara Skaba, Journalist at Museu Imperial, Brazilian Institute of Museums - Petropolis, Brazil. 16.50 Paper 2: Facing the future - working with media on artMUSE. Irena Ruzin, Program Director and Marketing manager Institute and Museum - Bitola, R. Macedonia. Co-author: Hristova Liljana, Director, 17.10 Institute and Museum - Bitola, R. Macedonia; Paper 3: Mediatization of Culture: Queuing up for Museums. Evrim Dogan, Project Coordinator, Beyoglu Memory Research Center -Istanbul, Turkey and Evinc Dogan, PhD Student IMT Institute for Advanced Studies – Lucca, Italy. 17.30 ICOM-MPR Business meeting 18.00 Private visit to the Museo Diocesano di Monreale and meeting with Maricetta Di Natale, Director OADI “Maria Accascina” for a multimedial museum comunication Wednesday, 12th September 14.00 Free time and Optional Study Tours Departure to Agrigento, Valle dei Templi Archaeological Park 16.00 Arrival in Agrigento, at the Regional Archaeological Museum “P. Griffo” Words of welcome by local authorities Presentations about Ideas and Practices of creative communication in the Valle dei Templi sites 17,00 Tour around Valle dei Templi 19,30 Farewell Party 5 is Hannah ur and e n re p , an entre aramore P f ent o id s re in P d e e th y bas h orks wit al agenc the digit nnessee. She w rts a , t n-profi le, Te Nashvil in the travel, no ding the clu ses busines are industries in , the Peabody s c h rt lt A a l e a Medical Visu and h r for the rbilt University e t n e C t Fris nts in Vande epartme useum, Essex M state tourism d irginia. Hannah nd tV Center a , Ohio, and Wes speaker for the e te l e o s s n y e ic ke Tenn fessiona a dynam Marketing Pro n e e b s d ha an rican elations he Ame Public R Committee at t nce. re fe n o g ums c e s Standin u tegy and M t f s the ra tion o Associa plain talk about dia and e Through ness of digital m , Hannah e iv n t rese ce effec social p cus having a rganizations fo o s lp e h s. on result Hannah Paramore U.S.A. Keynote 1: Creating marketing campaigns that work. Five Levels, Five Filters and the Four Stages of Relationships Abstract: The way we communicate has fundamentally changed. This change, brought on by technology, has given the consumer more choice and control than ever and has changed the place museums fill in their lives. How can you define your position in the four major phases of your relationships? How do you know where you fit? Abraham Maslow’s Hierarchy of Needs is a tool we can use to examine the products and services people use at different stages of their lives. Knowing where museums fit in this construct can help you understand consumer’s expectations and guide your positioning. The concept of the Five Filters is applied to the development of your brand and becomes a guiding principle for all marketing materials. The principles of the sales cycle help you target media vehicles, events and programs appropriately to maximize and cultivate relationships including a focus on social media and how it moves audiences. Hannah Paramore, President of Paramore, the digital agency, will explore the levels of our lives, the filters we use to define ourselves, and the stages of the relationship between museums and their visitors. 6 ood is an Sara Selw ural analyst ent cult independ Professor at both of te orary e Institu and Hon and at th , UK. She has a y it rs e iv on City Un L in Lond tics, history and logy, UC Archaeo in fine art, aesthe ed as an art nd work ry visual backgrou , and previously tempora blics’ n rt a o c f f o o r ry o the curato the pu and as a r work is historian tent theme of he n – particularly nsis l provisio ra’s art. A co of cultura and galleries. Sa s e c n e ri s m expe d u n e a s tations n to mu in relatio audiences’ expec e regular l. in t ta s n l to th e m a Journa intere d n useums nt is fu e M r m e fo g s a g rite en nce at she w s experie reviews th w on her previou iew, v These dra cism for Arts Re es ti e Tim th of art cri d n a thly ent. Art Mon Supplem Literary Sara Selwood U.K. Keynote 2: Critical commentary - how critics measure the success of museum exhibition. Sara Selwood, who has been both an evaluator and critic, considers whether critics measure the success of museum exhibitions, or whether this might be something that they contribute to. How exhibitions look to outsiders and whether they enhance or diminish their institutions’ reputationdepends on who they’re intended for and how well they communicate any intended messages. But whereas an evaluator will judge the effectiveness of an exhibition, the critic’s approach is less specific: the evaluator is likely to work to a prescribed framework, but the critic will have a personal agenda. Whereas the evaluator will consider whether an exhibition delivers on its stated aims, the critic is more likely to ask whether those aimswere justified in the first place. One critic recently described his work as providing “a brutal expression of opinion that some may find arbitrary”. He insists that “this is the right way to review new art… The truth is, we feel this stuff in our bones”. Others defend criticism as a better informed and less intuitive: If the critic is to have any influence at all on the making of exhibitions” …he must be able to explain why it has touched him so… and why it has the ability to touch his readers as well”. So, the ability to justify judgments, rather than just proffer opinions, may be what distinguishes the critic from the enthusiastic blogger. 7 In cooperation with Assemblea Regionale Siciliana Consulate General of the United States - Naples, Italy Hosting partner Sponsorship ICOM MPR www.mpr.icom.museum Conference organizer: SERVIZITALIA soc. coop. via Salvatore Puglisi, 15 - 90143 Palerma - Italy tel. +39 091 6250453 - fax +39 091 303150 www.servizitalia.it Regione Siciliana Assessorato BB.CC.IS