Vol. 15/06 in PDF - Daniel Bexfield Antiques

Transcription

…The Finial…
ISSN 1742-156X
Where Sold £7.50
Volume 15/06
July/August 2005
‘The Silver Spoon Club’
OF GREAT BRITAIN
___________________________________________________________________________
26 Burlington Arcade, Mayfair, London. W1J 0PU
Tel: 020 7491 1720
Fax: 020 7491 1730
V.A.T. No. 658 1470 21
www.bexfield.co.uk/thefinial
E-mail: [email protected]
Hon. President: Anthony Dove F.R.S.A.
Editor: Daniel Bexfield.
Photography: Michael Golding.
Volume 15/06
July/August 2005
CONTENTS
Introduction
An early duty or exportation punch? By Anthony Dove
Cape Silver by David Whitbread
Brab Hallowes – mark identification?
Newcastle’s duty head coupe by Mark Nevard
John Round – The third apprentice of Patrick Brue by Piers Percival
Regional fashion in ‘bright-cut’ teaspoons by Paul Holmes
Early Trefid Spoons by David Orfeur
George Jamieson of Aberdeen – mark variation
A Tale of two TS’s by Roland Kirk
Maurice Freeman – silversmith by Cathy Chivers
Mr & Mrs Sodero – hot water spoon?
Date for your diary by Mr M
The Higgins Workshop – 1930’s hand forging picture
Feedback
Review – Christie’s South Kensington – 6th June 2005 by Tim Kent
Results for the Club Postal Auction for 8th July 2005
The Club Postal Auction
Postal auction information
The next postal auction – 28th October 2005
First Tuesday
Contributions
Back copies
Yearly subscriptions
-o-o-o-o-o-o-
COVER:
• A 17th century silver & cowrie shell bowled spice/sugar spoon, circa 1680.
See Lot 127, page 41.
.2.
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Introduction
For those that have not heard the news, Michael, the worlds best photographer of hallmarks for the
Finial, has got itchy feet, and has decided that he needs to travel the world (grown-up gappers!!!),
and therefore has given his notice and will be leaving on 15th October. Now that I have come to
terms with this devastating news, I have to say that I am very happy for him and am sure that he
will have many exciting adventures on his journey. I know many of you and myself will wish to
thank Michael for all his hard work over the last three years and to say farewell, so I have decided
to hold a champagne and canapé ‘Bon Voyage’ party, here in the Burlington Arcade, on Saturday
8th October, from 6.00pm to 8.30pm. You are all invited, but please R.S.V.P.
This issue’s postal auction is the largest to date and clearly has become very popular with members
and includes some very interesting and rare pieces, such as, Lot 111, the last un-recorded York date
letter ‘X’ for 1858; Lots 60,123 & 124, three very good marrow scoop spoons; Lot 155, a Cannon
handled basting spoon by Mary Lofthouse, London 1731 and a pair of Paul Storr dessert forks, Lot
99, plus the usual array of fascinating and appealing pieces.
Daniel.
-o-o-o-o-o-o-
An Early Duty Or Exportation Punch?
By Anthony Dove F.R.S.A.
Fol1owing my article in The Finial, Jan/Feb’05, pages 13 - 15 “Do any early Bradburys still exist”
on the reclaiming of duty, my attention was drawn to an interesting mark on a spoon offered for sale
on the internet. Made by Richard Scarlett, it has Britannia hallmarks and the date letter ‘E’ for 1720.
In addition there is a punch consisting of the letters ‘TAX’ next to the maker. I have not seen the
actual spoon so cannot be certain whether the ‘TAX’ mark is contemporary, but I have no reason to
doubt this.
It is quite conceivable that such a punch was made to show either that the duty had been paid or that
it had been refunded on export. The fact that the marks are Britannia standard in the first year in
which it became optional could support this theory if it was an experimental punch by an assay
office that was discontinued after a short period. Even so it is strange that this would appear to be
the only example that has so far come to light.
This could even have been some form of import mark used in the former Colonies or elsewhere. It
has also been pointed out that the mark may have nothing to do with tax at all but simply that of a
retailer whose name could have been Theodore Alexander Xerxes!
I would be very interested to know whether any members have seen similar examples of this
curious mark or any other theories as to its purpose.
-o-o-o-o-o-o.3.
Cape Silver
By David Whitbread
I do not specifically collect silver from the Cape of Good Hope but, as I spent a year or two of my
childhood in the Cape and later was fortunate enough to marry a South African, I have enjoyed
acquiring the very occasional item. The latest arrival, a humble salt spoon, only brings the total to
three pieces. It is the marks on the salt spoon that are interesting: the unmistakable ‘AS’ conjoined
attributed as his only mark to August Christoffel Schlosser in Stefan Welz’s ‘Cape Silver and
Silversmiths’, plus the delightful and equally unmistakable device or workshop mark of a hammer
that Welz illustrates as one of the marks of Godfried Fredrik Schmitzdorff but not for any other
maker (see Figure 1).
Fig. 1, Salt spoon. Schlosser/Schmitzdorff, circa 1800.
For comparison, Schlosser’s mark as illustrated by Welz.
and Schmitzdorff’s mark.
The most obvious inference seems to be that the spoon was retailed by Schlosser but came from
Schmitzdorff’s workshop. If this assumption is correct, it means that the spoon was made prior
Schmitzdorff’s death in 1808, and that Schlosser was active prior to 1811, the first year that Welz
has him firmly recorded as a silversmith – not surprising since we are told that he married in 1795.
Schmitzdorff (1777-1808) is identified as a silversmith and the owner of the ‘GFS’ mark by virtue
of leaving silversmith’s tools in his will. Schlosser is recorded as a silversmith in Cape Town
between 1811 and 1840.
Moving on, or back, the first Cape item I acquired a good few years ago was a sugar or jam spoon
of circa 1830 with a tiny set of marks for Lawrence Twentyman (Figure 2). I do not know what
relationship, if any, there might be to the William Henry Twentyman of Calcutta. The marks on the
spoon are illustrated (enlarged) alongside the most nearly similar of the nineteen different sets of
marks that Welz attributes to Twentyman. Some of the punches used for the pseudo hallmarks on
my spoon are clearly different so I have a twentieth version. Doubtless there are yet more versions
out there.
Lawrence Holme Twentyman (1793-1852) arrived in the Cape in 1818 having completed an
apprenticeship in England as a watch and clockmaker. He is recorded as a watchmaker and
silversmith in Cape Town from 1818 to 1832 when he left South Africa, only returning for short
visits. Though his firm continued trading thereafter, as ‘merchants’ there is apparently no mention
of silversmithing activity after 1837. Twentyman in person will have been a retailer of silver rather
than a maker himself, though it seems clear he established a workshop early in his business
employing his own staff as makers. However it also seems clear that he had his mark placed on
.4.
items that he acquired for retail from the workshops of other silversmiths as well, so I cannot be
confident about the workshop where the spoon was actually made (although as far as I know this
combination of marks is unique to Twentyman).
Fig. 2 Sugar/Lam spoon, Lawrence Holme Twentyman, c.1830
My final Cape item is not a spoon but a small mug (Figure 3). I hope Finial readers will bear with
me here, as it is relevant to a question I have.
Fig. 3, Mug, John Townsend, c.1835/40.
Marks from Welz shown for comparison: John Townsend, Thomas Stephenson & Lodewyk Beck.
Please go to our Order Form to purchase a complete copy of this Finial
Continued overleaf…
.5.
In any event, the number and variety of marks attributed to some of the Cape silversmiths such as
Twentyman seem greater than can be simply explained by the need to replace worn punches or
identify individual ‘journeymen’ and might suggest that items were being made and marked for
them in different workshops. And while, for most of the Cape marks that Welz illustrates, the
workshop devices or pseudo hallmarks seem different for each silversmith, there are several
instances where identical or very similar devices are found accompanying the initials of various
different silversmiths as in the Townsend example above. Indeed, Welz singles out one such
instance (involving five silversmiths including Twentyman) for comment as an example of a
supplier to the trade marking items for several different retailers.
My impression is that other examples of the marking of Cape silver support the view that the
practice was widespread, which should not be surprising, and my question is, how likely is it that a
retailer might equally have had his mark put on an imported piece as opposed to one from another
Cape workshop?
I am confident that the salt spoon in Figure 1 was made at the Cape. But could the pseudo hallmarks
on the other spoon or on the mug actually be on imported items? I would not have been surprised to
find identical pieces with English marks. We know the Cape silversmiths were importing Sheffield
plate in the early 19th century, and Welz makes the point that unmarked silver may on occasion
have been imported as well with marks then added at the Cape. However, the range and variety of
marks attributed to some such as Twentyman lead me to wonder whether Cape marks might
actually have been applied before the items were exported. It would after all be normal to punch
marks before a piece was finished. We know manufacturing silversmiths in England would mark
items for sponsors when sending them to assay, but would they avoid assay and go so far as to mark
them with pseudo hallmarks for an overseas sponsor? I would be interested to know what the more
expert think.
Perhaps it is opening a can of worms to question whether all Cape silver was actually made in the
Cape. Doubtless most of it was and maybe it should not matter as long as the item is interesting or
attractive, was made for the Cape and was sold for use in the colony. It will, in that sense, be Cape
silver. After all, the Cape in the 19th century was following English styles of silver, and English
silver of the same period will itself only rarely have actually been made by the individual whose
initials appear in the marks, but that does not stop me wondering about the origins of my items.
Acknowledgements
• Vic Bowman, the kind provider of the salt spoon and of my copy of the Welz text.
• Stefan Welz’s excellent book1, the source of my information and of the marks I have
reproduced.
Notes
1. Cape Silver & Silversmiths, pub A A Balkema, Cape Town & Rotterdam, 1976.
-o-o-o-o-o-oBrab Hallowes enquires: I am hoping that the readership can identify the maker of the Caddy
spoon whose photographs are below. It was made in Birmingham 1854-55. I have tried to show the
complete item, a close up and a blown up picture of the makers mark ‘FH&F’ in a rectangle. It is a
maker that Norie was unable to identify and none of my reference works can shed any light on.
-o-o-o-o-o-o.6.
Newcastle's Duty Head Coupe
By Mark Nevard
On the recent acquisition of a set of six Newcastle teaspoons by Dorothy Langlands I noticed that
the Duty head was cut off above the base on a slanting line rising from left to right, as shown in
figure 1. On a single specimen one would assume it to be a mis-struck punch but these are clearly
identical and the edge of the punch clearly defined.
Fig. 1
Fig. 2
Since then I have noticed the same duty mark on a pair of salt spoons by Ann Robertson, see figure
2 and on a pair of sugar tongs by Thomas Watson, from The Finial postal auction, Lot 64,
Dec/Jan/Feb 2003/4, see figure 3. In none of these cases is there a date letter.
Fig. 3
The mark by Dorothy Langlands is her first, recorded on the Assay Office plate in 1804; that of
Ann Robertson on the plate in 1801. Thomas Watson’s career lasted over a long period starting in
1795 so is of little use in dating the mark, but the latest mention of Langlands is 1814 and of
Robertson 1811.This would appear to place the date of assay between 1804 and 1811, the items
themselves pointing towards the earlier date.
-o-o-o-o-o-o.7.
John Round - The Third Apprentice of Patrick Brue
By Piers Percival
Of the apprentices with Patrick Brue - William Cawdell, John Lovejoy, John Round, Stephen
Blanke, Daniel Carey and Richard Mather - all (save Stephen Blanke) were known to make spoons
and, as we know from the numbers extant today, Cawdell and Carey were the most prolific of their
generation. John Round, apprenticed in 1589, was made free 13 October 1598. The Goldsmiths’
Company Court books show intermittent entries for him stretching over the ensuing 50 years and
indicate a mixture of fortune. No other John Rounds have been recorded in the Apprentice Register
and one may assume that the entries all pertain to the same person.
We know he was making spoons in 1599 as eight of his were broken in October that year and a
further twelve the following January. This may have been in conjunction with his ex-master or with
another master. However by 1606 he began taking apprentices, which confirms a more definite
business of his own. Simon Panchard was presented in 1606, Richard Round (probably a nephew or
cousin) in 1608 and free in 1616, Walter Stonard in 1611, Peter Eagle in 1612 and free in 1619,
Henry Good in 1619 and free in 1628, Richard Good in 1624 and free in 1634, and finally Hugh
Marchant in 1632. If these dates are anything to go by, they indicate a steady business, which
probably peaked in the period 1606-1616.
On the other hand, there were periods when times were hard. In March 1620 he was in receipt of
50/- and a new gown from the Richard Rogers bequest, being one of the ‘most ancient’ of ‘the poor
decaied workmen of this company’. This ‘most ancient’ list included spoonmakers older than he,
Robert Rase, John Jermyn, Thomas Benbowe, Thomas Lawrence and Barnabas Turville (Court
book P pp439/440). There were also others including the spoonmakers William Limpany and
Richard Mather, who received lesser amounts. But unlike some of his colleagues, Round was only
rarely fined for bad workmanship: the chief culprits for substandard spoons in the Jacobean period
were William Cawdell, John Jermyn, Martin Cottrell (while he lived), William Limpany, James
Cluatt and John Saunders who over and over again were being fined repeatedly.
John Round, in later years, was fined for bad spoons (1632 and 1633) and in 1637 was in receipt of
20/- charity. In 1639 he was in prison for debt at Ludgate and requested charity for his release. At
first the Wardens considered this an abuse of company money but they later relented and granted
30s (Court book V ff23, 50). In 1646 he received £2-12s from the Sir Hugh Middleton gift (twice as
much as any other) and ultimately in 1647, his age then being at least 73, he was given a pension of
2/- per week (book X ff73, 147).
For a mark, there is apart from an ‘IR’ with mullet and pellets recorded for 1617/18 by Gerald
Taylor and an ‘IR’ with a bow below on a communion cup for 1615/16 recorded by Jackson, a
dearth of ‘IR’s for his entire period and it is most probable that he used a device. The only Jacobean
device marks that occur with any frequency on spoons alone are the crescent enclosing a mullet
(which from 1615 I believe belongs to William Lovejoy), the saltire in a heart punch (see later) and
the pair of compasses. But of greater interest is this: both round and compass have the same
meaning, a circle.
Fig.1, Drawing of a pair of compasses.
Fig. 2, Poorly struck pair of compasses on a spoon dated London 1606/07.
.8.
A pair of compasses is used to make a round and it is not beyond the stretch of the imagination to
believe that John Round would have chosen this device for his mark. It has been recorded on a
moor’s head spoon for 1606/07 (Fig. 2), on seal tops at Phillips 25.1.91 for 1607/08 and Bonhams
7.3.01 for 1611/12, and in Jackson’s Revised p108 for a seal top of 1610/11 and a maidenhead of
1612/13. There seems to have been a variety of punch outlines, suggesting a number of punches in
use, and there may have been other occurrences but without a recognisable profile.
John Lovejoy, the second apprentice of Patrick Brue
Consideration of other possibilities for unassigned late Elizabethan / early Jacobean device marks
on spoons brings me to a reappraisal of my suggested mark for John Lovejoy. Of the assignations
suggested in Elizabethan London Specialist Spoonmakers (The Finial, July 2004, pp14-19), the one
for John Lovejoy (a pierced mullet within a crescent) is the weakest. There is no rebus and the chief
reason was that he seemed to be part of the Bartholomew / Cawdell net as after his death, his son
William was known later to be working under the avuncular eye of William Cawdell at the
Woolsack, the parish of St Vedast. Goldsmiths tended to work at or near their homes and there is no
evidence that John worked at the Woolsack; he was in the parish of St Mary Woolnoth, where his
children were christened and his apprentice Henry Battell was buried. The Brues, we may
remember, were also of St Mary Woolnoth (Mrs Brue incidentally was born a Battell), and when
they both died in January 1612/3, their estates were administered by George Samwell who had
married John Lovejoy’s sister.
One must always be ready for reappraisal and the second of the unassigned marks above mentioned
is a more likely alternative for John Lovejoy. Just as John Jermyn is thought to have used the saltire
within a crescent for JJ, John Lovejoy may have considered the saltire within a heart. Thus ‘I’ heart – ‘I’ would stand for John – love – Joy. This has been described on an apostle spoon for
1602/03 (Phillips 27.6.80 and 17.11.95). However it has also been recorded on a gourd shaped
standing cup of 1590/91 (Jackson’s Revised p102) and on the mounts of an Ostrich egg cup for
1584/85 (Glanville in ‘Silver in Tudor and Early Stuart England’, p324), which is well before
Lovejoy’s period. John was born in January 1565/6, apprenticed in 1582, and was probably not free
till after 1589 i.e. after reaching the regulatory age of 24. Nevertheless he may have considered the
design, and if unavailable, chosen two ‘I’s in saltire in a heart punch to mean the same thing.
Fig. 3, Examples of capital ‘I’s in saltire in a heart punch from London spoons, both dated 1610/11.
This is merely a suggestion, but I believe a reasonable one. The saltire is usually described as clubs
but from the examples shown, capital ‘I’s would seem to be more likely. The mark has been
recorded on spoons bearing apostles for 1605/06, 1610/11, 1611/12, as well as the master 1610/11,
1611/12, seal tops 1606/07, 1609/10 and a slip top for 1610/11. Two examples are at The Museum
of Fine Art, Boston.
John Lovejoy’s apprentices were Henry Battell, presented in 1596 but died in 1602, Thomas
Hampton (1605) and his son William. Another known servant was Elizabeth Boulton (d. 1603).
William would have been born in 1592 or 1593 (before his next sibling christened 7.7.1594 and
well after his father’s marriage 22.9.1591), so would have been in training from about 1605
onwards and, if responsible for a major output of spoons under the offices of William Cawdell
1615-1626 (the dates of the later crescent enclosing a mullet in a shaped punch), this might explain
a higher quantity of spoons from John in the 1609-1611 period. John died in August 1612 and was
buried at St Mary, Woolnoth. The following year the Company provided his widow with an annual
pension (book P p131). She died in 1625.
Continued overleaf…
.9.
Thomas Benbowe, the twelfth and last apprentice of Nicholas Bartholomew
The above suggestions and explanations leave a vacancy for the pierced mullet within a crescent.
And as it seems likely that the crescent enclosing a mullet that originated with Nicholas
Bartholomew in 1551 later became a workshop motif and was used by goldsmiths within the
Bartholomew / Cawdell net, it now seems highly likely that Thomas Benbowe was its next
proprietor, particularly as there is another rebus awaiting us. Thomas Benbowe was apprenticed to
Nicholas Bartholomew 16.1.1578/9 and would have been made free about eight years later, so
easily available for the mark, which has been recorded on many spoons with dates 1589-1609. He
had no apprentices of his own so may have been an assistant working after freedom with his own
mark, first with his master and later with William Cawdell.
Fig. 4, Crescent enclosing a pierced mullet in a round outline
from an Apostle spoon, London 1593/94.
Changing to a round outline, Thomas would bend his bow to pierce his master’s mullet. At least 26
examples have been recorded between 1589 and 1596 suggesting a period of great activity.
Thereafter there appears to have been a dwindling of activity, which fits with the freedom of
Cawdell’s first apprentice John Jermyn, in 1595. Jermyn was known to be an associate of Cawdell
and may have taken some of the commissions that previously went to Benbowe.
Conclusion
-o-o-o-o-o-o.10.
Regional Fashion In ‘Bright-Cut’ Teaspoons
By Paul Holmes
A response to Richard Jonas, The Finial, May/June 2005, page 6&7.
I have only recently been collecting these bright-cut teaspoons as a less expensive way of
specialising in Old English flatware, all of mine being by London silversmiths. Even on the few that
I have already, there appear to be some similarities to the Irish specimens described on page 6:
• The space above the cartouche is decorated rather than left blank
• Floral symbols are commonly used – the daisy with six petals, a bi-pinnate leaf shape
• The cartouche border is continued below as a simple ‘swag’, or further floral decoration, before
moving down the margin of the stem.
There appear to be interesting variations:
• The London stem-ends are all rounded, unlike the Irish pointed ends
• The cartouche is shield shape as often as rounded. The shield shape also occurs on a bright-cut
tablespoon.
• Other geometric shapes appear, apparently unrelated to the floral or classical patterns.
• The bowls are less pointed and more gently rounded.
• Several have no space above the cartouche for decoration, the rounded cartouche following the
rounded stem-end precisely. A Victorian decorated Georgian OE teaspoon also has no space
above the cartouche.
Might these be ‘variations’ that are peculiar to London spoons? Given that bright-cutting was
especially popular between 1790 and 18001 the decoration and cartouche shape reflect the
predominance of the Adam style – ‘the motifs are restricted to known classical details, such as
paterae, elliptical medallions, swags of drapery and the ever-recurrent acanthus leaves, husks, bellflowers and honey-suckle flowers’. The shield-shape perhaps reflects the Hepplewhite shield-back
chair as published in his ‘Guide’ of 1788.
It would be interesting to know if any members have examples of Birmingham spoons, given that
bright-cutting was a speciality of the Birmingham silversmiths2. How much do they vary in shape
and decoration and is there a Birmingham style?
My examples used are from left to right – George Burrows, London 1820; George Wintle, London 1792;
Peter, Anne & William Bateman, London 1801; John Lambe, London 1787; John Lambe, London 1784;
William Sumner, London 1784; Samuel Godbehere & Edward Wigan. London 1790
References
1. Three Centuries of English Domestic Silver, 1500-1820 : Bernard & Therle Hughes, 1952.
2. English Domestic Silver : C C Oman, 1934.
-o-o-o-o-o-o.11.
Early Trefid Spoons
By David Orfeur
I was prompted by David Whitbread’s very interesting article in the last issue of the Finial, to re
examine my notes upon early Trefids, and to compare examples that I have.
As David states, the two examples that he illustrates of 1666 and 1669 are very different as regards
their trefid ends, although close in date. The 1666 spoon is quite unusual in shape for a London
example.
From left to right: 1680 by Robert King, 1679 by Lawrence Coles, 1672, 1668 & 1664 by John King
I believe that there were two types extant during the middle years of the 1660’s, one type
represented by the ‘pseudo’ trefids of the provinces, including Norwich and York, where the
development from the Puritan design is clearly seen, with the cutting of the typical Puritan end,
providing the characteristic ‘ears’ or cleats, retaining the broad, now central lobe, the other being
the more typical London broader shaped terminal. This latter type is shown in the earliest known
Trefid of 1662, whereabouts presently unknown, as illustrated by the Hows, and the examples that I
illustrate of 1664, 1668, and 1672, and of course, David’s spoon of 1669. These show the prominent
central semi circular lobe, which represents in width, a larger proportion of the stem end than later
examples, such as those shown of 1679 and 1680, and the outside lines of the cleats are continuous
to the line of the swollen shape of the terminal. In both types, the stem ends are usually quite
prominently upward lifting, although occasionally they are flattened by use, careless or otherwise.
A similar spoon is known, that bears the maker’s mark only of ‘IC’ above a cockerel, but with a
pricked date of 1663, and which Tim Kent considers is made by John Cockus, the mark being a
rebus of his name. This one was included in the Bourdon Smith’s marvellous exhibition in 1981and
was made in London. Another Trefid is known, being made in Dublin in 1663, where the date letter
is struck between the Hibernia mark and the maker’s mark, this having a broad central lobe with
small cut cleats.
.12.
York 1664 by Marmaduke Best
Norwich c.1669 by Arthur Hazelwood II
-o-o-o-o-o-o-
The next Club Postal Auction will take place
on Friday 21st October 2005
Members are invited to submit their Lot(s) for the next postal auction by posting or delivering by
hand up until the 22nd August. Please provide clearly a full and comprehensive description, if
possible, of your various lots, remembering to note all relevant facts such as makers, dates and
interesting features etc and reserve. Also please clearly state your name, address and telephone
number. Never intentionally submit repaired, damaged, burnished or mediocre items as such will
not sell.
.13.
George Jamieson Of Aberdeen - Mark Variations
By Edward Daw
In the Feb/March 2002 edition of The Finial, page 117, I wrote about the three generations of the
Jamieson family. George Jamieson (1840-1875) was the most prolific of the three silversmiths and,
as Dr James noted (Goldsmiths of Aberdeen, page 123), he sold plate:1. Made in his workshop and sold direct to customers.
2. Made in his workshop, sent to Edinburgh or London for assay.
3. Made by others, bought new or second-hand, to which he added his marks (plate made by S.
Haynes & D. Cater, Henry Holland, ‘T.W’ and ‘I.R.H’ has been seen with George
Jamieson’s marks added).
Fig. 1
Fig. 2
Maker’s Marks
Four different marks appear to have been used:
• ‘GJ’and ‘G.J’, prior to 1847 (examples are shown in Dr James’s book).
• ‘GJ.ABDN’ in 1847 (Figs. 1 & 2) and after1847 ‘G.J’ (Figs. 3 & 4).
Fig. 3
Fig. 4
Town Mark
• The two illustrations in Dr James’s book show ‘ABDN’, as his town mark, I assume from early
in his working life as I have only seen his mark with ‘ABDN’ (i.e. small ‘N’) on items dated
from 1839 to 1871.
• George’s father William used an ‘ABD’ punch, except for one piece seen with ‘ABDN’, dated
1839.
• George’s son , William George, used both ‘ABD’ and ‘ABDN’ punches.
George Jamieson and Son
This company, registered in 1879, was a conundrum! Dr. James reported this registration, four years
after George’s retirement and five years after William George started sending items to London for
assay, and marking other makers items as his.
Fig. 5
Fig. 6
Mr C. Fraser has drawn my attention to a set of fish knives recently auctioned in New Zealand.
They show two variations of a ‘G.J.& S’ mark (Fig. 5 & 6). Four were supplied by Elkington & Co.
having been made in 1873 in Birmingham by ‘F.E’. The other two knives were supplied by Walker
Hall & Co., having been made in Sheffield in 1877 by ‘W.W.& J.H’ (note how all these dates tie in
with those of George Jamieson and Son!).
-o-o-o-o-o-o.14.
A Tale of Two TS’s
By Roland Kirk
In the mid 1970’s we lived outside Edinburgh. I had been collecting Scottish Provincial Silver for a
few years, had got to know other collectors and was slowly building up my collection.
One Friday evening I was rung up by a part-time dealer who offered me a Forres fiddle pattern
toddy ladle with Edinburgh marks by the silversmith ‘TS’, Thomas Stewart, who at that time was
known to have worked in several towns and was believed to be a tinkersmith. Not having a piece of
Forres silver I was keen to buy the ladle even though it had Edinburgh marks – half a loaf is better
than no loaf at all – and one dull winter afternoon behind Lyon and Turnbull premises in George
Street I handed over a cheque and went home eager to examine my purchase.
Pleasure quickly turned to anger when I discovered on close examination that what I had bought
was a ladle by Forrests of Edinburgh. The Forrests had been ‘modified’ with a sharp pointed tool,
making a new indentation, i.e. FORRES•TS. I stopped the cheque, rang the dealer and returned the
ladle.
My second ‘TS’ was totally different. I was offered a set of six fiddle dinner forks, as illustrated, by
a fellow collector who very kindly reduced the price because we had the same interests. They are
top-marked and this short article is in response to the previous one in The Finial July/August ‘04.
One small aspect: the projecting shoulders at the bottom of the stem are very pointed and looking
through my collection I have only found this on a set of teaspoons by Thomas Stewart, again with
Elgin marks but this time in the usual place. Any comments from other collectors?
-o-o-o-o-o-o.15.
Maurice Freeman - Silversmith
By Cathy Chivers
On a recent visit to Spitalfields Antique market I bought a set of four silver teaspoons. They are
Apostle spoons, dated 1903, 9.5cm long, with a ‘M.F’ and Birmingham hallmarks stamped on the
back of the bowl. I was delighted with them and a bargain at £2 each, and I took them home for a
clean. Four days later I was hunting around Covent Garden Antique Market and to my amazement I
found and bought the remaining two teaspoons completing my set of six. In a minor way I could
appreciate how a serious collector must feel at making such a discovery.
I looked up the word Apostle in the Collins English Dictionary, ‘Gr apostle - one sent forth, a
person sent out on a special mission. Specif. - any of the twelve disciples sent out by Jesus to teach
the Gospel’. I wondered if earlier spoon makers had used this image to educate people about the
Disciples and was curious to know why it was still popular in the 20th century. From early 17th
century the finials sometimes deteriorated in quality and the emblems are more difficult to
recognise. With the more modern ones it is often impossible to identify which Apostle is stamped
out.
According to ‘Spoons, a collectors guide to spoons of the world’ by Rainwater & Felger, the earliest
written record of Apostle spoons was in the year 1494-95 when. “.xii cocliaria cum Apostolis super
corum fines”, are mentioned in a will in the York registry. However I have also found Apostle
spoons mentioned in the will of Sir John Fastolf (d 1459).
During Tudor times the Apostle spoon was most popular, having been introduced from Europe in
the 1450’s. They retained their popularity for approx 200 years, being used for christenings. Then
the Protestants prejudice against images caused them not to be in favour.
Returning to my set of teaspoons, I have discovered they were made by Maurice Freeman who died
before 1909. They have a 3cm twisted stem, a 1.5cm small figure above the bowl, the finial a full
standing 3cm figure with what looks to me like a shield and cloak. I logged on to the internet to find
out all I could about Maurice Freeman and to my surprise the first site that came up was ‘The
Finial’! In the October/November ‘03 edition there was an Edwardian Britannia silver Hanoverian
Rattail pattern teaspoon for sale, lot 86 by ‘M.F’, in the auction. It’s a small world. I was unable to
find any biographical details and this will need further research, but I did find out that tea was
introduced to England during the 1660’s and that the making of teaspoons occurred after that, as
small spoons sized in proportion to the teacups of that period were needed. By the middle of the 18th
century they were commonplace, as they still are today. My set having survived world wars and
movement through generations, dealers and markets has given me great pleasure.
“The men of culture are the true apostles of equality” Culture & Anarchy 1869.
-o-o-o-o-o-o.16.
Mr & Mrs Sodero from Canada questions: Following interests in spoons and in old Sheffield
dining vessels utilizing hot water to keep the contents warm (argyles, toasted cheese dishes, soufflé
dishes, etc.), the illustrated item was purchased at Portobello Road in 1987. This spoon is silver
plate, 14.5” overall and weighs 195 grams. The stem unscrews from a 4” bowl which holds a small
amount of hot water. It is marked ‘Registered 30 Dec.1872’.
Someone suggested that this is a confection spoon. Although it is not silver it seems somewhat
elaborate for utilitarian use in the candy making process. I know that one of your readers will be
able to confirm or correct this opinion.
-o-o-o-o-o-o-
Date for your Diary
Mr M reminds members: As intimated in the last edition of The Finial, Bonhams are holding their
three-day ‘The Scottish Sale’ from Wednesday to Friday the 24th to 26th August at their Edinburgh
salerooms. Members I am sure will be interested to note that there are approximately a hundred lots
of Scottish Provincial silver on offer, both hollow and flatware, the silver being the first part of the
sale, on the morning of the 24th August.
Along with the items listed in the last edition there are many other offerings of rare and good
quality flatware. The well illustrated catalogue can be viewed on their website
www.bonhams.com/edinburgh
For further information, to order a copy of the printed catalogue or request a condition report please
contact Fiona Hamilton on 0131 225 2266 or by email: [email protected]
-o-o-o-o-o-o.17.
The Higgins Workshop – 1930’s
Hand Forging
Jack Don & Jack Sewell
Picture courtesy of Alan Kelsey.
.18.
Feedback
Simon Moore responds: Feedback for Michael Baggott’s Tale of two cities and more confusing
fruit knife jiggery-pokery! Thank you Michael for having the knowledge of foresight and nerve to
take the blade out of that otherwise slightly tired fruit knife! I was fascinated to see a ‘shared’ fruit
knife as early as 1794; even more that Birmingham was also sharing marks with Sheffield and
within the same year! Joseph Taylor seems to be the main maker of early ‘Brum’ fruit knives
whereas other small-ware makers – Joseph Willmore, Matthew Linwood (rarely) and Joseph Taylor
tended to make all silver sliding fruit knives in the early 1800’s.
Fruit knife makers tended to be even more incestuous than spoon-smiths buying already-marked
blades or hafts to make up orders – it suggests how popular these items must have been. They also
tended to register marks in the larger assay offices as well. Sheffield makers registered in London,
Birmingham and sometimes Chester (and vice-versa!), often over-stamping each other’s sponsor
marks.
To date I have not yet seen a Chester (only) sponsor’s mark on a fruit knife. The reason for most of
this appears to be supply and demand. The interesting point about Michael’s knife is that the blade
was originally made by John Law and assayed in Sheffield. Joseph Taylor just added his sponsor
mark alongside the Sheffield Sterling Lion with its straight-sided rectangular cartouche and the
Birmingham Assay Office added their anchor and a ‘w’ date letter for the same year, as Michael
surmised, without questioning the presence of the duty and sterling marks. This begs the question
of the knife being mixed in with a parcel of plate for assay? The practice, however, was to submit
the blade only for assay rather than the whole knife in which case the Sheffield tang marks and ‘IL’
may have caused some concern to the Birmingham assay master. At least the Sheffield blade marks
are similar and he would have charged Taylor for the marking anyway.
Another question is – who added the haft, Law or Taylor? The two vertical engraved lines on the
lower edge of the tang refer to the knife’s other components: the webs (copper linings) should also
be marked ‘II’ and the side of the spring, even the inner sides of the nacre scales. Pocket knives are
assembled in groups and the components are tailor-made to fit each individual knife. If the other
components have a different Roman numeral engraved on them, it suggests that the haft was
produced in Taylor’s workshop.
The earliest Birmingham, only, pocket fruit knife (PFK) that I have ever seen was assayed in 1799.
If anyone can better this (like the ‘earliest known Trefid spoon’ competition) I would be interested
in seeing a photograph of it, also I have not yet seen a pistol-grip PFK bearing Birmingham
hallmarks.
So thank you to Michael for this information, also, I am writing a book about French and English
PFK’s and trying to sort out these hallmarking conundrums. If anyone knows of a possible
publisher for such a specialised opus, I would be delighted to hear.
-o-o-o-o-o-oJack O’Hare writes: I notice the spoon that I bought, Lot 80 in January’s Postal Auction, is still
being talked about in The Finial! I believe that David Whitbread has provided the solution, as the
illustration on page 20 (The Finial, May/Jun’05) is almost identical with mine. If you do get an
opportunity please convey my sincere thanks to him for taking so much trouble. I have had a lot of
fun and enjoyment with the interest the spoon aroused.
-o-o-o-o-o-o.19.
Peter Ticher replies: Walter Brown asks (in the May/Jun’05 issue, page 18) whether I can throw
any light on the suggestion that one can tell by looking at the star frequently found on Irish spoons
made between 1780 and 1800, whether they were made in Cork or elsewhere. Sadly I cannot, but it
might have been instructive to look at the 150 or so such spoons that passed through my father’s
hands at various times. Alas, they are now dispersed, many to the National Museum of Ireland.
Whether or not spoons with the star-cartouche-arrows pattern were made outside Ireland I do not
know, but in view of Walter’s query I shall certainly start looking at English and Scottish spoons
from now on to see if I can find any. Another source of information would be my late father's
photographic records which are held in the National Archive in Dublin, and I may look at them next
time I am in Dublin - although the last time I asked to see these records, after a longish wait two
men appeared each wheeling a large double-deck trolley, making my time and enthusiasm for such
an exercise somewhat questionable!
-o-o-o-o-o-oDavid McKinley writes: My very good friend Tony Dove has drawn my attention to an error,
which I made in my article on “Exemptions from Hallmarking” in the May/Jun ‘05 issue of The
Finial and, because I feel that the integrity of this publication must be preserved, I cannot leave the
matter unresolved.
Our journal is both stimulating and informative and makes an important contribution to the
advancement of our knowledge of antique plate in general and of spoons in particular. I always try
to make my contributions to it informative and therefore feel obliged, however embarrassed, to set
the matter right here.
The list of specifically non exempt items which I quoted in my article and attributed to The Plate
Offences Act of 1738 did, in fact, not appear on the statute book until the 1790 act. The list, which
does apply, appears in the act of 1720, which Tony has researched and kindly supplied to me, and is
as follows: ‘hafts, spoons, thimbles, buckles, clasps or buttons’. This act took effect from ‘the first
day of July one thousand seven hundred and twenty one’. It was therefore from this date that a
silversmith could no longer decide for himself that teaspoons were ‘in respect of their smallness’
not capable of receiving a mark. It is interesting to note that the weight of items, which were
exempt, in this act was 3dwt, so that teaspoons would not have been exempt anyway even if
‘spoons’ had not appeared in the above list.
The part played by the act of 1738 was to reinforce this by the introduction of a statutory charge
(not exceeding three pence three farthings per dozen*) for marking them.
I hope that my fellow members will forgive me this misunderstanding and accept my apology for
misleading them. In order to clarify things I have drawn up a table of events in date order as
follows:
1. Late 17th Century: imposition of 3d. for assay on all items however large or small and the
belief by some silversmiths that if they had not registered their mark at Goldsmiths’ Hall
they need not submit their work for hallmarking.
2. 1697: ambiguity in the wording of the act allowing silversmiths to decide for themselves
that such items as teaspoons were too small to receive a mark.
3. 1717: directive issued by the Goldsmiths’ Company that all silversmiths round London must
register their marks and have their wares hallmarked.
4. 1720: teaspoons and other small spoons specifically not exempt from hallmarking by
legislation.
5. 1738: introduction of a statutory charge ‘not exceeding three pence three farthings per
dozen’ for assaying teaspoons.
* J.P. de Castro. Law And Practice Of Hall-Marking Gold And Silver Wares. p.248.
-o-o-o-o-o-o.20.
Ronald Grant emails regarding the ‘Introduction’ in the previous issue: Thank you for the
information and illustration, clearly indicating that my interpretation was incorrect. Thinking of a
better one now becomes much more difficult! Going back to my original article, it still seems
probable that the ‘Sta’, with a tilde over the ‘a’, must be a town mark. I take it that the tilde
indicates a contraction, but of what? When I last spoke to the Davidson’s about Chester marks,
they expressed the opinion that the ‘PH’ was certainly not Peter Hopwood.
-o-o-o-o-o-oKirkpatrick Dobie replies and comments on items in the May/June Finial:
‘Confusing Hallmarks’ (page 9): ‘WO’ with pseudo marks is for WING ON, working in Hong
Kong in the first half of 20th century. My reference is the catalogue of Chinese Export Silver at John
Sparks, December 1990.
____________________
‘A.R’ and sunburst (page 14): The first mention I could find was in Phillip’s Edinburgh sale, May
1982, where under Dingwall lot 124 ‘a good teaspoon’ has the same marks. Lot 125 has the same;
but with an incuse ‘Bird in Flight’. The late Derek Graham who was in charge of the silver
department at Phillips ascribed the mark to Dingwall because a ‘Sun in Splendour’ appears in the
town coat of arms. However since at least eight Scottish Burghs also have a sun in splendour as part
of their coat of arms, the odds are not good. What I have deduced is that due to the number of
pieces of flatware in existence in Scotland, they are not likely to be colonial.
____________________
Lot 53 in the latest auction is Alexander Spence not Alexander Zeigler. Kindest regards.
-o-o-o-o-o-oBill Gillham notes: Graham Bliss’s caddy spoon, page 7 in The Finial, Jun/Jul’05,is a well-known
fake of which there are a large number in circulation – all with identical marks. See the Finial, page
204, Jun/Jul 2001 where an identical spoon is shown and the story told. The spoon in question had
appeared in the Silver Spoon Club’s March 2001 auction.
-o-o-o-o-o-oJolyon Warwick James corresponds from Australia: At last a contribution to The Finial, re the
spoons with ‘P’ on them (The Finial, May/Jun ‘05, page 17).
I too have a Hanoverian pattern tablespoon bearing the letter ‘P’. The spoon is of noticeably good
quality and condition, initialled on the stem ‘E * S’. The hallmarks are Britannia Standard for
William Scarlett, London 1720. What is interesting is that the ‘P’ is on the front of the spoon stem
close to the bowl.
Many years ago I sold this spoon to a client who returned it fearing it was fake. He was suspicious
of the almost unused condition, and the presence of the letter ‘P’ which coincidentally linked up to
the name of a person who at that time who was involved with (and convicted of) of hallmarking
offences on spoons. I therefore submitted the spoon to the Antique Plate Committee at Goldsmiths’
Hall. It was returned to me as passing scrutiny and with the case number 5800 stuck on it. The
spoon remains in my collection, still proudly bearing its number. Alas the client involved and to
whom I refunded the purchase price, has since died. However he enjoyed the exercise and even
tried to re-buy the spoon from me.
I could try and take a photo of the spoon but if I did, of what bit? The Hallmarks, the ‘P’ or the
whole spoon showing the position of the ‘P’. Ps on their own are hardly riveting! I do not think the
initials on the spoon relate to Eric Smith, but I could be wrong!
-o-o-o-o-o-o.21.
Review - Christie’s South Kensington
6th June 2005
Some Comments by Tim Kent, F.S.A.
This sale included (Lots 632-641) some spoons ‘The property of a European Collector’ and a
further trio (Lots 643-645) submitted by the Trustees of the Knole Second Trust Fund. Most of
these spoons were not of a quality calling for detailed comment, but a number, though not of major
significance, were of collectors’ interest.
Lot 632, which realised £2,200 hammer price, was a good and interesting seal-top dated (probably)
1615, though probably later in date in which case it is likely to refer back to a marriage in this year.
The maker, whose mark ‘T’ over ‘M’ is found on many spoons, has not yet been identified, but
from the finial construction and incuse-punch decoration must have worked somewhere in the
Salisbury catchment area.
Fig. 1
Fig. 2
Fig. 1 shows Lot 632 flanked by a pair dated 1664 (private collection), while Fig 2 shows another,
smaller spoon dated 1635 and featuring a pronounced Salisbury ‘Group B’ finial, the cap with
underside decoration, typical of Robert Tyte’s workshop. This spoon has a particularly clear
maker’s mark in its bowl (Fig 3). A mystery to be unravelled.
Fig. 3
Fig. 4
Fig. 5
Lot 640 was a sturdy West Country Apostle (St Philip), the Saint’s visage somewhat occluded,
perhaps in the original casting, bearing excellent ‘London Forgery Group’ marks (Fig 4), almost
certainly pertaining to Samuel Cawley I, the Exeter Royalist goldsmith and operator of that City’s
mint under Sir Richard Vyvyan. The marks are, of course, in no way ‘forgeries’ but informal
provincial marks of the 1650-1660 period, though the London Goldsmiths’ Company would have
disapproved of the ‘do-it-yourself’ lion. Besides spoons, they feature on Church plate at
Atherington, between Exeter and Barnstaple. This spoon, which made £2,200 hammer price, is a
fine example with excellent marks.
Lot 643, probably St Matthew with money-bag, can have nothing to do with ‘William Ramsay,
Carlisle’ as the catalogue suggests, the plain circular disc nimbus being typically West Country. The
pricked date 1661 is original, and the very clear maker’s mark WR conjoined (Fig 5) may well
pertain to William Ring of Shaftesbury, who used Salisbury seals of both types. It is interesting to
compare the finial of this spoon with another, dated 1628 and somewhat cruder in casting, struck in
bowl and on stem with the ‘acorn’ mark (possibly Bristol) noted on a seal-top spoon from the
Charlynch Hoard (No. 13, see ‘Spoones and Gobletts’ – Taunton Museum publication).
.22.
Fig. 6
Fig. 7
Fig 6 shows (L) the castings on Lot 643 (which realised £1,300 hammer) and (R) the ‘acorn’ spoon,
which is dated 1628. William Ring (if it be he) also used Bath castings, usually St Matthias with
integral cast-in axe, as on many spoons bearing the marks of Spencer and George Reeve. Fig 7
shows (L) a fine silver-gilt apostle spoon with pricked date 1664 and WR mark in bowl and thrice
on stem, and (R) a very similar casting by Spencer Reeve of Bath (both spoons from a private
collection). The latter spoon bears the unique Bath town-mark (West front of Bath Abbey).
Fig. 8
Fig. 9
Lot 645 was a charming little seal-top spoon, with crisp seal and attractive patination, probably
circa 1640. It bears one mark, in its bowl, lightly struck, a barbed rose in circular punch (Fig 8 and
9). It is well established that during the Restoration period such a mark was used as a town-mark at
Warminster by Thomas Cory, William Clare, and John Elderton (see my ‘Warminster Silver’, Silver
Society Journal, autumn 1998). All these makers use the mark in a distinctive circular punch.
Fig. 10
During the 1630’s Richard Lyle quitted Southampton (where his family were well-established as
spoonmakers) in order to settle at Warminster. In 1638 a marriage licence issued for Richard Lysle
(sic) of Warminster, goldsmith, and Dennise Bull of the same place, widow. It is tempting to think
that Lyle introduced the circular ‘rose’ mark to Warminster, and that Cory, Clare and Elderton took
it over. But why should Lyle have chosen this mark? Fig 10 may provide the answer. It is not
capable of proof, but what would be more natural than for Lyle to choose a mark linked to his place
of origin. In any event, this nice little spoon proved popular at £1,100 hammer price.
-o-o-o-o-o-o.23.
Results for the Club Postal Auction for 8th July 2005
Please note that the results price does not include the 10% buyer’s premium.
Lot
Reserve
Bids received £
1.
2.
3.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
26.
27.
29.
30.
31.
32.
33.
34.
35.
38.
39.
40.
45.
46.
47.
48.
49.
50.
51.
53.
54.
55.
56.
57.
58.
59.
62.
63.
72.
74.
76.
77.
78.
79.
320
2
5
5
5
5
5
5
5
5
5
5
5
20
5
5
20
5
5
10
25
30
20
15
16
10
18
28
30
35
28
45
35
10
40
30
30
25
23
15
12
15
8
30
10
15
15
30
5
5
26
50
45
25
20
50
80.
81.
83.
84.
16
16
22
295
320
2
5
10; 15; 16
10; 15; 16
10; 11; 12
10; 11; 17
10; 11
10; 11; 12
11
7; 8; 10
10; 11; 15
10; 11; 15
21
10; 12
10; 11; 18
23
10; 11; 18
10; 11; 18
13
25
31
20
15
26
17; 20
20; 31
30; 30; 45; 53; 55
32; 32; 40
35; 36; 41; 70
30; 32; 38; 40; 52
45; 45
45; 70
13; 30
45
45; 67
30; 34
31
24; 24; 35
15
22; 35
18; 18; 22
10
31
12; 14; 15
17; 23; 30; 35
23; 30
32; 35; 40
20; 23
7
26; 27; 29; 32; 32
55
45
30; 36
25
81; 87; 100; 108;
152
25; 26; 30
19; 21; 33
23; 28; 36; 50
375
Result £
320
2.00
5.00
15.50
15.50
11.50
14.00
10.50
11.50
8.00
9.00
13.00
13.00
20.50
11.00
14.50
21.50
14.50
14.50
11.50
25.00
30.50
20.00
15.00
21.00
18.50
25.50
54.00
36.00
55.50
46.00
45.00
57.50
21.50
42.50
56.00
32.00
28.00
29.50
15.00
28.50
20.00
9.00
30.50
14.50
32.50
26.50
37.50
21.50
6.00
32.00
52.50
45.00
33.00
22.50
130.00
28.00
27.00
43.00
335.00
.24.
Lot
Reserve
Bids received £
93.
94.
95.
96.
100.
101.
102.
103.
104.
105.
107.
108.
109.
110.
111.
112.
113.
114.
115.
117.
119.
120.
121.
5
5
360
460
35
25
65
65
18
12
58
175
35
30
15
220
12
25
20
20
8
30
20
122.
124.
126.
127.
130.
131.
134.
135.
137.
138.
139.
140.
141.
143.
144.
145.
146.
147.
148.
149.
150.
153.
154.
155.
156.
157.
159.
161.
163.
166.
168.
169.
180
140
30
80
105
75
14
35
10
10
10
10
10
35
20
25
25
25
40
20
20
90
10
25
190
5
20
45
35
40
100
15
172.
173.
174.
175.
5
8
6
6
8
12; 16
361
470; 600
59
28
81; 82; 95; 105
67
18; 20; 30
12; 15; 17; 20; 20
76
175; 225; 271
42; 46
33; 45; 65
15; 20
245; 311
15; 16; 16; 20
26; 27
20; 22; 25; 26; 27
20; 24; 24; 33; 40
10; 15; 15; 15
32; 53
20; 27; 30; 31; 33;
35; 37; 57
240; 295; 410
140; 258
45
90
105
76
21
36; 45
20; 23; 27
18; 23
22; 23
12; 20; 20
13
38; 57; 75
20; 22; 27; 30
31; 35
28; 35; 37; 39; 40
29
58; 60; 61
37
21
125; 130
14
32
290; 360
6
20; 30
45; 48
50
45
150
16; 22; 23; 26; 32;
35
10; 18
10; 18
10; 12; 20
16
Result £
6.50
14.00
360.50
535.00
47.00
26.50
100.00
66.00
25.00
20.00
67.00
248.00
44.00
55.00
17.50
278.00
18.00
26.50
26.50
36.50
15.00
42.50
47.00
352.50
199.00
37.50
85.00
105.00
75.50
17.50
40.50
25.00
20.50
22.50
20.00
11.50
66.00
28.50
33.00
39.50
27.00
60.50
28.50
20.50
127.50
12.00
28.50
325.00
5.50
25.00
46.50
42.50
42.50
125.00
33.50
14.00
14.00
16.00
11.00
‘The Silver Spoon Club’
OF GREAT BRITAIN
___________________________________________________________________________
26 Burlington Arcade, Mayfair, London. W1J 0PU
Tel: 020 7491 1720
Fax: 020 7491 1730
E-mail: [email protected]
POSTAL AUCTION
(For members and subscribers only)
th
To take place on Friday 26 August 2005
Your written, email or faxed bids are invited for the following lots – bids to be with us, please, by no later
than 12.00pm, on the day of sale. Please note that purchase prices are subject to a 10% buyers premium, plus
VAT on the premium and £5.00 for postage & packing per consignment. See page 59 for details.
Members are welcome to come and view the lots on offer at 26 Burlington Arcade.
Lot 1
Lot 2
Lot 3
Lot 4
Lot 5
Lot 6
* Please note: due to the weight of some books the postage, packing & insurance has been individually priced as
opposed to the normal single cost of £5.00 per parcel, or as always, they can be collected from Burlington Arcade.
(Postage shown is within the UK, for overseas we can arrange separately).
Lot
1.
2.
3.
4.
5.
6.
7.
8.
9.
Lot 7
Description
Book: A Guide To Collecting Silver by Elizabeth De Castres. Hardback, DJ, 1980, pp 160.
(Post £6). Est. £5-10.
Book: Bottle Tickets (V & A museum) by Jane Stancliffe, edited by Philippa Glanville
Hardback, pp 48. Est. £15-25.
Book: Understanding Antique Silver Plate by Stephen J Helliwell. Hardback, DJ, 1997, pp
230. (Post £8). Est. £10-20.
Book: Sporting Glory, The Courage Exhibition of National Trophies at the Victoria &
Albert Museum. Paperback, 1992, pp 336. (Post £10). Est. £10-20.
Book: Paul de Lamerie, The Work of England’s Master Silversmith (1688-1751) by
Goldsmiths’ Hall. Paperback, 1990, pp 181. (Post £8). Est. £15-25.
Book: Catalogue Of Scandinavian and Baltic Silver (Victoria & Albert Museum) by R.W.
Lightbown. Paperback, 1975, pp 255. (Post £7.00). Est. £15-25.
Book: Collectors’ Guide to Antique American Silver by Marvin D. Schwartz. Hardback, DJ,
1975, pp 174. (Post £5.00). Est. £10-20.
Book: Early West Country Spoons, from the Corfield Collection by Tim Kent. Paperback,
pp 32. Est. £5-10.
Book: Exeter and West Country Silver (Exeter Museum), forward by Simon Hunt.
Paperback, 1978, pp 74. Est. £5-10.
Lot 8
Lot 9
Lot 10
.25.
Lot 11
Lot 12
Reserve
£5
£10
£10
£5
£10
£10
£10
£5
£5
Lot 13
Lot
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
Lot 14
Lot 15
Description
Book: Devon Festival 1957, Exeter Silversmiths, Domestic Silver of the 16th to 18th
Centuries. Paperback, 1957, pp 11. Est. £10-20.
Book: Investing In Silver by Eric Delieb. Hardback, DJ, 1970, pp 158. (Post £10). Est. £15-25.
Catalogue: Fine Silver, the Property of Various Owners, 23rd July 1981 by Sotheby’s.
Paperback, pp 57. Est. £10-15.
Book: The Training Of The Silversmith by British Institute of Industrial Art. Paperback,
1928, pp 15. Est. £10-20.
Book: Silver On View at the Grosvenor Museum, An Exhibition of Silver for the Chester
Festival 1973, forward by D.F. Petch. Paperback, 1973, pp 55. Est. £10-20.
Book: Catalogue of the Historic Plate of the City of London, Exhibited at Goldsmiths’ Hall
1951, introduction by Charles Oman. Paperback, 1951, pp 86. (Post £5.00). Est. £25-35.
Reserve
£10
£15
£10
£5
£5
£20
Silver ‘S.G.C. medal 1925’ teaspoon with golf club and ball handle, Birmingham 1929 by
‘J.F’. L-14.1cm; W-23g. ~ reasonable marks and condition. Est. £25-35.
£25
Silver ‘golf club’ teaspoon with clubs and balls handle and golfer finial, Birmingham 1965 by
Alexander, Clark & Co. L-11.8cm; W-17g. ~ in reasonable condition. Est. £20-30.
£15
Victorian silver-gilt small sugar tongs, London 1880 by Robert Harper over-struck by ‘I.S.T’?
L-9cm; W-21g. ~ lovely little tongs, in good condition. Est. £55-75.
£55
Victorian cast silver ‘shamrock leaves’ teaspoon, Birmingham 1891 by Levi & Salaman. L9.7cm; W-17g. ~ in good condition, an unusual and pleasing spoon. Est. £40-50.
£40
Russian silver-gilt teaspoon with town scene on back of bowl, Moscow 1889 with Romanian
import mark. L-13.3cm; W-12g. ~ dent to bowl, reasonable condition. Est. £25-30.
£25
.26.
Lot
21.
22.
23.
24.
25.
26.
27.
28.
Description
Victorian silver dessert fork of unknown pattern, London 1846 by Francis Higgins. L15.4cm; W-37g. ~ minor wear to tines, otherwise in good condition. Est. £20-30.
Reserve
£15
Georgian silver shell-back & double shell-front teaspoon, circa 1760. L-11.5cm; W-14g. ~
old scarp joint repair to stem, makers mark worn, otherwise a pleasing spoon. Est.15-20.
£15
Exeter silver Fiddle pattern sugar spoon, 1856 by James & Josiah Williams. L-15cm; W-25g.
~ slightly larger than normal, good marks and condition. Est. £35-55.
£25
Victorian silver sardine fork, Birmingham 1898 by William Devenport. L-13.3cm; W-15g. ~ a
sweet little fork, good marks and condition. Est. £30-40.
£28
Exeter silver Old English pattern tablespoon, 1800, by Richard Ferris. L-12.3cm; W-59g. ~
bowl tip worn and slightly re-shaped, otherwise reasonable spoon. Est. £80-90.
£80
Elgin silver-plated Old English pattern mustard spoon, circa 1900 by MacKay. L-12.8cm. ~
heavy gauge and good plating. Est. £40-45.
£40
Shetland silver ‘St. Ninians Isle’ tea caddy spoon with Edinburgh marks for 1956 by ‘SS’. L5.6cm; W-7g. ~ light in weight but in good condition. Est. £60-80.
£60
Irish silver & enamel ‘Ireland’ teaspoon, Dublin 1966 by ‘N.C.C. Ltd’ with a commemorative
mark (The sword of light) for the 50th anniversary of the 1916 rebellion, also stamped ‘Made In
Irish Republic’. L-9.6cm; W-12g. ~ good marks and condition, needs a clean. Est. £25-30.
£25
.27.
Lot
29.
30.
31.
32.
33.
34.
Description
Edwardian silver & enamel ‘Glasgow’ teaspoon with city view in bowl, Birmingham 1901 by
‘J.M’, retailed by ‘Edward’ of Glasgow. L-11.6cm; W-19g. ~ an excellent spoon. Est. £35-55.
Reserve
£30
Irish silver Fiddle pattern teaspoon, Dublin 1825 by Christopher Eades, retailed by M. West.
L-13.3cm; W-15g. ~ bowl worn, good marks. Est. £30-34.
£30
Maltese silver Fiddle pattern basting spoon, circa 1855. L-31cm; W-146g. ~ in excellent
condition, good gauge and marks. Est. £100-140.
£100
Maltese silver Fiddle pattern soup ladle, circa 1862 by Pace. L-31.5cm; W-192g. ~ in excellent
condition, good gauge and marks. Est. £120-160.
£100
Pair of Exeter silver Fiddle pattern tablespoons, 1837 by Robert Williams. L-23.1cm; W152g. ~ very minor wear to bowl tips, otherwise good marks and condition. Est. £45-65.
£45
George III silver Old English feather-edge pattern salt spoon, London c.1780 by Hester
Bateman. L-10.4cm; W-11g. ~ wear to feather-edge and marks. Est. £12-16.
£12
.28.
Lot
35.
36.
37.
38.
39.
40.
41.
42.
Description
George III silver Old English pattern salt spoon with scallop shell bowl, circa 1770,
unmarked. L-9.1cm; W-8g. ~ wear to feather-edge otherwise a pleasing spoon. Est. £15-25.
Reserve
£12
Pair of George III silver Old English Thread pattern teaspoons, London 1793 by G. Smith &
W. Fearn. L-13.1cm; W-34g. ~ minor wear to bowl tips, good marks and condition. Est. £20-30.
£20
Jersey silver shell-back Old English pattern teaspoon, circa 1780 by George Hamon. L-13cm;
W-11g. ~ wear to shell and bowl & soft knocks, good mark. Est. £25-35.
£25
Jersey silver shell-back Hanoverian pattern teaspoon, circa 1780 by George Hamon. L11.6cm; W-9g. ~ old repair to handle, good shell and mark. Est. £25-35.
£25
Irish silver Fiddle pattern teaspoon, Dublin c.1795 by Michael Keating. L-13.2cm; W-17g. ~
minor wear to bowl tip, otherwise good marks and condition. Est. £20-25.
£20
Pair of Georgian silver shell-back Hanoverian pattern teaspoons, circa 1760 by Ebenezer
Coker. L-11.3cm; W-19g. ~ old repair to one handle, otherwise reasonable. Est. £22-28.
£22
George II silver Hanoverian Rattail pattern teaspoon, London c.1730 by Samuel Griffin. L10.5cm; W-6g. ~ minor wear to bowl, otherwise reasonable condition. Est. £22-28.
£22
Silver ‘Worshipful Company of Ceilers & Joiners’ dessert size spoon, Sheffield 1930 by
Harry Atkins. L-17.3cm; W-62g. ~ excellent condition and weight. Est. £20-30.
£12
.29.
Lot
43.
44.
45.
46.
47.
48.
49.
50.
Description
Silver ‘Worshipful Company of Ceilers & Joiners’ dessert size spoon, Birmingham 1929 by
‘H&H’. L-17.1cm; W-55g. ~ excellent condition and weight. Est. £20-30.
Reserve
£12
William IV silver Queen’s pattern dessert spoon, London 1830 by William Eaton. L-18.4cm;
W-62g. ~ good weight, marks and condition. Est. £15-25.
£12
Pair of William IV silver Queen’s pattern dessert spoons, London 1831 by William Eaton. L17.2cm; W-123g. ~ good weight, marks and condition. Est. £30-40
£26
George III silver Hanoverian pattern dessert spoon, London 1776 by Walter Tweedie. L17.8cm; W-40g. ~ good gauge, marks and condition. Est. £20-30.
£20
George III silver Old English pattern tablespoon, London c.1770 by Thomas & William
Chawner. L-21.1cm; W-61g. ~ wear to marks and bowl, good gauge. Est. £15-20.
£13
Set of six silver-gilt & blue, green and white enamel coffee spoons, cased, Birm. 1936 by
‘T&S’. L-9.2cm; W-50g. ~ some minor chips to enamel, a very pretty set. Est. £70-90.
£70
Newcastle set of six George III silver Old English pattern teaspoons, circa 1804 by Dorothy
Langlands I. L-12.3cm; W-58g. ~ good marks and condition, see page 7. Est. £70-90.
£70
George III silver bright-cut sugar tongs, London c. 1780 by George Baskerville, made in 5
parts?. L-14.7cm; W-32g. ~ there are solder joints above each bowl and below the marks on
each arm, the bright-cutting certainly was done over the joints, which one presume makes them
original, however there is also a repair to one arm. Est. £20-30.
£20
.30.
Lot
51.
52.
53.
54.
55.
56.
57.
Description
George III silver bright-cut sugar tongs, London c.1782 by John Lambe. L-13.1cm; W-37g. ~
old crude repairs on one arm, lovely bowls. Est. £15-18.
Reserve
£15
George III silver bright-cut sugar tongs, London c.1784 by Thomas Northcote. L-14cm; W34g. ~ split and repair to arch, good gauge, pretty decoration. Est. £15-18.
£15
George III silver sugar tongs with thread decoration, London c.1784/5 (incuse duty mark) by
William Brockwell. L-12.6cm; W-27g. ~ one bowl repaired, good marks. Est. £15-18.
£15
George III silver bright-cut sugar tongs, London c.1786 by Stephen Adams. L-14cm; W-33g.
~ removed initials and repair to arch, good marks. Est. £15-18.
£15
Pair of Newcastle George III silver Old English pattern tablespoons, circa 1790 by Robert
Pinkney?. L-21.9cm; W-118g. ~ good marks and condition. Est. £60-80.
£50
Newcastle silver Old English pattern tablespoon, circa 1790 by Langlands & Robertson. L13cm; W-66g. ~ good marks and condition. Est. £30-40.
£25
George II silver & steel travelling knife and fork, circa 1730, not marked. L-16cm (knife). ~
the knife and fork should un-screw but I do not want to force them, maybe a little penetrating
oil would help ease them open, otherwise in good condition. Est. £300-350.
£250
.31.
Lot
58.
59.
60.
61.
62.
63.
Description
Georgian silver pistol grip knife and fork
with steel blade and tines, circa 1750 by T. Law. L-15.7cm. ~ worn holes on both handles,
makers mark only. Est. £35-45.
Reserve
£35
Charles II silver Lace-back & front Trefid spoon, London 1681, makers mark unreadable,
initialled ‘IW’ over ‘MM’ over ‘1681’. L-19.8cm; W-49g. ~ bowl tip worn, very nice
decoration on bowl and handle, very good marks except maker’s, good colour, a pleasing spoon.
Est. £350-450.
£350
George I Britannia silver rattail marrow scoop spoon, London 1723 by William Scarlett
with his ‘P’ mark. L-23cm; W-55g. ~ later Georgian crest in bowl, this is the first marrow spoon
I have seen with the scoop hollow on the underside the handle, however I have no doubts about
this spoon, good colour, gauge, marks and condition, a great example. Est. £250-350.
£150
Exeter, set of 6 Victorian silver Old English pattern table forks, 1870 by Thomas Stone. L20.1cm; W-421g. ~ good gauge, marks and condition. Est. £75-95.
£65
Set of 3 Britannia silver lace-back and front Trefid teaspoons, London 1912 by Mappin &
webb. L-10.8cm; W-38g. ~ good gauge, marks and condition. Est. £35-45.
£30
Russian silver salt cellar with gilt interior, Moscow 1873. D-6cm; W-44g. ~ reasonable marks,
good condition, nicely engraved. Est. £20-30.
£10
.32.
Lot
64.
65.
66.
67.
68.
69.
70.
71.
Description
Pair of Russian silver salt cellars on three ball feet, Moscow 1883. D-5cm; W-68g. ~ a useful
pair of salts, some staining inside, good marks and condition. Est. £35-55.
Reserve
£25
Pair of George III silver bright-cut Old English pattern teaspoons, London 1783 by Richard
Crossley. L-11.5cm; W-30g. ~ excellent marks, decoration and condition. Est. £35-45.
£32
Georgian silver & ivory dessert fork, London c.1825 by Charles Shipway. L-15.5cm. ~ silver
& ivory in good condition. Est. £45-50
£45
Georgian silver & tortoiseshell folding fruit fork, circa 1800. L-13.5cm. ~ in very good
condition, has a good feel. Est. £70-80.
£60
Set of 3 George III silver Old English pattern teaspoons, London 1802 b y George Smith &
Thomas Hayter. L-13cm; W-43g. ~ minor wear to bowl tip, in reasonable condition. Est. £30-35
£30
Dundee silver Fiddle pattern sifter spoon by Cameron with Newcastle marks for 1827. L16cm; W-32g. ~ good marks and condition. Est. £80-100.
£75
Victorian silver Fiddle Thread & Shell pattern sugar tongs with a die-struck ‘22nd Cheshire
Regiment’ crest on each arm, London 1855 by John Samuel Hunt. L-14.6cm; W-63g. ~ typical
wear of regimental silver, reasonable condition, good gauge and marks. Est. £60-80.
£45
Glasgow silver Hanoverian pattern tablespoon, circa 1776 by Milne & Campbell. L-11.3cm;
W-64g. ~ minor wear to bowl tip, town mark worn, otherwise good condition. Est. £80-90.
£80
.33.
Lot
72.
73.
74.
75.
76.
77.
78.
79.
Description
Silver ‘St Andrew’ apostle spoon, Birmingham 1978 by A.E. Jones. L-14.4cm; W-34g. ~
good gauge, marks and condition with a detailed St. Andrew. Est. £90-110.
Reserve
£90
Silver ‘notched-end puritan rattail’ pattern teaspoon, London 1959 by ‘William Worthington.
L-13cm; W-20g. ~ good gauge, marks and condition. Est. £20-25.
£20
George III silver apple corer with stained green ivory handle, London 1801 by Timothy
Renou. L-12cm. ~ age cracks to ivory, marks a bit worn, but a lovely piece. Est. £180-220.
£170
Pair of George III silver Old English pattern salt spoon, London 1796 by Thomas Wallis. L10cm; W-18g. ~ wear to some marks, otherwise good gauge and condition. Est. £25-35.
£25
George II silver Whiplash pattern salt spoon with shell bowl, circa 1750, not marked. L-9cm;
W-8g. ~ in good condition, a little rarity. Est. £35-55.
£20
Chester silver Fiddle pattern tablespoon, 1843 by John Sutter. L-22.5cm; W-89g. ~ very
minor wear to bowl tip, good gauge, marks & condition reasonable. Est. £40-50.
£40
Pair of George III silver feather-edge pattern sugar tongs, circa 1780 by James Harmer. L14.2cm; W-34. ~ good marks and condition. Est. £40-50.
£40
Colonial? Silver Fiddle pattern tablespoon, by ‘L.&C.’ L-20.3cm; W-53g. ~ wear to bowl tip,
good marks reasonable condition. Est. £40-50.
£40
.34.
Lot
80.
81.
82.
83.
84.
85.
86.
87.
Description
Scottish silver Old English pattern tablespoon, Edinburgh 1749 by Ker & Dempster and
Assayers mark of Hugh Gordon. L-20.2cm; W-65g. ~ good gauge, marks & cond. Est.£55-65.
Reserve
£45
Aberdeen silver Fiddle pattern tablespoon, circa 1820 by George Booth. L-21.6cm; W-84g. ~
very good gauge, bowl, marks and condition, a good spoon. Est. £65-75.
£55
Scottish silver Hanoverian pattern tablespoon, Edinburgh 1770 by Patrick Robertson. L21.8cm; W-70g. ~ good gauge, bowl, marks and condition. Est. £65-75.
£55
Irish silver Rattail Hanoverian pattern tablespoon, Dublin c.1715 by ‘R?’. L-20.4cm; W-80g.
~ wear to bowl tip, good gauge and condition, date letter worn, pleasing spoon. Est. £125-150.
£110
Scottish silver Old English pattern teaspoon, Edinburgh 1808 by Ziegler family. L-13.6cm;
W-12g. ~ good marks and condition. Est. £15-20.
£14
Scottish silver Fiddle pattern teaspoon, Edinburgh 1816 by Mitchell & Russell of Glasgow. L14.6cm; W-19g. ~ good marks and condition. Est. £18-22.
£16
Exeter silver bright-cut sugar tongs, 1820 by Joseph Hicks. L-14cm; W-31g. ~ a few soft
kinks to arms, otherwise good marks and condition. Est. £25-35.
£24
George II silver Hanoverian pattern tablespoon, London c.1729 by John Wrenn. L-19.9cm;
W-57g. ~ minor wear to bowl tip, good makers mark, a useful spoon. Est. £30-40.
£30
.35.
Lot
88.
89.
90.
91.
92.
93.
94.
95.
Description
George III silver Old English bright-cut pattern salt spoon with shell bowl, London 1787 by
John Lambe. L-10cm; W-7g. ~ Old repair to handle, otherwise a nice spoon. Est. £18-20.
Reserve
£18
George III silver marrow scoop, London 1782 by John Lambe. L-21.1cm; W-45g. ~ good
gauge, marks and condition, a pleasing scoop. Est. £150-170.
£145
Canadian silver Fiddle pattern butter knife, circa 1870 by Michael Septimus Brown. L-19cm;
£20
Maltese silver Fiddle pattern teaspoon, circa 1841 by Emidio Critien. L-14.3cm; W-26g. ~
good gauge, marks and condition. Est. £15-25.
£8
Irish silver Celtic-point pattern teaspoon, circa 1780 by Michael Keating. L-13.1cm; W-13g. ~
wear to bowl tip, otherwise good gauge, marks and condition. Est. £15-25.
£12
Victorian silver Fiddle & Thread pattern salt spoon, London 1870 by George Adams. L11.3cm; W-21g. ~ good gauge, marks and condition. Est. £10-20.
£10
Scottish silver Kings pattern sugar tongs with shell bowls, Glasgow 1837 by J & W Mitchell.
L-15.1cm; W-61g. ~ good gauge, marks and condition. Est. £35-45.
£30
Scottish silver Fiddle pattern sugar tongs with shell bowls, Edinburgh 1874 by J. McKay. L15.1cm; W-50g. ~ good marks and condition. Est. £25-35.
£20
.36.
Lot
96.
97.
98.
99.
100.
101.
102.
103.
Description
Georgian silver mote spoon, circa 1760, no makers mark. L-13.3cm; W-8g. ~ piercing in good
condition, handle a little wonky. Est. 90-120.
Reserve
£75
Edwardian silver fruit straining spoon with gilt bowl, Birmingham 1909 by Elkington & Co.
L-21.2cm; W-72g. ~ very good gauge, marks and condition. Est. £45-65.
£45
Pair of George III silver Old English pattern sauce ladles, London 1776 by George Smith. L18.1cm; W-97g. ~ good marks and condition, useful ladles. Est. £80-120.
£80
Pair of George III silver Kings Double Shell & Laurel pattern dessert forks, London 1819
by Paul Storr. L16.9cm; W-128g. ~ minor wear to tines, excellent weight and condition with
good marks, a hard to find pattern with a very reasonable reserve. Est. £160-220.
£75
George III silver meat skewer, London 1802 by William Eaton. L-22cm; W-27g. ~ reasonable
marks and condition. Est. £100-125.
£90
George II silver Hanoverian Rattail pattern unusual large teaspoon for the period or a very
small dessert spoon, London 1722, makers mark unreadable. L-13.9cm; W-18g. ~ later initial
on front, otherwise in very good condition. Est. £55-75.
£45
Scottish silver Fiddle pattern sugar tongs with shell bowls, Glasgow 1828 by Daniel
Robertson. L-14.7cm; W-46g. ~ very good condition and marks. Est. £45-65.
£45
Victorian silver Fiddle pattern sauce ladle, London 1855 by George Adams. L-18cm; W-62g.
~ good marks and condition. Est. £50-60.
£48
.37.
Lot
104.
105.
106.
107.
108.
109.
Description
Edwardian silver pierced ‘Thistle’ napkin ring, Chester 1904 by Trevitt & Sons. D-4.5cm;
Reserve
£22
Victorian silver Beaded caddy spoon with shell bowl, Sheffield 1873 by Richard Martin &
Ebenezer Hall. L-8cm; W-15g. ~ good marks and condition. Est. £80-120.
£60
George II silver marrow scoop, London 1727 by Paul Hanet. L-21.7cm; W-48g. ~ there is an
additional French import mark, good gauge, marks, maker and condition. Est. £335-355.
£335
William III silver Beaded Rattail Trefid spoon, London 1699 by Stephen Coleman,
initialled ‘R.S’. L-18.9cm; W-58g ~ wear to bowl, otherwise very good gauge & condition with
excellent marks. Est. £400-450.
£390
Scottish silver Hanoverian pattern tablespoon, Glasgow c.1785 by James McEwan. L-22.1cm;
W-70g. ~ signs of removed initials, otherwise reasonable marks & condition. Est. £90-100.
£90
George III silver Old English bright-cut pattern tablespoon, London 1783 by Hester
Bateman. L-21.5cm; W-60g. ~ very good marks and condition, however I have doubts about the
originality of the decoration, it is a little too sharp and basic and not neat enough, I have seen
this decoration a few times before and had doubts! Est. £100-120.
£95
.38.
Lot
110.
Description
Scottish silver Hanoverian pattern with shoulders pattern tablespoon, Edinburgh 1766 by
‘MK’ conjoined. L-21.8cm; W-76g. ~ bowl a little polished inside, otherwise excellent gauge,
condition with good marks and feel, crest of a cherub climbing a tree. Est. £160-180.
Reserve
£150
111.
112.
113.
114.
115.
An extremely rare York silver marrow scoop, circa 1858 by John Bell. L-17.8cm; W-25g. ~
The date letter ‘X’ is believed to be the last un-recorded date letter of the York assay office. The
only other illustrated example of this mark is in ‘York Assay Office & Silversmiths 1776-1858’
by Martin Gubbins, page 44, which is similar, the only difference is that our set of marks has a
slightly smaller lion passant. Martin’s scoop was sold by Bonhams (New Bond St) in the
‘Gubbins Collection, (18th July 2002) Lot 184 for £750 + 17.5% commission. ~ The thinner
scoop has a few soft kinks (from use in a knuckle), the lion passant is half worn, otherwise
good marks and condition, with a low reserve but will probably do very well (a pension fund
piece!). Est. £550-750.
£375
George III silver Old English pattern tablespoon, Lon. 1784 by Hester Bateman. L-21.5cm;
W-58g. ~ wear to bowl tip & makers mark, otherwise good marks & condition. Est. £35-55
£25
Victorian silver Leaf Scroll Albert pattern teaspoon, Sheffield 1839 by Ashford & Harthorn.
L-14.9cm; W-32g. ~ from the kitchen draw!, bowl edge worn. Est. £15-25.
£14
Georgian silver ‘bird flying over a tree within a circle of leaves’ picture-back Hanoverian
pattern teaspoon, London c.1760 by ‘I.W’. L-11.7cm; W-12g. ~ condition of spoon is good,
however the picture back is extremely faint, but detail can be made out. Est. £25-35.
£20
George III silver Old English Bead pattern teaspoon, circa 1775. L-12.2cm; W14g. ~ good
shaped spoon, wear to top of handle, makers mark looks like ‘CCC’? Est. £15-25.
£15
.39.
Lot
116.
117.
118.
119.
120.
121.
122.
Description
32 pieces of Indian Colonial silver Queens pattern cutlery, Madras c.1825 by Grostate & Co.,
comprising of 6 tablespoons, 6 table forks, 6 dessert spoons, 6 dessert forks, 6 teaspoons & 2
salt spoons. L-21.8cm (tablespoon); W-2322g (74.65 troy oz). ~ Fantastic weight, marks and
condition, looks as it has never been used, a wash and it is ready for the table! Est. £1250-1500.
Reserve
£1250
Victorian silver Queens pattern basting spoon, London 1871 by George Adams. L-30.4cm;
W-197g. ~ excellent weight, marks and condition. Est. £220-240.
£200
Pair of William IV silver Kings Honeysuckle pattern sauce ladles, London 1832 by William
Chawner. L-17cm; W-164g. ~ heavy gauge, good marks and condition. Est. £180-220.
£180
Victorian silver Queens pattern condiment ladle with gilt bowl, London 1843 by John &
Henry Lias. L-13cm; W-35g. ~ heavy gauge, good marks and condition. Est. £45-65,
£40
Pair of Exeter George III silver Old English pattern salt spoons, 1815 by Joseph Hicks. L10.2cm; W-15g. ~ good marks and condition. Est. £25-35.
£25
Victorian silver Gothic style sifter spoon, London 1882 by George Adams. L-14.3cm; W-36g.
~ remains of gilding, good gauge, marks and condition. Est. £80-100.
£75
George III silver Fiddle & Thread pattern sifter spoon with royal crest, London 1817 by W.
Eley & W. Fearn. L-15.5cm; W-42g. ~ lovely piercing, good marks & condition. Est. £130-160.
£120
.40.
Lot
123.
124.
125.
126.
127.
Description
George II silver scroll-back marrow scoop spoon, London 1751 by Ebenezer Coker. L11.8cm; W-54g. ~ very crisp scroll, excellent marks, colour and condition. Est. £420-460.
Reserve
£400
Queen Anne Britannia silver Rattail marrow scoop spoon, London 1713 by John Holland I.
L-21.8cm; W-52g. ~ interestingly the ‘O’ of the ‘HO’ makers mark has been over struck by a
plain punch, which must have been done, either by the Assay office or the silversmith as it has
been reshaped with the other marks (due to heavy punching at the assay office) ~ great marks
and condition, a lovely spoon. Est. £450-500.
£450
George III silver pierced sugar tongs with cast arms & bright-cut decoration, London c.1780
by William Stephenson. L-12.9cm; W-47g. ~ in fantastic condition with no signs of repair, good
gauge and marks. Est. £200-240.
£200
Victorian silver fruit knife with engraved decoration, Birmingham 1845 by George Unite. L11.6cm (open); W-20g. ~ good marks and condition. Est. £65-75.
£55
17th century silver and cowrie shell bowled spice or sugar spoon with shell handle, circa
1680, not marked. L-13.3cm. ~ the silver mounts holding the handle have a lace type decoration
and the bowl is held in place by stylised shell mounts with a rattail. The back of the bowl has a
lovely speckled brown colour and the handle is a dark cream. ~ Amazingly the condition is
outstanding, nether shell has any damage and nor does the silver; the best way I can describe
this piece is as ‘museum quality’ with a sensible reserve. Est. £600-800.
£600
.41.
Lot
128.
129.
130.
131.
132.
133.
134.
135.
Description
Arts & crafts silver and blue & green enamel spoon, Birmingham 1935 by Liberty & Co. L12.6cm; W-18g. ~ enamel, silver &marks in excellent condition. Est. £80-120.
Reserve
£65
George II silver shell & leaves-back Hanoverian pattern teaspoon, London c.1750 by James
Wilks. L-10cm; W-6g. ~ very minor wear to bowl tip & leaves, a sweet spoon. Est. £ 15-25.
£14
George III silver shell-back Hanoverian teaspoon, London c.1765 by T & W Chawner. L10.3cm; W-8g. ~ wear to bowl tip and slight wear to shell, a reasonable spoon. Est. £15-25.
£14
George II silver shell-back Hanoverian pattern teaspoon, London c.1750 by Ebenezer Coker.
L-11.4cm; W-11g. ~ handle has been bashed about, bowl & shell excellent. Est. £15-25.
£14
Georgian silver shell-back Hanoverian pattern teaspoon, London c.1760 by Thomas Wallis. L12.4cm; W-14g. ~ very unusual shell, which I have not seen before, very minor wear to bowl
tip, otherwise excellent shell and condition. Est. £55-75.
£45
Set of 6 silver Asian teaspoons with a stylised god as the finial, circa 1930’s, not marked. L11.6cm; W-35g. ~ a tourists present!, in good condition. Est. £25-45.
£24
Set of 12 silver ‘Royal Horticultural Society Flower Spoons’ teaspoons, cased, Sheffield
1974 by John Pinches. L-12.9cm; W-298g. ~ each spoon has a different flower (rose, freesia,
daffodil, anemone, dahlia, gladiolus, iris, chrysanthemum, gentian, tulip, columbine & viola) in
cameo as the finial. ~ with a letter from the president of the RHS. ~ one hinge broken on case,
silver in good condition as are marks. (post £10.00) Est. £120-160.
£110
Continental .800 silver very small sugar tongs, circa 1900. ~ reasonable cond. Est. £25-35
.42.
£25
Lot
136.
137.
138.
139.
140.
141.
142.
143.
Description
Scottish horn teaspoon with silver mounts, circa 1900. L-15cm. ~ stem of thistle missing,
otherwise in good condition.
Reserve
£10
George II silver shell-back Hanoverian pattern teaspoon, London c.1755 by ‘BC’. L-7g. ~
minor wear to bowl tip, bowl lip a little wonky, good shell, wear to marks. Est. £15-25.
£12
Aberdeen silver bottom marked Old English pattern tablespoon, circa 1760 by J. Gordon. L20.6cm; W-59g. ~ soft kink to bowl lip, otherwise good marks and condition. Est. £100-120.
£90
Scottish silver Scottish Fiddle pattern dessert spoon, bottom marked, circa 1770. L-15.4cm;
W-25g. ~ mark very worn, otherwise in reasonable condition. Est. £100-115.
£100
George III silver Dognose pattern 3-pronged table fork, London 1769 by T & W Chawner, L19.8cm; W-57g. ~ minor wear to tines, good gauge and condition. Est. £60-80.
£50
George III silver Prince of Wales Feathers picture-back Hanoverian teaspoon, circa 1760.
L-11.7cm; W-11g. ~ old repair to stem, marks totally worn, clear picture. Est. £80-100.
£75
George II silver marrow scoop, London 1751 by Ebenezer Coker. L-21cm; W-37g. ~ good
gauge and condition, reasonable condition. Est. £150-175.
£145
Pair of George III silver Old English pattern tablespoons, London 1778 by George Smith. L21.5cm; W-116g. ~ makers mark half struck, good condition. Est. £60-80.
£55
.43.
Lot
144.
145.
146.
147.
148.
149.
150.
151.
Description
George IV silver-gilt Kings variant (half honeysuckle, half laurel) pattern teaspoon, London
1821 by William Chawner. L-14.6cm; W-39g. ~ in very good condition. Est. £30-40.
Reserve
£25
George II shell & scroll-back and Greek god picture-front Hanoverian teaspoon, Lon. c.1755
by Elizabeth Oldfield. L-11.6cm; W-15g. ~ good details, marks and condition. Est. £35-45.
£25
Sterling silver ‘H.M.S. Blake’ steamship teaspoon with the handle formed by a broom, whip
& crown, circa 1895 by J. Cornelius. L-11.4cm; W-13g. ~ good detail & condition. Est. £25-45
£15
Victorian silver ‘regimental’ spoon with engraved royal crown as the finial, London 1869 by
George Adams. L-14.2cm; W-25g. ~ excellent condition. Est. £35-55.
£35
Victorian silver-gilt ‘Vintner’s Company Commemorative Spoon for Queen Victoria’s
‘1897’ Diamond Jubilee’ serving spoon, Birmingham 1896 by Elkington & Co. L-22.5cm; W111g. ~ fantastically die-struck decoration including the Vintner’s Arms, grapes, horse & rider
and a crown. ~ heavy gauge and perfect condition, low reserve. Est. £150-250.
£75
Chester silver Fiddle pattern dessert spoon, 1846 by Patrick Leonard of Salford, Manchester.
L-17.2cm; W-35g. ~ good marks and condition. Est. £75-95
£75
Victorian silver Kings pattern mustard spoon, London 1873 by George Adams. L-14.2cm; W31g. ~ heavy gauge, excellent condition. Est. £45-65.
£38
Newcastle silver Old English pattern teaspoon, circa 1800 by Robert Wilson. L-12.6cm; W13g. ~ minor wear to bowl tip, otherwise good marks and condition. Est. £15-25.
£10
.44.
Lot
152.
153.
154.
Description
Irish silver bottom marked bright-cut Celtic-point pattern tablespoon, Dublin 1768 by John
Osbourne. L-14cm; W-69g. ~ lovely crest and decoration, good marks & cond. Est. £160-180
Reserve
£150
Scottish silver Hanoverian pattern tablespoon, Glasgow c.1760 by Milne & Campbell. L21.1cm; W-70g. ~ good weight and condition, marks slightly worn. Est. £200-225.
£200
Pair of Victorian silver Aesthetic teaspoons, London 1880 by Charles Edwards. L-10.2cm;
W-23g. ~ signs of badly removed and flooded initials, otherwise nice spoons. Est. £10-15.
£8
155.
156.
157.
George II silver Cannon handle large basting spoon, London 1731 by Mary Lofthouse,
with contemporary initialled ‘M’ over ‘TM’ on the back of the bowl L-44.2cm; W-204g. ~For a
similar example see ‘Silver Flatware’ by Ian Pickford page 312, item 312. ~ the marks are
excellent especially considering that they are inside the bowl, the handle does have with a few
very minor tiny knocks but is also in great condition again considering that it is hollow, there is
an extremely small split (2mm) on the bowl lip near the handle but does not go through on both
sides and has clearly been there for a very long time, wonderful colour. Est. £2000-2400.
£1850
George III silver Old English pattern tablespoon, London 1804 by Peter & William Bateman.
L-21.7cm; W-61g. ~ excellent condition, makers mark a little worn. Est. £30-40.
£20
William IV silver Old English pattern tablespoon, London 1835 by Mary Chawner. L-22.3cm;
W-73g. ~ in very good condition, lovely crest. Est. £30-40.
£20
.45.
Lot
158.
159.
160.
161.
162.
163.
164.
165.
Description
George II silver Hanoverian pattern tablespoon, London 1751 by Elizabeth Oldfield. L22cm; W-64g. ~ very good condition with marks. Est. £55-75.
Reserve
£40
George II silver Hanoverian pattern tablespoon with cypher initials, London 1751 by
Elizabeth Oldfield. L-22.1cm; W-63g. ~ excellent condition, good marks. Est. £75-95.
£65
William IV silver Old English pattern table fork, London 1835 by Mary Chawner. L-19.8cm;
W-74g. ~ in good condition, makers mark a little worn. Est. £25-35.
£25
George III silver Old English pattern teaspoon, London c. 1770 by Elizabeth Tookey. L12.5cm; W-15g. ~ excellent marks and condition, a good example. Est. £20-30.
£15
George II silver Hanoverian pattern tablespoon, London 1748. L-21.1cm; W-70g. ~ maker
mark un-readable, otherwise good weight, marks and condition. Est. £35-45.
£25
George III silver Old English pattern tablespoon, London 1772 by John Lampfert. L-21.1cm;
£25
George III silver Old English pattern tablespoon, Lon. 1784 by George Smith III. L-21.6cm;
W-64g. ~ couple of soft knocks to bowl, otherwise good marks and condition. Est. £20-30.
£20
Pair of George III silver Feather-edge & Cartouche Old English teaspoons, London c. 1775
by script ‘IH’. L-13cm; W-28g. ~ unusual, feather-edging on both sides and runs around on the
back of the bowl, makers mark worn, otherwise in good condition, nice spoons. Est. £45-55.
£40
.46.
Lot
166.
167.
168.
169.
170.
171.
172.
173.
Description
Pair of George III silver Feather-edge & Cartouche Old English teaspoons, London c. 1775
by script ‘IH’. L-13cm; W-28g. ~ unusual, feather-edging on both sides and runs around on the
back of the bowl, makers mark worn, otherwise in good condition, nice spoons. Est. £45-55.
Reserve
£40
Georgian silver Shell & Scroll-back and shaped winged putto picture-front teaspoon, Lon. c.
1760 by ‘RR’ or ‘RB’. L-12.4cm; W-15g. ~ detail very good, bowl with dents & split. £20-30.
£20
George II silver rococo teaspoon, London c.1745 by Thomas Jackson I. L-12.1cm; W-15g. ~
very minor wear to bowl tip and mark, a wonderful spoon, I would love a set. Est. £45-55.
£25
George III silver Old English with shoulders pattern teaspoon, London c.1770 by T & W
Chawner. L-12.4cm; W-15g. ~ marks worn, couple of knocks to bowl, good cond. Est. £15-20.
£12
Pair of George III silver bottom marked bright-cut Old English teaspoons, London c.1780
by G. Smith. L-13.2cm; W-32g. ~ marks worn, otherwise very good condition. Est. £25-35.
£18
Pair of George III silver Spiral stemmed Old English pattern teaspoons, London c. 1770. L12.2cm; W-25g. ~ marks worn, couple soft knocks to bowl, otherwise good cond. Est. £45-65.
£40
George III silver Coffin-End pattern teaspoon, London 1807 by Thomas Wallis II. L-13.2cm;
W-17g. ~ good gauge, marks and condition. Est. £25-35.
£15
Victorian silver bottom marked Albert pattern salt spoon with gilt bowl, London 1843 by S.
Hayne & D. Cater. L-11.4cm; W-28g. ~ a lovely quality spoon in good condition. Est. £35-45.
£25
.47.
Lot
174.
175.
176.
177.
178.
179.
180.
181.
Description
George III silver Old English dessert spoon with ‘Ladies’ engraved on the back, London
1784, by George Smith. L-17cm; W-34g. ~ bowl tip worn, otherwise good. Est. £20-30.
Reserve
£20
Continental .800 silver-gilt & enamel ‘Grindelwald’ teaspoon with bear finial, circa 1900 by
‘SM’. L-10.6cm; W-15g. ~ lovely bear and condition. Est. £15-25.
£8
Scottish silver single struck Queens pattern teaspoon, Glasgow 1860 by Buchanan. L-14.3cm;
£12
Scottish silver Fiddle pattern teaspoon, Glasgow 1826 by Dobbie. L-12.8cm; W-10g. ~ good
marks and condition. Est. £15-25.
£10
Pair of Russian silver Fiddle pattern teaspoons, Petrograd 1887 by ‘KP’. L-15.2cm; W-77g. ~
good weight, marks and condition. Est. £25-35.
£14
York silver Fiddle pattern teaspoon, 1843 by J. Barber, G. Cattle & W. North, L-13.7cm; W21g. ~ very good marks and condition. Est. £25-35.
£14
William IV silver Fiddle pattern egg spoon, lightly engraved ‘J. Frank’ in script, London 1836
by Williiam Eaton. L-12.2cm; W-15g. ~ good marks and condition. Est. £15-25.
£10
Scottish silver Fiddle pattern teaspoon, Glasgow 1828 by Thomas Kelly. L-13.1cm; W-13g. ~
good marks and reasonable condition. Est. £10-20.
£10
.48.
Lot
182.
183.
184.
185.
186.
187.
188.
189.
Description
Irish? silver Old English pattern teaspoon, circa 1790 by Joseph Jackson?. L-13.4cm; W-11g.
~ slight kink to top of handle, otherwise good marks and condition. Est. £25-35.
Reserve
£14
Channel Island silver Old English pattern teaspoon, circa 1800 by ‘CQ’. L-12.8cm; W-10g. ~
bowl worn on tip and side, otherwise reasonable. Est. £16-20.
£16
Scottish silver single struck Queens pattern dessert spoon, Glasgow 1855 by possibly David
Dow. L-16.9cm; W-35g. ~ slight wear to bowl tip, otherwise reasonable. Est. £14-20.
£14
Irish silver bright-cut Celtic-point pattern teaspoon, Dublin 1780 by John Pittar. L-14cm; W14g. ~ soft dents & wear to bowl, otherwise reasonable. Est. £14-20.
£14
Paisley silver single struck Queens pattern condiment ladle by William Hannay with Glasgow
marks for 1843. L-14.2cm; W-18g. ~ good marks and condition. Est. £30-40.
£20
Scottish silver shell bowled sugar tongs, circa 1785 by Milne & Campbell of Glasgow. L14.4cm; W-48g. ~ lovely tongs, excellent condition. Est. £30-40.
£22
Scottish silver plain sugar tongs with shell bowls, Edinburgh 804 by Mitchell & Russell. L14.6cm; W-33g. ~ unusually marked near bowls, good marks and condition. Est. £25-35.
£25
Dumfries silver Fiddle pattern tablespoon, circa 1820 by David Gray. L-12.7cm; W-68g. ~
excellent marks and condition, a good example. Est. £80-100.
£80
.49.
Lot
190.
191.
192.
193.
194.
195.
196.
197.
Description
Set of 3 Scottish silver Hanoverian tablespoons, Edinburgh 1763 by William Gilchrist. L21.7cm; W-229g. ~ minor knocks & wear to bowl, good weight, marks & cond. Est. £120-140.
Reserve
£100
George II silver Hanoverian tablespoon with later decoration, London 1749 by Elizabeth
Jackson. L-20.3cm; W-65g. ~ excellent marks and condition. Est. £40-50.
£40
Victorian silver Hanoverian pattern dessert spoon with embossed decoration to the bowl,
matching the above Lot, Lon. 1865 by George Adams, good marks and decoration. Est. £30-40.
£30
Victorian silver Hanoverian pattern teaspoon, London 1865 by George Adams, similar the
above Lot, good marks and condition. Est. £15-20.
£15
Edwardian silver ‘Angels’ crest finial teaspoon, Birmingham 1903 by John Greenwood &
Sons. L-11.2cm; W-13g. ~ good gauge, marks and condition. Est. £10-20.
£6
Newcastle silver Fiddle pattern dessert spoon, 1852 by George & Clement Gowland. L-18cm;
£30
George III silver Old English dessert spoon, London 1795 by William Eley I. L-17.8cm; W34g. ~ unusual makers mark, very minor wear to bowl tip, otherwise good. Est. £20-30.
£20
George III silver Old English pattern dessert spoon, London 1799 by Richard Crossley. L17.3cm; W-33g. ~ couple of soft dents to bowl, otherwise a reasonable spoon. Est. £20-30.
£20
-o-o-o-o-o-o.50.
POSTAL AUCTION INFORMATION
Your written, email or faxed bids should be with us, please, by no later than 12.00pm, on the day of
the sale. Please note that purchase prices are subject to a 10% buyers premium (plus VAT on the
commission) and £5.00 for postage & packing per consignment.
Members are welcome to come to view the lots on offer at 26 Burlington Arcade, London.
Bidding
The Lot is offered to the top bidder on approval, at a figure that is 50% the difference between that
bid and the under bid or, where only one bid is received, at 50% the difference between that figure
and the reserve. Should two or more members submit an identical top bid the Lot is offered to the
member whose bid was received first, at that price. The Lot will be sent to you for approval where
you can decide to either purchase or return the Lot.
When submitting your bid(s) please make sure you clearly state the Lot number, a brief description,
your bid (excluding premium), name & address and a telephone or fax number.
If you are successful we will telephone you on the day of the sale from 6pm to confirm your
purchase(s) and at what price. Also to confirm that someone will be at home the following
Thursday morning, to receive the lot(s), sent by guaranteed delivery.
We request payment within 48 hours of your receiving the lot(s), or their immediate return (together
with a refund of the postal and packaging charges (£5.00) incurred in the failed transaction) should
you decide not to take up your option to purchase.
Overseas Based Bidders
• If successful, we will notify you by fax or email.
• Please note that Lots are not dispatched until payment in Sterling has been received, also that
postage/ packing is charged at £10.00 per package regardless of weight or destination.
• Although every assistance will be provided to trace missing packages, please note that our
responsibility ends once a package leaves the United Kingdom.
Vendors
All members are invited to enter Lot(s) for the Silver Spoon Club Postal Auction.
• Commissioned is charged at 10% (plus VAT on the commission) of the sale price.
• Vendors are paid when we have received payment; please note that there may be a delay in
settlement where lots have been purchased by overseas members, or where a lot has been
rejected by a U.K. member thus necessitating a further offer to an under bidder.
• Items for which no bids have been received will be posted back to you, and charged £5.00 for
postage & packaging.
General Information
• The Auction results will be printed in the next Finial.
• All measurements are approximate.
• The Silver spoon Club holds no responsibility for descriptions and that all purchasers satisfy
themselves on their lot(s) prior to payment.
• Members participating in the auction are deemed to have accepted that we are not to be held
personally responsible for any losses incurred by members, for whatsoever reason.
-o-o-o-o-o-o.51.
The next Club Postal Auction will take place
on Friday 21st October 2005
Members are invited to submit their Lot(s) for the next postal auction by posting or
delivering by hand up until the 22nd August. Please provide clearly a full and
comprehensive description, if possible, of your various lots, remembering to note all
relevant facts such as makers, dates and interesting features etc and reserve. Also please
clearly state your name, address and telephone number. Never intentionally submit repaired,
damaged, burnished or mediocre items as such will not sell.
Vendors
• Commissioned is charged at 10% (plus VAT on the commission) of the sale price.
• Vendors are paid when we have received payment; please note that there may be a delay in
settlement where lots have been purchased by overseas members, or where a lot has been
rejected by a U.K. member thus necessitating a further offer to an under bidder.
• Items for which no bids have been received will be posted back to you, and charged £5.00 for
postage & packing.
-o-o-o-o-o-o-
First Tuesday
On the first Tuesday of every month, members and friends are welcome to join us for
tea & coffee upstairs at 26 Burlington Arcade anytime between 2.00pm and 5.30pm.
Come and meet other members and discuss the latest topics in the Finial!!! and any
new ones you may have.
-o-o-o-o-o-o-
Contributions
Just a reminder that The Finial is what you make it.
If you are thinking of writing an article, can answer a query, need help identifying a
hallmark or have a question or comment, send it in!
-o-o-o-o-o-o-
Back Copies of The Finial
If anyone would like to see a list of back copies available
Please contact us and we will send it to you. (Back copies £6.00 each)
-o-o-o-o-o-o-
Yearly subscription to The Finial
UK - £35.00
Europe (including Eire) - £39.00; N. America - £43.00; Australia - £45.00
-o-o-o-o-o-oThe Finial is the illustrated journal of “The Silver Spoon Club of Great Britain”
Published by ‘Daniel Bexfield Antiques’
26 Burlington Arcade, Mayfair, London, W1J OPU.
Tel: 020 7491 1720
Fax: 020 7491 1730
Email: [email protected]
All views expressed are those of the authors and not necessarily those of The Finial.

Vol. 15/06 in PDF - Daniel Bexfield Antiques

Transcription

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