PDF

Transcription

PDF

ƼǭǛǚǜǹǚǨǚǯ – Editorial
ƹǮƤǹǤ – Juries
ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǹǞǹ – Competition Programs
ǐƤǺǚǝǹƤǢǮƤǯǯǞǹ – Screenings
ǍǞǹǚǧǯƤǯǝ – Revival
ƾǚǟǭǚǨǞǹǳƤǢǮƤǯǯǞǹ – Companies
ǇǻǶƤǺǱǫǚǨǚǯ ƿǚǶǸǚǸƤǢǮƤǯǯǞǹ – Institutions
ƶǽǶǳǞǹǞƬǯǸǚǥ ưǯǤǭǚǺǤǚ – Experimental Animation
ǒǚǶǸǚǷǚǷǞǹǚǜǹǚǨǚǯ ǚǯǤǭǚǺǤǚ – DocumentaryAnimation
ƷǯǢǚǺǤǨ ǯǚǦǚǜǧǞǹ – Work in Progress
ǌǞƩǯǚǹǯǞǹ – Workshops
1
YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ƴǏƴǍưǅƺ ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ
«ǋƴưǅƺǃưǅƺư» 2015 ƴǏƴǍưǅƺ
ǃƺǊưƵƲưǄƺǅ ưǅƺǃưǐƺǇǅ ƾƺǅǇǒưǋưǎǇǅ
ǒưǋưǎǇǅƺ ƿƺǃǅưƳƺǏ ǎǅǔǏƴǅ
ǒưǋưǎǇǅƺ ƲƴǁưǏǍƴǌǎưƾưǅ ǁƴƾưǍưǏ
ǍǹǞǣ ǓǚǶƤǯǤ
ǒưǋưǎǇǅƺ ƿưǃưƾưǏƲǇǁ
ƲǚǛǹǤǞǥ ƱǞǹǛǞǹǮǚǯ
ǃƺǊưƵƲưǄƺǅ ƼǇǏƿƣǏƳ
ǎǤǺǤǚǯǚ ƻǱǶǨǤ
ǃǚǽǶ ƿǚƤǚǹǝ
ǌƤǟǤ ǇǻǤǥǶǱǯ
ƹǚǯ ƼǚǲǤǨ ǃǚǹǝǤǨǮǚǯ
ƲƴǁưǏǍƴǌǎưƾưǅ ƼǇǏƿƣǏƳ
ƿǚǹƤǢǮƤǯ ƼǚǲǚǸǹǮǚǯ
ƲȀǱǹǜ ƲȀǱǹǜǮǚǯ
ǋƤǛǞǯ ƲȀǱǹǜǮǚǯǺ
ƳǚǷǤǢ ǃƤǹǚǝǮǚǯ
ưǯǞǸǚ ƴǹǟǯǨǮǚǯ
ƳǚǷǤǢ ǌǚǩǚǨǮǚǯǺ
ǆƤǰǚǯ ǉǞǸǹǱǶǮǚǯ
ưǹǚǭ ǌƤǽǤǚǶǮǚǯ
ǃǚǹǨǱ ƱǹǚǭǛǤǥǥǚ
ǌǱǯǚ ƿǚǹƤǢǮƤǯǮǚǯ
ǃǤǽǚǮǞǥ ǉǱǫǱǶǮǚǯ
ưǹǸǚǨ ưǥǞǽǶǚǯǮǚǯ
ǅǚǤǹǚ ǃƤǹǚǝǮǚǯ
ưǆƼưǎưƾưƵǃ
ưǯǤ ǌǭǛǚǸǤ
ƲǱǩǚǹǤǨ ƱǚǥǚǮǚǯ
ƳǚǷǤǢ ǃǨǹǸǲǮǚǯ
ƻƤǶǞ ưǷǞǝǤǶǮǚǯ
ƻǤǥǤǢ ǁǚǟǚǹǮǚǯ
ǄǚǨǱǛ ƲǚǟǚǯǬǞǚǯ
ǃǚǹǤǯǞ ưǝǚǭǮǚǯ
ǅǚǹǞǨ ǃǤǯǚǶǮǚǯ
ǅǚǸǚǥǤ ưǰǤǜǱǷǚ
ǅƤǯǞ ƼƤǸǚǷǞǹǸǮǚǯ
ǊƤǥǤǚ ǅǤǨǱǫǱǶǮǚǯ
ǊǱǹǴ ƲǠǱǹǜ
ǌƯǚǯ ǅǚǜǜǚǰǞǚǯ
Ǎǚǩǚǜǯ ƼǱǴǱǮǚǯ
ǓǹǤǶǸǤǯǞ ƵǚǽǚǹǮǚǯ
ƿưǃưƳǏǇǁ
ƳǤǚǯǚ ƾǚǹǸƤǭǮǚǯ
ƼǃƱưƲƺǏ
ưǯǚǩǤǸ ǁǚǟǚǹǮǚǯ
ƸưǏƲǃưǅƺǈǅƴǏ
ưǯǯǚ ƳǤǥǚǯǮǚǯ, ƻǤǥǤǢ ƼǚǵǚǸǮǚǯ,
ưǹƤǶǮǚǨ ǌǚǹǜǶǮǚǯ, ưǹǚǭ ǌǚǹǜǶǮǚǯ
ƲǏưǕƺƾ ƳƺƵưǄǅ
ưǤǝǚ ǉǞǸǹǱǶǮǚǯ
2
REANIMANIA 2015 INTERNATIONAL
ANIMATION FILM FESTIVAL
FESTIVAL FOUNDER DIRECTOR
FESTIVAL ARTISTIC DIRECTOR
Vrej Kassouny
FESTIVAL MANAGER
Gabriel Berberian
INTERNATIONAL BOARD
Tizina Loschi
Max Howard
Susie Wilson
Jean Khatchig Mardikian
ARTISTIC BOARD
Harutyun Khachatryan
Gevorg Gevorgyan
Ruben Gevorgyants
David Muradyan
Aneta Yerznkyan
David Sahakyants
Shushan Petrosyan
Aram Sukiasyan
Marco Brambilla
Sona Harutyunyan
Mikael Poghosyan
Artak Aleksanyan
Naira Muradyan
STAFF
Ani Smbati
Goharik Balayan
Davit Mkrtchyan
Luse Avetisyan
Lilit Ghazaryan
Hagop Kazanjian
Marine Adamyan
Narek Minassian
Natalie Ashigova
Nuneh Khudaverdyan
Julia Nikoghosyan
George Kevork
Sevan Naccashian
Vahagn Khojoyan
Christine Zakarian
COORDINATOR
Diana Kartumyan
EDITOR
Anahit Ghazaryan
TRANSLATORS
Anna Dilanian, Lilith Kharatian,
Arusyak Sargsian, Aram Sargsian
GRAPHIC DESIGN
Aida Petrosyan
3
5
ƼǭǛǚǜǹǚǨǚǯ
ƴǹȀǚǯǡ, ƿǚǮǚǶǸǚǯǡ ǚǮǥȀǶ ǚǯǩǯǚǹ Ǡ ǳǚǸǨǞǹǚǺǯǞǥ
ǚǵǚǯǺ «ǋǞưǯǤǭǚǯǤǚǮǤ»ȁ
ǃǞǯǽ ǭǞǧ ǪǞǵǽǛǞǹǱǻǭǯǞǹ Ǟǯǽ ǱǻǯǞǺǞǥ 7 ǸǚǹǤǯǞǹǤ ǡǯǢǚǺǽǱǻǭǘ 350 ǝǤǭǱǻǭǤǺ 35 ǞǹǨǹǤǺ 2008-Ǥǯ ǭǤǯǲȀ 1200 ǝǤǭǱǻǭ 90
ǞǹǨǹǤǺǘ ǚǮǶ ǸǚǹǤǘ 2015-Ǥǯȁ ǍǞǹǴǤǯ 3 Ǩǚǭ 4 ǸǚǹǤǯǞǹǤǯ
ǚǯǜǚǭ ǱǻǯǞǺǞǥ Ǟǯǽ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǞǹ ǭǞǧǚǯǱǻǯ ǵǞǣǤǶǱǹǯǞǹǤǺ, ǱǹǱǯǽ ǚǵǚǴǤǯ ǚǯǜǚǭ ǷǶǸǚǩǞǥ Ǟǯ ǭǞǹ ǼǚǵǚǸǱǯǤǯ Ȁ ǭǞǟ Ǳǻ ǭǞǹ ǣǮǱǻǹǤǯǞǹǤǯ ǩǚǯǪǯǞǥ ǤǹǞǯǺ ǯǱǹǚǶǸǞǫǧ ǨǤǯǱǯȁ
ưǮǶ ǼǚǶǸǡ ǭǞǧ ǳǚǸǤǷ Ǡ ǭǞǟǘ ǛǱǥǱǹǤǶ ǩǚǭǚǹ, ǭǞǯǽ ǩǚǴǱǫǞǥ Ǟǯǽ ƿǚǮǚǶǸǚǯǤ ǶǹǸǱǻǭǘ ƴǹȀǚǯǱǻǭ ǭǤǴǚǟǜǚǮǤǯ
ǩǚǹǢǚǨ ǶǸǞǫǧǞǥ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǞǹǤ ǩǚǭǚǹȁ
«ǋǞưǯǤǭǚǯǤǚǯ» Ǥǹ ǱǻǫǫǷǚǧǱǻǢǮǚǭǛ, ǭǚǶǯǚǜǞǸǯǞǹǤ
ǭǤǴȀ ǭǤǴǚǟǜǚǮǤǯ ǨǚǳǞǹ ǩǚǶǸǚǸǞǥǱǷ, ǷǚǹǳǞǸǱǻǢǮǚǯ
ǝǚǶǡǯǢǚǺǯǞǹǱǷ Ȁ Ǥǹ ǨǹǢǚǢǱǰǚǨǤ ǯǱǹǚǶǸǞǫǧ ǧǹǚǜǹǱǷ
ǚǳǚǜǚǮǱǻǭ ǯǳǚǸǚǨ ǱǻǯǤ Ǡǖǥ ǚǷǞǥǤ ǭǞǧ ǜǱǹǧǱǻǯǞǱǻǢǮǱǻǯ
ǧǚǷǚǥǞǥȁ
ƿǚǯǱǻǯ ƿǚǮǚǶǸǚǯǤ ǵǞǛǹǞǯǝǤǯǜǤ, ǩǚǯǱǻǯ ǭǞǹ ǭǚǶǯǚǜǞǸǯǞǹǤ, ǭǞǹ ǚǹǸǚǝǹǱǻǢǮǚǯ, ǭǞǹ ǳǚǸǭǱǻǢǮǚǯ Ƿǹǚ ǚǰǦǚǹǩǤ ǱǻǰǚǝǹǱǻǢǮǱǻǯǡ ǩǹǚǷǤǹǞǥǱǻǘ ǭǞǹ ǼǚǵǚǸǱǯǯ ǚǳǚǜǚǮǱǻǭ ǚǮǶ ǚǶǳǚǹǞǟǱǻǭ Ȁ Ǳǲ ǭǤǚǮǯ ǝǞǵ ǰǚǸ ǚǯǞǥǤǽǯǞǹ
ǱǻǯǤȁ ưǮǶ ǛǱǥǱǹǡ ǭǞǯǽ ǭǤǰǸ ǚǹǞǥ Ǟǯǽ ǭǤǚǶǤǯ Ǳǻ, ǷǶǸǚǩ Ǟǭ,
ǚǮǝǳǞǶ Ǡǥ ǳǤǸǤ ǰǚǹǱǻǯǚǨǞǯǽȁ
ƿǚǷǚǸǱǻǭ Ǟǭ, Ǳǹ ǤǯǲǳǞǶ ǚǯǤǭǚǺǤǱǯ ǨǤǯǱ ǶǸǞǫǧǞǥǯ Ǡ
ǚǯǩǚǸǯǞǹǤǺ ǛǚǫǨǚǺǚǧ ǦǭǛǚǨǚǮǤǯ ǚǰǦǚǸǚǯǽǤ ǚǹǝǮǱǻǯǽ, ǚǮǯǳǞǶ Ǡǥ «ǋǞưǯǤǭǚǯǤǚǯ» ǭǞǧ ǦǭǛǚǨǚǮǤǯ ǚǰǦǚǸǚǯǽǤ ǚǹǝǮǱǻǯǽ Ǡǘ Ǥ ǝǞǭǶ ǛǚǟǭǚǢǤǷ ǚǯǩǚǸǯǞǹǤ ǯǷǤǹǮǚǥ
ǚǰǦǚǸǚǯǽǤǘ ǶǨǶǚǧ ǨǚǭǚǷǱǹǯǞǹǤǺ, ǭǚǶǯǚǜǞǸǯǞǹǤǺ,
ǨǚǟǭǚǨǞǹǳǤǲǯǞǹǤǺ, «ǋǞưǯǤǭǚǯǤǚǮǤ» ǸǚǹǞǺ ǸǚǹǤ ǭǞǧǚǺǱǫ Ǳǻ ǚǬǱǫ ǩǚǯǝǤǶǚǸǞǶǤǺ, ǩǱǷǚǯǚǷǱǹǯǞǹǤǺ... Ǳǻ
ǲǞǭ ǚǶǞǥǱǻ ǚǷǚǹǸǞǥǱǷ ǚǮǶ Ǩǚǭ ǚǮǯ ǤǯǲǤǺ, ǽǚǯǤ ǝǞǵ ǞǹǨǤǹǡ ǰǞǯǚǺǯǞǥǱǻ ǜǱǹǧǱǻǭ ǯǷǤǹǮǚǥǯǞǹǤ ǢǤǷǯ Ǳǻ ǽǚǯǚǨǡ ǲǤ
ǝǚǝǚǹǱǻǭȁ
100 ǸǚǹǤ ǚǵǚǴ ǭǞǹ ǳǚǸǭǱǻǢǮǚǯ ǚǷǚǟǞ ǣǚǭǚǺǱǻǮǺǡ
ǰǱǻǵ ǞǨǚǷ, ǛǚǮǺ ǞǹǛǞǽ ǲǡǯǨǬǷǞǺǤǯǽ, ǚǮǥ ǩǚǨǚǵǚǨǡǘ ǧǤǥ
ǸǷǞǺǤǯǽ Ȁ ǨǞǯǚǺ ǧǚǵǞǹ ǚǷǞǥǚǺǹǞǺǤǯǽ, ǷǞǹǚǧǯǱǻǯǝ
ǚǳǹǞǺǤǯǽȁ
It is now impossible to imagine Yerevan,
Armenia, without ReAnimania.
We have successfully created an international
platform for animated ȃlms in the heart of
Armenia, Yerevan. ReAnimania aims to create
ties between specialists, to run masterclasses,
and through its new scholarship programme,
aims to attain even greater achievements [in
the ȃeld].
It is for the rebranding for Armenia, for our
specialists and our productions, and to get
the world to pay attention to our history. For
the sake of all of this, our festival still has a
long way to go. I believe that, just like how
animated ȃlms are the result of individuals
working as a team, “ReAnimania” is the
result of great teamwork by many dedicated
individuals: volunteers, specialists, organisers,
the ever growing audience of “ReAnimania”
and sponsors.
I can say that our achievements and successes
will not be limited with those mentioned
above, we still have a lot to do and we can,
as long as we are surrounded with people
devoted to their nation and country.
A hundred years ago, the hourglass of our
history was turned upside down, but we
never gave up, quite the opposite, we sprang
up and we continued to plant the trees of life
for the sake our revival. Here’s a toast to you,
ReAnimania, and a toast to you, Armenia.
Vrej Kassouny
10.20.2015
ƾǞǯǚǖǺǝ, ǋǞưǯǤǭǚǯǤǚ
ǍǹǞǣ ǓǚǶƤǯǤ
10.20.2015Ǣ.
6
ƹǮƤǹǤ
Juries
ƹǮƤǹǤ
Juries
ƻǤǚƬǸǹǚǣ ǿǤǥƬǹ
Feature ȃlms
ǅǤǨǱǥǚ ƱǤǚǯǨǱ-ƻǞǷǹǤǯ
ƽǯǷǞǥ Ǡ 1979-Ǥǯ, ǶǱǷǱǹǞǥ Ǡ ǒǚǹǤǟǤ Duperré Art School-Ƥǭ Ȁ 2002-Ǥǯ ǩǹǚǸǚǹǚǨǞǥ Ǡ
ǞǹǞǦǚǯǞǹǤǯ ǩǚǶǺǞǚǜǹǷǚǧ Ǥǹ ǚǵǚǴǤǯ ǜǤǹǽǡǘ «ǌǤǭǱǯǡ ǚǵǚǯǺ ǜǤǰǞǹǯǞǹǤ», ǱǹǤ
ǩǚǭǚǹ ǃǚǯǨǚǨǚǯ ǜǹǚǨǚǯƤǢǮǚǯ ƩǴǚǟǜǚǮǤǯ ǨǞǯǸǹǱǯǡ ǩǚǯǪǯǞǥ Ǡ Graphic Octogone ǭǹǺǚǯǚǨǡȁ ưǮǝ ǣǚǭǚǯǚǨǷǚǯǤǺ ǶǨǶǚǧ ǯǚ ǩǹǚǸǚǹǚǨǞǥ Ǡ 25 ǜǤǹǽ, ǚƬǯ ǚǯǜǚǭ
ǾǜǸǚǜǱǹǧǞǥǱǷ ǯǨǚǹǚǟǚǹǝǭǚǯ ǯǱǹ ǸǞǦǯǤǨǚǘ ǶȀ Ȁ ǶǳǤǸǚǨ ǯǨǚǹǯǞǹ Ǩǚǭ ǨǱǳǤǸ
ǜƤǮǯǞǹǱǷ ǭǱǝǞǥǯǞǹ, ǯǨǚǹǯǞǹ ǚǨǹǤǥǱǷ Ǩǚǭ ǲǤǯǚǨǚǯ ǢǚǯǚǽǱǷȁ ǅǤǨǱǥǚ ƱǤǚǯǨǱ-ƻȀǹǤǯ
27 ǚǯǤǭǚǺǤǱǯ ǿǤǥƬǹǤ ǩǞǫǤǯǚǨ Ǡȁ ƿǤǭǚ ǚǰǦǚǸƤǭ Ǡ Une Histoire de Jeannot ǯǱǹ
ǨǚǹǬǚƬǸǹǚǣ ǿǤǥƩ Ƿǹǚ, Ǳǹǡ ǚǹǸǚǝǹƤǭ Ǡ La Luna ǡǯǨǞǹƤǢǮƤǯǡȁ
Nicolas Bianco-Levrin
Born in 1979, Nicolas Bianco-Levrin studied at the Duperré Art School in Paris and published his
ȃrst book for children “Simon without nights” in 2002 for which he won the Graphic Octogone
price from the International Center of Litterature for Children. Since that time, he published 25
books, using each time a new technic of illustration: picture in black and white or in color of
rough models, drawings with acrylic or chinese ink. Nicolas Bianco-Levrin directed 27 animation ȃlms. He is now working on a new short: Une Histoire de Jeannot, produced by La Luna
productions.
ǊǞǽ ǉǱǫǱǶǮǚǯ
ƽǯǷǞǥ Ǡ ǃǱǯǸǞǷǤǝǞǱǻǭ (ǇǻǹǱǻǜǷǚǮ), ǚǷǚǹǸǞǥ Ǡ «Sagrada Familia»-ǯ Ȁ ǱǹǳǞǶ ǚǯǜǥǞǹǞǯǤ
ǭǚǶǯǚǜǞǸ ǶǱǷǱǹǞǥ Ǡ ACUEU-Ǳǻǭ: ǇǹǳǞǶ ǶǱǺǤǚǥǚǨǚǯ ǚǰǦǚǸǱǫ ǷǞǹǚǳǚǸǹǚǶǸǷǞǥ Ǡ
Wellfare Minister-Ǳǻǭȁ ǊǞǽǡ ǝǞǹǚǶǚǯ, ǳǹǱǝǮǱǻǶǞǹ Ȁ ǱǻǶǱǻǺǤǲ Ǡ, ǭǤǚǣǚǭǚǯǚǨ ǚǷǞǥǤ ǽǚǯ
20 ǸǚǹǤ ǟǛǚǫǷǞǥ Ǡ ǭǰǚǨǱǻǢǚǮǤǯ ǥǹǚǜǹǱǻǢǮǚǭǛ:
ǅǚ ƻǚǸǤǯǚǨǚǯ ưǭǞǹǤǨǚǮǱǻǭ ƿǚǮǨǚǨǚǯ ǨǤǯǱǮǤ ǚǵǚǴǤǯ ǯǞǹǨǚǮǚǺǱǻǺǤǲǯ Ȁ Cinemateca
Armenia-Ǥ ǩǤǭǚǝǤǹ-ǸǯǾǹǞǯǯ Ǡ: Cinemateca Armenia-ǯ Ǥǹ 13-ǚǭǮǚ ǜǱǹǧǱǻǯǞǱǻǢǮǚǯ
ǡǯǢǚǺǽǱǻǭ ǤǹǚǨǚǯǚǺǹǞǥ Ǡ ǩǚǸǱǻǨ ǧǹǚǜǤǹ, Ǳǹǡ ǨǤǯǱǯ ǛǚǹǪǹ ǱǹǚǨǤ ǩǚǶǺǯǞǥǱǻ Ȁ
ƿǚǮǚǶǸǚǯǤ Ȁ ƻǚǸǤǯǚǨǚǯ ưǭǞǹǤǨǚǮǤ ǭǤǴȀ ǭǰǚǨǱǻǢǚǮǤǯ ǼǱǦǚǯǚǨǭǚǯ ǯǳǚǸǚǨ
ǱǻǯǤȁ
ǎǚǹǛǞǹ ǼǚǵǚǸǱǯǯǞǹǤ ǣǚǭǚǯǚǨ ǞǫǞǥ Ǡ ǣǮǱǻǹǤǤ ǳǚǸǚǶǦǚǯǚǸǱǻǯ Ȁ ǳǚǹǜȀǚǸǹǷǞǥ
ǭǰǚǨǱǻǢǚǮǤǯ ǚǨǸǤǷ ǜǱǹǧǱǻǯǞǱǻǢǮǚǯ ǩǚǭǚǹȁ
Jack Poghossian
Born in Montevideo (Uruguay), he graduated from “Sagrada Familia” and majored in English
Language at ACUEU. He was also trained as social worker at the Wellfare Minister. Actor, producer and teacher, has also developed cultural journalism for more than 20 years.
He is the ȃrst representative of Armenian cinema in Latin America and director founder of
Cinemateca Armenia in its 13 years, a program of promotion, cultural exchange and cinema
excellence between Armenia and Latin America.
He has headed and integrated the jury in many international ȃlm festivals and has been awarded for his cultural activity.
ƻȀǱǯ ǃǤǯǚǶǮǚǯ
ƻȀǱǯ ǃǤǯǚǶǮǚǯ (ǧǯ. 1970, ƲǮǱǻǭǹǤ)
ƸǚǸǞǹǚǨǚǯ ǨǹǢǱǻǢǮǱǻǯ ǶǸǚǺǞǥ Ǡ ƴǹȀǚǯǤ ǜǞǫǚǹǷǞǶǸǚǢǚǸǞǹǚǨǚǯ ǤǯǶǸǤǸǱǻǸǱǻǭ:
ƳǞǹǚǶǚǯ Ǡ ǚǰǦǚǸǞǥ ƲǮǱǻǭǹǱǻ «ưǵǚǶǳǞǥ» Ȁ Ǎǚǹǝǚǯ ưǬǞǭǮǚǯǤ ǚǯǷǚǯ ǢǚǸǹǱǯǯǞǹǱǻǭ:
ƾǤǯǱǨǹǢǱǻǢǮǱǻǯ Ǡ ǶǸǚǺǞǥ ǒǚǹǤǟ 8-ǹǝ ǩǚǭǚǥǶǚǹǚǯǱǻǭ: 1996-Ǥǯ ǶǸǚǺǞǥ Ǡ Ǥǹ
ǭǚǜǤǶǸǹǱǶǚǨǚǯ ǝǤǳǥǱǭǡ ǜǞǹǚǟǚǯǺǱǻǢǮǚǭǛ: ǅǨǚǹǚǩǚǯǞǥ Ǡ ǨǚǹǬǚǭǞǸǹǚǣ ǿǤǥǭǞǹ
ǿǹǚǯǶǤǚǨǚǯ ǨǤǯǱǡǯǨǞǹǱǻǢǮǱǻǯǯǞǹǤ ǭǚǶǯǚǨǺǱǻǢǮǚǭǛ: ǅǹǚ «ƳǚǰǯǚǭǱǻǹǡ» ǿǤǥǭǡ
ǭǚǶǯǚǨǺǞǥ Ǡ ǚǷǞǥǤ ǽǚǯ 80 ǭǤǴǚǟǜǚǮǤǯ ǨǤǯǱǼǚǵǚǸǱǯǤ Ȁ ǚǹǣǚǯǚǺǞǥ 35 ǭǹǺǚǯǚǨǤ
Ǳǻ ǩǤǰǚǸǚǨǭǚǯ:
LEVON MINASIAN
Levon Minasian (born 1970, Gyumri, Armenia) began his theatre studies at the Institute of
Fine Arts and Theatre in Yerevan (Armenia). He worked as an actor at the Araspel and Vardan
Adjemian Theatres in Gyumri. He studied ȃlm at the University of Paris-8 (France). In 1996, he
received his Master’s Diploma with distinction. Levon Minasian directed short ȃlms, produced
by French production companies. His short comedy “The Piano” has participated to more than
80 festivals worldwide, received 35 awards and mentions.
8
ƾǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ
Short ȃlms
ƼǱǻǚǯ ǉǚǛǥǱ ƵǚǹǚǭǞǥǚ
ƼǱǻǚǯ ǉǚǛǥǱ ƵǚǹǚǭǞǥǚǯ` (ƱǱǻǞǯǱǶ ưǮǹǞǶ, ưǹǜǞǯǸǤǯǚ) ǚǯǨǚǦ ǵǞǣǤǶǱǹ Ȁ ǚǯǤǭǚǸǱǹ Ǡȁ
ƾǤǯǱǚǹǷǞǶǸǤ ǤǯǶǸǤǸǱǻǸǡ ǚǷǚǹǸǞǥǱǻǺ ǩǞǸǱ ǶǨǶǞǥ Ǡ ǯǨǚǹǞǥ Ǥǹ ǶǞǼǚǨǚǯ ǿǤǥǭǞǹǡȁ ƺǹ
ǛǱǥǱǹ ǚǯǨǚǦ ǨǚǹǬǚǭǞǸǹǚǣ ǿǤǥǭǞǹǡ ǱǫǴ ǚǰǦǚǹǩǱǻǭ ǚǹǣǚǯǚǺǞǥ Ǟǯ ǭǹǺǚǯǚǨǯǞǹǤ, ǤǶǨ
ưǹǜǞǯǸǤǯǚǮǱǻǭ 3 ǚǯǜǚǭ ǚǹǣǚǯǚǺǞǥ Ǡ Codor de Plata ǭǹǺǚǯǚǨǤǯȁ 2008 ǢǷǚǨǚǯǤǯ ƾǚǯǯǱǻǭ
ǯǹǚǯ ǡǯǸǹǞǥ Ǟǯ ǱǹǳǞǶ Saatchi & Saatchi ǅǱǹ ǵǞǣǤǶǱǹǯǞǹǤ ǺǱǻǺǚǸǚǦǸǚǨǤ ǯǞǹǨǚǮǚǺǱǻǺǤǲ:
2010Ǣ. ưǯǯǞǶǤǤ ǃǤǴǚǟǜǚǮǤǯ ưǯǤǭǚǺǤǱǯ ǒǚǵǚǸǱǯǤ ǣǚǭǚǯǚǨ ǭǤ ǚǭǛǱǫǴ ǩǚǸǱǻǨ ǧǹǚǜǤǹ
Ǡ ǞǫǞǥ Ǥǹ ǿǤǥǭǞǹǱǷȁ ǅǹǚ ǷǞǹǴǤǯǘ Luminaris ǿǤǥǭǡ ǚǹǣǚǯǚǺǞǥ Ǡ ǚǷǞǥǤ ǽǚǯ 300 ǭǤǴǚǟǜǚǮǤǯ
ǭǹǺǚǯǚǨǤ, ǯǞǹǚǵǮǚǥ ưǯǯǞǶǤ 2011-Ǥ ƿǚǯǝǤǶǚǸǞǶǤ Ȁ Fipresci ǭǹǺǚǯǚǨǯǞǹǤ Ȁ ǭǸǞǥ Ǡ ǔǶǨǚǹ
2011-Ǥ ǥǚǷǚǜǱǻǮǯ ǨǚǹǬǚǭǞǸǹǚǣ ǿǤǥǭǞǹǤ ǺǚǯǨǤ ǭǞǴȁ
Juan Pablo Zaramella
Juan Pablo Zaramella (Buenos Aires, Argentina) is an independent director and animator.
After his graduation at the Instituto de Arte Cinematograȃco de Avellaneda as an Animation Director, he
started directing and animating his own ȃlms. All his independent shorts have been awarded all around
the world, and in Argentina he won the most important prize for cinema, Condor de Plata Award, in 3
opportunities. In 2008 he was selected for Saatchi & Saatchi New Directors Showcase in Cannes. In 2010,
Annecy International Animation Festival presented a special program with all his works.
His last short ȃlm “Luminaris” has won more than 300 international awards, including the Audience Award
and Fipresci Award at Annecy 2011, and was part of the Oscars Shortlist for Best Animated Short 2011.
ưǥǞǽǶǚǯǝǹ ƿǞǛǱǮǚǯ
ưǥǞǽǶǚǯǝǹ ƿǞǛǱǮǚǯǡ 2004-Ǥǯ ǚǷǚǹǸǞǥ Ǡ Gobelins-Ǥ ǨǤǯǱǮǤ ǽǱǥǞǴǡȁ Michel Ocelot-Ǥ Azur &
Asmar ǿǤǥǭǱǻǭ ǚǵǚǴǤǯ ǽǚǮǥǞǹǡ ǚǯǞǥǱǻǺ ǩǞǸǱ ǸǞǫǚǼǱǦǷǞǥ Ǡ ƾǚǥǤǿǱǹǯǤǚǘ DreamworksǱǻǭ ǚǰǦǚǸǞǥǱǻȁ ǅǚ ǟǛǚǫǷǞǥ Ǡ Kungfu-Panda-Ǥ (2008) Ȁ Monsters vs Aliens (2009) ǭǱǻǥǸǿǤǥǭǞǹǤ
ǨǞǹǳǚǹǯǞǹǤ ǚǯǤǭǚǺǤǚǮǱǷȁ ƿǞǛǱǮǚǯǡ ǚǰǦǚǸǞǥ Ǡ Ǥǹ Exodus ǨǚǹǬǚǭǞǸǹǚǣ ǿǤǥǭǤ Ƿǹǚ,
ǛǚǮǺ ǰǱǻǸǱǷ ǩǞǵǚǺǞǥ Ǡ Dreamworks-ǤǺ Ǳǻ ǝǚǝǚǹǞǺǹǞǥ Ǡ ǚǮǝ ǯǚǦǚǜǤǧǡǘ Ǥǹ ǚǵǚǴǤǯ Cg ǿǤǥǭǡ
ǯǨǚǹǞǥǱǻ ǩǚǭǚǹȁ «ǃǱǻǯǞǯ, ǥǱǻǶǯǤ ǳǚǩǚǳǚǯǡ» ǿǤǥǭǤ Ƿǹǚ, Ǳǹǯ ǚǹǸǚǝǹǞǥ Ǡ On Enternainment-ǡ,
ƿǞǛǱǮǚǯǡ Ȁ ǩǚǭǚǵǞǣǤǶǱǹ ƱǞǯǱǤ ǕǤǥǤǳǱǯ ǚǰǦǚǸǞǥ Ǟǯ 6 ǸǚǹǤȁ ǕǤǥǭǤ ǯǨǚǹǲǚǨǚǯ ǪȀǚǷǱǹǱǻǭǡ
ǚǹǷǞǥ Ǡ ǒǚǹǤǟǱǻǭ, ǤǶǨ ǚǹǸǚǝǹǷǞǥ Ǡ 2013-Ǥǯ, ǃǱǯǹǞǚǥǱǻǭȁ ǕǤǥǭǡ ǡǯǸǹǷǞǥ Ǡ ưǯǯǞǶǤ ǿǤǥǭǞǹǤ
ǼǚǵǚǸǱǯǱǻǭ Ǳǻ ǎǱǨǤǱǮǤ ǚǯǤǭǚǺǤǱǯ ǼǚǵǚǸǱǯǱǻǭ ǚǹǣǚǯǚǺǞǥ Ǡ ǥǚǷǚǜǱǻǮǯ ǥǤǚǭǞǸǹǚǣ ǿǤǥǭ
ǭǹǺǚǯǚǨǤǯȁ «ǃǱǻǯǞǯ» ǪǞǵǽ Ǡ ǛǞǹǱǻǭ ǩǚǭǚǰǦǚǹǩǚǮǤǯ ǬǚǯǚǲǱǻǭ Ȁ ǚǹǝǞǯ ǚǮǶ ǸǚǹǷǚ ǶǨǟǛǤǯ
ǜǹǚǯǺǱǻǭ ǩǚǴǱǫǱǻǢǮǱǻǯǯǞǹ ƺǸǚǥǤǚǮǱǻǭ Ȁ ǋǱǻǶǚǶǸǚǯǱǻǭȁ
Alexander Heboyan
Alexandre Heboyan graduated in 2004 from Gobelins ȃlm school. After a ȃrst experience on Michel Ocelot Azur & Asmar, Alexandre moved in california to work at Dreamworks. He animated characters on
Kungfu-Panda (2008) and Monsters vs Aliens (2009). On the side he was developing a short movie,
Exodus, but Alexandre left Dreamworks and stopped this project to direct his ȃrst Cg movie. Mune, the
moon guardian, with Benoit Philippon, produced by On Enternainment, took 6 years in the making.
The art was created in Paris, and Cg production took place in 2013 at Mikros Montréal. The movie was
selected in Annecy ȃlm festival, and won the best feature in the Tokyo Animation Award Festival. Mune
is getting a worldwide release, and was already a success in Italy and Russia early this year.
ǋƤǛǞǯ ǃǚǥǚǮǚǯ
ǋǱǻǛǞǯ ǃǚǥǚǮǚǯ` (1971) ǯǨǚǹǤǲ, ǥǱǻǶǚǯǨǚǹǤǲ Ȁ ǵǞǣǤǶǱǹȁ ǌǱǷǱǹǞǥ Ǡ ƴǹȀǚǯǱǻǭ, ƸǞǹǥǞǭǞǟǮǚǯǤ
ǜǞǫǚǹǷǞǶǸǤ ǽǱǥǞǴǱǻǭ ǶǸǚǺǞǥ Ǡ ǯǨǚǹǲǤ ǱǹǚǨǚǷǱǹǱǻǭ, ǤǶǨ ƲǞǫǚǹǷǞǶǸǤ ǳǞǸǚǨǚǯ ǚǨǚǝǞǭǤǚǮǱǻǭ ǶǱǷǱǹǞǥ Ǡ ǜǹǚǿǤǨǚǮǤ ǛǚǣǯǱǻǭȁ ǋǱǻǛǞǯǡ ǩǞǵǱǻǶǸǚǸǞǶǱǻǢǮǱǻǯǱǻǭ Ȁ ǨǤǯǱǮǱǻǭ ǚǰǦǚǸǞǥ
Ǡ ǱǹǳǞǶ ǯǨǚǹǤǲ Ȁ ǷǤǟǱǻǚǥ ǠǿǞǨǸǯǞǹǤ ǫǞǨǚǷǚǹǘ ǤǹǚǨǚǯǚǺǯǞǥǱǷ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ ǧǹǚǜǹǞǹ
ƿǚǮǚǶǸǚǯǱǻǭ, ƺǶǹǚǮǞǥǱǻǭ, ǅǤǝǞǹǥǚǯǝǯǞǹǱǻǭ, ƾǚǯǚǝǚǮǱǻǭ Ȁ ƿǯǝǨǚǶǸǚǯǱǻǭȁ ǋǱǻǛǞǯ ǃǚǥǚǮǚǯǡ
Armenian Genocide in Contemporary Graphic & Art Posters (2001ǢǷǚǨǚǯ, ưǭǶǸǞǹǝǚǭ) ǭǤǴǚǟǜǚǮǤǯ
ǜǹǚǿǤǨ ǝǤǟǚǮǯǤ ǭǹǺǱǻǮǢǤ ǩǤǭǚǝǤǹǯ Ǡ: ǃǹǺǱǻǮǢǡ ǩǚǭǚǰǦǚǹǩǚǮǤǯ ǡǯǝǱǻǯǞǥǱǻǢǮǚǯ Ǡ ǚǹǣǚǯǚǺǞǥȁ
ǅǞǹǨǚǮǱǻǭǶ ǋǱǻǛǞǯǡ ǩǚǮǨǚǨǚǯ ǜǞǫǚǜǹǱǻǢǮǚǯ ǭǚǶǤǯ ǷǚǹǳǞǸǱǻǢǮǚǯ ǝǚǶǞǹ Ȁ ǶǞǭǤǯǚǹǯǞǹ
Ǡ ǚǯǺǨǚǺǯǱǻǭ, ǯǚȀ ǝǚǶǚǷǚǯǝǱǻǭ Ǡ Motion Design Ȁ Postproduction ƸǇǑǃǇ ǶǸǞǫǧǚǹǚǹ
ǸǞǦǯǱǥǱǜǤǚǯǞǹǤ ǨǞǯǸǹǱǯǱǻǭȁ
Ruben Malayan
Ruben Malayan (1971) is an artist, photographer, and art director. Having completed his studies in Yerevan,
Armenia, he holds a Degree in Painting from Terlemezian Art College, and a Degree in Graphics from the
State Institute of Fine Arts. As an art director and visual effects supervisor, Ruben has been working in
broadcast and cinema for over 15 years, realizing creative projects in Armenia, Israel, The Netherlands,
Canada and India. Ruben Malayan is the founder (2001, Amsterdam) of “Armenian Genocide in Contemporary Graphic & Art Posters” international graphic design competition, which has received considerable
acclaim in books and magazines worldwide, as well as coverage in the international press. Presently Ruben
is running master classes and workshops of Armenian Calligraphy as well as teaching Motion Design and
Postproduction course in Tumo Center for Creative Technologies. He exhibits art both locally, and abroad.
9
ƹǮƤǹǤ
Juries
ưǷǚǹǸǚǨǚǯ ǿǤǥƬǹ
Graduation ȃlms
ǋǱǯ ƳǤǞǯ
ǋǱǯ ƳǤǞǯǡ 1999Ǣ. ǝǚǹǪǞǥ Ǡ l’Archipel Paris Ciné ǨǤǯǱǢǚǸǹǱǯǤ ƬǯǞǴǞǹǡȁ ǃǤǚǣǚǭǚǯǚǨ ǩǤƨǚǝǹǞǥ
Ǡ Sacrebleu Productions-ǡȁ ƿǤǭǚǝǹǭǚǯ ǾǹǤǺ Ǥ ǷǞǹ ǚǷǞǥǤ ǽǚǯ 50 ǨǚǹǬǚƬǸǹǚǣ ǿǤǥƬǹ Ǟǯ
ǚǹǸǚǝǹǷǞǥ, ǱǹǱǯǽ ǡǯǸǹǷǞǥ Ǟǯ 1000-ǤǺ ǚǷǞǥǤ ǚǟǜǚǮǤǯ Ȁ ƩǴǚǟǜǚǮǤǯ ǼǚǵǚǸǱǯǯǞǹƤǭȁ
Sacrebleu Productions-ǡ ǚǹǣǚǯǚǺǞǥ Ǡ Ʃ ǰǚǹǽ ǛǚǹǪǹ ǳǚǹǜȀǯǞǹǤ. ƾǚǯǯ 2010-Ǥǯ «ǆǯǞǹǤ ǨǫǟǤ»
ǿǤǥƩ ǩǚǭǚǹ ǚǹǣǚǯǚǺǞǥ Ǡ ƾǚǯǯ ǨǤǯǱǼǚǵǚǸǱǯǤ «ǇǶǨǞ ǚǹǭǚǷǞǯƤ ǬǮƤǫǤǯ», 2010-Ǥǯ Clermont
Ferrand-Ƥǭ ǥǚǷǚǜƤǮǯ ǨǚǹǬǚƬǸǹǚǣ ǿǤǥƩ Ȁ 2013-Ǥǯ ǥǚǷǚǜƤǮǯ TV ǚǯǤǭǚǺǤǱǯ ǳǹǱǝǮƤǶǞǹǤ
ǩǚǭǚǹ ǚǹǣǚǯǚǺǞǥ Ǡ Procirep ǭǹǺǚǯǚǨǤ, 2011-Ǥǯ «Madagascar, A Journey Diary»-Ǥǯ ǯǱƩǯǚǺǷǞǥ Ǡ
ǔǶǨǚǹǤ, «Tram & Man on the Chair» ǿǤǥƩ ǩǚǭǚǹ ǚǹǣǚǯǚǺǞǥ Ǡ Annecy 2 ǛǮƤǹǞǫǚǳǚǨǮǚ ǭǹǺǚǯǚǨǤȁ
ǉǹǱǝǮƤǶǞǹƤǢǮƤǯǤǺ ǛǚǺǤ ƳǤǞǯǡ 5 ǨǚǹǬǚƬǸǹǚǣ ǿǤǥƩ ǵǞǣǤǶǱǹ Ǡ, ǱǹǱǯǽ ǡǯǸǹǷǞǥ Ǟǯ ǚǷǞǥǤ ǽǚǯ
300 ǼǚǵǚǸǱǯǯǞǹƤǭǘ ƾǚǯǯ, ƾǥǞǹǭǱǯ-ǕǞǵǚǯ, ƱǹǞǶǢ
Ron DYENS
In 1999, Ron DYENS became the manager of the cinema l’Archipel Paris Ciné (2 auditoriums). Meanwhile he
founded Sacrebleu Productions, a ȃlm production company. About ȃfty short ȃlms have been produced since
then and have been selected in more than one thousand national and international festivals. Sacrebleu Production received prestigious honours such as: Palme d’Or in Cannes in 2010 for Barking Island, the Procirep
Awards of the best short ȃlms producer in Clermont Ferrand in 2010 and of the best Animation TV producer
in 2013, a nomination to the Academy Awards 2011 for «Madagascar, A Journey Diary», two Annecy crystal
awards for Tram & Man on the Chair …
Alongside his production activity, Ron Dyens directed ȃve short ȃlms, which were selected in more than three
hundred festivals such as, Cannes, Clermont-Ferrand, Brest…
ƲǚǹǤ ǆǷǚǹǺ
ǔǶǨǚǹǤ ǚǵǚǴǚǝǹǷǚǧ ǵǞǣǤǶǱǹ, ǭǹǺǚǯǚǨǯǞǹǤ ǚǹǣǚǯǚǺǚǧ ǚǯǤǭǚǸǱǹ, ǵǞǣǤǶǱǹ, ǯǨǚǹǤǲ
Ȁ ǭǚǯǨǚǷǚǹǣ: ƿǚǜǞǺǚǧ ǜǱǹǧǯǚǨǚǯ ǶǞƩǯǚǹǯǞǹ Ƥ ǭǚǶǯǚǜǤǸǚǨǚǯ ǝǚǶǡǯǢǚǺǯǞǹ Ǡ
ǷǚǹƤǭ ǚǟǜǚǮǤǯ Ȁ ƩǴǚǟǜǚǮǤǯ, ǸǚǹǹǚǨǚǯ, ƩǴǤǯ, ǚǷǚǜ ǝǳǹǱǺǯǞǹƤǭ, ǨǤǯǱǼǚǵǚǸǱǯǞǹƤǭ,
ǢǚǯǜǚǹǚǯǯǞǹƤǭ, ǚǭǚǵǚǮǤǯ ǬǚǭǛǚǹǯǞǹƤǭ, ǩǚǭǚǮǯǽǚǮǤǯ ǨǞǯǸǹǱǯǯǞǹƤǭ, ǛǚǯǸǞǹƤǭ Ƥ
ǩǱǜǞǛƤǣǚǹǚǯǯǞǹƤǭ: ƺǹ Single Frame Films ǡǯǨǞǹƤǢǮǚǯ ƩǴǱǺǱǷǘ ǱǹǳǞǶ ǳǹǱǝǮƤǶǞǹ, ǯǨǚǹǤǲ Ȁ
ǵǞǣǤǶǱǹ, ǚǯǤǭǚǺǤǱǯ ǿǤǥƬǹ Ǡ ǶǸǞǫǧǞǥ Disney, Sesame Street, MTV, Fox Television, Corporation for
Public Broadcasting ǡǯǨǞǹƤǢǮƤǯǯǞǹǤ Ȁ ǚǮǥǱǺ ǩǚǭǚǹ: ưǮǣǭ ǃǤǲǤǜǚǯǤ ǩǚǭǚǥǶǚǹǚǯǤ ưǹǷǞǶǸǤ
Ȁ ǝǤǟǚǮǯǤ ǝǳǹǱǺǤ ǝǚǶǚǦǱǶ Ǡ: ǅǹǚ ǨǤǯǞǸǤǨ ǨǤǯǱǽǚǯǝǚǨǯǞǹǡ, ǤǯǶǸǚǥǚǺǤǚǯǞǹǡ Ȁ ǿǤǥƬǹǡ
ǺƤǺǚǝǹǷǞǥ Ǟǯ ǸǚǹǛǞǹ ǞǹǨǹǯǞǹǤ Ƭǧ ǢǚǯǜǚǹǚǯǯǞǹƤǭ Ƥ ǳǚǸǨǞǹǚǶǹǚǩǯǞǹƤǭ:
Gary Schwartz
Gary Schwartz is an Academy Award nominated ȃlmmaker, award winning animator, director, artist and
educator. He conducts intensive hands-on animation workshops in elementary, middle, high school,
under-graduate, graduate, post-graduate, professional training, ȃlm festivals, museums, summer camps,
community centers, prisons and psychiatric hospitals national and internationally in an environment of
creativity, imagination and self-expression. Through his company, Single Frame Films, Gary produced,
designed and directed animation for Disney, Sesame Street, MTV, Fox Television, the Corporation for
Public Broadcasting and others. Gary Schwartz is currently Lecturer at the University of Michigan School
of Art & Design. His kinetic cinema sculptures, installations and ȃlms have been exhibited in major
museums and galleries internationally.
ǆǚƩǹǚǭ ƼǚǲǚǸǹǮǚǯ
ƴǶ 24-ǚǭǮǚ ǯǨǚǹǤǲ Ǟǭ ƴǹȀǚǯǤǺȁ ǒǱǽǹƤǺ ǶǨǶǞǥ Ǟǭ ǯǨǚǹǞǥ Ƥ ǱǹǱǰ ǣǚǭǚǯǚǨ ǚǯǺ ǱǹǱǰǞǥ
Ǟǭ ǨǹǢƤǢǮƤǯǶ ǰǚǹƤǯǚǨǞǥ ǭǚǢǞǭǚǸǤǨǚǮǤ Ȁ ǿǤǟǤǨǚǮǤ ǱǥǱǹǸƤǭȁ ƳǤƬǺǤ ƿǉǂƿ, ǱǹǳǞǶǟǤ
ǝǚǵǯǚǭ ǤǯǣǞǯǞǹȁ ƿǚǭǚǥǶǚǹǚǯǯ ǚǷǚǹǸǞǺǤ ǭǚǜǤǶǸǹǱǶǤ ǚǸǤǬǚǯǱǷȁ ƿǚǭǚǥǶǚǹǚǯǚǨǚǯ
ǸǚǹǤǯǞǹǤ ǡǯǢǚǺǽƤǭ ǷǞǹǴǚǳǞǶ ǩǚǶǨǚǺǚ, Ǳǹ ƤǟƤǭ Ǟǭ ǝǚǵǯǚǥ ǚǯǤǭǚǸǱǹȁ ǆǚǸ ǰƤǸǱǷ
ǜǸǚ Ȁ ǭǚǶǯǚǨǺǞǺǤ ǚǯǤǭǚǺǤǚǮǤǯ Ȁ ǳǚǸǨǞǹǚǳǚǸǭǚǯ ǚǹǷǞǶǸǤǯ ǚǵǯǲǷǱǫ Ʃ ǰǚǹǽ
ǷǚǹǳǞǸƤǢǮǚǯ ǝǚǶǞǹǤ Ȁ ǶǞƩǯǚǹǯǞǹǤȁ ǆǚǸ ǰƤǸǱǷ ǶǨǶǞǺǤ ǚǰǦǚǸǞǥ ƸƣǃǇ ǶǸǞǫǧǚǹǚǹ
ǸǞǦǯǱǥǱǜǤǚǯǞǹǤ ǨǞǯǸǹǱǯƤǭǘ ǱǹǳǞǶ ǳǚǸǨǞǹǚǳǚǸǭǚǯ ǚǹǷǞǶǸǤ ǶǞƩǯǚǹǯǞǹǤ ǫǞǨǚǷǚǹ
Ȁ ǨǱǯǸǞǯǸ ǝǤǷǞǥǱǼǞǵȁ ưǮǶ ǚƬǯǯ ǤǯǪ ǩǯǚǹǚǷǱǹƤǢǮƤǯ ǸǷǞǺ ǚǷǞǥǤ ǦǱǹǚǺǯǞǥƤ ǜǤǸǞǥǤǽǯǞǹǶȁ
ǍǞǹǴǞǹǶ ǭǚǶǯǚǨǺǞǺǤ GOBELINS-Ǥ ǚǭǚǵǚǮǤǯ ǧǹǚǜǹǞǹǤǯǘ ƤǶǚǯǞǥǱǷ ǨǞǹǳǚǹǤ ǚǯǤǭǚǺǤǚ
ǚǰǦǚǹǩǤ ǸǚǹǛǞǹ ǞǹǨǹǯǞǹǤǺ ǞǨǚǧ ǳǹǱǿǞǶǤǱǯǚǥ ƤǶƤǺǤǲǯǞǹǤ ǭǱǸȁ
Shamiram Khachatryan
I am a 24 years old artist from Yerevan. I kept drawing throughout my childhood, so after some time I
decided to continue my education in the direction of physics and mathematics. I applied to State Engineering University of Armenia to become an engineer. I graduated from the university with my Master’s
degree. During my university education I ȃnally realized that I want to be an animator. Very soon I found
and participated in many workshops and master classes related to animation and comics art. Shortly
after, I became employed by a big organization called TUMO Center for Creative Technologies as Comics
Art Workshop Leader and Content Developer. This gave me the opportunity to summarize and continue
to increase my knowledge in this sphere. Recently I participated in GOBELINS summer program studding character animation with great teachers from all around the world.
10
ƿǞǵƤǶǸǚǸǞǶǚǮǤǯ Ȁ ƤǶƤǺǱǫǚǨǚǯ ǿǤǥƬǹ
TV and Educational Films
ǎǚǢȀǤǨ ǃǚǯƤǨǮǚǯ
ǎǚǢȀǤǨ ǃǚǯƤǨǮǚǯǯ ǚǷǚǹǸǞǥ Ǡ ƴǉƿ-Ǥ ǃǤǴǚǟǜǚǮǤǯ ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹ Ȁ ǤǹǚǷƤǯǽ
ǿǚǨƤǥǸǞǸǡ: 2007-Ǥǯ ǱǹǳǞǶ ǨǚǭǚǷǱǹ ǚǯǝǚǭǚǜǹǷǞǥ Ǡ ǯǱǹǚǛǚǺ «ǇǶǨǞ ǧǤǹǚǯ» ƩǴǚǟǜǚǮǤǯ
ǨǤǯǱǼǚǵǚǸǱǯǤǯȁ 2009-ǤǺ ǼǚǵǚǸǱǯǤ ƩǴǚǟǜǚǮǤǯ ǨǚǳǞǹǤ ǫǞǨǚǷǚǹǯ Ǡ Ƥ «ǇǶǨǞ
ƽǤǹǚǯǤ» ǳǹǱǝǮƤǶǞǹǯǞǹǤǺ ƬǨǡȁ 2011-2012 ǢǷǚǨǚǯǯǞǹǤǯ «ǇǶǨǞ ƽǤǹǚǯǤ» ǵǞǣǤǶǱǹǯǞǹ
ǚǵǚǯǺ ǶǚǩǭǚǯǯǞǹǤ ǧǹǚǜǹǤ ǩǚǭǚǨǚǹǜǱǫǯ Ǡ: 2012-Ǥ ǩƤǯǷǚǹǤǯ ǩǤƨƤǭ Ǡ Ǥǹ ǶǞǼǚǨǚǯ
TAO ǡǯǨǞǹƤǢǮƤǯǡ, Ǳǹǯ ǚǹǝǞǯ ǚǹǸǚǝǹǞǥ Ǡ ǲǱǹǶ ǿǤǥǭ: 2013-ǤǺ ǫǞǨǚǷǚǹƤǭ Ǡ ƿǚǮǚǶǸǚǯǤ
ǩǚǯǹǚǮǤǯ ǩǞǵƤǶǸǚǡǯǨǞǹƤǢǮǚǯ ǿǤǥƬǹǤ Ȁ ǨǹǨǯǾǹǤǯǚǨǭǚǯ ǛǚǣǤǯǡȁ 2013-Ǥǯ ǱǹǳǞǶ
ǳǹǱǝǮƤǶǞǹ ǭǚǶǯǚǨǺǞǥ Ǡ Berlinale Talent Campus-Ǥǯ, ǸǚǹǛǞǹ ƩǴǚǟǜǚǮǤǯ ǿǤǥǭ-ǼǚǵǚǸǱǯǯǞǹǤ
Ȁ ǿǤǥƬǹǤ ǰƤǨǚǯǞǹǤǘ ǱǹǳǞǶ ǼǱǹǪǚǜǞǸ, ǼǚǵǚǸǱǯǚǮǤǯ ǯǞǹǨǚǮǚǺƤǺǤǲ Ȁ ǳǹǱǝǮƤǶǞǹȁ
Tatevik Manoukyan
Tatevik Manoukyan is a graduate of Yerevan State University, Department of International Relations
and International Law (MA). In 2007, during her studies at the University, she applied as a volunteer to
be involved in the works of newly founded international ȃlm festival in Yerevan – GOLDEN APRICOT.
From 2009 she is heading the International Department of this festival. She is involved in the GOLDEN
APRICOT Production activities, as a producer. From 2011-2012 she was the coordinator of DIRECTORS
ACROSS BORDERS Eastern Partnership Project in the frames of GOLDEN APRICOT IFF. From 2012
January she has founded her own Production Company – TAO PRODUCTION, which has already 4
ȃlms in different periods of production. From 2013 she is heading the Films and Dubbing Department
of Public TV Company of Armenia. Participated at Berlinale Talent Campus in 2013, as a producer, at
lots of international ȃlm festivals and ȃlm markets as an expert, festival representative and producer.
ƻǤǟǚ ưǹǢǤǯǮǚǯ
ƻǤǟǚ ưǹǢǤǯǮǚǯǡ ǯǮƤ ǮǱǹǽǺǤ ǯǨǚǹǤǲ Ǡǘ ǚǯǤǭǚǺǤǱǯ ǝǤǟǚǮǯǞǹǤ ǞǹǨǚǹ ǸǚǹǤǯǞǹǤ ǼǱǹǪǱǷȁ
ǃǚǶǯǚǜǤǸƤǢǮǚǭǛ ǝǤǟǚǮǯǞǹ Ǡ Ȁ ǭǱǸ ǞǹǨƤ ǸǚǶǯǚǭǮǚǨ ǯǨǚǹǞǥƤǺ ǩǞǸǱ ǚǰǦǚǸǞǥ Ǡ
ǸǚǹǛǞǹ ǡǯǨǞǹƤǢǮƤǯǯǞǹǤ ǩǞǸǘ MTV’s Daria, Disney’s Doug, Teenage Mutant Ninja Turtles on Fox
Kids, Dreamworks’ Turbo FAST, and Metalocalypseon Adult Swim/Cartoon Networkȁ 2006-Ǥǯ ƻǤǟǡ
ƩǚǺǚǷ Adult Swim’s The Venture Bros-Ǥǯǘ ǱǹǳǞǶ ǜƤǯǚǷǱǹǭǚǯ ǳǚǸǚǶǦǚǯǚǸƤȁ 2014-Ǥǯ
ǯǚ “Outstanding Achievement in Production Design in an Animated TV/Broadcast Production”-Ǥ
ǩǚǭǚǹ ǯǱƩǚǺǷǞǺ ANNIE-Ǥȁ 1997-Ǥǯ ƻǤǟǡ ǚǷǚǹǸǞǥ Ǡ ǋǱǝ ưǮǥǚǯǝǤ ǝǤǟǚǮǯǤ ǩǚǭǚǥǶǚǹǚǯǤ
ǛǚǨǚǥǚǷǹǤǚǸǡȁ
Liza Artinyan
Liz Artinian is a New York-based artist with a long career as an animation designer. Specializing
in background design and paint for nearly two decades, Liz has worked for variety of productions
including MTV’s Daria, Disney’s Doug, Teenage Mutant Ninja Turtles on Fox Kids, Dreamworks’
Turbo FAST, and Metalocalypseon Adult Swim/Cartoon Network. In 2006, Liz joined the art team of
Adult Swim’s The Venture Bros as Color Supervisor. In 2014, she received an ANNIE nomination for
her work on The Venture Bros, for “Outstanding Achievement in Production Design in an Animated
TV/Broadcast Production.” Liz is a graduate of The Rhode Island School of Design, receiving her
Bachelor of Fine Arts in 1997.
ƱǡǯƤǚ ǕǤǥǤǳǱǯ
ƱǡǯƤǚ ǕǤǥǤǳǱǯǡ ǶǨǶǞǥ Ǡ ǶǺǞǯǚǹǤǶǸǤ ǨǚǹǤǞǹǚǯ «ǓǹǸǤǯǽ» (2002)ǭǚǹǸǚǿǤǥƩǺ,
ǱǹǤ ǳǹǱǝǮƤǶǞǹǯ Ǡ ǌǚǭƤǞǥ ƿǚǝǤǝǚǯ: ǅǹǚǯ ǛǚǺǚǩǚǮǸǞǥ Ǟǯ ǚǯǨǚǦ ǚƬǹǤǨǚǺǤ
ǳǹǱǝǮƤǶǞǹ ǓǹǤǶǸǤǯ ǍǚǽǱǯǡ Ȁ ǔǹǚǯǣ ǶǸƤǝǤǚǮǤ ǕǹǞǝǞǹǤǨ ƳǮƤǭǚǯ: ǍǞǹǴǤǯǶ ǯǹǚǯ
ǩǹǚǷǤǹǞǥ Ǡ ǜǹǞǥƤ Ȁ ǛǞǭǚǝǹǞǥƤ «ǔǹǱǹǱǺǚǮǤǯǘ ǉǤǤ ǩǚǭǚǹ»(2010) ǿǤǥǭǡ, ǝǞǹǞǹƤǭǘ
ǕǱǹǞǶǸ ǍǤǢǞǮǽǹǡ Ȁ ǋƤǳǞǹǸ ǕǹǞǯǝǡ: ưǰǦǚǸǞǥ Ǡ ǱǹǳǞǶ ǶǺǞǯǚǹǤǶǸ Ʃ ǰǚǹǽ
ǚǯǤǭǚǺǤǱǯ ǶǞǹǤǚǥǯǞǹǤ ǩǚǭǚǹ:
Benoit Philippon
Benoit Philippon started out as a scriptwriter for the action ȃlm Sweat (2002), produced by
Samuel Hadida. He was then discovered by Christine Vachon, an independent American producer, and Frederique Dumas from Orange Studio, who hired him to write and direct Lullaby
for Pi (2010), starring Forest Whitaker and Rupert Friend. He has also worked as a scriptwriter
for diverse animated series.
11
ƹǮƤǹǤ
ưǯǤǭǚǺǤǱǯ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǱǨǯǞǹ
Animated music Videos
Juries
ǆƤǰǚǯ ǉǞǸǹǱǶǮǚǯ
ǆƤǰǚǯ ǉǞǸǹǱǶǮǚǯǡ ǧǯǷǞǥ Ǡ ƴǹȀǚǯƤǭ ǶǞǳǸǞǭǛǞǹǤ 23-Ǥǯ: ǌǱǷǱǹǞǥ Ǡ ƴǹȀǚǯǤ ǢǤǷ 172
ǝǳǹǱǺƤǭ, ǚǳǚ ǨǹǢƤǢǮƤǯǡ ǰǚǹƤǯǚǨǞǥ Ǡ ǒǚǯǱǶ ƸǞǹǥǞƬǟǮǚǯǤ ǚǯǷǚǯ ǜǞǫǚǹǷǞǶǸǤ
ƤǶƤƨǚǹǚǯƤǭǘ ǜǞǫǚǯǨǚǹǤ ǛǚǣǯƤǭ: ưǷǚǹǸǞǥƤǺ ǩǞǸǱ ƤǶƤǭǡ ǰǚǹƤǯǚǨǞǥ Ǡ ƴǹȀǚǯǤ
ǜǞǫǚǹǷǞǶǸǤ ǳǞǸǚǨǚǯ ǚǨǚǝǞƩǚǮǤ ǜǹǚǿǤǨǚǮǤ ǿǚǨƤǥǸǞǸƤǭ: ƴǹǜǤ ǚǶǳǚǹǞǟƤǭ Ǡ
1989 ǢǷǚǨǚǯǤǺ, ǚǵǚǴǤǯ ǛǞƬǥǡ ǞǫǞǥ Ǡ ǒǚǹǤǟƤǭ: 1989-1991ǢǢ.-Ǥǯ ǚǰǦǚǸǞǥ Ǡ «ưǹǪǚǜǚǯǽ»
ǢǚǸǹǱǯ-ǶǸƤǝǤǚǮƤǭ (ǃǞǸǹǱ ǢǚǸǹǱǯ)ǘ ǱǹǳǞǶ ǩǚǜƤǶǸǤ Ȁ ǛǞƩ ǯǨǚǹǤǲȁ ǀȀǚǷǱǹǞǥ Ǡ 3
ǯǞǹǨǚǮǚǺƤǭ: 1991-Ǥ ǾǜǱǶǸǱǶ ǚǭǶǤǯ ǚǵǚǴǤǯ ǚǯǜǚǭ ǞǥƤǮǢ Ǡ ƤǯǞǺǞǥ «ưǄǇ» ǰǱƤ-ǧǹǚǜǹƤǭ
Ȁ ǝǚǹǪǞǥ Ǡ ƴǹǜǤ ǳǞǸǚǨǚǯ ǢǚǸǹǱǯǤ ǚǵǚǴǤǯ ǶǞǹǯǝǤ ǭǞǯǚǨǚǸǚǹǯǞǹǤǺ ǭǞǨǡ: ưǹǣǚǯǚǺǞǥ
Ǡ ǛǚǟǭǚǢǤǷ ǭǹǺǚǯǚǨǯǞǹǤ, ǚǮǝ ǢǷǱǻǭǘ 2006-Ǥǯ ǚǹǣǚǯǚǺǞǥ Ǡ ƿƿ ǷǚǶǸǚǨǚǷǱǹ ǚǹǸǤǶǸǤ
ǨǱǲǭǚǯȁ
Shushan Petrosyan
Shushan Petrosyan was born in Yerevan on 23rd of September. Shushan Petrosyan studied
at school number 172 in Yerevan, then continued her education in the State College of Fine
Arts in Yerevan after Phanos Terlemezyan, in the department of paintings. She continued her
education at Yerevan State Academy of Fine Arts in the faculty of graphics. She has been
working as singer from 1989, her ȃrst performance was in Paris. From 1989 to 1991 worked in
“Ardzaganq” theatre-studio (“Metro” theatre) as a costume and stage designer. She decorated
3 performances. In the year 1991 she ȃrst performed in the show “Yes” and became one of the
soloists of the ȃrst generation of State Theatre of Song. Was received many prizes, including
receiving the title of the Honoured Artist of the Republic of Armenia in 2006.
ưǹǞǯ ƱǚǮǚǝǮǚǯ
ƽǯǷǞǥ Ǡ 1981 ǢǷǚǨǚǯǤǯ ǍǚǯǚǪǱǹƤǭ: 1998-ǤǺ 2002-ǡ ǶǱǷǱǹǞǥ Ǡ ƴƸƾǉƺ-Ƥǭǘ ǱǹǳǞǶ
ǢǚǸǹǱǯǤ Ȁ ǨǤǯǱǮǤ ǝǞǹǚǶǚǯ: 2007-ǤǺ ǶǨǶǞǥ Ǡ ǯǨǚǹǚǩǚǯǞǥ ǞǹǚǣǰǸǚǨǚǯ Ȁ ǜǱǷǚǟǝǚǮǤǯ
ǩǱǥǱǷǚǨǯǞǹ: ƺǯǲǳǞǶ ǯǚȀ ǚǰǦǚǸǞǥ Ǡ ǸǚǹǛǞǹ ǩǞǵƤǶǸǚǡǯǨǞǹƤǢǮƤǯǯǞǹƤǭ, ǱǹǳǞǶ ǩǞǵƤǶǸǚǶǞǹǤǚǥǯǞǹǤ ǵǞǣǤǶǱǹ: ƿǚǹǮƤǹǤǺ ǚǷǞǥ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨǯǞǹǤ ǩǞǫǤǯǚǨ Ǡ: 2015-Ǥǯ
Ƴǚǹ 21 ǩǞǵƤǶǚǸǚǡǯǨǞǹƤǢǮǚǯ ǞǹǚǣǰǸǚǨǚǯ ǭǹǺǚǯǚǨǚǛǚǰǦƤǢǮǚǯ ǣǚǭǚǯǚǨ ǶǸǚǺǞǥ Ǡ
ǸǚǹǷǚ ǥǚǷǚǜƤǮǯ ǵǞǣǤǶǱǹ ǭǹǺǚǯǚǨǡ:
Aren Bayadyan
Was born on 1981, in Vanadzor. From 1998-2002 studied at Yerevan State Intstitute of Theatre and
Cinematography as an actor of theatre and cinema. Since 2007 stated making musical video clips
and commercial videos. Has worked with many TV companies as a director of TV soap-operas. He is
the creator of more than 100 musical video clips. In 2015 won the prize of the best director during
the award ceremony of Ƴǚǹ 21.
ǃǤǹǸǚǝ ƲǚǟǚǟǮǚǯ
1980 ǢǷǚǨǚǯǤǺ ǚǰǦǚǸǞǥǱǷ ƿǚǮǚǶǸǚǯǤ ǚƬǯǚƬǧ ǶǸƤǝǤǚǮƤǭ Ȁ ǚǰǦǚǸǞǥǱǷ ǩǚǮ
ǥǚǷǚǜƤǮǯ ǚǯǤǭǚǸǱǹǯǞǹǤǺ ƬǨǤǘ ǋǱǛǞǹǸ ǌǚǩǚǨǮǚǯǺǤ Ȁ ǯǹǚ ǃƴƽ ǢǤƩ ǩǞǸ, ǃǤǹǸǚǝ
ǁǚǟǚǹǮǚǯǡ ǶǨǶƤǭ Ǡ Ǥǹ ǨǚǹǤǞǹǚǯ ǚǯǤǭǚǺǤǚǮǤ ǱǥǱǹǸƤǭȁ ƳǹǚǯǤǺ ǩǞǸǱǘ 1993-2014
ǢǷǚǨǚǯǯǞǹǤǯ, ǚǳǹǞǥǱǷ ǅǮƤ ǄǱǹǽƤǭ, ǰǚǹƤǯǚǨǞǥ Ǡ ǨǚǹǤǞǹǚǯ ǚǯǤǭǚǺǤǱǯ ǚǹǸǚǝǹƤǢǮǚǯ
ǱǥǱǹǸƤǭǘ ǶǸǞǫǧǞǥǱǷ ǩǞǵƤǶǸǚǸǞǶǚǮǤǯ ǜǱǷǚǟǝǯǞǹ Ȁ ǞǹǚǣǰǸǚǨǚǯ ǷǤǝǞǱǯǞǹȁ AT&T True
Voices ǚǹǰǚǷǤ ǣǚǭǚǯǚǨ ǚǳǚǩǱǷǞǥ Ǡ ǚǭǛǱǫǴǚǨǚǯ 2D ǧǚǵǚǮƤǢǮƤǯǯǞǹ ǭǱǸ 100 ǚǯǤǭǚǺǤǱǯ
ǩǞǵƤǶǸǚǚǥǤǽǯǞǹǤ ǩǚǭǚǹ Ȁ ǳǚǸǹǚǸǞǥ Ǡ ǚǯǩǚǭǚǹ ǯǱǹǚǹǚǨǚǯ Ȁ ǣǚǭǚǯǺǚǮǤǯ ǜǱǷǚǟǝǯǞǹ Fisher Price, EMI Records, Chase Visa, HBO, Macy’s, FSA, Hasbro, Club Med, “Ecko”, Red Bull
“Old Navy”, “The New York City Department of Sanitation” Ȁ ƤǹǤǰǯǞǹǤ ǩǚǭǚǹȁ ǅǞǹǨǚǮƤǭǶ
ǃǤǹǸǚǝǡ ǛǯǚǨǷƤǭ Ǡ ƴǹȀǚǯƤǭ Ȁ ǟǛǚǫǷƤǭ Ǡ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ Ȁ Ǳǲ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ
ǜǱǹǧƤǯǞƤǢǮǚǭǛȁ
Mirtad Gazazian
Starting in 1980 at the largest studio in Armenia and working with one of the best Animator and
Director for All time Robert Sahakyants and his GREAT team he began his career in Animation ȃeld.
Soon thereafter, living in New York from 1993 to 2014 fortunately I continued my journey in Animation industry, working and creating television commercials and music videos. Provided full 2-D animation services for over 100 animated television spots for the AT&T True Voices campaign and created
numerous innovative and entertaining commercials for Fisher Price, EMI Records, Chase Visa, HBO,
Macy’s, FSA, Hasbro, Club Med, “Ecko”, Red Bull “Old Navy”, “The New York City Department of Sanitation” and more. Currently Mirtad resides in Yerevan and continues his creative and not-so-creative
milestones in Animation.
12
ƻǤǚƬǸǹǚǣ ǿǤǥƩ ǜǚǫǚǼǚǹ
Best ȃlm concept
ưǹǚǭ ǃǞǩǹǚǛǮǚǯ
ƽǯǷǞǥ Ǡ 1971 ǢǷǚǨǚǯǤǯ ƴǹȀǚǯƤǭ: 1989-1994 ǚǷǚǹǸǞǥ Ǡ ƴǹȀǚǯǤ ǳǞǸǚǨǚǯ ǜǞǫǚǹǷǞǶǸǚǢǚǸǞǹǚǨǚǯ ǤǯǶǸǤǸƤǸǤ ǜǹǚǿǤǨǚǨǚǯ ǝǤǟǚǮǯǤ ǛǚǣǤǡ (Yerevan Fine Art Institute, Graphic
Design Department): 1998-ǤǺ «ǋƤǛǤǨǱǯ» ǭǰǚǨƤǢǚǛǚǯǚǨǚǯ ǩǚǯǝǞǶǤ ǩǤƨǚǝǤǹ, ǸǯǾǹǞǯǯ
Ǡ (Founder and director of “Rubicon” quarterly magazine): 2004-ǤǺ ƩǯǲȀ 2010-ǡ ǝǚǶǚǦǱǶǞǥ Ǡ
ƲǞǫǚǹǷǞǶǸǤ ǳǞǸǚǨǚǯ ǚǨǚǝǞƩǚǮƤǭ (Lecturer in the National Academy of Fine Arts): 2004-ǤǺ
ǚǵ ǚǮǶǾǹ «ǌǚǹǜǤǶ ƼǚǲǞǯǺ – ǒǹǤǯǢǤǯǿǱ» ǩǹǚǸǚǹǚǨǲǚǨǚǯ ǧǹǚǜǹǤ ǫǞǨǚǷǚǹǯ Ǡ:
Aram Mehrabian
Was born on 1971 in Yerevan. 1989-1994 graduated from Yerevan Fine Art Institute, Graphic
Design Department. Since 1998 is the founder and director of “Rubicon” quarterly magazine.
From 2004 to 2010 was a lecturer in the National Academy of Fine Arts. From 2004 till now is
the supervisor of publishing program “Sargis Khachents-Printinfo”
ǅǚǹǞǨ Ǎǚǯ ưǰƤǫǚǢǱǮǚǯ
ưǯƤǯǶ ǅǚǹǞǨ Ǎǚǯ ưǰƤǫǚǢǱǮǚǯ Ǡ: ƽǯǷǞǥ Ǟǭ ƴǹȀǚǯƤǭ: ǃǚǶǯǚǜǤǸƤǢǮǚǭǛ ǚǶǸǷǚǧǚǛǚǯ
Ǟǭ, ǚǷǞǥǤ Ƥǰ ǶǸǚǺǞǥ Ǟǭ ǯǚȀ ǤǹǚǷǚǜǤǸƤǢǮǚǯ ǭǚǜǤǶǸǹǱǶǤ ǨǱǲƤǭ: ưǮǣǭ ǱǹǳǞǶ ǤǹǚǷǚǛǚǯ
ǚǰǦǚǸƤǭ Ǟǭ Ȁ ǚǹǝǞǯ ƤǢ ǸǚǹǤ Ǡ ǫǞǨǚǷǚǹƤǭ Ǟǭ ƽǤǹǚǯǤ ǃǰǚǨƤǢǚǮǤǯ ƿǚǯǜƤǮǺǡ, Ǳǹǡ
ǭǰǚǨƤǢǚǮǤǯ ǦǯǝǤǹǯǞǹǱǷ ǟǛǚǫǷǱǫ ǨǚǟǭǚǨǞǹǳƤǢǮƤǯ Ǡ: ưǟǚǸ ǣǚǭǚǯǚǨ ǩǤƨǚǨǚǯƤǭ
ǯǨǚǹƤǭ Ǟǭ: ưǮǶ ǸǚǹǤ ǭǚǮǤǶǤǯ ƴǹȀǚǯƤǭ ǨǚǮǚǺǚǷ «ǃǚǶǯǤǨǚǳǚǸƤǭ» ǦǱǹǚǜǹǱǷ
Ǥǭ ǚǵǚǴǤǯ ǚǯǩǚǸǚǨǚǯ ǺƤǺǚǩǚǯǝǞǶǡ, ǱǹǸǞǫ ǯǞǹǨǚǮǚǺǹǞǺǤ ǸǚǹǛǞǹ ǸǚǹǤǯǞǹǤ
ǡǯǢǚǺǽƤǭ ǯǨǚǹǚǧ ǜǱǹǧǞǹǶ: ƺǛǹȀ ǩǞǫǤǯǚǨ-ǵǞǣǤǶǱǹ ǭǚǶǯǚǨǺǞǥ Ǟǭ ǲǱǹǶ ǨǚǹǬǚƬǸǹǚǣ
ǷǚǷǞǹǚǜǹǚǨǚǯ ǿǤǥƬǹǤ, ǤǯǲǳǞǶ ǯǚȀ ƬǨ ǨǚǹǬǚƬǸǹǚǣ ǚǯǤǭǚǺǤǱǯ ǿǤǥƩ ǶǸǞǫǧǭǚǯ
ǚǰǦǚǸǚǯǽǯǞǹǤǯ:
Narek Van Ashughatoyan
My name is Narek Van Ashughatoyan. I was born in Yerevan. I’m a theologist by profession,
having obtained a Master in Law degree later on. I currently work as a lawyer and also lead the
Tsirani Cultural Hub, an organization working on cultural issues, for eight years now. I largely
paint in my free time. This year in May, my ȃrst personal exhibition titled “Tale of Fragments”
was held in Yerevan, where I presented my works created throughout the years. Besides being
a painter, I’ve also participated in the production of four short documentary ȃlms and a short
animation ȃlm as author and director.
ưǹȀ ǉǞǸǱǶǮǚǯ
ƽǯǷǞǥ Ǡ 1972 ǢǷǚǨǚǯǤ ǭǚǮǤǶǤ 6-Ǥǯ ƴǹȀǚǯƤǭ, ǚǯǷǚǯǤ ǽǚǯǝǚǨǚǜǱǹǧ ƱǞǯǤǨ ǉǞǸǹǱǶǮǚǯǤ
ǡǯǸǚǯǤǽƤǭ: ǃǚǮǹǡ` ưǥǤǶ ưǝǚǭǮǚǯǡ, ǭǚǶǯǚǜǤǸƤǢǮǚǭǛ ǴƤǢǚǨǚǩǚǹ, ǩǚǮǸǯǤ ǭǰǚǨƤǢǚǮǤǯ
ǜǱǹǧǤǲ Ǡ:
1995-2005ǢǢ. ǪȀǚǷǱǹǞǥ Ǡ ǩǞǵƤǶǸǚǸǞǶǚǮǤǯ ǩǚǫǱǹǝƤƨǞǹ Ȁ ǥǹǚǸǷǚǨǚǯ ǧǹǚǜǹǞǹǘ ǚǰǦǚǸǞǥǱǷ ƿǚǯǹǚǮǤǯ ƿǞǵƤǶǸǚǸǞǶƤǢǮǚǯ, ƿǚǯǹǚǮǤǯ ƴǹǨǹǱǹǝ ǚǥǤǽǤ, «ƾǚǮǭ», «ǉǚǹǚǝǤǟ», «ƴǹǨǤǹ
ǃǞǝǤǚ», «ǆǚǹǭ», «ǆǚǯǢ», «ǆǱǫǚǨǚǢ», «ƺǯǸǞǹǯǮƤǟ», «ư1+», «ưǏ» ǩǞǵƤǶǸǚǡǯǨǞǹƤǢǮƤǯǯǞǹǤ
ǳǚǸǷǞǹǯǞǹǱǷ:
2005-ǤǺ ǶǨǶǚǧǘ ǭǚǶǯǚǨǺǞǥ Ǡ Ʃ ǰǚǹǽ ǚǯǩǚǸǚǨǚǯ Ȁ ǦǭǛǚǨǚǮǤǯ ǺƤǺǚǩǚǯǝǞǶǯǞǹǤ: 2015-Ǥǯ
ǽǚǫǚǽǤ ǨǞǯǸǹǱǯƤǭ ǛǚǺǷǞǺ «ưǹȀ ưǹǢ ƲǚǥǥǞǹǤ» ǺƤǺǚǶǹǚǩǡ:
2015-Ǥǯ ƿƿ ǯǚǦǚǜǚǩ ǌǞǹǣ ǌǚǹǜǶǮǚǯǤ ǨǱǫƩǺ ǳǚǹǜȀǚǸǹǷǞǺ ƿƿ ǷǚǶǸǚǨǚǷǱǹ ǯǨǚǹǲǤ
ǨǱǲƤǭǱǷ:
Arev Petrosyan
Arev Petrosyan was born in an artistic environment. Her father - Benik Petrosyan is a renowned
sculptor, her mother - Alice Adamyan, is a violin player and a well-known ȃgure in the artistic world.
Arev Petrosyan has started her artistic career and became famous by coming up with innovative
solutions and unique colors when designing TV studios, concert halls, interiors, as well as cooperating
with such famous corporations and brands as Coca-Cola, Schwarzkopf, iCON Communication, 106
City FM and many others.
Arev was able to establish herself professionally and ȃnd her unique place in the artistic world. Several
collectors have Arev’s paintings in their personal collections and highly value her unique art.
2015 September, president of Republic of Armenia Serj Sargsyan awarded Arev Petrosyan as an
Honored Artist of Armenia.
13
ƹǮƤǹǤ
Juries
ƸƤǭǱ ǶǸǞǫǧǚǹǚǹ ǸǞǦǯǱǥǱǜǤǚǯǞǹǤ ǨǞǯǸǹǱǯ
Tumo Center for Creative Technologies
ǅǚǯǞ ǌǚǹǜǶǮǚǯ
ƴǶ ǅǚǯǞǯ Ǟǭ: ƽǯǷǞǥ Ǟǭ 2000 ǢǷǚǨǚǯǤ ǯǱǮǞǭǛǞǹǤ 6-Ǥǯ: ǌǱǷǱǹƤǭ Ǟǭ ǃǦǤǢǚǹ ǌǞǛǚǶǸǚǺǤ
ǨǹǢǚǩǚǭǚǥǤǹƤǭ: ưǷǚǹǸǞǥ Ǟǭ ƿǚǮǨǚǯƤǰ ƳǚǯǤǞǥǮǚǯǤ ǚǯǷǚǯ ǚǹǷǞǶǸǤ ǝǳǹǱǺǤ
ǯǨǚǹǲƤǢǮǚǯ ǛǚǣǤǯǡ (ǫǞǨǚǷǚǹǘ ǌǸǞǼǚǯ ǃǤǯǚǶǮǚǯ): ƿǚǬǚǦƤǭ Ǟǭ ƸƤǭǱ ǌǸǞǫǧǚǹǚǹ
ǎǞǦǯǱǥǱǜǤǚǯǞǹǤ ƾǞǯǸǹǱǯ: ưǮǯǸǞǫ ǭǚǶǯǚǨǺǞǥ Ǟǭ ǚǯǤǭǚǺǤǚǮǤ ǛǚǟǭǚǢǤǷ ǝǚǶǡǯǢǚǺǯǞǹǤ,
ǱǹǱǯǽ ǷǚǹƤǭ ǠǤǯ ǚǹǸǚǶǚǩǭǚǯǤǺ ǣǚǭǚǯǚǧ ǭǚǶǯǚǜǞǸǯǞǹǡǘ ưǵǯǚǛ ǈǚƤǝƤǹǤǯ, ƻǤǟǚ
ưǹǢǤǯǮǚǯǡ, ƳǞǛǱǹǚ ǕǞǮǹǶǡ, ǋǱǟǚǥǤǯ ƱǚǛǚǮǚǯǡ, ƵǚǹƤǩǤ ƲǚǥǶǸǮǚǯǡ, ǃǤǥǞǸǚ ǉǱǶǸǤǲǡ:
Nane Sargsyan:
I’m Nane. I was born on November 6, 2000. I’m studying at school named after Mkhitar Sebastatsi. I left from school of art (patining branch) named after Haykanush Danielyan. I attend
TUMO center for creative technologies. I took part in many animative trainings, which were
taught by professionals arrived from abroad. They were Arnab Zaurduri, Liza Artinyan, Deborafrais, Babayan Rosalie, GAlstyan Zaruhi, Mileta Pstich.
ƲǹǞǸǚ ǃǚǯƤǨǮǚǯ
ƽǯǷǞǥ Ǟǭ 1998Ǣ. ǩƤǥǤǶǤ 31-Ǥǯ: ǌǱǷǱǹƤǭ Ǟǭ ƼǚǲǤǨ ƳǚǰǸǞǯǺǤ ǚǯǷǚǯ ǢǤǷ 114 ǝǳǹǱǺǤ 12-ǹǝ
ǝǚǶǚǹǚǯƤǭ: ǈǱǹǶ ǸǚǹǤ ǩǚǬǚǦǞǥ Ǟǭ ǷǱǨǚǥǤ ǝǚǶǞǹǤ: 2013 ǢǷǚǨǚǯǤ ǯǱǮǞǭǛǞǹǤǺ ǩǚǬǚǦƤǭ
Ǟǯ ƸƤǭǱ ǌǸǞǫǧǚǹǚǹ ǎǞǦǯǱǥǱǜǤǚǯǞǹǤ ƾǞǯǸǹǱǯ: ƸƤǭǱǮƤǭ ǭǚǶǯǚǨǺǞǥ Ǟǭ ǚǯǤǭǚǺǤǚǮǤ
ǩǞǸ ǨǚǳǷǚǧ ǛǚǟǭǚǢǤǷ ǝǚǶǡǯǢǚǺǯǞǹǤ, ǚǮǝ ǢǷƤǭ ǯǚȀ ƲǚǹǤ ǆǷǚǹǺǤ «ƺǯǲǳǞǶ ǶǸǞǫǧǞǥ
ǚǯǤǭǚǺǤǚ» ǝǚǶǡǯǢǚǺǤǯ, ǱǹǤ ǡǯǢǚǺǽƤǭ ǶǸǞǫǧǷǞǥ Ǡ “EXQUISITE BRAIN” ǚǯǤǭǚǺǤǚǯ: 2015
ǢǷǚǨǚǯǤ ǚǳǹǤǥǤǯ ǭǚǶǯǚǨǺǞǥ Ǟǭ ƼǱǹǷǚǢǤǚǮǤ Vaȃ Animation Film Festival-Ǥǯ, ǱǹǸǞǫ “EXQUISITE BRAIN”-ǡ Maxi ǨǚǸǞǜǱǹǤǚǮƤǭ ǜǹǚǷǞǺ ǞǹǨǹǱǹǝ ǸǞǫǡ: ǅǚȀ ǭǚǶǯǚǨǺǞǥ Ǟǭ ƸƤǭǱǮǤ
ưǯǤǭǚǺǤǚǮǤ ǭǹǺƤǮǢǤǯ Ȁ ǜǹǚǷǞǥ ǞǹǨǹǱǹǝ ǸǞǫǡ:
Greta Manukyan:
I was born on July 31, 1998. I’m at 12th grade and I’m studying at school No114 named after
Khachik Dashtents. I took vocal lessons for 4 years. I have been attending TUMO center for
creative technologies since 2013. I took part in many training about animation including Gary
Schwartz’s training “How to create animation?” during this training “exquisite brain” was created. In April 2015 I took part in Vaȃ Animation ȃlm festival which took place in Croatia where
the “exquisite brain” won the 2nd place in Max category.
ǅƤǯǞ ƼǚǲǚǸǹǮǚǯ
ƽǯǷǞǥ Ǟǭ 1994 ǢǷǚǨǚǯǤ ǯǱǮǞǭǛǞǹǤ 25-Ǥǯ ƴǹȀǚǯƤǭȁ ưǷǚǹǸǞǥ Ǟǭ ƿǚǨǱǛ ƾǱǴǱǮǚǯǤ ǚǯǷǚǯ
ǨǹǢǚǩǚǭǚǥǤǹǡȁ ưǮǣǭ ǶǱǷǱǹƤǭ Ǟǭ ƸƣǃǇ ǶǸǞǫǧǚǹǚǹ ǸǞǦǯǚǥǱǜǤǚǯǞǹǤ ǨǞǯǸǹǱǯƤǭ
Ȁ ǂǆƿưƿ-Ǥ ǝǤǟǚǮǯǤ ǛǚǣǯƤǭȁ ưǰǦǚǸƤǭ Ǟǭ «ưǜǤƤǭ»-Ƥǭǘ ǱǹǳǞǶ ǦǚǫǤ ǝǤǟǚǮǯǞǹ Ȁ
ƿǚǮǚǶǸǚǯƤǭ ƴǷǹǱǳǚǨǚǯ ǞǹǤǸǚǶǚǹǝǚǨǚǯ ǳǚǵǥǚƬǯǸƤǭǘ ǱǹǳǞǶ ǜǹǚǿǤǨ ǝǤǟǚǮǯǞǹȁ
2012 ǢǷǚǨǚǯǤǯ ǞǫǞǥ Ǟǭ ǨǚǭǚǷǱǹ ǋǞưǯǤǭǚǯǤǚǮƤǭȁ ưǰǦǚǸǚǯǽǯǞǹǶ ǺƤǺǚǝǹǷǞǥ Ǟǯ Pantone
Canvas Gallery-Ƥǭ Ȁ Art People Gallery-Ƥǭȁ
Nune Khachatryan
I was born on November 25, 1994 in Yerevan. I graduated from school after Hakob Kojoyan.
Now I am studying at TUMO creative technologies center and CHSHAH design branch .I`m
working at “ưǜǤ” as game creator designer and at European Youth Parliament in Armenia. In
2012 I was a volunteer at Pantone Canvas Gallery and at People Gallery.
14
ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ
Competition Programs
ƿưǍưǏưƾǆǋǇǻƸǄưǅ
ƾưƼưǏƳƷ / ǋǇǻǌưǌǎưǅ,
2015
ǋǞǣǤǶǱǹǘ ǌǞǹǜǞǮ ǌǹǞǜǤǯ
ǃǱǶǨǷǚ. 18-ǹǝ ǝǚǹǤ ǶǨǤǟǛ:
ƿǚǮǸǯǤ ǨǚǦǚǹǝ ǊǞǮǽǱǛǤ
ǚǰǸǚǹǚǨǤ
ǰƤǹǴǛǱǥǱǹǡ
ǚǵǞǫǧǷǚǧǚǮǤǯ ǛǚǯǞǹ Ǟǯ
ǸǞǫǤ ƤǯǞǯƤǭ… ƾǵǷǤ ǣǚǭǚǯǚǨ ǞǹǞǦǚǯǞǹǡ` ƱǹǮƤǶǤ
ǝƤǶǸǹ ǃǚǹǜǱǯ Ȁ ǚǰǚǨǞǹǸ
ǉǤǸǞǹǡ, ǳǚǸǵƤǭ Ǟǯ ǩǤǯ
ǪǞǵǚǜǤǹǡ: ƱǹǮƤǶǤ ǚǭǛǱǫǴ
Ƥǣǡ ǜǚǥǤǶ Ǡǹ ǚǮǝ ǪǞǵǚǜǹǤǺ:
ƿǤǭǚ ǯǚ ǲǤ ǨǚǹǱǫǚǯǚ Ǥǹ
ƿǚǮǹǞǯǤǽǡ ǼǹǨǞǥ ƼǚǷǚǹǤǺ:
ǉǤǸǞǹǡ Ȁ ǃǚǹǜǱǯ ǳǞǸǽ
Ǡ
ǜǯǚǯ
ƾǚǦǚǹǝǚǨǚǯ
ǚǰǦǚǹǩ, ǱǹǳǞǶǟǤ ǷǞǹǚǨǚǯǜǯǞǯ ǪǞǵǚǜǤǹǡ: ưǮǝ ǯƤǮǯ
ǣǚǭǚǯǚǨ ǨǚǦǚǹǝ ƱǹǮƤǶǡ
ǨǵǷƤǭ Ǡ ǶȀ ƤǣǞǹǤ ǝǞǭ:
WIZARD OF BALANCE, RUSSIA, 2015, 1:16:00, 6+
Director Sergey Sregin
Moscow. The beginning of
18th century. Around Tower’s
laboratory of famous wizard
Jacob Bruce there are mysterious events… During quarrel
the children (Bruce daughter
Margo and pupil Peter) have
torn the ancient manuscript.
Bruce’s magic power has
been concluded inside. Now
he can’t protect The Fatherland from the Dark. Peter and
Margo must go to the Magic
world in order to restore the
manuscript. At this time Magician Bruce combats with black
magic.
ǓưǕưǏƳ / ƱƴƻƲƺư, 2015,
16+
CAFARD, BELGIUM, FRANCE,
NETHERLANDS, 2015, 93 MIN
ǋǞǣǤǶǱǹǘ ƹǚǯ ƱƤǥǢǩǤǥ
Director Jan Bultheel
1914
ǢǷǚǨǚǯ,
ǾǜǱǶǸǱǶȁ
ǃǤǯǲ ǊǤǯ ǃǱǹǝǚǯǢǡ ƱƤǞǯǱǶ
ưǮǹǞǶƤǭ Ǡ, ǱǹǳǞǶǟǤ ǝǚǵǯǚ
ǡǭǛǰǚǭǚǹǸǤ ǚǰǦǚǹǩǤ ǲǞǭǳǤǱǯ, ǯǹǚ ǝǶǸǞǹǡǘ ǃǤƩǤǯ,
ǔǶǢǞǯǝƤǭ ǛǵǯǚǛǚǹƤǭ Ǡ Ʃ
ǜǞǹǭǚǯǚǺǤ ǟǚǷǢǤǲȁ ǊǤǯǡ
ǞǹǝǷƤǭ Ǡ, Ǳǹ ǷǹǞǣ Ǡ ǥƤǧǞǥƤ
ǚǮǝ ǚǯǛǚǹǱ ǚǹǚǹǽǤ ǩǚǭǚǹȁ
ƺǹ ǭǚǹǟǤǲ ǍǤǨǸǱǹǤ Ȁ
ǞǹǤǸǚǶǚǹǝ ǟǚǹƩǨ ƲƤǤǝǱǯǤ
ǩǞǸ ǯǚ ǚǯǝǚǭǚǜǹǷƤǭ Ǡ
ƵǃƳ-Ǥǯǘ ǚǰǦǚǹǩƤǭ ǚǵǚǴǤǯ
ǟǹǚǩǚǳǚǸ ƬǽǞǯǚǯǞǹǤ ǝǤǷǤǟǤǚǮǤǯȁ ƻǚǷ ǳǚǸǹǚǶǸǷǚǧ ǟǹǚǩǚǳǚǸ ƬǽǞǯǚǯǞǹǡ ǦǹǷƤǭ Ǟǯ ǕǥǚǯǝǞǹǶǤ
ǺǞǦǞǹƤǭȁ
ƵǱǹǽǤǯ
ǚǹǚǜ
ǨǞǹǳǱǷ
ǸǞǫǚǼǱǦƤǭ
Ǟǯ
ǚǹȀǞǥǮǚǯ ǬǚǨǚǸȁ ǃǤƩǤ
ǩǫǤƤǢǮǚǯ ǥƤǹǡ ǚǷǞǹƤǭ Ǡ
ǊǤǯǤǯȁ ƱǚǮǺ ǳǚǸǞǹǚǟǭǚǨǚǯ
ǳǚǮǭǚǯǯǞǹǡ
ǝǚǣǚǯ
Ǟǯ,
Ȁ ǯǚ Ƥ Ǥǹ ǡǯǨǞǹǯǞǹǡ
ǯǞǹǜǹǚǷǷƤǭ Ǟǯ ǝǹǚǭǚǸǤǨ
ǬǚǯǚǳǚǹǩǱǹǝƤǢǮǚǯ ƬǴ, Ǳǹǡ
ǯǹǚǯǺ ǨǸǚǯǤ ǚǰǦǚǹǩǱǷ ƬǨȁ
August 1914. While Jean Mordant is away winning the title
of World Wrestling Champion
in Buenos Aires, his daughter
Mimi is raped by German occupiers in Ostend. Jean swears
he will avenge this immoral
disgrace. With his coach Victor
and young nephew Guido, he
enrolls in the prestigious ACM,
the ȃrst Armored Car Division
ever. But the heavily-built armored vehicles keep getting
stuck in the mud of Flanders.
The battalion is hastily transferred to the Eastern front. Jean
is devastated by frustration for
he has just learned that Mimi
is pregnant. But war conditions
are ruthless and he and his
friends embark on a dramatic
journey that ultimately will
drag them around the world.
16
Feature Films
ưǅưƿƺǎ, ƿưǄưǌǎưǅ,
2014, 1:20:00
ANAHIT, ARMENIA, 2014,
1:20:00
ǋǞǣǤǶǱǹǯǞǹǘ
ƳǚǷǤǢ ǌǚǩǚǨǮǚǯǺ,
ƻǮƤǥǮǚ ǌǚǩǚǨǮǚǯǺ
Directors David Sahakyants,
Lyulya Sahakyants
«ưǯǚǩǤǸ»
ǞǹǚǣǰǸǚǨǚǯ
ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǡ ǯǨǚǹǚǩǚǯǷǞǥ Ǡ ǁǚǟǚǹǱǶ ưǫǚǮǚǯǤ
ǩǚǭǚǯƤǯ ǩǞǽǤǚǢǤ ǭǱǸǤǷǯǞǹǱǷ: ǉǚǸǭƤǢǮƤǯ ǞǹǨƤ
Ǥǹǚǹ ǶǤǹǱǫ ǞǹǤǸǚǶǚǹǝ
ǩǞǹǱǶǯǞǹǤǘ ǩǱǷǷǤ ǚǫǴǤǨ
ưǯǚǩǤǸǤ
Ȁ
ǚǹǽǚǮǚǟǯ
ǍǚǲǚǜǚǯǤ ǭǚǶǤǯȁ ǉǚǩǳǚǯǷǞǥ Ǡ ǩǞǽǤǚǢǤ ǩǤƨǚǨǚǯ
ǥǞǮǸǭǱǸǤǷǡ` ǩǚǭǛǞǹǚǸǚǹ
Ƥ
ǛǚǯǤǭǚǺ
ǜǞǫǞǺǨƤǩǤ
ưǯǚǩǤǸǡ ǢǚǜǚǷǱǹǤ ǱǹǝƤǯǘ
ǍǚǲǚǜǚǯǤǯ ǶǱǷǱǹǞǺǯƤǭ Ǡ
ǜǯǚǩǚǸǞǥ ǚǹǩǞǶǸǡȁ ƿǚǯƤǯ
ǶǤǹǚǧ ǚǫǴǨǚ Ǎǚǲǚǜǚǯǡ
ǝǚǵǯƤǭ Ǡ ǜǱǹǜǚǜǱǹǧ Ȁ,
ǚǯǺǯǞǥǱǷ Ʃ ǰǚǹǽ ǼǱǹǪƤǢǮƤǯǯǞǹǱǷ,
ǳǚǹǸƤǢǮǚǯ
Ǡ ǭǚǸǯƤǭ ǲǚǹ ƤǣǞǹǤǯȁ ƺ
ǷǞǹǴǱ, ǚǹǽǚǯ ƩǚǮǯ ǚǮǯ
ǭǚǹǝǡ ǲǠ, ǱǷ ǢǚǜǚǷǱǹƤǭ
Ǡ, ǚǮǥǘ ǯǚȀ ǯǚ, ǱǷ ǚǹǚǹǞǥ,
ǨǚǵƤǺǞǥ Ƥ ǶǤǹǞǥ ǜǤǸǤ:
“Anahit” is an animation
screening biased on a homonymous fairy tale by Ghazaros Aghayan. The leading
idea of the fairy tale is kept: a
skillful beauty Anahit teaches
the king Vachagan Armenian
traditional handicrafts - hand
weaving. Eventually, a wise
king should not only reign, but
also be able to make handicrafts, build and create, as well
as love. As any other folk tale
“Ahahit” is based on the eternal struggle of good and evil.
Here the baddies are Azar, Vachagan’s uncle and his servant
Enver. Among the heroes there
is a mad and vulnerable magician Petros, a horse Andok
born from a magical spring, a
faithful dog Zangi, as well as
mentors of the protagonists:
quaint Shushan and guru Serob.
ǊƺǇǍưǅƺƺ ƾǁƵƺǅ /
ǂưǉǇǅƺư, 2014, 13+
GIOVANNI’S ISLAND, JAPAN,
2014, 1:42:00, 8+
ǋǞǣǤǶǱǹǘ ǃǤǟƤǩǱ
ǅǤǰǤǨƤǛǱ
Director Mizuho Nishikubo
ǕǤǥǭǡ ǩǤƨǷǚǧ Ǡ ƴǹǨǹǱǹǝ
ǩǚǭǚǰǦǚǹǩǚǮǤǯ ǳǚǸǞǹǚǟƩ
ǤǹǚǨǚǯ ǝǞǳǽǞǹǤ Ƿǹǚȁ ǊǤǱǷǚǯǤǤ ǨǫǟǤǯ ǆǤǨǱǸǚǯǤ
ǜǹǚǷǭǚǯ Ȁ ǚǮǯǸǞǫ ǸǞǫǤ ƤǯǞǺǚǧ ǝǞǳǽǞǹǤ ǼǱǽǹǤǨ ǳǚǸǭƤǢǮƤǯǯ Ǡȁ ƳǞǳǽǞǹǡ ǸǞǫǤ Ǟǯ ƤǯǞǺǞǥ 2
ǞǫǛǚǮǹǯǞǹǤǘ ǊƤǯǞǼǤ Ȁ ƾǚǯǸǚǮǤ ǚǲǽǤ ǚǵǴȀ Ȁ ǯǹǚǯǺ
ǭǚǶǯǚǨǺƤǢǮǚǭǛȁ ǃǤǯǲ ƬǧǚǩǚǶǚǨǯǞǹǡ ǝǚǷǞǹ ǠǤǯ
ǯǮƤǢƤǭ, 2 ǞǫǛǚǮǹǯǞǹǡ ǡǯǨǞǹǚǯƤǭ
Ǟǯ
ǶǱǷǞǸǚǨǚǯ
ǞǹǞǦǚǯǞǹǤ ǩǞǸǘ ǚǮǶǳǤǶǱǷ
ǼǱǹǪǞǥǱǷ ǩǚǶǨǚǯǚǥ ǤǹǞǯǺ
ǯǱǹ ǰǹǴǚǳǚǸǡȁ «ǊǤǱǷǚǯǤǤ
ǨǫǟǤǯ» ǽǚǫǚǽǚǨǚǯ ǛǚǦƤǭǯǞǹǤ ǣǚǭǚǯǚǨ ǚǯƬǫ ǞǹǞǦǚǯǞǹǤ
ǭǚǶǤǯ
ǚǯǲǚǼ
ǱǫǛǞǹǜǚǨǚǯ Ȁ ǩƤǟǤǲ ǳǚǸǭƤǢǮƤǯ Ǡ:
Based on real events in the
aftermath of World War II,
Giovanni’s Island is the littletold story of the Soviet occupation of Shikotan –a tiny island
off the northern coastline of Japan– as seen through the eyes
of two young brothers, Junpei
and Kanta. While the adults
plot, Junpei and his brother
forge unlikely friendships with
the Soviet children as they try
to make sense of their new surroundings. Giovanni’s Island is
a touching and tragic tale of
childhood innocence in political conȄict.
17
ǃǇǻǅ. ƻǇǻǌǅƺ
ǉưƿưǉưǅƷ/ǕǏưǅǌƺư,
2014
ǋǞǣǤǶǱǹǘ ưǥǞǽǶǚǯǝǹ
ƿǞǛǱǮǚǯ, ƱǞǯƤǚ ǕǤǥǤǳǳǱǯ
MUNE, FRANCE, 2014,
1:25:48
ǃƤǯǞǯ ǼǱǽǹǤǨ, ǟǷǚǹǬǚǥǤ
ǚǮǧǞǭǚǹǝ Ǡ ǨǚǦǚǹǝǚǨǚǯ
ǚǰǦǚǹǩƤǭȁ ǅǚ, Ǥ ǩǚǨǚǵǚǨ
Ǥǹ ǺǚǯǨƤǢǮƤǯǯǞǹǤ, ǥƤǶǯǤ
ǳǚǰǸǳǚǯǯ Ǡȁ ǅǹǚ ǚǰǦǚǸǚǯǽǯ Ǡ ǜǤǰǞǹ «ǛǞǹǞǥ» Ȁ
ǩǞǸȀǞǥ ǞǹǚǟǯǞǹǤ ǚǰǦǚǹǩǤǯȁ ƱǚǮǺ ǯǚ ǝǚǵǯƤǭ Ǡ
Ǥǹǚǹ ǩǚǴǱǹǝǱǫ ǚǫǞǸǯǞǹǤ
ǳǚǸǬǚǵǡ, Ȁ ǶǸǷǞǹǯǞǹǤ
ǳǚǰǸǳǚǯǯǞǹǤǯ
ǩǯǚǹǚǷǱǹƤǢǮƤǯ Ǡ ǸǚǥǤǶ ǜǱǫǚǯǚǥƤ ǚǹȀǡȁ ǌǱǩǞǯǤǘ ưǹȀǤ
ǳǚǰǸǳǚǯǤ Ȁ ǼǦǹƤǯ ǍǚǽǶǤ
ǯǞǹǨǚǮƤǢǮǚǭǛ:
In a fantastical world, Mune, a
mischievous faun, is chosen to
be the Guardian of the Moon:
the one who brings about
the night and watches over
our dreams. But catastrophes
occur and the underworld
demon steals the Sun. With
the help of Sohone, proud
Guardian of the Sun, and fragile Glim, Mune embarks on an
extraordinary quest that will
make him a legendary guardian!
ƳƺǍưƿưǏƷ,
2014, 16+
POSSESSED, SPAIN, 2014,
1:22:18, 16+
ƺǌǉưǅƺư,
Directors Alexandre HEBOYAN, Benoît PHILIPPON
ǋǞǣǤǶǱǹ` ǌƶǃ
Director SAM
ǎǹǤǯǤǯǘ ǚǰǦǚǹǩƤǭ ǩǚǮǸǯǤ
ǿǥǚƬǯǨǱ ǳǚǹƤǩǤǯ, ǦǱǹǡ
ǩƤǶǚǩǚǸƤǢǮǚǯ
ƬǴ
Ǡ
Ƥ ǶǸǤǳǷǚǧ Ǡ ǥǽǞǥ ǛǞǭǡ:
ƳǚƩǚǯǡǘ Ǥǹ ƤǢǚǭǮǚ ǱǹǝǤǯ,
ǝǤǷǚǩǚǹ
Ǡ:
ǌǚǸǚǯǚǯ
ǶǸǤǳƤǭ Ǡ ǯǹǚǯ ǨǚǸǚǹǞǥ
ǚƬǯǚǚǹǮƤǯǱǸ Ȁ ǝǚǣǚǯ
ǛǚǯǞǹǡ:
Trini, the world famous Ȅamenco dancer, has been deeply depressed and has abandoned the stage. Damian, her
8-year-old son, is possessed by
a malicious devil that makes
him do the most bloody and
cruel misdeeds.
18
Feature Films
ƴǏƾưǏ ǂưǅưǉưǏƿ Ƴƴǉƺ
ƿǄǇǻǌƺǌ / ǕǏưǅǌƺư,
Ƴưǅƺư, 2015, 13+
ǋǞǣǤǶǱǹǘ ǋǞƩ ǈǚǮǞ
ǌǚǰǚǯ ǞǹǤǸǚǶǚǹǝ, ǚǹǤǶǸǱǨǹǚǸ ǚǫǴǤǨ Ǡ, ǱǷ ǚǳǹƤǭ
Ǡ 19-ǹǝ ǝǚǹǤ ǋƤǶǚǶǸǚǯƤǭ
Ȁ ǞǹǚǟƤǭ Ǡ ǃǞǧ ƿǮƤǶǤǶǤ
ǭǚǶǤǯ: ǅǚ ǸǳǚǷǱǹǷǚǧ Ǡ
Ǥǹ ǳǚǳǤǨǤǘ ǔǥƤǨǤǯǤ ǬǚǨǚǸǚǜǹǱǷ,
ǱǷ
ǬǚǯǚǲǷǚǧ
ǩǞǸǚǦƤǮǟ Ǡ Ȁ ǝǞǵ ǲǤ ǷǞǹǚǝǚǹǪǞǥ ƿǮƤǶǤǶǚǮǤǯ ƱȀǞǵƤǭ
ǤǹǚǨǚǯǺǷǱǫ ǷǞǹǴǤǯ ǩǞǸǚǦƤǟƤǢǮƤǯǤǺȁ
ǔǥƤǨǤǯǤ
ǩǞǸǚǦƤǮǟǤ ǪǤǹǽǡ ǼǱǦǚǯǺǷǞǥ
Ǡ ǢǱǵǯƤǩƤǯǘ ǌǚǰǚǮǤǯ, ǛǚǮǺ
ǷǞǹǴǤǯǤǶ ǧǯǱǫǯǞǹǡ ǚǹǝǞǯ
ǳǚǮǭǚǯǚǷǱǹǷǞǥ Ǟǯ ǌǚǰǚǮǤ
ǚǭƤǶǯƤǢǮǚǯ ǩǚǭǚǹǘ ǚǵǚǯǺ
ǷǞǹǴǤǯǤǶ ǩǚǭǚǪǚǮǯƤǢǮǚǯȁ
ưǮǶǳǤǶǱǷǘ ǌǚǰǚǯ ǜǯƤǭ Ǡ Ǥǹ
ǞǹǚǟǚǯǽǤ ǩǞǸȀǤǺ, ǩǞǵǚǯƤǭ Ǡ ǸǚǯǤǺ Ȁ ǱǹǱǰƤǭ Ǡ
Ʃǚǯǚǥ ǔǥƤǨǤǯǤǯ... ǞǹǨǚǹ
Ǭǚǯǚǳǚǹǩ ǝǞǳǤ ǩǮƤǶǤǶȁ
LONG WAY NORTH, FRANCE,
DENMARK, 2015, 1:21:00
Director Remi Chaye
Sasha, a young aristocratic
girl growing up in Russia at
the end of the 19th century,
dreams of the Great North
and anguishes over the fate
of her grandfather Oloukine, a
renowned scientist and Arctic
explorer who has yet to return
from his latest expedition to
conquer the North Pole. Oloukine has passed on his calling
as an explorer to Sasha, but
her parents, who have already
made the arrangements for
their daughter’s marriage, do
not approve in the least. So
Sasha rebels against her destiny, Ȅees her home and resolves to go join Oloukine... a
long way North.
ǒǇǓǏƺƾ ưǁǊǅưƾƷ ǀƾưǅ
ƼưǅǇǻƸƺǐ / ǈƴƼƺư,
ǌƻǇǍưƾƺư, ƲƴǏǃưǅƺư,
2015, 1:11:00
LITTLE FROM THE FISH
SHOP, CZECH REPUBLIC,
SLOVAKIA, GERMANY, 2015,
1:11:00
ǋǞǣǤǶǱǹǘ Ǆǚǯ ƱǚǥǞǮ
Director JAN BALEJ
ƽǱǷǤ ǩǚǸǚǨƤǭ, ǪǨǯǞǹǤ
ǯǷǚǜǚǦǭǛǤ ƤǫǞǨǺƤǢǮǚǭǛ,
ǾǷǨǤǚǯǱǶǤ ǪǚǮǯǡ ǳǚǸǭƤǭ
Ǡ ƽǱǷǤ ǢǚǜǚǷǱǹǤ Ȁ ǯǹǚ
ǝƤǶǸǹ ǒǱǽǹǤǨǤ ǳǚǸǭƤǢǮƤǯǡ: ƸǚǜǚǷǱǹǡ ǭǱǹ Ȁ
ǞǹǞǽ ǝƤǶǸǹǞǹǤ` ǒǱǽǹǤǨǤ,
ǃǤǴǯǞǨǤ Ȁ ǃǞǧǤ ǩǞǸ ǥǽƤǭ
Ǡ ǸƤǯǡ Ȁ ǜǯƤǭ Ǡ ǭǚǹǝǨǚǯǺ
ǩǞǸ ǚǳǹǞǥƤ: ǅǚǷǚǭǚǸƤǮǺǤ
ǢǚǫǚǭǚǶǞǹǤǺ ƬǨǤ ǪǨǚǯ
ǦǚǯƤǢƤǭ, Ƥǹ ǚǰǦǚǹǩǤ
ǸǚǹǛǞǹ ǞǹǨǹǯǞǹǤǺ ǭǚǹǝǤǨ
Ǟǯ ǚǮǺǞǥƤǭ, ǯǹǚǯǽ ǷǚǹƤǭ Ǟǯ
ǸǚǣǚǯǚǨǤǹ ǨǮǚǯǽ` ǩǤǰǞǥǱǷ
ǚǯǺǚǧ ǸǚǹǤǯǞǹǡ: ǃǤ Ǿǹ
ǤǯǽǯǚǷǶǸǚǩ Ȁ Ǥǯǲ-Ǳǹ ǸǞǫ
ǯǚȀ ǥǨǸǤ Ʃ ǞǹǤǸǚǶǚǹǝ
Ǌ.Ǌ ƱǱǜǚǯ ǚǯƤǯǱǷ, ǭǸǯƤǭ Ǡ ǪǨǚǯ ǦǚǯƤǢ: ǒǱǽǹǤǨǤǯ ǝƤǹ Ǡ ǜǚǥǤǶ ǸǫǚǮǤ
ǤǯǽǯǚǷǶǸǚǩƤǢǮƤǯǡ, ǼǚǮǥƤǯ ǟǜǞǶǸǯǞǹǡ Ȁ ǥǶǚǧ ǞǹǚǣǰǸƤǢǮƤǯǡ:
ưǮǝ
ǳǚǩǤǺ
ǶǨǶǚǧ` ǜǥǦǤǷǚǮǹ ǼǱǦǷƤǭ
Ǡ ǒǱǽǹǤǨǤ Ȁ Ǥǹ ǡǯǸǚǯǤǽǤ
ǨǮǚǯǽǡ, Ƥ ǶǨǶǷƤǭ Ǡ ǒǱǽǹǤǨǤ
ǶǤǹǱ ǳǚǸǭƤǢǮƤǯǡ:
Deep underneath the surface
of the sea, accompanied by
the ȃsh orchestra, the voice
of the ocean is telling a story
about the Sea King and his
daughter Little. With his mother and three daughters - Little,
Middle and Eldest – he abandoned the devastated waters
of their home, and went to
live amongst the humans. In
a darkened ȃsh shop in the
heart of a harbor district teeming with people from every
corner of the world, they live
a monotonous life ȃlled with
work, reminiscing the times
bygone. One day, a conȃdent
and somewhat brash young
man – J.J./Bogan enters the
ȃsh shop. Little is utterly fascinated by his self-assured
demeanor, the glossy veneer
and the pounding music that
follows him. From this moment forward, the life of Little
and her family is to take a sea
change. Thus begins the love
story of Little.
19
ǃǹǺƤǢǚǮǤǯ ǧǹǚǜǤǹ 1
ǃǚǝǚǭǡ Ȁ ƳǞǷǚǯ, ǋƤǶǚǶǸǚǯ, 2015, 06ȁ33
ǋǞǣǤǶǱǹǘ ǅǚǸǚǥǤǚ ǃǤǹǟǱǮǚǯ
ǕǤǥǭǡ ǶǤǹǚǮǤǯ ǞǵǚǯǨǮƤǯƤ ǚǯƬǫ ǟǱǩǞǹǤ ǭǚǶǤǯ Ǡȁ
Madam and Deva, Russia, 2015, 06:33
Director Natalia Mirzoyan
The ȃlm is about innocent victims of love triangles.
Ǌǚǟ ǨǱǸǱǹǚǧǤ ǩǚǭǚǹ, ƺǸǚǥǤǚ, 2014, 15ȁ20
ǋǞǣǤǶǱǹǘ ƻǞǱǯǚǹǝǱ ƾǚǹǚǯǱ, ǊƤǟǞǳǳǞ ǌǳǤǯǚ
«Ǌǚǟ ǨǱǸǱǹǚǧǤ ǩǚǭǚǹ»-ǡ ǯǷǤǹǷǚǧ Ǡ ǼǱǹǪǚǵƤ ǝǞǹǚǶǚǯ Ȁ ǵǞǣǤǶǱǹ ǅǚǸǱ
ǕǹǚǶǨǚǮǤǯ, ǱǷ ǶǸǞǫǧǞǥ Ǡ «ǦǟǛǟǱǺǤ ƬǢǱǝǡ», Ǳǹǡ ǚǟǚǸ ǚǹǸǚǩǚǮǸǷǞǥƤ ƩǴǱǺ
Ǡǘ ƤǶƤƨǚǶǤǹǞǥƤ ǚǯǜǤǸǚǨǤǺ ǷǤǬǚǨǡȁ ưǭǛǱǫǴǱǷǤǯ ǨǤǹǚǵǞǥǱǷ ǚǮǶ ƬǢǱǝǡǘ
ǿǤǥǭǡ ǱǹǳǞǶ ǞǹǚǣǰǸǚǨǚǯ-ǳǚǸǨǞǹǚǮǤǯ jam-session Ǡ, ǱǹǸǞǫ Noise of Trouble’s
Ǵǚǟ ǤǭǳǹǱǷǤǟǚǺǤǚǯ ǩǹǚǰǚǥǤǱǹǞǯ ƩǚǦǚǵǯǷƤǭ Ǡ ǷǞǹǚǺǚǨǚǯ ǿǱǹǚǯǞǹǤǯȁ
ǌǸǞǫǧǷǞǥ Ǡ ƻǞǱǯǚǹǝǱ ƾǚǹǚǯǱǮǤ ǨǱǫƩǺ, ǦǭǛǚǜǹǞǥ Ǡ ǊƤǟǞǳǳǞ ǌǳǤǯǚǯȁ
20000 ǜƤǯǚǷǱǹ Ȁ ǼǱǹǚǜǹǷǚǧ ǿǱǸǱǜǹǚƨǞǹǡ ǩǚǯǝǤǶǚǸǞǶǤǯ ǯǞǹǜǹǚǷƤǭ Ǟǯ
ǜƤǯǚǷǱǹ ǳǚǹǤ ƬǴȁ
Jazz for a massacre, Italy, 2014, 15:20
Director Leonardo Carrano, Giuseppe Spina
“Jazz for a massacre” is a tribute to the experimental artist and cineaste Nato Frascà, inventor of “the doodle method”, a form of free expression to explore the unconscious. Ideally applying this method, the ȃlm comes out as a musical-pictorial
jam-session where Noise of Trouble’s jazz improvisation combines well with the abstract forms, created by Leonardo Carrano directly onto ȃlm, and edited by Giuseppe
Spina. 20,000 painted, engraved and etched photograms involve the spectator in a
chromatic dance.
ƻƤǺǨǤ, ƲǞǹǭǚǯǤǚ, 2015, 04ȁ35
ǋǞǣǤǶǱǹǯǞǹǘ ǎǱǛǤǚǶ ǎǹǞǛǞǥǴǚǹ, ƾǚǹǱǥ ǋǚǸǚǲǚǨ
ƿǱǹǶǢǡ ǥƤǺǨǤǯǞǹ Ǡ ǳǚǸǹǚǶǸƤǭȁ ǃǤ ǥǚǷ Ƥ ǪǚǯǪǹǚǥǤ ǚǰǦǚǸǚǯǽȁ ƱǚǺǤ
ǝǹǚǯǤǺ Ǥǹ ƩǚǨ ǚǰǦǚǸǱǫǡ ǰǼǱǢǞǺǯƤǭ Ǡ ǤǹǞǯȁ ǍǚǦǞǯǚǥƤ, ǛǚǮǺ ǩǞǸǚǽǹǽǹǚǰǚǹǣ... ǓǚǯǤ Ǳǹ ưǜǯǞǶǡǘ ǷǤǨǤǯǜ-ǾǹǤǱǹǝǡ, ǢǷƤǭ Ǡ, ǢǞ ǶǤǹǚǩǚǹǷǚǧ Ǡ ǤǹǞǯȁ
ǎǫǚǯ ǲǜǤǸǤǘ Ǥǯǲ ǚǯǞǥȁ ƴǹǛ ǸǞǶǯƤǭ Ǡ, ǢǞ ǤǯǲǳǞǶ Ǡ ưǜǯǞǶǡ ǥƤǺǨƤ ǸƤǼ ǜǱǫǚǯƤǭ,
ǯǹǚ ǨǚǶǨǚǧǯǞǹǡ ǩǚǶǸǚǸǷƤǭ Ǟǯȁ ǅǚ ǩǞǵǚǺǯƤǭ Ǡ ưǜǯǞǶǤǯ ǚǰǦǚǸǚǯǽǤǺȁ
ƱǚǮǺ ǞǹǞǨǱǮǚǯ ǼǱǢǱǹǤǨ Ǡ ǛǚǹǪǹǚǯƤǭȁ ƴǷ ƿǱǹǶǢǡ ǩǚǶǨǚǯƤǭ Ǡ, Ǳǹ ǚǯǸǚǹǛǞǹ
ǲǠ ǯǹǚ ǯǨǚǸǭǚǭǛȁ ƾǚǹǱǸƤǭ Ǡ ǯǹǚǯȁ ưǮǶ ǤǙǯǲ Ǡ ǚǹǞǥȁ ưǹǮƤǯǡ ǞǵƤǭ Ǡ ǜǥǦƤǭȁ
ǃǤǚǯǜǚƩǺ ǛǵǨǯǷǞǥǱǷǘ ǯǚ ǝƤǹǶ Ǡ ǷǚǟƤǭǘ ǝǞǳǤ ǚǭǚǮǤ ǷǚǮǹǞǹȁ ƲǸǯƤǭ Ǡ ǯǹǚǯ
ǧǱǷǤ ǭǱǸ, Ʃ ǯǚǷǚǨǤ ƬǴȁ ƱǚǮǺ ǯǚǷǚǨǡ ǳǚǸǹǚǶǸǷǚǧ Ǡǹ ǥƤǺǨǤǯǞǹǤǺȁ ƿǱǹǶǢǡ
ǲǤ ǨǚǹǱǫǚǯƤǭ ǚǵǚǴ ǜǯǚǥ, ǚǮǹǷƤǭ Ǡȁ ưǫǴǤǨǡ ǯǹǚǯ Ƥǰ Ǡ ǸǞǶǯƤǭ Ȁ Ʃ ǩǶǨǚǮǚǨǚǯ
ǨǹǚǨǞ ǧǚǫǤǨ Ǡ ǰǤǨǚǯƤǭ Ǥǹ ǩǞǸȀƤǭǘ ǼǱǢǱǹǨǤ ƬǴȁ
MATCH, GERMANY, 2015, 04:35
Directors Tobias Trebeljahr, Carol Ratajczak
Horst makes matches. A good, boring work. Yet his only employee is kind of confusing
him. Scaring but fascinating... Because Agnes, the viking-lady seems to have a crush.
On him! He doesn’t know how to handle that! When he sees her stealing a box of
matches, his suspicions are conȃrmed. He ȃres her. But in the evening a storm rises.
And Horst realises he cares about her! He misses her! What has he done? And his head
starts to burn. Blazing with Ȅames he runs out into the wastelands. He ȃnds her on a
boat, seabound. But the boat is made of matches! Horst cannot come, he’s still burning. She sees him to late. A giant ȃre-Ȅower glows after her in the tempest.
ǃǞǫǞǝǚǮǤǯ ǜǤǰǞǹ, ƺǹǚǽ, 2014, 02ȁ26
ǋǞǣǤǶǱǹǘ ƾǚǮǩǚǯ ưǯǷǚǹ
ǉǚǸǭƤǢǮƤǯǡ ǳǚǸǞǹǚǟƩ Ȁ ǝǹǚ ǷǚǸ ǨǱǫƬǹǤ ǭǚǶǤǯ Ǡȁ
Melody night, Iraq, 2014, 02:26
Director Kayhan Anwar
The story is about war and the bad face of war.
20
Competition Programs 1
Short Films
ǈǞǯǽ ǨǚǹǱǫ ǚǳǹǞǥ ǚǵǚǯǺ ǸǤǞǟǞǹǽǤ, ǋƤǶǚǶǸǚǯ, 2014, 15ȁ20, 6+
ǋǞǣǤǶǱǹǘ ƾǱǯǶǸǚǯǸǤǯ ƱǹǱǯǤǸ
ƴǹǨƤ ǸǤǞǟǞǹǚǜǯǚǺ, ǞǹǨƤ ǡǯǨǞǹ ǤǹǞǯǺ ǚǵǾǹǮǚ ǨǮǚǯǽƤǭ ǚƬǯ Ǥǯǲ ǚǯƤǭ Ǟǯ,
Ǳǹ ǤǹǞǯǺ ǡǯǝǩǚǯƤǹ Ǟǹǚǟǚǯǽǯ ǤǹǚǨǚǯƤǢǮƤǯ ǝǚǵǯǚȁ ƱǚǮǺ ǚǮǶ ǳǚǸǭƤǢǮƤǯǡ
ƩǚǮǯ ǞǹǚǟǚǯǽǤ ǭǚǶǤǯ ǲǠȁ
We can’t live without cosmos, Russia, 2014, 15:20, 6+
Director Konstantin Bronzit
Two cosmonauts, two friends, try to do their best in their everyday training life to
make their common dream a reality. But this story is not only about the dream.
ǇǸǽǤ ǸǚǨ ǯǚǮǞǽ, ǃǤǚǺǮǚǥ ƸǚǜǚǷǱǹƤǢǮƤǯ, 2015, 01ȁ34
ǋǞǣǤǶǱǹǘ ǓǞǢǤ Ǎǚǯǜ
ǌǚ Ʃ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ Ǡ, Ǳǹǡ ǺƤǮǺ Ǡ ǸǚǥǤǶ ƻǱǯǝǱǯǤ ƬǸǹǱǯǞǹǤ ǸǞǶǽǡ, ǪǚǮǯǡ Ȁ
ǰǚǹǣƤǭǡǘ ǱǜǞǰǯǲǷǚǧ ǦǱǹǩǹǝǚǯǰǚǨǚǯ ǯǶǸǚǹǚǯǯǞǹǤǺȁ
MIND THE GAP, United Kingdom, 2015, 01:34
Director Katy Wang
An animation portraying the sights, sounds, and movement of the London Underground trains, inspired by its iconic seat patterns.
ǉǚǳǤǨǶ ǨǞǵǚǶǤ ǧǚǵ Ǡ ǞǫǞǥ, ǋƤǶǚǶǸǚǯ,2015,12ȁ30,8+
ǋǞǣǤǶǱǹǯǞǹǘ ǎǚǸǮǚǯǚ ǉǱǥǤǞǨǸǱǷǚ, ǔǥǜǚ ǉǱǥǤǞǨǸǱǷǚ
ǌǚ ǿǤǥǭ-ǩǤǰǱǫƤǢǮƤǯ Ǡ Ʃ ǸǫǚǮǤ ǭǚǶǤǯ, ǱǷ ƤǯǤ ǨǮǚǯǽǤ Ȁ ǭǚǩǷǚǯ ǭǚǶǤǯ Ǥǹ
ǳǚǸǨǞǹǚǺƤƨǞǹǡȁ ǌǚ ǯǚȀ ǳǚǸǭƤǢǮƤǯ Ǡ Ʃ ǚǯǶǱǷǱǹ ǳǚǳǤǨǤ ǭǚǶǤǯ, ǱǷ
ǨǚǹǱǫǚǯƤǭ Ǡ ǥǶǞǥ ǧǚǵǞǹǤ ǰǯǲǚǵƤǢǮƤǯǡ Ȁ ǩǚǷǚǸƤǭ Ǡ, Ǳǹ «ǃǚǹǝǡ ǲǤ ǭǚǩǚǯƤǭ
ǚǮǯǽǚǯ ǣǚǭǚǯǚǨ, ǽǚǯǤ ǝǞǵ ǯǹǚǯ ǶǤǹƤǭ Ǟǯ»:
My Grandfather was a cherry tree, Russia, 2015, 12:30, 8+
Directors Tatiana Poliektova, Olga Poliektova
This is a movie-memory, narrated by a young boy about his views on life and death. It’s
also a story about an unusual grandfather, who could listen to the trees breathing and
believed that “Person can’t die if someone still loves him”.
ƲǥƤǦǝ Ʃǖ ǨǱǹǺǹƤ, ƻǞǩǚǶǸǚǯ, 2015, 04ȁ00
ǋǞǣǤǶǱǹǘ ƾǚǹǱǥǤǯ ǌǳǞǲǢ
ƾǚǹǬǚƬǸǹǚǣ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǘ 2D ǯǨǚǹǯǞǹǱǷ Ȁ ǸǞǦǯǤǨǚǮǱǷȁ ǎǞǶǱǫǚǨǚǯ
ǳǚǸǭƤǢǮƤǯ Ǡ ǚǮǯ ǭǚǶǤǯ, ǢǞ Ǥǯǲ ǩǞǰǸ Ǡ ǨǱǹǺǯǞǥ ǜǥƤǦǡȁ ǌǳǤǸǚǨ ǜǥƤǦǡ
ǳǸǸǷǞǥǱǷ ǩǚǶǯƤǭ Ǡ ǶȀ ǠǨǹǚǯǤ ǨǞǯǸǹǱǯǤǯȁ ǎǞǶǱǫǚǨǚǯ ǨǱǫǭǡ ǟǚǹǜǚǯƤǭ
Ǡ ǿǤǥǭǡ ǳǚǸƬǥƤ ǣǚǭǚǯǚǨȁ ǒǱǽǹǤǨ ǳǚǸǭƤǢǮƤǯǯǞǹǤǺ ǶǨǶǞǥǱǷǘ ǼǱǦǷƤǭ Ǡ
ǿǤǥƩ ǤǭǚǶǸǡ Ȁ ǜƤǮǯǞǹǡȁ ǃǸǽǞǹǤ, ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǤ Ȁ ǨǚǳǞǹǤ ǳǚǨǚǶǡ
ǩǚǯǜǞǺǯƤǭ Ǡ ǸǦƤǹ ǚǷǚǹǸǤȁ
DON’T LOSE YOUR HEAD, Poland, 2015, 04:00
Director Karolina Specht
A short animation using drawing and 2D techniques. It is a visual story about how
easy it is to lose one’s head. A white head rolls slowly towards the center of a black
screen. One event triggers an avalanche of others. The visual side of the ȃlm develops with the ȃlm narration. Starting from simple compositions through successive
number of layouts and density of forms up to the ȃnal scenes full of colors like in a
kaleidoscope. An abundance of thoughts, relations and connections leads to a tragic
ending.
ǃǚǮǹǚǭƤǸ, ǍǹǚǶǸǚǯ, 2015, 0:02:55
ǋǞǣǤǶǱǹǘ ǃǚǭƤǨǚ ǎǨǞǰǞǥǚǰǷǤǥǤ
ǉǚǸǭƤǢǮƤǯ ǶǤǹǱ ǭǚǶǤǯ:
Sunset, Georgia, 2015, 0:02:55
Director, Mamuka Tkeshelashvili
Tale about love.
21
ƺǭ ǧǱǷǚǮǤǯ ǦǞǺǜǞǸǯǤ ǳǚǸǭƤǢǮƤǯǡ, ǃǤǚǺǮǚǥ ǢǚǜǚǷǱǹƤǢǮƤǯ, 2015, 10ȁ00
ǋǞǣǤǶǱǹǘ ǄǚǯǥǚǮǤ ǈǞǯ
ưǮǶ ǚǯǤǭǚǺǤǚǯ Ǥǭ ǭǚǯǨƤǢǮǚǯ ǭǚǶǤǯ Ǡ, Ǳǹǡ ǚǯǺǨǚǺǹǞǥ Ǟǭ ǩǱǹǶ ǩǞǸ, ǱǷ ǭǚǩǚǺǞǥ
Ǡ Ʃ ǽǚǯǤ ǸǚǹǤ ǚǵǚǴȁ ưǮǶ ǚǯǤǭǚǺǤǚǯ ǯǷǤǹǷǚǧ Ǡ ǩǱǹǶ Ƥ ǯǚȀ Ǥǭ ǸǦƤǹ ǾǹǞǹǤǯȁ
ǉǚǸǭƤǢǮƤǯ Ǡ Ʃ ǚǫǴǨǚ ǭǚǶǤǯ, ǱǷ ǷǞǹǴǚǺǯƤǭ Ǡ ǚǮǯ ǯǨǚǹǡ, Ǳǹǡ ǲǤ ǷǞǹǴǚǺǹǞǥ
ǩǱǹ ǨǞǯǝǚǯƤǢǮǚǯ ǾǹǱǽ: ǅǨǚǹǤ ƩǴǱǺǱǷ ǷǞǹǚǜǸǯƤǭ Ǡ ǧǯǱǫǤ ǶǞǹǡ Ȁ ǩǹǚǣǞǰǸ Ǡ
ǸǚǥǤǶ ǩǱǹ ǭǚǩǤǺ ǩǞǸǱ ƤǯǞǺǚǧ ǸǦƤǹ ǾǹǞǹǤǯȁ ưǮǶǾǹ ǞǶ ǳǚǸǹǚǶǸǞǥ Ǟǭ ǚǮǶ
ǚǯǤǭǚǺǤǚǯ, ǱǹǳǞǶǟǤ ǯǷǤǹǞǭ ǶǤǹǞǥǤ ǩǚǮǹǤǨǤǶ Ƥ ǤǯǪ ǼǹǨǞǭ ǚǮǶ ǷǰǸǤǺȁ ǕǤǥǭƤǭ
ǩǚǮǹǡ ǝǶǸǞǹǡ ǳǚǸǭƤǭ Ǡ, Ǳǹ ǞǹǛ ǨǱǹǺǯƤǭ ǞǶ ƬǨǤǯ, Ƥǭ ǩǞǸ ǦǱǶǞǥ ǞǶ ǦǞǺǤǯǞǹǤ
ƩǴǱǺǱǷ, ǯƤǮǯ ǦǞǺǤǯǞǹǤ ƩǴǱǺǱǷ ǩǯǚǹǚǷǱǹ Ǡ ǥǶǞǥ ǯǹǚǯǺ ǪǚǮǯǡȁ ƿǱǹ ǭǚǩǤǺ ǩǞǸǱ
ǚǫǴǤǨǡ ǛǚǟƩǺǶ ǚǹǞǥ Ǡ ǝǚȁ ƱǚǮǺ ƩǚǮǯ ǥǵƤǢǮƤǯ Ǡ ǥǶǞǥȁ ƴǹǛ ǯǚ ǷǞǹǴǚǺǯǤ ǯǨǚǹǡ,
ǨǨǚǹǱǫǚǯǚ ǥǶǞǥ ǦǞǺǤǯǞǹǤ ǪǚǮǯǡȁ ƽǱǷǤ ǪǚǮǯǡ, ǩǱǹ ǪǚǮǯǡȁ ǌǚ ǲǤ ǯǰǚǯǚǨƤǭ, ǢǞ ǯǚ
ǥǶƤǭ Ǡ ǚǨǚǯǴǯǞǹǱǷ, ǯǚ ǥǶƤǭ Ǡ ǭǸǽǱǷ. ƩǸǽǡ ǷǞǹǚǧǯǷǞǥ Ǡ Ȁ ǷǞǹǚǤǭǚǶǸǚǷǱǹǷǞǥȁ ǅǚ
ǯǚȀ ǨǚǹǱǫ Ǡ ǸǞǶǯǞǥ ǚǹǦǤǝǞǚǯǞǹ, ǱǹǱǯǽ ǷǚǫƤǺ Ǡ ǲǠǤǯ ǧǚǫǨǞǥȁ ưǮǶ ǳǚǸǭƤǢǮƤǯǡ
ǩǚǯǝǤǶǚǸǞǶǤǯ ƤǟƤǭ Ǡ ǚǶǞǥ, Ǳǹ ǨǮǚǯǽǤ ǳǸƤǮǸǡ ǞǹǛǞǽ ǲǤ ǚǷǚǹǸǷƤǭ, Ǳǹ ǭǚǩǡ ǭǚǩ
ǲǠ, ǚǮǥǘ ǷǞǹǚǧǯƤǯǝȁ ƴǢǞ ǛǚǺǞǶ ǶǹǸǤǝ ǝƤǵǡ Ȁ ǩǚǯǜǶǸǚǯǚǶ, ǨǩǚǶǨǚǯǚǶ, Ǳǹ ǨǮǚǯǽǡ
ǰǚǹƤǯǚǨǷƤǭ Ǡ, Ǳǹ ǧǚǫǤǨǯǞǹǡ ǚǬƤǭ Ǟǯ Ȁ Ǳǹ ǝƤ ǩǚǮǹǤǨǤǝ ǰǚǹƤǯǚǨƤǢǮƤǯǯ ǞǶȁ
ǉǚǸǭƤǢǮƤǯǡ ǩǚǯǝǤǶǚǸǞǶǤǯ ǩǯǚǹǚǷǱǹƤǢǮƤǯ Ǡ ǸǚǥǤǶ ǩǞǸȀǞǥƤ ǚǫǴǨǚ ǬǚǯǚǳǚǹǩǱǹǝƤǢǮǚǯǡ Ȁ ǩǚǶǨǚǯǚǥƤ, Ǳǹ ǟǜǚǮǚǨǚǯ ǤǭǚǺƤǢǮƤǯǡ ǷǞǹǚǼǱǦǷƤǭ Ǡ ǩǱǜƤ,
ǞǹǛ ǶǹǸƤǭ ǜǚǹƤǯ Ǡ ǛǚǺǷƤǭȁ
MY SEASHELL MEMORY, United Kingdom, 2015, 10:00
Director YANLAI CHEN
The animation is about my childhood with my father whom died in several years ago. So, this
animation is made for my father and also made for all my sad and apologies days. The story
through the girl ȃnishing a portrait that she haven’t ȃnished when her father lived to repay
the paternal love and say goodbye to the sad days after her father leave her. In the present life,
I want make this animation to repay my dearest father and to save myself to go out from this
grief. In the story, the father told the girl that if she missed some one she can speak to them
through the seashell, and she can hear their sound from the seashell. But after her father die,
she tried to do like this for many times. It was silence inside the seashell. When she ȃnished
the portrait, she ȃnally can hear the sound from the seashell. It was a sea sound. It was also her
father’s sound. It not means her ears can hear the sound she missed, it means her mind can
hear. Because her mind is relieved and rebirthed. And she can also see the orchid, which didn’t
bloomed for many years Ȅowering again. This story want tell the audience that Life is a cycle.
It will never have the end. Death is not a death, it is a rebirth, every death just your feeling.
If you open the door of your heart and relieve yourself, then you will ȃnd the world still over
there, Ȅowers will rebirth and blooming again, and you are the continuation of your father’s
life. The story tries to let the audience follow the girl’s journey to understand that perception
turns with the soul; whereas appearance springs from the heart.
ǇǻǢǱǸǯƤǨ, ǋƤǶǚǶǸǚǯ, 2015, 06ȁ47
ǋǞǣǤǶǱǹǘ ǌǞǹǜǞǮ ǍǚǷǤǥǱǷ
ǇǻǢǱǸǯƤǨǯǞǹǡ ǚǵǚǯǺ ǧǱǷǤ Ǡǥ ǨǚǹǱǫ Ǟǯ ǚǳǹǞǥ, ǛǚǮǺ ǰƤǸǱǷ ǪǚǯǪǹǚǯƤǭ Ǟǯȁ
Octopus, Russia, 2015, 06:47
Director Sergey Vavilov
Octopuses can live without the sea, but they get bored of it!
ƴǷǶ ƬǨ ǜǥǦǚǹǨ, ǕǹǚǯǶǤǚ,
ǋǞǣǤǶǱǹǯǞǹǘ ǉǹƤǯǞǥǞ ƱǹǚǮ, ƾǱǹǞǯǸǤǯ ƱǚǹǶǞǥǱ, ưǹǢƤǹ ƳǞǳǱǮǤǹǞ,
ưǥǞǽǶǚǯǝǹǞ ǃǞǥǽǤǱǯǝ, ǃǚǹǜǱǦ ǋǞǷǱǥ
ƲǥǦǚǹǨǯǞǹǤ ǦǚǯƤǢƤǭ Ʃ ǝǣǷǚǹ ǩǚǬǚǦǱǹǝƤǩǤ Ǥǹ ǯǭǚǯ ǟǟǷǞǥǤ ǰǚǯ ǩǞǸ
ǼǯǸǹƤǭ Ǡ ǤǹǞǯ ǶǚǟǱǫ ǚƬǯǚǡǯǸǤǹ ǜǥǦǚǹǨǡȁ ƿǚǭǛǞǹǚǸǚǹ ǷǚǬǚǵǱǫǡ
ǚƬǯ Ǥǯǲ ǚǯƤǭ Ǡ ǾǹǤǱǹǝǤǯ ǩǚǬǱǮǚǯǚǥƤ ǩǚǭǚǹ, ǛǚǮǺ ǯǚǦǚǯǪ ǰƤǯǡ ǚƬǯ Ǥǯǲ
ǛǚǹǝǚǺǯƤǭ Ǡȁ
One more hat, France, 2014, 04:16
Directors Prunelle BRY, Corentin BARCELO, Arthur DEPOIRE, Alexandre MELQUIOND, Margaux REVOL
In a hat shop, a difȃcult lady customer, with her dog, as scornful as her, is looking
for the perfect hat. The seller, conscientious, tries to do well, but the jealous dog is
going to make it difȃcult.
22
Short Films
ǌǞǛǚǶǸǤǚǯ, ưǃǅ, ǇǻǨǹǚǤǯǚ, 2014, 17ȁ53, 12+
ǋǞǣǤǶǱǹǘ Ǎǥǚǝ ǃǚǹǶǚǷǤǯ
ǌǞǛǚǶǸǤǚǯǡ ƤǢǚǭǮǚ Ǹǫǚ Ǡ, ǱǷ ǚǮǶ Ʃǚǳǚǫǚǫ ǚǰǦǚǹǩƤǭ ǚǳǹƤǭ Ǡ ǶǱǷǱǹǚǨǚǯ
Ǹǚǯǡ, ǸǚǸǤǨǤ ǩǞǸȁ ƱǚǮǺ ǞǹǛ ǯǚ ǩǞǧǚǯǤǷ Ǡ ǽǰƤǭ, ǯǹǚ ǞǹȀǚǨǚǮƤǢǮƤǯǡ
ǚǹǢǯǚǯƤǭ Ǡȁ ǉǚǸǭƤǢǮƤǯǡ ǳǸǸǷƤǭ Ǡ ǌǞǛǚǶǸǤǚǯǤ Ȁ ǯǹǚ ǡǯǨǞǹǯǞǹǤ ǰƤǹǴ,
ǱǷǽǞǹ ƤǟƤǭ Ǟǯ ǼǚǦǲǞǥ ǚǯǸǚǯǞǥǤ ǤǹǚǨǚǯƤǢǮƤǯǤǺ Ȁ ƬǧǚǩǚǶǚǨǯǞǹǤǺȁ
Sebastian, USA, Ukraine, 2014, 17:53, 12+
Director Vlad Marsavin
Sebastian, an 8-year old boy, lives with his grandmother in an ordinary house, ordinary monochrome world. But when he gets on the bike to go for a ride, the adventure into his imagination begins. The story revolves around Sebastian and his friends
who are trying to run away from the inescapable realities of the adult existence.
ƻƤǶǯǱǸǡ,ƾǚǯǚǝǚ, 2015, 04ȁ20
ǋǞǣǤǶǱǹǘ ǕǞǱǝǞǹ ǇǻǰǞǷ
ǌǮƤǹǵǞǚǥǤǶǸǚǨǚǯ ǬǚǯǚǳǚǹǩǱǹǝƤǢǮƤǯ ǜƤǮǯǞǹǤ Ȁ ǪȀǞǹǤ ƬǴǘ ǯǞǹǰǯǲǷǚǧ
ǕǞǝǞǹǤǨǱ ƲǚǹǶǤǚ ƻǱǹǨǚǮǤ ǛǚǯǚǶǸǞǫǧƤǢǮƤǯǯǞǹǤǺȁ ǎǞǶǱǫǚǨǚǯ ǳǱǞǟǤǚǘ
ǩǚƬǭǷǚǧ ǿǚǯǸǚǶǸǤǨ ǞǹǚǟǯǞǹǤ ǵǤǢǭǱǷ Ȁ ǨǹǽǱǸ ǜǤǰǞǹǯǞǹǱǷȁ
The Sleepwalker, Canada, 2015, 04:20
Director Theodore Ushev
A surrealist journey through colours and shapes inspired by the poem Romance
Sonámbulo by Federico García Lorca. Visual poetry in the rhythm of fantastic
dreams and passionate nights.
23
ƿǚǥǚǛƤǝǨǚ, ǇǻǨǹǚǤǯǚ, 2014, 11:12, 6+
ǋǞǣǤǶǱǹ` ƳǞǼǱǮǚǯ ǃǚǯƤǨ
ǕǤǥƩ ǜǥǦǚǷǱǹ ǩǞǹǱǶǡ ƿǚǥǚǛƤǝǨǚǯ Ǡ, ǱǷ Ǳǲ ƩǚǮǯ ǛǞǸǱǯǤ Ƥ ǣǚǭǚǯǚǨǚǨǤǺ
ǚǳǚǨǞ ǨǚǵƤǮǺǯǞǹǤ ǩǚǮǹǯ Ǡ, ǚǮǥ ǯǚȀ ǱǫǴ ǭǱǝǞǵǯǤ ǶǨǟǛǯǚǷǱǹǱǫǡ: ƿǚǥǚǛƤǝǨǚǯ
ǩǤǯ ǸƤǯ Ǡ, ǱǹǸǞǫ ǣǚǭǚǯǚǨǡ ǢǱǫǯƤǭ Ǡ Ǥǹ ǨǯǤǽǡ: ǅǚ ǯǭǚǯ Ǡ ǧǞǹ ǭǚǹǝƤ, ǚǮǯ
ǝǞǳǽƤǭ, ǞǹǛ ǤǹǚǨǚǯƤǭ ǞǹǞǦǚ Ǡ: ǒǱǽǹǤǨ ƿǚǥǚǛƤǝǨǚǮǤ ǳǚǸǭƤǢǮƤǯǡ ƬǧǚǯǚǥƤ,
ǩǤǰǱǫƤǢǮǚǯ, ǞǹǚǦǸǤǽǤ Ȁ ǚǹǭǚǸǯǞǹǤ ǩǚǯǝǞǳ ƤǯǞǺǚǧ ǶǤǹǱ ǭǚǶǤǯ Ǡ:
Halabudka, Ukraine, 2014, 11:12, 6+
Director Depoyan Manuk
The main character in the ȃlm is Halabudka who is not just the father of modern
buildings of glass and concrete, but also the beginning of all modern. Halabudka is
an old house where time has left its marks on him. He looks like the old man but in
nature he is a child. The story of the little Halabudka is a story about growing up,
memory, gratitude and love for his roots.
ưƬǥǤǚ Ȁ ƳƤǚǹǸǞ, ǉǱǹǸƤǜǚǥǤǚ, 2015, 08:30, 6+
ǋǞǣǤǶǱǹǯǞǹ` ǃǱǯǤǨǚ ǌǚǯǸǱǶ, ưǥǤǶ ƲƤǤǭǚǹǞǶ
ưǮǶ ǳǚǸǭƤǢǮǚǯ ƬǴ Ƭǯǽ ǝǚǵǯƤǭ Ǟǯǽ ưƬǥǤǚǮǤ Ȁ ƳƤǚǹǸǞǤ ǶǤǹǱ ǷǨǚǯ:
ưǮǶ ǭǚǹǝǤǨ ǚǮǥȀǶ ǲǞǯ ǶǤǹƤǭ Ǥǹǚǹ Ȁ ǼǱǹǪƤǭ Ǟǯ ǩǚǫǢǚǩǚǹǞǥ ǚǮǯ ǟǜǚǺǭƤǯǽǯǞǹǡ, ǱǹǱǯǽ ǚǵǚǴǚǺǞǥ Ǟǯ ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǤ ǚǷǚǹǸǤǺ ǩǞǸǱ: ǅǹǚǯǺ
ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǡ ǯǭǚǯ Ǟǯ ǚǹǦǤǷǚǮǤǯ ǚǹǨǫǤ, Ǳǹǡ ǳǚǸǨǞǹƤǭ Ǡ ǯǹǚǯǺ Ǜǚǣǚǯǭǚǯ ǳǚǸǭƤǢǮƤǯǡ: ǃǞǯǽ ǝǚǵǯƤǭ Ǟǯǽ ǯǹǚǯǺ Ǜǚǣǚǯǭǚǯ Ȁ Ǥǹǚǹ ǭǚǶǤǯ
ƤǯǞǺǚǧ ǩǤǰǱǫƤǢǮƤǯǯǞǹǤ ǷǞǹǚǺǭǚǯ ǷǨǚǯ: ǕǤǥǭǡ ǶǸǞǫǧǷǚǧ Ǡ ǳǤǽǶǞǥǯǞǹǱǷ,
ǶǸǱǳ-ǨǚǝǹǞǹǱǷ, ǚǹǢǯǚǺǯƤǭ Ǡ 50-ǚǨǚǯǯǞǹǤ ǜƤǯǚǸǞǦǯǤǨǚǨǚǯ ǟǜǚǺǱǫƤǢǮƤǯǯǞǹǡ Ȁ ǳǚǸǨǞǹƤǭ Ǡ Ǳǲ ƩǚǮǯ ǜǱǹǧǱǫƤǢǮƤǯǯǞǹǤ ǶǮƤǹǵǞǚǥǤǟǭǡ, ǚǮǥȀ ǸǚǥǤǶ
Ǡ ǩǞǜǯǚǨǚǯ ǜƤǯǚǮǤǯ ǸǳǚǷǱǹƤǢǮƤǯ ǶǤǹǱ ǚǷǚǹǸǤ ǭǚǶǤǯ:
AMÉLIA & DUARTE, Portugal, Germany, 2015, 08:30, 6+
Directors Mónica Santos, Alice Guimarães
In this story we are guided through the relationship of Amélia and Duarte, two
people that felt out of love and are trying to cope with the feelings that come
after a relationship has ended. Their relationship has the shape of an archive
box and their contents illustrate the story about their breakup. We are guided
through their separation as they try to divide, destroy and erase the memories
of each other. The ȃlm is made in pixilation and stop-motion and has a Technicolor feel of the 50s, portraying not only the surrealism of their actions, but
also providing an ironic chromatic impression about the end of love.
100 % ǎǹǚǭǚǝǹƤǢǮƤǯ, ƱƤǥǫǚǹǤǚ, 2015, 04:05, 18+
ǋǞǣǤǶǱǹ` ƳƩǸǹǤ ǄǚǜǱǝǤǯ
ǌǱǷǱǹǚǨǚǯ ǭǚǹǝǯ ǚǳǹƤǭ Ǡ Ǥǹ ǨǮǚǯǽǯ ǤǯǲǳǞǶ ǨǚǹǱǫ Ǡ, ǚǵǚǯǺ ǺǚǯǨƤǢǮƤǯǯǞǹǤ, ǞǹǚǟǚǯǽǯǞǹǤ Ǩǚǭ ǯǳǚǸǚǨǯǞǹǤ: ǅǚ ǽǚǫǚǽǚǮǤǯ ǩǹǞǰǤ ǚǯǩǚǭǚǹ ǛǴǤǴǯǞǹǤǺ ƬǨǯ Ǡ:
100 % Mood, Bulgaria, 2015, 04.05, 18+
Director Dmitry Yagodin
Ordinary man goes through life in the only way he can - without desires, dreams
or aspirations. One of the countless cells in the body of the vast urban monster.
ƱǞǯǴǚƩǯǡ ǜǯƤǭ Ǡ Swinger-ǯǞǹǤ ǦǯǴƤǮǽǤǯ, ưǷǶǸǹǚǥǤǚ 2015, 05:48, 15+
ǋǞǣǤǶǱǹ` ƳǞǽǥǚǯ Ʊǡǹǯ
ƱǞǯǴǚƩǯǡ ǚǹǝǞǯ ǣǚǭǚǯǞǥ Ǡ Swinger-ǯǞǹǤ ǦǯǴƤǮǽǤǯ, ǛǚǮǺ Ʃ ǨǞǹǳ ǝǵǚǯ ǭǱǸ
ǩǚǶǯǞǥƤǺ ǩǞǸǱ ǤǭǚǯƤǭ Ǡ, Ǳǹ ǭƤǸǽǡ ǟƤǮǜǞǹǱǷ Ǡ: ƿǶǸǚǨ ǸǹǚǭǚǝǹǷǚǧ, Ǳǹ ǸƤǯ
ǲǤ ǜǯǚǥƤ ƩǚǮǯǚǨ Ȁ ǲǛǚǷǚǹǚǹǷǚǧ, Ƭǹ ǩǞǹǱǶǡ ǱǹǱǰƤǭ Ǡ ǟƤǜǡǯǨǞǹ ǜǸǯǞǥ:
Benjamin Goes To A Swinger ‘ Party, Australia, 2015, 05:48, 15+
Director Declan Byrne
Benjamin has just arrived at his ȃrst swingers’ party but – after eagerly stripping off
– has discovered he’s not allowed in without a partner. Determined not to go home
alone and unsatisȃed, our hero sets out to ȃnd a mate.
24
Short Films
ǌȀ ǣǚǳǚǷǞǯ, ƳǚǯǤǚ, 2014, 03:07
ǋǞǣǤǶǱǹǯǞǹ` ǃǤǰǞǥ Ȁ ǇǻǹǤ ƾǹǚǯǱǸ
ƼǬǬǷǚǧ ǸǚǯǜǱ:
Black tape, Denmark, 2014, 03:07
Directors Michelle & Uri Kranot
Entangled tango.
ƺǭ ǸƤǯǡ, ǕǹǚǯǶǤǚ, 2014, 11:54
ǋǞǣǤǶǱǹ` ǕƤǱǯǜ ǃǚǤ ǅǜƤǮǞǯ
ƿƤǜǱǮǤ ǭǚǮǹǡ ǷǞǹǚǝǚǵǯƤǭ Ǡ ǸƤǯ: ǃǞǨ Ǿǹ ǚǯǺ, ǞǹǛ ƿǮƤǜǱǯ ǚǹǢǯǚǯƤǭ Ǡ, ǚǭǛǱǫǴ
ǸƤǯǡ ǳǚǸǷǚǧ Ǡ ǥǤǯƤǭ ǶȀ ǼǞǸƤǹǯǞǹǱǷ:
My Home, France, 2014, 11:54
Director Phuong Mai Nguyen
Hugo’s mother is back home. The day after, when Hugo wakes up, he ȃnds black
feathers all over his house.
ƿǚǰǷǞǥǱǷ ǱǲǦǚǹǯǞǹǡ, ǕǹǚǯǶǤǚ/ƱǞǥǜǤǚ, 2015, 07:00
ǋǞǣǤǶǱǹ` ǕǹǤǺ ǌǸǚǯǝǚǞǹǸ
ǒǱǽǹǤǨ Ǹǫǚǯ ǲǤ ǨǚǹǱǫǚǯƤǭ ǽǯǞǥ: ǅǚ ǨǚǯǲƤǭ Ǡ ǩǚǮǹǤǨǤǯ, ǱǷ ǩǮƤǹǚǶǞǯǮǚǨǤ
ǚǶǸǤǬǚǯǯǞǹǤǯ ǢǞǹǢ Ǡ ǨǚǹǝƤǭ: ƿǚǮǹǤǨǡ ǸǫǚǮǤǯ ǦǱǹǩƤǹǝ Ǡ ǸǚǥǤǶ ǩǚǰǷǞǥ
ǱǲǦǚǹǯǞǹǤǯ: ǒǱǽǹǤǨǡ ǚǯƤǭ Ǡ ǩǱǹ ǚǶǚǧǤ ǯǭǚǯ Ƥ ǰƤǸǱǷ Ǥǹ ǭǚǩǬǚǨǚǥǤ
ǰƤǹǴǛǱǥǱǹǡ ǥǤǽǡ ǱǲǦǚǹǯǞǹ Ǟǯ ǩǚǮǸǯǷƤǭ:
Counting Sheep, France / Belgium, 2015, 07:00
Director Frits Standaert
A little boy can’t get to sleep. He calls his father who is reading the newspaper
downstairs in the living room. To get out of reading him yet another story, he tells
his son to try counting sheep. The little boy does as he is told but soon ȃnds himself
with a dozen sheep around his bed.
ǒǚǨǤ ǸǚǨ, ưǃǅ, 2014, 09:03
ǋǞǣǤǶǱǹ` ǃǚǮǨ ư ǌƩǢ
ƱǚǯǸǚǹǨǷǚǧ ǰǯǤǨǡ ǰǱǨǤ ƬǴ Ǡǘ ǩǚǮǸǯǚǛǞǹǞǥǱǷ, Ǳǹ ǚǭǛǱǫǴ ǚǰǦǚǹǩǡ ǶǳǚǶƤǭ
Ǡ ǝǵǚǯ ǭǮƤǶ ǨǱǫǭƤǭ… ƼǞǥǚǩǞǫƤǢǮƤǯ, ǚǯǨǱǸǹǞǥǤ ǝƤǵ:
Cooped, United States, 2014, 09:03
Director Mike A Smith
A sofa-bound dog is shocked to discover that a whole world waits just outside the
door... The maddening, unbreakable door.
ǎǞǹǡ, ƶǶǸǱǯǤǚ, 2015, 18:00, 12+
ǋǞǣǤǶǱǹ`ǋǤǩǱ ǇǻǯǢ
«ǎǞǹǡ» ǿǤǥǭǡ ǩǤƨǷǚǧ Ǡ ǠǶǸǱǯǚǺǤ ǜǹǱǫ ǕǹǤǞǝǞǛǞǹǸ ǎƤǜǥǚǶǤ «ǉǱǳǤǯ Ȁ
ƿƤǩƤǯ» ǨǚǹǬ ǳǚǸǭǷǚǧǽǤ Ƿǹǚ: ǿǤǥǭǡ Ƭǟ ǳǚǸǭƤǭ Ǡ ǉǱǳǤ ǚǯƤǯǱǷ ǰǚǯ Ȁ
ƿƤǩƤ ǚǯƤǯǱǷ ǨǚǳǤǨǤ ǭǚǶǤǯ, ǱǷǽǞǹ ǶǳǚǶƤǭ Ǟǯ ǤǹǞǯǺ ǸǤǹǱǴ ǷǞǹǚǝǚǹǪǤǯ:
ƱǚǮǺ Ʃ Ǿǹ ǳǚǹǟ Ǡ ǝǚǵǯƤǭ, Ǳǹ ǸǞǹǡ ǚǮǥȀǶ ǲǤ ǜǚǥƤ: ưǮǝ ǾǹǷǚǯǤǺ Ǥ ǷǞǹǘ ǶǨǶǷƤǭ
Ǡ ǚǮǶ ǞǹǨƤǶǤ ǩǚǭǚǸǞǫ ǨǮǚǯǽǡ: ǆƤǯǡ ǤǹǚǨǚǯƤǭ ǚǷǞǥǤ ǦǞǥǚǺǤ Ǡ Ȁ ƤǣǞǫ, ǽǚǯ
ǨǚǳǤǨǡ: ǉǱǳǤǯ ǞǯǢǚǹǨǷƤǭ Ǡ ǨǚǳǤǨǤ ǛǱǥǱǹ ǚǶǚǧǯǞǹǤǯǘ ǝǹǚǯǱǷ ǺƤǮǺ ǸǚǥǱǷ
ǯǹǚ ǜǞǹǚǨǚǮƤǢǮƤǯǡ, ǤǶǨ ǨǚǳǤǨǡ ǝǚǵǯƤǭ Ǡ ǨǚǭǚǨǱǹƤǢǮǚǯ Ȁ ǦǞǥǚǜǚǹƤǢǮǚǯ
ǦǱǹǩǹǝǚǯǤǰ:
The Master, Estonia, 2015, 18:00, 12+
Director Riho Unt
“The Master” is based on the short story, “Popi and Huhuu”, by the Estonian
author, Friedebert Tuglas, and tells a story of a dog Popi and a monkey named
Huhuu, who are waiting for their master to come home. But one day it becomes
clear that he’s not going to be coming home anymore. From that day their mutual
lives begin. While he is actually smarter and stronger than his simian companion,
Popi capitulates to every one of Huhuu’s whims in a show of obedience and
subservience. Huhuu, meanwhile, becomes a symbol of debauchery and lunacy.
25
ưǢǱǵǤǯ ǯǶǸǚǧǡ, ǕǹǚǯǶǤǚ, ƿǚǹǚǷǚǮǤǯ ƾǱǹǞǚ, 2015, 06ȁ55
ǋǞǣǤǶǱǹǘ ƳǚǩǞ ǊǞǱǯǜ
ưǢǱǵǤǯ ǯǶǸǚǧ ǭǚǹǝǡ ǸǚǯǴǷƤǭ Ǡ Ȁ ǚǯǡǯǝƬǴ ǨǚǶǨǚǧƤǭ Ǥǹ ǜǱǮƤǢǮǚǯǡȁ Ƴǚ
ƩǚǮǯ Ʃ ǯǨǚǹ Ǡ, Ǳǹ ǞǶ ǶǸǞǫǧǞǥ Ǟǭ... ƿǯǚǹǚǷǱǙǹ Ǡ, Ǳǹ ǞǶ Ǡǥ ǳǚǸǨǞǹ Ǟǭ, Ǳǹ ǶǸǞǫǧǞǥ
Ǟǯ ƤǹǤǰǯǞǹǡ:
Man on the chair, France, South Korea, 2015, 06:55
Director Dahee Jeong
Man on the chair is tormented and constantly doubts his very own existence. It is
just merely a picture that I created... Could I also be an image crafted by others?
ƾǚǦǚǹǝǚǨǚǯ ǩǱǷǤǸ, ưǷǶǸǹǤǚ, 2015, 13:30
ǋǞǣǤǶǱǹǘ ǉǱǥ ǍǞǯǤǯǜǞǹ
ǉǚǸǨǞǹǯǞǹǤ ǳǚǹǚǝǱǽǶǯ ǚǮǯ Ǡ, Ǳǹ ǝǹǚǯǽ ǢǚǽǺǯƤǭ Ǟǯ ǚǮǯ, Ǥǯǲ ǺƤǺǚǝǹƤǭ
Ǟǯ Ȁ ǩǞǵǚǷǱǹƤǢǮǚǯ Ƿǹǚ Ǟǯ ǳǚǩƤǭ ǚǮǯ, Ǥǯǲ ǽǞǟ ǭǱǸǞǺǯƤǭ Ǟǯ: ǃǤǚǣǚǭǚǯǚǨ,
ǨǸǚǷǡ Ǩǚǭ ǭǚǨǞǹǞǶǡ, ǱǹǤ Ƿǹǚ ǳǚǸǨǞǹǯǞǹǡ ǩǚǮǸǯǷƤǭ Ǟǯ, ǯǭǚǯ Ǟǯ ǷǚǩǚǯǤ, Ǳǹǡ
ǳǚǰǸǳǚǯƤǭ Ǡ ǯǹǚǯǤǺ, Ǥǯǲ ǺƤǺǚǝǹƤǭ Ǡ: ǇǹǳǞǶ ǳǚǸǨǞǹǯǞǹ, ǯǹǚǯǽ ǞǹǚǰǦǚǷǱǹǱǫ
ǩǞǵǚǷǱǹƤǢǮƤǯ Ǟǯ ǯǞǹǨǚǮǤ ǡǯǨǚǥǭǚǯ Ƥ ǚǮǥ ǸǞǫǞǹǤ ǩǤǰǱǫƤǢǮǚǯ ƩǴȀ: ǌǚ ǚǵǚǷǞǥ
ǨǤǹǚǵǞǥǤ Ǡ ǢǷƤǭ ǚǮǯǳǤǶǤ ǿǤǥƩ ǩǚǭǚǹ, ǤǯǲǳǤǶǤǯ Ǡ «ƾǚǦǚǹǝǚǨǚǯ ǩǱǷǤǸǡ»,
ǱǹǸǞǫ ǜǱǹǧǱǫƤǢǮƤǯǯǞǹǡ ǸǞǫǤ Ǟǯ ƤǯǞǯƤǭ ưǵǚǴǤǯ ǩǚǭǚǰǦǚǹǩǚǮǤǯ ǳǚǸǞǹǚǟƩ
ǣǚǭǚǯǚǨ: ƺǹǚǝǚǹǪƤǢǮƤǯ, Ǳǹǯ ǚǹǝǞǯ ǩǤǰǱǫƤǢǮƤǯ Ǡ Ȁ ǩǤǭǚ ǝǞǹǚǨǚǸǚǹƤǭ ƤǯǤ
ƩǚǮǯ ǳǚǸǭǚǨǚǯ ǩǤǰǱǫƤǢǮǚǯ ƬǴ: ƴǹǛ ƤǟƤǭ Ǟǯǽ ǩǤǰǞǥƤ ǨǱǲ ǚǯǞǥ, ǝǚ ǚǯƤǭ Ǟǯǽ
ǱǹǳǞǶ ǳǚǸǨǞǹƤǭ, ǷǞǹǚǳǚǸǨǞǹƤǭ, Ǳǹǡ ǯǨǚǹǤ ƬǴ Ǡ Ƥ ǲǤ ǨǚǹǱǫ ǾǜǯǞǥ, ǛǚǮǺ
ǺƤǺǚǝǹƤǭ Ǡ ǣǚǭǚǯǚǨǚǮǤǯ ǩǞǵǚǷǱǹƤǢǮƤǯǡ:
Uncanny Valley, Austria, 2015, 13:30
Director Paul Wenninger
One paradox of images is that they hold back what they show, and keep at a distance, what
they bring close. At the same time, the canvas or screen on which they appear seems like
a shield offering protection from what is shown. As pictures, they guarantee a distance between the present of perception and the elsewhere of the recording. This seems even more
applicable to a ȃlm such as Uncanny Valley, which deals with World War I - an event that
is already beyond something that can be remembered, and now only plays out in historical
memory. When it wants to be called to mind again, then as depiction—as representation,
which in the image, can’t help but depict its distance to what is shown.
ƺǶǨ ǩǤǭǚ Ǹǫǚǭǚǹǝǡ, ƺǹǚǯ, 2014, 05ȁ00, 16+
ǋǞǣǤǶǱǹǘ Ƶǚǯǚ ƿǚǭǚ ǁǚǹǤǛ
ƾǤǯǡ Ǟǹǚǟ Ǡ ǸǞǶǯƤǭ, Ǳǹ Ǥǹ ǚǲǽǞǹǡ ǢǵǲƤǯ Ǟǯ ǝǚǵǯƤǭ, ǢǵǲƤǯ, Ǳǹǡ ǶǨǶƤǭ Ǡ
ǬǚǭǼǱǹǝǞǥȁ ưǮǶ ǬǚǭǼǱǹǝƤǢǮǚǯ ǣǚǭǚǯǚǨ ǛǚǦǷƤǭ Ǡ ǭǚǹƩǯǯǞǹǤ, ǝǞǭǽǞǹǤ
Ƥ ǯǚǦǯǚǨǚǯ ǪȀǞǹǤ ǼǱǼǱǦƤǢǮǚǯ ǳǚǸǬǚǵ Ǡ ǝǚǵǯƤǭ Ƥ ǷǞǹǚǼǱǦǷƤǭ Ǡ ǚǮǥ
ǪȀǞǹǤ: ǍǞǹǴƤǭ ǢǵǲƤǯǡ ǷǞǹǚǝǚǵǯƤǭ Ǡ ǨǯǱǴ ǝǞǭǽǤǯȁ
AND NOW THE MAN, Iran, 2014, 05:00, 16+
Director Zana Hama Gharib
The woman’s eyes become a bird in her dream. And the bird begins a journey. In
this journey, it encounters bodies, faces and causes change in their early shapes
and changes to other ȃgures... At the end, the bird returns to the woman’s face.
ƵǞǳǱ, ƺǶǳǚǯǤǚ, 2014,03ȁ08
ǋǞǣǤǶǱǹǘ ƾǞǶǚǹ ƳǤǚǟ ǃǞǥǞǯǝǞǟ
ǎǚǹǤǯǞǹ ǚǵǚǴ Ʃ ǪƬǵǚǮǤǯ ǚǵǚǷǱǸ Ʃ ǼǱǽǹǤǨ ǚǫǴǤǨ ǜǯƤǭ Ǡ ǼǚǮǸ ǩǚǷǚǽǞǥƤ
Ƥ ǸǯǤǺ ǛǚǷǚǨǚǯ ǩǞǵǚǯǚǥǱǷǘ ǯǨǚǸƤǭ Ǡ ǚǹǮǚǯ ǩǞǸǽǞǹ... ǩǞǸȀƤǭ Ǡȁ ǌǚ ǚǷǚǟǞ
ǚǯǤǭǚǺǤǚ Ǡ ǨǚǹǬǚƬǸǹǚǣ ǿǤǥƩ ǩǚǭǚǹȁ
Zepo, Spain, 2014, 03:08
Director Cesar Diaz Melendez
Time ago, a winter morning, a little girl went out looking for ȃrewood, she went far
away from home and came across a blood trail... she followed it. A sand animation
on glass short ȃlm.
26
Short Films
ǀƬǵ ǉǚǳǤǨǡ, ƿǚǮǚǶǸǚǯ, 2015,06ȁ00, 3+
ǋǞǣǤǶǱǹǘ ƻȀǱǯ ǉǞǸǹǱǶǮǚǯ
ǀƬǵ ǉǚǳǤǨǡ ǯǚǭǚǨ Ǡ ǶǸǚǯƤǭ ǩǚǹƤǶǸ ǡǯǸǚǯǤǽǤ ǞǹǞǦǚǮǤǺ, ǱǷ ƤǟƤǭ Ǡ Ǥǹ
ǩǞǸ ǞǹǞǦǚǯǞǹǤǯ ǦǚǫǚǥǤǽǯǞǹ ǛǚǣǚǯǞǥȁ ǀƬǵ ǉǚǳǤǨǡ ǱǹǱǰƤǭ Ǡ ǨǚǸǚǹǞǥ
ǞǹǞǦǚǮǤ Ǟǹǚǟǚǯǽǡ, ǛǚǮǺ ǰƤǸǱǷ ǰǼǱǢǷƤǭ Ǡǘ ǸǞǶǯǞǥǱǷ ǢǤǨǯǚǳǚǩǯǞǹǤ ǨǱǫƩǺ
ǳǚǰǸǳǚǯǷǱǫ ǞǹǞǦǚǮǤ ǳǚǥǚǸǚǯǭǚǯ ǸƤǯǡȁ
The Santa, Armenia, 2015, 06:00, 3+
Director Levon Petrosyan
Santa gets a letter from a child of a rich family who wants to deliver toys for
children together with him. Santa decides to make his wish come true, but hi is
left confused when ȃnds out that the child lives in a luxurious palate watched
by security.
ǃǤǯǲȀ ǰǚǸ Ƥǰ ǥǤǯǞǥǡ, ƱǹǚǟǤǥǤǚ, 2015, 01:40
ǋǞǣǤǶǱǹ` ưǥǞǽǶǚǯǝǹǞ ƳƤǛǤǞǥǚ
ƱǵǯǚǳǞǸ ǢǚǜǚǷǱǹǡ ǚƬǯǚǮǯ ǭǚǯǹǚǭǚǶǯƤǢǮǚǭǛ ǩǞǸǚǟǱǸƤǭ Ǡ Ǥǹ ǭǱǥǱǹǚǨǤ
ǵǞǶƤǹǶǯǞǹǡ:
Before is too late, Brazil, 2015, 01:40
Director Alexandre Dubiela
A tyrannical king explores the resources of his planet until the last consequence.
ƶǵǯǤ ƱǤǶǨƤǤǢ, ưǷǶǸǹǚǥǤǚ, 2015, 21:00
ǋǞǣǤǶǱǹ` ưǝǚǭ ǠǥǤǱǢ
ǌǚ ƩǚǮǯǚǨ ƼƤǥ ǒǚǹǤǟǞǺǤ ǦǹǸǷǤǥǚǨǯǞǹ ǳǚǸǹǚǶǸǱǫ ǭǚǹǝƤ ǳǚǸǭƤǢǮƤǯ
Ǡ, Ƥǭ ǨǮǚǯǽǡ ǜǥǦǤǷǚǮǹ ǼǱǦǷƤǭ Ǡ, ǞǹǛ ǶǚǸǨǚǧ ǚǫǚƭǤǯ ǩǚǮǸǯǷƤǭ Ǡ Ǥǹ ǝǵǚǯ
ǰǞƩǯ:
Ernie Biscuit, Australia, 2015, 21:00
Director Adam Elliot
The clayography of a lonely Deaf Parisian Taxidermist whose life is turned upside
down and back to front when a dead pigeon arrives on his doorstep.
ǕƤǜǚ ǢǚǷǴƤǢǚǨǤ, ǰǞǼǱǹǤ Ȁ ǛǯǚǳǚǸǨǞǹǤ ǩǚǭǚǹ, ƻǞǩǚǶǸǚǯ, 2014,
0:18:00, 16+
ǋǞǣǤǶǱǹ` ǊǞǹǟǤ ƾƤǲǤǚ
ǊǞǹǟǤ ƾƤǲǤǚǯ 13 ǸǚǹǷǚ ǥǵƤǢǮƤǯǤǺ ǩǞǸǱ ǨǹǨǤǯ ǷǞǹǚǝǚǹǪǞǥ Ǡ Ǥǹ ǯǱǹ
ƬǝǤǸǚǸǤǷ ǳǚǸǭƤǢǮǚǭǛ, Ǳǹǯ ƤǯǤ ǳǱǞǸǤǨ ǿǤǥƩ ǨǚǵƤǺǷǚǧǽ: ǕǤǥǭǡ ǩǤƨǷǚǧ Ǡ
ǳǚǸǨǞǹǤ Ȁ ǞǹǚǣǰǸƤǢǮǚǯ ǩǚǹǚǛǞǹƤǢǮǚǯ Ƿǹǚ: ưǮǯ ǺƤǮǺ Ǡ ǸǚǥǤǶ ǟǜǚǺǭƤǯǽǯǞǹǤ
ǚǵǚǴǚǺǭǚǯ ǜǱǹǧǡǯǢǚǺǡ Ȁ ǚǮǯ ǛǯǚǳǚǸǨǞǹǤ ǱǹǱǯƤǭǡ, ǱǹǸǞǫ ǸǞǫǤ ǨƤǯǞǯǚǯ
ǜǱǹǧǱǫƤǢǮƤǯǯǞǹǡ:
Fugue for Cello, Trumpet and Landscape, Poland, 2014, 0:18:00, 16+
Director Jerzy KUCIA
Jerzy Kucia is back after thirteen years of silence with this meditative story in the
form of a poetic ȃlm based on a relationship between images and music. The ȃlm
shows the process of evoking feelings and searching for landscape speciȃcity by
recounting events which have taken place in the scenery.
27
Ʋǯǚ ƶƻƴ ǽǚǫǚǽ, ǈǤǯǚǶǸǚǯ, 2015, 09:28
ǋǞǣǤǶǱǹǘ ǍǞǯǮƤ ƻǤ
ǕǤǥǭǡ ǦǸǹǚǨǚǯƤǢǮƤǯǯǞǹǤ ǭǚǶǤǯ Ǡ: ǓǚǫǚǽǚǨǤǹǢ ǩǚǶǚǹǚǨƤǢǮƤǯƤǭ ǦǸǹǚǨǚǯƤǢǮƤǯǡ Ǳǲ ƩǚǮǯ ǲǤ ǷǞǹǚǺǞǥ, ǚǮǥȀ ǚǷǞǥǤ Ǡ ǚǬƤǭ` ǵǚǶǚǮǚǨǚǯ ǦǸǹǚǨǚǯƤǢǮƤǯ,
ǨǹǱǯǚǨǚǯ ǦǸǹǚǨǚǯƤǢǮǚǯ Ȁ ǚǮǥǯ, ǛǚǮǺ ǞǹǛǞƨ ǚƬǯǚǶǚǹǶǚǼǞǥǤǯ ǦǸǹǚǨǚǯƤǢǮƤǯǯ Ǡ ǯƤǮǯ ǵǚǶǚǮǤ ǯǞǹǨǚǮǚǺƤǺǤǲǯǞǹǤ ƩǴȀ: ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ Ƽ ǽǚǫǚǽǤǺ
ǞǨǚǧ ǼǱǽǹǤǨ ǦǱǟƤǨǤ ǭǚǶǤǯ, ǱǷ ǜǯƤǭ Ǡ ǭǚǮǹǚǽǚǫǚǽǘ ǒ ǽǚǫǚǽ, ǱǹǸǞǫ ǚǳǹƤǭ
Ǡ ǒǤǫǡ:
Go To City ELE, China, 2015, 09:28
Director Wenyu Li
The ȃlm is about discrimination! In the civilized society, the discrimination has
not disappeared, but there is a growing trend: racial discrimination, regional
discrimination, and so on, but sometimes the most terrible is that the discrimination between the same race. A story about a little pig who comes from the “P
town” go to the metropolis-”City ELE” where the elephants live.
ǓǚǹǞ ǚǳƤǹ, ǕǹǚǯǶǤǚ, ƱǞǥǜǤǚ, 2015, 07ȁ00
ǋǞǣǤǶǱǹǘ ǓǥǞƬǯǢǤǯ ǋǱǛǚǲ
ưǮǶ ǽǚǫǚǽǤ ǛǱǥǱǹ ǭǚǹǝǨǚǯǺ ǳǚǩǚǹǚǯǯǞǹǡ, ǚǼǶǞǯǞǹǡ Ȁ ǶǸǚǭǱǽǶǯǞǹǡ
ǝǚǸǚǹǨ Ǟǯ, ǛǚǮǺ ǬǚǰǤ ǣǚƨ Ǡ, ǤǶǨ ǩǞǵƤǶǸǚǺƤǮǺǱǷ ǦǱǩǚǹǚǹƤǢǮǚǯ ǩǚǫǱǹǝƤǭ
Ǡȁ ƱǱǥǱǹǯ ǤǹǞǯǺ ǸǯǞǹƤǭ (ǧǞǹ ǒǤǫǡ, ưǹǴǞǹǤ ǡǯǸǚǯǤǽǡ, ǆƤǯǡ, ƾǚǸƤǯ, ǃǹǴǮƤǯǡ,
ǇǟǯǤǯ Ȁ ƤǹǤǰǯǞǹǡ) ƤǰǚǝǤǹ ǥǶƤǭ Ǟǯ ǾǹǷǚ ǛǚǫǚǝǹǚǸǱǭǶǡǘ ǓǚǹǞ ǚǳƤǹȁ «ƹǚǮǵǤ
ǳǞǶ,- ǚǶƤǭ Ǡǹ ǩǚǫǱǹǝǚǷǚǹǡ,- ǳǞǸǽ Ǡ ǩǚǸƤǨ ǛǚǫǚǝǹǚǭǚǶ ǚǷǞǥǚǺǯǞǥ»ȁ ƱǚǮǺ
ǚǮǯǸǞǫ Ǩǚǹ Ʃ ǛǚǹǪǹǚǦǱǶ ǨǚǸƤ Ȁ Ǳǲ Ǳǽ ǲǨǚǹǱǫǚǺǚǷ ǥǶǞǥ, ǢǞ Ǳǹǯ Ǡǹ ǚǮǝ
ǛǚǫǚǝǹǚǭǚǶǡȁ
Stone Soup, France / Belgium, 2015, 07:00
Director Clementine Robach
The cupboards, plates and bellies of the people of this little town are all empty, but
it is supper time and there is a cookery show on the TV. In each of their homes, they
all (old Elephant, the Bear family, Dog, Cat, Ant, Hedgehog, etc.) listen attentively to
the recipe of the day: “Stone Soup”. As well as a rock, the presenter tells them, you
have to add a special ingredient. But there is a power cut and nobody gets to hear
what this ingredient is.
ǒǱǦǨǚǳǚǨǺǷǚǧƤǢǮƤǯ, ǕǹǚǯǶǤǚ, 2015,11ȁ25
ǋǞǣǤǶǱǹǘ ƱǱǹǤǶ ƻǚǛǞ
ǃǞǧ ǚǯǶǚǩǭǚǯƤǢǮƤǯǤǺ ƩǯǲȀ ǼǱǽǹ ǚǯǶǚǩǭǚǯƤǢǮƤǯ, ǸǤǞǟǞǹǽǤ ǛǱǥǱǹ ǛǚǯǞǹǡ
ǶǞǹǸǱǹǞǯ ǨǚǳǷǚǧ Ǟǯ. ǯǹǚǯǽ ǼǱǦǚǟǝƤǭ Ȁ ǷǞǹǚǨǚǯǜǯǷƤǭ Ǟǯ ǰǚǹǣǭǚǯ Ȁ
ǨǞǹǳǚǹǚǯǚǼǱǦƤǢǮǚǯ ǣǚǭǚǯǚǨȁ
Rhizome, France, 2015, 11:25
Director Boris Labbe
From the inȃnitely small to the inȃnitely large, all things in the universe are tightly
connected: they interact and restructure in a combination of movements and perpetual metamorphoses.
ǌǤǥǥǱǯ 672, ǕǹǚǯǶǤǚ, 2014, 04ȁ35
ǋǞǣǤǶǱǹǘ ƱǚǶǸǤǞǯ ƳƤǳǹǤǞǟ
ƲƤǮǯǞǹǡ Ȁ ǚǯǤǭǚǺǤǚǯ ǚǷǞǥǤ Ƥ ǚǷǞǥǤ ǦǱǹǯ Ǟǯ Ƭǟ ǸǚǯƤǭȁ
Sillon 672, France, 2014, 04:35
Director Bastien Dupriez
Colors and animations drive you deeper and deeper into these vinyls.
28
Short Films
ǌǚǯǹǷǚǧǽ, ǕǹǚǯǶǤǚ, ƺǸǚǥǤǚ, 2014, 08:09
ǋǞǣǤǶǱǹ` ǍǤǹǴǤǯǤǚ ǃǱǹǤ
ǇǻǶƤǺǤǲǡ Ȁ ǚǰǚǨǞǹǸǡ ƨǚǺǞǥ Ǟǯ ǝǚǸǚǹǨ ǝǚǶǚǹǚǯƤǭ: ǅǹǚǯǺ ǩǚǮǚǺǽǯǞǹǤǺ Ȁ
ǣǞǶǸǞǹǤǺ ǨǚǹǞǥǤ Ǡ ǞǯǢǚǝǹǞǥ, Ǳǹ ǶǨǶǷǞǥ Ǡ Ʃ ǸǚǹǾǹǤǯǚǨ ǚǵǞǹǞǶƤǭ:
Haircut, France, Italy, 2014, 08:09
Director Virginia Mori
A teacher and her pupil linger in an empty classroom. Through their looks and
gestures, a strange confrontation begins.
ǀǞǵǯǱǺǡ, ǕǹǚǯǶǤǚ, 2014, 08ȁ07
ǋǞǣǤǶǱǹǘ ƾǥǞƬǯǸǤǯǞ ǋǱǛǚǰ
ǀǮƤǯ Ǡ ǜǚǥǤǶȁ ƻǤǥǤǯ Ǥǹ ǳǚǳǤǨǤ ǩǞǸ ǢǵǲƤǯǯǞǹǤ ǛƤǮǯ Ǡ ǳǚǸǹǚǶǸƤǭ, ǱǹǳǞǶǟǤ
ǨǞǯǝǚǯǤǯǞǹǡ ǩǚǫǢǚǩǚǹǞǯ ǪƬǵǡȁ «ƺǶǨ ǚǮǜƤ ǭǮƤǶ ǨǞǯǝǚǯǤǯǞǹǡ, ǱǹǸǞǫǤǙǺ
Ǟǯ ǨǚǺǚǹǚǯ ǜǸǯǞǥƤ ǪƬǵǯ ǚǯǺǨǚǺǯǞǥƤ ǩǚǭǚǹ»,- ǩǞǸǚǽǹǽǹǷƤǭ Ǡǹ ǼǱǽǹǤǨ
ǚǫǴǤǨǡȁ ưǮǶǳǤǶǱǷǘ ǯǚ Ǥǹ ǪǞǵǯǱǺǡ ǝǯƤǭ Ǡ ǧǚǵǤ ǛǯǤ ǭǱǸ, ǱǹǸǞǫ ǯǹǚǯǽ ǸǞǫǚǝǹǞǥ
ǠǤǯ ǢǵǲƤǯǯǞǹǤ ǛƤǮǯǡȁ
The Mitten, France, 2014, 08:07
Director Clémentine Robach
It is snowing. Lily and her grandfather are making a little bird house to help the birds
survive over the winter. “But where do the other animals in the garden ȃnd shelter
in winter?” wonders the little girl. So she puts one of her mittens at the foot of the
tree where they have fastened the bird house.
ƻǤǥƤ, ƻǤǛǚǯǚǯ - ǿǹǚǯǶǤǚ, 2014, 07ȁ45
ǋǞǣǤǶǱǹǘ ǋǚǷǚǯ ǋǚǩǤǭ
ƻǤǥƤǯ ǲǚǼǚǟǚǯǺ ǟǜǚǮƤǯ Ǡ Ȁ ǟǚǹǭǚǯǚǥǤ, ǛǚǮǺ ǯǚȀ ǚǯǸǚǯǞǥǤ ǚǭǱǢǦǚǧȁ ǅǚ
ǶǸǚǯƤǭ Ǡ ǭǚǹǝǨǚǯǺ ǚǯǺǮǚǥǡ ǸǞǶǯǞǥƤ ǰǯǱǹǩǡ. Ȁ ǚǮǝ ǚƬǯǡ ǨǚǸǚǹǷƤǭ Ǡǹ Ǥǹ
ǨǚǭǽǤǺ ǚǯǨǚǦȁ
Lilou, Lebanon / France, 2014, 07:45
Director Rawan Rahim
Lilou is extremely sensitive and curious, but also crippled by an unbearable shyness. She receives the power to see into the past of people, and that will force
her out of her introversion.
ƵǚǸǤǨ, ǋƤǶǚǶǸǚǯ, 2014, 03ȁ05
ǋǞǣǤǶǱǹǘ ǃǚǹǤǯǚ ƾǚǹǳǱǷǚ
ƵǚǸǤǨǤǯ ǪǞǹǛǚǨǚǥƤǭ Ǟǯȁ ƿǤǭǚ ǯǚ ǚǳǹƤǭ Ǡ ǰǚǸ ǼǱǽǹǤǨ ǥƤǺǨƤ ǸƤǼǤ ƬǴ Ƥ
ǳǥǚǯǚǷǱǹƤǭ Ǡ Ǥǹ ǼǚǦƤǶǸǡȁ
Ladybug, Russia, 2014, 03:05
Director Marina Karpova
The Ladybug has been taken prisoner. Now she is living in a teensy tiny matchbox
and plotting her escape.
29
ƿǚǮǱǺ ǺǞǫǚǶǳǚǯƤǢǮƤǯ, ưǹǜǞǯǸǤǯǚ, 2015, 03:36
ǋǞǣǤǶǱǹ` ǉǚǛǥǱ ƲǱǶǸǚǯǮǚǯ
ưǮǶ ǩǚǸǨǚǯǰǚǨǚǯ ǸǚǹƤǭǘ 2015 ǢǷǚǨǚǯǤǯ, Ƭǯǽ ǶǸǞǫǧǞǺǤǯǽ ǚǯǤǭǚǺǤǱǯ
ǿǤǥǭǘ ǯǷǤǹǷǚǧ ƿǚǮǱǺ ǺǞǫǚǶǳǚǯƤǢǮǚǯǡ: ƸƤǹǽǚǨǚǯ ǨǚǵǚǷǚǹƤǢǮƤǯǡ ƬǹǣƤǭ
Ǡ ǩǚǮǱǺ ǺǞǫǚǶǳǚǯƤǢǮƤǯǡ: ưǯǺǞǥ Ǡ ǚǹǝǞǯ 100 ǸǚǹǤ, ǚǮǶǾǹ ǚǳǹǤǥǤ 24-ǯ Ǡ Ȁ Ƭǯǽ
ǰǚǹƤǯǚǨƤǭ Ǟǯǽ ǳǚǮǽǚǹǡ, Ʃǯǲ ǲǩǚǶǯǞǯǽ Ǭǚǯǚǲǭǚǯ: ǌǚ ǩǚǹǜǚǯǽǤ ǸƤǹǽ Ǡǘ
ǯǷǤǹǷǚǧ 1.500.000 ǟǱǩǞǹǤ ǩǤǰǚǸǚǨǤǯ:
Armenian Genocide, Argentina, 2015, 03:36
Director Pablo Gostanian
In this special year 2015, we did this cell animation short for the Armenian
Genocide centenary. The Turkish government denies to the date that the genocide took place. It has passed a hundred years, today April 24th, and we`ll keep
on ȃghting till recognition. This is a small tribute to the 1.500.000 victims.
ǃǤǚǮǯǚǨ ǨǮǚǯǽ, ǅǤǝǞǹǥǚǯǝǯǞǹ, 2014, 02:00
ǋǞǣǤǶǱǹǯǞǹ` ǊǱǛ ǊǱǹǤǶ Ȁ ǃǚǹǤǞǨǞ
ƾǚǦǚǹǝǚǨǚǯ ǷǤǯǤǥǚǮǤǯ ǶǨǚǷǚǵǚǨ ǥǶǞǥǤǶ ƩǚǮǯǚǨ ǉǤǚǯ ǩǚǯǨǚǹǧǚǨǤ
ǨǚǹǱǫǚǯƤǭ Ǡ ǬǚǯǚǳǚǹǩǱǹǝǞǥ Ǥǹ ǨǮǚǯǽǤ ƩǴǱǷ:
A SINGLE LIFE, Netherlands, 2014, 02:00
Directors Job Joris & Marieke
When playing a mysterious vinyl single, Pia is suddenly able to travel through her
life.
ƾǮǚǯǽǡ ǦǱǹǸǚǨǷǚǧ Ǡ, ƲǞǹǭǚǯǤǚ, 2015, 03:00, 6+
ǋǞǣǤǶǱǹǘ ǌǤǭǱǯ ǆǯǞǥǭǚǯ
ƾǮǚǯǽǤ ǩǤǯǜ ǨǚǹǬ ǝǞǳǽ, ǱǹǱǯǽ Ǥǹǚǹ Ǟǯ ǨǚǳǷǚǧ ǶȀ ǢǞǥǞǹǱǷ:
Life is rugged, Germany, 2015, 03:00, 6+
Director Simon Schnellmann
Five short sequences about life are linked together by a black point.
ǊǤ. ǃǚǩǡ ǥǱǫƤǭ Ǡ, ǃǱǥǝǱǷǚ,2014, 05:18
ǋǞǣǤǶǱǹ` ƳƩǸǹǤ ǍǱǥǱǰǤǯ
ǊǤǯ ǰǚǸ ǚǯǛǚǦǸ ǭǚǩ Ǡ, ǱǷ Ǥǹ ǜǱǹǧǤǺ ǚǮǝǽǚǯ Ǡǥ ǜǥƤǦ ǲǤ ǩǚǯƤǭ: ưǮǶ ǚǯǜǚǭ
ǳǞǸǽ Ǡ ǸǚǯǤ ǾǷǨǤǚǯǱǶǤ ƬǴǸǞǫƤǭ ƨǚǺǚǧ ǯǚǷǚǩǞǯǤ ǩǱǜǤǯ, ǛǚǮǺ ǚǶǞǥǡ ǩǞǰǸ
Ǡ, ǚǯǞǥǡ`ǝǣǷǚǹ:
Dji. Death Sails, Moldova, 2014, 05:18
Director Dmitri Voloshin
Dji is a terribly unlucky death who doesn’t seem good at his job. This time he
has to take the soul of a pirate stuck in the middle of the ocean, but that is
easier said than done!
30
Short Films
ǃǞǽǞǯǚ ǷǚǹǞǥ, ưǃǅ, 2014, 03:51, 18+
ǋǞǣǤǶǱǹ` ǅǚǢǞ ƸǞǤǶ
«ǃǞǽǞǯǚ ǷǚǹǞǥ»-ǡ ǩǞǜǯǚǨǚǯ ǩǚǮǚǺǽ Ǡ ǷǚǹǱǹǝǯǞǹǤ ǯǨǚǸǭǚǭǛ: ǉǚǮǢǮƤǯǯǞǹǱǷ:
DRIVING, United States, 2014, 03:51, 18+
Director Nate Theis
DRIVING is a satirical look at people in their cars. With explosions.
ƲƤǤǝǚ, ƱǹǚǟǤǥǤǚ, 2014, 11:22
ǋǞǣǤǶǱǹ` ǋǱǟǚǯǚ ǇǻǹǛǶ
ƲƤǤǝǚǯ ǩǚǬǞǥǤ ǾǹǤǱǹǝ Ǡ, ǱǷ 30 ǸǚǹǤ ǰǚǹƤǯǚǨ ǚǰǦǚǸǞǥ Ǡ ǽǚǫǚǽǚǳǞǸǚǹǚǯǤ
ǚǹǦǤǷƤǭ: ǅǹǚ ǨǮǚǯǽǡ ǼǱǦǷƤǭ Ǡ, ǞǹǛ ǢǞǹǢƤǭ ǸǞǶǯƤǭ Ǡ ǯǨǚǹǲƤǢǮǚǯ ǝǚǶǡǯǢǚǺǤ
ǩǚǮǸǚǹǚǹƤǢǮƤǯ: ƲǥǦǚǷǱǹ ǩǞǹǱǶƤǩƤ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ ǟǜǚǮƤǯƤǢǮǚǯ ǰǯǱǹǩǤǷ
ǺƤǮǺ Ǡ ǸǹǷƤǭ ǚǹǷǞǶǸǤ ǚǟǝǞǺǤǨ Ƥ ǷǞǹǚǨǚǯǜǯǱǫǚǨǚǯ ǩǚǸǨƤǢǮƤǯǡ, ǚǹǷǞǶǸǡ
ǱǹǳǞǶ ǷǞǹǚǼǱǦƤǢǮǚǯ Ȁ ǜǞǫǞǺǤǨǤ ǡǯǨǚǥǭǚǯ ǪȀ:
Guida, Brazil, 2014, 11:22
Director Rosana Urbes
Guida, a sweet lady who has been working as an archivist at a Courthouse for 30
years, has her routine changed when she sees a newspaper ad about life drawing classes in a cultural center of the city. Through the main character’s creative
sensibility, the short ȃlm offers a reȄection about the artistic inspiration recovery
process, art as a transformation agent and the concept of beauty.
ƿǤǯ ǝǚǰǯǚǭƤǹǤ ǳǚǸǭƤǢǮƤǯǯǞǹǡ, ǄǱǩǚǯ ǌǢǹǚƤǶ, ǋƤǶǚǶǸǚǯ, 2015,
13ȁ00, 6+
ǋǞǣǤǶǱǹǘ ƴǥǞǯǚ ǉǞǸǨǞǷǤǲ
ǃǞǯǽ ǩǤǭǚ ǍǤǞǯǯǚǮǱǻǭ Ǟǯǽǘ ǚǰǦǚǹǩǤ ǢǚǸǞǹǚǨǚǯ ǭǚǮǹǚǽǚǫǚǽǱǻǭȁ «ưǷǞǥǤ ǰǚǸ
ǰǱƤǯǞǹ»` Ƕǚ ǩǚǮǸǯǤ ǢǚǜǱǻǩǤ ǃǚǹǤǚ ƸǞǹǞǟǚǮǤ ǨǚǹǜǚǦǱǶǯ Ǡǹ. ǾǳǞǹǚǯǞǹǡ,
ǛǚǥǞǸǯǞǹǡ, ǝǤǭǚǨǚǩǚǯǝǞǶǯǞǹǡ ǽǚǫǚǽǱǻǭ ǰǚǸ ǨǚǹȀǱǹ ǠǤǯ ǍǤǞǯǯǚǯ ǯǚȀ
ǩǚǮǸǯǤ ǞǹǚǣǰǸǚǨǚǯ ǜǞǹǝǚǶǸǚǯǤǘ ǌǸǹǚǱǻǶǯǞǹǤ ǩǚǮǹǞǯǤǽǯ Ǡǹȁ
TALES OF THE OLD PIANO. Johann Strauss, Russia, 2015, 13:00, 6+
Director Elena Petkevich
We are in Vienna, the theatrical capital of the world. “More shows” was the motto
of the famous queen Maria Theresa, and operas, ballets, and masquerade balls were
an important part of city life. …And also Vienna was the home of a great musical
dynasty – the Strauss family…
ƸǚǜƤǩǤ Ʊǚǭǡ, ǆǷǞǮǺǚǹǤǚ, 2015, 11ȁ00
ǋǞǣǤǶǱǹǘ ǃǚǮǚ ƲǞǩǹǤǜ
«ǂǱǬǱǹǚǯ - ǽǚǫǚǽǡ» ǚǭǳǞǹǤǺ ǷǞǹ ǜǸǯǷǱǫ Ʃ ǽǚǫǚǽ Ǡ, Ǳǹǡ ǨǚǵǚǷǚǹƤǭ Ǡ
ǢǚǜƤǩǤǯȁ ƿǳǚǸǚǨǯǞǹǡǘ ƴǵǚǯǨǮƤǯǤǯ Ȁ ǓǚǵǚǨƤǶǤǯ, ǸǚǵǚǳƤǭ Ǟǯ ǤǹǞǯǺ ǞǹǨǹǤ
ǷǞǹȀ-ǯǞǹǽȀ ǥǤǯǞǥƤǺ Ȁ ƤǟƤǭ Ǟǯ ǚǟǚǸǷǞǥ ǤǹǞǯǺ ƸǚǜƤǩǤ ƱǚƩǺȁ «ǂǱǬǱǹǚǯ ǽǚǫǚǽǡ» ǳǚǮǢƤǭ Ǡ ǩǹǚǷǚǵƤǢǮƤǯǤǺ, ǼǱǢǱǹǨǱǸ ǧǱǷƤǭ ǷǞǹǚǧǷƤǭ Ǡ ǥǚǶǸǚǯǚǷǤ
Ȁ ǷǞǹǴƤǭ ǝǚǵǯƤǭ ǸǤǞǟǞǹǚǯǚǷȁ
Queen Bum, Switzerland, 2015, 11:00
Director Maja Gehrig
«Teeter-Totter-Town» is a Queendom high above the clouds. The subjects, Triangle and Fourangle, suffer from the ups and downs of their little world and
would like to get rid of their Queen Bum. «Teeter-Totter-Town» explodes in an
array of ȃreworks, turns into a raft aȄoat on stormy seas and ȃnally drifts as a
starship through outer space.
31
ǃǚǹƩǯǡ, ǕǹǚǯǶǤǚ - ƱǞǥǜǤǚ, 2014, 14ȁ00
ǋǞǣǤǶǱǹǯǞǹǘ ƻƤǤǶǞ ƻǞǭǱǤǯǞ ǎǱǹǞǶ, ǇǻǤǥǤǚǭ ƿǞǯ
ǃǞǹ ǩǚǶǚǹǚǨƤǢǮƤǯǡ ǾǳǸǤǭǚǥǚǺǷǞǥ Ǡ ǥǚǷǚǜƤǮǯǶ ǧǚǵǚǮǞǥƤ ǸǯǸǞǶƤǢǮǚǯǡ,
ǝǱǜǭǚǯǞǹǤǯ Ƥ ǷǞǹǚǹǸǚǝǹƤǢǮǚǯǡȁ ǅǚȀ ǨǯǱǴ ǭǚǹƩǯǡȁ
The Flesh, France-Belgium, 2014, 14:00
Directors Louise Lemoine Torrès, William Henn
Our society has been optimized to best serve the economy, dogma and reproduction. Woman’s body too.
ǃǞǨ ǳǚǹǚǯǤǯ ǨǚǳǷǚǧ ǷǚǜǹǞǹǡ, ǕǹǚǯǶǤǚ, 2014, 08ȁ00
ǋǞǣǤǶǱǹǘ ƱǞǯǱǤǢ ǈǮǱǫ
ǃǚǮǹǡ ǯǚǦǚǸƤǭ Ǡ Ǥǹ ǲǚǼǚǟǚǯǺ ǧƤǮǥ ǸǫǚǮǤǯ Ȁ ǸǚǯǞǥ ǲǤ ǨǚǹǱǫǚǯƤǭ, Ǳǹ
ǱǹǝǤǯ ǚǭǛǱǫǴ Ǿǹǡ ƤǸƤǭ Ǡ Ƥ ǽǯƤǭȁ ǍǞǹǴǚǳǞǶ Ʃ Ǿǹ Ǹǫǚǯ ǱǹǱǰƤǭ Ǡ ǚǰǦǚǸǞǥǘ
ǚǯǶǳǚǶǞǥǤǱǹǞǯ ǺƤǺǚǝǹǞǥǱǷ Ǥǹ ǞǹȀǚǨǚǮƤǢǮƤǯǡ, ǶǸǞǫǧǚǹǚǹƤǢǮƤǯǯ Ƥ ǩǚǭǚǵƤǢǮƤǯǡȁ
TIGERS TIED UP IN ONE ROPE, FRANCE, 2014, 08:00
Director BENOIT CHIEUX
An extremely lazy young boy is harassed by his mother who cannot bear to see
him eat and sleep all day after day. He eventually decides to get to work and shows
unexpected imagination, creativity and tenacity.
ǂǚǭǼǱǹǝƤǢǮƤǯ ǱǸǽǱǷ, ƺǶǳǚǯǤǚ, 2015, 14ȁ43,16+
ǋǞǣǤǶǱǹǘ ƼǹǤǶ ǌǞǭǛǞ
ƲǤǰǞǹǷǚ ǜǯǚǺǽǤ ǬǚǭǼǱǹǝƤǢǮƤǯȁ ƲǯǚǺǽǡ ǥǤ Ǡ ƤǫȀǱǹǯǞǹǱǷȁ ǀǞǹ ǦǺǤǨƤǭ Ǡ Ʃ
ǯǮǚǹǝǚǮǯǚǺǯǱǫ ƤǫǞǨǤǺ: ƺǙǯǲ ǨǚǯǞǽ ǝƤǽ ǩǚǯǜǤǶǸ ƤǫȀǱǹƤǢǮƤǯ ƤǯǞǯǚǥƤ ǩǚǭǚǹȁ
Travel by feet, Spain, 2015, 14:43, 16+
Director Khris Cembe
A night train journey. A wagon full of passengers. An annoying companion in
your compartment... What would you be willing to do in order to have a peaceful journey?
98-ǹǝ ǚǥǤǽ, ƻǤǛǚǯǚǯ, 2015, 14ȁ55
ǋǞǣǤǶǱǹǘ ƶǥǤ ƳǚǫǞǹ
ƺǹ ǨǮǚǯǽǤǺ ǩǤǚǶǢǚǼǷǚǧǘ ƱǞǮǹƤǢǤ ǚǹǷǚǹǪǚǯǯǞǹƤǭ, ǔǭǚǹǤǯ ǨǥǚǯƤǭ Ǡ
ǽǚǫǚǽǡȁ ƷǯǨǫǭǷǚǧ Ʃ ǚǰǦǚǹǩǤ ƬǴ, Ǳǹǯ ǚǮǝǽǚǯ ǭǱǸ Ȁ ƩǚǣǚǭǚǯǚǨ ǚǮǯǽǚǯ
ƬǨƤǶǚǺǚǧ Ǡ, ǯǚ ǶǨǶƤǭ Ǡ ǳǚǮǽǚǹǞǥ Ǥǹ ǪǞǵǽǛǞǹƤƨǞǹǯ Ƥ ǸƤǯǡ ǳǚǩǞǥƤ ǩǚǭǚǹȁ
Waves ‘98, Lebanon, 2015, 14:55
Director Ely Dagher
Disillusioned with his life in the suburbs of segregated Beirut, Omar’s discovery lures
him into the depths of the city. Immersed into a world that is so close yet so isolated
from his reality that he eventually ȃnds himself struggling to keep his attachments,
his sense of home.
ǆǰƤǨǡ, ƸǚǮǷǚǯ,2015, 04:00
ǋǞǣǤǶǱǹ` ƻǤ, ƾǚǮǤ-ƿƤǞǤ
ǃǤ ǧǞǹ ǜǹǱǫ-ǯǚǳǚǶǸǚǨ ǰǚǸ Ǡ ǷǶǸǚǩƤǭ Ǥǹ ǚƬǯǚǶǤǹǞǥǤ ǡǯǨǞǹǱǴǡ` ǽǚǭƤǯ:
ǓǚƩǯ ǯǹǚǯ ǱǜǞǰǯǲƤǭ Ǡ ǶǸǞǫǧǚǜǱǹǧǞǥ: ƹǚǭǚǯǚǨǤ ǡǯǢǚǺǽƤǭ ǯǹǚǯǺ
ǡǯǨǞǹƤǢǮƤǯǡ ǷǞǹǚǧǷƤǭ Ǡ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ ǿǚǯǸǚǶǸǤǨ ƤǫȀǱǹƤǢǮǚǯ: ưǹǝǮǱǙǽ
ǽǚƩǯ ǤǶǨǚǳǞǶ ǜǱǮƤǢǮƤǯ ƤǯǤ: ƳƤǽ ǩǚǷǚǸǱǙǻǭ Ǟǽ ǝǹǚǯ:
The Whisper, Taiwan(R.O.C.), 2015, 04:00
Director Li, Kai-Huei
An old rabbit writer ȃrmly trusts his dearest friend ð wind. He brings him the inspiration for creation. As the time passing by, their friendship experiences a fantastic
creative journey. Does the wind really exist? Do you believe in it?
32
Short Films
ǅǚǷǚǦƤǺ, ǋƤǶǚǶǸǚǯ, 2015, 06ȁ30, 12+
ǋǞǣǤǶǱǹǘ ƺǜǱǹ ǃǞǥǯǤǨǱǷ, ǅǚǸǚǥǤǚ ǃǤǹǟǱǮǚǯ
ǉǚǸǭƤǢǮƤǯǯ ǚǮǯ ǭǚǶǤǯ Ǡ, ǢǞ Ǥǯǲ ǨǥǤǯǤ, ǞǢǞ ƤǰǚǝǹƤǢǮƤǯ ǝǚǹǪǯǞǽ ǭǚǯǹƤǽǯǞǹǤǯ
Ȁ ǩǞǸǚǟǱǸǞǽ ǪǞǫǯǚǩǚǹǨǞǹǡȁ
The Hatchway, Russia, 2015, 06:30, 12+
Directors Igor Melnikov, Natalia Mirzoyan
The story about what happens if you pay attention to the small things and go exploring the hidden hatchways.
ưǷǤǹǷǚǧ, ƾǚǯǚǝǚ, 2015, 01ȁ56
ǋǞǣǤǶǱǹǘ ǃǚǹǤǚ ǃƤǹǚǝǮǚǯ
ưƬǯ Ǿǹ ǭǚǮǹǡ ǱǹǝƤǯ ǝǳǹǱǺ ƤǫǚǹǨǞǥƤǺ ǚǵǚǴ ǩǹǚǣǞǰǸ Ǡ ǸǚǥǤǶ Ȁ ǶǳǚǶƤǭ
Ǡ ǯǹǚ ǷǞǹǚǝǚǹǪǤǯ, ǲǤǭǚǯǚǥǱǷ, ǢǞ ǚǹǝǮǱǽ ǠǥǤ ǨǸǞǶǯǤǙ ǱǹǝƤǯǘ ǝǹǶǤ ǵƤǭǛǞǹǤ
ǳǚǸǬǚǵǱǷȁ
Shattered, Canada, 2015, 01:56
Director Anna Maria Mouradian
Every day the mother says goodbye to her child before he goes to school and
waits for him to come back without knowing if she will see him again, because
of the bombs outside.
ƴǯǢǚǜǤǸǚǨǺƤǢǮǚǯ ǸƤǯ, ƶǶǸǱǯǤǚ, 2015, 10:41, 18+
ǋǞǣǤǶǱǹ` ǉǹǤǸ ǎǞǯǝǞǹ
ǕǤǥǭǡ ǩǤƨǷǚǧ Ǡ ǧǦǯǞǥƤǮǟ ǭǚǽǹǱǫǤ ǞǹǚǟǯǞǹǤ ǞǹǨǚǹǚǸȀ ƤǶƤƨǚǶǤǹƤǢǮǚǯ
Ƿǹǚ: ưǵǨǚ ǩǚǹƤǶǸ ǯǮƤǢǤǺ ǡǯǸǹǷǞǥ Ǟǯ ǩǚǬǚǦ ǩǚǯǝǤǳǱǫ ǳǚǸǨǞǹǯǞǹǡ Ȁ
ǶǺǞǯǚǹǡ ǜǹǷǞǥ Ǡ ǡǶǸ ǚǮǝ ǳǚǸǨǞǹǯǞǹǤ: ǍǤǬǚǨǚǜǹƤǢǮƤǯǡ ǺƤǮǺ Ǡ ǸǚǥǤǶ, Ǳǹ
ǿǤǥǭǡ ǚǮǯ ǞǹǚǟǤ ǭǚǶǤǯ Ǡ, Ǳǹǡ ǧǦǯǞǥƤǮǟ ǭǚǽǹǱǫǡ ǚǵǚǷǞǥ ǩǚǬǚǦ Ǡ ǸǞǶǞǥ:
House of Unconsciousness, Estonia, 2015, 10:41, 18+
Director Priit Tender
This ȃlm is based on a long-term study of the dreams of chimney sweepers. The
most frequently encountered images have been selected from the abundant material available and the script was created on the basis of those images. Statistics
support the claim that this ȃlm presents one of the dreams that chimney sweeper’s
encounter most frequently.
ǎƤǯǡ, ǋƤǶǚǶǸǚǯ, 2015, 09:32, 12+
ǋǞǣǤǶǱǹ` ǕǤǥǤǳ ǄǚǹǤǯ
ǕǤǥǭǡ Ƭǟ ǳǚǸǭƤǭ Ǡ Ʃ ǡǯǸǚǯǤǽǤ ǭǚǶǤǯ: ƲǥǦǚǷǱǹ ǩǞǹǱǶǡ ǯǨǚǹǤǲ Ǡ, ǱǷ ǨǞǹǸƤǭ
Ǡ ǤǹǞǯ, ǩǞǸǱ Ǥǹ ǰǹǴǚǳǚǸǡ` Ǥǹ ǚǰǦǚǹǩǡ Ȁ Ǥǹ ǎƤǯǡ: ƱǯǚǨǚǹǚǯƤǭ ǚǮǥȀǶ Ǳǲ Ʃ
ǛǚǯǤ ǩǚǭǚǹ ǸǞǫ ǲǨǚ: ƱǚǮǺ Ʃ Ǿǹ ǩǚǮǸǯǷƤǭ Ǡ Ʃ ǭǚǹǝ, ǱǷ ǸǞǫǤ ǨǚǹǤǽ ǲƤǯǤ. ǯǹǚ
ǚǰǦǚǹǩǡ ǚǭǛǱǫǴǱǷǤǯ ǨǚǟǭǷǚǧ Ǡ ǸǚǵǞǹǤǺ Ȁ ǛǚǵǞǹǤǺ:
The Home, Russia, 2015, 09:32, 12+
Director Philipp Yarin
This ȃlm tells us a story of one family. The main hero is an artist, who creates
herself, then her environment: her world and her Home. In her house there’s no
space for anything else. But then a man appears who doesn’t need space: his
world is made up of letters and words.
ƶǹǥǨǤǯǜ, ǆǷǞǮǺǚǹǤǚ, 2015, 05:30
ǋǞǣǤǶǱǹ` ǊǞǱǹǴǤǶ ǆǷǤǺǜǞǛǞǥ
ƿǚǮǹƤǱǹǝƤ ǚǯǸǚǵǱǷ ǪǤǚǷǚǹƤǭ Ǟǯ: ƿǤǷǚǯǝ ǞǹǞǦǚǮǤǯ ǢǷƤǭ Ǡ, ǢǞ ǸǞǶǯƤǭ
Ǡ ƶǹǥǨǤǯǜǤǯ, Ǳǹǡ Ȁǖ ǩǭǚǮƤǭ, Ȁǖ ǷǚǦǞǺǯƤǭ Ǡ ǯǹǚǯ: ƿǤƨǷǚǧ Ǡ ƲǮǱǢǞǤ «ưǯǸǚǵǤ
ǚǹǽǚǯ» ǳǱǞƩ Ƿǹǚ, ǤǶǨ ǞǹǚǣǰǸƤǢǮƤǯǡ ǆƤǛǞǹǸ/ƻǤǶǸ-ǯǯ Ǡ:
Erlking, Switzerland, 2015, 05:30
Director Georges Schwizgebel
A father rides with his son through the forest. The sick child thinks he sees the Erlking, who both charms and frightens him. Based on Goethe’s poem Erlkönig and the
music of Schubert/Liszt.
33
ƾǮǚǯǽ ƿǞǹǭǚǯ ƿ. ǋǱǸǤ ǩǞǸ, ƶǶǸǱǯǤǚ, ƼǱǹǷǚǢǤǚ, ƳǚǯǤǚ, 2015, 11:06
ǋǞǣǤǶǱǹ` ǈǤǯǸǤǶ ƻƤǯǝǜǹǞǯ
ƿǞǹǭǚǯǡ ǚǵǯǞǸ Ǡ, Ƥǭ ǝƤǹ Ǟǯ ǜǚǥǤǶ ǚǥǨǱǩǱǥǚǮǤǯ ǦƩǲǽǯǞǹǡ, ǛǚǹǪǹ ǞǹǚǣǰǸƤǢǮƤǯǡ Ȁ ǳǚǯǤǹǡ: ǅǚ ǲǤ ǩǞǸǚǽǹǽǹǷƤǭ ǭǚǽǹƤǢǮǚǭǛ Ȁ Ǹǚǯ ǦǚǵǯǚǰǼǱǢǤǺ
ǤǹǞǯ ƩǚǮǯ ǚǷǞǥǤ ǥǚǷ Ǡ ǟǜƤǭ: ǃǤ Ǿǹ ǰǚǸ ǭǚǽǹǚǶǞǹ Ʃ ǨǚǸƤ, ǱǷ ǢǚǼǢǼǷǚǧ
ǭǚǲǱ-ǸǫǚǭǚǹǝǨǚǯǺ ǩǚǯǝǞǳ ǢƤǥƤǢǮƤǯ ƤǯǤ, ǱǹǱǰƤǭ Ǡ ǸǞǫǚǼǱǦǷǞǥ ǚǵǯǞǸǤ
ǭǱǸ: ǅǚ Ǥǹ ǩǞǸ ǯǚȀ ǛǞǹƤǭ Ǡ ǼǱǰǞǨƤǥ, ǝǚǰǯǚǭƤǹ Ȁ Ǳǹ ǚƬǯǚǷǚǸǯ Ǡ` ǝǚǶǚǨǚǯ
ǞǹǚǣǰǸƤǢǮǚǯ ǪǚǮǯǚǜǹƤǢǮƤǯǯǞǹ:
Life with Herman H. Rott, Estonia, Croatia, Denmark, 2015, 11:06
Director Chintis Lundgren
Herman is a rat who enjoys heavy drinking, loud grind music and chess. He doesn’t
care much for cleaning and the disorder in his apartment only makes him feel more
at home. One day a very tidy cat who has a weakness for messy macho-men, decides
to move in. She also brings a vacuum cleaner, a piano, and what’s worse - a collection of classical music records.
ǃǤǰǸ ǩǱǜǯǚǧ, ƲǞǹǭǚǯǤǚ, 2014, 06:00, 6+
ǋǞǣǤǶǱǹǘ ǊǱǰǞǯ ƾƤǩǞǯ
ƿǚǭǚǵǱǸ ǚǨǯǚǹǨ ǩǱǜǯǚǧƤǢǮǚǯ ǭǚǶǤǯ:
Always Tired, Germany, 2014, 06:00, 6+
Director Jochen Kuhen
Brief notes on tiredness.
ǒǱǨǞǹǤ ǨǫǟǤ, ƻǚǸǷǤǚ, 2014, 06ȁ00, 7+
ǋǞǣǤǶǱǹǘ ƶǝǭƤǯǝǶ ǊǞǯǶǱǯǶ
ǃǱǦǹǚǜƤǮǯ ǧǱǷǤ ƬǴǸǞǫƤǭ Ʃ ǜǱǹǰ ǨǫǟǤ Ǩǚȁ ưǮǶ ǜǱǹǰ ǨǫǟƤǭ ǜǱǹǰ ǱǹǶǱǹǝǯǞǹ
Ǟǯ ǚǳǹƤǭȁ ƾǮǚǯǽǡ ǳǚǹǟ Ǡ Ƥ ǝǚǣǚǯȁ ǒǱǨǞǹǡ Ȁ ǱǹǶǱǹǝǯǞǹǡ ǚǳǹƤǭ Ǟǯ ǧǚǯǹ
ǩǚǨǚǭǚǹǸƤǢǮǚǯ ƬǴȁ ǃǤ Ǿǹ ǥƤǶǚǯǨǚǹǤǲǡ ǜǚǥǤǶ Ǡ, ǱǹǳǞǶǟǤ ǚǹǪǚǯǚǜǹǤ ǯǹǚǯǺ
ǚǵǾǹǮǚǯȁ ǉǚǹǟǷƤǭ Ǡ, Ǳǹ ǯǹǚ ǩǚǭǚǹ ǚǮǝ ǚƬǯǡ ǲǚǼǚǟǚǯǺ Ǜǚǹǝ Ǡ ǥǤǯǞǥƤȁ
Isle of Seals, Latvia, 2014, 06:00, 7+
Director Edmunds Jansons
In the middle of a grey sea there is a grey isle. On this grey island grey hunters live.
The life is simple and harsh. Seals and hunters live together in a cruel balance. One
day, the Photographer arrives to document this everyday life. For him it turns out to
be deadly complicated.
ƱǚǺƤǭǡ, ƱǞǥǜǤǚ, 2014, 06ȁ05
ǋǞǣǤǶǱǹǘ ưǸǞǥǮǞ ƾǱǥǞǨǢǤǿ
«ƱǚǺƤǭǡ» ǯǞǹǨǚǮǚǺǯƤǭ Ǡ ǿǤǥƬǹǤ ǦǚǵǯǷǚǧ ǞǯǢǚǜǹǞǹǡ:
THE OPENING, Belgium, 2014, 06:05
Director Atelier Collectif
«The opening» mixes the ȃlm credits codes.
ƴǹǞǦǚǯǞǹǤ ǣǚǭǚǯǚǨǡ, ǋƤǶǚǶǸǚǯ, 2014, 05ȁ40
ǋǞǣǤǶǱǹǘ ǅǤǯǚ ƱǤǶǮǚǹǤǯǚ
ǃǤ Ǿǹ ǳǚǳǤǨǤ Ȁ ǢǱǵǯǤǨǤ ǨǮǚǯǽǤǺȁ ƻǤǹǤǨǚǨǚǯ ǳǚǸǭƤǢǮƤǯȁ
Children’s time, Russia, 2014, 05:40
Director Nina Bisyarina
One day in the life of the grandfather and grandson. Lyrical story.
34
Short Films
ǆǚǸ ƩǚǮǯǚǨ ǚǽǥǱǹǡ, ǋƤǶǚǶǸǚǯ, 2015, 06ȁ00
ǋǞǣǤǶǱǹǘ ƻǞǱǯǤǝ ǆƬǥǨǱǷ
ǃǤǚǮǯǚǨ ǚǽǥǱǹǤ ǩǚǭǚǹ ǶǚǹǶǚǼǞǥǤ ǝǣǷǚǹ Ǿǹ Ǡǹȁ ƿǚǷǚǯǚǛǚǹ Ƿǚǫǡ ǚǷǞǥǤ ǥǚǷ
ǨǥǤǯǤ:
Very lonely Cock, Russia, 2015, 06:00
Director Leonid Shmelkov
It was a hard day for the very lonely cock. Perhaps tomorrow it’ll be better.
ƾƤǳǚǷǚ, ǋƤǶǚǶǸǚǯ, 2014, 13ȁ00
ǋǞǣǤǶǱǹǘ ǔǨǶǚǯǚ ǈǞǹǨǚǶǱǷǚ
ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ Ʃ ǞǹǤǸǚǶǚǹǝ ǚǫǴǨǚ ǭǚǶǤǯ, ǱǷ Ʃ ǚǯǜǚǭ ǚǯǸǚǵƤǭ
ǩǚǯǝǤǳƤǭ Ǡ ǧǞǹ ǨǚǦǚǹǝǤȁ ƾǚǦǚǹǝǯ ǾǜǯƤǭ Ǡ ǯǹǚǯ ǚǯǺǯǞǥ ǩǤǚǯǚǥǤ
ǼǱǦǚǨǞǹǳƤƨǞǹǤ ƩǴǱǷ Ȁ ǝǚǵǯǚǥ ǩǚǶƤǯ Ƥ ǤǯǽǯǚǷǶǸǚǩȁ
Kupava, Russia, 2014, 13:00
Director Oksana Cherkasova
A story of a young girl who once met an old witch in the woods. The witch helped
her go through wonderful transformations and become mature and self-conȃdent.
ǉǚǸǭƤǢǮƤǯǯǞǹ ǩǤǯ ǝǚǰǯǚǭƤǹǤ ǭǚǶǤǯ, ǋƤǶǚǶǸǚǯ, 2015, 13:00, 6+
ǋǞǣǤǶǱǹǘ ưǥǞǽǶǚǯǝǹ ƲƤǹǤǞǷ
ƲǥǤǯǨǚ ǚǯƤǯǡ ǜǚǥǤǶ Ǡ ǩǱǫǤ Ʃ ǸǞǶǚǨǤ ǚǯǷǚǯƤƩǺ, Ǳǹǯ Ǡ ǜǥǤǯǚǯ` ǨǚǷǡ: ưǭǛǱǫǴ
ǨǮǚǯǽƤǭ ǃǤǦǚǮǤǥ ƺǷǚǯǱǷǤǲ ƲǥǤǯǨǚǯ ƤǟǞǺǞǥ Ǡ ǨǚǷǤǺ ǪǚǮǯǞǹ ǶǸǚǯǚǥ, ǱǹǱǯǽ
ƤǫǞǨǺǞǥ Ǟǯ ǤǹǞǯ ǭǚǯǨƤǢǮƤǯǤǺ ǶǨǶǚǧ:
TALES OF THE OLD PIANO. Mikhail Ivanovich Glinka, Russia, 2015, 13:00, 6+
Director Alexandr Guriev
The name Glinka comes from a type of soil – glina, clay. And all his life Mikhail
Ivanovich Glinka wanted to craft from “clay,” the sounds that were surrounding him
from the moment of his birth, the ȃne china of music.
ǅǶǸǚǹǚǯǯǞǹ No. 0458, ǋƤǶǚǶǸǚǯ, 2015, 06:32
ǋǞǣǤǶǱǹ` ƺǷǚǯ ǃǚǽǶǤǭǱǷ
ưǯǩǚǷǚǯǚǨǚǯ ǳǚǸǭƤǢǮƤǯǯǞǹ, ǱǹǱǯǽ ǸǞǫǤ Ǟǯ ƤǯǞǯƤǭ ǚǮǜƤ ǯǶǸǚǹǚǯǯǞǹǤ
ǭǱǸ:
Benches No. 0458, Russia, 2015, 06:32
Director Ivan Maximov
Some absurd situations around the park benches.
35
#ƻƺǅƲǇ ǉǱǹǸƤǜǚǥǤǚ, 2015, 0:10:30
ǋǞǣǤǶǱǹǯǞǹ` ƳǚǯǤǞǥ ǕǤǥǤǳǞ, ǍǤǯǶǞǯǢ ǋǱǨǞ
ƻǤǯǜǱǯ, ƩǚǮǯƤǢǮƤǯǡ, ƤǹǤǰǯǞǹǤ ǚǹǩǚǭǚǹǩǚǯǽǡ ǩǚǫǢǚǩǚǹǞǥƤ Ȁ ǡǯǨǞǹǯǞǹ
ǜǸǯǞǥƤ ǯǳǚǸǚǨǱǷ ǜǹǚǯǺǷƤǭ Ǡ ǶǱǺǤǚǥǚǨǚǯ ǨǚǮǽǞǹƤǭ: ǆƤǸǱǷ ǯǚ ǩǚǶǨǚǯƤǭ
Ǡ, Ǳǹ ǷǤǹǸƤǚǥ ǡǯǨǞǹǯǞǹǡ, ǥǚǮǽǞǹǡ Ȁ ǶǞǥǿǤǯǞǹǡ ǞǹǴǚǯǨƤǢǮƤǯ ǲǞǯ ǛǞǹƤǭ:
#LINGO, Portugal, 2015, 0:10:30
Directors Daniel Filipe, Vicente Roque
To overcome loneliness and contempt of others, Lingo connects to social networks
to get some companionship. BrieȄy he’ll realize that online friends, likes and selȃes
do not bring happiness.
ǒǱǼǱǦǚǨǚǯ ƴǹǨǹǚǲǚǼƤǢǮƤǯ, ƱǞǥǜǤǚ, 2015, 0:04:20
ǋǞǣǤǶǱǹ` ǃǚǹǤ-ƱǹƤǯǞ ǝǡ ǈǚǶǞǮ
ƴǹǞǦǚǯǞǹǡ Ƥ ǨǞǯǝǚǯǤǯǞǹǡ ǨǞǹǳǚǹǚǯǚǼǱǦǷƤǭ Ǟǯǘ ǺƤǮǺ ǸǚǥƤ ǩǚǭǚǹ, ǢǞ
ǤǯǲǳǞǶ ǨǚǹǱǫ Ǡ ǮƤǹǚǽǚǯǲǮƤǹǡ ǟǜǚǥ ǶǞǼǚǨǚǯ ǭǚǹƩǯǡ, Ƥ ǚǮǝ ǚƬǯǡ ǸǞǫǤ Ǡ
ƤǯǞǯƤǭ ƤǹǤǰǯǞǹǤ Ƥ ǶǞǼǚǨǚǯ ǚǲǽǤ ǚǵǚǴ:
Variable Geometry, Belgium, 2015, 0:04:20
Director Marie-Brune de Chassey
Children and animals are changing states to illustrate the way one can sense its
own body, under the eyes of others and through one’s own gaze.
ưǭǚ, ǕǹǚǯǶǤǚ, 2015, 0:03:24
ǋǞǣǤǶǱǹǯǞǹ` ƶƩǥǤǞ ưǥǭǚǤǝǚ, ƻǤǚǯǜ ƿƤǚǯǜ, ǃǚǯǶƤǹǞǩ ƾǚǭǚǹǤ, ǊƤǥǤǞ
ǋǱǛǞǹǸ, ǊƤǥǤǞǸǞ ǉǞǱǳǱǹǸǤǞ, ƸǱǯǤ ǇǻǯǶǞǹ
1950 ǢǷǚǨǚǯ, ǂǚǳǱǯǤǚǮǤ ǚǼ. ǚƬǹǤǨǚǺǤ ǨǤǯǡ ǟǤǯǷǱǹǚǨǚǯ ǚǭƤǶǯƤ Ȁ Ʃ
ǦƤǭǛ ǡǯǨǞǹǯǞǹǤ ǩǞǸ ǚǮǺǞǥƤǭ Ǡ ǜǮƤǫ: ƼǭǛǤǺ ǚǯǴǚǸǷǞǥǱǷ` ǯǚ ǩǚǯǝǤǳƤǭ Ǡ
ǅǚƩǨǱǮǤǯ` ǞǹǤǸǚǶǚǹǝ ǪǨǯǱǹǶǤǯ:
Ama, France, 2015, 0:03:24
Directors Emilie Almaida, Liang Huang, Mansoureh Kamari, Julie Robert, Juliette Peuportier, Tony Unser
1950: On the coast of Japan, an American woman is visiting a village with her military husband and a group of friends. Breaking away from the group, she meets with
Namiko, a young ama ȃsherwoman.
ǓǚǯǤ Ǳǹ ǜǯƤǭ Ǟǭ ƺǶǹǚǮǞǥ, 2015, 0:07:53, 10+
ǋǞǣǤǶǱǹ` ƺǯǛǚǹ ƾǱǹǞǭ
ǋǱǯǤǤ ǞǫǛǚǮǹǡ ǭǚǩǚǺǞǥ Ǡ ǟǤǯǷǱǹǚǨǚǯ ǧǚǵǚǮƤǢǮǚǯ ǣǚǭǚǯǚǨ, ǱǹǤǺ ǭǚǮǹǡ
ǩǚǮǸǯǷǞǥ Ǡ ǦǱǹǡ ǩƤǶǚǩǚǸƤǢǮǚǯ ƬǴ: ǋǱǯǤǯ ǯǨǚǹƤǭ Ǡ, Ƥ Ǥǹ ǯǨǚǹǯǞǹǡ ǠǴǞǹǤǺ
ǨǞǯǝǚǯǚǯƤǭ Ǟǯ: ǎǞǶǯǞǥǱǷ ǭǱǹ ǷǤǰǸǡ` ǋǱǯǤǯ ǱǹǱǰƤǭ Ǥǹ ǯǨǚǹǯǞǹǤ ƩǴǱǺǱǷ
ǷǞǹǚǨǞǯǝǚǯǚǺǯǞǥ ǞǫǛǱǹǡ, ǚǮǝ ǨǞǹǳ «ǷǞǹǚǝǚǹǪǯǞǥǱǷ» ǯǚȀ ǭǱǹǡ:
As I Go, Israel, 2015, 0:07:53, 10+
Director Inbar Korem
Roni’s brother died during the army service and her mother is in deepening
depression. Roni draws and her drawings come alive out of the pages. Seeing
her mother’s sorrow Roni decides that through her drawings she will bring her
brother to life, and by that, she will bring her mother back to her.
ƽǚǥǷǤǹ, Ʃ ǨǱǸǹǷǤǹ, ƲǞǹǭǚǯǤǚ, 2015, 0:03:26
ǋǞǣǤǶǱǹ` ǉǤǚ ƳǣƤǨǤǲ
ǃǞǸǚǫǚǥǚǹǤǺ ǳǚǸǹǚǶǸǷǚǧ ǚǹǽǚǮǚǟǯǡ ǳǚǹǤ ǣǚǭǚǯǚǨ ǤǹǞǯ ǩǚǹǭǚǹǞǺǯƤǭ
Ǡ ǳǚǹǡǯǨǞǹǱǴǡ: ǃǤǯǲ ǨǤǹǚǨǚǯǚǯǚ ǚǯǦƤǶǚǼǞǥǤǯ, ǯǹǚ ǸǞǶǽǡ ǼǱǦǷƤǭ Ȁ
ǦǞǫǚǢǮƤǹǷƤǭ Ǡǘ ǯǞǹǽǤǯ Ȁ ǚǹǸǚǽǤǯ ǚǟǝǞǺƤǢǮƤǯǯǞǹǤ ǩǞǸȀǚǯǽǱǷ:
Bend don´t break, Germany, 2015, 0:03:26
Director Pia Djukic
A prince made of wire adapts himself to his particular counterpart during a dance.
His shape is transformed and deformed because of inner and outer inȄuences till
the inevitable happens.
36
Graduation ȃlms
ǍǞǹǚǝǚǹǪ ǸƤǯ, ǕǹǚǯǶǤǚ, 2014, 0:04:18
ǋǞǣǤǶǱǹǯǞǹ` ƳǱǹǤǚǯ ƻǤ Ȁ ƻǞǱ ǆǷǚǮǺǞǹ
ǍǤǞǸǯǚǭǚǨǚǯ ǳǚǸǞǹǚǟƩ ǣǚǭǚǯǚǨ ǞǹǨƤ ǞǫǛǚǮǹǘ ǚǹǭǚǸǯǞǹǱǷ
ǈǤǯǚǶǸǚǯǤǺ, ǱǹǳǞǶ ǳǚǮǭǚǯǚǜǹǚǮǤǯ ǟǤǯǧǚǵǚǮǱǫǯǞǹ ǨǵǷƤǭ Ǟǯ ưƬǹǤǨǚǮǤ
ǩǚǭǚǹ: ƲƤǭǚǹǸǚǨǤǺ ǩǞǸ ƨǚǥƤǺ Ȁ ǴƤǯǜǥǤǯǞǹƤǭ ǨǱǹǞǥƤǺ ǩǞǸǱ` ǯǹǚǯǽ
ǶǸǤǳǷǚǧ Ǟǯ ǜǸǯǞǥ ǟǤǯǷǱǹǚǨǚǯ Ǜǚǟǚ ǷǞǹǚǝǚǵǯǚǥƤ Ǭǚǯǚǳǚǹǩǡ:
Back Home, France, 2014, 0:04:18
Director Dorian Lee and Léo Schweitzer
During the Vietnam War, two brothers of Chinese ancestry ȃght for the American forces as mercenaries. Isolated from their battalion and lost in the jungle,
they have to ȃnd their way back to the military base.
ƱǫǚǷǱǺ, ǕǹǚǯǶǤǚ, 2014, 0:08:52
ǋǞǣǤǶǱǹ` ƻƤǶǤǞǯ ưǯǸǤǜǯǤ
ǃǤ ǭǚǹǝ ǨǯǱǴ Ȁ ǱǹǝƤ ǩǞǸ ǩǚǯǜǤǶǸ ǚǳǹƤǭ Ǡ ǚǯǸǚǵƤǭ: ƱǚǮǺ ǚǮǶ ǩǚǯǜǤǶǸ
ǨǮǚǯǽǤ ǩǞǸȀƤǭ ǢǚǽǯǷǚǧ Ǡ Ʃ ǶǚǹǶǚǼǞǥǤ ǜǚǫǸǯǤǽ: ưǮǶ ǚǯǤǭǚǺǤǱǯ ǿǤǥƩ
ǯǳǚǸǚǨǯ Ǡ Ƭǟ ǩǚǹǺ Ǹǚǥ. «ƺǙǯǲ ǯǰǚǯǚǨƤǢǮƤǯ ƤǯǤ ǛǚǦǸǡ ǭǚǹǝƤ ǩǚǭǚǹ: ǃǤǙǢǞ
ǪǚǦǱǫƤǭǡ ƩǚǨ ǩǯǚǹǚǷǱǹƤǢǮƤǯǯ Ǡ»:
Bark, France, 2014, 0:08:52
Director Lucien Antigny
“A man lives peacefully in the wood with his wife and son. But behind this life a terrible secret is hidden lucky “is looking for happiness”. This animated short is questioning our search
as well as its aim: What does luck mean for the individual? Is failure the only possibility?
ǃǚǵǚǦƤǫ, ǽǚǹǞǹ Ȁ ƬǸǚǿǤǟǤǨǚ, ǕǹǚǯǶǤǚ, 2014, 0:05:46
ǋǞǣǤǶǱǹ` ƻǤǟǚ ǃǚǸƤǺǚǨ
ƲǚǫǸǯǤ ǩǚǯǝǤǳƤǭ ǥǬǤ ǭǱǸ, ǦǱǶǚǨǺƤǢǮǚǯ ǢǞǭǚǯ ǽǚǹǞǹǯ Ƥ ƬǸǚǿǤǟǤǨǚǯ Ǟǯ:
Mist, stones and metaphysics, France, 2014, 0:05:46
Director Lisa Matuszak
A furtive meeting around a lake, which speaks of stones and metaphysics.
ǈǩǚǮǚ, ǃǤǚǺǮǚǥ ƸǚǜǚǷǱǹƤǢǮƤǯ, 2015, 0:10:00
ǋǞǣǤǶǱǹ` ƳǞǛǚǯǴǚǯ ǅǚǯǝǤ
ǃǤ ǸǚǹǞǺ ǭǚǹǝ ǧǞǹǚǯǱǺƤǭ ǚǳǹƤǭ Ǡ Ǥǹ ǶǤǹǞǥǤ ǨǯǱǴ ǭǚǶǤǯ ǩƤǰǞǹǱǷ, Ǥǯǲǡ ǯǹǚǯ
ǶǸǷǞǹǤ ǳǞǶ ǩǞǸȀƤǭ Ǡ: ƱǚǮǺ ǯǹǚ ǚǯǺǮǚǥǡ ǚǟǝƤǭ Ǡ ǯǞǹǨǚǮǤ Ƿǹǚ: ǉǹǚǨǚǰǡ
ǩǚǮǸǷƤǭ Ǡ ǝǣǷǚǹ ǡǯǸǹƤǢǮǚǯ ǚǵǴȀ` ǩǤǳǯǱǶǚǺƤǭǡ` Ǳǲ ǤǹǚǨǚǯ Ǟǹǚǟ, ǢǞ
ǨǮǚǯǽǯ` ǤǯǲǳǞǶ Ǳǹ Ǩǚ:
Chhaya, Unated Kingdom, 2015, 0:10:00
Director Debanjan Nandy
An old man trapped in a mundane senior center living by the memory of his beloved
wife as his own shadow. But as his past sets in threatening his present, Prakash ȃnds
himself before a difȃcult decision: a mesmerizing but, unreal dream or life itself?
ǓǚǫǚǽǚǮǤǯ ǦǯǴƤǮǽ, ƲǞǹǭǚǯǤǚ, 2015, 0:03:33
ǋǞǣǤǶǱǹ` ƾǤǭ ǅǜƤǮǞǯ
ǇǻǰǚǝǹƤǢǮƤǯ ǱǹǱǯǞǥƤ ǬǚǯǚǳǚǹǩǤǯ ǭǚǹǝǡ ǜǸǯƤǭ Ǡ Ǥǹ ǩǚǷǞǹǣǚǨǚǯ ǌǤǹƤǯ:
City Party, Germany, 2015, 0:03:33
Director Kim Nguyen
On the Search for Attention, a man ȃnds his eternal Love.
37
ƾǱǶǭǱǞǸǤǨǱ, ƺǸǚǥǤǚ, 2015, 0:04:46, 12+
ǋǞǣǤǶǱǹ` ǃǚǹǸǤǯǚ ǌǨǚǹǳǞǥǤ
ƺǯǲǳǤǶǤǯǯ Ǡǹ ǚǰǦǚǹǩǡ ǯǚǦǽǚǯ ǸǤǞǟǞǹǽǤ ǶǸǞǫǧƤǭǡ: ưǹǝǮǱǙǽ ǤǹǚǨǚǯƤǢǮƤǯǡ
ǜǱǮƤǢǮƤǯ ƤǯǤ ƩǚǮǯ ǚǮǯ ǳǚǸǬǚǵǱǷ, Ǳǹ Ƭǯǽ ǚǮǯ ǜǤǸǚǨǺƤǭ Ǟǯǽ: ưǫǴǤǨǡ ǼǯǸǹƤǭ
Ǡ ǚǮǶ Ƭǧ ǩǚǹǺǤ ǳǚǸǚǶǦǚǯǡ: ǒǯǸǹǸƤǽǤ ǣǚǭǚǯǚǨ ǯǚ ǳǚǸǨǞǹǚǺǯƤǭ Ǡ, ǢǞ
ǨǚǹǱǫ Ǡ ǝǚǸǚǹǨǞǥ ǚǰǦǚǹǩǡ Ʃǯǲ ǸǤǞǟǞǹǽǤ ǯǚǦǯǚǨǚǯ ǸǞǶǽǡ ǶǸǚǯǚǥǡ: Ǉǻ ǯǚ
ǰƤǸǱǷ ǩǚǮǸǯǚǛǞǹƤǭ Ǡ ǤǹǞǯ ƩǚǮǯǚǨ` ǱǹǳǞǶ ƤǫǫǚǨǤ ǨǞǸ, ǱǹǳǞǶ ǸǤǞǟǞǹǽǤ
ǚƬǯǚǼǱǽǹ ǭǚǶǯǤǨ: ƻǤǯǞǥǱǷ ǚǰǦǚǹǩǤ ǷǞǹǴǤǯ ǭǚǶǯǤǨǡǘ ǯǚ ǶǸǤǳǷǚǧ Ǡ ǱǹǱǰǞǥ.
ǩǚǭǚǹǞǙǥ ǤǹǞǯ ǸǤǞǟǞǹǽǤ ǚǹǚǹǤǲǡ, ǢǞǘ ǝǹǚ ǭǚǶǯǤǨǡ: ǅǚǮǞǥǱǷ ǚǮǝ ǼǱǽǹǤǨ ǨǞǸǤǯǘ
ǯǚ Ǩǚǯǜ Ǡ ǚǵǯƤǭ Ȁ Ǥǯǽǯ ǤǹǞǯ ǩǚǹǺ Ǡ ǸǚǥǤǶ. «ƾǱǹǧǚǯǞǭ ǤǙǯǪ: ƾǱǹǧǚǯǞǭ ǸǤǞǟǞǙǹǽǡ»:
Cosmoetico, Italy, 2015, 0:04:46, 12+
Director Martina Scarpelli
What was it like, before the birth of the universe? Does reality exists just because we are able to perceive it? A girl searches for an answer to the big questions. In doing this, she imagines she can empty the universe to get to the very
ȃrst portion of the cosmos. And so she ȃnds herself alone, with the smallest part
of the universe – just a point. Facing this last part of the world she is forced to
choose whether to consider itself as part of the cosmos, or as its creator. Looking at that small point, she stops and asks herself: shall I destroy myself ? Shall
I destroy the universe?
ưǫǷǞǶǤ ǥǚǺǡ, ưǃǅ, 2015, 0:04:00
ǋǞǣǤǶǱǹ` ǊǞǮǶǱǯ ǋǱǯǺǚǯǤ
ǒǱǽǹǤǨ Ǹǫǚǯ ǼǱǹǪƤǭ Ǡ ǼǹǨǞǥ ǚǫǷǞǶǤ ǪǚǜǤǯ ǞǹǨƤ ǨǵǷǚǹǚǹǯǞǹǤǺ, ǱǷǽǞǹ
ǶǚǹǶǚǼ Ǟǯ ǸǚǹǚǧƤǭ ǚǯǸǚǵƤǭ:
Cry of the Fox, USA, 2015, 0:04:00
Director JASON RONZANI
A young boy tries to save a baby fox from two bullies who upset a threatening presence in the forest.
ǓǱ ǚǲǽǞǹƤǭ, ǕǹǚǯǶǤǚ, 2015, 0:06:06
ǋǞǣǤǶǱǹǘ ưǹǯǚǥ ǊƤǥǤǞǯ
ǃǚǹǝƤ ǭǚǹƩǯǡ ǩǚǷǞǹǣ ǳǚǸǷǚǧ Ǩƨǚ ǳǚǸǞǹǚǟƩ ǶǚǹǶǚǼǯǞǹǱǷ:
In your eyes, France, 2015, 0:06:06
Director Arnal Julien
The body of a man is forever marked by the horrors of war.
ƴǹǨƤ ǡǯǨǞǹ, ǕǹǚǯǶǤǚ, 2014, 0:04:02
ǋǞǣǤǶǱǹ` ǅǚǸǚǥǤǚ ǈǞǹǯǤǰǞǷǚ
ưǯǜǚǭ ǥǚǷǚǜƤǮǯ ǡǯǨǞǹǯǞǹǡ ǨǚǹǱǫ Ǡ Ǥǹǚǹ ǲǩǚǶǨǚǯǚǥ, ǞǢǞ ǯǹǚǯǽ ǞǹǨƤ ǸǚǹǛǞǹ
ǚǰǦǚǹǩǯǞǹǤǺ Ǟǯ:
Two Friends, France, 2014, 0:04:02
Director Natalia Chernysheva
Even the best of friends can have trouble understanding each other when they are
from two different worlds.
ǌǭǛƤǨ, ưǃǅ, 2015, 0:07:40
ǋǞǣǤǶǱǹ` ǄǚǯǜǟǤ ǆǤ
ƳƤǹǤǚǯǡ ǧǯǷǞǥ Ǡ ǝǞǭǽǤ Ʃ ǚǮǯǳǤǶǤ ǚǹǸǚǩǚǸƤǢǮǚǭǛ, Ǳǹǡ ǛǱǥǱǹǤǺ ǸǚǹǛǞǹ Ǡ:
Eggplant, USA, 2015, 0:07:40
Director Yangzi She
Durian was born with his facial expressions opposite to everyone else’s.
38
Graduation ȃlms
ƶǥǞǨǸǹǱǬǚǯǬǡ, ƲǞǹǭǚǯǤǚ, 2015, 0:02:45
ǋǞǣǤǶǱǹ` ǅǚǸǚǥǤǚ ǐ. ư. ǕǹǞǤǸǚǶ
ƵƤǜǚǹǚǯƤǭ ǼǱǽǹǤǨ ǬǚǯǬǡ ǳǸǸǷƤǭ Ǡ ǥƤǶǚǭǼǱǼǤ ǰƤǹǴǛǱǥǱǹǡ:
ƿǚǯǨǚǹǧǚǨǤ ǯǚ ǠǥǞǨǸǹǚǩǚǹǷƤǭ Ǡ: ǂǚǯǬǡ ǝǤǳǲƤǭ Ǡ ǳǚǸǤǯ, ǱǹǤǺ
Ʃ ǽǚǯǤ ǯǨǚǹ Ȁ ǜǱǷǚǟǝǚǮǤǯ ǳǱǶǸǞǹ Ǟǯ ǨǞǯǝǚǯǚǯƤǭ: ǎǚǹǾǹǤǯǚǨ
ǨǚǸǷǤ Ȁ ǬƤǸǤǨǤ ǯǨǚǹǯǞǹǡ ǶǨǶƤǭ Ǟǯ ǷǚǟǞǥ ǬǚǯǬǤ ǩǞǸȀǤǺ: ƾǛǵǯǞǯ
ǚǹǝǮǱǙǽ ǯǹǚǯǽ ǬǚǯǬǤǯ:
ElectroȄy, Germany, 2015, 0:02:45
Director Natalia C. A. Freitas
In a toilet, a small Fly Ȅies around a lamp. Suddenly it gets an electric shock!
The Fly lands on the wall and as it touches it, some drawings and advertising
posters come to life. The drawings of a curious cat and a chicken begin to run
after the Ȅy. Will they get it?
ƺǯǲ-Ǳǹ Ʃ Ǜǚǯ, ƲǞǹǭǚǯǤǚ, 2015, 0:06:50
ǋǞǣǤǶǱǹ` ƴǥǞǯǚ Ǎǚǥǿ
ǅǚǷǢǡ, ǱǶǨǤǯ Ȁ ǨǹǚǨǡ ǜǚǯǪǞǹ Ǟǯ ǩǶǨǚ ǩǳǚǹǸ ǥǞǵǚǯ ǯǞǹǶƤǭ: ǒǱǽǹǤǨ ǥǞǵǚǯ
ǩǚǭǚǹ ǚǯǩǯǚǹ Ǡǹ ǩǚǭǚǨǞǹǳǷǞǥ ǚǮǝ ǭǸǽǤ ǩǞǸ: ǅǚ ǚǯǯǰǚǯ, ǸǚǹǾǹǤǯǚǨ Ȁ Ǳǲ
ǳǤǸǚǯǤ ƺǅǈ-ǇǏ Ʃ ǛǚǯǤ ǝǞǹƤǭ Ǡ:
SOME THING, GERMANY, 2015, 0:06:50
Director Elena Walf
Oil, gold and ȃre are the treasures inside the proud giant mountains. For the little
mountain it’s impossible to keep up with that. He’s just in possession of this tiny,
strange and useless SOME THING.
ǌǤǹǚǦǚǫ, ǆǷǞǮǺǚǹǤǚ, 2015, 0:05:31
ǋǞǣǤǶǱǹ` ǋǚǩǞǥ ƲǞǹǛǞǹ
ƴǢǞǹǚǮǤǯ ǜǱǹǧǷǚǧǽǯǞǹǤǺ ǩǮƤǶǷǚǧ ǞǹǚǟǚǯǽǯǞǹǡ ǺǚǯǨƤǢǮƤǯǯǞǹǡ ǝǚǹǪǯƤǭ Ǟǯ
ǰǱǰǚǼǞǥǤ: ǍǚǥǢǞǹǡ ƩǚǮǯǚǨ Ǡ: ưǰǦǚǸǚǺǯǞǥǱǷ Ǥǹ ǥǷǚǺǽǚǸƤǯǡǘ ǯǚ ǸǞǶǯƤǭ Ǡ,
ǢǞ Ǥǯǲ ǩǞǰǸƤǢǮǚǭǛ Ǡ Ǥǹ ǷǞǹǯǚǰǚǳǤǨǡ ǨǳǯƤǭ ǩǚǹȀǚǯǤ ǟǜǞǶǸǤǯ: ƲƤǺǞ ǚǷǞǥǤ
ǽǚǯ ǞǹǛȀǠ ǯǚ ǭǱǸ Ǡ Ǥǹ ǞǹǴǚǯǨƤǢǮǚǯǡ:
Flirt, Switzerland, 2015, 0:05:31
Director Rahel Gerber
Dreams woven from airy fabrics make wishes tangible. Walter is a loner. Hanging up his laundry the resident sees how easily his shirt contacts his neighbor’s
dress. Might he be closer than ever to his own happiness?
39
ƺǹǚǜǱǹǧƤǭ, ǃǤǚǺǮǚǥ ǢǚǜǚǷǱǹƤǢǮƤǯ, 2015, 0:07:33
ǋǞǣǤǶǱǹ`ǋǤǩǚǯǯǱǯ ƶǷǚǯǶ
ǃǚǶǯǚǨǤǺ ǞǫǤǹ ǼǱǽǹǤǨ, ǭǱǥǱǹǷǚǧ ǭǸǽǤ ǚǹǨǚǧǯǞǹǤǯ ƤǫǞǫǤ ƬǴ Ȁ ǛǚǺǚǩǚǮǸǤǹ,
ǢǞ ǤǯǲǳǞǶ Ǡ ƩǸǽǡ ǜǚǫǚǼǚǹ ǝǚǵǯƤǭ:
Fulȃlment, UK, 2015, 0:07:33
Director Rhiannon Evans
Adventure through parts of the brain with a little, lost thought and discover what it
takes to make a great idea.
ǉǚǩǭǸǱǺǤ, ƸǚǮǷǚǯ, 2015, 0:04:34
ǋǞǣǤǶǱǹ` ƶǹǿǚ ƻǤǯ
ưǫǴǨǚ ǷǚǦǡ ǭǱǹ ǩǤǷǚǯǝƤǢǮƤǯǤǺ Ȁ ǤǹǞǯǺ ǷǚǸ ǨǞǺƤǢǮƤǯǡ ǭǚǮǹ-ǚǫǴǤǨ
ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǡ ǝǚǹǪǯƤǭ Ǟǯ ǚǯǱǹǱǰ: ǅǹǚǯǽ ǭǱǸ, ǛǚǮǺ Ȁ ǞǹǛǞƨ ǲǚǼǚǟǚǯǺ
ǩǞǵƤ Ǟǯ ǤǹǚǹǤǺ, ǨǚǹǧǞǶ ǱǫǴ ǨǮǚǯǽǡ ǳǚǩǭǸǱǺǤ Ǟǯ ǦǚǫƤǭ:
Hide And Seek, Taiwan, 2015, 0:04:34
Director Eartha Lin
The girl’s fear of her mother’s disease and the quandary of their role make their
relationship uncertain. They are close yet sometimes so far away from each
other, as if playing hide and seek all their lives.
ǃǞǫǹǡ` ǜǥǦǚǹǨǤ ƬǴ
ǋǞǣǤǶǱǹǘ ǅǤǨǱǥǚǶ ǍǚǽǶ, ưǭǚǯǝǤǯǞ ƳƤǹǚǯǝ
ƱǹǱǯǽǶƤǭ ǼǱǽǹǤǨ ǚǫǴǤǨǡ ǚǳǹƤǭ Ǡ Ǥǹ ǶǱǷǱǹǚǨǚǯ ǨǮǚǯǽǱǷ Ƥ ǼǱǹǪƤǭ Ǡ
ǩǚǹǛǞǺǱǫ ǩǱǹ ǩǞǸ Ǜǚǹǝ ǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǡ ǩǚǭǚǸǞǫǞǥ ǛǞǮǶǛǱǥǤ ǯǨǚǸǭǚǭǛ
ƤǯǞǺǚǧ Ǥǹ ǭǱǥƤǺǽǤ ǩǞǸ:
Honey in the Hood, France, 2014, 0:06:30
Directors Nicolas WAX, Amandine DURAND
In the Bronx, a little girl lives her everyday life while trying to conciliate her difȃcult
relationship with an alcoholic father and her passion for baseball.
ISKON Anima Aeternam, ǌǞǹǛǤǚ, 2015, 0:14:06, 15+
ǋǞǣǤǶǱǹ` ǃǤǩǚǦǤǥǱ ƳǹǚǜǚǶ
ưǳǹǞǥǱǷ ǶǞǼǚǨǚǯ ǩǱǜƤ ǩǞǸ ǚǯǯǞǹǝǚǰǯǚǨƤǢǮǚǯ ƬǴ` ǭǚǹǝǡ ǩƤǶǚǩǚǸǱǹǞǯ
ǼǱǹǪƤǭ Ǡ ǯǮƤǢǚǨǚǯǚǺǯǞǥ ǤǝǞǚǥǯǞǹǡ Ȁ ǦǞǥǽǤ ƩǴǱǺǱǷ ǛǚǺǚǸǹǞǥ, ǢǞ
Ǳǹǯ Ǡ Ǥǹ ǤǶǨǚǨǚǯ ǛǯƤǮǢǡ: ǍǞǹǴǤǯ ǳǚǩǤǯ ǩǱǜƤ ǪǚǮǯǡ ǭǚǹǝƤ ǢǚǽǯǷǚǧ
ǩǯǚǹǚǷǱǹƤǢǮƤǯǯǞǹǤ Ȁ ƤǣǤ ǩǚǭǚǹ ǨǥǤǯǤ ƤǫǞǨǺǱǫ ǥƤǮǶ: ƿǞǸǱ ǯǚ ǚǹǝǞǯ
ǶǸǤǳǷǚǧ ǨǥǤǯǤ ǩǚǯǝǤǳǞǥ ƤǣǞǫ ǼǱǢǱǹǤǨǤ ǩǞǸ Ȁ ǨǚǸǚǹǞǥ ǷǞǹǴǯǚǨǚǯ
ǡǯǸǹƤǢǮƤǯǡ:
ISKON Anima Aeternam, Serbia, 2015, 0:14:06, 15+
Director Mihajlo Dragaš
Living in the disharmony with his own soul, a man desperately tries to materialize the ideals and to explain with intellect that which is part of his eternal
nature. At the last moment, the voice of the soul, will like a guiding light point
him to the hidden potential and strength of the right way. Then he will ȃnally
have to face the terrifying storm and make the ultimate choice.
ƺǷǚǯǡ Ȁ ƲǚǮǥǡ, ƲǞǹǭǚǯǤǚ, 2015, 0:04:58, 3+
ǋǞǣǤǶǱǹ` ưǯǯǚ ƻǞǷǤǯǶǱǯ
ǇǹǳǞǶǟǤ ǼǱǽǹǤǨ ƺǷǚǯǡ ǝǚǵǯǚ ǤǶǨǚǨǚǯ Ǹǫǚǭǚǹǝ, ǯǚ ǳǞǸǽ Ǡ ǚǯǺǯǤ
ǦǤǟǚǦƤǢǮǚǯ ǢǞǶǸǡ, ǱǹǤ ǣǚǭǚǯǚǨ ǳǞǸǽ Ǡ ǶǳǚǯǤ ǜǚǮǥǤǯ: ƱǚǮǺ ǝǚ ǚǮǝǽǚǯ Ǡǥ
ǩǞǰǸ Ǜǚǯ ǲǠ, ǽǚǯǤ Ǳǹ ƺǷǚǯǡ Ȁ ǜǚǮǥǡ ǶǤǹƤǭ Ǟǯ Ǥǹǚǹ:
Ivan and the Wolf, Germany, 2015, 0:04:58, 3+
Director Anna Levinson
In order to become a real man, little Ivan has to pass a test of courage in which he has
to kill a wolf. But it is not easy at all, since Ivan and the wolf like each other right away.
40
Graduation ȃlms
Le Constructeur de Malheur, ưǷǶǸǹǤǚ, 2015, 0:09:01
ǋǞǣǤǶǱǹ` ǕǤǥǤǳ ƲǹǚǸǺǞǹ
“Le constructeur de malheur” 3D ǚǯǤǭǚǺǤǱǯ, ǨǚǹǬǚƬǸǹǚǣ ǿǤǥǭǡ Ǡ, Ǳǹǡ ǺƤǮǺ Ǡ
ǸǚǥǤǶ 20-ǹǝ ǝǚǹǤ ǶǨǟǛǤǯ ǚǳǹǱǫ ǿǹǚǯǶǤǚǺǤ ǜǮƤǸǚǹǚǹǤ ǨǮǚǯǽǡ: ǅǚ ǼǱǹǪƤǭ
Ǡ ǨǮǚǯǽǤ ǨǱǲǞǥ ǢǵǲǞǥƤ Ǥǹ Ǟǹǚǟǚǯǽǡ, ǛǚǮǺ ǚƬǯ ǚǯǜǚǭ ǡǯǨǯƤǭ Ǡ:
Le Constructeur de Malheur, Austria, 2015, 0:09:01
Director Philipp Gratzer
The 3D-animated short “Le constructeur de malheur” shows the life of a French
inventor in the beginning of the 20th century. He’d like to fulȃll his personal
dream of Ȅying but he fails again and again.
ƳǚǸǚǳǚǹǸǷǚǧǤ ǷǞǹǴǤǯ Ǿǹǡ, ǕǹǚǯǶǤǚ, 2015, 0:02:15
ǋǞǣǤǶǱǹǯǞǹǘ ǉǞǵǤǯ ƱưǄǌưƸ, ǌǚǹǚǩ ƳǇǋǅƴ, ƶǢǤǞǯǞ ǃǇƻǅƺƴǋ, ƶƩǥǤ ǕƤǱǯǜ,
ƺǟǚǛǞǥ ǉǤǱǥǚǢ
ƾǚƩǥǚǯ ǚǷǚǜ ǝǳǹǱǺǤ ǚǰǚǨǞǹǸƤǩǤ Ǡ, ǱǷ ǳǚǹǚǳƤǭ Ǡ ǽǯǯƤǢǮƤǯǯǞǹǤ ǩǚǭǚǹ:
ǀǚǯǪǹǚǺǚǧ Ǥǹ ǜǱǹǧǤǺǘ ƾǚƩǥǚǯ ǛǚǺƤǭ Ǡ Ƕǚǵǯǚǹǚǯǡ Ȁ ǸǞǶǯƤǭ Ǡ ǨǞǯǝǚǯǤ
ǦǞǺǜǞǸǤǯ: ƴǹǛ ǨǚǳǷǚǧƤǢǮƤǯǡ ƬǧǚǯƤǭ Ǡ, ǝǞǵǚǩǚǶ ǚǫǴǤǨǡ ǱǹǱǰƤǭ Ǡ
ǦǞǺǜǞǸǯǤǯ ǳǚǹǜȀǞǥ Ǥǹ ǨǮǚǯǽǤ ǥǚǷǚǜƤǮǯ ǣǚƬǹǡ:
The Last Day of a Condemned, France, 2015, 0:02:15
Directors Perrine BAYSSAT, Sarah DHORNE, Etienne MOLINIER, Emilie PHUONG, Isabelle PIOLAT
Camille is a young high school girl who is studying for her exams. Bored by her work,
Camille has a look into the fridge and ȃnds a live lobster. As her affection grows, the
teenage girl decides to make the lobster live the best hours of its life…
ƴǹǚǣǰǸǚǨǚǯ ǷǤǰǚǳǡ, ǆǷǞǮǺǚǹǤǚ, 2015, 0:08:26, 6+
ǋǞǣǤǶǱǹǘ ƾǚƩǥ ǃƤǥǞǹ
ǒǱǽǹǤǨ ǚǫǴǤǨǡ ǚǯǸǚǵƤǭ ǡǯǨǞǹǚǯƤǭ Ǡ ǷǤǰǚǳǤ ǩǞǸ: ǅǹǚǯǽ ǶǨǶƤǭ Ǟǯ ƩǚǶǤǯ
ǯǷǚǜǞǥ, ǛǚǮǺ ǚǮǶ ǚƬǯǡ ǚǮǝǽǚǯ Ǡǥ ǚǯǷǸǚǯǜ ǲǠ. ǩǚǭǚǵ ǢǚǜǚǷǱǹǡ ǢƤǮǥǚǸǹƤǭ Ǡ
ƩǚǮǯ ǟǤǯǷǱǹǚǨǚǯ ǞǹǢǞǹ…
The Musical Dragon, Switzerland, 2015, 0:08:26, 6+
Director Camille Müller
A little girl befriends a dragon in the woods. They begin to play music together, but this is not without danger, for the obstinate king allows only military
marches...
ǋǱǛǱǸ ǼǱǽǹǤǨǡ, ǌǤǯǜǚǳƤǹ, 2015, 0:04:25, 5+
ǋǞǣǤǶǱǹ` ǍƤ ǊƤǯ’ưǯ
ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ Ʃ ǲǤǯǚǺǤ ǸǫǚǮǤ Ȁ ǵǱǛǱǸǤ ǡǯǨǞǹƤǢǮǚǯ ǭǚǶǤǯ: ǎǫǚǮǤ
ǚǯƤǯǡ ǊƤǯ ƱǚǾ Ǡ, ǯǚ ǚǳǹƤǭ Ǡ ǸǤǳǤǨ 1960-ǚǨǚǯǯǞǹǤ ǌǤǯǜǚǳƤǹǤ Ʃ Ǹǚǯǡ:
ǅǚ ǶǤǹƤǭ Ǡ ǳǚǸǹǚǶǸǞǥ ǼǱǽǹǤǨ ǵǱǛǱǸǯǞǹ, ƩǯǲȀ Ʃ Ǿǹ ǜǸǯƤǭ Ǡ ǚǯǩǹǚǣǞǰǸ
ǭǚǶǞǹǡ Ƭǧ ǵǱǛǱǸ ǳǚǸǹǚǶǸǞǥƤ ǩǚǭǚǹ: ǋǱǛǱǸǡ, ǱǹǤǯ ǳǚǸǹǚǶǸǞǥ Ǡ
Ǹǫǚǯ, ǩǞǸǚǽǹǽǹǷǚǧ Ǡ ǤǹǞǯ ǰǹǴǚǳǚǸǱǫ ǚǰǦǚǹǩǱǷ: ǊƤǯ ƱǚǾǯ ǼǱǹǪƤǭ Ǡ
ǶǱǷǱǹǞǺǯǞǥ ǋǱǛǱǸǤǯ ǩǚǹǭǚǹǷǞǥ Ǥǹ ǜǱǹǧǚǵƤǮǢǯǞǹǤǯ: ưǮǯƤǚƬǯǚǮǯǤǷ, ǵǱǛǱǸǤ
ǩǞǸǚǽǹǽǹǚǶǤǹƤǢǮƤǯǡ ǸǫǚǮǤǯ Ǳǲ ƩǚǮǯ ƤǹǚǦƤǢǮƤǯ, ǚǮǥȀ ǼǱǹǪǚǯǽ Ǡ ǛǞǹƤǭ:
Kitbash Kid, Singapore, 2015, 0:04:25, 5+
Director Wu Jun’An
The story is about a friendship between a Chinese boy and a robot. Jun Bao a
Chinese boy who lives on a typical 1960s Singapore housing estate. He enjoys
making small robots until one day he found the parts he needs for a big robot.
The robot that he made is curious about the world around it. Jun Bao began to
test his robot to ensure that it is functional. However the curiosity of the robot
brings not only joy but trouble to the boy.
41
ǃǚǹǤƤǶ, ǕǹǚǯǶǤǚ, 2014, 0:04:08
ǋǞǣǤǶǱǹ` ǉǤǞǵ-ƹƤǥǮǞǯ ǕǤǞǫ
ǃǚǹǤƤǶǤ ǨǮǚǯǽǡ ǜǥǦǤǷǚǮǹ ǰƤǵ Ǡ ǜǚǥǤǶ: ǅǚ ǚǭǛǱǫǴ Ǿǹǡ ǚǯǺǨǚǺǯƤǭ Ǡ ǦƬǥǱǷ,
ǳǚǵǨǞǥǱǷ, ǚƬǯ Ǿǹ ǯƤǮǯ Ǿǹǡ, ǰǚǹƤǯǚǨǚǨǚǯ ǨǵǤƭǞǹ ǡǯǨǞǹǯǞǹǤ ǩǞǸ, ǱǹǱǯǺǤǺ
ǲǤ ǨǚǹǱǫǚǯƤǭ ǚǟǚǸǷǞǥ:
Marius, France, 2014, 0:04:08
Director Pierre-Julien Fieux
Marius’ life comes down to the bottle and to the struggle. He drowns out his
day in alcohol, falls, gets up, falls again; a continual ȃght against this companion
that he cannot get rid of.
ƾǚǳƤǮǸ Ƭǫǹ, ǕǹǚǯǶǤǚ, 2015, 0:04:45
ǋǞǣǤǶǱǹǯǞǹ` ƾǱǯǶǸǚǯǺ ǊǱǥǤǿ, ƳǚǿǯǞ ƳƤǹǱǰǞ, ǕǚǯǤ ƻǱǸǞǥǤǞ
ǒǱǽǹǤǨ ƬǫƤǯ, Ǳǹǡ ǼǱǰƤǺ ǚǥǞǹǜǤǚ ƤǯǤ, ǩǚǮǸǯǚǛǞǹƤǭ Ǡ Ʃ ǮƤǹǚǩǚǸƤǨ Ǜǚǯ,
Ǳǹǡ ǼǱǦǞǥƤ Ǡ ǚǭǛǱǫǴ ǳǚǹǶǤ ǨǮǚǯǽǡ…
Blue Honey, France, 2015, 0:04:45
Directors Constance Joliff, Daphne Durocher, Fanny Lhotellier
A small bee, allergic to pollen, discovers an extraordinary product that will dramatically impact the life of the hive...
ǃǤǞ, ƱǞǥǜǤǚ, 2014, 0:04:20
ǋǞǣǤǶǱǹ` ǃǤǹǣǚǭ ǉǥǞǸǤǯǽǶ
ǃǞǯ-ƬǯǚǨ ǛǯǚǨǚǹǚǯƤǭ, ǩǚǭǚǨǚǹǜǲǤǺ ǨǚǦǷǚǧ. ǨǮǚǯǽǡ ǚǯǺǯǱǭ Ǡ ǃǤǞǤ
ǨǱǫǽǱǷ… ƾǮǚǯǽ, Ǳǹǡ ǨǚǹǧǞǶ ƤǹǤǰ ǸǞǫ Ǡ, ǨǮǚǯǽ, Ǳǹǡ ǨǚǹǱǫ Ǡǹ ǥǤǯǞǥ:
Mie, Belgium, 2014, 0:04:20
Director Mirjam Plettinx
All alone in her Ȅat and chained to her computer, Mie watches life go by… Life
like it is elsewhere; life the way it could be.
ǔǥǤǥǱ, ưǃǅ, 2015, 0:05:54
ǋǞǣǤǶǱǹǘ ưǱ ƻǤ
«ǔǥǤǥǱ»-ǯ 2D ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ Ǡ: ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ ǤǯǸǹǱǷǞǹǸ ǚǫǴǨǚ ǭǚǶǤǯ, ǱǷ
ǜǞǹǤ Ǡ Ǥǹ ǚǯǪǯǚǨǚǯ ǨǤǶǚǢǚǼǚǯǺǤǨ ǸǚǹǚǧǽƤǭ, Ȁ ǝǚ Ǡ ǚǰǦǚǹǩƤǭ ǜǱǮǚǸȀǞǥƤ
ǯǹǚ ǪȀǡ: ǅǚǦǚǜǤǧǡ ƬǧǚǯǚǥƤ, ǶǤǹǱ Ȁ ǼǱǦǚǯǚǨǭǚǯ ǭǚǶǤǯ Ǡ: ưǮǯ ǶǸǞǫǧǷǞǥ Ǡ
ǚǷǚǯǝǚǨǚǯ Ǩǚǝǹ ǨǚǝǹǤ ǩǞǸȀǤǺ ǸǞǦǯǤǨǚǮǱǷ, ǢǷǚǮǤǯ ǯǨǚǹǲƤǢǮǚǭǛ Ȁ ǛǚǯǚǥǤ
ǨǚǝǹǞǹǤ ǚǯǤǭǚǺǤǚǮǱǷ:
Olilo, USA, 2015, 0:05:54
Director Ao Li
OlilǾ is a 2D animation short. The story is about an introverted girl who is held
captive by her own semi-transparent personal space; this is her way to survive
in the world. The project deals with growing up, love and sharing. It was created
through a combination of frame-by-frame traditional and digital drawing and
key frame animation.
ƸǚǶǨǡ ǯǷǚǬǞǥƤ ǜǱǹǧǱǫƤǢǮƤǯ, ƲǞǹǭǚǯǤǚ, 2015, 0:05:20
ǋǞǣǤǶǱǹ` ǍǤǥǝǛǱǹ
ưǃǅ-ǯ ǱǹǱǰƤǭ Ǡ ǶǨǶǞǥ «ƸǚǶǨǡ ǯǷǚǬǞǥƤ ǜǱǹǧǱǫƤǢǮƤǯǡ», ǸǤǞǟǞǹǚǨǚǯ Ʃ
ǧǹǚǜǤǹ, ǱǹǤ ǯǳǚǸǚǨǯ Ǡ ǼǫǤǯ ƤǫǚǹǨǞǥ ǸǤǞǟǞǹǽǘ ǱǹǳǞǶ ǭǚǹǸǚǩǹǚǷǞǹ ƼǌƿǃǤǯ: ǆƤǸǱǷ ǷǚǮǹǤ ǼǤǫǡ Ǭǚǯǚǳǚǹǩ Ǡ ǡǯǨǯƤǭ ǝǞǳǤ ǸǤǞǟǞǹǽ, ǱǹǸǞǫ Ǡǥ ǶǸǤǳǷǚǧ
Ǡ ǩǚǯǝǤǳǞǥ ǳǹǱǿǞǶǤǱǯǚǥ ǸǤǞǟǞǹǚǨǚǯ ǰƤǯ ƻǚǮǨǚǮǤǯ:
Operation Rising Tusk, Germany, 2015, 0:05:20
Director Wildboar
The USA decides to start ‘Operation Rising Tusk’, a space program aiming to send an
elephant into space, to challenge the USSR. Soon a wild elephant is on the journey
to the ȃnal frontier, where he has to face the professional space-dog Laika…
42
Graduation ȃlms
ƿǚǴǱǫǚǨǡ, ƲǞǹǭǚǯǤǚ, 2015, 0:11:00, 12+
ǋǞǣǤǶǱǹǯǞǹ` ƺǯǞǶ ǓǹǤǶǸǤǯǞ ƲǞǤǟǞǹ, ǓǹǤǶǸǞǯ ƾǚǹǤǯǚ ƲǞǤǟǞǹ
«ƿǚǴǱǫǚǨǡ» ǞǹǴǚǯǨƤǢǮƤǯ Ǡ ǼǯǸǹƤǭ: ưǮǶ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǡ Ƭǟ ǩǚǹǺ Ǡ ǸǚǥǤǶ.
«ƺǙǯǲ Ǡ ǩǚǴǱǫƤǢǮƤǯǡ ǭǚǹǝƤ ǩǚǭǚǹ: ưǹǝǮǱǙǽ ǪǚǦǱǫƤǭǡ ƩǚǨ ǩǯǚǹǚǷǱǹƤǢǮƤǯǯ Ǡ»:
LUCKY, Germany, 2015, 0:11:00, 12+
Directors Ines Christine Geisser, Kirsten Carina Geisser
“Lucky» is looking for happiness. This animated short is questioning our search as
well as its aim: What does luck mean for the individual? Is failure the only possibility?
ƿǹǞǰǯ Ǥǭ ǶǹǸƤǭ, ưǃǅ, 2015, 0:04:17
ǋǞǣǤǶǱǹ` ǄǚǩǷǞǯ ƹǞǯǜ
«ƿǹǞǰǯ Ǥǭ ǶǹǸƤǭ»-ǡ ǚǯǤǭǚǺǤǱǯ ǨǚǹǬǚƬǸǹǚǣ ǿǤǥǭ Ǡ, ǱǹǤ ǩǞǫǤǯǚǨǯ Ǡ
ǄǚǩǷǞǯ ƹǞǯǜǡ: ǕǤǥǭǡ Ʃ ǼǱǽǹǤǨ ǸǫǚǮǤ ǭǚǶǤǯ Ǡ, ǱǷ ǷǚǦǞǯƤǭ Ǡ ǩǚǯǝǤǳǞǥ
Ǥǹ ǶǹǸƤǭ ǚǳǹǱǫ ǩǹǞǰǤǯ: ƱǚǮǺ, Ǥ ǷǞǹǴǱ, ǡǯǝƤǯƤǭ Ǡ ǯǹǚǯ, ǱǹǤǺ ǩǞǸǱ Ǹǫǚǯ
ǩǯǚǹǚǷǱǹƤǢǮƤǯ Ǡ ƤǯǞǯƤǭ ǜǸǯǞǥƤ Ǥǹ ǯǞǹǽǤǯ ǦǚǫǚǫƤǢǮƤǯǯ Ȁ ǛǚǺǚǩǚǮǸǞǥƤ
ǚǰǦǚǹǩǤ ǜǞǫǞǺǨƤǢǮƤǯǡ:
Monster in my heart, USA, 2015, 0:04:17
Director Yawen Zheng
“Monster in my heart” is an animated short ȃlm by Yawen Zheng. The ȃlm tells a story
of a little boy who is afraid to face the monster that lives in his heart. But at the end he
accepts him, which lets him ȃnd his inner peace and discover the beauty of the world.
43
ǉǚǥǭ ǋǱǸ, ưǃǅ, 2014, 0:07:30
ǋǞǣǤǶǱǹ`ǋǚǮǡǯ ƲǤǥǤǶ
ƿǞǸǚǟǱǸǞǥǱǷ ǕǥǱǹǤǝǚ ƶǷǡǹǜǥǞǮǝǶƤǭ ǸǞǫǤ ƤǯǞǺǚǧ ǚǵǞǫǧǷǚǧǚǮǤǯ ǳǚǮǢǮƤǯǡǘ
ƱǤǥ ǚǯƤǯǱǷ Ʃ ǾǝǚǲƤ ǩǚǮǸǯǚǛǞǹƤǭ Ǡ Ʃ ǚǹǨǫ, Ǳǹǡ ǳǚǮǢǮƤǯǤǺ ǲǤ ƭǚǶǷǞǥ:
ƿǞǸǚǽǹǽǹƤǢǮƤǯǤǺ ǝǹǝǷǚǧǘ ǯǚ ǚǹǨǫǡ ǸǚǯƤǭ Ǡ Ǥǹ ǦǺǤǨ: ǌǚ ǚǵǚǴǤǯǯ Ǡ ǚǮǯ
ǱǹǱǰƤƨǞǹǤǺ, ǱǹǱǯǺ ǩǚǭǚǹ ǯǚ ǩǞǸǱ ǳǤǸǤ ǟǫǴǚ:
PALM ROT, USA, 2014, 0:07:30
Director Ryan Gillis
Investigating a mysterious explosion in the Florida Everglades, a crop-duster named
Bill discovers a lone crate that survived the wreckage. Curiosity gets the better of
him and he pulls the crate unto his airboat. That’s just the ȃrst in a series of decisions
he learns to regret.
ƿǚǮǨǚǨǚǯ ǢǫǢǞǹ, ƱǞǥǜǤǚ, 2015, 0:06:33
ǋǞǣǤǶǱǹ` ǔǹǯǞǥǥǚ ǃǚǲǤǚ
ƴǹȀǚǯǤ ǦǚǯƤǢǯǞǹǤǺ ƬǨǤ ǸǞǹǡ Ƭǟ ǩǹǚǷǤǹƤǭ Ǡ Ǥǹ ǦǚǯƤǢǘ ǥǶǞǥƤ Ǥǹ
ǳǚǸǭƤǢǮƤǯǯ Ƥ ǩǮƤǹǚǶǤǹǷǞǥƤ ǭǹǜǞǹǱǷ: ƸǵǲƤǯǯǞǹǤ ƤǫǞǨǺƤǢǮǚǭǛǘ Ƭǯǽ
ǛǚǺǚǩǚǮǸƤǭ Ǟǯǽ ǚǮǝ ǭǚǹǝƤǘ ƿǚǮǚǶǸǚǯǤ ǜƤǮǯǞǹǱǷ ǥǤ ǨǮǚǯǽǡ:
Armenian Papers, Belgium, 2015, 0:06:33
Director Ornella Macchia
At the market of Yerevan, a merchant invites us to share his fruits and his history… Accompanied by birds, we discover the life of this man full of the colors
of Armenia...
ǃǚǮǹǤǨǤ ǭǚǶǤǯ, ǋƤǶǚǶǸǚǯ, 2015, 0:07:20, 6+
ǋǞǣǤǶǱǹ`ƳǤǯǚ ǍǞǥǤǨǱǷǶǨǚǮǚ
ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ Ʃ ǭǚǮǹǤǨǤ ǭǚǶǤǯ, ǱǷ ǢǷƤǭ Ǡǘ ǸǷǞǥ Ǡ ǚƬǯ Ǥǯǲ Ƥ ǱǲǤǯǲ ǲƤǯǤ
Ǡǥ…ǛǚǮǺ ǨǮǚǯǽǡ ǸǚǥǤǶ Ǡ ǯǱǹ ǩǯǚǹǚǷǱǹƤǢǮƤǯǯǞǹ:
About a mother, Russia, 2015, 0:07:20, 6+
Director Dina Velikovskaya
This story is about a mother who has given so much that it looks like she has nothing
left... but the life opens up the new opportunities.
ƸǵǲǯǚǨǡ, ǋƤǶǚǶǸǚǯ, 2015, 0:02:40
ǋǞǣǤǶǱǹ` ƴǨǚǸǞǹǤǯǚ ǕǤǥǤǳǱǷǚ
ƸǵǲǯǚǨǡ ǩǚǯǝǤǳƤǭ Ǡ ǜǞǸǚǪǤƤǯ, ǯǹǚǯǽ ǡǯǨǞǹǚǯƤǭ Ǟǯ Ƥ ǶǨǶƤǭ Ǟǯ ƩǚǶǤǯ
ǚǳǹǞǥ:
The Bird, Russia, 2015, 0:02:40
Director Yekaterina Filippova
A bird met a hippo; they became friends and started living together.
ƺǯǲ ǚǩǚǷǱǹ Ǡ, ǕǹǚǯǶǤǚ, 2015, 0:02:25
ǋǞǣǤǶǱǹǯǞǹ` ƿǮǱǜǱ ǝǡ ǕǚƤǨǱǭǳǹǞǸ, ƶǷǚ ƻƤǶǛǚǹǱǯǮǚǯ, ǓǚǹǱǥǤǯ ǆǞǵǤǞ, ǊǱǚǯ
ǋǚǷǤǸ ǠǸ ưǹǸǮƤǶ ǉǤǥǱǜǹǞǸ
ǌǢǤǷǞǯǡ, ǌǚǯǝǹǤǯ, ǊǱǞǥǡ Ȁ ƸǱǭǚǶǡ ǚǩǚǷǱǹ ǪǚǯǪǹǚǺǚǧ Ǟǯ: ǕƤǸǛǱǥǤ
ǭǚǹǟǚǝǚǰǸǤǺ Ʃǯǲ ǚǫǛǚǯǱǺ, ǦǚǫǚǩǹǚǳǚǹǚǨǤǺ Ʃǯǲ ǶƤǳǞǹǭǚǹǨǞǸǤ
ǨǚǮǚǯǚǸǞǫ, ǱǲǤǯǲ ǯǹǚǯǺ ǲǤ ǩǞǸǚǽǹǽǹƤǭ:
Que dalle, France, 2015, 0:02:25
Directors Hugo de Faucompret, Eva Lusbaronian, Caroline Cherrier, Johan Ravit
et Arthus Pilorget
Steven, Sandrine, Joel & Thomas are pretty bored. From the soccer stadium
to the garbage dump, passing by the playground & the supermarket parking,
nothing seems to amuse them.
44
Graduation ȃlms
ǉǚǹǸǚǝǹǚǯǽ, ƾǚǯǚǝǚ, 2014, 0:03:23
ǋǞǣǤǶǱǹ` ƹǚǮƬ ƲǤǹǚǥǝǱ
ưǮǯ ǠǚǨǯǞǹǡ, ǱǹǱǯǽ ǳǚǹǚǯǯǞǹǤǺ ǨǚǦǷǚǧ Ǟǯ ǚǳǹƤǭ ǚǰǦǚǹǩƤǭ, ǰǚǹƤǯǚǨ
ǯǞǹǽȀǘ ǝǚǸǚǹǨƤǢǮƤǯ, ǡǯǨǯǞǥƤ ǝǞǭ Ǟǯ ǳǚǮǽǚǹƤǭ:
Religatio, Canada, 2014, 0:03:23
Director Jaime Giraldo
Beings that live in a world hanging from ropes are all engaged in a struggle to avoid
falling into the void below.
ǒǱǼǱǦƤǢǮƤǯ, ưǃǅ, 2015, 0:05:24
ǋǞǣǤǶǱǹǯǞǹ` ǃǚǹǤǚ SǞǶǤǥǮǚ ǉƤǜǥǤǞǶǞ, ǄǤǴƤǯ ƻǤƤ
«ǒǱǼǱǦƤǢǮƤǯ»-ǡ 3D ǨǚǹǬǚƬǸǹǚǣ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ Ǡ, Ǳǹǡ ǳǚǸǭƤǭ
Ǡ ǤǯǽǯǚǛǚǺǚǩǚǮǸǭǚǯ ǭǚǶǤǯ, ǞǹǛ Ǥǹǚǹ ǩǚǨǚǵǚǨ ǢǷǚǺǱǫ ǩǞǹǱǶǯǞǹǤ
ǼǱǦǩǚǹǚǛǞǹƤǢǮƤǯǯǞǹǡ ǯǳǚǶǸƤǭ Ǟǯ, Ǳǹ ǜǥǦǚǷǱǹ ǩǞǹǱǶǡ ǨǚǯǜǯǤ Ǥǹ ǨǮǚǯǽǤǯ
ǝǞǭ ǩǚǯǝǤǭǚǯ Ƥ ǼǱǦǤ ǚǮǯ: ǓǚǫǚǽǤ ǨǤǯǡ ǩǚǯǝǤǳƤǭ Ǡ ǚǯǸǚǵǤǺ ǞǨǚǧ ǷǚǮǹǤ
ǨǯǱǴǡ Ƥ Ʃǯǲ ǼǱǹǪƤǭ Ǡ ǯǹǚǯ ǽǚǫǚǽǚǨǹǢǞǥ, Ǥǯǽǯ Ǡ ǚǷǞǥǤ ǷǚǮǹǞǯǚǯƤǭ Ƥ
ǷǞǹǚǝǚǵǯƤǭ Ǡ Ǥǹ ǯǚǦǚǶǨǟǛǯǚǨǚǯ ǷǤǬǚǨǤǯ:
Shift, USA, 2015, 0:05:24
Directors Maria Cecilia Pugliese, Yijun Liu
Shift is a 3D animated short ȃlm that tells a story about self-discovery in which the interaction between characters that appear to be antagonists makes the main character confronts
her own life and change. A woman from a city encounters a wild woman from the forest
and while trying to civilize her, she becomes wilder and goes back to nature herself.
ǅǤǼǶǤ Ȁ ǒǱǹǨǤǯǜǢǱǯǤ ǽǹǞǚǝǞǳǽǡ, ƾǚǯǚǝǚ, 2015, 0:02:29, 6+
ǋǞǣǤǶǱǹ` ǃǞǥǱǝǤ Ǎǚǯǜ
«ǅǤǼǶǤ Ȁ ǒǱǹǨǤǯǜǢǱǯǤ ǽǹǞǚǝǞǳǽ»-ǡ ǨǚǹǬǚƬǸǹǚǣ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ Ǡ
ǱǶǸǤǨǚǯƤǢǮǚǯ ǞǹǨƤ ǚǯǝǚƨǞǹǤ ǭǚǶǤǯ, ǱǹǱǯǺ ǳǚǹǸǚǨǚǯƤǢǮƤǯǯ Ǡ ǜǱǫǚǺǷǚǧ
ǪƤǯ ǷǞǹǚǝǚǹǪǯǞǥ ǦǞǥǚǜǚǹǷǚǧ ǧǯǱǫǯǞǹǤǯ:
The Casebook of Nips & Porkington, Canada, 2015, 0:02:29, 6+
Director Melody Wang
The Casebook of Nips & Porkington is an animated short about two members of the
constabulary and their quest to return a kidnapped egg to its distraught parents.
ǇǻǫȀǱǹƤǢǮƤǯ, ưǃǅ, 2015, 0:02:20
ǋǞǣǤǶǱǹ` ǉƤǿǤǭǚ ǍǱǜǝǤǳǹǚǶǤǿ
«ǇǻǫȀǱǹƤǢǮƤǯ»-ǡ 2D ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ Ǡ: ǉǚǸǭƤǢǮƤǯǡ ǩǤƨǷǚǧ Ǡ Ʃ ǯǨǚǹǲǤ
ǨǮǚǯǽǤ Ƿǹǚ, ǱǷ ǬǚǯǚǳǚǹǩǱǹǝƤǢǮǚǯ ǣǚǭǚǯǚǨ ǨǱǹǺǯƤǭ Ǡ Ǥǹ ƤǫǞǛǞǵǡ: ǕǤǥǭƤǭ
ǞǹǤǸǚǶǚǹǝ Ǹǫǚǯ ǳǚǸǭǱǫǯ Ǡ: ƺǶǨ ƤǫǞǛǞǵǡ ǤǹǚǨǚǯƤǭ ǜǥǦǚǷǱǹ ǩǞǹǱǶǯ Ǡ, Ǳǹǡ
ǷǚǮǞǥƤǭ Ǡ ǚǯǶǳǚǶǞǥǤ ǬǚǯǚǳǚǹǩǱǹǝƤǢǮƤǯǡ:
The Journey, USA, 2015, 0:02:20
Director Puthima Wongdeeprasith
“The Journey” is a 2D Motion Graphics Animation. The story is based on the artist’s
life when she lost her luggage traveling between continents. In the ȃlm, a young
boy is the narrator. And the main character is actually the luggage, which enjoys the
unexpected adventures he encounters on the trip.
45
ưǷǚǹǸǚǨǚǯǿǤǥƬǹ
ǌȀ ǞǹǨǤǹ, ǃǤǚǺǮǚǥ ǢǚǜǚǷǱǹƤǢǮƤǯ, 2014, 0:05:00
ǋǞǣǤǶǱǹ` ƳǚǛǤ ƵǚǮǯǚǛ ǕǚǤǝǩǤ
ƴǹǨǚǹ ǣǚǭǚǯǚǨ Ʊǚǫǝǚǝ ǽǚǫǚǽǡ ǭƤǶƤǥǭǚǯǯǞǹǡ ǩǚǭǚǹǞǥ Ǟǯ ǌȀ ǞǹǤǨǤǹ:
ǉǚǸǬǚǵǡ ǽǚǫǚǽǡ ǧǚǧǨǱǫ ǚǹǭǚǷǞǯƤ ǦǤǸ ǧǚǵǞǹǯ ǠǤǯ, ǱǹǱǯǽ ǷǞǹȀǤǺ
ǚǭǛǱǫǴǱǷǤǯ ǶȀ ǠǤǯ ǞǹȀƤǭ, ǛǚǮǺ ǩǞǯǺ ǽǚǫǚǽǡ ǯǞǹǜǹǚǷǷǞǺ ǷǞǹǴǤǯ
ǳǚǸǞǹǚǟƨǞǹǤ ƬǴ, ǌȀ ǞǹǨǤǹǡ ǤǯǪ ǩǚǭǚǹ ǪǞǵǽ ǛǞǹǞǺ ǯǱǹ ǤǭǚǶǸ. ǭǚǩǷǚǯ,
ǚǹǮǚǯ, ǩǱǜȀǱǹ ǝǹǱǰǯǞǹǤ Ȁ Ʊǚǫǝǚǝ ǽǚǫǚǽǤ ǛǯǚǨǤǲǯǞǹǤ Ƿǹǚ ǤǶǥǚǭǚǨǚǯ
ǩǚǹǨǚǝǹǚǯǽǯǞǹǤ ǽǚǫǚǽ: ƿǞǽǤǚǢ-ǚǯǤǭǚǺǤǚǯ Ǥǭ ǽǚǫǚǽǤ ǛǵǯǚǛǚǹƤǢǮǚǯ
ǼǱǦǚǛǞǹƤǢǮƤǯǯ Ǡ: ǃǞǯǽ ƩǚǮǯ ǷǞǹǴƤǭ Ǟǯǽ ǩǚǶǨǚǯƤǭ, Ǳǹ ǜǞǫǞǺǤǨ ǨǤǯǡ
ǷǞǹǚǳǚǸǨǞǹƤǭ Ǡ Ʊǚǫǝǚǝǡ, ǯǚ ǳǚǸǞǹǚǟƩ ǣǚǭǚǯǚǨ ǨǱǹǺǹǞǥ Ǡ Ǳǲ ƩǚǮǯ
Ǥǹ ǞǹǞǦǚǯǞǹǤǯ, ǚǮǥȀǘ Ǥǹ ǩǱǜǤǯ: ǃǞǹ ǾǹǞǹǤǺ ǶǨǶǚǧǘ ǶȀ ǩǚǜǚǧ ǨǤǯǡ ǪǜǸƤǭ Ǡ
ǜǸǯǞǥ Ǥǹ ǚǳǚǜǚǮǤǯ ǷǞǹǚǛǞǹǱǫ ǩǚǹǺǤ ǳǚǸǚǶǦǚǯǡ, ǛǚǮǺ ǚǯǺǮǚǥǡ ǦǚǯǜǚǹƤǭ
Ǡ. ǚǷǚǯǝƤǢǮǚǯ ǩǚǭǚǪǚǮǯǘ ǩǞǽǤǚǢǡ ǳǚǸǭǷƤǭ Ǡ ǶǹǬǡǭǳǚǯ ǣǚǭǚǯǚǨ,
Ǳǹǡ ưǹȀǞǥǽƤǭ ǡǯǝƤǯǷǚǧ ǸǚǹǛǞǹǚǨ Ǡ: ǍǞǹǴƤǭ Ƭǯǽ ǩǚǮǸǯǷƤǭ Ǟǯǽ ǚǯǱǹǱǰ
ǷǤǬǚǨƤǭ. ǜƤǰǚǨǡ Ǥ ǷǤǬǚǨǤ ǲǠ ǨǚǯǦǚǸǞǶǞǥ ǨǯǱǴ ǚǳǚǜǚǯ, ǤǯǳǞǶ ǩǯǚǹǚǷǱǹ
ǲǠ ǨǚǯǦǚǸǞǶǞǥ ƺǹǚǽǤ ǬǚǨǚǸǚǜǤǹǡ: ưǮǶ ǝǚǶǚǨǚǯ ǶǤǹǚǮǤǯ ǳǚǸǭƤǢǮƤǯǡ
ƩȀǯƤǮǯ ǣǚǭǚǯǚǨ ǭǚǹǸǚǩǹǚǷǞǹ Ǡ ǯǞǸƤǭ ǃǤǴǤǯ ưǹȀǞǥǽƤǭ ǸǤǹǱǫ ǜǞǯǝǞǹǚǮǤǯ
ǝǞǹǞǹǤ ǷǞǹǚǛǞǹǮǚǥ ǚǵǨǚ ǨǚǹǧǹǚǸǤǳǞǹǤǯ Ȁ ǺƤǮǺ Ǡ ǸǚǥǤǶ ƱǚǫǝǚǝǤ Ȁ ǨǯǱǴ
ǯǭǚǯƤǢǮƤǯǡ, ǱǹǱǯǽ ǶǦǚǥ ƤǣǞǹǤ ǪǞǵǽƤǭ Ǟǯ:
The black land, UK, 2014, 0:05:00
Director Daby Zainab Faidhi
The city of Baghdad has long been referred to as Ardh Al Sawad (the Black Land)
by Muslims. The dense palm trees that cover the city appear as black matter from
above; since recent wars occupied the city the title has taken on a new meaning
for me – Black Land - of death, blood, religious Ȅags and their Islamic enforcement
on the people of Baghdad. This fairy tale animation, is a metaphorical story of the
rape of my homeland. The beautiful woman representing Baghdad, which we only
discover at the end, who has lost not only her children to the wars and destruction,
but her soul. Starting in the present day, the woman, in black, attempts to ȃnd an
answer for her future but revisits the past, told through coffee reading – a traditional
fortune- telling method in the Middle East. At the end we are left with a bleak
answer, the fortune teller is unable to predict the woman’s future – mirroring Iraq’s
unknown destiny. This classic love story also challenges stereotypical gender roles
of the Middle East and shows the resemblance between the woman and the city of
Baghdad in surrendering to the wrong powers.
ǉǚǸǭƤǢǮƤǯ ǧǞǹ ǪǨǯǱǹǶǤ, ǯǹǚ ǝƤǶǸǹ ǃǚǰǞǯǨǚǮǤ, ǶǚǹǶǚǼǞǥǤ ƿǹǞǰǤ,
ǭǚǮǱǹ ǌǤǝǚǹǲƤǨǤ Ȁ ǨǞǹǷǚǧ ǚǹǽǚǮǚǝǶǸǞǹ ǭǚǶǤǯ, ǋƤǶǚǶǸǚǯ, 2015,
0:06:11
ǋǞǣǤǶǱǹ` ǍǞǹǤǨ ǃǚǹǤǭǚ
ǉǚǸǭƤǢǮƤǯǡ ǧǞǹ ǪǨǯǱǹǶǤ, ǯǹǚ ǝƤǶǸǹ ǃǚǰǞǯǨǚǮǤ, ǶǚǹǶǚǼǞǥǤ ƿǹǞǰǤ, ǭǚǮǱǹ
ǌǤǝǚǹǲƤǨǤ Ȁ ǨǞǹǷǚǧ ǚǹǽǚǮǚǝǶǸǞǹ ǭǚǶǤǯ Ǡ:
The tale about the poor ȃsherman, his daughter Mashenka, the ugly Beast,
major Sidorchuk and the eaten princess, Russia, 2015, 0:06:11
Director Verik Marina
The tale about the poor ȃsherman, his daughter Mashenka, the ugly Beast, major
Sidorchuk and the eaten princess.
46
Graduation ȃlms
ǎǫǚǯǘ ǰǯǚǪǨǚǯ ǨǱǸǮƤǭǱǷ, ǌǤǯǜǚǳƤǹ, 2015, 0:08:16, 5+
ǋǞǣǤǶǱǹ` ǃǚǹǤ ǎǱǩ
ƳǞǮƤǯ ǩǞǸǚǽǹǽǷǚǧ Ǡǹ ǨǞǸǤ ǩǚǜƤǶǸǱǷ ǸǫǚǮǱǷ, ǱǷ ǚƬǯ Ǿǹ ǚǯǺǯƤǭ Ǡǹ Ǥǹ Ǹǚǯ
ǨǱǫǽǱǷ: ưǮǶ ƩǚǮǯǚǨ ǠǚǨǡ` ƳǞǮƤǯ, ǦǚǫƤǭ Ǡ Ǥǹ ǦǚǫǚǥǤǽǱǷ ǚǮǯǽǚǯ ǣǚǭǚǯǚǨ,
ƩǯǲȀ Ʃ Ǿǹ ǶǤǹǞǥǤ ǦǚǫǚǥǤǽǡ ǡǯǨǯƤǭ Ǡ ǳǚǸƤǩǚǯǤǺ: ưǵǚǯǺ ǷǚǦǞǯǚǥƤ Ȁ ǞǹǨǚǹǛǚǹǚǨ ǭǸǚǧǞǥƤǘ ǯǚ ǦǚǫǚǥǤǽǡ ǷǞǹǚǝǚǹǪǯǞǥƤ ǸǚǹǛǞǹǚǨ Ǡ ǜǸǯƤǭ, ǞǹǛ ǩǞǵǷƤǭ
ǸǞǶǯƤǭ Ǡ ǧǚǯǱǢ ǸǫǚǮǤǯ: ƿǞǸȀǞǥǱǷ ǨǞǸǤ ǩǚǜƤǶǸǱǷ ǸǫǚǮǤǯǘ ƳǞǮƤǯ ǼǱǽǹǤǨ
ǚǹǨǚǧ Ǡ ǶǨǶƤǭ` ǛǚǺǚǩǚǮǸǞǥƤ ǚǵǞǫǧǷǚǧǚǮǤǯ ǚǯǧǚǯǱǢǤǯ Ȁ ǩǚǶǨǚǯǚǥƤ`
ǤǯǲǳǞǶ Ǡ ǶǨǶǷƤǭ ǡǯǨǞǹƤǢǮƤǯǡ: ƾǞǸǤ ǩǚǜƤǶǸǱǷ Ǹǫǚǯ ǯǭǚǯ Ǡ ǯǱǹǚǺǷǚǧ
ǩǞǽǤǚǢǤǘ ǨǞǸǤ ǩǚǜƤǶǸǯǞǹ, ƲǱǪǤǥǚ Ȁ ǩǚǴǱǫƤǢǮƤǯ ǛǞǹǱǫ ǨǚǸƤ Ǩǚǭ ǭǚǯǞǨǤǯǞǨǱ, ǝǚǶǚǨǚǯ ǩǞǽǤǚǢǤ ǜǥǦǚǷǱǹ ǨǞǹǳǚǹǯǞǹ, ǱǹǱǯǽ ǺƤǮǺ Ǟǯ ǸǚǥǤǶ, ǢǞ ǤǯǲǳǞǶ
Ǟǯ ǩǚǨǚǵǚǨ ǨǱǫƬǹǯ Ǥǹǚǹ ǪǜƤǭ: ǕǤǥǭǡ Ǥǹ ǸǞǶǚǨǱǷ ǜǹǚǷǤǲ Ǡ` ǩǞǹǱǶǯǞǹǤ` 2
ǞǹǞǦǚǮǤ Ȁ Ƿǚǵ ǜƤǮǯǞǹǱǷ ǳǚǸǨǞǹǷǚǧ 3D ǴǹǚǮǤǯ ǚǯǤǭǚǺǤǚǮǤ ǰǯǱǹǩǤǷ: ǌǚ
ǞǹȀǚǨǚǮǚǨǚǯ ǼǚǦƤǶǸ Ǡ, Ǳǹǡ ǛǚǺǚǩǚǮǸƤǭ Ǡǘ ǤǯǲǳǞǶ Ǟǯ ǞǹǞǦǚǯǞǹǯ ǡǯǝƤǯƤǭ
Ǥǹǚǹ, ǤǯǲǳǞǶ Ǟǯǽ Ƭǯǽ ǸǞǶǯƤǭ ƩǭǮǚǯǺ Ȁ ǤǯǽǯǞǹǶ Ƭǟ`ǚǮǯ ǸǚǹǛǞǹ «ǝǤǭǚǨǯǞǹǤ»
ǸǚǨ, Ǳǹ ǚƬǯ Ǿǹ ǨǹƤǭ Ǟǯǽ:
The Boy in the Whale Suit, Singapore, 2015, 0:08:16, 5+
Director Marie Toh
Daiyu is intrigued by the boy in the whale suit who passes by her Ȅat every
day. A solitary creature, Daiyu plays with her toy on her own, until one day, her
beloved toy falls out the window. Fearless and unthinking, she ȃnds a way to
retrieve her toy, and sees the boy from afar. As she follows the boy in the whale
suit, Daiyu goes on a mini adventure, to discover who this mysterious stranger
is, and how friendships are formed. The Boy in the Whale Suit is an updated
fairy-tale, with whale suits, Godzilla, and the good luck cat, or maneki-neko, as
prominent ȃgures in a classic story of how opposites attract. The ȃlm is charming in its demeanour, using two children as protagonists and Ȅuid 3D animation
enveloped in bright colours. It is a whimsical escapade exploring how children
perceive each other, and how we see other and ourselves, in the many different
‘suits’ that we don each day.
ǃǞǧǯ ƿǚǹǥǱǝǡ Ȁ ƿǹǞǰǡ, ƳǚǯǤǚ, 2014, 0:07:14, 15+
ǋǞǣǤǶǱǹ` ƾǚǹǶǸǞǯ ǉǞǸǞǹ ƾǴǚǹƤǥǿ - ƿƤǳ
ƼǚǭǚǬǤǨǯǞǹǤ ǢǚǸǹǱǯǤ ǚǹǽǚǮǚǟǯǡ ǱǹǱǰƤǭ Ǡ ǭǸǯǞǥ ǞǹǞǦǚǯǞǹǤ ǚǭǛǱǦǤ ƬǴ:
ƴǹǛ ǜǤǰǞǹǡ Ǡ ǜǚǥǤǶ, ǢǚǸǹǱǯǡ ǥǺǷƤǭ Ǡ ƬǧǚǩǚǶǚǨǯǞǹǱǷ, ǱǹǱǯǽ ǺǚǯǨǚǯƤǭ Ǟǯ
ǸǞǶǯǞǥ ǤǹǞǯǺ ǸǷǚǧ ǜƤǭǚǹǤǯ ǩǚǭǚǹǣǞǽ ǯǞǹǨǚǮǚǺƤǭ: ǍǶǸǚǩƤǢǮǚǭǛ Ȁ Ǥǹ
ǚǭǛǱǫǴ ǩǭǚǮǽǱǷǘ ǚǹǽǚǮǚǟǯǡ, Ǥǹ ǨǚǹǱǫƤǢǮƤǯǯǞǹǤ ǲǚǼǱǷ, ǞǹǨǹǱǹǝ ǚǯǜǚǭ
ǦǚǫƤǭ Ǡ ǩǞǽǤǚǢǤ ǚǹǽǚǮǚǟǯǤ ǝǞǹǡ: ƿǚǯǝǤǶǚǸǞǶǡ ǩǤǚǺǚǧ ǲǠ, ǚǹǽǚǮǚǟǯǡ
ǶǸǤǳǷǚǧ Ǡ ǛǚǷǚǹǚǹǞǥ ǩǚǯǝǤǶǚǸǞǶǤ ǳǚǩǚǯǴǯǞǹǡ:
The Great Harlot and the Beast, Denmark, 2014, 0:07:14, 15+
Director Karsten Peter Kjærulf-Hoop
A marionette theatre prince manages to entertain his crowd of children during the
daytime. As night falls, the seats of the puppet theatre ȃll up with adults wanting
their money’s worth of entertainment. Bursting with conȃdence, the prince ups his
charm and conȃdence as he plays a second round as the fairytale prince to the best
of his abilities. The audience is not amused, and the old entertainment machine takes
over; rusty gears start turning, loose strings tighten; the prince is forced through a
cavalcade of immoralities in an attempt to satisfy the demands of the audience.
ǆǹǴǭǱǥǤǨ, ƳǚǯǤǚ, 2015, 0:07:25
ǋǞǣǤǶǱǹ` ǉǞǝǹǱ ƺǷǱ ƾǚǹǷǚǥǱ
ǌǚǹǶǚǼǞǥǤ ǞǹǢȀǞǨƤǢǮƤǯ ƤǯǞǺǱǫ ǽǚǫǚǽƤǭ, ǩǞǸȀǞǥǱǷ Ǥǹ ǰǚǯǡ, ǛǚǹǤ
ǰǹǴǭǱǥǤǨ ƳǤǱǯ ǛǚǺǚǩǚǮǸƤǭ Ǡ, ǢǞ ǤǯǲǳǞǶ Ǡ ǷǚǸ ǩǚǶǚǹǚǨƤǢǮƤǯǡ ǨǱǹǺǹǞǥ Ǥǹ
ǦǚǫǚǫƤǢǮƤǯǡ:
Vagabond, Denmark, 2015, 0:07:25
Director Pedro Ivo Carvalho
Following his dog’s kidnapper through a relentlessly moving city, the warmhearted vagabond Dio discovers how bad society has gone to keep up its pace.
47
ưǷǚǹǸǚǨǚǯǿǤǥƬǹ
ƴǥǽ, ǃǤǚǺǮǚǥ ǢǚǜǚǷǱǹƤǢǮƤǯ, 2015, 0:03:00
ǋǞǣǤǶǱǹ` ǄƤǨǚǮǤ ƳƤ
«ƴǥǽ»-ǡ ǱǜǞǰǯǲǷǚǧ Ǡ ǆǞǹǤ ƸǚǹǨǥǤ «ǃǤǚǮǯǚǨ ƩǚǶǤǯ» ǜǱǹǧǤǺ, Ǳǹǡ ǚǮǶ ǢǷǚǮǯǚǺǷǚǧ
ǚǰǦǚǹǩƤǭ ǣǚǭǚǯǚǨǚǨǤǺ ǨǮǚǯǽǤ ǚǹǸǚǺǱǥǚǯǽǯ Ǡ: ưǯǟǜǚ ǽǚǫǚǽǚǺǤǯǞǹǤ
Ƥ ǩǞǵǚǦǱǶǯǞǹǤ ƬǴ ǚǵǨǚ ǚǯǯǨǚǹǚǜǹǞǥǤ Ǩǚǳǡ ǛǚǺǚǩǚǮǸƤǭ Ǡ ǷǤǹǸƤǚǥ
ǩǚǫǱǹǝǚǨǺƤǢǮƤǯǤǺ ƤǯǞǺǚǧ ǨǚǦǷǚǧƤǢǮƤǯǡ: ǇǫǛǞǹǜǚǨǚǯ Ƥ ǧǚǮǹǚǩǞǫ
ǩǞǸȀǚǯǽǯǞǹǡ ǺƤǮǺ Ǟǯ ǸǚǥǤǶ ǚǮǯ ǯǞǜǚǸǤǷ ǷǞǹǚǛǞǹǭƤǯǽǡ, ǱǹǤǺ Ǳǲ Ǳǽ ǲǤ ǨǚǹǱǫ
ǦƤǶǚǼǞǥ. ǝǹǚ ǳǚǸǬǚǵǡ ǸǞǦǯǱǥǱǜǤǚǯǞǹǤ ǚǯǷǞǹǴ ǩǱǶǽǯ Ǡ ǭǚǹǝǨǚǮǤǯ ǨǮǚǯǽ,
Ǳǹǡ ǜǚǥǤǶ Ǡ ǭǚǹǝǨǚǯǺ ǚǯǷǞǹǴ ǺǚǯǨƤǢǮƤǯǯǞǹǤǺ:
Way Out, UK, 2015, 0:03:00
Director Yukai Du
‘Way out’, inspired by ‘Alone Together’ by Sherry Turkle, is a reȄection of modern life in
this digital age. The exaggerated contrast between emotionless citizens and characterized phones reveals our over-̺dependence on virtual communication. A dramatic and
extreme consequence shows a negative attitude, for which no one can escape the trend
of technology that originally comes from the endless appetence of human beings.
ƱǞǫǡ, ǕǤǯǥǚǯǝǤǚ, 2015, 0:03:37
ǋǞǣǤǶǱǹ` ưǯǯǤ ǔǴǚ
ưǮǶ ǽǚǫǚǽǡ ǛǚǷǚǨǚǯǚǲǚǼ Ƭǧ ǲǠ ǞǹǨƤǶǤ ǩǚǭǚǹ, Ǳǲ Ǡǥǘ ǯƤǮǯǤǶǨ ǤǹǞǯǺ ǛǞǫǞǹǤ:
The Moustache, Finland, 2015, 0:03:37
Director Anni Oja
This town is not big enough for the two of them. Nor their moustaches.
ǍǚǮǹǤ ǨǹǚǨ, ǕǹǚǯǶǤǚ
ǋǞǣǤǶǱǹǯǞǹ` ƿǮƤǜǞǶ ǔǳǸǞǹ, ǉǤǞǵǞ ǉǤǯǱǯ, ǅǤǨǱǥǞ ǌǢǚǿǡǹǝ, ǍǚǥǞǯǸǤǯ ǌǸǱǥ,
ưǹǯǚƤǝ ǎǹǤǛƤǸ, ǆǚǯǜ Ƶǚǯǜ
ƶǯǚǯ ǨǤǯ ǩǹǰǞǴ Ǡ, ǱǷ ǰǚǸ Ǡ ǶǤǹƤǭ Ǥǹ ǭǚǶǯǚǜǤǸƤǢǮƤǯǡ: ƾǹǚǨǱǷ Ǥǹ
ǸǚǹǷǚǧƤǢǮƤǯǡ ǚǟǝƤǭ Ǡ ǡǯǸǚǯǞǨǚǯ ǨǮǚǯǽǤ Ƿǹǚ:
Wildȃre, France, 2015, 0:02:15
Directors Hugues OPTER, Pierre PINON, Nicole STAFFORD, Valentin STOLL, Arnaud
TRIBOUT, Shang ZHANG
Ena, a passionate ȃreȃghter and wife, is very involved in her profession. Her fascination with ȃre reveals itself as it impacts her family life.
ƴǶ ƤǟƤǭ Ǟǭ, ưǹǜǞǯǸǤǯǚ, 2014, 0:08:13
ǋǞǣǤǶǱǹǘ ǅǤǨǱǥǚǶ ƾǱǯǸǞ
ƳǳǹǱǺǤǺ ǷǞǹǚǝǚǵǯǚǥƤ Ǥǹ ǶǱǷǱǹǚǨǚǯ ǬǚǯǚǳǚǹǩǤǯ ƼƤǚǯǶǤǸǱǯ`ƩǚǮǯǚǨ
Ʃ Ǹǫǚ ǉǱǹǸƤǜǚǥǤǚǮǤ ǜǮƤǫǞǹǤǺ, ǩǚǯǝǤǳƤǭ Ǡ Ʃ ǼǱǽǹǤǨ ǥǽǷǚǧ ǪǤƤ: ǅǱǹ Ȁ
ǜǞǫǞǺǤǨ ǡǯǨǞǹǱǴ ǩǞǸ ǦǚǫǚǥƤ ƤǹǚǦƤǢǮƤǯǡ ǶǸǤǳƤǭ Ǡ ǸǫǚǮǤǯ ǭǸǚǧǞǥ, Ǳǹ ǯǚ
ǨǚǹǱǫ Ǡ ǳǚǩǞǥ ǪǤƤǯ: ǅǚ ǲǤ ǨǚǹǱǫ ǳǚǸǨǞǹǚǺǯǞǥ, Ǳǹ ǤǹǚǨǚǯƤǭ ǪǤǯ ǶǳǚǶƤǭ Ǡ
Ǥǹ ǤǶǨǚǨǚǯ ǸǤǹǱǴ ǷǞǹǚǝǚǹǪǤǯ:
I want it!, Argentina, 2014, 0:08:13
Director Nicolás Conte
In his usual way back from school Juancito, a solitary country boy from Patagonia, meets a little horse which seems to be abandoned. The joy of having a
new and wonderful friend to play with makes the boy think he can keep it. He
cannot realize that the horse is actually waiting for the return of his real owner.
48
Graduation ȃlms
ưǯǜǥǦǚǹǨ ǶƤǯǨǡ, ƲǞǹǭǚǯǤǚ, 2014, 0:04:26
ǋǞǣǤǶǱǹ` ǉǤǚ ưƤǸǞǹǤǞǝ
ưǯǸǚǵǤ ǦǱǹǽƤǭ Ʃ ǚǵǚǷǱǸ Ʃ ǼǱǽǹǤǨ ǶƤǯǨ ǚǹǢǯǚǯƤǭ Ǡ ǚǵǚǯǺ ǜǥǦǚǹǨǤ:
Schwammerlbert, Germany, 2014, 0:04:26
Director Pia Auteried
In a forest clearing in the middle of the woods, a little mushroom awakes one morning without his hat.
ƿǚǹǶǚǯǤǽ ǝǣǱǦǽƤǭ, ǕǹǚǯǶǤǚ, 2015, 0:02:46
ǋǞǣǤǶǱǹǯǞǹ` ǄǚǯǤǽ ƱǱǤǵǞƤ, ǉǤǞǵǞ ƱƤǸǞǸ, ǃǚǜǚǥǤ ƲǚǵǯǤǞǵ, ƾǥǞƬǯǶǞ ǃǚǹǞǸ
ǋǚǽǞǥǡ Ǥǹ ǚǹǪǚǨƤǹǝǯǞǹǡ ǚǯǺǨǚǺǯƤǭ Ǡ ǜǮƤǫƤǭ: ǃǤ Ǿǹ ǵǞǚǥǤǢǤ ǰǱƤ ǯǚǮǞǥǤǶ
ǱǹǱǰƤǭ Ǡ ǤǹǚǨǚǯǚǺǯǞǥ ǚǰǦǚǹǩǤ ǚƬǯǚǚǵǞǫǧǷǚǧǚǮǤǯ ǩǚǹǶǚǯǤǽǡ:
Wedding in hell, France, 2015, 0:02:46
Directors Yannick BOIREAU, Pierre BUTET, Magali GARNIER, Clémence MARET
Rachelle his spending her vacations in the country. One night, as she is watching a
silly reality TV wedding show, she decides to plan the most magical marriage.
«ƱǱǥǱǹǶ ǚǜǚǹǚǨǚǸǞǹǞǹ Ǟǯǽ», ưǃǅ, 2015, 0:01:35
ǋǞǣǤǶǱǹ` Acme Filmworks Inc
ǋǞǣǤǶǱǹǯǞǹ ƱƤǹǨƤ ǌǚǯǨƤǹǡ Ȁ ǊǞǿǹǤ ƲǱǝǞǯ ǤǹǞǯǺ ƤǹƤǮǯ ǷǤǟƤǥ ǞǫǚǯǚǨǯ
ǾǜǸǚǜǱǹǧǞǥǱǷǘ ƤǶƤƨǚǶǤǹƤǭ Ǟǯ ǭǢǞǹǚǮǤǯ ǦǚǯƤǢƤǭ ǱǹǱǰƤǭ ǨǚǮǚǺǯǞǥƤ Ƭǹ
ǚǮǯ ǞǫǚǯǚǨǯǞǹǡ, ǱǹǱǯǽ ǚǟǝƤǭ Ǟǯ ǸǯǸǞǶƤǢǮƤǯǯǞǹǤ Ȁ ƤǸǞǥǤǽǤ ǚǹǸǚǝǹǭǚǯ
Ƿǹǚ: ưǹǝǮƤǯǽƤǭ ǛǱǥǱǹǶ ǷǞǹǚǧǷƤǭ Ǟǯǽ ǚǜǚǹǚǨǚǸǞǹǞǹǤ:
“We Are All Farmers” Nature’s Path, United States, 2015, 0:01:35
Director Acme Filmworks Inc.
Using their unique visual style, director Burcu Sankur and Geoffrey Godet explore
the ways our decisions in the grocery store affect the types of farms that are created
and the way food is produced. In the end, we are all farmers.
ƱǉƲ (ƱǯǱǻǢǮǚǯ ǳǚǰǸǳǚǯǱǻǢǮǚǯ ǜǱǹǧǚǨǚǥǱǻǢǮǱǻǯ), ǔǝǤ
ǚǫǸǱǸǷǚǧƤǢǮƤǯ, ưǷǶǹǚǥǤǚ, 2015, 0:02:38, 5+
ǋǞǣǤǶǱǹǘ ǌǸǞǿǚǯ ǍǞǹǯǤǨ
ǔǝǤ ǚǫǸǱǸǷǚǧƤǢǮƤǯǡ ǥǱǻǹǴ ǦǯǝǤǹ Ǡ: ǔǜǸǚǜǱǹǧǞǥǱǷ ǳǚǹǟ, ǭǤǚǣǚǭǚǯǚǨ
ǩǹǚǭǚǮǚǨǚǯ ǳǚǸǭǱǫǚǨǚǯ ǱǬǡ, ǿǤǥǭǡ ǛǚǺǚǸǹƤǭ Ǡ ǚǫǸǱǸǷǚǧƤǢǮǚǯ
ǳǚǸǬǚǵǯǞǹǯ Ǳǻ ǩǞǸȀǚǯǽǯǞǹǡ Ƥ ǩǚǹǺ Ǡ ǛǚǹǪǹǚǺǯǱǻǭ. «ƺǯǲǳǤǶǤǙǯ Ǡ ǩǤǭǚ ǾǝǤ
ǱǹǚǨǯ ǚǮǯǸǞǫ, ǱǹǸǞǫǘ ǝǱǻ ǞǶ»:
EPA Air Pollution, Australia, 2015, 0:02:38, 5+
Director Stefan Wernik
Air Pollution is a serious issue. Using a simple yet evocative narrative this ȃlm explains the causes and effects and asks the question, ‘What’s the air quality like where
you are today?’
ǋǱǢǚǹǤǤ ǬǚǨǚǸǚǹǜǤǹǡ, ƿǯǝǨǚǶǸǚǯ, 2014, 0:02:08
ǋǞǣǤǶǱǹ` ǌƤǹǞǰ ƶǹǤǮǚǢ
ǕǤǥǭǡ ǋǱǢǚǹǤ ǚǨƤǭǛǤ ǢǚǼǚǧ ǴǚǯǽǞǹǤ ǭǚǶǤǯ Ǡ, Ǳǹǡ ǯǳǚǸǚǨ ǱǻǯǤ ƿǯǝǨǚǶǸǚǯǤ
ǭǱǸ 10000 ǝǳǹǱǺƤǭ ǚǯǷǬǚǹ ƺǯǸǞǹǯǞǸ ǨǹǢƤǢǮǚǯ ǩǯǚǹǚǷǱǹƤǢǮǱǻǯ ǶǸǞǫǧǞǥ:
ǃǤǥǤǱǯǚǷǱǹ ǚǫǽǚǸǯǞǹ ǱǻǯǞǺǱǫ ǞǹǨǹǱǻǭ ǨǹǢƤǢǮƤǯǡ ǭǫǷƤǭ Ǡ ǞǹǨǹǱǹǝ ǳǥǚǯ
ǩǚǸǨǚǳǞǶ ǚǮǯ ǭǚǹǝǨǚǯǺ ǩǚǭǚǹ, ǱǷǽǞǹ ǳǚǮǽǚǹƤǭ Ǟǯ ǭǤ ǨǸǱǹ ǩǚǺǤ
ǩǚǭǚǹ: ưǵǚǯǺ ǨǹǢƤǢǮǚǯ ǛǯǚǨǲƤǢǮǚǯ ǚǮǶ ǰǞǹǸǤ ǩǚǭǚǹ ǚǫǽǚǸƤǢǮǚǯ
ǰǞǭǡ ǩǚǫǢǚǩǚǹǞǥǡ ǚǷǞǥǤ Ǡ ǝǣǷǚǹǚǯƤǭ: ưǮǶ ǤǹǚǷǤǬǚǨǡ ǢǱǻǮǥ ǲǤ ǸǚǥǤǶ, Ǳǹ
Ƭǹ ǞǹǨǹǤ ǱǫǴ ǯǞǹƤǣǡ ǟǜǚǯǽ: ǋǱǢǚǹǤ ǚǨƤǭǛǤ ǴǚǯǽǞǹǱǷ ǚǯǯǨǚǹǚǜǹǞǥǤ
ǼǱǼǱǦƤǢǮƤǯǯǞǹ Ǟǯ ǨǚǸǚǹǷǞǥ ǚǮǶ ǛǯǚǜǚǷǚǵƤǭ: ǅǹǚǯǽ ǜǱǹǧǚǹǨǞǥ Ǟǯ ǚǮǯ
ǜǚǫǚǼǚǹǡ, Ǳǹ ǞǢǞ ǭǚǹǝ ǧǯǷǞǥ Ǡ ǲǽǚǷǱǹǱǻǢǮǚǯ ƬǴ, ǝǞǵ ǲǤ ǯǰǚǯǚǨƤǭ, Ǳǹ ǱǫǴ
ǨǮǚǯǽǡ ǳǞǸǽ Ǡ ǚǫǽǚǸ ǭǯǚ: ƼǢǚǯǞǥǱǷ ǨǹǢƤǢǮǚǯ ǥǚǮǯ ǸǚǹǚǧǱǻǭǡǘ ǨǚǹǱǫ Ǟǯǽ
ǼǱǦǞǥ ǰǚǸ ǰǚǸǞǹǤ ǬǚǨǚǸǚǜǤǹǡ: ƿǞǯǺ ǚǮǶ ǬǚǨǚǸǚǜǹǞǹǤ ǷǞǹǚǼǱǦǭǚǯ
ǜǚǫǚǼǚǹǯ Ǟǯǽ ǺǚǯǨǚǺǞǥ ǳǚǸǨǞǹǞǥ Ƭǹ ǿǤǥǭƤǭ: ǓǚǹǞǹǤǺ ǜǹǽǞǹǤǯ ǚǯǺƤǭǡ
ǳǚǹǟǚǳǞǶ ǩƤǮǶ Ǡǹ, Ǳǹǡ ǤǹǚǨǚǯƤǢǮƤǯ ǝǚǹǪǚǷ ǋǱǢǚǹǤ ǚǨƤǭǛǤ ǴǚǯǽǞǹǤ
ǰǯǱǹǩǤǷ: ưǮǶ ǨǞǯǸǹǱǯǚǨǚǯ ǜǚǫǚǼǚǹǤǯ ǩǞǸȀǞǥǱǷ Ǡǥ ǃƤǭǛǚǤ ƲǱǷǚǯǝǤ
ǢǚǫǚǭǚǶǤ ǸǚǫǚǯǝǚǷǱǹ ǞǹǞǦǚǯǞǹǡ ǚǳǚǩǱǷǞǥ Ǟǯ ǚǮǶ ǿǤǥƩ ǞǹǚǣǰǸƤǢǮƤǯǡ:
ƴǹǞǦǚǯǞǹǡ ǳǞǸǽ Ǡ Ǳǲ ǢǞ ǚǰǦǚǸǞǯ, ǚǮǥ ǨǹǢƤǢǮƤǯ ǶǸǚǯǚǯ. ǚǩǚ Ƕǹǚ ǭǚǶǤǯ Ǡ
ǯǹǚǯǺ ǶǹǸǚǵǱǻǲ Ǟǹǜǡ, Ǳǹǡ ǮƤǹǚǩǚǸƤǨ ǨǚǦǚǹǝǚǯǽ Ǡ ǩǚǫǱǹǝƤǭ ǿǤǥƩǯ:
Rotary Fateline, India, 2014, 0:02:08
Director Suresh Eriyat
This ȃlm was to depict the efforts of Rotary Club to provide free E- learning opportunities
across 10000 schools in India. In a country where millions are mired in poverty, education
takes a backseat for those struggling to make a living. Without an education, it becomes
even harder for this section of the population to break the cycle of poverty. This is turn
stops us as a country from realizing our full potential. Efforts like those of the Rotary Club
have made signiȃcant difference in this area, enforcing the idea that just because someone is born in poverty doesn’t mean they have to be trapped in it for the rest of their lives.
By taking action to foster widely accessible education, we can change the fates of many. It
is this idea of rewriting the fate line that we have sought to depict in our ȃlm. The journey
from bricks to books is a hope that has been given form by the actions of Rotary Club.In
keeping with this central idea, the talented kids of Mumbai’s Govandi Slum provided the
soundtrack for this ȃlm. Their heartfelt song about the need for education to escape child
labor lends its own special magic to the ȃlm.
50
TV and Educational ȃlms
ǐǚǯǞǥ-ǩǚǷǚǽǞǥƤ ǭǱǝǞǥǡ, ƲǞǹǭǚǯǤǚ, 2014, 0:02:41
ǋǞǣǤǶǱǹǘ ǎǱǛǤǚǶ ǓǯǤǿ
ǃǞǧ ǜǚǫǚǼǚǹǡ. ǰǚǸǞǹǯ Ǟǯ ǼǯǸǹƤǭ, ǽǲǞǹǡǘ ǜǸǯƤǭ Ȁ ǽǲǞǹǤǺ ǱǹǱǰǯǞǹǡǘ ǨǮǚǯǽǤ
ǨǱǲƤǭ: ƴǹǛ ǪǞǵǯǚǹǨƤǢǮƤǯǯǞǹǡ ǪǜǸƤǭ Ǟǯ ǯǱǹǚǹǚǹƤǢǮǚǯ, ǨǮǚǯǽǤ ǨǱǲǞǥƤ
ǜǱǹǧǡǯǢǚǺǡ ǚǷǞǥǤ Ǡ ǝǣǷǚǹǚǯƤǭ: ǌǢǞǯǿǱǹǝǤ ǩǚǭǚǥǶǚǹǚǹǚǯǤ ǞǹǨƤ ǝǚǶǚǦǱǶ
ǩǚǹǺ Ǟǯ ǛǚǹǪǹǚǺǹǞǥ Ƥ ǳǚǸǚǶǦǚǯǡ ǜǸǞǥ ǓǚǹǞ ǝǚǹƤǭ: ưǯǜǚǭ Ƭǹ ǳǚǸǭǚǨǚǯ
ǯǚǦǯǤǯǞǹǡ ǚǷǞǥǤ ǚǹǚǜ ǠǤǯ ǚǵǚǴǡǯǢǚǺ ǨǚǸǚǹƤǭ, ǞǹǛ ǩǞǸȀƤǭ ǠǤǯ ǚǮǶ 3
ǩǚǶǚǹǚǨ ǨǚǯǱǯǤǯ, ǱǹǱǯǽ Ʃǯǲ ǚǮǶǾǹ ǨǤǹǚǵǞǥǤ Ǟǯ: ǆǷǞǮǺǚǹǚǨǚǯ “Die Mobiliar”
ǚǳǚǩǱǷǚǜƤǢǮǚǯ ǜǱǹǧǚǨǚǥƤǢǮƤǯǡ ǶǱǷǱǹǞǺǯƤǭ Ǡ ǨǤǹǚǵǞǥ ǺǚǯǞǥ-ǩǚǷǚǽǞǥƤǫ
ƬǢǱǝǡǘ ǨǚǹǬ ǣǚǭǚǯǚǨƤǭ ǩǚǴǱǫƤǢǮǚǯ ǩǚǶǯǞǥƤ ǩǚǭǚǹ:
The Hunter-Gatherer Model, Germany, 2014, 0:02:41
Director Tobias Knipf
The big idea: Many search for it, few ȃnd it – and just a fraction of them implement
it successfully. When enterprises search for innovation, the process becomes even
more complex. Two professors from Stanford addressed this problem and found
the solution in the Stone Age: Even our prehistoric ancestors were more efȃcient
in achieving progress when they followed three simple rules that still apply today.
The Swiss insurance company “Die Mobiliar” asked us to visualize this “Hunter and
Gatherer” method for training purposes in a short and entertaining way.
ƺǯǪ ǜǤǸǞǶ, ǃǤǚǺǮǚǥ ǢǚǜǚǷǱǹƤǢǮƤǯ, ǃǚǹǱǨǨǱ, ƿǱǹǝǚǯǚǯ
ǋǞǣǤǶǱǹǘ ǋǚǴ ǄǚǜǯǤǨ
ǃǞǹǪǚǷǱǹ ưǹȀǞǥǽƤǭ Ȁ ƿǮƤǶǤǶǚǮǤǯ ưǿǹǤǚǨǚǮƤǭ 15 ƩǥǤǱǯ ǞǹǞǦǚ ǲǤ ǩǚǬǚǦƤǭ
ǝǳǹǱǺ: ưǮǶ ǿǤǥǭƤǭ ǯǹǚǯǽ ǛǚǺǚǸǹƤǭ Ǟǯǘ ǤǯǲƤ:
You Know Me, UK / Morocco / Jordan, 2015, 0:02:00
Director Raj Yagnik
There are 15 million children out of school in the Middle East and in North Africa. In
this ȃlm some of them explain why.
ƾǤǢǡ Ȁ ƾǞǮǢǡ, ƾǤǳǹǱǶ, 2014, 0:05:00, 2+
ǋǞǣǤǶǱǹǘ Toonbox
2 ǼǱǽǹǤǨ ǼǤǶǤǨǘ ƾǤǢǡ Ȁ ƾǞǮǢǡ, ǶǤǹƤǭ Ǟǯ ǤǹǞǯǺ ǦǚǫǚǥǤǽǯǞǹǤ ǚǹǨǫǡ: ƿǞǯǺ ǯǹǚǯǽ
ǺǚǸǨƤǭ Ǟǯ ǚǹǨǫǤ ƬǴ, ǨǚǦǚǹǝǚǯǽǡ ǶǨǶǷƤǭ Ǡ: ƴǹǞǦǚǯǞǹǤ ǞǹȀǚǨǚǮƤǢǮƤǯǡ
ǸƤǯǡ ǷǞǹǚǧƤǭ Ǡ ǩǚǳǚǥǚǶǤ ǨǫǟƤ, ǪǤǚǹǰǚǷǚǹǚǯǤ Ǩǚǭ ƩǴǯǚǝǚǹǮǚǯ ǚǭǹǱǺǤ:
ưƬǯ ǚǯǜǚǭ ǼǤǶǤǨǯǞǹǡ ǶǸǞǫǧƤǭ Ǟǯ ƩǚǯǜǚǭǚǮǯ ǯǱǹ ǚǰǦǚǹǩǘ ǟǚǹǭǚǯǚǥǤ
ǛǚǺǚǩǚǮǸƤƨǞǹǱǷ Ƥ ǚǯǚǨǯǨǚǥǯǞǹǱǷ: ưƬǯ ǝǹǷǚǜƤǭ ǼǤǶǤǨǯǞǹǡ ǩǚǯǝǤǳƤǭ
Ǟǯ Ʃ ǚǵǞǫǧǷǚǧǚǮǤǯ ǚǯǧǚǯǱǢǤ, ǱǷ ǤǹǞǯǺ ǽǱǫǚǹǨǷǚǧ ǭǚǮǹǡ Ǩǚǭ ǩǚǮǹǯ Ǡ:
ưǯǧǚǯǱǢǡ ǾǜǯƤǭ Ǡ ǞǹǞǦǚǯǞǹǤǯ ǥƤǧǞǥƤ ǛǱǥǱǹ ǩǚǯǞǥƤǨǯǞǹǡ, ǚǯǜǚǭ ǷǚǮǞǥǞǥ
ǚƬǯǚǝǣǷǚǹ ǼǱǹǪƤǢǮƤǯǯǞǹǡ: ƾǤǢǤ Ȁ ƾǞǮǢǤ ǟǚǷǞǰǸǚǥǤ ǳǚǸǭƤǢǮƤǯǯǞǹǡ
ǧǯǱǫǯǞǹǤǯ ǾǜǯƤǭ Ǟǯ ǦǚǫǤ ƩǴǱǺǱǷ ǺƤǮǺ Ǹǚǥ, ǢǞ ǤǯǲǳǞǶ ǨǚǹǞǥǤ Ǡ ǥƤǧǞǥ
ǚƬǯǚǦǬǬǷǚǧ ǭǚǯǨǚǨǚǯ ǦǯǝǤǹǯǞǹǡ: ưǮǶ ǿǤǥǭǡ ǾǜǯƤǭ Ǡ ǞǹǞǦǚǯǞǹǤǯ ǜǸǯǞǥ
ǚƬǯǚǛǚǹǝ ǩǚǹǺǞǹǤ ǳǚǸǚǶǦǚǯǯǞǹǡ, ǥǤǯǞǥ ǽǚǫǚǽǚǷǚǹǤ, ǣǚǭǚǯǚǨǤǯ
ǽǯǞǥ Ȁ ǬǤǰǸ ǶǯǷǞǥ: ƾǞǹǳǚǹǯǞǹǡ ǯǚȀ ǺƤǮǺ Ǟǯ ǸǚǥǤǶ, ǢǞ ǤǯǲǳǞǶ ǶǱǷǱǹǚǨǚǯ
ǦǚǫǚǥǤǽǯǞǹǱǷ ǩǞǸǚǽǹǤǽǹ ǦǚǫǞǹ Ǧǚǫǚǥ:
Kit & Kate, Cyprus, 2014, 0:05:00, 2+
D Studio irector Toonbox Studio
Two small kitties named Kit and Kate love their toy box. As soon as they hop inside,
magic starts to happen. Kids’ imagination transforms their room into a blueberry island, race track or a medieval castle. Every time the kitties create a whole new world
with amazing discoveries, surprises and not-so-easy-to-solve dilemmas! In each episode the kitties meet a mysterious stranger who always happens to be their Mum or
Dad in disguise. The stranger helps the kids to solve all the puzzles and enjoy even
the bumpiest ride. Sweet stories of Kit and Kate help parents through a game show
their kids how to solve even the most twisted kiddy problems. This movie teaches
children to ȃnd answers to difȃcult questions, be polite, go to bed on time and eat
properly. The characters also show how to start an amazing game with usual toys.
51
ưǷǚǟǞ ǨǞǯǝǚǯǤǯǞǹ, ƿǚǮǚǶǸǚǯ, 2015, 0:05:00
ǋǞǣǤǶǱǹǘ ǃǚǯǚǯǚ ƾǞǯǸǹǱǯ
«ưǷǚǟǞ ǨǞǯǝǚǯǤǯǞǹǡ» ǨǚǹǬǚƬǸǹǚǣ ǚǯǤǭǚǺǤǱǯ ǿǤǥƬǹǤ ǰǚǹǽ Ǡǘ ǳǚǸǹǚǶǸǷǚǧ
ǚǷǚǟǤ ǚǯǤǭǚǺǤǚǮǤ ǸǞǦǯǤǨǚǮǱǷ: ǄƤǹǚǽǚǯǲǮƤǹ ǝǹǷǚǜ ǯǞǹǨǚǮǚǺǯƤǭ Ǡ Ʃ
ǨǞǯǝǚǯǤ. ǨǞǯǝǚǯǤǯǞǹǤ ǚǯƤǯǯǞǹǤ ǩǞǹǢǚǨǚǯƤǢǮƤǯǡ ǩǚǭǚǳǚǸǚǶǦǚǯǞǺǷǚǧ
Ǡ ǩǚǮǞǹǞǯǤ ǚǮǛƤǛǞǯǤ ǸǚǵǞǹǤ ǩǞǹǢǚǨǚǯƤǢǮǚǯǡ:
Sand Animals, Armenia, 2015, 0:05:00
Director Manana Center
“Sand Animals” is a series of short animation ȃlms created with sand animation
technique. Each episode illustrates an animal which has a name starting with a letter
from the Armenian alphabet.
ƿǱƬǹǤ ǯǞǹǚǰǦǚǹǩǡ, Couch Gag, ưǃǅ, 2014, 0:01:13
ǋǞǣǤǶǱǹǘ Filmworks Inc.
ǌǤǭǼǶǱǯǯǞǹǤ ǚǵǞǫǧǷǚǧǚǮǤǯ ǢǚǦǸǡ Ƭǟ ǸǚǯƤǭ Ǡ ƿǱƬǹ ǌǤǭǼǶǱǯǤ
ǩǚǯǞǥƤǨǚǮǤǯ ǯǞǹǚǰǦǚǹǩǡ:
“Inside Homer” Simpson’s Couch Gag, United States, 2014, 0:01:13
Director Acme Filmworks Inc.
This Simpson’s couch gag takes us on a tour through the enigmatic world inside
Homer Simpson.
ƾǚǹȀǱǹ ǶǞǹǤǚǯǞǹ, ǕǹǚǯǶǤǚ, 2014, 0:09:15, 14+
ǋǞǣǤǶǱǹǘ ǃǱǹǤǶ ƿƤǷǞǥǤǯ
ƾǧǱǻ ǩǱǻǭǱǹǱǷ ǼǱǽǹǤǨ ǝǞǹǚǶǚǯǯǞǹǡ ǭǸǯǱǻǭ Ǟǭ ǦǱǰǱǹǚǜǱǻǮǯ ǨǤǯǱǢǚǸǹǱǯǯǞǹǤǺ
ǭǞǨǡ Ǳǻ ǝǞǭǚǵǝǞǭ ǩǚǯǝǤǳǱǻǭ ǢǰǯǚǭǤǯǞǹǤǘ ǩǹǞǰǯǞǹǤ Ȁ ǚǯǜǚǭ ǩǚǫǢǚǨǚǯ
ǨǞǯǝǚǯǤǯǞǹǤ: ǃƴƽ ǌưǏǌưǒǇǍ, ǃƴƽ ƿƴǏǇǌǅƴǏǇǍ, ǃƴƽ ǉǇǋǅǇǄǇǍ, ǃƴƽ
ƼƣǂưǉǇǍ, ǃƴƽ ǍƴǌƸƴǏǅǇǍ, ǃƴƽ ǌƺǏǇǍ ƴǍ ǃƴƽ ƴǏƴǍƾưǄǇǻƸǄưǃƱ:
BIGSHOT SERIES, France, 2014, 0:09:15, 14+
Director Maurice Huvelin
Little actors with caustic humour, cross the greatest cinema sets and face tough enemies,
absurd monsters and ever victorious animals. With BIGHORROR, BIGHEROES, BIGPORN,
BIGPANIC, BIGPEPLUM, BIGWESTERN, BIGROMANCE and BIGFANTASY.
ǃǚǟǚǩǞǵǚǺǱǻǭ` ǰǚǹǣǭǚǯ ǭǞǴ, ǃǤǚǺǮǚǯ ƸǚǜǚǷǱǹǱǻǢǮǱǻǯ, 2014, 0:00:46
ǋǞǣǤǶǱǹǯǞǹǘ ƿǱǨǱǻ Ȁ ưǝǚǭ
«Stop frame»-Ǥ ǷǚǹǳǞǸǯǞǹǡǘ ƿǱǨƤǯ Ȁ ưǝǚǭǡ, ǛǞǭǚǝǹǞǥ Ǟǯ ǚǮǶ ǦǬǬǷǚǧ
ǿǤǥǭǡ Wilkinson Sword Hydro 5 ǚǧǞǥǤǤ ǜǱǷǚǟǝǤ ǩǚǭǚǹ: ǄƤǹǚǽǯǚǲǮƤǹ
Ǩǚǝǹǡ Ȁ ǭǱǹƤǽǡ ǯǨǚǹǷǞǥ Ǡ Timeslic-Ǥ ǨǱǫƩǺ ǯǚǦǚǜǧǷǚǧ ǷǚǮǹǨǮǚǯƤǭ 48
Ǩǚǝǹ ǯǨǚǹǱǫ ǸǞǶǚǦǺǤǨǱǷ: ƿǱǨƤǯ Ȁ ưǝǚǭǡ ǤǹǞǯǺ ǜǚǫǚǼǚǹǡ ǚǮǶǳǞǶ Ǟǯ
ǛǚǺǚǸǹƤǭ. «ǉǚǸǭƤǢǮƤǯǡ ǩǤƨǚǨǚǯƤǭ ǭǱǹƤǽǯǞǹǡ ǶǚǼǹǞǥƤ ǭǚǶǤǯ Ǡ:
ǃǱǹƤǶǤ ǩǚǹǝǚǹƤǭǡ ǩǚǭǚǨǺǷƤǭ Ǡ ǞǹǚǣǰǸƤǢǮǚǯ ǵǤǢƩǨ ǩǚǹǷǚǧǯǞǹǤǯ:
ǃƤǹƤǶǯǞǹǡ Ȁ ǛǞǫǞǹǡ ǶǚǼǹǷƤǭ Ǟǯ ǷǚǹǶǚǷǤǹ ǏǚǮǡǯ ǃǽƲǹǞǜǱǹǤ ǞǹǚǣǰǸƤǢǮǚǯ ǵǤǢƩǨ ǩǯǲǮƤǯǯǞǹǤ ǯǞǹǽǱ: ƲǚǫǚǼǚǹǡ ǧǚǜǞǥ Ǡ JWT’-Ƥǭ. ƾǥǚƤǝǤǚ ǌǚǿǜǞǮǢǤ, ǍǞǹǤǢǤ ǕǞǯǯǞǹǤ Ȁ ǩǞǵƤǶǸǚǸǞǶǚǮǤǯ ǳǹǱǝǮƤǶǞǹ ǋǤǲǚǹǝ
ưǝǨǤǯǶǤ ǶǸǞǫǧǚǜǱǹǧǚǨǚǯ ǡǯǨǞǹƤǢǮƤǯǤǺ:
Manscaping in Motion, United Kingdom, 2014, 0:00:46
Directors Hoku & Adam
The master stop frame duo Hoku & Adam directed this incredibly intricate ȃlm for Wilkinson Sword Hydro 5 Groomer. Every single frame and beard shave has been captured
in-camera by a 48-piece camera rig designed by Timeslice. ! Describing their idea, Hoku &
Adam say ‘The story of this is basically just beards rocking out.’ The beard styling is synchronized to the beats of the track. Beards and moustaches are shaved into the rhythm of
the track by barber Ryan MacGregor. The idea came from agency JWT’s creative; Claudia
Southgate & Verity Fenner and TV Producer Richard Adkins.
ƹǚǯǯǚ ƾǤǹǰǯǞǹ - ǽǚǫǚǽǤ ǱǜǤǯ, ǌǥǱǷǚǨǤǚ, 2015, 0:03:38 6+
ǋǞǣǤǶǱǹǘ ưǯǝǹǞǮ ƾǱǥǞǯǺǤǨ, ǍǞǹǱǯǤǨǚ ƾǱǺƤǹǨǱǷǚ
ǀǞǟ Ǟǯǽ ǯǞǹǨǚǮǚǺǯƤǭ ƹǚǯǯǚ ƾǤǹǰǯǞǹǤ ǳǚǰǸǱǯǚǨǚǯ ǩǱǥǱǷǚǨǡǘ ǯǞǹǰǯǲǷǚǧ
ǩǤǯ ǝǳǹǱǺǤ ǷǤǝǞǱǦǚǫǞǹǱǷ:
Jana Kirschner - Spirit of the City, Slovakia, 2015, 0:03:38, 6+
Director Andrej Kolencik, Veronika Kocourkova
Ofȃcial Music Video for Jana Kirschner inspired by the old school video games.
52
ǋ120 ǔǶǢǤǯ, ǆǷǞǮǺǚǹǤǚ, 2014, 0:01:03
ǋǞǣǤǶǱǹǯǞǹǘ ƾǥǚƤǝǤǚ ǋǱǿǥǤǯ Ȁ ƺǷ ƲǚǢǴǚǹ
ǅǱǹǘ ǚǯǝǤǭǚǝǹǞǥǤ, ǝǤǭǚǺǨǱǻǯ ǋ120 ǔǶǢǤǯ ǭǱǝǞǥǤ ǳǚǮǱǻǶǚǨǤ ǚǯǰǚǹǣ
ǬǚǯǚǳǚǹǩǱǹǝǱǻǢǮǱǻǯǡ, Ǳǹǯ ǚǯǝǤǭǚǝǹǞǥǤ Ǡ ǚǭǞǯǚǷǚǸ ǤǹǚǷǤǬǚǨǯǞǹǱǻǭ
ǚǯǜǚǭ:
R120 Austen, Swtzerland, 2014, 0:01:03
Director Claudia Röthlin & Yves Gutjahr
Stop motion journey of the new irresistible, resistant handbag R120 AUSTEN that
stays irresistibly resistant even in the most adverse circumstances.
ǆǚǸ ǼǱǽǹǤǨ ǨǤǯǱǢǚǸǹǱǯ, 2015,0:00:45
ǋǞǣǤǶǱǹǘ ƾǚǹǱǥǤǯ ưǸǸǤǚ ƻǚǹǤǷǤǞ
ǋǱǭǞǮǯǡ ǭǚǮǹǤǨǤ ǩǞǸ ǚǵǚǴǤǯ ǚǯǜǚǭ ǜǯǱǻǭ Ǡ ǨǤǯǱǢǚǸǹǱǯ: ǌǳǚǶǷǱǫ
ǱǻǫȀǱǹǱǻǢǮǱǻǯǡ ǥǤ Ǡ ǚǯǚǨǯǨǚǥǯǞǹǱǷ Ȁ ǞǹȀǚǨǚǮǱǻǢǮǚǭǛ:
Very Little Cinema, France, 2015, 0:00:45
Director Caroline Attia Larivière
Romain along with his mother is going to his ȃrst movie. The journey that’s ahead of
him if full of surprise and imagination.
ǄǤǯ Ȁ Ǆǚǯǚ, ǋƤǶǚǶǸǚǯ, 2015, 0:11:00
ǋǞǣǤǶǱǹǘ «ǆǚǵ» ǝǳǹǱǺ-ǶǸƤǝǤǚ
ǌǚ ǳǚǸǭǱǻǢǮǱǻǯ Ǡ Ǆǚǯǚ ǚǯǱǻǯǱǷ ǞǹǤǸǚǶǚǹǝ ǚǫǴǨǚ Ȁ Ǥǹ ǄǤǯ ǚǯǱǻǯǱǷ
ǚǮǥǭǱǥǱǹǚǨǚǮǤǯ ǡǯǨǞǹǱǴ ǭǚǶǤǯ: ǄǤǯǡ ƴǹǨǤǹ ǭǱǥǱǹǚǨ Ǡ ǞǨǞǥ Ǥǹ Ȁ
ǸǤǞǟǞǹǚǯǚǷǤ ǩǚǭǚǹ ǷǚǵǞǥǤǽ ǜǸǯǞǥǱǻ ǯǳǚǸǚǨǱǷ: ưǭǞǯ ǝǹǷǚǜǱǻǭ
ǺǱǻǺǚǝǹǷǱǻǭ Ǡ, ǢǞ ǤǯǲǳǞǶ Ǟǯ Ǆǚǯǚǯ Ȁ ǄǤǯǡ ǱǻǶǱǻǭǯǚǶǤǹǱǻǭ ƴǹǨǤǹ ǭǱǥǱǹǚǨǡ,
ǛǚǺǚǩǚǮǸǱǻǭ ǸǚǹǛǞǹ ǭǰǚǨǱǻǮǢǯǞǹ ǱǻǯǞǺǱǫ ǭǚǹǝǨǚǯǺ ǚǷǚǯǝǱǻǮǢǯǞǹǯ Ǳǻ
ǶǱǷǱǹǱǻǮǢǯǞǹǡ: ǕǤǥǭǤ ǩǤǭǯǚǨǚǯ ǯǳǚǸǚǨǯ Ǡ ǚǯǝǹǚǝǚǵǯǚǥ ǭǚǹǝǨǚǮǤǯ
ǨǮǚǯǽǤ ǛǱǥǱǹ ǨǱǫǭǞǹǤǯǘ ǡǯǸǚǯǤǽ, ǭǚǶǯǚǜǤǸǱǻǢǮǱǻǯ, ǩǚǜǱǻǶǸ, ǨǵǤǷ Ȁ
ǩǚǰǸǱǻǢǮǱǻǯ, ǨǮǚǯǽ Ȁ ǭǚǩ, ǚǹǷǞǶǸ Ȁ ǥǞǟǱǻ Ȁ ǚǮǥǯ:
Yin & Yana, Russia, 2015, 0:11:00
Director School-studio “SHAR”
Young girl named Yana and her friend alien named Yin. He came to Earth in search
of a universal kind of fuel for himself and his Ȅying saucer - the information. In every
episode Yin and Yana explore our planet, ȃnd out about traditions and customs of
different people and cultures. The topics of the episodes have to do with all aspects
of human life: family, profession, clothes, games, ȃghting and making up, life and
death, art and language, etc.
ƼǚǫǚǫƤǢǮǚǯ ǚǯǨƤǭ, ǝǹǷǚǜ 1: «ƹǚǵǚǯǜƤǢǮƤǯ», 2015, 0:04:19, 5+
ǋǞǣǤǶǱǹǯǞǹ` ưǹǞǜ ǃǦǤǢǚǹǮǚǯ, ưǹƬǯ ǎǤǹǚǸƤǹǮǚǯ
ƴǷǹǱǳǚǨǚǯ ǩǚǭǚǜǱǹǧǚǨǺƤǢǮǚǯ ǰǹǴǚǯǚǨǯǞǹƤǭ ǤǹǚǨǚǯǚǺǷǚǧ ǧǹǚǜǤǹ Ǡ,
ǱǹǤ ǯǳǚǸǚǨǯ Ǡ Ǧǚǫǚǫ ǬǚǯǚǳǚǹǩǱǷ ǥǱǻǧǞǥ ǁǚǹǚǛǚǫǮǚǯ ǩǚǹǺǡ: ƽǹǚǜǤǹǯ
ǤǹǚǨǚǯǚǺǷǱǻǭ Ǡ ǂǜǯǚǣǚƬǹǤ ƿǚǭǚǨǚǹǜǭǚǯ ǅǚǦǚǪǞǵǯƤǢǮǚǯ ǚǴǚǨǺƤǢǮǚǭǛ
Ǳǻ ƴǃ-Ǥ ǩǱǷǚǯǚǷǱǹǱǻǢǮǚǭǛ:
Peacefall, Episode 1 “Legacy“, Armenia, 2015, 0:04:19, 5+
Director Areg Mkrtchyan, Armen Tiraturyan
Project implemented within the European Partnership for the peaceful settlement of
the conȄict over Nagorno-Karabakh (EPNK), with the support of Crisis Management
Initiative (CMI) and funded by the European Union.
53
ƱƤ - ƱƤǭ, ƴǹǨǚǹ Ǭǚǯǚǳǚǹǩ ǝǞǳǤ ǸƤǯ, ƺǸǚǥǤǚ, 2014, 0:22:53
ǋǞǣǤǶǱǹǘ ǃǚƤǹǤǺǤǱ ǕǱǹǞǶǸǤǞǹǤ
1944 Ǣ. Ǫǭǵǚǯǡ ƺǸǚǥǤǚǮǱǷ ƬǨ ǢǚǼǚǵƤǭ Ǡ ǮƤǹǚǩǚǸƤǨ ǨǞǯǝǚǯǤǯǞǹǤ Ʃ ǦƤǭǛ.
ƱǱǥǝǶǸǤǝǡǘ ƤǣǞǫ Ȁ ƬǧǚǩǱǜǤ ǶǤǺǤǥǤǚǨǚǯ ǪǤǯ, ǊǞǽǡǘ ǚƬǹǤǨǮǚǯ ǟǤǯǷǱǹǚǨǚǯ
ǰƤǯǡ, ưƤǹǞǥǤǚǯǘ ǩǵǱƬǚǨǚǯ ǨǚǸƤǯ, ǱǷ ǝǣǷǚǹ ǤǹǚǷǤǬǚǨǯǞǹǤǺ ǝƤǹǶ ǜǚǥƤ
Ǹǚǫǚǯǝ ƤǯǤ Ȁ ǓǹǤǶǸǱǿǞǹǡǘ ǸƤǶǨǚǯǚǨǚǯ ǞǹǨǚǹǚǳǱǲ ǚǽǚǫǚǫǡ: ǔǝǚǮǤǯ
ǩǚǹǪǚǨƤƩǺ ǩǞǸǱ ǦƤǭǛǡ ǽǚǹǤ ǸǚǨ ǩǚǮǸǯǚǛǞǹƤǭ Ǟǯ Ʃ ǼǱǽǹǤǨ ǸǫǚǮǤ:
ƾǚǸǚǹǷǚǧǤǺ ǩƤǟǷǚǧǘ Ǹǫǚǯ ǚǯǡǯǝǩǚǸ ǨǹǨǯƤǭ Ǡ ǯƤǮǯ ǛǚǵǞǹǡǘ ǛƤǭ, ǛƤǭ: ưǩǚ
ǚǮǶǳǞǶ ǶǨǶǷƤǭ Ǡ ǞǹǨǚǹ ǬǚǭǼǱǹǝƤǢǮƤǯǡ:
BOO BOOM The Long Way Home, ITALY, 2014, 0:22:53
Director MAURIZIO FORESTIERI
A peculiar group of animals wanders around Italy in the winter of 1944: Boldsteed, a
strong Sicilian horse with a generous heart; Jack, an American military dog; Aurelia, a
Roman cat with a talent for getting out of sticky situations; and Christopher, the longwinded rooster from Tuscany. The group ȃnds a small boy under the rubble after an air
raid. Because of the shock he no longer speaks and repeats the same two words: “Boom!
Boom!” The long journey was starting..
ƿǤǯ ǣǱǫǱǷǹǝǨǚǯ ǩǞǽǤǚǢ 2, ƳǚǷǤǢǡ, ǃǚǩǚǺǚǧǡ, ƾǱǥƤǭǛǤǚ, 2014,
0:05:47
ǋǞǣǤǶǱǹǯǞǹǘ ƾǚǹǥǱǶ ƶǝƤǹǝǱ ǌƩǢ, ǃǚǹǶǞǥǱ ƳǞǭǚǸǞǤ
ƳǚǷǤǢǡ ǩǤǰƤǭ Ǡ ǔǹǤǟǚǛǚǮƤǭ, ǃǞǽǶǤǨǚǮƤǭ ǚǯǺǨǚǺǹǚǧ Ǥǹ ǭǚǯǨƤǢǮƤǯǡ, ǤǹǞǯǺ
ǡǯǸǚǯǞǨǚǯ ǛǤǟǯǞǶǡ, ǝǤǚǹǚǯǡ, ǩǤǰƤǭ Ǡ, ǢǞ ǤǯǲǳǞǶ Ǡǹ ǩǚǮǹǡ ǶǯǚǩǚǷǚǸƤǢǮǚǭǛ
ǚǶƤǭ, ǢǞ ǳǞǸǽ Ǡ ǸǞǫǚǼǱǦǞǥ ǛǤǟǯǞǶǡ, ǞǹǛ «ǼǱǽǹǤǨ ǟǱǩǞǹǡ» ǛǚǺǚǨǚǮƤǭ ǠǤǯ:
Old Folk’s Tales 2. David, The Dead, Colombia, 2014, 0:05:47
Directors Carlos Eduardo Smith, Marcelo Dematei
David remembers how his child life elapsed on Orizaba, Mexico, around the
family business, a mortuary, and how his father applied curious superstitions to
move the business when the “little deads” were missing.
ƶǥǭǚǯǝǱ, ǋƤƩǯǤǚ, 2014, 0:03:23
ǋǞǣǤǶǱǹǘ ưǯǸǱǯ ǔǨǸǚǷǤǚǯ
«ƶǥǭǚǯǝǱ»-ǯ Ʃ ǳǚǸǭƤǢǮƤǯ Ǡ ǞǹǤǸǚǶǚǹǝ ǨǱǯǜǱǮǚǛǯǚǨ ǞǹǞǦǚǮǤ ǭǚǶǤǯ, ǱǷ
ǧǯǷǞǥ Ǡ ƾǤǷƤ ǚǯǸǚǵǤ ǭǱǸ: ǅǹǚ Ǧǚǫǚǫ ǨǮǚǯǽǡ ǷǞǹǚǧǷƤǭ Ǡ ǱǫǛǞǹǜƤǢǮǚǯ,
ǞǹǛ ǩǚǹǪǚǨǷƤǭ Ǟǯ ǤǹǞǯǺ ǜǮƤǫǤ Ƿǹǚ Ȁ ǚǵȀǚǯǜƤǭ ǭǱǹǡ: ƺǹǚǨǚǯ ǝǞǳǽǞǹǤǺ
ǱǜǞǰǯǲǷǚǧǘ ƶǥǭǚǯǝǱǯ ǶǨǶƤǭ Ǡ ǷǸǚǯǜǚǷǱǹ, ǛǚǮǺ Ȁ ǜǞǫǞǺǤǨ ưǿǹǤǨǚǮǱǷ Ǥǹ
ǠǳǤǨǚǨǚǯ ǬǚǭǼǱǹǝƤǢǮƤǯǡ:
Elmando, Romania, 2014, 0:03:23
Director Anton Octavian
Elmando is the story of a young Congolese child, born near the forest of Kivu. His
peaceful life takes a tragic turn when his village is attacked and his mother is kidnapped. Inspired by true events, young Elmando is on an epic journey through a
perilous yet beautiful Africa in search of her.
54
ưǯǸƤǯ, ǈǤǥǤ, 2015, 0:24:08,018+
ǋǞǣǤǶǱǹǘ ƼǱǶǞ ƺǜǯǚǶǤǱ ǅǚǷǚǵǱ ƾǱǽǶ
ƱǚǹǤ ǜǚǥƤǶǸ ǼǱǫǱǺǯǞǹǤ ǚǯǝǹǚǰǦǚǹǩ. ǚǵǚǴǡǯǢǚǺǤ ǛǚǺǚǨǚǮƤǢǮƤǯ:
ưǯǸƤǯǯǞǹǤ ǦƤǭǛǡ ǛǯǚǨǷƤǭ Ǡ ǨǚǭƤǹǴǯǞǹǤ ǸǚǨ, ǚǳƤǰǚǺǚǧ Ƥ ǩǞǸǚƨǚǺ
ǭǚǮǹǚǽǚǫǚǽƤǭ, ǱǹǸǞǫ ǯǹǚǯǽ ǳǚǮǽǚǹƤǭ Ǟǯ ǤǹǞǯǺ ǦǹǚǭǚǸǡ ǳǚǩǞǥƤ
ǩǚǭǚǹ, ǤǶǨ ǚǮǝ ǩǚǹǺƤǭ ǯǹǚǯǺ ǾǜǯƤǭ Ǡ ƩǥǤǱǯǚǸǞǹ ǚǥǛǤǯǱǶ Ǹǫǚǯ, ǱǷ
ǚǶǸǷǚǧǚǺǯƤǭ Ǡ ǯǹǚǯǺ: ǅǹǚǯǽ ǳǞǸǽ Ǡ ǱǫǴ ƨǚǯ ǚǯǨǚǦ ǚƬǯ ǤǯǲǤǺ, ǚǯǨǚǦ
ǺǹǸǚǰƤǯǲ ǪƬǵǯǞǹǤǺ, ǩǚǭǚǬǚǹǚǨǯǞǹǤǺ, ǚǽǥǱǹǚǨǵǤƭǞǹǤǺ, ǚǯǾǹǤǯǚǨǚǯ
ǜǚǫǢǚǨǚǯǯǞǹǤǺ, ǚǫǚƭǤǯǞǹ ǶǳǚǯǱǫǯǞǹǤǺ, ǭǚǹƨǚǷǚǬǚǵƤǢǮƤǯǤǺ Ƥ ǝǞǳǤ
ǝǣǱǦǽ Ƥ ǦƩǲǽ ǸǚǯǱǫ ƤǫȀǱǹƤǢǮƤǯǤǺ:
Homeless, Chile, 2015, 0:24:08, 18+
Director José Ignacio Navarro Cox
Welcome to the underworld of the streets, the waste of progress. Underneath
a bridge, beneath the idiotized and underdeveloped capital city they inhabit, a
group of bums ȃght to protect their trench, with the help of albino millionaire
boy “cottage cheese” who idolizes them, they shall survive freezing winter, epidemics, cockȃghts, illegal immigrants, killer pigeons, low life prostitutes, a trip
to hell and booze... a lot of booze.
ƲǚǮǥǚǭǚǹǝǯ Ƥ ƹǚǮǵǡ, ƿƤǯǜǚǹǤǚ, 2015
ǋǞǣǤǶǱǹǘ ưǹǱǯ ƲǚƤǝǞǹ
ǃǞǧǚǩǱǜƤǢǮǚǯ ǭǚǶǤǯ ǚǮǶ ǳǚǸǭƤǢǮǚǯ ƬǴ Ƭǯǽ ƾǱǮǱǸǤǘ ǜǚǮǥǚǭǚǹǝƤ, ƺǨǸǱƩǘ
ǶǚǹǝǚǭǚǹǝƤ, Ȁ ƺǮǚǮǤǘ ǽǚǹǚǣǚǮǵǤ ǚǹǨǚǧǯǞǹǤ ǚǨǚǯǚǸǞǶǯ Ǟǯǽ ǥǤǯƤǭ: ǅǹǚǯǽ
Ƭǟ ǸǚǯƤǭ Ǟǯ ǛǯǤǨ ǚƬǹǤǨǮǚǯ ǩǯǝǤǨǯǞǹǤ ǛǚǯǚǩǮƤǶƤǢǮǚǯ ǚǵǞǫǧǷǚǧǚǮǤǯ Ȁ
ǝǤǸǚǹǣǚǯ ǚǰǦǚǹǩǡ:
Coyote and the Rock, Hungary, 2015, 0:09:38
Director Aron Gauder
In a story about generosity, we follow the adventures of Coyote (the wolf-man),
Iktome (the spider-man), and Iya (the rock). They take us into the spectacular and
magical world of Native American folklore.
ƱǚǹǤ ǂǚǯǚǳǚǹǩ, ǅǤǝǞǹǥǚǯǝǯǞǹ, 2014, 0:03:00
ǋǞǣǤǶǱǹǘ ǊǱǛ, ǊǱǹǤǶ Ȁ ǃǚǹǤǞǨǞ
ƸǤǭǡ ǇǻǢǹǞǲƤǭ ǣǚǭǚǝǹǷǞǥ Ǡ Ǥǹ ǡǯǨǞǹƤǩƤ ǩǞǸ, Ǳǹ ǝǤǸǤ ǎƤǹ ǝǞ ǕǹǚǯǶǡ: ƱǚǮǺ
ǩǚǮǸǯǷƤǭ Ǡ ǳǚǸǯǞǰǯǞǹǤ ǩǚǨǚǵǚǨ ǨǱǫǭƤǭ Ȁ ǶǸǤǳǷǚǧ Ǡ ǥǤǯƤǭ ǜǸǯǞǥ ǯǹǚǯ
ǩǚǶǯǞǥƤ Ǭǚǯǚǳǚǹǩǡ:
Le Tour Utrecht - Bon Voyage!, Netherlands, 2014, 0:03:00
Directors JOB, JORIS & MARIEKE
Tim has a romantic date to watch the start of the Tour de France in Utrecht with
his girl. But he ends up at the wrong side of the barriers and has to ȃnd a way to
get to her.
55
ƸǤǛǤǚǽ, ƲǞǹǭǚǯǤǚ, 2014, 0:07:25
ǋǞǣǤǶǱǹǘ ƿǞǯǹǤǨǞ ǋǱǢǞ
ƴǹǤǸǚǶǚǹǝ ƸǤǛǤǚǽǡ ǶǨǶƤǭ Ǡ ǼǯǸǹǞǥ ǨǱǹǚǧ ǞǫǛǱǹǡ, Ƥǭ ǲǚǹ ǱǜǤǯ Ǡǹ ǜǱǫǚǺǞǥ:
ǉǚǹǟǷƤǭ Ǡ, Ǳǹ ǚǮǯ ǷǸǚǯǚǜǚǷǱǹ, ǛǚǮǺ ǨǚǦǚǹǝǚǨǚǯ ǬǚǭǼǱǹǝƤǢǮƤǯ Ǡ: ǌǚ
ƺǯƤǤǢǯǞǹǤ ǥǞǜǞǯǝǤ ǚǟǚǸ ƬǨǯǚǛǚǯƤǢǮƤǯǯ Ǡ:
Tibiaq, Germany, 2014, 0:07:25
Director Henrike Rothe
The young Tibiaq sets off to look for his lost brother who was captured by an evil
spirit. It turns out to be a dangerous but magical journey. Free adaption of an Inuit
legend.
Wiener Blut, ƼǱǹǷǚǢǤǚ, 2014, 0:08:00, 18+
ǋǞǣǤǶǱǹǯǞǹǘ ƵǥǚǸǨǱ ǉǚǦǱ, ƱƤǹǞǨ ư ǎǚǥǸǞǹ
ǕǤǥǭǡ ǯǞǹǨǚǮǚǺǯƤǭ Ǡ ǩǞǫǤǯǚǨǤǘ ƴǹǨǹǱǹǝ ǩǚǭǚǰǦǚǹǩǚǮǤǯ ǳǚǸǞǹǚǟƩǺ
ƤǯǞǺǚǧ ǩǤǰǱǫƤǢǮƤǯǯǞǹǡ: ǎǤǨǤǯ ǌǚǹǤǨǚǯ ǜǯƤǭ Ǡ ǩǹǞǚǨǚǯ ǧǞǹǚǯǱǺ, ǱǹǸǞǫ
ǳǞǸǽ Ǡ ǚǳǹǞǹ ƩǯǲȀ ǨǮǚǯǽǤ ǷǞǹǴǡ ǩǚǯǜǤǶǸ Ƥ Ǧǚǫǚǫ ǳǚǮǭǚǯǯǞǹƤǭ, Ǳǹǡ,
ǶǚǨǚǮǯ, ǷǞǹǚǧǷƤǭ Ǡ ǩǱǥǱǽǱǶǸǚǮǤǯ ǝǣǱǦǽǤ Ȁ ǯǚ Ǡǥ ǰǚǸǞǹǤ ǳǞǶ ǝǚǵǯƤǭ Ǡ
ǟǱǩǞǹǤǺ ƬǨǡ: ǕǤǥƩ ǳǚǸǨǞǹǚǮǤǯ ǱǜǞǰǯǲǭǚǯ ǚǫǛǮƤǹ Ǡ ǩǚǯǝǤǶǚǺǞǥ ǊǱǹǴ ƲǹǱǶǤ
Ȁ ǔǸǱ ƳǤǽǶǤ ǚǹǷǞǶǸǡ:
Wiener Blut, Croatia, 2014, 0:08:00, 18+
Directors ZLATKO PAJO, BOUREK Å TALTER
The ȃlm represents author’s own memory of the dawn of the World War II in Germany. Mrs. Sarika is leaving to a Jewish retirement home, something that should
have been a quite and peaceful end of life, turned into a terror of holocaust and
she becomes a victim as well. The ȃlm is visually inspired by art of George Grosz
and Otto Dix.
ǔǸǚǹǯǞǹǤ ǛǚǹƤǢǮƤǯǡ. ǝǹǷǚǜ 1,2, ƿǚǮǚǶǸǚǯ 2015, 0:03:28
ǋǞǣǤǶǱǹǯǞǹǘ ưǹȀǤǨ ưǹǱǮǚǯ, ƻȀǱǯ ƱǚǫǝǚǶǚǹǮǚǯ, Ƶǚǵǚ ƱǚǹǶǞǫǮǚǯ,
ƲǹǤǰǚ ƲǹǤǜǱǹǮǚǯ
«ǔǸǚǹǯǞǹǤ ǛǚǹƤǢǮƤǯ»-ǡ ǿǤǥǭǚǰǚǹǡ ǯǷǤǹǷǚǧ Ǡ ƿǚǮǱǺ ǺǞǫǚǶǳǚǯƤǢǮǚǯ
ǩǚǹǮƤǹǚǭǮǚǨǤǯ: ƿǤƨǚǨǚǯ ǯǳǚǸǚǨǯ Ǡ ǰǯǱǹǩǚǨǚǥƤǢǮƤǯ ǩǚǮǸǯǞǥ ǛǱǥǱǹ
ƩǶǤǱǯǞǹǯǞǹǤǯ Ȁ ǛǚǹǤ ǭǚǹǝǨǚǯǺ, ǱǷǽǞǹ 1915-Ǥǯ ǾǜǯǞǥ Ǟǯ Ƭǹ ǯǚǦǯǤǯǞǹǤǯ:
The Kindness of Strangers: episode 1,2/ Armenia, 2015, 0:03:28
Directors Arevik Aroyan, Levon Baghdasaryan, Zara Barseghyan, Grisha Grigoryan
“The Kindness of Strangers” series is dedicated to the centennial of Armenian Genocide and its main purpose is to thank the missioners and kind people, who helped
our ancestors in 1915.
56
ƺǭ ưǹǴǱǻǨǡ, ƻǞǩǚǶǸǚǯ, 2014, 0:03:32, 5+
ǋǞǣǤǶǱǹǘ ƵǱǿǤǚ ǌǚǤǟǱǷǶǨǚ
«ƺǭ ǚǹǴƤǨǡ» ǩǚǭǚǹǮǚ ǤǹǚǨǚǯ ǳǚǸǭƤǢǮƤǯ Ǡ ǡǯǨǞǹƤǢǮǚǯ, ǶǤǹǱ Ȁ ưǹǴƤǨǤ
ǭǚǶǤǯ: ƻǤǥǤǯǘ ǚǶǚǺǱǫǡ, Ƭǟ ǳǚǸǭƤǭ Ǡ Ǥǹ ǛǹǝǱǸ ǡǯǨǞǹǱǴ ǩǞǸ ƤǯǞǺǚǧ Ƭǧ
ǚǹǨǚǧǤ, ǷǞǹǞǥǽǯǞǹǤ Ȁ ǷǚǮǹǠǴǽǯǞǹǤ ǭǚǶǤǯ:
Bear Me, Poland, 2014, 0:03:32, 5+
Director Zoȃa Scislowska
Bear me’ is the almost true story about friendship, love and the Bear. Lili, the narrator
tells us about her great adventure with a furry friend, and all its ups and downs...
ǎǤǨǯǤǨǚǮǤǯ ǯǞǹǨǚǮǚǺƤǭ, ƺǹǚǯ, 2015, 0:07:29
ǋǞǣǤǶǱǹǘ ǕǚǮǣǞǩ ǌǞǿǞǹ-ǌǚǝǞǫǤǚǯ
ǀǞǫǯǚǩǚǹǨ ǯǞǸǷǚǧ ǼǚǮǸǞ ǸƤǼǡ ǝǞǵ ǳǚǸƬǥƤ ǩǞǽǤǚǢǯǞǹ ƤǯǤ. ǟǷǚǹǬǚǥǤ
Ȁ ƤǶƤǺǱǫǚǨǚǯ ǳǚǸǭƤǢǮƤǯǯǞǹǘ ǩǚǮǸǯǤ ǤǹǚǯǚǺǤ ǼǤǥǤǶǱǼǚ ǌǚǚǝǤǤ ǶǸǞǫǧǚǜǱǹǧƤǢǮƤǯǯǞǹǤǺ:
The Puppet Show, Iran, 2015, 0:07:29
Director Faezeh Sepehr-Sadeghian
A wooden box thrown away in the attic that still has some tales to tell, funny
and educating tales from the writings of famous Iranian philosopher Saadi.
ƴǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨǯǞǹ
A bigger man, ǈǤǥǤ - ƲǞǹǭǚǯǤǚ, 2015, 0:03:50
ǋǞǣǤǶǱǹǘ ǓǹǤǶǸǤǚǯ ǍǤǞǶǞǯǿǞǥǝ
ƴǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨ ǛǱǥǱǹ ǯǹǚǯǺ ǩǚǭǚǹ, ǱǷǽǞǹ ǞǹǛȀǠ ǺǚǯǨǚǺǞǥ Ǟǯ ǝǚǵǯǚǥ
ǵǱǽ - ǚǶǸǫ: ƿǱǥǱǷǚǨǯ ǚǭǛǱǫǴǱǷǤǯ ǪǞǵǽǤ ǚǰǦǚǸǚǯǽ Ǡ, ǱǹǸǞǫ ǾǜǸǚǜǱǹǧǷǚǧ
Ǟǯ ƩǚǮǯ ǭǚǯǹǚǯǨǚǹǯǞǹ Ȁ ǳǹǱǞǨǺǤǚǯǞǹ: ƴǹǚǣǰǸƤǢǮƤǯǡ ǜǹǷǞǥ Ǡ ƱǹǤǸǚǯǚǺǤ
ǞǹǜǤǲ - ǨǱǭǳǱǟǤǸǱǹ ǒǞǮǼǡǹǿǞǮǶǤ ǨǱǫƩǺ: ƾǚǸǚǹƤǭ Ǡ ǨǞǯǝǚǯǤ ǯǷǚǜǚǦƤǭǛǡ:
A bigger man, Chile – Germany, 2015, 0:03:50
Director Cristian Wiesenfeld
A music video about anyone who ever wanted to be a Rock star. It was made
complete by hand using only miniatures and projections. The song was written
by British singer-songwriter Paperface, and features a live orchestra.
Sometimes, ƱǹǚǟǤǥǤǚ, 2015, 0:04:06
ǋǞǣǤǶǱǹǘ ǕǚǛǤǱ ƱǤǱǯǚǝǱ
ƳǚǶǚǨǚǯ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭ, Ǳǹǡ ǳǚǸǨǞǹƤǭ Ǡ ǶǤǹǱ ǜǚǥ - ǜǯǚǥƤ ǳǚǹǟ Ȁ ǟǷǚǹǬǚǥǤ
ǢǞǟǤǶǯǞǹǡ` ǯǞǹǰǯǲǷǚǧ ǩǞǽǤǚǢǯǞǹǤ Ȁ ǭƤǥǸǿǤǥƬǹǤ ǩǞǹǱǶǯǞǹǱǷ:
Sometimes, Brasil, 2015, 0:04:06,
Director Fábio Biondo
Classic animated ȃlm that show of simple and funny way all theses love comings and
goings through anthropomorphic ȃguresinspired in tales and cartoon ȃlms.
The Nursery Rhyme’s Bar, ǕǹǚǯǶǤǚ, 2014, 0:03:46
ǋǞǣǤǶǱǹǘ ǌǢǞǿǚǯǤ ǃǚǹǜǞǹǤǢǞ
30 ǸǚǹǤ ǛǚǺǚǨǚǮǱǻǢǮǱǻǯǤǺ ǩǞǸǱ ǜǚǮǥǡ ǷǞǹǚǝǚǵǯǱǻǭ Ǡ Ǥǹ ǶǤǹǞǥǤ Ǜǚǹǡ: ƱǚǮǺ
ǚƬǯ Ǥǯǲ ǼǱǦǷǞǥ Ǡ:
The Nursery Rhyme’s Bar, France, 2014, 0:03:46
Director Stephanie Marguerite
The wolf returns to his favorite bar after a 30-year absence. But everything has
changed.
From the Eastern Lands, ƺǹǚǯ, 2015, 0:05:02
ǋǞǣǤǶǱǹǘ ǌǚǹǚǩ ƸǚǛǤǛǟǚǝǞǩ
ǌǚ ưǹȀǞǥǮǚǯ ǨǱǫƬǹǤ ǭǤ ǞǹǤǸǚǶǚǹǝ ǟǱǻǮǜǤ ǶǤǹǱ ǳǚǸǭǱǻǢǮǱǻǯ Ǡ, ǱǷǽǞǹ ǚǳǹǱǻǭ
Ǟǯ ǪǜǱǫǚǨǚǯǱǻǢǮǚǯ ǭǢǯǱǥǱǹǸƤǭ: ǅǹǚǯǺ ǩǚǯǝǤǳǭǚǯ, Ǜǚǣǚǯǭǚǯ Ȁ ǭǤǚǷǱǹǭǚǯ
ǩǤǭǯǚǨǚǯ ǸǞǫǡ ǞǹǚǣǰǸǱǻǢǮǱǻǯǯ Ǡ`ǚǹǷǞǶǸǤ ǭǤ ǸǞǶǚǨ, Ǳǹǡ ǢǞǢȀǚǺǯƤǭ Ǡ ǶǤǹǱ
ǝǣǷǚǹǤǯ ǼǱǹǪǚǵƤǢǮƤǯǡ:
From the Eastern Lands, Iran, 2015, 0:05:02
Director Sarah Tabibzadeh
The story of a familiar love between a young couple in the eastern lands who live
neighborhood of gravity. Main point of their meeting, separation and Join is music:
an art that makes easier difȃcult experience of love.
Banks of the Ohio, ưǃǅ, 2015,
ǋǞǣǤǶǱǹǘ ǋǱǛǤǯ ǌǢǤǥ
ǌǤǹǱ ǱǫǛǞǹǜǚǨǚǯ ǳǚǸǭǱǻǢǮǱǻǯ, ǱǹǤ ǩǤǭǽǱǻǭ ǡǯǨǚǧ Ǡ 19-ǹǝ ǝǚǹǤ Ʃ Ǜǚǥǥǚǝǘ
«ǔǩǚǮǱǮǤ ǚǼǞǹǤǯ»: ƾǚǸǚǹǱǻǭ Ǡ ƲǚǯǜǶǢǚǜǹǚǶǡ, ǜǥǦǚǷǱǹ ǝǞǹƤǭ` ưǥǞǽǶǚ
ƳǤǹǽǶ:
Banks of the Ohio, USA, 2015, 0:04:12
Director Robin Steele
A tragic love story based on “Banks of the Ohio” - a 19th-century murder ballad
performed by Gangstagrass, featuring Alexa Dirks
58
Animated Musical Clips
Birdie Num Num, ǕǹǚǯǶǤǚ, 2014, 0:03:07
ǋǞǣǤǶǱǹǘ ǕǥǱǹǞǯǸǤǯ ƲǹǞǥǤǞ
ƱǯǚǨǚǹǚǯǱǻǭ ǚǳǹǱǫ ǛǱǻǥǝǱǜǡ ǞǹǚǟǱǻǭ Ǡ ǶǚǷǚǵǯǞǥ ǢǵǲǱǻǯǯǞǹǤ ǩǞǸ:
Birdie Num Num, France, 2014, 0:03:07
Director Florentine Grelier
A bulldog, in an apartment, dreams he could Ȅy off, along with the birds.
Crackhouse, ƶǶǸǱǯǤǚ, 2014, 0:04:15
ǋǞǣǤǶǱǹǘ ǃǚǹǸǤǯǱǻǶ ƾǥǞǭǞǸ
ǃǤ ǭǚǹǝ Ʃ Ǿǹ ǨǚǸƤ Ǡ ǸƤǯ ǛǞǹƤǭ: ǉǚǹǟǷǱǻǭ Ǡ, Ǳǹ ǯǚ Ǥǹ ǯǱǹ ǡǯǸǚǯǤ ǨǞǯǝǚǯǱǻ
ǩǚǭǚǹ ǩǚǸǱǻǨ ǳǥǚǯ ǱǻǯǤ: ƺǯǲȀǠ, ǯǚ ǞǹȀǤ ǲǜǤǸǤ, Ǳǹ ǨǚǸǱǻǯǞǹǡ Ǥǯǡ ǨǮǚǯǽ
ƤǯǞǯ: 2012Ǣ-Ǥ ǩǱǥǚǯǝǚǨǚǯ ǷǤǬǚǩǚǹƤǮǺ ǭǰǚǨƤǢǚǮǤǯ ǯǚǦǚǜǧǤǺ ǱǜǞǰǯǲǷǚǧǘ
Crackhouse ǚǯǤǭǚǺǤǱǯ ǶǚǹǶǚǼ - ǨǚǸǚǨǞǹǜƤǢǮƤǯǡ ǳǚǸǨǞǹƤǭ Ǡ ǝǚǛ ǶǢǞǼǤ
ǪǚǮǯǞǹǱǷ ǱǫǱǫǷǚǧ ǦǞǥǚǜǚǹ ǚǹǷǚǹǪǚǯǡ:
Crackhouse, Estonia, 2014, 0:04:15
Director Martinus Klemet
A man brings a cat home one day. It turns out he has a special plan for his
new pet. However, he doesn’t seem to know that cats have nine lives. Inspired by a controversial Dutch art project from 2012, animated horror comedy
„Crackhouse“depicts psychedelic suburb Ȅooded by stern dubstep sounds.
Dear Sadness, ƲǞǹǭǚǯǤǚ, 2015, 0:04:40, 12+
ǋǞǣǤǶǱǹǘ ǌǤǥǷǤǚ ƾƤǛƤǶ
ǇǻǫȀǱǹƤǢǮƤǯ ǝǞǳǤ ǞǹȀǚǨǚǮƤǢǮǚǯ ǸǦƤǹ ǚǰǦǚǹǩ: ǌǚ ǳǚǸǭƤǢǮƤǯ Ǡ ǸǦǹƤǢǮǚǯ,
ǝǹǚ ǱǜǞǰǯǲǱǫ Ȁ ǚǷǞǹǤǲ ƤǣǤ ǭǚǶǤǯ:
Dear Sadness, Germany, 2015, 0:04:40, 12+
Director Sylwia Kubus
Journey to the gloomy world of fantasy. This is the storyabout sadness, its inspirational and destructive power.
Got to get to Mary, ǃǞǧ ƱǹǤǸǚǯǤǚ, ƲǞǹǭǚǯǤǚ, 2015, 0:01:30, 5+
ǋǞǣǤǶǱǹǘ ǊǞǹǱƩ ƲǞǱǹǨǞ
ưǵǚǴǤǯ 3D ǚǰǦƤǮǣ, ǵǤǢƩǨ ǞǹǚǣǰǸǚǨǚǯ ǳǚǸǭƤǢǮƤǯǡ «ưǝǤǶǱǯǤ ǳǚǸǭƤǢǮƤǯǯǞǹǤǺ», Ǳǹǡ ǩǯǚǹǚǷǱǹƤǢǮƤǯ Ǡ ǸǚǥǤǶ ǯǞǹǢǚǼǚǯǺǞǥƤ ǨǤǶǚǩǞǽǤǚǢǚǮǤǯ ƸǱǭ
ƸǱǹǯǞǷǚǥǤ` ǢǚǥǞǶǺǤ ǷǚǬǚǵǚǨǚǯǤ ǶǤǹǚǮǤǯ ǳǚǸǨǞǹǚǺƤƨǞǹǤ ǚǰǦǚǹǩǡ, ǞǹǛ
ǯǚ ǞǹǜƤǭ Ǡ ǃǞǹǤǤ ǩǚǯǝǞǳ Ǥǹ ǬǰǭǚǹǤǸ ǶǤǹǱ ǭǚǶǤǯ:
“Tom Thorneval - Dream Merchant Extraordinaire” ǷǞǳǤ ǚǵǚǴǤǯ ǸǞǶǚǹǚǯǯ Ǡ, ǞǹǛ
ƸǱǭǡ Ǭǚǯǚǳǚǹǩ Ǡ ǡǯǨǯƤǭ ǃǞǧ ƲǱǛǥǤǯ ƿǞǽǤǚǢǚǮǤǯ ǞǹǨǤǹǘ ǷǚǬǚǵǞǥƤ ǚǮǯ ǛǱǥǱǹ
ǞǹǚǟǯǞǹǡ, ǱǹǱǯǽ ǞǹǛȀǠ ǯǚ ǶǸǞǫǧǞǥ Ǡ: ƴǹǚǟǯǞǹǡ ǷǚǬǚǵǞǥƤǯ ǳǞǶ ǯǚ ǭǸǚǝǤǹ
Ǡ ǱǶǨǱǷ ǛǞǵǯǚǷǱǹǷǚǧ ǜǯǚǥ ǃǞǹǤǤ ǭǱǸ Ȁ ǦǯǝǹǞǥ ǯǹǚ ǪǞǵǽǡ: ƴǹǚǣǰǸƤǢǮƤǯǡ
Ȁ ǚǯǤǭǚǺǤǚǯ ǚǹǢǯǚǺǯƤǭ Ǟǯ ǃǞǹǤǤ ǩǞǸ ǤǹǞǯǺ ǚǵǚǴǤǯ Ȁ ƩǚǨ ǩǚǯǝǤǳǭǚǯ
ǩǤǰǱǫƤǢǮƤǯǯǞǹǡ: ǌǚ ǩǯǚǹǚǷǱǹƤǢǮƤǯ Ǡ ǸǚǥǤǶ ǡǯǢǞǹǺǱǫǯǞǹǤǯ ǯǚǮǞǥ Ȁ ǥǶǞǥ
ǩǞǹǱǶǯǞǹǤ ǳǚǸǨǞǹǚǺƤƨǞǹǡ ǬǤǰǸ ǚǮǯǳǞǶ, ǤǯǲǳǞǶ ǯǨǚǹǚǜǹǷǚǧ Ǡ ǜǹǽƤǭ,
ǩǱǥǱǷǚǨƤǭ Ȁ ǞǹǚǣǰǸƤǢǮǚǯ ƬǴ: ƿǚǭǚǯƤǯ ǷǞǳǡ ǥƤǮǶ Ǡ ǸǞǶǞǥ 2015-Ǥ ǾǜǱǶǸǱǶǤǯ:
Got to get to Mary, England/ Germany 2015, 0:01:30, 5+
Director Jerome Goerke
The ȃrst 3D Enlivened Rhyme from the Addison’s Tales musical storyworld gives a
glimpse into the imaginings of Tom Thorneval, the half-fairy dream merchant from
Thales, as he sings of his true love Mary. The scene occurs at the start of the novel
“Tom Thorneval - Dream Merchant Extraordinaire” shortly after Tom has set off for
the Grand Goblin Fair to sell all the dreams he has spent years creating. Once he
has sold his dreams, and with his wagon (hopefully) laden with the gold, he plans
to return to Mary and ask for her hand in marriage. The song and animation reveals his memory of his ȃrst and only meeting with Mary. Enlivened Rhymes from
the Addison’s Tales storyworld allow readers to look and listen into a character’s
imagination in a way that blurs the distinction between book, video and music. The
accompanying novel was released in August, 2015.
59
Happy Camper: The Daily Drumbeat, ǅǤǝǞǵǥǚǯǝǯǞǹ, 2014, 0:03:05
ǋǞǣǤǶǱǹǯǞǹǘ ǄǱǛ, ǄǱǹǤǶ Ȁ ǃǚǹǤǞǨǞ
ǃǞǧ ǽǚǫǚǽǤ ǸǚǯǤǽǯǞǹǤǺ ƬǨƤǭ ǚǳǹǱǫ ǚǯƬǫ ǚǹǚǹǚǧǯǞǹǤ ǦƤǭǛǡ ǼǱǹǪƤǭ Ǡ
ǬǚǨǚǸǚǜǹǚǨǚǯ ǦǚǫǤ ǸǞǭǳǡ ǳǚǩǞǥ:
Happy Camper: The Daily Drumbeat, Netherlands, 2014, 0:03:00
Directors JOB, JORIS & MARIEKE
On the rooftops of a big city a group of innocent creatures is trying to keep up the
pace of a fatal game.
Heroes, ưǃǅ, 2015, 0:04:00
ǋǞǣǤǶǱǹǘ ƱǹǤǢǚǯǤ ǓǚǭǼǛǞǥ
ưǥǛǤǯǱǶ ǭǚǹǝƤ Ȁ ǥƤǶǯǤ ǶǤǹǱ ǳǚǸǭƤǢǮƤǯǯ Ǡ…
Heroes, USA, 2015, 0:04:00
Director Brittany Campbell
About a love between an albino man and the moon…
Hue, ƱǹǚǟǤǥǤǚ, 2015, 0:04:10
ǋǞǣǤǶǱǹǘ ǊǞǽǶǱǯ ǕǚǹǤǚǶ ƸǞǮǽǶǞǤǹǚ
ưǯǜƤǮǯ ǝǚǰǯǚǭƤǹǤ ǪǚǮǯǡ:
Hue, Brasil, 2015, 0:04:10
Director Jackson Farias Teixeira
The sound of a colorless piano.
Music Dances, ƾǚǯǚǝǚ, 2015, 0:01:57
ǋǞǣǤǶǱǹǘ ƾǤǹǤǥ ǕǞǶǞǯǨǱ
ưǵǚǯǺ Ʃ Ǜǚǵ ǚǶǞǥƤ Music Dances-ǡ ǳǚǸǭƤǭ Ǡ ǭǚǹǝǨǚǮǤǯ ǶǱǷǱǹǚǨǚǯ
ǟǜǚǺǭƤǯǽǤ` ǶǤǹǱ Ƥ ǳǚǹǟ ƬǹǪǞǺǭǚǯ ǭǚǶǤǯ: ƴǹǚǣǰǸƤǢǮƤǯǡ ǢǚǼ Ǡ ǶǸǚǯƤǭ,
ǞǹǛ ǟƤǮǜǞǹǡ ǶǨǶƤǭ Ǟǯ ǳǚǹǞǥ:
Music Dances, Canada, 2015, 0:01:57
Director Kirill Fessenko
Without saying a word, “Music Dances” tells a story of a common human feeling - love - and of a common human interaction - courtship. Music sweeps down
the couple’s gowns as they dance towards abandon.
My Africa, ƺǶǹǚǮǞǥ, 2015, 0:04:00
ǋǞǣǤǶǱǹǘ ǌǚǹǤǞǥ ǓǞǶǥǚǶǤ
«ƺǭ ưǿǹǤǨǚ» ǢǞǭǚǸǤǨ Ǟǹǜǡ ƹǤǥǚǝ ǓǚǩǚǯǚǮǤ ǯǱǹ ǪǚǮǯǚǶǨǚǷǚǵǚǨǤǺ Ǡ,
Ǳǹǯ ǚǯǝǹǚǝǚǵǯƤǭ Ǡ Ʃ ǽǚǯǤ ǨǚǹȀǱǹ ǶǱǺǤǚǥǚǨǚǯ ǩǚǹǺǞǹǤ: ưǮǝ ǩǚǹǺǞǹǤǺ
ƬǨǯ Ǡ. «ƾǚǹǱǙǫ Ǡ Ʃ ǭǰǚǨƤǮǢǡ ǚǷǞǥǤ ǥǚǷ ǡǯǨǚǥǷǞǥ, ǽǚǯǘ ǭǮƤǶǡ»: ưǿǹǤǨǚǯ ǚǮǶ
ǨǱǯǸǞǽǶǸƤǭ ƸǞǥ-ưǷǤǷǤ ǚǮǥǚǛǚǯƤǢǮƤǯǯ Ǡ: ƴǹǨǚǹ ǣǚǭǚǯǚǨ ǽǚǫǚǽǤ ǼǱǫǱǺǯǞǹǱǷ ǟǛǱǶǯǞǥƤǺ ǩǞǸǱ ǩǞǹǱǶǡ ǶǨǶƤǭ Ǡ ǭǸǚǧǞǥ ǩǤǯ ǷǚǮǹǞǹǤ ǭǚǶǤǯ:
My Africa, Israel, 2015, 0:04:00
Director Sariel Keslasi
“My Africa” The Theme song from The new double album of Gilad Kahana,
deals with a few deep social questions. One of these questions is -can a certain
culture be perceived as better than the other one? Africa in this context is actually an allegory to Tel-Aviv. After a long time of walking in the city’s streets, My
experience made me think of a primordial place.
60
I’m Not The One, ƼǱǹǷǚǢǤǚ, 2015, 0:03:58
ǋǞǣǤǶǱǹǘ ƴǥǞǯǚ ǔǹǱǟ
ƳǣǷǚǹ Ǡ ǝǤǭǚǝǹǞǥ ǨǚǯǚǺǤ ǩǭǚǮǽǤǯ, ǛǚǮǺ ǜǤǸǞǯǚǥǱǷ, Ǳǹ ǶǞǹǡ ǼǱǦǚǝǚǹǪ ǲǠ,
ǥǚǷǚǜƤǮǯ ǸǚǹǛǞǹǚǨǡ ǩǞǵǚǯǚǥǯ Ǡ:
I’m Not The One, Croatia, 2015, 0:03:58
Director Jelena Oroz
It’s hard to resist female beauty, but knowing that love won’t be returned, the
best option is to leave.
People from the Sky, ƺǵǥǚǯǝǤǚ, 2015, 0:03:05
ǋǞǣǤǶǱǹǘ ƳǞǮǷǤǝ ǉǤǞǹǶǞ
ǃǚǹǝǤǨǘ ƴǹǨǯǽǤǺ, Ǳǹ ǯǱǹ ǛǚǹǪƤǯǽǯǞǹǤ Ǟǯ ǩǚǶǺǯǞǥƤ Count Tornado-Ǥǯ:
ưǮǶ ǩǱǥǱǷǚǨǡ ǯǹǚǯ ǨǭǫǤ ǯƤǮǯǤǶǨ ǚǷǞǥǤ ǩǞǵƤǘ ǝǞǳǤ ǶǸǹǚǸǱǶǿǞǹǚǮǤ
ǞǹǚǣǰǸǚǨǚǯ-ǨǱƩǨǚǨǚǯ ǚǰǦǚǹǩ: «ǃǚǹǝǤǨǘ ƴǹǨǯǽǤǺ» ǚǯǤǭǚǺǤǱǯ ǩǱǥǱǷǚǨǡ
ǭƤǥǸǿǤǥǭǚǮǤǯ ǸǚǹǛǞǹǚǨ Ǡ, Ǳǹ ǚǹǸǚǝǹǷǞǥ Ǡ Black Hole Studio-Ǥ ǨǱǫƩǺ Ȁ
ǳǚǸǨǞǹƤǭ Ǡ Count –Ǥǯǘ ǱǹǳǞǶ ǚǯǛǚǹǞǩǚǭǛƤǮǹ ǸǤǞǟǞǹǚǨǚǯ ǨǚǮǚǯ ǣǚǭǚǯǱǫ
ƩǴǚǶǸǫǚǮǤǯ Timelord:
ƺǹ ǜǚǫǸǯǤ ǜǱǹǧǚǨǚǥǯǞǹǤǘ ƳƤƳǚǩǤ, ǓǯǨǱǸ ǌǯǚǮǥǤǞǯǤ, ǌǤǹǞǯ ǊǞǯǤ Ȁ ƤǹǤǰǯǞǹǤ
ǩǞǸ, ǯǚ ǼǱǹǪƤǭ Ǡ ǴǚǦǴǚǦǞǥ Ȁ ǩǞǵǚǺǯǞǥ ǢǰǚǯǚƩ ƤǣǞǹǤǯ, ǱǹǱǯǽ ƤǟƤǭ Ǟǯ ǛǵǯǞǥ
ǯǹǚǯ, ǤǶǨ ǯǚ ǩǚǴǱǫǚǺǯƤǭ Ǡ ǚǯƭǚǶ ǝƤǹǶ ǳǹǧǯǞǥ: Count Tornado-ǯ ǩǱǥǱǷǚǨƤǭ
ǚǶƤǭ Ǡ. «ƴǶ ƤǹǚǦ Ǟǭ ǯǭǚǯ ưǷǚǸǚǹ ƤǯǞǯǚǥƤ ǩǚǭǚǹ, ǱǷ ǨǵǷƤǭ Ǡ ǚǰǦǚǹǩǤ
ǩǚǭǚǹ, ǚǯǜǚǭ ǞǹǛ ǚǮǝ ǚǰǦǚǹǩǡ ǝǹǶƤǭ Ǡ… Ȁ ǭƤǥǸǿǤǥƩ ƬǴ»:
People from the Sky, Ireland, 2015, 0:03:05, PG
Director David Pierce
People from the Sky to elevate Count Tornado to new heights. This video will propel
him even further into the stratosphere of the music comedy world. The animated
video to ‘People from the Sky’ was produced by Black Hole Studio and depicts a
cartoon version of the Count as an Interstellar Timelord arriving at an unfriendly
space station. With the assistance of his undercover agents: DooDah; Slippery Snailien; Siren Jenny; and a host of others, he manages to outwit and outrun the enemy
forces attempting to capture him, but he escapes unharmed. Count Tornado said
of the video “I am delighted to have an Avatar of myself ȃghting oppression in the
world, even if that world is in outer space…and is in a cartoon!”
Shirley Bassey “If You Go Away” (Rebeat Remix), ƺǹǚǯ, 2014, 0:04:25
ǋǞǣǤǶǱǹǘ ưǰǦǚǯ ǋǚǩǜǱǟǚǹ
ƾǤǛǞǹ ǚǰǦǚǹǩƤǭ Ǥǹ ǡǯǨǞǹƤǩƤǯ ǨǱǹǺǹǚǧ Ǹǫǚǭǚǹǝǡ ǼǱǹǪƤǭ Ǡ ǯǹǚ ǭǚǶǤǯ
ǩǤǰǱǫƤǢǮƤǯǯǞǹǡ ǷǞǹǛǞǵǯǞǥ ǨǯǱǴ ǸǞǶǽ ƤǯǞǺǱǫ ǵǱǛǱǸǤ ƬǴ:
Shirley Bassey “If You Go Away” (Rebeat Remix), Iran, 2014, 0:04:25
Director Ashkan Rahgozar
In a cyber punk kind of world, a man who has lost his girlfriend tries to upload the
memories he carries of her into a female-shaped robot.
Subconscious, ƱǹǚǟǤǥǤǚ, 2015, 0:05:01, 16+
ǋǞǣǤǶǱǹ` ǕǚǛǤǱ ƱǤǱǯǝǱ
ƺǙǯǲ Ǡ Ƭǟ ǤǶǨǚǳǞǶ ǳǞǸǽ: ƺǙǯǲ Ǟǯǽ Ƭǯǽ ǤǹǚǨǚǯƤǭ ǟǜƤǭ: ƴǹǛ Ǟǹǚǟǡ ǜǚǥǤǶ Ǡ
ǞǯǢǚǜǤǸǚǨǺƤǢǮǚǯ ǨǞǹǸǚǧ ǳǚǸǨǞǹǯǞǹǱǷ, ǚǮǯ ǨǚǹǱǫ Ǡ Ƭǟ ǟǚǹǭǚǺǯǞǥ Ǥǹ
ǦǱǹǡ ǷǚǦǞǹǱǷ Ƥ ǺǚǯǨƤǢǮƤǯǯǞǹǱǷ:
Subconscious, Brazil, 2015, 0:05:01, 16+
Director Fábio Biondo
What do we really want? What do we really feel? When a dream comes by way of
images painted by subconscious can be surprised with our deepest fears and desires.
61
Owl Me Tender, ǋƤǶǚǶǸǚǯ, 2015, 0:03:57
ǋǞǣǤǶǱǹǯǞǹ` ưǥǞǽǶǞǮ ưǥǞǽǶǞȀ, ǌǷǞǸǥǚǯǚ ưǯǝǹǤǚǯǱǷǚ, ưǯǝǹǞǮ ƱǚǦƤǹǤǯ,
ǅǚǸǚǥǮǚ ƱǞǹǞǟǱǷǚǮǚ, ưǥǞǽǶ ƱƤǝǱǷǶǨǤ, ưǯǝǹǞǮ ƵǱǥǱǸƤǦǤǯ, ƲǚǮǚǯǚ
ǃǚǢȀǱǶǮǚǯ, ƺǷǚǯ ǃǚǽǶǤǭǱǷ, ǅǚǤǹǚ ǃƤǹǚǝǮǚǯ, ǃǱǯǤǽǞ ưǥƬǥǞ ǋǞǯǚƤǥǢ,
ǃǚǹǤǯǚ ǋǱǶǞǢ, ǄƤǥǤǚ ǋƤǝǤǺǨǚǮǚ, ǌǚǰǚ ǌǷǤǹǶǨǤ, ǅǚǸǚǥǮǚ ǌǨǹǮǚǛǤǯǚ,
ǃǤǦǚǮǤǥ ǎƤƬǥǮǚ, ǄƤǥǤǚ ǎǦǚǮ, ǋǚƩǥ ǇǻǶǭǚǯǱǷ, ǋǤǭ ǆǚǹǚǿƤǸǝǤǯǱǷ:
ǌǚ 1994 ǢǷǚǨǚǯǤ ǿǹǚǯǶǤǚǨǚǯ “Les Pires” ǛǞǯǝǤ “Owl me tender” ǞǹǜǤ ǚǯǤǭǚǺǤǱǯ
ǩǱǥǱǷǚǨǯ Ǡ: ưǮǶ Ǟǹǜǡ ǤǶǨǚǳǞǶ ǰǚǸ ǩǚǮǸǯǤ Ǡ ǚǯǤǭǚǺǤǱǯ ǩǚǶǚǹǚǨƤǢǮǚǯ ƬǴ:
10 ǞǹǨǹǯǞǹǤ 20 ǚǯǤǭǚǸǱǹǯǞǹ ƩǚǷǱǹǷǞǥ Ǟǯǘ ǶǸǞǫǧǞǥƤ ǚǮǶ ǞǹǜǤ ǚǯǤǭǚǺǤǱǯ
ǸǚǹǛǞǹǚǨǡ:
Owl Me Tender, Russia, 2015, 0:03:57
Directors Aleksey Alekseev, Svetlana Andrianova, Andrey Bakhurin, Natalya Berezovaya, Alex Budovsky, Andrey Zolotukhin, Gayana Matevosyan, Ivan Maximov, Sergey
Merinov, Naira Muradyan, Monique Almelle Renault, Marina Rosset, Yulia Ruditskaya,
Sasha Svirsky, Natalya Skryabina, Mikhail Tumelya, Yuliya Tkhay, Ramil Usmanov,
Rim Sharafutdinov
Animated music video for the song “Owl me tender” recorded by french band “Les
Pires” back in 1994. This record became really popular in animation community.
20 animators from 10 different cities around the world united in 2014 to create an
animation jam based on this song.
Supermarket, ǌǞǹǛǤǚ, 2015, 0:07:05
ǋǞǣǤǶǱǹǘ ǋǚǶǸǨǱ ƾƤǨǤǲ
Supermarket ǚǯǤǭǚǺǤǱǯ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨǡ ǩǤƨǚǨǚǯƤǭ ǩǚǭǚǨǚǹǜǲǚǮǤǯ
ǩǱǥǱǷǚǨ Ǡ, ǱǹǸǞǫ ǨǸǞǶǯǞǽ ǨǥǱǹ ǰǚǹǣǚǨǚǯ ǩǚǹǢǚǨǤ Ƿǹǚ ǷǚǟǱǫ Ʃ ǨǞǹǳǚǹ:
ǆǚǹǣǚǨǚǯ ǩǚǹǢǚǨǡ ƬǦǚǯǤǟƩ ǭǚǶ Ǡ, Ǳǹǡ ǨǚǹǜǚǷǱǹǷƤǭ Ǡ ǿǤǥƩ ǳǹǱǮǞǨǸǱǹǤ
ǶǨǟǛƤǯǽǱǷ: ƿǞǯǺ ǩǞǹǱǶǡ ǶǨǶƤǭ Ǡ ǷǚǟǞǥ, ǿǤǥƩ ǳǸƤǮǸǡ ƬǨǯǚǹǨƤǭ Ǡ, ǚǮǶ
ǶǨǟǛƤǯǽǱǷ Ǡ ǯǨǚǹǷǞǥ Supermarket ǩǱǥǱǷǚǨǡ: ƳǤǹǽǱǷ ǳǚǮǭǚǯǚǷǱǹǷǚǧ`
ǩǚǯǝǤǶǚǸǞǶǤ ǭǱǸ ǚǵǚǴǚǯƤǭ Ǡ ǸǳǚǷǱǹƤǢǮƤǯ, ǢǞ Ǥǯǽǡ ǚǯǪǚǭǛ ǦǚǯƤǢǤ ƬǴ
Ǡ Ȁ ǜǯƤƨǞǹ Ǡ ǨǚǸǚǹƤǭ: ǃǤǯǲ ǦǚǫǚǺǱǫǡ ǷǚǟƤǭ Ǡ, ǿǤǥǭǡ ǩǞǸǡ ǳǸǸǷƤǭ Ǡ, Ȁ
ǰǚǹǣǚǟǚǭǛǮƤǫǡ ǥǺǷƤǭ Ǡ ǭǢǞǹǽǱǷ Ȁ ǞǹǛ ǯǹǚ Ƥǣǡ ǶǳǚǵǷƤǭ Ǡ, Ǩǚǝǹǡ ǩǞǸ Ǡ ǜǯƤǭ,
ǟǚǭǛǮƤǫǯ Ǡǥ ǝǚǸǚǹǨǷƤǭ Ǡ:
Supermarket, Serbia, 2015, 0:07:05
Director Rastko Kuki
The animated musical ȃlm Supermarket is mostly computer generated and includes
an character running on a circular mobile platform. The mobile platform is part of
a mechanism which operates on the principle of a ȃlm projector. As he is running,
the character launches ȃlm reel, on which the above-mentioned scene from the
supermarket is recorded. Because of its position in the mechanism, the protagonist
can see only the content recorded on the reel. In other words, he has the impression
that he is inside the supermarket and shops. While the player is running, the movie
reel is moving forward and the trolley is ȃlling with products and when his strength
gives him away, the reel rewinds back and carts are emptied.
SUPERLUX “Reptile Smile”, ƱǞǥǜǤǚ, 2014, 0:04:32
ǋǞǣǤǶǱǹǯǞǹ` 13 ƬǧǚǩǚǶǚǨ
ǃǤ ǸǚǹǾǹǤǯǚǨ ǸǚǹǚǧǽǤ ǚǯǷǞǹǴ ǦǱǰǱǹǚǺƤǭǡ ǭǮƤǶǤ ƬǴ…
SUPERLUX “Reptile Smile”, Belgium, 2014, 0:04:32
Director 13 adults
An inȃnite zoom of a strange space to another one …
62
Eyes, ưǥǛǚǯǤǚ, ǆǷǞǮǺǚǹǤǚ, 2015, 0:05:14
ǋǞǣǤǶǱǹǘ ƾǥǞǮǝǤ ƶǶǨǤ
ǃǤ ǞǹǚǟǱǫ Ǥǹ ǚǯǽǯƤǢǮǚǯ ǝǞǭ ǳǚǮǽǚǹƤǭ ǷǞǹǚǧǷƤǭ Ǡ ǚǹǨǚǧǚǮǤǯ ǬǚǭǼǱǹǝǤ,
ǱǷ ǩǚǯǝǤǳƤǭ Ǡ Ǥǹ ǶǤǹƤǯ, Ȁ ǚǹǝǞǯ ǝǣǷǚǹ Ǡ ǥǤǯƤǭ ǚǶǞǥ` ǞǹǛ Ǡ ǷǞǹǴǚǯƤǭ
ǤǹǚǨǚǯƤǢǮƤǯǡ Ƥ ǶǨǶǷƤǭ Ǟǹǚǟǡ:
Eyes, Albania, Switzerland, 2015, 0:05:14
Director Kleidi Eski
A dreamer in her struggle to get sleep, becomes part of an adventurous journey to
meet her lover, where it becomes hard to tell when reality ends and dreams begin.
Telephonophobia, ǉǱǹǸƤǜǚǥǤǚ, 2015, 0:03:08
ǋǞǣǤǶǱǹǘ ǌǚǯǝǹǚ ưǹǚƤǦǱ
ƿǚǭǚǨǚǹǜǲǚǮǤǯ Ǧǚǫǘ ǩǚǭǚǨǺǷǚǧ ǩǚǭǚǨǚǹǜǲǚǮǤǯ ǜǞǫǚǜǤǸƤǢǮǚǯǡ:
Telephonophobia, Portugal, 2015, 0:03:08
Director Sandra Araújo
GameLine video games combined with computer-based aesthetics.
The Prodigy: Wild Frontier, ǅǤǝǞǹǥǚǯǝǯǞǹ, 2015, 0:04:00
ǋǞǣǤǶǱǹ` ǃǚǶǲǚ ƿǚǥǛǞǹǶǸǚǝ
ưǯǸǚǵƤǭ ƨǚǥƤ ǣǚǭǚǯǚǨ ǅǞǥǶǱǯǡ ǛǚǺǚǩǚǮǸƤǭ Ǡ ǝƤǚǥǤǟƩ ǤǶǨǚǨǚǯ
ǜǚǫǚǼǚǹǡ: Wild Frontier-ǡ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨ Ǡ The Prodigy-Ǥ ǩǚǭǚǹ:
The Prodigy: Wild Frontier, Netherlands, 2015, 0:04:00
Director MASCHA HALBERSTAD
While camping in the woods Nelson discovers the true meaning of dualism.
WILD FRONTIER is a music video for The Prodigy.
Urn ST Tavern, ǆǷǞǝǤǚ/ƲǞǹǭǚǯǤǚ, 2014, 0:05:00, 12+
ǋǞǣǤǶǱǹ` ǃǚǢǤǚǶ ƲǱǹǝǱǯ
ǃǤ ǭǚǹǝ ǚǯǸǚǵƤǭ ǽǚǮǥǞǥǤǶ ǜǸǯƤǭ Ǡ Ʃ ǼǚǛ` Urn St. Tavern ǚǯƤǯǱǷ: ƱǚǮǺ ǼǚǛǡ
ǚǮǝǽǚǯ Ǡǥ ǩǚǬǞǥǤ ǸǞǫ ǲǠǹ: ǌǚ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨ Ǡ Fanfare Ciocarlia-Ǥ Ȁ Adrian
Raso-Ǥ ǩǚǭǚǹ:
Urn ST Tavern, Sweden / Germany, 2014, 0:05:00, 12+
Director Mattias Gordon
A man walks into the woods and ȃnds a pub called Urn St. Tavern. But this pub is no
nice place. This is a music video for Fanfare Ciocarlia and Adrian Raso.
Wende – Last Resistance, ǅǤǝǞǹǥǚǯǝǯǞǹ, 2014, 0:04:00
ǋǞǣǤǶǱǹ` ưǤƬ ǝǡ ƹǱǯǫ
ƴǹǛ ǞǹǤǸǚǶǚǹǝ ǚǫǴǤǨǡ ǩǚǯǝǤǳƤǭ Ǡ ǥǬǤǺ ǝƤǹǶ ǞǨǚǧ ǶȀ ƤǹǷǚǨǚǯǤǯ, ǭǵǚǮǥ
ǳǚǸǭƤǢǮƤǯǡ ǶǨǶǷƤǭ Ǡ: ƾǩǞǸȀǤǙ ǯǚ ƤǹǷǚǨǚǯǤǯ Ȁ ǨǭǸǯǤ ǚǹǝǮǱǽ ǴƤǹǡ, ǢǞǙ
ǨǝǤǭǚǝǹǤ: ǉǚǸǭƤǢǮƤǯ ǨǚǭǽǤ ƤǣǤ Ȁ ǞǹǤǸǚǶǚǹǝƤǢǮǚǯ ǭǚǶǤǯ:
Wende – Last Resistance, Netherlands, 2014, 0:04:00
Director AIMÉE DE JONGH
When a young girl encounters a ghost rising from the water of a lake, a dark
story begins. Will she follow the ghost into the water, or will she resist? A story
about inner strength and adulthood.
63
Robot Vitaliy, ǋƤǶǚǶǸǚǯ, 2014, 0:03:56
ǋǞǣǤǶǱǹ` ǅǚǸǚǥǤǚ ƱǞǹǞǟǱǷǚǮǚ
ǌǚ “Neschastniy sluchay”.ǞǹǜǤ ǩǱǥǱǷǚǨǯ Ǡ: ƾǚǹǬ ǨǮǚǯǽ ƤǯǞǺǱǫ ǵǱǛǱǸǤ ǶǤǹǱ Ȁ ǯǹǚ
ǡǯǨǞǹǯǞǹǤ ǳǚǸǭƤǢǮƤǯǯ Ǡ:
Robot Vitaliy, Russia, 2014, 0:03:56
Director Natalia Berezovaia
The video for the band’s song “Neschastniy sluchay”. History rather short life robot
romance and his friends.
All Beautiful Things, ƺǶǹǚǮǞǥ, 2014, 0:02:50
ǋǞǣǤǶǱǹǯǞǹ` Ƴǚǿǯǚ ƺǯǜǥǚǯǝǞǹ, ǋǚǿǤ ǄǚǯǤǜǞǹ
ƴǹǸǚǶǚǹǝ ǨǤǯǡ ǴǚǯƤǭ Ǡ ǚǟǚǸǷǞǥ Ǥǹ ǸƤǯ ǥǺǷǱǫ ǴǹǤǺ: ưǥǤǽǡ ǛǚǹǪǹǚǯƤǭ Ǡ Ȁ
ǸƤǯǡ ǚǭǛǱǫǴƤǢǮǚǭǛ ǱǫǱǫǷƤǭ Ǡ ǴǹǱǷ, Ȁ ǴǹǤ ǚǹǸǚǺǱǥǽǤ ƬǴ ǞǹȀƤǭ Ǡ ǛǱǥǱǹǱǷǤǯ
ǚǮǥ ǚǰǦǚǹǩ: ƾǯǱǴ ǚǹǸǚǺǱǥǽǡ ǤǹǞǯ ǸǚǯƤǭ Ǡ Ʃ ƤǹǤǰ ǚǰǦǚǹǩ, Ȁ ǩǱǥǱǷǚǨǡ
ǷǞǹǴǚǯƤǭ Ǡ ǯǹǚǘ ǚǹǝǞǯ ǼǱǦǷǚǧ ǤǹǚǨǚǯƤǢǮƤǯ ǷǞǹǚǝǚǹǪǱǷ:
All Beautiful Things, Israel, 2014, 0:02:50
Directors Dafna Englander, Raȃ Yaniger
A young woman struggles to fend off the water entering her house. The tide
rises and falls as the water Ȅows in and out of the house and the reȄections in
the water reveal a different world. The reȄection of the woman takes off on her
own into the other world, and ends up returning to a changed reality.
En Heng, ǈǤǯǚǶǸǚǯ, 2014, 0:01:25, 10+
ǋǞǣǤǶǱǹ` Ǎǚǯǜ ǄƤ - ǺǤ
En Heng-ǡ ǶǸǱǳ - Ǩǚǝǹ ǚǯǤǭǚǺǤǱǯ ǪȀǱǷ ǯǨǚǹǷǚǧ ǞǹǚǣǰǸǚǨǚǯ ǩǱǥǱǷǚǨ Ǡ.
ǚǮǯ ǳǚǸǭƤǭ Ǡ ǶǞǹƨǚǩǞǫƤǨǤ ǬǚǯǚǳǚǹǩǱǹǝƤǢǮǚǯ ǭǚǶǤǯ` Ǥǹ ǯǭǚǯ ƬǨǤǯ
ǜǸǯǞǥƤ ǩǚǭǚǹ: ưǮǶǸǞǫ ǲǨǚ Ǳǲ Ʃ ǞǹǚǣǰǸǚǨǚǯ ǜǱǹǧǤǽ, ǚƬǯǡ ǚǹǷǚǧ Ǡ ǤǹǚǨǚǯ
ǚǵǚǹǨǚǯǞǹǤ Ȁ ǭǚǹǝǨǚǮǤǯ ǪǚǮǯǞǹǤ ǦǚǵǯƤǹǝǱǷ, ǱǹǱǯǽ ǷǞǹǺǷǞǥ Ǟǯ ǭǚǹǝǨǚǯǺ
ǚǵǾǹǮǚ ǨǮǚǯǽǤǺ:
En Heng, China, 2014, 0:01:25, 10+
Director Wang Yu-zi
En Heng (Hmm) is a music video in the form of stop-motion animation, telling a story
about a sperm’s journey in pursuit of its soul mate. Not relying on any normal instrument, the music is made through a creative mixture and integration of sounds of real
objects and human voices which are collected in people’s daily life.
64
ǐƤǺǚǝǹƤǢǮƤǯǯǞǹ
Screenings
ǐƤǺǚǝǹƤǢǮƤǯǯǞǹ
Screenings
ǃǚǹǜǚǹǞǯ, ưǃǅ, ǕǹǚǯǶǤǚ, ƾǚǯǚǝǚ, ƺǵǥǚǯǝǤǚ,
ǓǚǢǚǹ, ƻǤǛǚǯǚǯ, 2014, 84
ǋǞǣǤǶǱǹǘ ǋǱǴǞǹ ưǥǞǹǶ
ưǮǶ ǩǞǸǚǽǹǽǤǹ ǚǯǤǭǚǺǤǱǯ ǿǤǥǭǡ ǚǹǸǚǝǹǞǥ Ȁ ǫǞǨǚǷǚǹǞǥ Ǡ
ǌǚǥǭǚ ƿǚǮǞǨǡȁ ǕǤǥǭǤ ǶǺǞǯǚǹǤǶǸǯ Ǳǻ ǵǞǣǤǶǱǹǡ ǋǱǴǞǹ ưǥǥǞǹǶǯ
Ǡȁ ǕǤǥǭǡ ǊǞǛǹǚǯǤ «ǃǚǹǜǚǹǞǯ» ǳǱǞǭǤ ǚǯǤǭǚǺǤǱǯ ǸǚǹǛǞǹǚǨǯ
Ǡȁ ƿǚǶǸǚǸǷǞǥǱǷ ǃǤǴǞǹǨǹǚǨǚǯ ǧǱǷǤ ǜǮǱǻǫǞǹǤǺ ǭǞǨǱǻǭǘ ƾǚǭǤǥǚǯ ǭǚǽǹǱǻǭ Ǡ ǚǽǶǱǹǷǚǧ ǳǱǞǸ ǃǱǻǶǚǢǚǿǚǮǤ ǸǱǻǯǡ, ǛǚǮǺ
ƾǚǭǤǥǚǮǤ ǩǚǭǚǹ ǚǷǞǥǤ ǝǣǷǚǹ Ǡ ǩǞǸȀǞǥ ǚǟǚǸǚǸǞǯǲ ǝǶǸǞǹǡǘ
ưǥǭǤǸǹǚǮǤǯǘ ǯǹǚǯ ǼǱǹǪǚǯǽǤǺ ǩǞǵǱǻ ǳǚǩǞǥǱǻ ǩǚǭǚǹȁ
ưǮǶ ǞǹǞǽǡ ǯǞǹǜǹǚǷǷǱǻǭ Ǟǯ ǭǤ ǬǚǯǚǳǚǹǩǱǹǝǱǻǢǮǚǯ ǭǞǴ, Ǳǹǡ
ǳǞǸǽ Ǡ ǚǷǚǹǸǷǞǹ ǃǱǻǶǢǚǿǚǮǤ Ǹǚǯǡ, ǛǚǮǺ ǶǨǟǛǱǻǭ ǯǹǚǯǽ
ǳǞǸǽ Ǡ ǼǚǦǲǞǯ ǤǰǦǚǯǚǷǱǹǯǞǹǤǺ, ǱǷǽǞǹ ǷǚǦǞǯǱǻǭ Ǟǯ, Ǳǹ
ǃǱǻǶǸǚǿǚǮǤ ǬǰǭǚǹǤǸ ǦǱǶǽǡ ǚǳǶǸǚǭǛǱǻǢǮǱǻǯ ǨǩǹǚǩǹǤȁ
The Prophet, USA, France, Canada, Ireland, Qatar, Lebanon,
2014, 84
Director Roger Allers
This breathtaking animated feature, produced and spearheaded by Salma Hayek. Written and directed by Roger Allers,
the ȃlm intersperses Gibran’s elegant poetry within stunning
animated sequences. Set in a Mediterranean seaside village,
Kamila cleans house for exiled artist and poet Mustafa, but the
more difȃcult job is keeping her free-spirited young daughter,
Almitra, out of trouble.
The three embark on a journey meant to end with Mustafa’s
return home – but ȃrst they must evade the authorities who
fear that the truth in his words will incite rebellion.
ǇǻǹǷǚǨǚǯ Ǹǫǚǯ, ǕǹǚǯǶǤǚ, 2015, 84
ǋǞǣǤǶǱǹǯǞǹǘ ưǥǚǯ ƲǚǯǮǱǥ, ƹǚǯ-ƻǱǻǼ ǕǞǥǤǺǤǱǥǤ
ǅǮǱǻ ǄǱǹǽǱǻǭ ǭǤ ǚǵǞǫǧǷǚǧǚǮǤǯ ǭǚǹǝ ǷǯǚǶǱǻǭ Ǡ ưǥǞǽǶǤǯ Ȁ
ǱǶǸǤǨǚǯǱǻǢǮǚǯ ǸǞǶǱǻǲǡ ǶǨǶǱǻǭ Ǡ ǩǞǸǚǳǯǝǱǻǭǡȁ ƿǤǷǚǯǝǚǯǱǺǱǻǭ ưǥǞǽǶǡ ǚǵǚǴǤǯǡ ǩǚǯǝǤǳǱǻǭ Ǡ ƻǞǱǮǤǯǘ 11-ǚǭǮǚ ǭǤ
ǸǫǚǮǤ, ǱǷ ǨǚǹǱǫǚǯǱǻǭ Ǡ ǝǱǻǹǶ ǜǚǥ Ǥǹ ǭǚǹǭǯǤǺȁ ǇǻǹǷǚǨǚǯǤ
ǯǭǚǯǘ ǚǯǸǞǶǚǯǞǥǤ ǛǱǥǱǹǤ ǩǚǭǚǹ Ǹǫǚǯ ǨǚǹǱǫǚǯǱǻǭ Ǡ ǚǯǺǯǞǥ
ǳǚǸǞǹǤ ǭǤǴǱǷȁ ưǮǥǚǯǝǚǨǷǚǧ ǜǚǯǜǶǸǞǹǡ ǽǚǫǚǽǤǯ ǶǳǚǵǯǱǻǭ
Ǡ ǩǚǭǚǨǚǹǜǲǚǮǤǯ ǷǤǹǱǻǶǱǷȁ ưǯǶǱǷǱǹ ǞǹǞǦǚǮǤ ǰǯǱǹǩǤǷ ưǥǞǽǶǡ
ǷǞǹǶǨǶǱǻǭ Ǡ Ǥǹ ǩǞǸǚǟǱǸǱǻǢǮǱǻǯǯǞǹǡȁ
Phantom Boy, France, 2015, 84
Directors Alain Gagnol, Jean-Loup Felicioli
In New York, a mysterious man disȃgured hurt Alex, a police inspector started in pursuit. Immobilized in hospital, Alex ȃrst met
Leo, an eleven year old boy who has the ability to get out of his
body. Like a ghost, invisible of all, it takes off and passes through
the walls. The disȃgured gangster threatens the city with a computer virus. Thanks to the extraordinary powers of the child, Alex
resumes its investigation.
66
Ցուցադրություններ
Screenings
67
YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL
Ցուցադրություններ
Screenings
68
Revival
1992:
,
(
,
,
,
,
`“Blob”
,
,
,
,
,
,
,
“Blob cose mai viste”,
:
`
,
):
:
Leonardo Carrano
Since 1992 he has been working with experimental animation cinema.
His works, resulting from the combination of different techniques and
languages, experimental and half-way between the abstract and the
referential, soon attracted the attention of critics and were selected for
major festivals in Italy and abroad (The Film Festivals in Venice, Rome,
Locarno, Montreal, Paris, Zagreb, Casablanca, Shanghai, Beijing, Milan,
Naples and Palermo). His animated lms have frequently been broadcast
in some RAI programmes such as “Blob” and “Blob cose mai viste”. In
1994, we provided the digital scenography for the Fininvest program
L’ANGELO. In his work, Carrano has also collaborated with well-known
and popular composers like Sylvano Bussotti, Giorgio Bastianelli, and Ennio and Andrea Morricone.
«
«
session ,
, 2014, 0:15:20,
,
»
»-
«
Noise of Trouble’s
,
»,
-
-
jam20000
Jazz for a massacre
Italy, 2014, 0:15:20, Leonardo Carrano, Giuseppe Spina
“Jazz for a massacre” is a tribute to the experimental artist and cineaste
Nato Frascà, inventor of “the doodle method”, a form of free expression to
explore the unconscious. Ideally applying this method, the lm comes out
as a musical-pictorial jam-session where Noise of Trouble’s jazz improvisation combines well with the abstract forms, created by Leonardo Carrano
directly onto lm, and edited by Giuseppe Spina. 20,000 painted, engraved
and etched photograms involve the spectator in a chromatic dance.
72
Revival
,
,
,
:
:
1976-
: 1982: 1988-
«
:
`
,
: 2000»
: 2010-
: 2007«
»
«
»:
«
»
-
:
«
»
:
Serge Avédikian
Director, screenwriter and actor. He was a student at the Conservatory of Dramatic
Art in Meudon, worked with students in the Paris and played in many theater
pieces of classical and modern repertoire. In 1976, he founded a theater company
and directed several plays. In 1982, he be gan producing documentary lms, while
continuing his work as an actor in lms and theater. In 1988, Avédikian founded
his own production company and produced personal lms. Meanwhile, he continued his act ing course in theater, lm and television. Since 2000, Serge devotes
more space to the theater and cinema as an actor and continues to make movies
with the help of new producers. In 2007, he produced his rst feature documentary lm We Have Drunk the Same Water. In 2010, he won the Palme d’Or for
Short Film in Cannes for his short animation lm Barking Island. He is the coauthor
of the feature art lm Me, Paradjanov, Soviet Artist which is devoted to the life
and works of the lm director Sergei Paradjanov. In the lm he also plays the role
of the main hero. He has also staged Anu
,
1910
:
`
, 2010, 15
:
,
,
,
,
`
:
Barking Island, France, 2010, 15min, Serge Avédikian
Constantinople 1910. The streets are overrun with stray dogs. The newlyestablished government, in uenced by a model of Western society, uses
European experts to choose a method of eradication before deciding,
suddenly and alone, to massively deport the dogs to a deserted island
away from the city.
73
-
:
1996-
2D
,
,
: 2000
.
:
-
2D
2007 .
2001 .
3-
:
` KASSart- ,
:
,
2D
,
2007
nean’s Films Crossing Borders)
,
,
,
,
:
MFCB (Mediterra2007-2008 .
:
Vrej Kassouny
Vrej Kassouny is a 2D animation director, lmmaker, painter and a caricaturist.
Graduated from M. Sarian Fine Art School in Aleppo, Syria in 1996. In
2000 he received his Painter and Art Teacher Degree from P. Terlemezian
Fine Art College in Yerevan.
He has also participated in 3-month 2D animation course in UWE, Bristol
University, and has received his Certi cation in December of 2007.
In 2001 he started his own animation studio, KASSart, specializing in
animation, advertising and lms.
Besides commercial clips in 2D animation and has cooperated with different companies in Armenia and abroad to create interactive tutorial CD’s,
and has geared its interests towards producing short, feature, documentary animation lms.
He participated in MFCB (Mediterranean’s Films Crossing Borders training
in Cannes 2007, also at EAVE’s producing coaching workshops in Dubai
DIFF year 2007 and 2008.
,
, 2014, 00:12:27,
.«
,
»:
:
,
,
,
`
,
,
…
:
…
Aurora, Armenia, 2014, 00:12:27, Vrej KASSOUNY
He is captured in a boxed life, and his one and only dream is to FLY in the
sky and shout; “I can FLY…” He longs for freedom or even a crumb of it,
while the little bird longs for crumbs of bread... The only way for him to
live this feeling is to daydream for now. On the other hand, an unnoticed
little creature, a bird, has wings, and even can y in the sky higher than
he ever could imagine... But still, he must nd his way out, so he might
FLY someday…
74
Revival
(
1971,
«
. 1950,
«
):
»
»-
,
)
,
(
, 1972,
`
Yubik Muradyan
Yubik Muradyan (born 1950, Ddmashen, Armenia)
Muradyan has been an artist at Armen lm Studio since 1971. In 1972 he
took courses Soyuzmult lm Studio, Moscow (lecturers Feodor Khitruk,
Vyacheslav Kotyonochkin, Andrey Khrzhanovsky).
,
, 2008, 00;10;10,
:
:
,
`
,
Bitlis, Armenia, 2008, 00:10:10, Yubik Muradyan
The lm is about complicated relations between the grandfather who is born in Bitlis and the grandson born in Fresno. For the
grandfather it is unacceptable that his grandson is an American
and is unable to understand how it is possible to speak without saying
a single word.
-
` ESAAT
:
21
Cambre-
,
:
ENSAV La
` «
,
…
2010
»,
Ornella Macchia
French young director of Italian and Armenian origin, Ornella Macchia
obtains her Diploma of Art profession in the ESAAT in Animation Film
in 2010.
At 21 years old, she continues her studies at ENSAV La Cambre where she
directed several short lms of various techniques. After a humanitarian
project in Armenia, she decided to direct her graduation lm “Armenian
Papers” about a fruit merchant who offers his fruits and his story...
`
,
, 2015, 0:06:33
:
:
Armenian Papers, Belgium, 2015, 0:06:33, Ornella Macchia
At the market of Yerevan, a merchant invites us to share his fruits and his
history… Accompanied by birds, we discover the life of this man full of
the colours of Armenia...
75
2venite-
(
):
,
,
:
:
,
:
Pablo Gostanian
2venite is a design and motion graphics studio in Buenos Aires Argentina.
Works doing branding and motion graphics for TV channels, advertising
agencies and other worldwide clients. We are a young studio that moves
steadily forward, we give our all in every project and we work hard to surpass our client’s expectations.
,
. 100
`
, 2015, 03:36,
2015
:
24-
1.500.000
:
,
100
,
,
:
:
100 Years - Armenian Genocide, Argentina, 2015, 3:36 min,
Pablo Gostanian
In this special year 2015, we did this cell animation short for the Armenian
Genocide centenary. The Turkish government denies to the date that the genocide took place. It has passed a hundred years, today April 24th, and we`ll keep
on ghting till recognition. This is a small tribute to the 1.500.000 victims.
Yelling Studio
,
(
):
Yelling
:
:
:
:
:
,
-
:
(
:
)
,
:
Yelling Studio
We are four friends, and we met at the Tumo Center for Creative Technologies, Animation Department. After 3 years of studying, with the support of Tumo we co-founded
Yelling Animation Studio, which became Tumo’s rst animation start-up. In the end
of April we completed our debut work, two animated episodes dedicated to the 100
year anniversary of the Armenian Genocide (1915).
Few words about us:
Arevik, 21 and Zara, 20 are students of Yerevan State Academy of Fine Arts. Levon,
19 – studies physics at the Yerevan Armenian-Russian Slavonic University, and Grisha
is a former system developer. We are currently working on our second project - a short
lm about a boy and a dog.
«
:
»
, Yelling Studio,
, 2015, 3:28
:
The Kindness of Strangers, Yelling Studio, Armenia, 2015, 3:28
“The Kindness of Strangers” series is dedicated to the centennial of Armenian
Genocide and its main purpose is to thank the missioners and kind people,
who helped our ancestors in 1915.
76
Companies
Sacrebleu
Sacrebleu Productions
1999 .
Sacrebleu
50
1000-
,
“Chienne d’Histoire”
Palme d’Or
,
Travel Diary,
The Great Rabbit
Ours d’argent
,
Man on the Chair
,
Sunday lunch
2010rep
Sacrebleu
Proci2013-
Sacrebleu-
,
,
Since its creation in 1999, Sacrebleu Productions has
produced more than 50 short lms, leading to more
than 1000 festival selections. More recently, our lms
have had a great success, with “Chienned’Histoire”
by Serge Avédikian which won the Palme d’Or at the
Cannes Festival, “Madagascar, Travel Diary” by Bastien
Dubois, nominated at the Oscars, “The Great Rabbit” by
Atsushi Wada, winning the Ours d’argent at the Berlinale, “Man on the Chair” by DaheeJeong, Cristal D’Annecy
winner, “Sunday lunch“ by Céline Devaux, selected at
the Cannes Festival and winner at many festivals.
In 2010 Sacrebleu won the Prize Procirep for the Best
Short Films’ Producer and in 2013 the Award for the
Best TV Producer of Animated Movies. Sacrebleu is currently producing TV series, short and feature lms, both
animation and live action.
-
78
Companies
2008,
,3
,
Kroak
2008, France, 3
Directors Julie Rembauville, Nicolas Bianco
1. Kroak, shing trip
Kroak goes shing early in the morning. From its bundle, he takes a whole panoply
of tools, and waits for the sh that doesn’t come. When, nally, something takes
the bait, it’s not a sh but a fridge that goes out from the sea, then a laid out table,
and then a strange sh.
-
,
,
,
,
2. Kroak, return to bear
Kroak is looking for food, with a craving for a walrus for dinner. He digs into the
ice and comes face to face with a bear.
,
:
2008,
,4
«Pretty Boy Floyd»
:
Kid Loco
2008, France, 4
Director Olivier Chabalier
Video clip of Kid Loco’s «Pretty Boy Floyd», inspired by Klimt’s paintings
and by the collective imagination of children’s tales.
2014,
, 6:55
,
-
...
Man on the chair
2014, France, 6:55
Director Dahee Jeong
Man on the chair is tormented and constantly doubts his very own existence. It is just merely a picture that I created... Could I also be an image
crafted by others?
2008,
,6
,
,
My little brother from the moon
2008, France, 6
Director Frédéric Philibert
A little girl try to understand why her little autistic brother is not like
other children.
79
-
Faces from places
2013,
,3
“Faces from places” -
,
,
,
-
3D
Faces from places
2013, France, 3
Director Bastien Dubois
“Faces from places”, the animated series directed by Bastien Dubois is
offering us a subjective trip around the world, high in colors, with original
stories, which mixes motion capture and 3D skills with the attractiveness
of diaries. Skills with the attractiveness of diaries.
RHIZOME
2015,
, 11:25
,
:
RHIZOME
2015, France, 11;25
Director Boris Labbé
From the in nitely small to the in nitely large, all things in the universe
are tightly connected: they interact and restructure in a combination of
movements and perpetual metamorphoses.
2002,
20-
,
,4
...
Words Words
2002, France, 4
Director Ron DYENS
A man and a woman in the 20’s. They are making a journey in ballon.
But suddenly…
2011,
,
, 12
,
,
,
,
:
Where dogs die
2011, France, 12
Director Svetlana Filippov
A man grows up and leaves his mother’s home. During his life, all he dreams
about is to come back home – to retrieve his past.
But a lot of things happen, things that cannot be xed: his mother grows
old, the house where he was so happy falls apart, his dog dies. It happens to
everyone and it is unavoidable.
And everything turns to be just a memory or a dream or a movie.
80
,
Companies
)
Faces from places (
2013,
,3
,
-
,
...
Faces from places (Nagorno Karabakh)
2013, France, 3
Two travelers get lost on the Armenian roads. Armenia, Azerbaijan, Nagorno-Karabakh? We are getting familiar with local geopolitics...
,
2009,
, 11;30
«
»-
,
,
.
-
:
Madagascar, a journey diary
2009, France, 11.30
Madagascar is a journey diary that redraws the trip of a European traveller
confronted with Famadihana customs. The pages of the diary turn, then
the drawings liven up, we cover the luxuriant landscapes of Madagascar
before being introduced to the Malagasy culture.
2012,
,7
,
:
,
,
:
,
,
,
,
,
:
:
Tram
2012, France, 7
Director Michaela Pavlatova
It’s the humdrum daily routine for Tram’s conductress. As every morning,
men get on the tram to go to work, one after another, all similar, quiet,
grey, apathetic. And yet, on that day, following the jolts and the road’s
vibrations, to the rhythm of the tickets inserted in the ticket-stamping
machine, the conductress gets turned on and the vehicle gets erotic. The
tram conductress’ desire turns the reality into a surrealistic and phallic
fantasy. She then takes a ride on the passengers’ giant and blushing
penises.
Music maestro!
81
-
2014,
, 13:39
,
,
,
,
Beach Flags
2014, France, 13;39
Director Sarah Saidan
Vida is a young Iranian lifeguard. Popular on her team, she is determined
to ght in order to be the one to participate in an international competition in Australia. However, when Sareh who is as fast and talented as her,
joins the team, Vida will have to face an unexpected situation.
2006,
,8
,
The memories of dogs
2006, France, 8
Director Simone Massi
My cheeks brush against the stones, I look out from a break in the wall.
82
-
Institutions
EMCA
EMCA
1999-
,
-
:
: EMCA-
36
:
,
`
:
,
EMCA
:
`
:
:
,
:
(
:
,
,
,
):
,
(
,
-
:
,
-
)
`
` Flash
-
EMCA or School of Film Animation Technologies
EMCA or School of Film Animation Technologies Created in
1999, under the aegis of the Angoulême Chamber of commerce and Industry. EMCA is located in Angoulême, France.
There are 36 students in EMCA, which is a two-year course
focusing on 2D animation, and 16 in EMCI, a one-year program focusing on 3D. Some students complete only one
or the other, but the entire three-year course covers both
components, according to Christian Arnau, head of education at EMCA. Students learn the entire animation process,
from storyboard to layout to animation; the focus is nding a good balance between acquiring a strong technical
base and developing individual creativity; as is the case
with many schools, each student must complete their own
lm before graduation. The students also are challenged
with technical exercises based on studio productions; many
teachers in the courses are professionals who use real-life
examples in the classwork. Graduates nd positions in
studios around the world, including in Europe (England,
Ireland, Spain and Switzerland) and Japan, as well as in
France, mostly in Paris or at a number of creative companies located in the Charente region (where Angoulême
is), collectively known as the Syndicat Magelis Pôle Image.
Some become animation directors or writers, while others
become Flash or 3D animators or compositors.
:
84
Experimental animation
,
:
:
,
:
:
:
,
«
,
,
»
:
:
Narek Van Ashughatoyan
My name is Narek Van Ashughatoyan. I was born in Yerevan. I’m a theologist by profession, having obtained a Master in Law degree later on.
I currently work as a lawyer and also lead the Tsirani Cultural Hub, an
organization working on cultural issues, for eight years now. I largely paint
in my free time. This year in May, my rst personal exhibition titled “Tale
of Fragments” was held in Yerevan, where I presented my works created
throughout the years. Besides being a painter, I’ve also participated in the
production of four short documentary lms and a short animation lm as
author and director.
»,
«
, 2015, 6.32
«
,
,
,
«
»
:
»`
:
,
`
,
:
“Tale of Fragments” Armenia, 2015, 6.32
Director Narek Van Ashughatoyan
The lm has been produced based on the works presented at Narek
Van Ashughatoyan’s “Tale of Fragments” exhibition. This lm presents
the imaginary journey of the fragments created by the painter through
ve worlds: the universe, hell, paradise, Narekavan City and the seas. The
animated journey starts and ends with real-life scenes, symbolizing that
imaginary fragments live in real environments as well... and we only have
to paint them.
86
Experimental animation
1965 .
: 1972
`
UGC- ,
Video- ,
`
Light Cone1994
:
,
,
,
:
Orion Classics`
:
:
i`
Re:Voir
L’AbominableFrameWorks
:
,
,
,
:
Pip Chodorov
Born in New York, 1965, Pip Chodorov has been into lmmaking
and music composition since 1972. He studied cognitive science at
the University of Rochester, N Y and lm semiotics at the University
Of Paris, France. Worked in lm distribution - Orion Classics, NYC;
UGC, Paris; Light Cone, Paris; and, currently, Re:Voir Video, Paris,
which he founded in 1994 (www.re-voir.com ) along with The Film
Gallery, the rst art gallery devoted excusively to experimental lm.
He is also co-founder of L’Abominable, a cooperative do-it-yourself
lm lab in Paris, and the moderator of the internet-based forum
on experimental lm, FrameWorks. His lms range from animation (of
photos espacially) to lm diary and are characterized by humour, lightness
and awakening consciousness, more than by structural or lyric tendancies.
°
, 2012, 80
`
.
,
:
,
,
:
,
,
:
:
,
:
Free Radicals: A History of Experimental Film, USA, 2012, 80
Director Pip Chodorov
What is experimental lm?
The artists and poets who began using celluloid before World War I still
reside in a No Man’s Land. Excluded from movie theatres, they created an
independent network that allowed them to produce and show their lms.
In doing so, they built a body of work that still in uences our culture. I
wished to share with you a few of the lms I love and introduce to the free,
radical artists who made them.
87
Documentary Animation
`
-
,
,
,
-
`
:
,
`
,
:
,
:
1981
Amer Shomali
Amer Shomali is a Palestinian multidisciplinary artist, using painting, digital
media, lms, installations and comics as tools to explore and interact with the
sociopolitical scene in Palestine focusing on the creation and the use of the
Palestinian revolution iconography. He holds a master’s degree in animation
from the Arts University Bournemouth in the United Kingdom and a bachelor’s
degree in architecture from Birzeit University, Palestine. He was born in Kuwait
in 1981, and is currently based in Ramallah, Palestine.
,
«
«
2014
»,
«
»-
1978
:
«18
»
:
`
:
»
:
.
-
,
:
2014
.
Paul Cowan
Paul Cowan is a Canadian lmmaker who spent the bulk of his career with the
National Film Board of Canada. Cowan was nominated for an Academy Award
for Documentary Feature for GOING THE DISTANCE, a documentary about the
1978 Commonwealth Games.
He was the director of the controversial docudrama The Kid Who Couldn’t Miss
and cinematographer on the Oscar-winning Flamenco at 5:15.
In 2014, Cowan completed the documentary The Wanted 18, co-directed with
Palestinian artist Amer Shomali , about the efforts of the Palestinian town of
Beit Sahour to establish an independent dairy industry during the First Intifada. The lm premiered at the 2014 Toronto International Film Festival .
90
Documentary
Animation
«18
:
18
»
,
:
,
:
,
«
»
`
`
.
-
:
-
:
The Wanted 18, Canada, 2014, 75min
Directors Amer Shomali,Paul Cowan
18
,
`
,
, 2014, 75
,
1987
18
:
`
:
,
,
:
-
`
18
:
,
-
:
-
:
,
«
,
:
»:
,
18
:
:
:
:
A story of the most powerful army in the Middle-East chasing
18 cows told from the unique perspective of the cows and the
Palestinian activists.
In 1987, at the beginning of the rst Intifada, Palestinian
leaders asked their communities to develop Palestinian
alternatives to Israeli products. In response, a group of
Palestinians started a cooperative dairy farm in Beit Sahour near Bethlehem with 18 cows.
All of the activists were intellectuals and paci sts who
knew nothing about raising cattle or operating a dairy.
But, after some training and the purchase of some cows
from an Israeli kibbutz, these newbie dairy farmers managed to start producing a high quality competitive product. The people in the Bethlehem area came to depend
completely on the cooperative’s milk, which they called
the ‘intifada milk’.
However, once the cooperative became successful the
Israeli army wanted it closed. The Palestinian farmers hid
the 18 cows in people’s houses and continued to produce milk. The cooperative survived and continued to
produce milk for years. The cows were hidden in mountains caves and cared for by new activists. A few years
later many of the activists moved on and the cooperative
had to shut down. The few cows who remained were
sold and butchered by a Palestinian butcher.
The Wanted 18 is an animated documentary. Our 18
cows start out minding their own business in the elds of
an Israeli kibbutz and end up hiding in caves in the hills
of Palestine. These gentle, kind animated cow characters
will present a unique perspective on the story and on
the absurdity of their situation. Our cows are «outsiders».
Neither «Israeli» nor «Palestinian», they bring an honest,
unfettered voice to the lm, often reacting to events as
they unfold. The cows are a hodge-podge of characters
who ultimately represent the complex emotions and perspectives that one nds in the Palestinian-Israeli con ict.
-
:
91
Work in Progress
Yelling
Yelling
2D
2014
, stop-motion-
,
1Yelling
,
:
3
2
Yelling Animation Studio
Yelling Animation Studio was founded on July 1, 2014. Our passion is 2D,
stop-motion and classic hand-drawn animation.We are four friends and we met
at the Tumo Center for Creative Technologies, Animation Department. After 3
years of studying, with the support of Tumo we co-founded Yelling Animation
Studio, which became Tumo’s rst animation start-up. In the end of April we
completed our debut work, two animated episodes dedicated to the 100 year
anniversary of the Armenian Genocide (1915).
«
«
»
»
:
“The Kindness of Strangers”
“The Kindness of Strangers” series of two animations dedicated to the centennial of the Armenian Genocide.
1994 – 1996
1996 – 2002
2008 -
Levon Abrahamyan
From 1994 to 1996 Levon Abrahamyan started studying in State College of
Fine Arts named after Phanos Terlemezyan, specialty: graphic designer. From
1996 to 2002 he continued his education at Yerevan State Academy of Fine
Arts, Specialty: Artist. Since 2008 Levon Abrahamyan is a member of the Union
of Artists of Armenia. He received several awards for book illustrations.
:
,
,
:
-
:
,
Tailless fox
The movie is about a little fox , who is exploited by everybody . Whatever he
asks for he doesn’t get , moreover , they always demand something from the
fox . Only at the end of the movie , the fox gives his tail to the woman for
getting a little milk himself .
94
Work in Progress
,
,
,
:
: 1976-
: 1982-
`
: 1988-
:
«
: 2000: 2007-
»
«
»:
,
»
»
«
: 2010«
:
«
»
:
Serge Avedikian
Director, screenwriter and actor. He was a student at the Conservatory of Dramatic Art in Meudon, worked with students in the Paris and played in many
theater pieces of classical and modern repertoire. In 1976, he founded a theater company and directed several plays. In 1982, he began producing documentary lms, while continuing his work as an actor in lms and theater. In
1988, Avédikian founded his own production company and produced personal
lms. Meanwhile, he continued his acting course in theater, lm and television.
Since 2000, Serge devotes more space to the theater and cinema as an actor
and continues to make movies with the help of new producers. In 2007, he
produced his rst feature documentary lm We Have Drunk the Same Water. In
2010, he won the Palme d’Or for Short Film in Cannes for his short animation
lm Barking Island. He is the coauthor of the feature art lm Me, Paradjanov,
lm director Sergei
Soviet Artist which is devoted to the life and works of the
Paradjanov. In the lm he also plays the role of the main hero. He has also
staged Anush opera
1946,
.
:
: ’
:
:
,
,
:
,
,
,
:
,
,
,
,
,
,
’
:
Last Round in Istanbul
In 1946, between Addis Ababa and Istanbul, a Turkish boxer (Suleyman) and
an Armenian boxer (Armen) are caught in the trap of a ruthless chase. After
their ght in Ethiopia, Suleyman, knowing he is wanted for war crimes, stages
his own death to switch identity. Armen, accused of murdering Suleyman must
ee. They will meet in Istanbul, where they nally will settle their accounts.
Stan O’Brien, an Irish boxer, leading the investigation for the English, will be
dragged into this journey. Maria, Armen’s sister will do what it takes to save her
brother. Her romantic encounter with O’Brien will be decisive.
95
1961 .
«
«
2000 .»
»6
(2012),
17-
,
: 1977 .
: 1980-
»:
»
6
10
2013 . «
:
»
,
: 2002 .
: 2010 . «
:
-
«
:
«
»-
Narira Muradyan
Born in 1961 Dec. 17 in Yerevan. In 1977 she started studying in State College
of Fine Arts named after Phanos Terlemezyan. From 1980 she started her work
as a production designer in “Armen lm”. She was a freelance painter in different
theatres, and starting from the year 2000, she worked on TV. In 2002 she started
working on animation series called “The Flight of the Feather“. In 2010 she made
10 little series based on the “Children Bible“. She has done 6 series called “Angel
in town“. She also has done 6 series based on Ruben Hakverdyan’s famous songs.
“Balet” (2012) is Muradyan’s last lm, which was awarded the prize in 2013 Hayak
as the best animation lm of the year.
,
,
:
New Year
The family of Moomy Throlec is sleeping usually in winter, but this time, they
woke up just when it was New Year and they didn’t even understand that it
was a holiday.
1986 .: 2003-2008
: 2008 .
2011 -
,
«
.
-
«
»
»
,
«
»
:
:
Arthur Mikaelian
Arthur Mikaelian was born in 1986. From 2003 to 2008 has studied in Yerevan State
Institute of Theater and Cinema, in the department of Cartoon Directing. In 2008
has shot “Drunken Hens“ animated movie, which has awarded a special jury prize,
the prize named after Sahakiants and the prize of the best animated movie during “I
AM” International Youth Film Festival. Since 2011 has worked on “Lazy Huri’’ musical cartoon motivated by the the namesake tail of Hovhannes Tumanian.
«
»
«
:
»
:
:
Lazy Huri
The lm’s plot is based on Hovhannes Tumanyan’s “The Lazy Huri” fairy tale where the
existing injustices and inequalities of life is represneted by a lazy girl, whose mother
does everything to make a hardworking trader and her lazy girl get married. The
rst task given to Lazy Huri should be a real a true test for herself , but everything is
happened differently .
96
,
,
Workshops
,
,
,
DUMPSTERMATION, STOP-MOTION meets FOUND OBJECT
Gary Shcwartz
Animator, director, artist, educator
DUMPSTERMATION, STOP-MOTION meets FOUND OBJECT
,
Stop MotionJuan Pablo Zaramella
Director, animator
Stop – Motion Master Class
(
)
Hoyt Silva
Sequential Illustrator
Visual Storytelling
Liza Artinian
Color supervisor and background artist
Theory Technique in Background Painting
98
Workshops
,
-
Nicolas Bianco Levrin
Director, author of comics
STORYBOARD – Cartoon and comic’s book
Charlie Sansonetti
TV series producer
Animation Crossroad in Caucasus
Sacrebleu Productions-
Ron Dynes
CEO at Sacrebleu Productions
French animation: production and coproduction
/
,
Alexandre Heboyan & Benoit Philippon
France / Director, animator
99
ՏՈՆ
Comics art
Հայ ուրվականը - 2015
Նկարիչ՝ Թոմաս Ազուլեոս
Հեղինակներ՝ Լորա Մարշան, Գիյոմ Պերիե
Հրատարակչություն՝ Print Info
«Հայ ուրվականը» պատմում է Բրիջիտ Բալյանի և Վարուժան Արթինի (1960-2015)
ճամփորդությունը Մարսելի Արամ կենտրոնից մինչև Թուրքիա: Ճամփորդությունը
նրանց հասցրել է մինչև Դիարբեքիր, որտեղ 2014 թվականին տեղի է ունեցել
Ցեղասպանությունը վերապրած 99 հայերի լուսանկարները ներկայացնող
ցուցահանդես՝ կազմակերպված Հայոց Ցեղասպանության 99-րդ տարելիցի
առթիվ: Լուսանկարներից մեկը պատկերում է Վարուժան Արթինի հայրական
պապին՝ Սահակ Արթինին, որն իր 50 հոգանոց ընտանիքից միակ փրկվածն է եղել:
Ստեղծագործությունը հիմնականում պատմում է Բրիջիդ Բալյանի և Վարուժան
Արթինի՝ այնպիսի թուրքաբնակ հայերի հետ հանդիպումների մասին, որոնք ուշ են
հայտնաբերել իրենց հայկական ծագումը՝ մինչ այդ կրելով թուրքական, քրդական
կամ ալևիական ազգանուններ: Այս վավերագրական կոմիքսը ստեղծելու համար
Լորա Մարշանը, Գիյոմ Պերիեն և Թոմաս Ազուելոսն հետևել են Քրիստիան
Վարուժան Արթինի ճամփորդությանը դեպի Թուրքիա՝ դեպի իր հայրական պապի
հայրենիք: Մինչ 2014 թվականը Վարուժանը երբեք չէր մտածել Թուրքիա գնալու
մասին՝ վախենալով, թե կարող է «քայլել իր նախնիների ոսկորների վրայով»:
Ճամփորդությունը դեպի այս «Աուշվից՝ բաց երկքնի տակ» փաստորեն լուրջ
մարտահրավեր էր Վարուժանի և իր կնոջ՝ Բրիջիտ Բալյանի համար: Բայց այն
միայն ուխտագնացություն չէր: Նրանք հանդիպեցին նաև 1915-ը վերապրածների
զավակներին, որոնք բնակվում են Թուրքիայում: Այսօր այս քրդացած, թուրքացած
մուսուլման հայերը դուրս են լողում ստվերից և պատմում են իրենց պատմությունը՝
հույս ուենալով վերգտնել կորցրած ազգային ինքնությունը:
Այս գիրքը արթնացումի և դեպի իրականության թռիչքային վերադարձի մասին
է: Ցեղասպանությունից 100 տարի անց այն ժամանակակից հայացք է՝ ուղղված
հայկական ինքությանը:
Le fantôme arménien– 2015
Artist: Thomas Azuléos
Author: Laurent Marchand, Guillaume Perrier
Publisher: Futuropolis
It is the story of an alarm clock or, in the words of Varuzhan, of a genuine “jump in
the real”. Until 2013, Varuzhan had never envisaged to go to Turkey, at the risk of
“trample the bones of his ancestors”. The trip up to this “Auschwitz to open skies”
is not only a pilgrimage. Varuzhan and his wife Brigitte depart at the meet the
descendants of Armenians who remained in Turkey in 1915 and who survived the
massacre. Because today these Armenians Kurds, Turks, Alawis, Muslims, come out
of the shadow, telling their story and aspire to regain a lost identity in a country
that continues to officially deny, one hundred years after the genocide.
7
YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ YEREVAN INTERNATIONAL ANIMATION FILM FESTIVAL ԵՐԵՎԱՆԻ ՄԻՋԱԶԳԱՅԻՆ ԱՆԻՄԱՑԻՈՆ ԿԻՆՈՓԱՌԱՏՈՆ
Պատկերապատման արվեստ
Հայ Արամը - 2015
Նկարիչ՝ Մաժոքս
Հեղինակ՝ Աբել Ալվես
Հրատարակչություն՝ Dragoncomics Editora
Սա Արամի պատմությունն է, գյուղացի, ով սեփական կյանքը վտանգելով փրկում է
զարմուհուն` Թամարին, 1915թ. երիտթուրքերի կառավարության կողմից ծրագրված
Հայոց ցեղասպանության հազարավոր զոհերից մեկին:
Հնարավոր է, որ «Իմ անունը Արամ է» պատմությունները, որտեղ Վիլյամ Սարոյանը
նկարագրում է կոտորածներից հետո Ֆրեզնոյում /Կալիֆորնիա/ հաստատված հայերի կյանքը, հիմք են հանդիսացել Աբել Ալվեսի հետաքրքիր, հաճելի վավերագրական
գրքի համար, որը կրում է հայտնի հեքիաթների վերնագրին նման ﬕ անուն:
Aram el Armenio - 2015
Artist: Majox
Author: Abel Alves
Publisher: Dragoncomics Editora
This is the story of Aram, a peasant who risks his life to save his niece Tamar, one of
the many victims of the Armenian Genocide planned in 1915 by the government
of the Young Turks.
The stories of “My name is Aram”, where William Saroyan described the life of the
Armenians installed in the Fresno (California), after the massacres, could be the
precedent of the interesting, pleasant and documented book of Abel Alves, who
carries a title similar to those famous fairy tales.”
Մամիկոն - 2015
Նկարիչ՝ Նաիրա Մուրադյան
Հեղինակ՝ Ջեք Հաշյան
Հրատարակչություն՝ MediaMAX
2015 թվականի մարտ-հուլիս ամիսներին www.mediamax.am կայքում ներկայացվել
է ամերիկացի գրող Ջեք Հաշյանի «Մամիկոն» վեպը՝ ռուսերեն թարգմանությամբ:
Թարգմանության հեղինակը Արտաշես Էմինն է: Վեպը «western»-ի ոճով պատմում
է Հայոց ցեղասպանությունը վերապրած Մամիկոնի մասին, ով երկար տարիներ
որոնում է իր ընտանիքը սրի քաշած թուրք զինվորականին:
MAMIKON – 2015
Artist: Naira Muradyan
Author: Jack Hashian
Publisher: MediaMAX
During march-july of 2015, Jack Hashian’s novel “Mamikon” was introduced in Russian language on mediamax website. The author of translation is Artashes Emin.
The novel recalls the story of Armenian Genocide survivor Mamikon, presented in a
“western manner”. Mamikon, for a long time, is searching for the Turkish officer who
had killed all his family.
6
YEREV
ՏՈՆ
Comics art
Նեﬔսիս գործողություն – 2015
Նկարիչ՝ Հոյտ Սիլվա
Հեղինակ՝ Ջոշ Բլայլոք
Գրող Ջոշ Բլայլոքը և արտիստ Հոյթ Սիլվան պատմում են Սողոմոն Թեհլերյանի
պատմությունը` ցեղասպանությունը վերապրած հայ, ով Բեռլինի փողոցներում
սպանեց Թուրքիայի նախկին առաջնորդ Թալեաթ Փաշային, վրեժխնդիր լինելու
Օսմանյան կայսրությունում 1.500.000 հայերի սպանության համար:
1915թ. Թալեաթ Փաշան` Թուրքիայի Օսմանյան կայսրության առաջնորդը,
հրամայեց իր երկրի սահմաններից ներս գտնվող բոլոր հայերի մասսայական
կոտորածը, ինչի արդյունքում մահացան ավելի քան 1.500.000 անմեղ զոհ:
Operation Nemesis – 2015
Artist: Hoyt Silva
Author: Josh Blaylock
Writer Josh Blaylock and artist Hoyt Silva tell the story of Soghomon Tehlirian,
the Armenian survivor who killed the former leader of Turkey Talaat Pasha on the
streets of Berlin to revenge the execution of 1,500,000 Armenians in the Ottoman
Empire … and walked away from court a free man.
In 1915, Talaat Pasha, leader of the Turkish Ottomon Empire ordered the mass
execution of every Armenian within his nation’s borders, resulting in the death of
over 1,500,000 victims.
Ծաղկի օրագիրը – 2010
Նկարիչ՝ Վիվիան Նիկեզ
Հեղինակ՝ Լորան Գալանդո
Հրատարակչություն՝ GRAND ANGLE
Փարիզ, 1983 թվական: Հադիսատեսից ﬔկի տկարանալու պատճառով թուրք
ջութակահարի հաﬔրգն ընդհատված է: Մինչ շտապօգնությունը կգա, ծերունին
ﬕ քանի խոսք է ասում, որոնք գրավում են երաժշտի ուշադրությունը: Հաջորդ օրը
նա գնում է յոթանասունամյա Տիգրան Սարյանի մոտ: Ծերունին սկսում է ﬕ երկար
պատմություն՝ 20-րդ դարի առաջին ցեղասպանության՝ հայոց ցեղասպանության
պատմությունը:
Անատոլիա, 1915 թվական: Տիգրանը ինը տարեկան է: Ստամբուլի հրամանով
հայերը պետք է արմատախիլ արվեն: Աﬔնուր օսմանյան բանակը զորակոչում է
հայ տղամարդկանց և վերացնում նրանց երկրի երեսից: Ծերերը, երեխաներն ու
կանայք ստիպողաբար բռնում են գաղթի ճամփան, որ նրանց դեպի մահ է տանում:
Երիտասարդ երաժիշտը հետաքրքրությամբ լսում է Տիգրանի պատմությունը: Նրա
հավատքն ու համոզմունքներն այլևս երբեք նույնը չեն լինի:
Le Cahier a fleurs – 2010
Artist: Viviane Nicaise
Author: Laurent Galandon
Publisher: GRAND ANGLE
1983, Paris. The concert of Turk violinist is stopped because of the illness of one
audience. While the ambulance is on its way, the old man speaks out few words,
which attracts the musician’s attention. On the next day the violinist goes to the
70 years old Tigran Sarian. The old man starts telling a long story, the first genocide of the 20th century. The Armenian genocide story.
1915, Anatolia. Tigran is nine years old. On the command of the Turkish government, all Armenians must be killed. The Ottoman army recalls the Armenian men
to military service to murder them later. The elderly, children and women forcedly
take the way of exile which leads them to death. The young musician listens
carefully to Tigran’s story. His beliefs and convictions will never ever be the same.
5
Մինչ «Հոգիների աճուրդը»
Նկարիչ՝ Տիգրան Մանգասարյան
Հրատարակչություն՝ Sosy Gazarian-Kevoian
«Հոշոտված Հայաստան» կոչվող գիրքը գրվել է Հայոց ցեղասպանության
ականատես Ավրորա Մարդիգանյանի հուշերի հիման վրա` առաջին անգամ
տպագրվելով անգլերենով` 1918թ. Նյու Յորքում:
Հայոց ցեղասպանության ականատես, հեղինակ, ցեղասպանությունը վերապրած Արշալույս /Ավրորա/ Մարդիգանյանի առաջին հուշերում մանրամասն
նկարագրվում են այն սարսափելի պահերը, որը կրել է ցեղասպանության
ժամանակ:
1918թ. Կալիֆորնիայում «Մետրո Գոլդուեն Մեյեր» ստուդիայի ռեժիսոր Օսկար
Ապֆելը պատրաստեց մի համր ֆիլմ` «Հոգիների աճուրդը», որը ցեղասպանության մասին ֆիլմն էր` հիմնված Ավրորա Մարդիգանյանի հուշերի վրա:
Տիգրան Մանգասարյանի գրաֆիկական վիպակը հրատարակվել է «Հոգիների
աճուրդը» ֆիլմի նկարահանման 90-րդ տարելիցի կապակցությամբ:
Prior to the “AUCTION OF SOULS” (AURORA) – 2008
Artist: Tigran Mangasaryan
Publisher: Sosy Gazarian-Kevoian
The book is written on the basis of the eyewitness of Armenian genocide Aurora
Mardiganian’s memoirs titled as “Ravished Armenia”, which was first published in
1918 in New York in English.
In one of the first documentary memoirs of the eyewitness of Armenian genocide,
the author, survivor of the Genocide Arshaluys (Aurora) Mardiganyan from Chmshkatsag gave a detailed account of the terrible
experiences she endured during the genocide.
In 1918 in California, “Metro Goldwin Mayer” studio, director Oscar Apfel made
a silent film “Auction of Souls”; which actually became the first genocide movie,
based on Aurora Mardiganian’s memoirs.
Tigran Mangasaryan’s graphical novel was published in connection of the 90th
anniversary of the shooting of “Auction of Souls”.
Նեմեսիս՝ հատուկ գործողություն-2014
Նկարիչ՝ Պաոլո Քոսսի
Հեղինակ՝ Ջ-Բ Ջիան, Ժան Վարուժյան
Հրատարակչություն՝ Varoujan Sirapian / Sigest
Գրաֆիկական վիպակ՝ նվիրված Սողոմոն Թեհլերյանին և «Նեմեսիս» ծրագրին:
1921թ. մարտի մի օր մի երիտասարդ ներխուժեց Բեռլինի Հարդենբերգ փողոց`
հետևելու տեղի բնակիչներից մեկին, ով դուրս էր եկել զբոսնելու: Րոպեներ անց նա
տապալեց իր թրիախին` փամփուշտ արձակելով ուղիղ գլխին: Դատի ժամանակ
հայ երիտասարդը` Սողոմոն Թեհլերյանը հաստատեց սպանության փաստը, բայց
պնդեց, որ ինքը մարդասպան չի: Զոհը Թալեաթ Փաշան էր, որ կազմակերպել էր
Թեհլերյանի ընտանիքի և մի ամբողջ ժողովրդի կորտորածը: Միայն տասնյակ
տարիներ անց Զարյան ինստիտուտի և Հայ Հեղափոխական Դաշնակցության
արխիվները կբացահայտեն արդար վրեժխնդրության աստվածուհու «Նեմեսիսի»
անունով կոչված այս հատուկ առաքելության իրական պատմությունը:
Special Mission Nemesis – 2014
Artist: Paolo Cossi
Authors: J-B Djian & Jan Varoujan
Publisher: Varoujan Sirapian / Sigest
Graphic novel dedicated to Soghomon Tehlirian and the organization called “Nemsis.” One day in March, 1921, a young man burst into Hardenberg Street, Berlin,
trailing a neighborhood resident who was out for a stroll. Minutes later, he struck
down his target with a bullet through the head. At his trial, the young Armenian,
Soghomon Tehlirian, acknowledged the killing but claimed he was no murderer. It
was the victim, Talaat Pasha, who had orchestrated the massacre of Tehlirian’s family and people. Decades afterwards, the archives of the Zoryan Institute and the
Armenian Revolutionary Federation (Tashnagtsutiun) would reveal the true story
of this special mission (hadoog kordz in Armenian), code-named “Nemesis” for the
goddess of righteous vengeance.
4
YEREV
ՏՈՆ
Comics art
Մեծ Եղեռն - 2009
Նկարիչ և հեղինակ՝ Պաոլո Կոսի
Հրատարակչություն՝ DARGAUD
Տարեսկզբյան մի շատ գեղեցիկ բացահայտում. Ֆրանսիայում անհայտ իտալացի հեղինակի՝ Պոլո Կոսիի ստորագրությունը կրող կոմիքս: Հայոց ցեղասպանության մասին հանրային կարևորության ալբոմ՝ վերնագրված «Մեծ եղեռն»:
Ցեղասպանություն, որը շատ արագ մոռացվեց, և որը լրատվությունը քիչ
լուսաբանեց: Սա միայն պատմական ալբոմ չէ, որ մեզ է ներկայացում չոր փաստեր
ու թվեր: Բազում հերոսների միջոցով հեղինակը մեզ հաղորդակից է դարձնում
մարդկային մի մեծ ողբերգության: Ծանր, հուզիչ, դաժան մի ալբոմ, որը դաջվում է
ընթերցողի հոգում և փոխում նրան առհավետ:
Medz Yeghern by Paolo Cossi – 2009
Artist & Author: Paolo Cossi
Publisher: DARGAUD
A very nice start of the year revealed: a comics bearing the signature of an Italian
author unknown in France. An album of public importance about the Armenian
Genocide named “Great Calamity”. A Genocide that was forgotten very quickly
and was hardly elucidated in media. It is not only a historical album presenting
merely facts and numbers. The author acquaints us with the great human tragedy
through various characters. It is a hard, touching and cruel album which remains
in the reader’s heart and changes him forever.
Լռություն
Նկարիչ՝ Տիգրան Մանգասարյան
Հրատարակչություն՝ Print Info
Հայաստանում թողարկվել է Հայոց ցեղասպանությունը պատկերող առաջին
գրաֆիկական հրատարակությունը` «Լռություն. հրաման Կոնստանդնուպոլսին»:
Ինչպես գրքի ներկայացման ժամանակ նշեց նկարազարդումների հեղինակ
Տիգրան Մանգասարյանը, մինչ օրս Հայաստանում ոչ ﬕ նմանատիպ բան չի հրատարակվել: Այս հրատարակությունը Հայաստանի երիտասարդությանը պատմում
է 1915-1923թթ. կորուստների իրական թվի մասին: Գիրքը ստեղծելու գաղափարը
Տիգրան Մանգասարյանի մոտ ծնվել է 2 տարի առաջ, ապա նա դիմել է սցենարիստ
Ռուբեն Ծատուրյանին, ով կարծում է, որ որ չափազանց դժվար էր աշխատել գրքի
համար հիմք հանդիսացած նյութի հետ: Գրքում Հայոց ցեղասպանությունը ներկայացվել է Հարություն Փարթաշյանի ընտանիքի պատմության միջոցով:
Lrutyun/ SILENCE – 2005
Artist: Tigran Mangasaryan
Publisher: Print Info
“Silence. Order to Constantinople”, the first graphic edition depicting the Armenian Genocide has been published in Armenia. As the author of the illustrations
Tigran Mangasaryan said at the presentation of the book, nothing of the kind has
been issued in Armenia so far. The present edition tells the young population of
Armenia about the real amount of losses during the period of 1915-1923. The idea
of creation of the book occurred to Tigran Mangasaryan 2 years ago and then he
appealed to script writer Ruben Tsaturyan, who in his turn noted that it was rather
difficult to work with the material which served a basis for the book. The history of
the Armenian Genocide is represented in the book through the story of Harutyun
Partashian’s family.
3
Հայաստանցի Մեծ - Ման - 2006
Հեղինակ և նկարիչ՝ Ֆարիդ Բուջելալ
Հրատարակչություն՝ Ֆուտուրոպոլիս
ՇԱՏՐՎԱՆ Ան-Գայել ՖՈւՏՈւՐՈՊՈԼԻՍ
Հայկական հրատարակչություն՝ Varoujan Sirapian / SIGEST
Ֆուտուրոպոլիսն այս անգամ վերահրատարակել է «Հայաստանցի Մեծ-Ման»
գործը՝ («Փոքրիկ Պոլիոյի արկածները» գործի երրորդ հատորը) այսպիսով ազդարարելով Ֆրանսիայում Հայաստանի տարվա սկիզբը:
1960 թվական: Մամուդի կյանքն ընթանում է Ալժիրի պատերազմական թատերաբեմում, իր ընտանիքի, ընկերոջ՝ Ռեմիի կողքին, տուլոնյան սովորույթներով
մինչև այն օրը, երբ հայրը Ալժիր է վերադառնում մի անծանոթ կնոջ ուղեկցությամբ. տատիկը՝ Հայաստանից, իր տատիկը: Սլիմանիների ընտանիքը նշում
է Սուրբ ծնունդը. առաջին զգալի փոփոխությունը տատիկի ժամանումից ի վեր:
Հայ տատիկը քրիստոնյա է: Այդ նույն տարում Մամուդին պետք է թլպատեն:
Քրիստոնյա, մուսուլման... արմատների ինչպիսի՜ խառնուրդ:
Մամուդը, որ ոչինչ չգիտի ցավոտ և խորհրդավոր հիշողություններով խարանված
այդ կնոջ մասին, օր օրի բացահայտելու է մի ամբողջ ժողովրդի և իր հայ ընտանիքի ողբերգությունը:
Mémé d’Arménie – 2006
Artist & Author: Farid Boudjellal
Publisher: Futuropolis
FONTAINE Anne-Gaelle FUTUROPOLIS
Armenian edition publisher: Varoujan Sirapian / SIGEST
Futuropolis republished the work “Mémé d’Arménie” (the second tome of the work
“The adventures of Little Polio”) announcing the start of the year of Armenia in
France.
The year of 1960. Mahmud is spending his life during the Algerian war where he is
living the Tulunids traditions with his family and friend Remi, till the day when his
father is back to Algeria accompanied by an unknown woman; his grandmother from
Armenia. The Suleiman’s are celebrating the Christmas, the first significant change
after grandma’s arrival. The Grandma is an Armenian Christian. On the same year
Mahmud has to be circumcised. Christian, Muslims … what a combination of roots.
Mahmud that had no idea about the painful and mysterious life of that woman, day
by day he discovers the tragedy of his family and all the Armenian nation.
Վարդո - 2015
Ստեփան՝ Ստեփան Թորոսյան
Հեղինակ՝ Կորյուն Ապրիկյան
Հրատարակչություն՝ STEINKIS group
1915 թվական, ապրիլ: Մոլեգնում է Առաջին համաշխարհային պատերազմը: Թուրք
դեռահաս Հասանը հոր հետ նախաձեռնում է վտանգներով հղի մի առաքելություն՝
երկու հայ երեխայի՝ Մարիամին և Վարդոյին, ուղեկցել մի ապահով տեղ:
VARTO – 2015
Stepan: Stephane Torossian
Author: Gorune Aprikian
Publisher: STEINKIS group
April, 1915. The World War first is approaching. Turkish teenager Hasan and his
father start a mission full of dangers- to save two Armenian kids Mariam and Varto,
by taking them to a safe place.
2
YEREV
Comics art
Նկարիչ Տիգրան Մանգասարյան
Ողջունում
եմ
«ՌեԱնիմանիա»
փառատոնի
յոթերորդ
քայլարշավը՝ ցանկանալով նրան շարունակականություն և
վերելք: Հաստատելով նրա վստահ առաջընթացը՝ ուրախ եմ
տեղեկացնել, որ այս տարի փառատոնը կներկայացնի նաև ﬕ նոր
ժանր՝ «Պատկերապատման արվեստը»: Պատկերապատուﬓերը
/կոﬕքսները/ անիմացիոն ֆիլﬔրի հետ ժամանակակից
պատկերային աշխարհընկալման անբաժանելի մաս են կազմում:
ՊՊ-ն հաՃախ անվանում են 9-րդ արվեստ: Ժամանակակից
9-րդ արվեստը շատ լայն ընդգրկում ունի՝ մանկական ուրախ
պատմություններից ﬕնչև դրամատիկական լայնածավալ վեպեր:
«ՌեԱնիմանիա 2015-ը» իր առջև դրել է երկփեղկ ﬕ խնդիր, որով
փորձ է արվում ﬕ կողﬕց ներկայացնել օտար հեղինակների
աշխատանքներ և մյուս կողﬕց՝ խթանել Հայաստանում այս
արվեստի արմատավորումը: Իրենց բնույթով և կառուցվածքով
պատկերապատուﬓերը շատ մոտ են կանգնած անիմացիոն
ֆիլﬔրին: Երկուսն էլ նկարներով պատմություն են պատմում՝
հետևելով կառուցվածքային նույն սկզբունքին: Մեկ փառատոնի
շրջանակներում նրանց համատեղ ներկայությունը պիտի ավելի
իմաստալից դարձնի փառատոնի վերջնական առաքելությունը:
Artist TigranMangasaryan
I congratulate the ReAnimania festival on its 7th jubilee, wishing continuity and climb. Confirming the Festival’s sure growth, I’m happy to
inform that this year the Festival will introduce a new genre – Comic
Art. Along with animated films comics are the indisputable part of
modern illustrational perception. Comic Art is often called the 9th art.
The modern 9th Art includes many different categories: from happy
children’s stories to dramatic novels.
ReAnimania 2015 has set a two goals in front of them: to introduce
the foreign artist’s works and at the same time to help in the implementation of this form of Art in Armenia. By their nature and structure
the comics stand close to animated films. Both of them tell stories
through pictures – following the same structural basis. Their joined
presence at one festival will make the said festival’s final mission more
meaningful.
1

PDF

Transcription

Similar documents