Pdf PhotoShop CS3 L1

Adobe Photoshop CS3
kmµviFI
ADOBE PHOTOSHOP CS3
KWCakmµviFImYyEdlmankareBjniym
bMputenAelIBiPBelakkñúgkarrcna rUbPaBRKb;Ebby:agdUcCa ÷
karEksMrlY BnøWkarbEnßmbnßyBN’elIrUbPaBsexµAeTACaBN_Fmµ
Cati/ karrcnamUd: GkSr/ karbegáIt Cover (Ex: Book, Magazine,
CD or VCD or DVD, Guide Book…) / karkat;t b¤Ekéqñrb
U
PaBbBa¢ÜneTAelIRbB½n§ Internet, TV, Karaoke tamTMrg;NamYy
EdlGñkeBjcitþ.edaysarEtkmµviFIenHmanlkçN³TUlMTUlay
Adobe Photoshop
Write by Mr. VEASNA
Page 1
Adobe Photoshop CS3
ehIygayRsYlsMrab;GñkeRbIR)as;kñúgkarEkéqñTMrg; rUbPaB b¤
GkSreTAtamtMrvU karrbs;xøÜn KYbpSMeTAnwgkar eBjniym
kñúgeRbIR)as;enAtambNþaRkumh‘nu FM² nigeragBumÖeTotpg enaH
Adobe Photoshop )anbegát
I Version fµmI YyeTotKW Adobe
Photoshop 10 EdlmanlkçN³xusEbøkBI Adobe Photoshop
10 eTAelIkareRbIR)as; Tools, Options and Interface
mYycMnYn EdlmanlkçN³kan;EtgayRsYlsMrab;GñkeRbIR)as;.
kñúgkareRbIR)as;sMrab; Version fµmI YyenH tMrvU eGayelak
Gñkmanm:asInu EdlmankMlaMgmFümminTabeBkEdlnwgCMrujdl;ka
rgar Design rbs;elakGñk RbRBwtþeTAedayPaBkk;ekþA
nigrh½sbMput.
sUmeFVIkarcab;epþImCamYyeyIg´ enAkñúgkmµviFI d¾
RbNitmYyenH¡
rebobdMeNIrkarkmµviFI ADOBE PHOTOSHOP 10 (CS3)
edIm,IdMeNIrkarkmµviFI Adobe Photoshop 10 eyIgRtUv eFVI
karGnuvtþn_tamviFsI a®sþdUcxageRkamenH
1.
cucelI
2.
eFIkV arrMkil Mouse eTArk Programs
3.
cucelI Adobe Photoshop 10.0
Write by Mr. VEASNA
Page 2
Adobe Photoshop CS3
elakGñkGacebIkkmµviFIenHtamviFImYyEdlmanRbsiT§PaBbMput
KWcuc Start + Run rYcvayGkSr
Photoshop . sUmemIlkarbgðajxageRkam ³
rebobbiTkmµviFI
ADOBE PHOTOSHOP 10 (CS3)
edIm,IcakecjBIkargar eRkayeBlEdlGñk)anbBa©b;kar
Write by Mr. VEASNA
Page 3
Adobe Photoshop CS3
rbs;GñkrYmral;ehIy GñkGaceFVkI arbiTkmµviFI
rbs;GñkdUcteTAenH ÷
1.
cucelI File > Exit b¤cuc < Ctrl + Q > or < Alt + F4 >
CakarRsac;.
Design
karENnaMeGaysÁal;BI]bkrN¾enAelI
Toolboxes
vamantYnaTIehA Layer edayeRbI mouse sþaM
click eTAelI layer NamYyEdleyIgcg;)anehIycucykeQµaH
EdlenAelIeK. eyIgGaceFVkI arpøas;bþÚrTItaMg ¬rMkli ¦.
bBa¢ak;³ eyIgGacehA nigeFVkI arpøas;bþÚrTItaMgrbs; layer )an
EtkñúgkrNIEdlrUbRtUv)aneKkat;ehIybegátI Ca layer rYc.
Move tool :
Ca]bkrN¾selectbYnRCug.
eyIgGaceRbIvaGUseTAelIrbU PaBRtg;kEnøgNamYyEdleyIgcg;)an
ehIyeRbI command Ctrl+C ¬kUBI¦ Ctrl+V (Paste)eTAelIpaÞ gM rUb
PaBepSgeTot.
Elliptical Marqueetool : Ca]bkrN¾selectmUlb¤BgRkeBI
. xN³EdleyIgkMBugGUseTAelIpaÞ gM rUbPaBeyIgGaccuc Shift
edIm,IeGay)anRTg; RTaymYymUl.
Rectangular Marquee tool :
Write by Mr. VEASNA
Page 4
Adobe Photoshop CS3
Single Row Marquee tool
:
Ca]bkrN¾ Edl
eyIgGac select begátI CataragCYrbnÞat;.
Single Column Marquee : Ca]bkrN¾EdleyIgGac
select begát
I CataragxÞg;bnÞat;.eKeRbI]bkrN¾TaMgBIrenH edIm,IKYr
begátI CataragTinñn½y.
Lasso tool : Ca]bkrN¾ select eTAtamRTg;RTaygay².
rebobeRbIKWeyIgRtUv clicke GayCab;eGayGUseTAtamragEdlcg;
)an.kalNaeyIgElg click vanwgbegáIt select edaysVy½ Rbvtþi.
Polygonal Lasso tool : Ca]bkrN¾selecttamcitþEdleyIg
cg;)an.vamantYnaTIbegátI ExSrbnÞat;eFVCI a select . rebobeRbIKW
eyIgGac click bnþbnÞab;eTAtamRTg;RTayénrUbPaBEdleyIgcg;
)an.xN³EdlGñkcucxusTItaMgGñkGacdk;ExSrbnÞat;enaHecj)an
edayeRbI Backspace or Delete .
Magnetic Lasso tool : Ca]bkrN¾selecteTAtamRbePTBN_
Edlxusq¶ayBIBN_én background . rebobeRbIKWvanwgbegáItExSr
bnÞab;qk;eTAtamBN_EdlEckdac;BéI pÞénrUbPaBEdlrUbenaHQrBI
elI.
Quick Select tool: Ca]bkrN_ select eTAtamtMbn;BN’
dUcKña .
Write by Mr. VEASNA
Page 5
Adobe Photoshop CS3
Ca]bkrN¾selecteTAtamRbePTBN_
Edl RsedogKña. viFeI RbI KWGñkGac click eTAelIBN_Nak¾eday
EdlGñkcg;)anbnÞab;BeI naHvanwgcab;yk BN_Rtg;kEnøgepSg²eTot
EdlRsedognigBN_EdlGñk)an click/EtRtg;cMnucenHfaetIvaRtUv
ykBN_Edlxusticb¤eRcIn KWGaRs½yelI
.
srubmk³ ]bkrN¾EdleyIgeRbIedIm,Ibegát
I Ca select KWman
3RkumEdlmankareRbIR)as;xus²Kña. b:Eu nþkg
ñú enaHvak¾man Options
mYycMnYnEdlmankareRbIR)as;dUcKñanwgbgðajeGayeyIg )aneXIj
enAeBlEdlGñkyk]bkrN¾TaMgenaHmkeRbIeKehAvafa Options
Bar.
Magic Wand tool :
sUmemIlkarerobrab;xageRkay³
Options of the Move tool and Selection tool:
eyIgeRbIoptionenHedIm,IehA layer
edaymincaM)ac;eRbI mouse sñaM.
 Show Bounding box : sMrab;bgðajcMnucBRgIk b¤bRgYmelI
Layer NaEdleyIg)an ehAvamkeRbI.
 Align : KWCaEpñkmYyEdleyIgeRbIR)as;kúg
ñ eKalbMNgtMrwm
TisedA NamYy rbs; Layer eGaycMnucCak;lak;mYy
¬tMrwmcMkNþalxageFVg / xagsþaM/ xagelI / xageRkam>>> ¦.

Auto Select Layer :
Write by Mr. VEASNA
Page 6
Adobe Photoshop CS3

New selection :
mantYnaTIbegátI select fµI nig pøas;bÁrÚþ TItaMg
select


mantYnaTIbEnßmselecteTAelIselect cas;
Subtract from selection :mantYnaTIdkselectecjBI select
Add to selection :
cas;

Intersect with selection :
select
Tuk

Feather :
select
RBal

Anti aliased :
mantYnaTIkat;ykcMnucRbsBVén
mantYnaTIeFVeI GayEKménrUbPaBEdleyIg)an
mineGaymanPaBreqtrqUtenAelIépÞEKmén
rUbEdl select
GñkGac select )anedayesrI
 Fixed Aspect Radio : SelecteTAtamkarkMNt;GMBITMhM
beNþay nigTTwg EdleGayb:nu Kña b¤xusKñab:nu µandg .
 Fixed Size :CatMélelxEdleyIg)ankMNt;BT
I MhbM eNþay
nigTTwgRsab;
 Width : kMlaMgqk;eTArkBN_
 Tolerance :kMNt;tMélelxedIm,Icab;ykBN_EdlRsedog
Kña
 Contiguous : qøg select eTArktMbn;EdlmanBN_dUcKña

Normal :
Write by Mr. VEASNA
Page 7
Adobe Photoshop CS3
Crop tool :
Ca]bkrN¾selectkat;pþac;ykrUbPaBEdleyIg
cg; )an.
Ca]bkrN¾sMrab;BuHrUbPaBCabMENktUc².
eFVEI bbenH vaCYydl;dMeNIrkarenAelIRbB½n§ Web-site (Internet)
manel,ÓnkñúgkarbgðajrUbPaBeGayeyIg)aneXIjkan;Etqab;.
Slice Select tool : Ca]bkrN¾selectykRbGb;slicenimYy²
EdleyIg)anbegátI enAelIrUbPaB eday]bkrN¾ slicetool.
Slice tool :
Web page divided into slices: A. Image slice B. Layer-based
slice C. No Image slice D. Slice that contains a rollover.
Ca]bkrN¾eRbIedIm,IlubrUb
EdlRbLak;eGayeTACarUbFmµtavij.
Healing Brush tool :Ca]bkrN¾eRbIedIm,IbH: rUbPaBEdlman
sñameRbHrEhkeGaymklkçN³edImvij . eyIgGaceRbI]bkrN¾
enHeTAtamrebobrbs;va edayRKan;Etcuc Alt + click EtmYymþg
eTAelIcMnucmYyEdlGñkyl;fal¥ehIy click eTAelIcMnucEdl
rEhk.
Spot Healing Brush tool :
Write by Mr. VEASNA
Page 8
Adobe Photoshop CS3
Ca]bkrN¾eRbIedIm,IbH: rUbPaBEdlRbLak;sañ m
edayeRbI select vij. viFeI RbIrbs;]bkrN¾enH KWeyIgGacKYs
select eTAelItMbn;mYy EdleyIgcg;ykmkCMnYs rYccucTajvadak;
s eTAelIkEnøgEdl mansñam .
RedEye tool : Ca]bkrN¾eRbIedIm,IsMrab;dkEPñkRkhm
EdlcaMgeday Flash Camara .
Brush tool :
Ca]bkrN¾eRbIKYsCa fill strokes .
vaKYseTAtamBN_rbs; Foreground Color
¬BN_exµAxagelI¦.eyIgGacbegátI BN_edayxøÜnÉg )an
edayRKan;EtcUlkñúgcMnuc Edit Menu > Define Brush
Preset… .
Pencil tool :
Ca]bkrN¾eRbIKYsCa fill strokes Edr
b:Eu nþmanlkçN³dit c,as;elIEKm strokes. vaKYseTAtamBN_rbs;
Foreground Color¬BN_exµAxagelI¦
.
Color Replacement tool : Ca]bkrN¾eRbIedIm,I pøas; bþÚr
BN_EdleyIg)an select eGayeTACamYy nig BN_fmµI Yy eTot .
Clone Stamp tool : Ca]bkrN¾eRbIedIm,IbH: nig bEnßmeTA
elIrUbedIm. GñkGaceRbIvakñúgeKalbMNgb:HsñamGuc b¤rEhk b¤
Patch tool :
Write by Mr. VEASNA
Page 9
Adobe Photoshop CS3
bEnßmcMnucmYycMnYneTAelIrUbPaBedImk¾)an. viFeI RbIrbs; ]bkrN¾
enHKWGñkRtUvcuc Alt + Click eTAelIcMnucEdlGñkcg;)anCamunsin
rYccaMcab;epþImKYsbEnßm eTAelIcMnucepSgeTot.
Ca]bkrN¾EdlGac eGayeyIgKYs
)anCaBN_KMrmY Yy. eyIgGaceRCIserIsykrUbKMrY (Pattern) mYyBI
Pattern Libraries
b¤k¾KMrEY dleyIg)anbegátI eday
xønÜ Égk¾)an. GñkGac select Rtg;cMnucNa Edlcg;)anCaBN_KMrY
rYccUlkñúg Edit Menu > Define Pattern... .
Pattern Stamp tool :
Ca]bkrN¾eRbIsMrab;pat;rbU EdleyIg
)anEkERb b¤bÚrþ BN_ eGaymkedImvij¬RtwmrUbEdleyIg)anebIk¦.
Art History Brush tool :Ca]bkrN¾eRbIsMrab;pat;rUbEdl
eyIg)anEkERb b¤brþÚ BN_ eGaymkedImvij
¬RtwmrUbEdleyIg)anebIk¦ b:Eu nþrUbmansPaBRbetkRbtakbnþic.
Eraser tool : Ca]bkrN¾eRbIsrM ab; lubrUbPaB. RbsinebI
eyIglubelIBackground rUbPaB vaykBN_rbs; Background
ColormkCMnYs EtebIlubelILayervalubpþac;BN_rbs;rUbPaBenaH.
Background Eraser tool : Ca]bkrN¾eRbIsMrab; lub
Pixels ¬BN_¦ rbs; Layer eGayTACa Transparency edayGUs.
HistoryBrushtool :
Write by Mr. VEASNA
Page 10
Adobe Photoshop CS3
]bkrN¾enHlubEtenAelItMbn;EdlmanBN_Rsedog nwg cMnuc
kNþalrbs; BrushEtb:eu NÑaHedayeyIgGac kMNt;PaKryeTAelI
Tolerance .
Magic Eraser tool : Ca]bkrN¾eRbIsMrab; lubelIBN_rUb
PaBEdlRsedogKña. enAeBlEdlGñk Click eTAelI Layer CamYy
Magic Eraser ]bkrN¾enHvalubBN_Edl manlkçN³Rsedognwg
cMnucEdl Gñk)an Click ehIyvalub BN_EdlRsedogenaH)antic
b¤ eRcInGaRs½yeTAelI Tolerance .
Gradient tool : Ca]bkrN¾eRbIsrM ab; KYsBN_cMruH.
Gñkcak;BN_eTAelItMbn;mYy)anedayeRbI Gradient tool cucGUs
eTAelIrbU PaB. cMnuccab;epþImCakEnøgEdl)ancuc
ehIycMnuccugeRkay CakEnøgEdlGñk)andk mouse ecj/ BN_
Gradient nigbgðajeTA tamkareRCIserIsRbePTBN_rbs;Gñk.
Write by Mr. VEASNA
Page 11
Adobe Photoshop CS3
ecalBN_ecjCaExSRtg;
Radial Gradient ecalBN_ecjCargVg;mUl
Angle Gradient ecalBN_ecjRbRcasRTnicnaLikaredIr
edaybgðajBN_Rtg;²
Reflected Gradient: ecalBN_qøasRtLb;Bc
I Mnuccab;epþIm
Diamond Gradient : ecalBN_EdlmanRCugbYn
Paint Bucket tool : Ca]bkrN¾cak;BN_ Foreground
EdlRsedogeTAnwgBN_ EdlGñk)an Click .
Blur tool : Ca]bkrN¾eRbIsMrab; pat;eGayRsGab;/
RBil/ )at;sañ mRKab; Guc²elIrUbPaB.
Linear Gradient
Sharpen tool :
Ca]bkrN¾eFVBI N_ eGayc,as;
¬bnSak;BN_¦.
Ca]bkrN¾sMrab; TajBN_. ]bkrN¾enH
cab;ykBN_ehIyTajeTAtamTwsedAEdl GñkGUs.
Dodge tool : Ca]bkrN¾eGayBnøW b¤eFVIeGayseTAelIrb
U
PaB.
Burn tool : Ca]bkrN¾eRbIsMrab; eFVB
I N_eLIgRsKaM/
dwtc,as;Cagmunedayyk Mouse cucGUseTAelIrbU PaBenaH.
Smudge tool :
Write by Mr. VEASNA
Page 12
Adobe Photoshop CS3
]bkrN¾enHmantYnaTI pat;rbU PaBeLIg
søkBN_ b¤ eFV[I eLIgBN_PøW² ¬Highlight¦ . RbsinebIGñkfitkñúg
rUbPaB sexµA (Grayscale Mode) ]bkrN¾enHGactemøgI b¤bnßy
Contrast)anedaykarpøas;bþÚr kMrt
i BN_ Gray Level.
Pen tool : GñkGacbegát
I b¤ Ek sMrYlbnÞat;Rtg; ekag ehIy
nwg KYrrUbPaBepSg² edayeRbI]bkrN¾ Pen . Pen tool GaceRbI
edIm,IKYrCa Select Edlman lkçN³sµúksµajk¾)an. enAeBlEdl
eyIg Click eyIg)an ExSbnÞat;Rtg;ehIyEKmRCug/ enAeBlEdl
eyIgcucGUs eyIg)an ExSekagEKmmUl.
Path KWCa line mYymaneTAedayExSbnÞat;ekagnigRtg; mYy
b¤ eRcInCagenH. Anchor point bBa¢ak;eTAdl;cMnuccug bBa©b;én
ExSbnÞat;. ebIenAelIExSrbnÞat;ekag/ selected anchor point
nimYy² bgðaj[ eyIg)aneXIjnUv direction lines mYyb¤kB¾ Ir nig
cMnuc direction point. TItaMgrbs; direction lines nig point
kMNt;BTI MhnM igRTg;RTayénExSbnÞat;ekag. kalNaeyIgrMkli cMnuc
TaMgGs;enH dUcCaeyIg)aneFVkI arpøas;bþrÚ RTg;RTayekagfµeI nAelI
path enH.
Sponge tool :
Write by Mr. VEASNA
Page 13
Adobe Photoshop CS3
A path A. Curved line segment B. Direction point C.
Direction line D. Selected anchor point E. Unselected
anchor point
To draw straight segments
¦
Pointer Click : 1.
¬KYrExSRCugedayeRbI Pen
Position the pen pointer where you
want the straight segment to begin, and click to
the first anchor point.
2.
define
Click again where you want the first segment of the
straight line to end, or Shift-click to constrain the angle of
the segment to a multiple of 45°.
3.
Continue clicking to set anchor points for additional
segments. The last anchor point is always a solid square,
indicating it is selected. Previously defined anchor points
become hollow squares as you add further anchor
points.
To draw a curve
¬KYrExSekagedayeRbI Pen Pointer Dragged
GUs¦:
You create curves by dragging the Pen tool in the
direction you want the curve to go.
Keep these
guidelines in mind when drawing curves:
Write by Mr. VEASNA
Page 14
Adobe Photoshop CS3
-
Always drag the first direction point in the
direction of the bump of the curve, and
drag the
second direction point in the opposite direction to create a
single curve.
Dragging both direction points in the
same direction creates an "S" curve.
Drag in the opposite direction to create a smooth
curve. Drag in the same direction to
create an "S"
curve.
-
When drawing a series of smooth curves, draw
one curve at a time, placing anchor
points at the
beginning and end of each curve, not at the tip of the curve.
-
To decrease the file size and reduce the potential
for printing errors, use as few
anchor points as
possible, and place them as far apart as possible.
To draw a curve:
1.
Position the pointer where you want the curve to
begin, and hold down the mouse
Write by Mr. VEASNA
button.
The first
Page 15
Adobe Photoshop CS3
anchor point appears, and the pointer changes to an
arrowhead.
2.
Drag in the direction you want the curve segment to
be drawn. As you drag, the
pointer
leads one of two direction points. Hold down the Shift
key to constrain the tool to
multiples of 45°, and release the mouse button once
you have positioned the first direction point.
The length and slope of the direction line determine
the shape of the curve segment. You
can adjust one or
both sides of the direction line later.
Drag in the direction of the curve to set the first
anchor point. Drag in the opposite direction to complete the
curve segment.
3.
Position the pointer where you want the curve
segment to end, and drag in the opposite direction to
complete the segment.
4.
Do one of the following:
Write by Mr. VEASNA
Page 16
Adobe Photoshop CS3
-
To draw the next segment of a smooth curve,
position the pointer where you want the
next segment
to end, and drag away from the curve.
Drag away from the curve to create the next segment.
-
To change the direction of the curve sharply,
release the mouse button, and then Alt-
drag
(Windows) or Option-drag (Mac OS) the direction point in
the direction of the
curve. Release Alt (Windows)
or Option (Mac OS) and the mouse button, reposition
the pointer where you want the segment to end, and
drag in the opposite direction to
complete the curve
segment.
-
To break out the direction lines of an anchor
point, Alt-drag (Windows) or Option-
drag (Mac
OS) the lines.
Write by Mr. VEASNA
Page 17
Adobe Photoshop CS3
Alt-drag or Option-drag the direction point toward the
curve. Release the key, and drag in
the opposite
direction.
eyIgGacKYrCalkçN³ exµAéd
edaycuc Mouse GUseTAtam TisedAEdlGñkcg;)an.
m:üagvijeTot Magnetic Pen KWCa Optionrbs; Freeform Pen
tool EdlGaceGayeyIgKYrCa ExSbnÞat;GUseTAtamEKmBN_én
rUbPaB.
Freeform Pen tool
:
mantYnaTIbEnßmcMnuc
anchor eTAelIExSbnÞat; enAeBlEdlxVHxat. kalNaeyIgeFVI
karpøas;brþÚ cMnuc anchor vanignaMExSeTACamYypgEdr.
Add Anchor Point tool
Write by Mr. VEASNA
:
Page 18
Adobe Photoshop CS3
Delete Anchor Point tool :
mantYnaTIdkcMnuc anchor
ecjBIExSbnÞat; EdleyIg)anKYrva
Covert Point tool : mantYnaTIButelIRCug rbs; anchor
point eGayRsYc)an ehIy GacTajRCugrbs; anchor point
eGaymUlvij)an edaycuc ehIyGUseTAelI Corner point .
Click and Drag direction point to break direction lines.
Click to create a corner point. Drag to create a smooth
point.
Write by Mr. VEASNA
Page 19
Adobe Photoshop CS3
GñkGaceFVkI arpøas;brþÚ TItaMgrbs;
Path )anedayeRbI]bkrN¾ Path Selection tool rYmTaMg Shape
enAkñgú Shape Layer pgEdr. GñkGac select yk path ehIyGac
Copy, Delete Paste, Removed b¤k¾paø s;bÚrþ RTg;RTayCafµ.
I
Custom Shape tool : enAeBlEdlGñkkMBugeRbI
Custom Shape tool GñkGac eRCIserIsKMrYNamYyrbs; present
shapes k¾)an ehIyGñk k¾GacSave shapes EdlGñk)anbegáIt
TukenAkñgú present shapes EfmeTot.
Save Custom Shapes : Gñk)anKUrUbmYyedayeRbI Pen
tool ehIycucyk Edit > Define Custom Shapes .
Path Selection tool :
GñkGacvayCaGkSredk ¬BIeqVgeTAsþaM¦ b¤
GkSrbBaÄr¬BIelIeTAeRkam¦k¾)anvaGaRs½yeTA elIkareRCIserIs
]bkrN¾rbs;Gñk/Gñkk¾GacvayCaGkSr Point Type or
Paragraph Type. Point Type mansar³sMxan;srM ab;vayCaGkSr
Type tool :
Write by Mr. VEASNA
Page 20
Adobe Photoshop CS3
mYyBaküb¤GkSrmYybnÞat;/ cMENkÉ Paragraph Type mansar³
sMxan;kgñú karerobcMGtßbTmYy b¤k¾eRcInCagenH.
rebobvayGkSr Point Type : cucyk]bkrN¾ Horizontal
Type tool
b¤k¾ Vertical
Type tool
ehIycuceTAelIrbU PaB rYcvayGkSrtamEdl
Gñkcg;)an. enAeBlEdlGñk)anbBa©b;karbBa©Úl nigEkGkSr
GñkGaccuc Commit Button b¤cuc Ctrl + Enter.
rebobvayGkSr Paragraph Type : cucyk]bkrN¾ Horizontal
Type tool
b¤k¾ Vertical
Type tool
ehIycucGUseTAelIrUbPaB edIm,IbegátI RbGb;
sMrab;dak;GkSr. kñúgkarvayGkSrCa paragraph type Gac[
eyIgeFVkI arBRgIkbRgYm/ bgVli nigeFV[I eRTtTaMgRbGb;.
Type mask tool : eRbIsMrab;begáItCaytYrGkS Select on
Image
enAeBlEdlGñkeRbI Horizontal Type Mask tool b¤
Vertical Type Mask tool
/ Gñk)anbegátI
selectionmYyeTAtamRTg;RTay nigragrbs;GkSr/ Type
Write by Mr. VEASNA
Page 21
Adobe Photoshop CS3
)anbgðajenAelI Active layer ehIyGñkGac
moved, copied, filled ehIydak; stroked dUc selection
d¾éT²eTotEdr.
Selections

edIm,IbgðajBI Character Palette > cucyk Palette Button
enAelI Option Bar
- Font Family : taragbþrÚ tYGkSr
- Font Style
:
eRCIserIsRbePTGkSrRkas(Bold), eRTt
(Italic)
- Font Size
- Leading
- Tracking
- Horizontal
TMhGM kSr
: KnøatCYrGkSrnimYy²
:
KnøaténtYGkSrnimYy²
or Vertical Scale
: TMht
M YGkSr
:
edk / bBaÄr
- Baseline Shift
Write by Mr. VEASNA
:
tRmwmTItaMgéntYGkSr
Page 22
Adobe Photoshop CS3
5-point type with 6-point leading (left), and with 12-point leading (right)
Default tracking (left), and tracking set to 350 (right)
Default baseline shift (left), and baseline shift of 10 points (right) Example of
type warped with Fish style
To specify alignment:
Write by Mr. VEASNA
Page 23
Adobe Photoshop CS3
In the Paragraph palette or options bar, click an alignment
option. The options for horizontal type are:
Aligns type to the left, leaving the right edge of the
paragraph ragged.
Aligns type to the center, leaving both edges of the
paragraph ragged.
Aligns type to right, leaving the left edge of the
paragraph ragged.
The options for vertical type are:
Aligns type to the top, leaving the bottom edge of the
paragraph ragged.
Aligns type to the center, leaving both the top and bottom
edges of the paragraph ragged.
Aligns type to bottom, leaving the top edge of the
paragraph ragged.
To specify justification for paragraph type:
In the Paragraph palette, click a justification option. The
options for horizontal type are:
Justifies all lines except the last, which is left-aligned.
Justifies all lines except the last, which is center-aligned.
Justifies all lines except the last, which is right-aligned.
Justifies all lines including the last, which is forcejustified.
The options for vertical type are:
Write by Mr. VEASNA
Page 24
Adobe Photoshop CS3
Justifies all lines except the last, which is top-aligned.
Justifies all lines except the last, which is center-aligned.
Justifies all lines except the last, which is bottom-aligned.
Justifies all lines including the last, which is forcejustified.
eRbIsMrab;ftsMelgcMNaMenAelI
Image ehIyk¾GaceRbIedIm,IvayCaGkSrcMNaMmYyenAelIrb
U PaB.
Eyedropper tool : eRbIsMrab;cMlgBN’enARtg;
cMnucNamYy enAelI Image edaybgðajenA elI Foreground
color . GñkGac emIlBt_manBN_d¾éTeTotenAelI Info >
Windows>Info .
Measure tool : C a]bkrN¾eRbIedIm,Ivas;maRtdæanrbs;rUb
PaB. GñkGacdwgBI RbEvgbeNþay/ TTwg/ kMBs;/ Ggát;pit© / dWeRk
(Degree).
Count tool : Ca]bkrN_sMrab;cMnYn layer .
Hand tool : eRbIedIm,Irk
M ilrUbPaBemIl. xN³eBlEdl
GñkkMBugeFVkI arenAelI]bkrN¾NamYyRbsinebIGñkcg;emIlrUbPaB
enAkEnøgepSgeTot GñkcucelI Space Bar edIm,Iyk]bkrN¾
)atédmkeRbIbeNþaHGasnñ.
Aannotation tools :
Write by Mr. VEASNA
Page 25
Adobe Photoshop CS3
eRbIsMrab;BRgIkbRgÜm Screen rUbPaB (Zoom
In or Zoom Out). GñkGaceRbI Command Ctrl (+) or Ctrl (-)
edIm,IBRgIkbRgYm b¤GaceRbI Ctrl+Space Bar or Ctrl+Alt
+Space Bar xN³EdlkMBugQrenAelI]bkrN¾epSg eTot.
Zoom tool :
rebobbegáIt BACKGROUND fµI
1.
cucelI File menu bnÞab;mkyk New / Ctrl + N / Ctrl +
Double Click
2.
bnÞab;mkvanigbgðajtaragxageRkamenH
Write by Mr. VEASNA
Page 26
Adobe Photoshop CS3
3.
rYckMNt;tamtMélelxtamrUbxagelIenH  cuc OK
rebobebIkrUbPaB
1.
cuc File menu bnÞab;mkyk “Open” or < Ctrl + O> or <
Double Click >
2.
vanwgbgðajnUvtaragxageRkamenH
eRCIserIsTItaMgEdleyIg)anrkSaÉksarenaHTuk
]TahrN_ ³ eyIgTukÉksarenaHenAkñgú Drive [D:] kñúg Folder
[Samnang] dUecñHRtg; Look in RtUvyk D:\Samnag
rYceFVIkareRCIserIsrUbPaBNamYyEdlGñkeBjcitþ bnÞab;mk Open
3.
/ Enter
rebobbiTrUbPaB
krNIEdlrUbPaBrbs;eyIgebIkEtmYy RbseyIgRtUv ³
Write by Mr. VEASNA
Page 27
Adobe Photoshop CS3
cucelI File menu bnÞab;mkyk “Close”or < Ctrl
+W>rUbeRcIn ehIycg;biTmþgTaMgGs; eyIgRtUv³
 cucelI Windows menu  Documents bnÞab;mkyk

“Close All” or <Ctrl + Shift + W>
rebobrkSarUbPaBTuk
enAeBlEdlrUbPaBrbs;eyIgRtUv)aneFVIkarrcnarYcral;ehIy
edIm,IrkSarUbPaBenaHTukeyIgRtUv ³
1.
cucelI File menu bnÞab;mkyk Save or < Ctrl + S >
2.
bnÞab;mkeyIgnwgeXIjnUvtaragxageRkamenH ÷
3.
4.
vayeQµaHRtg; File name (Ex: Animal)
bnÞab;mkeRCIserIs Folder EdleyIgRtUvTukrUbPaB Rtg;
Save in (Ex: D:\Samnang\Animal)
eFVkI arkMNt; Extension Rtg; Format (Ex: Photoshop
(*.PDS, *.PDD) CaRbePT Extension rbs; Photoshop Edl
pþl;GaTiPaB[eyIgeFVkI arEksMrlY )anenAeBleRkayeTot)an ).
6.
cugbBa©b; eyIgcucelI “Save” b¤ “Enter”
5.
Write by Mr. VEASNA
Page 28
Adobe Photoshop CS3
rebobrkSarUbPaBTuk edayEksMrYl eQµaH TItaMg nig
Extension
enAkñgú krNIEdlrUbPaBrbs;eyIgRtUv)an Design cb;sBVRKb;Gs;
ehIyeyIgRtUvkarSavebBa©b;edayKµankarEksMrlY eTotb¤RtUvk¾yk
rUbenaHbBa©Úlkñúg Diskette dUcenHeyIgRtUveFVIkarGnuvtþn_
dUcviFsI a®sþxageRkamenH ÷
1.
cucelI File  Save As or < Shift + Ctrl + S >
2.
bnÞab;mkeyIgnwgeXIjnUvtaragxageRkamenH ÷
3.
vayeQµaHRtg; File name
bnÞab;mkeyIg Click elI Format yk JPEG or BMP
¬BMP manTMhMFMCag JPEG b:uEnþ rUbPaBc,as;l¥Cag ¦ .
5.
eRCIserIs Folder EdlRtUvTukrUbPaB Rtg; Save in
4.
Write by Mr. VEASNA
Page 29
Adobe Photoshop CS3
6.
7.
cucelI Save or < Enter >
bnÞab;mkvanwgbgðajtaragmYydUcxagenH 
eFVkI arkMNt; PaBc,as; nigTMhMrbs;rUbPaB
Rtg; Quality edaykarEksMrYltMélelx
9.
rYccuc OK b¤ < Enter >
8.
rebobkat;rUbPaBmYyeTAdak;elIépÞ
Background
fµI
sUmeFIkV arGnuvtþn_dUcxageRkam ³
1.
cucelI File  Open or < Ctrl + O > or < Double Click
Write by Mr. VEASNA
Page 30
Adobe Photoshop CS3
2.
eRCIserIsykrUbPaBNamYyEdlGñkeBjcitþ rUcebIkvaecj
mk
3.
sUmeFVkI arbegátI nUv Background fµmI Yy (File  New or <
Ctrl + N > )
eFVkI areRCIserIs]bkrN_ Custom Shape tool
edIm,Ikat;CaragebHdUg elIrUbPaB
5.
eFVkI arkMNt;tMélelxelI Feather edIm,I[CayCMvu ijén rUb
PaBRBal
4.
cucelI Move tool
edIm,IelIkrUbPaB
kñúgkrNIEdleyIgRtUvkarEksMrYlBRgIk b¤bRgYmrUbPaBeyIgRtUv ³
i.
cucelI Edit  Free Transform or < Ctrl + T >
ii.
vanwgbgðajrUbmYyenH
6.
Write by Mr. VEASNA
Page 31
Adobe Photoshop CS3
iii.
rYceFVIkarBRgIk b¤bRgYmrUbPaBenaH eTAtamtMrvU karrbs;Gñk
kareRbIR)as; Transform ³
i.
cucelI Edit  Transform
Scale :
sMrab;BRgIk b¤bRgYmrUbPaBtamRCugnimYy²
Write by Mr. VEASNA
Page 32
Adobe Photoshop CS3
Rotation
:
sMrab;bgVilrUbPaB
Skew
:
sMrab;TajrUbPaBtamRCugnimYy² tamTisRsb
Write by Mr. VEASNA
Page 33
Adobe Photoshop CS3
Distort
:
Perspective :
Warp :
sMrab;TajRCugénrUbPaBedayesrI
sMrab;BRgIk b¤bRgYmrUbPaBtamTisRsbKña
sMrab;TajrUbPaBeGaye)a:g
Write by Mr. VEASNA
Page 34
Adobe Photoshop CS3
Rotate 180°
:
sMrab;bgVilrUbPaBsßitkñúgmMu 180°
Rotate 90° CW :
sMrab;bgVilmMu 90° mksþaM
Rotate 90° CCW :
sMrab;bgVilmMu 90° mkeFVg
Write by Mr. VEASNA
Page 35
Adobe Photoshop CS3
Flip Horizontal :
sMrab;RtLb;rUbPaBBIeFVgmksþaM
Flip Vertical
sMrab;RtLb;rUbPaBBIelIcuHeRkam
:
kareRbIR)as;
Write by Mr. VEASNA
Selection
Page 36
Adobe Photoshop CS3

cuc Select  Load Selection  OK

cuc Select  Modify
bMEbk Ca Select BIr
Smooth
:
eFV[I RCugrbs; Select mUl
Expend
:
BRgIk Select
Contract :
bRgÜm Select

cuc Select  Transform Selection eRbIsrM ab;eFVIkarBRgIk
b¤bRgÜm Select
Border
:
Write by Mr. VEASNA
Page 37
Adobe Photoshop CS3
rebobbMEbk
Layer (Duplicate Layer)
mann½ydUcKñanigBakü Copy Layer Edr
b:Eu nþvamanlkçN³vayRsYlCag bnþci . CaTUeTA Duplicate Layer
eRbIenAelI Layer Na EdleyIgkMBugeFVIkarelIva (Stand by) .
rebobGnuvtþn_ ³
Duplicate Layer
1.
Layer Duplicate Layer or < Alt + L + D >
2.
vanwgbgðajnUvtaragxageRkamenH ÷
3.
kMNt;eQµaH[ Layer Rtg; As rYccuc OK
Write by Mr. VEASNA
Page 38
Adobe Photoshop CS3
reboblb; Layer
1.
Layer  Delete Layer  Layer
vanwgbgðajnUv Information mYyeTotedIm,IbBa¢ak;eyIgfa
etIeyIgR)akdCalub b¤Gt; ? ebIgGñkR)akdCalubenaH RtUvcuc
EtebIminR)akdeTRtUvcuc
2.
rebobdak;s‘umelI Layer
rbobènkardak;su‘m eKGacGnuvtþn_tamviFsI a®sþ 2
ya:gd¾samBaØ ³
1- rbobdak;s‘um edayminGacEksMrYl)an ³
 cucelI Edit
Write by Mr. VEASNA
Page 39
Adobe Photoshop CS3
eRCIserIsyk Stroke
a.
Width
:
b.
Color
:
c.
Inside
:
d.
Center
:
e.
Outside
:
Write by Mr. VEASNA
kMNt;kMras;rbs;s‘um
kMNt;BN’[s‘um
s‘mu sßti enAxagkñúg Select
s‘mu sßti enAkNþal Select
s‘mu sßti enAxageRka Select
Page 40
Adobe Photoshop CS3
eRCIserIsRbePTs‘mu
g.
Opacity
:
kMNt;PaBc,as; b¤RBal[s‘mu
h.
Preserve Transparency : bgðajs‘umedayman Select
enABIelI Layer
2- rbobdak;s‘um edayGacEksMrYl)an ³
 cucelI Layer
 yk Layer Style
 eRCIserIsyk Stroke
f.
Mode
:

vanwgbgðajnUvtaragdUcxageRkamenH ÷
Write by Mr. VEASNA
Page 41
Adobe Photoshop CS3

eFVkI arkMNt;elI Option dUcxageRkam ³
Size
:
kMNt;kMras;rbs;s‘um

Position
:

Outside
:

s‘mu CHecjeRkA Layer
Inside
:
s‘mu CHecjcUlkñhú Layer
Center
: s‘m
u CHecjBIkNþal Layer
BlendMode:kMNt;RbePTBN’EdlRcbl;bBa©ÚlKñarbs;sm
‘u
Opacity
:
kMNt;PaBRBal b¤ RsG½BÞrbs;sum‘

Fill Type
:

Color
:

Gradient

Pattern




New Style :
BN’s‘mu mYyBN’
:
BN’s‘mu manBN’cMruH
:
BN’s‘mu eRbIKMrUèpÞEdlmanRsab;
kMNt;TMrg;èns‘mu bBa¢nÚ cUlkñgú Style
rebobeRbIR)as;Rsemal
RbePTRsemalenAkñgú Adobe Photoshop 10
RtUv)aneKkMNt;Ca 5 RbePT .
rebobGnuvtþn_ ³
 cuc Layer – Layer Style:
Drop Shadow
:
RsemalFmµta
Write by Mr. VEASNA
Page 42
Adobe Photoshop CS3
Inner Shadow
:
Outer Glow
:
Inner Glow
:
Bevel and Emboss :
1.
Drop Shadow
-
Blend Mode
RsemalenAxagkñgú Layer
RsemalCHecjeRkA Layer
RsemalCHcUlkñúg Layer
Rsemalpus
m:UtRsemalFmµta
Dissolve : m:UtRsemalFmµta
Multiply : m:UtRsemaleRbIcMeBaHBN’EdlmanlkçN³cas;
Screen
: m:UtRsemaleRbIcMeBaHBN’EdlmanlkçN³Rsal
Overlay
: m:UtRsemalERbRbYleTAtamBN’èn Background
Opacity
: PaBPøWc,as; b¤RsG½BÞrbs;Rsemal
Angle
: sMrab;bgVilmMurbs;Rsemal
Use Global Light : sMrab;P¢ab;Rsemalén LayerseRcInbBa©ÚlKña
Distance : KMlatrvagRsemal nig Layer
Spread
: kMrasRsemal
Normal
:
Write by Mr. VEASNA
Page 43
Adobe Photoshop CS3
kMriténRsemalCHRBal
Contour : lkçxNÐbEnßmBiesssMrab;RbePTRsemal
Noise
: kMriténPaBEbbrbs;Rsemal
2. Inner Shadow manlkçN³dUcDropShadow Edr .
Size
:
3.
Outer Glow
-
Technique
Softer
Precise
Range
kMNt;[RsemalCHecjBIépÞkNþalén Layer
: kMNt;[RsemalCHeTAtamTMrg;én Layer
: BnøéW nRsemalc,as; b¤minc,as;
:
Write by Mr. VEASNA
Page 44
Adobe Photoshop CS3
Jitter
Color
:
sMrab;eFVI[RsemalEbb ¬eRbIcMeBaH Gradient
¦
Detail of Layer Style dialog box for Drop Shadow effect: A.
Click to display the Contour Editor dialog box B. Click to
display the pop-up palette
4.
Inner Glow
-
Source
Center
Edge
RsemalCHBIkNþalecjeRkA
: RsemalCHBIEKmcUlkñg
ú
:
5.
Bevel and Emboss
-
Style
Write by Mr. VEASNA
Page 45
Adobe Photoshop CS3
Outer Emboss
Inner Emboss
Emboss
Pillow Emboss
Stroke Emboss
-
Technique
Smooth
pusCHRBal
: pusCHRkas;
: pusCHesþIg
:
Chisel Hard
Chisel Soft
-
pusCHecjeRkA
: pusCHcUlkñg
ú
: pusCHecjeRkApg - cUlkñúgpg
: pusRTut
: puss‘¿u (Stroke)
:
Direction
pusCHecjeRkA Layer
Down
: pusCHelI Layer
Highlight Mode : RsemalenAEpñkxagelI ¬RsemalTImYy¦
Shadow Mode : semalenAEpñkxageRkam ¬RsemalTIBrI ¦
Up
:
karsikSaeTAelIEpñkbEnßmrbs;
Write by Mr. VEASNA
Layer Style
Page 46
Adobe Photoshop CS3
enAkñgú kareRbIR)as;nUv Layer Style manEpñkmYycMnYneTot
EdlmanlkçN³xusEbøkBIRsemal EdlenAkñgú enaHrYmman ³




Satin
Color Overlay
Gradient Overlay and
Stroke
kareRbIR)as
; Satin: eRbIsMrab;dak;BN’m:dæ ehIyrelIbeTAelI Layer
Normal
Write by Mr. VEASNA
Page 47
Adobe Photoshop CS3
Using Satin style kareRbIR)as; Color Overlay:
eRbIsMrab;dak;BN’ mYyBN’eTAelI Layer
eRbIsMrab;dak;BN’cMrHu eTAelI Layer
kareRbIR)as;
Gradient Overlay:
kareRbIR)as;
Pattern Overlay:
eRbIsrM ab;dak;KMrUépÞ eTAelI
Layer
Write by Mr. VEASNA
Page 48
Adobe Photoshop CS3
Illustration of a layer without a style
Illustration of a layer with a style
rebobpÁMú
Layer
bBa©ÚlKña
eyIgmanviFsI a®sþénkarpÁúM bBa©ÚlKña 2 ya:gKW ³
 viFIsa®sþTI 1
A. sresrGkSr
B. yk Layer 1 mkdak;BIelItYGkS
C. cuc Layer  Group with Pervious or “Ctrl + G”
D. eBlenaHeyIg nwgeXIj Layer cUl
Write by Mr. VEASNA
Page 49
Adobe Photoshop CS3
eTAkñgú tYGkSedaysV½yRbvtþi
Clipping group with Layer 1 and lion layers
rkSasiTie§ day
mCÄmNÐlCMnajkMuBüÚT½r)ak;TUk

i.
ii.
viFIsa®sþTI 2
sresrGkS
bMEpøgtYrGkS[eTACa Layer ( Layer  Resterize  Type
or Layer)
iii.
cuc Select  Load Selection  OK
Write by Mr. VEASNA
Page 50
Adobe Photoshop CS3
iv.
v.
vi.
vii.
viii.
sUmeFVkI arebIkyknUvrUbPaBNamYyEdlGñkeBjcitþ
cuc Select  All or “Ctrl + A”
cuc Edit  Copy or “Ctrl + C”
RtLb;mkkan;tYrGkSEdlelakGñk)an Load Selection rYm
cuc Edit  Past into or “Shift + Ctrl + V”
ix. eRkayBI)aneFVkI arbBa©ÚlrUbPaBeTAkñúgtYrGkSrYc
eyIgRtUveFVIkarpÁúM Layers TaMgBIr[cUl KñaeTot edayeyIgcuc
Layer  Merge Down or “Ctrl + E” .
rebobdak;RBHGaTitüenAelI
Write by Mr. VEASNA
Layer
Page 51
Adobe Photoshop CS3
1.
2.
3.
4.
cucenAelI File  Open or “Ctrl + O”
eRCIsykrUbeTsPaB rYccuc Open
cucyk Filter yk Render yk Lens flare
bnÞab;mkeyIgeXIjnUvtaragdUcxageRkamenH
eRbIsMrab;EksMrlY BnørW bs;RBHGaTitü
6.
sBaØa + EdlenAcMkNþalénRBHGaTitü
KWCaTItaMgEdlGac[eyIgbMlas;bÚrþ TIkEnøg)an
5.
Brightness:
7.
Lens Type:
CakEnøgEdlpþl;GaTiPaB[eyIgeRCIserIsRbePTénRBHGaTitü
8.
cucyk OK
rkSasiTie§ day
mCÄmNÐlCMnajkMuBüÚT½r)ak;TUk
rebobdak;RBHc½neÞ nAelI
Write by Mr. VEASNA
Layer
Page 52
Adobe Photoshop CS3
4.
ucelI File  Open or “Ctrl + O”
erIsykrUbeTsPaB rYccuc Open
cucelI Filter  Render  Lighting Effect
ehIyeyIgnigeXIjnUvtaragdUcxageRkamenH
5.
Style:
1.
2.
3.
6.
7.
CakEnøgsMrab;eFVVkI areRCIserIsRbePTénBnøeW PøIg
Light Type: RbePTénkaMBnøEW dleFVk
I arCHRsemal
bEnßm bnßy BnøW rYcehIycucRbGb;BN’ edIm,IbþÚrBN’RBHc½nÞ
rYccuc OK
8.
eBlenaHRBHc½nÞd¾Rss;sa¥ t)aneFVrI cY CasaßBr .
rebobdak;xül;[rsat;RBal² nigdak;TwkKYc
1.
2.
cucelI File  Open or “Ctrl + O”
ykrUbeTsPaBEdlmanTwk
Write by Mr. VEASNA
Page 53
Adobe Photoshop CS3
3.
4.
cucelI Filter  Stylize/ Wind
eyIgnwgeXIjnUvtaragmYydUcbgðajCUnxageRkamenH
RbGb; Method:
- Wind
KWrsat;eTAeqVgbnþci ¬Fmµta¦
- Blast KWrsat;eTAeqVglµm ¬mansPaBc,as;¦
- Stagger KWrsat;eTAeqVgxøaMg ¬RBal²dUcCaxül;bk;¦
RbGb; Direction:
- From the left KWrsat;eTAeqVg
- From the right KWrsat;eTAsþaM
5.
rYccuc OK
6.
ebIcg;eGayvarsat;kan;EtxøaMgeLIg² enaHKWeyIgRKan;Etcuc
“Ctrl + F”
edIm,Idak;TwkKYceyIgRtUvyk “Elliptical Toll”
GUsenAkEnøgEdlmanTwk
8.
cucelI Filter  Distort  Twirl
7.
Write by Mr. VEASNA
Page 54
Adobe Photoshop CS3
9.
rYceyIgnwgeXIjnUvtaragmYydUcbgðajCUnxagRkamenH ³
eFVIkarEksMrYlnUvrgVg;énTwk Twktic b¤xøagM GaRs½y
eTAelItMélelx
11. rYccuc OK CakareRsc
12. eBlenaHeyIgnigeXIjrUbPaBrbs;eyIgmansPaBRBal²
nigmanTwkKYcehIy .
rkSasiTi§eday
mCÄmNÐlCMnajkMuBüÚT½r)ak;TUk
10.
Angle:
rebobeFVI Layer or Background mansPaBe)a:g b¤ pt
2.
cucelI File menu yk Open
ykrUbPaBGVkI )¾ an rYccuc Open
3.
Filter / Distort / Spherize
4.
rYcvanwgbgðajnUvtaragmYydUcxageRkamenH
1.
Write by Mr. VEASNA
Page 55
Adobe Photoshop CS3
ebIcg;eGayvae):agRtUvcucRbGb; Amount rYcvaytMélelx
viC¢man EtebIcI g;eGayvasMEb:tRtUv RtUvV aytMélelxGviC¢man .
6.
cuckñgú RbGb; Mode dak; Horizontal Only
ebIcg;eGaysMEb:txøaMg b¤ exSayvayelxcUlkñúg RbGb; Amount
7.
ebIcg;eGayvaetOcuckñúgRbGb; Mode dak; Veritical only
ebIcg;eGayetOxøaMg b¤ exSayvay elxcUlRbGb; Amount
8.
rYccuc OK ¬bBa©ak;ebIeyIgeFVeI lIGkSr KWdUcKñaTaMgGs; ¦
9. eBlenaHrUbrbs;eyIgeFVcI b;CasßaBr .
5.
rebobeFVIGkSrpustamépÞén Background
1.
2.
3.
cucelI File menu yk Open
ykrUbPaBGVkI )¾ an rYccuc Open
cucelI Horizontal Type Mask tool
Write by Mr. VEASNA
Page 56
Adobe Photoshop CS3
4.
5.
6.
rYcsresrGkSenAelIrbU PaBrbs;eyIg
cucelIsBaØa
edIm,Icakecj
cuc Layer  New Adjustment Layer  Levels
Write by Mr. VEASNA
Page 57
Adobe Photoshop CS3
7.
cuc OK
cuc OK
9.
enAeBlEdleyIgcuc OK rYcGkS Select
rbs;eyIgRtUv)an)at; eday)ankøayxønÜ Ca Layer Level
edaybgðajenAkñgú Layer Box
10. cuc Layer  Layer Style  Bevel and Emboss
8.
Write by Mr. VEASNA
Page 58
Adobe Photoshop CS3
sUmeFVkI arEksMrYlRbePTRsemalpusedayxøÜnÉg rYc OK
CakaeRsc .
11.
rebobbegáItGkSr\dæ nig GkSrt,aj
GkS\dæ
1.
2.
begátI Background fµmI Yy (File  New or “Ctrl + N”)
cucelI rYcsresr
Write by Mr. VEASNA
Page 59
Adobe Photoshop CS3
3.
bnÞab;mkRtUvcuc Filter  Texture  Texturizer
4.
cuc OK edIm,IbEM pøgtYGkS[eTACa Layer

Texture
:

Scaling
:

Relief
:
sMrab;bþÚrm:Ut\dæ
sMrab;bÚþrTMhMrbs;\dæ
sMrab;eFVIm:tU rbs; Texture
[kan;EtRkas; b¤esþIg
Write by Mr. VEASNA
Page 60
Adobe Photoshop CS3
TisedAénBnøeW TAelI Texture

Invert
:
bþrÚ TisedAbRBa©as;KñaeTAelI Texture
5.
cuc OK CakareRsc
sMKal; ³
kñúgkrNIEdleyIgRtUvkarykrUbPaBmYyeTAdak;enAkñgú épÞrbs;
Background ¬rUbPaBTaMgenaHRtUv Etman Extension PSD ¦
eyIgRtUv ³
A. begát
I New Background mYy
B. cuc Filter  Texture  Texturizer
cucRtg;sBaØa eRCIserIsyk Load Texture

Light Direction :
C.
Write by Mr. VEASNA
Page 61
Adobe Photoshop CS3
D.
eFVkI areRCIserIsrUbPaBNaEdlman Extension PSD rYccuc
Open
E.
vanwgbgðajTMrg;dUcxageRkam ³
F.
cuc OK CakareRsc
GkSrEdk
Write by Mr. VEASNA
Page 62
Adobe Photoshop CS3
1.
2.
3.
begátI Background fµmI Yy (File  New or “Ctrl + N”)
cucelI rYcsresr
bnÞab;mkRtUvcuc Filter  EyeCandy 4000  Chrome
Write by Mr. VEASNA
Page 63
Adobe Photoshop CS3
4.
cuc OK edIm,IbEM pøgtYGkS[eTACa Layer

Bevel Width (inches) :




5.
TMhCM YredkGkSrEdk
Bevel Height Scale (inches) : TMhC
M YrQrGkSrEdk
Smoothness : eFVeI Gaysac;GkSrEdkrlUnrWragmUl
Ripple ThicknesseFVeI GayGkSrEdkGgáaj;²ragdUcTwkrlk
Ripple Width (inches) : RbEvgGgáaj;²rbs;GkSrEdk
bnÞab;BeI FVkI arEksMrlY rYcmk sUmcucelI OK CakareRsc
rebobbegáItm:Ut
Background
edayeRbIR)as;
KPT6
Write by Mr. VEASNA
Page 64
Adobe Photoshop CS3
2.
begátI Background fµmI Yy (File  New or “Ctrl + N”)
cuc Filter  KPT6  KPT SkyEffects
3.
eFVkI arEksMrYlm:tU enARtg; rYceFVIkareRCIserIsm:tU bnþeTot
1.
eFVkI areRCIserIsm:tU eTAtamtMrvU kar ¬sMrab;karbk Rsay
Bisþar sUmeFVIkarsikSaeTAelI emeron Plug-ins bEnßm¦ rYccuc OK
4.
Write by Mr. VEASNA
Page 65
Adobe Photoshop CS3
RbsinebIeyIgKitfam:tU mYyNasmrmüsMrab;eyIgehIyenaH
RtUvcuc OK CaelIkcugeRkay
5.
rebobbegáItm:Ut
Background
edayeRbIR)as;
KPT Effect
begátI Background fµmI Yy (File  New or “Ctrl + N”)
4. cuc Filter  KPT effects  KPT Gradient Lab
3.
5.
eFVkI arEksMrYlm:tU enARtg; rYceFVIkareRCIserIsm:tU bnþeTot
Write by Mr. VEASNA
Page 66
Adobe Photoshop CS3
6.
eRkayBIkareRCIserIsrYcral;ehIy RtUvcucelIsBaØa
rYceFVIkarEksMrlY m:UtbnþeTot
7. RbsinebIeyIgKitfam:t
U mYyNasmrmüsMrab;eyIgehIyenaH
RtUvcucsBaØa
CaelIkcugeRkay
sMKal; ³
eyIgk¾GacbegátI Background )anmYyEbbeTotEdr KW ³
A. cucelI Filter  KPT effects  KPT Scatter
Write by Mr. VEASNA
Page 67
Adobe Photoshop CS3
B.
eFVkI areRCIserIsm:tU enARtg;
rYceFVIkareRCIserIsbnþ
cucelI
edIm,ITTYlyk nigcakecj
cugeRkaybMputenaH RtUveFVkI arEksMrlY Rtg; Column Select rYccuc
C.
CakareRsc
rebobdak;s‘umGKiÁsnI
Write by Mr. VEASNA
Page 68
Adobe Photoshop CS3
begátI Background fµmI Yy (File  New or “Ctrl + N”)
9. cucelI File menu yk Open or Ctrl + O
10. ykrUbPaBGVk
I )¾ an rYccuc Open
11. Select Rtg;kEnøgNaEdlRtUvkardak;
rYcTajmkdak;enAelI New Background
12. cucelI Filter  Xenofex 1.1  Electrify
8.
13.
eFVkI arkMNt;
b¤eRCIserIsRbePTrbs;su‘meTAtamtMrvU karrbs;Gñk
Write by Mr. VEASNA
Page 69
Adobe Photoshop CS3
14.
rYccucelIsBaØa  yl;RBmnwgcakecj
rebobdak;rnÞHenAelIépÞrUbPaB
1.
2.
3.
cucelI File menu yk Open or Ctrl + O
ykrUbPaBGVkI )¾ an rYccuc Open
cucelI Filter  Xenofex 1.1  Lightning
Write by Mr. VEASNA
Page 70
Adobe Photoshop CS3
bnÞab;mksUmGñkeFVkI arkMNt;TMrg;
b¤eRCIserIsm:tU EdlmanRsab;enARtg; Setting
4.
5.
rYccucelIsBaØa  yl;RBmnwgcakecj
rebobbegáItRKab;)al; b¤ RKab;
6.
7.
Snooker
begátI Background fµmI Yy (File  New or “Ctrl + N”)
cucelI Elliptical Marquee Tool rYcKUsenAelI
Background
8.
begátI Layer fµI (Layer  New  Layer or “Shift + Ctrl
+ N”)
Write by Mr. VEASNA
Page 71
Adobe Photoshop CS3
cak;BN’NamYyEdlGñkeBjcitþ eTAelI Select
10. cuc Select  Modify  Expend edIm,IBRgIk Select
[FMCagmunbnþci
9.
11.
cuc Filter  KPT 3.0  KPT Glass Lens 3.0





Write by Mr. VEASNA
sMrab;EksMrYl Mode rbs;)al;
sMrab;EksMrYl BN’bEnßmBIelI Mode
Page 72
Adobe Photoshop CS3

sMrab;EksMrYlPaBc,as;rbs;rUbPaB
(Opacity)
cucsBaØaBN’ébtg EdltMNag[ OK
¬BN’RkhmtMNag[ Cancel ¦
12.
rebobdak;tYGkSr b¤
1.
2.
3.
4.
Background
m:UteQI
begátI Background fµmI Yy (File  New or “Ctrl + N”)
sresrGkSrNaEdlGñkRtUvkar
cucelI Filter  EyeCandy 4000  Wood
cucelI Button OK edIm,IbEM pøgtYGkSr[eTACa Layer
Write by Mr. VEASNA
Page 73
Adobe Photoshop CS3
eFVkI arEksMrYlm:tU eTAtamtMrvU karrbs;Gñk
(sMrab;karbkRsayBisþar sUmeFVk
I arsikSaelI Plug-In
bEnßm)
6.
rYccuc OK CakareRsc
5.
rebobeRbIR)as; File browser
Write by Mr. VEASNA
Page 74
Adobe Photoshop CS3
nigbgðajGñknUvTMrg;rbs;rUbPaB /
erobcMrbU PaBtamlMdab; nig Image Files . File Browser rW
Bridge )anpþl;[GñkpgEdr nUvkarbegát
I Folders fµI / karbþrÚ eQµaH
/ karbMlas;TI nigkarlub rUbPaB ehIynigkarbgVli rUbPaB .
File Browser
A. The Look In Menu
B. The Metadata Panel
Write by Mr. VEASNA
Page 75
Adobe Photoshop CS3
C. The Shortcuts Buttons
D. The Content Area
To start and quit Bridge, and to return to an application
Do any of the following:
To open Bridge from an application, choose File > Browse
from your application.
(Windows) To open Bridge directly, choose Adobe Bridge
from the Start menu.
(Mac OS) To open Bridge directly, double-click the Adobe
Bridge icon . By default, this is located in the
Applications/Adobe Bridge folder.
To quit Bridge, choose File > Exit (Windows) or Bridge >
Quit Bridge (Mac OS).
To return to the last open application that started Bridge,
choose File > Return To [Application].
To create and close Bridge windows
Do one of the following:
Choose File > New Window to create a full-size Bridge
window.
Choose File > Close Window. In Windows, this command
quits Bridge as well.
To view file and folder thumbnails in Bridge
Write by Mr. VEASNA
Page 76
Adobe Photoshop CS3
The content area of Bridge displays thumbnails of the files
and folders of the selected folder, along with information
about them (depending on your view).
You can specify how you want files and folders are
displayed in the content area; for instance, you can decide
how big thumbnails should be, how they should appear, and
whether file information should be displayed.
Do any of the following:
Drag the Thumbnail slider at the bottom of the Bridge
window to adjust the size of thumbnails. You can also click
the buttons at either side of the Thumbnail slider to
minimize or maximize the thumbnails.
Click the Thumbnail View button at the bottom of the
Bridge window or choose View > As Thumbnails to display
items in a grid.
Click the Filmstrip View button or choose View > As
Filmstrip to display thumbnails in a scrolling list along with
an extra-large thumbnail of the currently selected item.
Click the Back button or Forward button directly below the
extra-large thumbnail to go to the previous or next
thumbnail. Click the Switch Filmstrip Orientation button to
change from a horizontal slide show to a vertical one. Note
that you can page through a PDF preview in Filmstrip view.
Click the Details View button or choose View > As Details
to display a scrollable list of thumbnails along with
information about the selected file, such as its creation date,
file type, pixel size, and file size. For Version Cue files,
there is additional information about the number of versions
or alternates as well as enhanced status information along
with the current version comment.
Write by Mr. VEASNA
Page 77
Adobe Photoshop CS3
Click the Versions And Alternates View button or choose
View > As Versions And Alternates to display a scrollable
list of thumbnails along with thumbnails of any Version Cue
alternates and versions for each item. (Only the current file
appears unless you have created an alternates group
containing the file or created previous versions of the file.)
Click Alternates View or Versions View at the top right of
the content area to display thumbnails of alternates or
versions. In Alternates View, you can also create alternates
groups containing files that are not in the current folder.
Choose View > Show Thumbnail Only to view thumbnails
without any text information listed. However, Version Cue
tool tips still display Version Cue information when you
position the pointer over the thumbnail.
Choose View > Slideshow to view thumbnails as a slide
show that takes over the entire screen. This is a quick and
easy way to display and work with large versions of all the
graphics files in a folder. Instructions on how to use the
slide show are displayed on the screen when you choose this
command.
To navigate folders and files with Bridge
Do any of the following:
Select the Folders panel and click to select the folder you
want. Click the plus sign (Windows) or triangle (Mac OS)
next to a folder or double-click the folder to open subfolders
within it.
Select the Favorites panel and click to select the folder you
want.
Choose a folder from the Look In menu. You can click the
Go Back button, Go Forward button, or Go Up button next
Write by Mr. VEASNA
Page 78
Adobe Photoshop CS3
to the menu to navigate within the current folder listed in the
menu.
To select files in Bridge
Before you can work with a file, you need to select it. You
can select more than one file at a time.
Do one of the following in the current folder:
Click the thumbnail of a file.
To select contiguous files, Shift-click them.
To select noncontiguous files, Ctrl-click (Windows) or
Command-click (Mac OS) them.
To select all the files, choose Edit > Select All.
To select all labeled files, choose Edit > Select Labeled.
To select all unlabeled files, choose Edit > Select Unlabeled.
To select the opposite of the current selection, choose Edit >
Invert Selection.
To deselect all selected files, choose Edit > Deselect All.
To open files in Bridge
You can open files in Bridge, even files that were not made
with Adobe Creative Suite applications.
Select the file in the current folder.
Do one of the following:
Choose File > Open.
Press Enter (Windows) or Return (Mac OS).
Write by Mr. VEASNA
Page 79
Adobe Photoshop CS3
Double-click the file in the content area or Preview panel.
Choose File > Open With, followed by the name of the
application with which to open the file.
Drag the file into the working area of an application, such as
an open Illustrator document.
Drag the file onto the application icon.
Choose File > Open With Camera Raw to edit the Adobe
camera raw settings for the file.
To rotate images with Bridge
You can rotate the view of JPEG, PSD, TIFF, and camera
raw file images in Bridge. Rotating an image in Bridge may
rotate it in the application in which it was created as well.
Rotating does not affect the data in the image file.
Select one or more images in the content area.
Do one of the following:
To rotate the images 90° clockwise, click the Rotate 90°
Clockwise button or choose Edit > Rotate 90° Clockwise.
To rotate the images 90° counterclockwise, click the Rotate
90° Counterclockwise button or choose Edit > Rotate 90°
Counterclockwise.
To rotate the image 180°, choose Edit > Rotate 180°.
To work with the cache in Bridge
The cache stores thumbnail, metadata, and file information
to shorten loading times when you return to a previously
Write by Mr. VEASNA
Page 80
Adobe Photoshop CS3
viewed folder. However, storing the cache takes up disk
space.
Note: Purging the cache deletes the metadata cache and
thumbnail cache. If the metadata can’t be written to a file,
label and rating information is lost as well.
Choose any of the following commands from the Tools >
Cache submenu:
Build Cache For Subfolders Builds, as a background
process, a cache for the selected folder and all the folders
within it (except aliases/shortcuts to other folders),
shortening the time spent waiting for the cache to be
displayed as you look in subfolders.
Purge Cache For This Folder Clears the cache for the
selected folder. This command is useful if you suspect that
the cache for a folder is old and needs to be regenerated.
Purge Central Cache Clears the entire centralized cache and
any distributed cache in the currently viewed folder, freeing
room on the hard drive. The command does not otherwise
clear local caches.
Export Cache Exports the cache, allowing you to burn a CD
with the cache already generated. Because the folder cache
is written into the folder, the thumbnail cache and metadata
cache are available after you burn the CD. This option is
active only if you chose Use A Centralized Cache File in the
Preferences dialog box.
karsikSaeTAelIRbePTrbs;BN’
RGB Color mode
Write by Mr. VEASNA
Page 81
Adobe Photoshop CS3
Photoshop’s RGB Color mode uses the RGB model,
assigning an intensity value to each pixel. In 8bits-perchannel images, the intensity values range from 0 (black) to
255 (white) for each of the RGB (red, green, blue)
components in a color image. For example, a bright red
color might have an R value of 246, a G value of 20, and a
B value of 50. When the values of all three components are
equal, the result is a shade of neutral gray. When the values
of all components are 255, the result is pure white; when the
values are 0, pure black.
RGB images use three colors, or channels, to reproduce
colors on-screen. In 8bits-per-channel images, the three
channels translate to 24 (8 bits x 3 channels) bits of color
information per pixel. With 24bit images, up to 16.7 million
colors can be reproduced. With 48bit (16bits-per-channel)
and 96bit (32bits-per-channel) images, even more colors can
be reproduced. In addition to being the default mode for
new Photoshop images, the RGB model is used by computer
monitors to display colors. This means that when working in
color modes other than RGB, such as CMYK, Photoshop
interpolates the CMYK image to RGB for display onscreen.
Although RGB is a standard color model, the exact range of
colors represented can vary, depending on the application or
display device. Photoshop’s RGB Color mode varies
according to the working space setting that you specify in
the Color Settings dialog box.
Note: ImageReady uses only the RGB mode to work with
images.
CMYK Color mode
Write by Mr. VEASNA
Page 82
Adobe Photoshop CS3
In the CMYK mode, each pixel is assigned a percentage
value for each of the process inks. The lightest (highlight)
colors are assigned small percentages of process ink colors;
the darker (shadow) colors higher percentages. For example,
a bright red might contain 2% cyan, 93% magenta, 90%
yellow, and 0% black. In CMYK images, pure white is
generated when all four components have values of 0%.
Use the CMYK mode when preparing an image to be
printed using process colors. Converting an RGB image into
CMYK creates a color separation. If you start with an RGB
image, it’s best to edit first in RGB and then convert to
CMYK at the end of your process. In RGB mode, you can
use the Proof Setup commands to simulate the effects of a
CMYK conversion without changing the actual image data.
You can also use CMYK mode to work directly with
CMYK images scanned or imported from high-end systems.
Although CMYK is a standard color model, the exact range
of colors represented can vary, depending on the press and
printing conditions. Photoshop’s CMYK Color mode varies
according to the working space setting that you specify in
the Color Settings dialog box
.
Lab Color mode
The Lab Color mode has a lightness component (L) that can
range from 0 to 100. In the Adobe Color Picker, the a
component (green-red axis) and the b component (blueyellow axis) can range from +127 to –128. In the Color
palette, the a component and the b component can range
from +127 to –128.
Write by Mr. VEASNA
Page 83
Adobe Photoshop CS3
You can use Lab mode to work with Photo CD images, edit
the luminance and the color values in an image
independently, move images between systems, and print to
PostScript Level 2 and Level 3 printers. To print Lab images
to other color PostScript devices, convert to CMYK first.
Lab images can be saved in Photoshop, Photoshop EPS,
Large Document Format (PSB), Photoshop PDF, Photoshop
Raw, TIFF, Photoshop DCS 1.0, or Photoshop DCS 2.0
formats. You can save 48‑ bit (16‑ bits-per-channel) Lab
images in Photoshop, Large Document Format (PSB),
Photoshop PDF, Photoshop Raw, or TIFF formats.
Note: The DCS 1.0 and DCS 2.0 formats convert the file to
CMYK when opened.
Lab color is the intermediate color model Photoshop uses
when converting from one color mode to another.
Bitmap mode
Bitmap mode uses one of two color values (black or white)
to represent the pixels in an image. Images in Bitmap mode
are called bitmapped 1‑ bit images because they have a bit
depth of 1.
Grayscale mode
Grayscale mode uses different shades of gray in an image.
In 8‑ bit images, there can be up to 256 shades of gray.
Every pixel of a grayscale image has a brightness value
ranging from 0 (black) to 255 (white). In 16 and 32‑ bit
images, the number of shades in an image is much greater
than in 8‑ bit images. Grayscale values can also be
measured as percentages of black ink coverage (0% is equal
Write by Mr. VEASNA
Page 84
Adobe Photoshop CS3
to white, 100% to black). Images produced using black-andwhite or grayscale scanners typically are displayed in
Grayscale mode.
Although Grayscale is a standard color model, the exact
range of grays represented can vary, depending on the
printing conditions. In Photoshop, Grayscale mode uses the
range defined by the working space setting that you specify
in the Color Settings dialog box.
These guidelines apply to converting images to and from
Grayscale mode:
You can convert both Bitmap mode and color images
to grayscale.
To convert a color image to a high-quality grayscale
image, Photoshop discards all color information in the
original image. The gray levels (shades) of the
converted pixels represent the luminosity of the
original pixels.
You can mix information from the color channels
to create a custom grayscale channel by using the
Channel Mixer command.
When converting from grayscale to RGB, the color
values for a pixel are based on its previous gray value.
A grayscale image can also be converted to a CMYK
image (for creating process-color quadtones without
converting to Duotone mode) or to a Lab color image
Why colors sometimes don’t match
No device in a publishing system is capable of reproducing
the full range of colors viewable to the human eye. Each
Write by Mr. VEASNA
Page 85
Adobe Photoshop CS3
device operates within a specific color space which can
produce a certain range, or gamut, of colors.
A color model determines the relationship between values,
and the color space defines the absolute meaning of those
values as colors. Some color models have a fixed color
space (such as Lab) because they relate directly to the way
humans perceive color. These models are described as being
device-independent. Other color models (RGB, HSL, HSB,
CMYK, and so forth) can have many different color spaces.
Because these models vary with each associated color space
or device, they are described as being devicedependent.Because of these varying color spaces, colors can
shift in appearance as you transfer documents between
different devices. Color variations can result from
differences in image sources (scanners and software produce
art using different color spaces); brands of computer
monitors; the way software applications define color; print
media (newsprint paper reproduces a smaller gamut than
magazine-quality paper); and other natural variations, such
as manufacturing differences in monitors or monitor age.
Color gamuts of various devices and documents
A. Lab color space B. Documents (working space) C.
Devices
Write by Mr. VEASNA
Page 86