Conservatoire national supérieur de musique et de danse de Paris

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serves as an intermediary between students who want to exchange places of lodging for their
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This organisation, created by a group of students, permits young people around the world to exchange
lodging during their studies.
Stuvac association / www.stuvac.net
634, route de Bamboche
97 160 Le Moule
FRANCE
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A1
A2
B1
Listening
I can recognise familiar words
and very basic phrases
concerning myself, my family
and immediate concrete
surroundings when people speak
slowly and clearly.
I can understand phrases and the
highest frequency vocabulary
related to areas of most
immediate personal relevance
(e.g. very basic personal and
family information, shopping,
local area, employment). I can
catch the main point in short,
clear, simple messages and
announcements.
I can understand the main points of
clear standard speech on familiar
matters regularly encountered in work,
school, leisure, etc. I can understand
the main point of many radio or TV
programmes on current affairs or
topics of personal or professional
interest when the delivery is
relatively slow and clear.
I can understand extended speech and
lectures and follow even complex lines
of argument provided the topic is
reasonably familiar. I can understand
most TV news and current affairs
programmes. I can understand the
majority of films in standard dialect.
I can understand extended speech even
when it is not clearly structured and
when relationships are only implied and
not signalled explicitly. I can
understand television programmes and
films without too much effort.
I have no difficulty in understanding any
kind of spoken language, whether live or
broadcast, even when delivered at fast
native speed, provided. I have some time
to get familiar with the accent.
Reading
I can understand familiar names,
words and very simple sentences,
for example on notices and
posters or in catalogues.
I can read very short, simple
texts. I can find specific,
predictable information in simple
everyday material such as
advertisements, prospectuses,
menus and timetables and I can
understand short simple personal
letters.
I can understand texts that consist
mainly of high frequency everyday or
job-related language. I can understand
the description of events, feelings and
wishes in personal letters.
I can read articles and reports concerned
with contemporary problems in which
the writers adopt particular attitudes or
viewpoints. I can understand
contemporary literary prose.
I can understand long and complex
factual and literary texts, appreciating
distinctions of style. I can understand
specialised articles and longer technical
instructions, even when they do not
relate to my field.
I can read with ease virtually all forms of
the written language, including abstract,
structurally or linguistically complex texts
such as manuals, specialised articles and
literary works.
Spoken
Interaction
I can interact in a simple way
provided the other person is
prepared to repeat or rephrase
things at a slower rate of speech
and help me formulate what I'm
trying to say. I can ask and
answer simple questions in areas
of immediate need or on very
familiar topics.
I can communicate in simple and
routine tasks requiring a simple
and direct exchange of
information on familiar topics
and activities. I can handle very
short social exchanges, even
though I can't usually understand
enough to keep the conversation
going myself.
I can deal with most situations likely
to arise whilst travelling in an area
where the language is spoken. I can
enter unprepared into conversation on
topics that are familiar, of personal
interest or pertinent to everyday life
(e.g. family, hobbies, work, travel and
current events).
I can interact with a degree of fluency
and spontaneity that makes regular
interaction with native speakers quite
possible. I can take an active part in
discussion in familiar contexts,
accounting for and sustaining my views.
I can express myself fluently and
spontaneously without much obvious
searching for expressions. I can use
language flexibly and effectively for
social and professional purposes. I can
formulate ideas and opinions with
precision and relate my contribution
skilfully to those of other speakers.
I can take part effortlessly in any
conversation or discussion and have a
good familiarity with idiomatic
expressions and colloquialisms. I can
express myself fluently and convey finer
shades of meaning precisely. If I do have
a problem I can backtrack and restructure
around the difficulty so smoothly that
other people are hardly aware of it.
Spoken
Production
I can use simple phrases and
sentences to describe where I live
and people I know.
I can use a series of phrases and
sentences to describe in simple
terms my family and other
people, living conditions, my
educational background and my
present or most recent job.
I can connect phrases in a simple way
in order to describe experiences and
events, my dreams, hopes and
ambitions. I can briefly give reasons
and explanations for opinions and
plans. I can narrate a story or relate the
plot of a book or film and describe my
reactions.
I can present clear, detailed descriptions
on a wide range of subjects related to my
field of interest. I can explain a
viewpoint on a topical issue giving the
advantages and disadvantages of various
options.
I can present clear, detailed descriptions
of complex subjects integrating subthemes, developing particular points
and rounding off with an appropriate
conclusion.
I can present a clear, smoothly-flowing
description or argument in a style
appropriate to the context and with an
effective logical structure which helps the
recipient to notice and remember
significant points.
Writing
I can write a short, simple
postcard, for example sending
holiday greetings. I can fill in
forms with personal details, for
example entering my name,
nationality and address on a hotel
registration form.
I can write short, simple notes
and messages relating to matters
in areas of immediate needs. I
can write a very simple personal
letter, for example thanking
someone for something.
I can write simple connected text on
topics which are familiar or of
personal interest. I can write personal
letters describing experiences and
impressions.
I can write clear, detailed text on a wide
range of subjects related to my interests.
I can write an essay or report, passing on
information or giving reasons in support
of or against a particular point of view. I
can write letters highlighting the
personal significance of events and
experiences.
I can express myself in clear, wellstructured text, expressing points of
view at some length. I can write about
complex subjects in a letter, an essay or
a report, underlining what I consider to
be the salient issues. I can select style
appropriate to the reader in mind.
I can write clear, smoothly-flowing text in
an appropriate style. I can write complex
letters, reports or articles which present a
case with an effective logical structure
which helps the recipient to notice and
remember significant points. I can write
summaries and reviews of professional or
literary works.
© Conseil de l’Europe / Council of Europe
B2
C1
C2
23
4 ,31
12 45+4 ,,3
* Vocal Disciplines
page 28
* Instrumental Disciplines – Classical and Contemporary
page 45
* Early Music
page 68
* Jazz and Improvised Music
page 78
* Compositional Styles and Esthetics, Composition and
Orchestral Conducting
page 87
* Musicology - Analysis
page 101
27
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Instrument
Strings
2
Associated
Complementary
Discipline
Instrument
+
Violin
Baroque violin (introduction)
Baroque viola (introduction)
Guitar
Violoncello
Baroque cello (introduction)
Viola da gamba (introduction)
Baroque viola (introduction)
Historical double bass
Harp
Viola
Double bass
&
:
&:
Percussions
Keyboards
Piano
(
Bassoon
fagott
Baroque bassoon (introduction) Piano accompaniment
Baroque bassoon (introduction) Organ (performance)
Clarinet
Historical clarinet
(introduction)
Piccolo
Traverso (introduction)
Baroque oboe (introduction)
Jazz (introduction)
Flute
Oboe
Saxophone
Associated
Complementary
Discipline
Lute (introduction)
Generative improvisation
(introduction)
Basso continuo
Harmonization at the keyboard
Ethnomusicology
Ballet accompaniment
Harmonization at the keyboard
Pianoforte (introduction)
Ballet accompaniment
Tuning and temperament
Gregorian choir
Harpsichord (introduction)
Treatises and ornamentation
9
Horn
Saxhorn/Euphon
ium
Tuba
Trombone
Bass trombone
Natural horn
Cimbasso
Jazz (introduction)
Cimbasso
Jazz (introduction)
Alto trombone
Bass trombone
Contrabass trombone
52
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