- Ars Electronica

Transcription

- Ars Electronica

ARS ELECTRONICA
animation festival 2016
expanded animation symposium
CENTRAL Linz
The Ars Electronica Animation Festival is one of the mainstays of the Ars Electronica
Festival. The accent is on diversity with respect to both content and style here. The
programming delivers impressive testimony to how quickly (computer) animation is growing
and how strongly it influences our everyday life. The lineup is a double-feature. CENTRAL,
a former first-run cinema on Landstraße in downtown Linz, will be screening works of
animation submitted for prize consideration to the 2016 Prix Ars Electronica, the prize for
creativity and pioneering spirit in digital media arts, as well as several guest programs. And
Expanded Animation, a series of workshops, seminars and speeches, will once again offer
plenty of possibilities to go deeper into the art of animation.
Screening Programs:
This year’s Screening programs are: Deconstructed Realities, Visuals & Sound, Statement,
Abstract, Expanded & Experimental, Narration, Comedy & Black Humor, Late Nite, Young
Animations, In Persona: Mihai Grecu, Anniversary Screening Filmakademie BadenWürttemberg, Student Animation Showcase: Digital Media, Hagenberg Campus, Tsinghua
University, Japan Media Arts Festival, Campus Genius Award and The International Students
Creative Award (ISCA).
Expanded Animation:
The fourth annual Expanded Animation symposium is entitled The Alchemy of Animation
in keeping with the 2016 Festival theme, RADICAL ATOMS and the alchemists of our time.
The focus is once again on the fringes of the computer animation field as well as on the
reciprocal interaction of animation and technology. This year’s three featured topics are
science, society and industry, which will be discussed from a variety of perspectives by three
panels made up of animation filmmakers, curators, scientists, VFX artists and prizewinners
in the Prix Ars Electronica’s Computer Animation/Film/VFX category.
Curated by Christine Schöpf and Jürgen Hagler
Sponsored by MAXON Computer GmbH
Trailer & graphics by Johannes Poell
Ars Electronica Animation Festival 2016
Expanded Animation 2016
• Central Linz, Landstraße 36, 4020 Linz
Thu 8. Sep.
Fri 9. Sep.
Sat 10. Sep.
Sun 11. Sep.
Mon 12. Sep.
12:00 – 20:00
13:00 – 23:00
10:00 – 23:00
12:00 – 23:00
12:00 – 23:00
Animation Showcase:
Digital Media,
Hagenberg Campus
10:00 – 11:00
11:00 – 12:00
12:00 – 13:00
Narration
Comedy & Black Humor
Young Animations
13:00 – 14:00
14:00 – 15:00
Young Animations
Young Animations
Campus Genius Award
Narration
ISCA
15:00 – 16:00
Visuals & Sound
Campus Genius Award
Japan Media Arts Festival
16:00 – 17:00
Tsinghua University
ISCA
Narration
17:00 – 18:00
Anniversary Screening
Filmakademie
Baden-Württemberg
Japan Media Arts Festival
Tsinghua University
18:00 – 19:00
Expanded
Animation 2016
Expanded
Animation 2016
Abstract
Deconstructed Realities
19:00 – 20:00
Expanded & Experimental
20:00 – 21:00
Statement
21:00 – 22:00
Late Nite
22:00 – 23:00
Electronic Theatre
Showcase for the Winning Projects of
Prix Ars Electronica 2016.
Anniversary Screening
Filmakademie
Baden-Württemberg
The Alchemy of Animation
September FRI 9th – SAT 10th, 2016
A two day’s symposium presented by the University
of Applied Sciences Upper Austria Hagenberg Campus,
MAXON Computer GmbH & Ars Electronica.
Fri 9. Sep.
13:00 – 13:15
Introduction and
Welcome
13:15 – 14:45
Boris Labbé (FR) Rhizome (Golden Nica)
Yuya Hanai (JP) Nosaj Thing / Cold
Stares ft. Chance The
Prix Forum I – Computer
Rapper + The O’My’s
Animation / Film / VFX
(Award of Distinction)
Johannes Schiehsl (AT)
(Juror 2016)
Mari-Liis Rebane (EE)
(Moderator)
In Persona: Mihai Grecu
Abstract
14:45 – 15:15
Coffee Break
Statement
Abstract
Visuals & Sound
15:15 – 17:30
Art & Society
Late Nite
Visuals & Sound
Late Nite
15:15 – 16:00
Under the Centipede
Sun
Mihai Grecu (RO)
16:00 – 16:45
Animation and Artistic
Diversity
Reinhold Bidner (AT)
16:45 – 17:30
No Frame
Jonas Hansen (DE)
20:00 – 21:45 Moviemento Sommerkino (Höhenrausch)
22:00 – 23:45 Movie 2 in Moviemento Cinema (OK Platz 1, basement)
13:00 – 16:15
Art & Science
13:00 – 14:00
Silent Signal: Exploring
Visionary Science
through Experimental
Animation
Abigail Addison (UK)
14:00 – 14:45
Wizards of Data:
Embodied Cognition
and Animated
Visualizations
Erwin Feyersinger
(AT/DE)
14:45 – 15:30
The Other Face of
Character Animation
Diana Arellano (ES/DE)
15:30 – 16:15
Visualisation and
Simulation in Art &
Science
Markos Kay (UK)
16:15 – 16:40
Coffee Break
16:40 – 18:30
Art & Industry
16:40 – 17:35
Planting Seeds of
Surreality
Manuel Casasola Merkle
& Moritz Schwind (DE)
(Aixsponza)
17:35 – 18:30
Animals vs Machines –
When Creativity Goes
Uncontrollable
Matthias Winckelmann
(ManvsMachine) (DE)
Jürgen Hagler (AT),
Gerfried Stocker (AT)
Statement
Sat 10. Sep.
Sat 10. Sep.
Organized by: Jeremiah Diephuis, Juergen Hagler, Michael Lankes, Patrick Proier, Christoph Schaufler, Alexander Wilhelm
http://www.expandedanimation.com/
Prix Forum
Speakers
Boris Labbé (FR)
After obtaining a DNAP (National
Diploma in Visual Arts) at l’Ecole
supérieure d’art et de céramique de
Tarbes, Boris Labbé continued his
studies at the EMCA of Angoulême
(Ecole des métiers du cinema d’animation). At the
EMCA, he produced Kyrielle, his final film project,
which was awarded the Special Jury’s prize for
Graduation Films at the Annecy International
Animated Film Festival in 2012. Simultaneously, he
developed an artistic work that is both visual and
plastic. He spent a year at the Casa de Velázquez in
Madrid. RHIZOME is his first professional film.
www.borislabbe.com/
Yuya Hanai (JP)
B. 1986. Software engineering.
Rhizomatiks co., ltd. Hanai
studied at School of Integrated
Design Engineering, Graduate
School of Science and Technology,
Keio University. After his engineer career in R&D
department at Sony Corporation, he started working
at Rhizomatiks. By using computer vision skills,
Hanai took part in various projects such as “Perfume
at SXSW”, Nosaj Thing’s mucis video “Cold Stares ft.
Chance The Rapper + The O’My’s” and NHK (a statesponsored channel) “NEXT WORLD LIVE”. He won
“Craft Award” in 2015 55th ACC CM FESTIVAL as an
engineer.
Johannes Schiehsl (AT) (Juror 2016)
Johannes Schiehsl started studying
traditional animation in Czech
Republic, and continued his studies at
the prestigious Filmakademie BadenWuerttemberg. There he created a
couple of award winning short films that also aired
on several television channels. His autobiographically
inspired graduation short film „366 Days“ was selected
by more than 70 international film festivals and
received numerous awards. Among others the film
was selected to the official competitions in Annecy
and Stuttgart and became the first animated film
ever to be nominated for an Austrian Movie Award.
Johannes Schiehsl founded the animation company
„Neuer Österreichischer Trickfilm“ together with
Conrad Tambour and Benjamin Swiczinsky in 2011.
Mari-Liis Rebane (EE) (Moderator)
Mari-Liis Rebane, (Tallinn, Estonia),
is an artist and director working in
the fields of audiovisual production
and moving image. Since 2011
Mari-Liis is working for International
Animation Film Festival Animated Dreams, the
oldest and biggest animation festivals in the Baltics,
currently she is in charge as the Festival Director. She
is also occasionally involved as an animation expert
in Estonian Film Fund financing committee and
collaborates as a programme curator for international
festivals and as an independent journalist for culture
magazines. Promoting visual culture and expanding
the definition of animation has become her main
mission. Mari-Liis Rebane has graduated from the
animation department at Estonian Academy of Arts
and currently focusing on interactive and emerging
technologies in her MA studies in New Media.
Expanded
Animation
Speakers
Abigail Addison (UK)
Abigail Addison co-directs Animate
Projects, a UK-based arts agency
that champions creative animation
practice, and produces ambitious
interdisciplinary projects, such
as Silent Signal, with a range of partners. As
a freelance producer she works with cultural
organizations and individual artists on developing,
producing and exhibiting experimental moving
image projects. Abigail is a Trustee of film and
photography charity Four Corners, and an advisor to
Underwire Festival.
Presentation
Silent Signal: Exploring Visionary Science
through Experimental Animation
Producer Abigail Addison will present on Silent
Signal, a project that connects six artists working
with animation and six biomedical scientists.
Together the collaborators have created experimental
animated artworks that elicit new ways of thinking
about the human body. These works explore the
signals that enable our bodies to operate and to
adapt to fight disease, and raise questions around
how our immune system functions, the use of
our genetic code, and how disease is spread. The
presentation will explore how each project provides a
creative response to cutting-edge research in order to
bring to life the science. It will examine the different
ways the artists and scientists have worked together
to find a common language, and how each artist has
engaged with their collaborating scientists’ data,
tools and processes. www.silentsignal.org
Diana Arellano (ES/DE)
Diana Arellano is a researcher and
software developer at the Research
and Development department
at the Institute of Animation,
Filmakademie Baden-Württemberg.
Her research topics are mainly focused on affective
facial animation and its creative use in fields
other than entertainment. In addition to this,
she supports the Technical Director students on
their research projects. Diana Arellano has also
collaborated in the organization and as scientific
committee member of international conferences
(e.g. FMX, AMDO, ICAART, Interacción, SIGGRAPH
as a student volunteer). She is currently Co-Chair
of the ACM SIGGRAPH International Resources
Committee (IRC).
Presentation
The Other Face of Character Animation
Animated or virtual characters have belonged for a
long time to the film or games industry. But what
happens when one wants to use animated characters
in a different field than entertainment? Specifically,
where and how can we use facial animation in a
way that produces a bigger impact and supports
other disciplines? These questions will be answered
by presenting a number of interdisciplinary projects
realized at the Institute of Animation, Filmakademie
Baden-Württemberg like The Muses of Poetry and
SARA—Stylized Animation for Research in Autism,
which have been mostly focused on real time facial
animation.
Reinhold Bidner (AT)
Reinhold studied Animation and
Electronic Media in Salzburg (AT),
Dundee (Scotland/UK) and in Berlin
(DE). In 2001 he joined the Ars
Electronica Futurelab in Linz (Timebased Media, 2001-2006) and since 2006 he has
been experimenting in the fields of Animation and
Media Art, either as an individual or as a member of
two collectives: goldextra and 1n0ut. Since 1999 he
has received various awards and residencies for his
artistic work. Reinhold lives and works in Vienna and
Salzburg, and teaches at University of Art & Design
Linz in the fields of Motion Graphics, Interactive
Video and Animation. In 2012, he also became a
member of Salzburg’s provincial advisory board of
fine arts.
Presentation
Animation and Artistic Diversity
Reinhold´s artistic work is always at least crosslinked to animation in diverse fields, settled
somewhere between Media Art, (robotic)
performances, games, and Augmented Reality. These
projects aim to combine technology with social or
political topics. Animation, in all its variety, offers
incredible potential for addressing social topics and
visualizing their complex interrelations, particularly
with the new tools and devices now available and
artistic disciplines merging with each other. In
reference to this, Reinhold will talk about some of his
own diverse experiments and also about some other
Austrian animation examples that he would consider
“Expanded” Animation. servus.at/subcute/
Manuel Casasola Merkle (DE) &
Moritz Schwind (DE)
Manuel Casasola Merkle is a Graphic
Designer and Technical Director
with over 15 years of experience.
He likes to dive deep into the ins &
outs of contemporary CG research,
burying his desk under piles of SIGGRAPH papers,
and thus racking up quite diverse software and
programming skills. After graduating from the
University of Applied Sciences in Nürnberg in 2000,
he co-founded Aixsponza, an interdisciplinary design
company based in Munich Germany, in 2006.
Moritz Schwind: Born. Year
1 - don’t remember much. Year
2 - still no memories. Year 3 - still
nothing. Kindergarten. Lego is
awesome! Elementary school.
Elementary school. Thought I knew EVERYTHING.
Elementary school. Gymnasium. Wing Commander
is the shit. Programming is awesome. POV-Ray
is great. Teachers are crappy. Girls. Beer. Teachers
still crappy. Cocktails. A-Levels. Civic service.
Parachuting. University. Computer science is hard.
Working instead. Another University. Programming
is awesome again. CGI is awesome again too.
Interning at Sehsucht. Building a 3D scanner as
thesis. Working. University again. Programming
is easy - concept is hard. Master thesis. Working.
Working at another place. Quitting & getting some
sleep. Freelancing. Working at Aixsponza. Today.
Presentation
Planting Seeds of Surreality
Just as the flat bed scanner marked a seismic shift
in graphic design in the early nineties of the last
century, 3D scanning techniques have started to
increasingly influence computer animation. The
broad access to these methods, caused by ever
more powerful computers, the rapid enhancements
to photogrammetry software and thus massively
reduced costs, opens new possibilities to a wide
spectrum of artists. The “Seed” movie is a visual
experiment that makes heavy use of scanned data
to create a surreal experience. Samples from the
ordinary world that surrounds us are put into a new
and artificial context. The contrasting relationship
between formerly unrelated objects encourages the
spectator to create an individual interpretation. In
this talk we’ll shed light on the possibilities these
manipulations of our perceived reality offer.
www.aixsponza.com/
Erwin Feyersinger (AT/DE)
Dr. Erwin Feyersinger is a research
associate in the Department of
Media Studies at the University of
Tübingen. His research is mainly
concerned with film and animation,
and relies on narratological, semiotic, and cognitive
frameworks. He is member of the editorial board
of Animation: An Interdisciplinary Journal. His
current research project focuses on theories of
visual abstraction and dynamic visualizations.
He is initiator and co-coordinator of the interest
group AG Animation as part of the Gesellschaft für
Medienwissenschaft (GfM). Together with Maike
Sarah Reinerth, he recently guest edited an issue of
Montage AV on animation.
Presentation
Wizards of Data: Embodied Cognition
and Animated Visualizations
Dynamic, i.e. animated, visualizations are a highly
pervasive form of moving images, increasingly
used in various academic disciplines, in journalism,
and in education. While many visualizations foster
meaning making of complex phenomena, others
achieve quite the opposite by being unintentionally
misleading or even intentionally deceptive. I will argue
that embodied image schemata strongly influence
both the understanding and misunderstanding of
visualizations.
Mihai Grecu (RO)
Mihai Grecu was born in 1981. Ever
since studying art and cinema in
France, at the Fresnoy Studio of
Contemporary Arts, he has been
developing a complex personal visual
language. By mixing symbolic images with highly
metaphorical situations and surreal atmospheres, his
works challenge the viewer’s perception as well as
contemporary imagery, with recurring themes such
as environment, war, water and metamorphosis. His
films-poems have been shown in numerous film and
new media festivals worldwide (Rotterdam, Festival
of New Cinema in Montreal, Clermont Ferrand,
Videobrasil) and exhibitions (“Dans la nuit, des
images” at the Grand Palais in Paris, Mois de
la Photographie in Paris, Hengesbach Gallery in
Berlin, etc).
Presentation
Under the Centipede Sun
Mihai Grecu makes what would be defined as nonnarrative short films mixing 3D simulation techniques
with real footage. Yet definitions cannot exist in the
universe created by those films. Grecu blends images
of global challenges with images of existential
uncertainties into space where time passes as for a fly
paralyzed in a spider’s web. This view is trying to hold
on to reality slipping away differently in every facet.
What it catches is hyper real, up to every scale of a
fish swimming in the air (Glucose), or every drop of
a rain fallen upside down (Coagulate). The hyper real
breaks the rational observation delicately enough not
to proclaim what is seen a fantasy, but to promote it
to a parallel present, an unknown twin of the reality
we used to believe was the only one. With just one
slight difference, such as North Korea possible to be
flooded like Atlantis (The Reflection of Power), or
raspberry jam possible to pollute a big river (Exland).
Absurdity makes these landscapes even more
believable – because lies are logical, while the nature
takes chances. The excessive images of liquids (oil,
water, syrup), fire and smoke in the films play with the
anxious feeling that somehow nature’s sublime forces
were distorted and hacked into an unknown reality.
Those matters also represent the infinite number of
nature’s varieties, as they are always similar and never
the same. People say they can look at water or fire
forever, which, after all, corresponds with the pace of
time in Grecu’s films. www.mihaigrecu.org/
Jonas Hansen (DE)
Jonas Hansen is a designer and
media artist who works at the
Academy of Media Arts Cologne
(KHM) at the Laboratory for
Dimensional Research (Lab.D)
in the area of experimental 3D and games. He is
co founder of the Cologne based Paidia Institute
and the Dutch media art collective z25.org. In his
artistic work Jonas Hansen develops interactive
systems and experimental games that often explore
the boundaries between the real and the virtual
world. He has taken part in numerous international
exhibitions and festivals, including Museum of
Modern Art (Rovereto), ComeOutAndPlay festival
(Amsterdam), Artefact festival (Leeuven), V2_
Institute for the Unstable Media (Rotterdam),
Ars Electronica (Linz), Transmediale (Berlin),
Translife International Triennial of New Media
Art China (Beijing) and Zentrum für Kunst und
Medientechnologie, ZKM (Karlsruhe).
Presentation
No Frame
In this talk I will focus on strategies that expand
and question the traditional use of the screen and
actively incorporate the human body and the physical
space. Not only since the renaissance of virtual reality
has the rigid format of the screen as a frame been
challenged, but also through a long history of artistic
inquiries that explored the boundaries between the
real and the mediated space. The question we have
to ask ourselves is to what extent these expanded
spaces create a deeper understanding of reality or
completely cut us off via immersive simulations
of existence. Examples of my own work and also
the work of the students of the newly formed
department exMedia at the Academy of Media Arts
Cologne will be shown to open discussions about
the hybrid forms in art, animation and games.
pixelsix.net
Markos R. Kay (UK)
Markos R. Kay (MRK) is a digital
artist, director and lecturer based
in London. He is best known for his
artificial life video art experiment
“aDiatomea”, exhibited at Haeckel’s
Phyletic Museum. His work can be described as
an ongoing abstraction and digitisation of the
microscopic world through computer simulations
and generative techniques. These experiments
explore the scientific methods and processes
that reveal information about the complexity and
emergence of the invisible.
Presentation
Visualisation and Simulation in Art & Science
In the works presented, computer simulations
are used as an artistic tool to visualise scientific
observations. Observation can be defined as the
abstraction of information from a source. In visual
perception, light information is transformed and
processed through the brain to create a representation
of phenomena. In scientific observation, instruments
intervene to translate information from aspects
of reality that cannot be directly observed into
perceptible forms. Thus, the scientific narrative
mediates information, transforming it into emergent
orders of complexity to produce scientific knowledge.
This knowledge is further abstracted when it is
represented in visual form. Scientific visualisations
communicate these observations, guiding and
forming the way this knowledge is perceived and
understood. This work takes the form of virtual
experiments consisting of parametric systems that
are set into motion to generate emergent structures
and interactions. As visualised digital recordings,
they illustrate the informational paradigm of science
as expressed through the tools and iconography of
scientific observation. www.mrkism.com/
Matthias Winckelmann (DE)
Matthias Winckelmann is a designer
and director based in London, UK.
He works as the Head of 3D at the
internationally renowned design
and motion studio ManvsMachine.
After studying Visual Communications in Offenbach,
Germany, and Media Art in Shanghai, China, he
received his diploma in Film, Design and Media
Sociology in 2011. Starting his professional career
as a freelance designer and director in 2009, he
quickly established himself by creating top projects
for prestigious clients worldwide, such as Nike,
Apple, Honda, BMW, Audi, Toshiba and
many more.
Presentation
Animals vs Machines – When Creativity
Goes Uncontrollable
Contemporary design studios work predominantly
within their conceptual thinking. The project brief
guides designers through the process of research
and development. “VERSUS” is a project without
a brief, an opportunity for an unpredictable result.
Sometimes creativity is uncontrollable and a hint
to our ever present primeval nature. Matthias
Winckelmann, Head of 3D at London-based studio
ManvsMachine, will be talking about the short
animation “VERSUS”, how it came to existence with
the help of MAXON and how it developed into a viral
campaign that keeps on recreating itself.
mvsm.com/
Deconstructed
Realities
Deconstruction in a philosophical sense means
breaking down literary or philosophical texts into
their component parts and then assembling them
anew. And that’s exactly what the filmmakers on
this lineup do with architecture, everyday events
or urban life: a Los Angeles studded with colorful
neon signs in Arabic; a stereoscopic leap into the
entrails of Paris; the surrealistic reversal of everyday acts; and microscopic investigations leading
into the inner domains of the outer world.
Tehran-Geles
18:00 | Arash Nassiri (Le Fresnoy) (IR)
Prix Ars Electronica 2016 / Honorary Mention
Ghost Cell
06:50 | Antoine Delacharlery (FR)
Simulacra
03:56 | Theo Tagholm (UK)
Ex Terrat
05:45 | Reinhold Bidner (AT)
Prix Ars Electronica 2016
INPUT/OUTPUT
04:08 | Terri Timely (US)
Visuals & Sound
This program features music videos and works of
sound art that demonstrate diverse ways of blending imagery and music. The spectrum includes
classical music videos, software developments
and dancing robots. What they all have in common is the successful interplay of acoustic and
visual elements. Come and see/hear for yourself!
Never Say Never
05:58 | Saman Kesh (Skunk) (IR)
Sonámbulo
04:20 | Theodore Ushev (CA)
Back & Forth
03:00 | Thomas Porthé (FR), 20syl (FR)
Dissonance
15:00 | Till Nowak (frameboX) (DE)
Hide
05:16 | Christian Stangl, Strange Freedom (AT)
Microscopic Leaps
01:58 | Markos Kay (UK)
HNN “Je pars”
04:43 | Hugo Arcier (FR)
Seed
03:29 | Manuel Casasola Merkle (Aixsponza) (DE)
Frank Riggio - TTTT
03:56 | Mert Kizilay (TR/US), Frank Riggio (FR)
Semi-Permanent 2015
03:13 | Raoul Marks (AU)
Memex - Duologue
04:21 | Marshmallow Laser Feast,
Studio Analog (UK)
A Place I´ve Never Been
04:40 | Adrian Flury (CH), Jeroen Visser (NL)
Art Department – Walls
03:25 | Hugo Moreno, Grandson & Son,
Jonny White (THE FIELD) (FR)
The Last Goodbye
06:16 | Brutus Collective (FR)
Braids - Bunny Rose
03:50 | Stephen McNally (IE)
Soundloom
04:12 | Craig Ritchie Allan (numbercult) (UK)
Jazz Orgie
01:16 | Irina Rubina (RU)
(Filmakademie Baden-Württemberg)
SISSI RADA - SUNDAY
02:52 | schnellebuntebilder, SISSI RADA (DE)
Valentino Khan – Deep Down Low
03:05 | Ian Pons Jewell (UK)
Statement
Abstract
The filmmakers on this lineup take a stance on
the big issues of our times—for instance, the
current sociopolitical situation in Europe and
the refugee problem, global warming, and using
resources sustainably. Some of these takes might
come across as comical at first, but they’ll soon
wipe that smirk off your face and replace it with a
pensive look.
Abstraction—that is, the reduction of what’s
cinematically depicted to its essence or to certain
aspects of it—can make use of a wide array of
techniques. They range from abstract sculpture
and painting onto film with a laser to mapping
and generative art. The result is impressive visual
complexity.
Peripheria
12:02 | David Coquard Dassault (FR)
Prix Ars Electronica 2016 / Award of Distinction
Rhizome
11:26 | Boris Labbé (Sacrebleu Productions) (FR)
Prix Ars Electronica 2016 / Golden Nica
The Race
14:36 | Michael Le Meur (FR)
7001
05:31 | Nataša Teofilović (RS)
Estate
07:26 | Ronny Trocker (IT)
PLANET ∑
11:50 | Momoko Seto (Les Films de l´Arlequin) (FR)
GREEN
03:20 | bif (UK)
Carface
04:45 | Claude Cloutier (National Film
Board of Canada) (CA)
geist.xyz
02:30 | ZEITGUISED (DE), Superimposed Void (DE)
moon blink
10:13 | Rainer Kohlberger (AT)
L’Œil du Cyclone
05:03 | Masanobu Hiraoka (Je Regarde) (JP)
FLUX
01:47 | Karel Dhondt (BE)
Seven Rooms
06:25 | Martin Fütterer (DE)
vitreous
03:24 | Robert Seidel (DE)
Quimtai
06:05 | Camilo Colmenares (CO)
On China Sea
04:05 | Thomas Porett (Digital Imagery Ltd.) (US)
Expanded &
Experimental
Experimental modes of animation are on display
here. Real and virtual dance performance is
seamlessly combined with quadcopter-mounted
cameras that expand the space; macro shots shift
the point of view inwards; light painting is technologically expanded; fluid bodies are animated
via motion capture; and hybrids of game and
reality trigger an impressive shift of perspective.
Nosaj Thing / Cold Stares ft.
Chance The Rapper + The O’My’s
02:55 | ELEVENPLAY (JP), Daito Manabe (JP),
MIKIKO (JP), Rhizomatiks Research (JP),
TAKCOM (JP)
Prix Ars Electronica 2016 / Award of Distinction
Coordinated Movement
03:11 | Mike Pelletier (CA)
The Five Minute Museum
06:35 | Paul Bush (Ancient Mariner/
Schattenkabinett) (UK, CH)
God View
07:08 | Billy Lumby (UK)
Bio-Inspire FullDome AV Performance
05:00 | Bahadir Dağdelen,
Yusuf Emre Kucur (VOID) (TR)
Process: Breath
05:15 | Line Klungseth Johansen (NO)
∆Purgatorio
06:56 | Scott Gelber (US), Zac Traeger (US)
The Eidolon Splits
03:42 | DEPART (AT)
lull
03:02 | AV&C (US)
Project Nimbus
04:12 | Dave Lynch, Mike Nix (UK)
Virtual Depictions : San Francisco
04:41 | Refik Anadol (TR)
Floating Points - Silhouettes
03:51 | Hamill Industries, Junior Martínez (SP)
Narration
The plots on this classic narrative program include
the tragic life story of a young girl in Saigon and
tales of friendship and remembrance. A series of
touching, poetic encounters.
Borrowed Time
06:44 | Andrew Coats, Lou Hamou-Lhadj
(Quorum Films, LLC) (US)
Deer Flower
07:34 | Kim Kangmin (STUDIO ZAZAC) (KR, USA)
MOOM
13:59 | Robert Kondo (US), Daisuke Tsutsumi (JP)
(Tonko House, CRAFTAR, Marza Animation
Planet)
Cold Coffee
14:53 | Stephanie Lansaque and
Francois Leroy (FR)
Batz
07:00 | Maléo Maxime, Aurélien Prédal (FR)
Jukai
09:20 | Gabrielle Lissot (FR)
Comedy &
Black Humor
Lots of dark humor is packed into this program:
A 12-year-old boy dissects a frog in biology class
and speculates about what he would do if he were
God; the bedtime story of Father Opossum is an
inane alphabet of death; and the Sisyphus-like
saga of two mountain climbers in the Alps is a
stone-cold stunner.
Accidents, Blunders and Calamities
05:17 | James Cunningham
(Media Design School) (NZ)
If I Was God
08:28 | Cordell Barker (CA)
(National Film Board of Canada)
Voltaire
12:00 | Jan Snoekx (BE)
Ascension
07:09 | Thomas Bourdis (FR),
Martin de Coudenhove (FR),
Caroline Domergue (FR), Colin Laubry (FR),
Florian Vecchione (FR), Seth Steward (US)
Late Nite
When darkness falls, it’s time for tales of monsters, zombies, cat-eating wolves, trash as 1980s
reminiscence, and sex. This might not be right for
our underage friends, but grown-ups are sure to
get a kick out of it!
Symphony of two minds
06:40 | Valere Amirault (FR)
Untamed
07:38 | Untamed BAC12 (DK)
The Witcher 3: Wild Hunt Launch Cinematic
04:24 | István Zorkóczy (Digic Pictures Ltd) (HU)
SOME THING
06:50 | Elena Walf (RU)
Jungle of Desire
06:50 | Ping Wong (HK)
Isand / The Master
17:39 | Riho Unt (OÜ Nukufilm) (EE)
Assassin‘s Creed Syndicate Cinematic Trailer
04:38 | István Zorkóczy (Digic Pictures Ltd) (HU)
Kung Fury
30:20 | David Sandberg (SE)
Young Animations
Witty, off-beat, subtle, tragic and serious animated work produced by young filmmakers will
be screened during the Festival Ars Electronica.
Every year, gifted young filmmakers submit their
movies to u19 – CREATE YOUR WORLD (Austria),
bugnplay (Switzerland), MB21 (Germany) and
C3<19 (Hungary). The greatest hits will be featured
in Young Animations.
Because we are human
Arachnomorphose
02:10 / Chiara Tockner
19 Jahre / u19
Ins Licht
01:46 / Zoe Röllink
20 Jahre / bugnplay
Change
00:46 / Tobias Macke (FILMABTEAM),
Johannes Puschner
17 Jahre / u19
Guter Tag, schlechter Tag
02:57 / Noah Glarner
13 Jahre / bugnplay
Wenn Seiten leben
02:00 / Manuela Polndorfer, Katharina Wünsche
19 bzw. 17 Jahre / u19
L’Américain et l’Indien
03:00 / Julien Beaud
17 Jahre / bugnplay
Kim´s Life
04:21 / Safia El Maataoui, Lena Krautinger
18 bzw. 17 Jahre / u19
Flucht
07:56 / Dimitri Teufl
13 Jahre / u19
Sea
00:28 / Nándor Pataki
13 Jahre / c3
Animals and other creatures
Create your world
Tiere allein im Wald
05:00 / Lea Kirstein, Oskar Gerspach
20 Jahre / mb21
No money, but time
02:47 / Balz Schlegel
20 Jahre / bugnplay
Kraken
03:34 / Csombor Márton
14 Jahre / c3
Ändere dich jetzt
03:30 / Michael Merzinger
19 Jahre / u19
Sum Sum
00:39 / Andrin Casutt
13 Jahre / bugnplay
Káosz
03:58 / Szczuka Bendegúz
13 Jahre / c3
slime
00:22 / Nádor Pataki
13 Jahre / c3
Pizza Galactica
03:52 / SchülerInnen des
Goethe-Gymnasiums Bensheim
14 Jahre / mb21
Unless
02:10 / Tim Winkelmann
16 Jahre / bugnplay
Peakture
03:50 / Studierende der Hochschule
der Medien Stuttgart
23 Jahre / mb21
Erdbeermarmelade
01:26 / Vorschulgruppe der
Herderschule Darmstadt
6 Jahre / mb21
the best is yet to come (extract)
02:21 / Alina Groer, Daniela Kubesch, Leo Mühlfeld
18 Jahre / u19
Student Animation
Showcase:
Digital Media,
Hagenberg Campus
This screening features current student works
from the Department of Digital Media at the
University of Applied Sciences Upper Austria,
Campus Hagenberg: from classical animation
to hybrid forms as well as from narrative to
experimental shorts. www.fh-ooe.at
In Persona:
Mihai Grecu
Mihai Grecu’s visual and poetic trips mix several
techniques and styles and may be seen as propositions for a new, dream-oriented technology. After
studying art and design in Romania and France,
he has been pursuing his artistic research at the
Fresnoy Studio of Contemporary Arts. Recurring
topics such as distress, cloning, hallucination, city
life and war articulate the whole of his exploration
of mysterious and subconscious beginnings. His
work has been shown at numerous film festivals
(Locarno, Rotterdam, Festival of New Cinema in
Montreal) and exhibitions.
Unlith (2007)
07:58 / Mihai Grecu, Le Fresnoy
Coagulate (2008)
05:56 / Mihai Grecu, Le Fresnoy
Centipede Sun (2010)
10:00 / Mihai Grecu
We‘ll become oil (2012)
08:00 / Mihai Grecu
Tsinghua
University
This program features selected works of animation art by students at the Academy of Arts and
Design of Tsinghua University in Beijing (CN).
Tsinghua is considered one of China’s best universities for engineering and the natural sciences.
It’s a member of the C9 League, an association of
the country’s nine most prestigious institutions
of higher learning.
Glucose (2012)
07:00 / Mihai Grecu, Thibault Gleize
Dream of a Whale
05.36 / HAO MINGZHU
Exland (2013)
07:29 / Mihai Grecu, Thibault Gleize
Tears of the Ocean
04:04 / LING HAORAN, ZHAO XIAOYUN
Reflection of Power (2015)
09:10 / Mihai Grecu,
bathysphere production
A Miner’s Story
07:04 / JU LI
Day, the Chef
02:34 / XIONG SHUYU
Colored Rubik‘s Cube and Ping-Pong
04:13 / LEI LEI
Circle
02:57 / HUANG LEI,CHEN QIAN
Sailing
06:14 / WANG SIYUE
Ruins
07:46 / YE DONG, WU YUFEI
The wheels of time
06:04 / SHI QINGYUAN, LIU QI
The Last 15 Minutes
03:51 / XIONG SHUYU
Miss Apple
05:38 / WU JINGTONG
The Shotgun
04:23 / WU BOAN
Anniversary
Screening
Filmakademie
BadenWürttemberg
The prestigious Filmakademie Baden-Württemberg celebrates its 25th anniversary in 2016. The
Institute of Animation, Visual Effects and Digital
Postproduction is integral to the Filmakademie’s
international acclaim: founded in 2002, the
Institute offers hands-on training in animation
and interactive media. Its award-winning student
projects cover the whole range of animation and
explore transmedia aspects—from drawn animation to 3D projects and fully-fledged VFX productions. This screening features a hand-picked
selection of outstanding student projects from the
last 25 years.
AH POOK IS HERE (1994)
06:07 / Philip Hunt
BUNNIES (2003)
00:33 / Jakob Schuh, Saschka Unseld
LEBENSADER (2009)
05:48 / Angela Steffen
MOBILE (2010)
06:25 / Verena Fels
LOOM (2010)
05:20 / Jan Bitzer, Ilja Brunck, Csaba Letay
366 TAGE (2011)
12:12 /Johannes Schiehsl
ROLLIN’ SAFARI (2014)
02:54 / Kyra Buschor, Constantin Päplow,
Anna Habermehl
WRAPPED (2014)
04:07 / Roman Kälin, Falko Paeper,
Florian Wittmann
BÄR (2014)
08:14 / Pascal Flörks
SOME THING (2015)
06.50 / Elena Walf
JAZZ ORGIE (2015)
01:16 / Irina Rubina
Japan Media Arts
Festival
This program introduces eight video works which
reflect everyday life in contemporary Japan
through very Japanese depictions of the human
emotions. The House of Small Cubes, the first
Japanese film to win the Academy Award for Best
Animated Short Film, conveys an important,
moving awareness through its precise, nostalgic
world view. Other works in this program use minimalist techniques to excite the viewer’s imagination. Issey Miyake A-Poc Inside, for example, begins
with simple graphics made from white dots, which
fuse with music and rhythm to generate the movement of fashion models in a fashion show.
Remember me
05:13 / Misuzu HASHIJI,
Remember me production team
(Yosuke SAKAI, representative)
JMAF, Entertainment Division, Jury Selections 2014
rain town
09:55 / Hiroyasu ISHIDA
JMAF, Animation Division, New Face Award 2011
I am alone, walking on the straight road.
05:53 / Masanori OKAMOTO
JMAF, Animation Division, Jury Selections 2012
kiokuzenkei
05:27 / Masashi YOKOTA
JMAF, Art Division, Jury Selections 2008
Xylophone
02:02 / Morihiro HARANO, Jun NISHIDA,
Seiichi HISHIKAWA, Kenjiro MATSUO,
Mitsuo TSUDA, Toshifumi OISO
1347smiles
03:17 / Fuyu ARAI
ab_rah
03:13 / Kohei YOSHINO (networks)
ISSEY MIYAKE A-POC INSIDE.
02:50 / SATO MASAHIKO + EUPHRATES
JMAF, Art Division, Excellence Award 2007
The House of Small Cubes
12:04 / Kunio KATO
JMAF, Animation Division, Grand Prize 2008
Campus Genius
Award
The Campus Genius Award (Gakusei CG Contest)
honors digital artworks created by students.
The continuity of this contest, which has been
held for 21 years, underpins its important role in
Japanese media arts. Incorporating new media
and technology forms of expression that change
with the times, the contest forms a gateway not
only for computer graphic artworks, but for a wide
range of diverse genres. Many past award-winners
have also won high acclaim in the Ars Electronica,
the Berlin International Film Festival Berlinale
and the Japan Media Arts Festival and are working
at the front line of several creative fields, such as
art, design and entertainment.
Sushi (2015)
03:00 / Asami NAKAMURA
Campus Genius Award 2015
Just Keep Running (2015)
04:12 / Wataru YOKOYAMA
hairy heaven (2015)
06:00 / Minori YAMADA
and, end (2015)
03:47 / Mio YAMANAKA
MASTER BLASTER (2014)
03:51 / Sawako KABUKI
ÉMIGRÉ (2015)
04:44 / Wataru NAKAJIMA
Fox fears (2015)
07:38 / Miyo SATO
Zdravstvuite! (2015)
05:23 / Yuki YOKO
I Can’t Breathe (2015)
06:10 / Sayaka KIHATA
Macky and Eucky in Midnight Gallery (2015)
08:42 / Rushio MORIYAMA
Dreaming White (2015)
04:56 / Keigo TAKENAKA, Yuki NOMOTO
The International Students Creative Award is
an international arts and information media
competition sponsored by the Knowledge Capital
Association. It is for Japanese and international
university, graduate school and vocational
school students.
http://kc-i.jp/en/activity/award/isca/2016/
Video Content Category /
Domestic
Video Content Category /
Overseas
slight fever
07:20 / Saho NANJO, Kyoto City University, Kyoto
ISCA 2015, Grand Prize
Houchia
05:02 / Chen, Cheng-Yuan, Southern Taiwan
University of Science and Technology, Taiwan
ISCA 2015, 1st Prize
Macky and Eucky in Midnight Gallery
07:30 / Uguisu Kobo (Rushio Moriyama),
Musashino Art University, Tokyo
ISCA 2015, 1st Prize
Locus
08:01 / Kiyoki Ouchi, Seian University of Arts
and Design, Shiga
ISCA 2015, 3rd Prize
FREAKY!!!
03:51 / Shiori Hashimoto, Shobi University,
Saitama
ISCA 2015, 2nd Prize
Sand castle
02:59 / Ayano Yamanaka,
Musashino Art University, Tokyo
EasyCare
05:18 / Blomme Molenstra,
KASK (School Of Arts) Ghent, Belgium
Shift
05:28 / Yijun Liu and Maria Cecilia Puglesi,
School of Visual Arts, USA
Drone 100 – Intel in collaboration with Ars Electronica Futurelab holds the world record in the category
Most Unmanned Aerial Vehicles (UAVs) Airborne Simultaneously. Photo credit: Intel Corporation
The International
Students Creative
Award (ISCA)
RADICAL ATOMS
and the alchemists of our time
ARS ELECTRONICA
Festival for Art, Technology and Society
POSTCITY Linz, September 8–12, 2016
www.aec.at/radicalatoms
Ars Electronica Linz GmbH
Ars-Electronica-Straße 1, 4040 Linz, Austria
Tel. +43.732.7272.0, Fax +43.732.7272.2
E-Mail: [email protected]
Prix Ars Electronica 2016 is made possible through the support of the City of Linz and the Province of Upper Austria.
The Ars Electronica Animation Festival 2016 is sponsored by MAXON Computer GmbH.
Special thanks to KulturKontakt Austria, Casinos Austria, Cubus, Linz AG and Interio.
dorf tv.

- Ars Electronica

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