Nahum Ball Onthank - Kouroo Contexture

Transcription

Nahum Ball Onthank - Kouroo Contexture
NAHUM BALL ONTHANK
“NARRATIVE HISTORY” AMOUNTS TO FABULATION,
THE REAL STUFF BEING MERE CHRONOLOGY
“Stack of the Artist of Kouroo” Project
Nahum Ball Onthank
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1823
July 19, Saturday: Nahum Ball Onthank was born in Holliston, Massachusetts. His father William Newton
Onthank was (per a descendant of this family) a carpenter and farmer.
In Newport, Rhode Island, Friend Stephen Wanton Gould wrote in his journal:
7th day 19th of 7 M / This morning took John, crossed both ferrys
& went to Willet Carpenters in Boston Neck, after setting his
Clock to going, we went to cousin Hannah Gardiners to dinner,
after setting with her & her family we crossed to Connanicut
went to Hazard Knowles’s & cleaned his Clock in season to get
to Joseph Greenes to lodge. —
RELIGIOUS SOCIETY OF FRIENDS
NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT
Nahum Ball Onthank
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1841
Would it have been in about this year that Nahum Ball Onthank painted his portrait of John Thoreau, Jr. of
Concord?1
DO I HAVE YOUR ATTENTION? GOOD.
1. Richard J. Schneider, in his HENRY DAVID THOREAU: A DOCUMENTARY VOLUME, dates this to circa the previous year.
The painting is now to be viewed at the Concord Museum.
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1845
Nahum Ball Onthank painted a portrait of Annie Hosmer of Concord, Massachusetts, at the age of 3.
LIFE IS LIVED FORWARD BUT UNDERSTOOD BACKWARD?
— NO, THAT’S GIVING TOO MUCH TO THE HISTORIAN’S STORIES.
LIFE ISN’T TO BE UNDERSTOOD EITHER FORWARD OR BACKWARD.
“Stack of the Artist of Kouroo” Project
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1848
The paintings of Nahum Ball Onthank were exhibited at the National Academy.
THE FUTURE IS MOST READILY PREDICTED IN RETROSPECT
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1850
The paintings of Nahum Ball Onthank were exhibited at the National Academy. (Later they would be exhibited
at the Boston Athenaeum.)
THE FUTURE CAN BE EASILY PREDICTED IN RETROSPECT
“Stack of the Artist of Kouroo” Project
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1859
Summer or Fall: Nahum Ball Onthank painted a portrait of “Captain” John Brown of Osawatomie, with beard, on the
basis of a Daguerreotype that had been brought to his studio by Dr. Thomas Webb in the company of Brown
himself.
By my estimation of Brown’s movements during this eventful year, the last day on which this visit to the
Boston studio might have been made would have been June 2d. The painting in question can now be viewed
at the Gilder-Lehrman Institute of American History at the New York Historical Society.
CHANGE IS ETERNITY, STASIS A FIGMENT
Nahum Ball Onthank
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1868
Nahum Ball Onthank painted a portrait of US Senator Charles Sumner. This painting can now be viewed in
Memorial Hall at Harvard University.
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1872
November 9, Saturday/10, Sunday: At 7PM a conflagration began in Boston that would continue through the
following day. 2,163 firefighters from 31 communities participated in the effort to stop the flames, which
would finally be halted by dynamiting buildings in their path. This destroyed 776 buildings over 26 hectares
of the downtown. 33 people were killed and the damage would be estimated at $73,500,000.
(In this fire the Boston studio of the artist Nahum Ball Onthank was destroyed.)
WHAT I’M WRITING IS TRUE BUT NEVER MIND
YOU CAN ALWAYS LIE TO YOURSELF
Nahum Ball Onthank
“Stack of the Artist of Kouroo” Project
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1873
Nahum Ball Onthank copied John Singleton Copley’s 1772 life portrait of Samuel Adams (a painting you can
view now at the Museum of Fine Arts in Boston), as a private commission intended by George A. Simmons
as a gift to Independence Hall in Philadelphia.
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1875
In about this year Nahum Ball Onthank painted the portrait of US Senator and Vice President Henry Wilson
that now hangs in Faneuil Hall.
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1888
November 24, Saturday: Dale Breckenridge Carnagey was born poor, and on a farm, in Missouri. This Carnagey
family was no relation to the rich and famous family of the steel magnate Andrew Carnegie — but the names
did more or less sound the same and when in 1916 he would lease an office in the building of Carnegie Hall
in New York and rent its lyceum hall to deliver lectures in “effective speaking,” of course he would correct the
spelling of his family name. Wouldn’t you want to win friends and influence people by letting on that you’re
somebody important?2
At the age of 65, Nahum Ball Onthank died in Boston.
“MAGISTERIAL HISTORY” IS FANTASIZING: HISTORY IS CHRONOLOGY
2. By the way, when someone tells you they “sold out” at Carnegie Hall, be sure to inquire “Oh, which auditorium, the grand
auditorium —or the other auditorium —or the little one?”
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COPYRIGHT NOTICE: In addition to the property of others,
such as extensive quotations and reproductions of
images, this “read-only” computer file contains a great
deal of special work product of Austin Meredith,
copyright 2014. Access to these interim materials will
eventually be offered for a fee in order to recoup some
of the costs of preparation. My hypercontext button
invention which, instead of creating a hypertext leap
through hyperspace —resulting in navigation problems—
allows for an utter alteration of the context within
which one is experiencing a specific content already
being viewed, is claimed as proprietary to Austin
Meredith — and therefore freely available for use by
all. Limited permission to copy such files, or any
material from such files, must be obtained in advance
in writing from the “Stack of the Artist of Kouroo”
Project, 833 Berkeley St., Durham NC 27705. Please
contact the project at <[email protected]>.
“It’s all now you see. Yesterday won’t be over until
tomorrow and tomorrow began ten thousand years ago.”
– Remark by character “Garin Stevens”
in William Faulkner’s INTRUDER IN THE DUST
Prepared: December 3, 2014
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ARRGH AUTOMATED RESEARCH REPORT
GENERATION HOTLINE
This stuff presumably looks to you as if it were generated by a
human. Such is not the case. Instead, someone has requested that
we pull it out of the hat of a pirate who has grown out of the
shoulder of our pet parrot “Laura” (as above). What these
chronological lists are: they are research reports compiled by
ARRGH algorithms out of a database of modules which we term the
Kouroo Contexture (this is data mining). To respond to such a
request for information we merely push a button.
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Commonly, the first output of the algorithm has obvious
deficiencies and we need to go back into the modules stored in
the contexture and do a minor amount of tweaking, and then we
need to punch that button again and recompile the chronology —
but there is nothing here that remotely resembles the ordinary
“writerly” process you know and love. As the contents of this
originating contexture improve, and as the programming improves,
and as funding becomes available (to date no funding whatever
has been needed in the creation of this facility, the entire
operation being run out of pocket change) we expect a diminished
need to do such tweaking and recompiling, and we fully expect
to achieve a simulation of a generous and untiring robotic
research librarian. Onward and upward in this brave new world.
First come first serve. There is no charge.
Place requests with <[email protected]>. Arrgh.