nike p rod stash

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Copyright © 2006. Madison Media Software, Inc., a subsidiary of Sony Corporation of America. All rights reserved.
stash
DVD MAGAZINE 30
STASH MEDIA INC.
Editor: STEPHEN PRICE
Publisher: GREG ROBINS
Associate editor: HEATHER GRIEVE
Associate publishers:
LARA OSLAND, STACY FRY
Administration: MARILEE BOITSON
Art production: KRISTIN DYER
Music editor: STEVE MARCHESE
Contributing producer: ERIC ALBA
Technical guidance: IAN HASKIN
Montage editor: JEFF ZEMETIS
Intern: EVAN DOHERTY
DVD production: ASSET DIGITAL
Title animation: KYLE SIM, TOPIX
Title music: TREVOR MORRIS
Cover image: 1ST AVE MACHINE
WWW.STASHMEDIA.TV
ISSN 1712-5928
Legal things: Stash Magazine and Stash DVD
are published 12 times per year by Stash Media
Inc. All rights reserved and contents copyright
Stash Media Inc. No part of this booklet nor
the Stash DVD may be copied without express
written permission from the publisher. Stash
Media Inc. does not promote or endorse
products, services or events advertised by
third party advertisers. Submissions: www.
stashmedia.tv/submit. Subscrptions available
from www.stashmedia.tv. Contact us at:
Stash Media Inc. 484-1641 Lonsdale Avenue,
North Vancouver, BC V7M 2J5 Canada
Printed in Canada.
I’m staring bleary-eyed across this month’s line-up in the desperate search
for something wise and witty to fill this page. Slowly a theme crawls out
of the fog and flops into my cranium. And upon closer inspection it may in
fact be the hidden underlying theme of this publication and the work we
gravitate to. Experimentation.
Experimentation on a personal level – trying something you haven’t done
before: like pictureDRIFT’s maiden voyage into 3D on the Gotye video or
Nth Degree’s beautifully executed venture into live action work for TCN, to
name but two of many examples on this disk.
Experimentation on an industry level – trying something no one has done
before. And when visibility is high, anything less than perfect results can
and will be construed as failure. Witness the online slamming of Digital
Domain’s ambitious work for Orville Redenbacher.
The unquenchable need to wade full-speed into unknown and possibly
bottomless muck is what sets the best creative types apart. That, and their
ability to sell these often murky visions to all the other types who – even
when they say they don’t – really just want what they’ve seen before.
Considering the other types vastly out number the creative types, I like to
think of every experiment in the world of applied motion art – successful or
not – as a victory for the brave. Or as V muses to Evey in V For Vendetta,
“There is no certainty. Only Opportunity”
Stephen Price
Editor
March 2007
[email protected]
stash 30.01
VOLKSWAGEN PHAETON
“GALANTY SHOW”
TVC : 85
Agency:
GRABARZ UND PARTNER
Director:
MICHAEL REISSINGER
Production:
DELI PICTURES
VFX:
DELI PICTURES
www.delipictures.de
“The challenge was to create a
neo-analog movie that gives the
audience an extraordinary and
fascinating visual but also some
kind of real handmade motionpicture,” recalls Deli Pictures’ visual
director Michael Reissinger who
fashioned this spot on the galanty
shows performed by German
puppet master Lotte Reiniger
in the 1920’s. Schedule: two
weeks for galanty research, story,
storyboarding and approvals, one
day for the shoot, “building some
stuff in Photoshop, pre-animation
in After Effects, getting it all
together, creating fine art buildings
and stylish frames in Flame about
20 days”.
For Grabarz und Partner
CDs: Ralf Heuel, Ralf Nolting
AD: Christoph Stricker
Copy: Paul von Mühlendahl
Producers: Anne Hoffmann,
Patrick Cahill
Grafik: Jasmin Remmers
For Deli Pictures
Producer: Bianca Mack
Camera: Oliver Schumacher
Acting artists: Silhouette
Flame: Melissa Panek
Motion graphics: Axel Schmidt
Toolkit
Flame, After Effects, Photoshop
stash 30.02
QWEST
“WHALE”, “JUNGLE”, “DONUT”
TVCs :30 x 3
Agency:
MCKINNEY, DURHAM
Production:
SHINE
www.shinestudio.tv
Director/sand artist:
ILANA YAHAV
www.sandfantasy.com
The world of sand art is a small
and often obscure one, but Ilana
Yahav brings the wonderfully
low-tech craft to mainstream
advertising with these spots for
Qwest’s portfolio of business
data, IP and voice products. All of
Yahav’s fluid lightbox artistry was
captured in camera and posted at
LA design agency Shine.
For McKinney, Durham
ECD: David Baldwin
Group CD interactive:
Bruce Fougere
HOP: Regina Brizzolara
AD: Ryan O’Hara Theisen
Copy: Joe Parrish
Producer: Cathy Wilson
For Shine
DOP: Juan Ruiz
Music: Emoto
Audio: Eric Ryan @ Ravenswork
stash 30.03
LLOYDS TSB
“FOR THE JOURNEY”
TVC :60
Agency:
RAINEY KELLY
Director:
MARC CRASTE
Animation:
STUDIO AKA
www.studioaka.co.uk
When is comes to inventing
animated worlds, director/designer
Marc Craste has an astounding
range of visions. From the darkest
of comedy (see “Pica Towers” in
Stash 02) to the light and charm
of his work for the National Lottery
(Stash 21) and this lead off spot
in a new pool for UK bank Lloyds
TSB, Craste’s snappy motion,
quirky characters and beautiful
rendering draw us in immediately
and make us want to watch again.
Craste works out of Studio AKA
in London whose animation team
brought this :60 to TV using XSI
and After Effects.
For Rainey Kelly
Head of TV: Tim Page
CD: Ben Priest
AD: Dave Godfree
Copy: Mark Waldron
For Studio AKA
Producers: Nikki Kefford-White,
Sue Goffe
Head of 3D: Andy Staveley
TD: James Gaillard
Animators: Johannes Weiland,
Klaus Morschheuser,
Fabienne Rivory, Boris Kossmehl,
Maarten Henstra
3D: Fabrice Altman, Matt Morris,
Adam Avery, Florian Mounie, Rob
Chapman, Abraham Meneu Oset,
Jo Billingham
Compositing: Will Eagar,
James Gaillard
Editor: Nic Gill
PA: Cat Scott
Toolkit
XSI, After Effects
stash 30.05
VOLVO C30 PROJECT
Virals X 5
Agency:
FUEL LONDON
Directors:
COAN & ZORN, PIERRE &
BERTRAND, RACHEL THOMAS,
STEVE SCOTT
Production:
NOT TO SCALE
www.nottoscale.tv
Not To Scale is a new animation
company in London with a fresh
portfolio of directors, five of whom
created 16 films for the launch
of the new Volvo C30. Stash
ran two of the spots by National
Television last month and here are
five more based on unscripted
and un-storyboarded sound
bytes harvested from real people
reacting to the car on the streets
of Europe. Each of the directors
was allowed to choose from a
pool of 200 of these audio clips
as a starting point for their films.
The 16 films are designed to stir
up discussion about the C30 and
push people to www.volvocars.
com where they can play 16 online
games based on the films.
Read more about the campaign
at www.stashmedia.tv/30_05.
For Fuel London
CDs: Chris Aldhous,
Peter Hodgson
Creatives: Caroline Lisowicz,
Fabiana Xavier, Vicky Ghose,
Charlie Johnson
Producer: Vanessa Read
For NotToScale
EP: Daniel O’Rourke
stash 30.06
ORVILLE REDENBACHER
“DIGITAL MUSIC”
TVC :30
Client:
ConAgra Foods
Agency:
Crispin Porter + Bogusky
Director:
DAVID FINCHER
Production:
ANONYMOUS CONTENT
For Crispin Porter + Bogusky
CCO: Alex Bogusky
VP CD: Bill Wright
AD: Jason Ambrose
Copy:Jake Mikosh
Sr producer: Chris Moore
For Anonymous Content
EPs: Dave Morrison, Jeff Baron
HOP: Sue Ellen Clair
Producer: Robin Buxton
For Digital Domain
President commercial division/EP:
Ed Ulbrich
EP: Karen Anderson
VFX super: Eric Barba
Producer: Melanie La Rue
Digital PM: Chris House
CG super: Karl Denham
Animation super: Marc Perrera
TD super: Steve Preeg
Compositing super:
Janelle Croshaw
Digital artists: Dan Abrams, Chris
Christman, Brandon Davis, Dan
Fowler, Piotr Karwas, Nick Lloyd,
Dave McLean, Chris Norpchen,
Melanie Okamura, Ruel Smith,
Tharyn Valavanis, Patrick Runyon
Character TD: Domenic DiGiorgio
TDs: John Cooper, Daniel Maskit,
Tadao Mihashi
Flame: Kevin Ellis, Paul Kirsch,
Mike Saz, Lisa Tomei
Nuke: Todd Sarsfield,
Greg Teegarden
Tracking super: Marco Maldonado
Tracking: Scott Edelstein,
Ross Mackenzie
Roto: Hilery Johnson Copeland,
Edgar Diaz, Eddie Gutierrez,
Alicia Bissinger
his research into the digital
actor techniques he plans to
use in his up-coming feature
The Curious Case of Benjamin
Button. Second, CP+B needed
to get Mr. Redenbacher back
into the minds of consumers.
Conspiracy theorists suggest
CP+B accomplished that goal and
reasserted their title as masters
of manipulating online buzz by
approving this spooky version
of Orville specifically to create
controversy.
Read detailed technical notes at
www.stashmedia.tv/30_06
Animation:
DIGITAL DOMAIN
www.d2.com
The resurrection of pop-icon
Orville Redenbacher took eight
months of work by 40 artists
at a top studio all directed by a
revered living legend. Despite the
manpower and a budget of almost
two million dollars the results are
invariably criticized as “eerie” or
“creepy”. What is lost in most of
the online ranting is the sheer size
and complexity of the attempted
task: creating photo-real CG
close-ups of a recognized human
delivering lines. The technical story
of how Orville was brought back to
life could fill this book, but just as
interesting are the two underlying
motives behind the spot. First,
David Fincher needed to further
stash 30.07
RESFEST10
Festival open
Client:
RES MEDIA GROUP
Director:
TRANSISTOR STUDIOS
Design/animation:
TRANSISTOR STUDIOS
www.transistorstudios.com
To mark a decade of the legendary
visual circus known as ResFest,
New York’s Transistor Studios
designed everything from this
open to print elements and the
website – a package handled by
multiple studios in previous years.
According to Transistor EP Damon
Meena, “We originally wanted
to develop folklore creatures to
represent each city of the festival,
but once we decided to go
photo-real 3D, we realized that
44 creatures was too ambitious.”
Over the course of a seven-month
production period the characters
slowly evolved from the fantastical
and surreal experiments you see
here, into the backroom computer
geek penguin-orca hybrid in the
final piece.
Watch Behind the Scenes on
the DVD.
For Res Media
HOP: John Turk
Executive director:
Karol Martesko-Fenster
Head of programming:
Jeremy Boxer
Production coordinators:
Justin Bolognino, Su Yogurtcuoglu
For Transistor Studios
EP: Damon Meena
Sr producer: Greg Talmage
Producers: Crystal Deones,
Melissa Eccles, Andrea Sertz
CD/VFX super: Jared Plummer
Directors: Joel Lava, Patrick
Bowyer, Jared Plummer,
Bradley Grosh, Chandler Owen,
Anders Schroder
Original concept: Patrick Bowyer,
James Price, Matt Pyke, Nando
Costa, Jared Plummer
Writer: Patrick Bowyer
Character art direction:
Aaron Baumle
Character design: Aaron Baumle,
Stone Perales
Character animation/rigging:
Jeremy Collins
Character lighting/texturing/
Rendering/compositing:
Ryan Kirkwood
Character modeling:
Manny Fragelus
3D tracking: Aaron Kupferman
End logo design direction:
Anders Schroder
Editors: Carsten Becker, Bradley
Grosh, Joel Lava, Patrick Bowyer
Design: Bradley Grosh,
Chandler Owen, Anders Schroder
3D animation : Joel Lava,
Ian Townsend
Toolkit
Maya, 3D Studio Max, After
Effects, Panasonic HVX200
stash 30.08
CLARK “HERR BARR”
Music video
Record label:
WARP RECORDS
Director:
R JAMES HEALEY
Production:
COLONEL BLIMP
Animation/VFX:
R JAMES HEALY
UK director/animator R James
Healy has spent plenty of time
in the 3D animation trenches of
London at Glassworks, MPC,
and currently, at Framestore CFC.
He recently took three months
off to complete this mesmerizing
work for Warp Records and
subsequently took top honors at
the 2006 Radar Festival. “The look
of this piece is a continuation of
previous experiments, manipulating
images by sampling,” reveals
Healy. “The technique is largely
influenced by the Vorticist paintings
of David Bomberg, specifically, “In
the Hold”. Bomberg drew a grid
over his canvas then fragmented
the picture into geometric shapes
whilst retaining the dynamic of the
original scene.”
Read notes from the director at
www.stashmedia.tv/30_08.
Writer/director/editing/
compositing: R James Healy
3D: R James Healy, Hege Berg,
Duncan Robson
Programming: Graham Jack
Pearl scripting: Katherine Roberts
stash 30.09
AMAUTALAB
Recent work
www.amautalab.com
TOKYO NOW “RE-INVENTION”
Broadcast design
RESFEST10 BUENOS AIRES
Opening titles
Tokyo Now is an experimental
content program broadcast
on NHK TV in Tokyo and this
ID was created to explore how
Japan reinvented itself after WWII
including changes in architecture,
diet and social structure. “We
could have animated it in 3D.
It would have been easier. But
we decided to create the whole
mock-up with plastic and elastic
materials, which get dirty very
easily. If we had done it in 3D it
would have been too perfect.”
Schedule two months with a crew
of 12.
Amautalab is barely two years old
but already counts offices in Los
Angeles, Buenos Aires and Lima,
bringing a fresh take to branded
content, film, interactive, motion
and print design. For the premier
of RESFEST in Buenos Aires last
year, the studio created this open
that mixes hallucinogenic 3D
and a live set and actor wrapped
in fabric. “The challenge was to
make both techniques mix up well
together. Live action should give
more realism to the 3D, and the 3D
more unrealism to the live action.”
Schedule: two months.
For W+K Tokyo Lab
Producer: +Cruz, Woog
For Amautalab
Producers: Juan Manuel Menvielle,
Facundo Perez, Ioni Borisonik
DOP: Demian Rodenstein
Stylist/AD: Bettina Hattori
Music/sound design: Noroeste
3D: Gizmo
Music: Noroeste
Toolkit:
Nikon D200, Final Cut Pro,
After Effects
Toolkit:
Maya, After Effects
Read more about both projects
at www.stashmedia.tv/30_09.
Watch Behind the Scenes on
the DVD.
stash 30.10
ESPN-NBA “CONTENDERS”,
“FEATS”, “YOUNGSTERS”
TVCs :30 x 3
Agency:
WIEDEN+KENNEDY
Director:
CISMA
Production:
BLACKLIST
Animation:
CISMA
www.cisma.com.br
Say hello to CISMA, the latest
director added to Blacklist’s
growing roster of previously
obscure animation and design
studios thrust into the advertising
limelight. Combining cel, 2D and
3D animation and looking to avoid
a cartoony feel for the characters,
the Brazilian troop of 27 animators,
designers, and storyboard artists
sought inspiration in the worlds
of Peter Chung’s Aeon Flux, the
Thundercats, Samurai Chamloo
and James Paterson/Presstube.
Read more detailed notes at
www.stashmedia.tv/30_10.
For Wieden+Kennedy
CDs: Paul Renner, Derek Barnes
HOP: Gary Krieg
Producer: Jill Auerbach
AD: Eric Stevens
Copy: Eric Stevens
For Blacklist/Cisma
Director: Denis Kamioka
EP: Adina Sales
Producer: Lisa Vallamil
EP Barcelona: Coke Ferreiro
Animation director:
Vicent R. Arlandis
PM: Iván Ruiz De Gauna
PAs: Esther Sabater,
Jordi Maldonado
Storyboard: Antonio Santamaria
Keyframers: Javier Vaquero,
Alberto Alzelay, Daniel Alcaraz,
Pablo Navarro, Arturo Hernández,
Toni Mengual, Pere Hernández,
Gerardo Basabe
Vector animation: Fran Alcaraz,
Oscar Sarramía, Guillermo Bosch
In-betweeners/animation assitants:
Rakel Brígido, Maribel Suñe, Lidia
Morales, Fernando Abaca,
Oscar Berlanga, Aitor Ibarrola
Clean-up super: Rakel Brígido
Scan/clean-up supers:
Esther Sabater, Igor Guerra
Clean-up: Rakel Brígido,
Maribel Suñe, Lidia Morales,
Marc Esteban, Oscar Berlanga,
Fernando Abaca, Lourdes Català,
Rubén Pastor, Mercè Mora, Sara
Guñalons, María Pena,
Aleix Orsola
3D: Jaime Ramos, Jordi Roldán
Composition: Fede Reano,
Martín Fernández
Flame artists: Joe Vitale,
Jamie Scott
Toolkit
After Effects, Shake, Maya,
Photoshop, Illustrator, CTP Pro,
Flame, light tables, scanners,
video cameras, pencils and 5000
sheets of paper
stash 30.11
NTH DEGREE
Recent work
www.nthdegree.tv
DISCOVERY HEALTH
“BABY WEEK” (SPEC)
For their annual programming stunt
called Baby Week, Discovery Health
was focusing on shows about
multiple births. Nth Degree included
this spec in their pitch for the promo
spots, “The entire piece came
together in about a day. We found
the song, we found the picture of
the baby, and it all just seemed to
fit,” recalls EP David Edelstein. “We
were very proud of how the final
project came out, but there was
something about the effortless way
the spec piece came together that
communicated a sense of whimsy
we all found appealing. The piece is
comprised of one, not very flattering
picture of a baby having a tantrum,
repeated ad nauseum. This seemed
to communicate the notion of
multiple births and the challenges
they pose for parents with a kind of
visual shorthand that cut right to the
heart of the matter.”
For Nth Degree
CD/animator: Arlan Smith
EP: David Edelstein
Designer: Eve Lim
Producer: Jason Joly
New York design, animation and
branding studio Nth Degree show
off the breadth of their talents
with these two radically disparate
pieces of broadcast design.
TURNER CLASSIC MOVIES
In collaboration with legendary
brand strategist Bob English and
live action director Chris Weinstein,
the studio designed, shot, edited
and posted this cinematic ID called
“City Awakens” for TCM’s morning
block of movies.
For TCM:
Producer: Shannon Davis
For Nth Degree
EP: David Edelstein
CD: Bob English
Director: Chris Weinstein
Producers: Jason Joly,
Susie Shuttleworth
DOP: Trish Govoni
CD/animator: Arlan Smith
Designer: Eve Lim
stash 30.12
NICKTOONS
Broadcast design
Client:
NICKTOON NETWORKS
Director:
ADOLESCENT
Animation/design:
ADOLESCENT
www.adolescent.tv
NickToons asked Adolescent for
“over-the-top, adrenalin-driven,
absurd scenarios” aimed at boys
and the NY studio responded with
these three IDs set in a bizarre
arena full of trippy characters
(including Spin-Psycho, Squid-OWatt, Canman and Balloonimal)
waging slapstick battle. Schedule:
three months.
For Adolescent
CD: Man-Wai Cheung
Producer: Doron Tadmor
AD: Mina Muto
Designers/animators: Chris Sterns,
Michelle Palumbo, Brian Sensebe
Toolkit
Illustrator, Photoshop, After
Effects, Maya
stash 30.13
*ECKOTV “EPISODE 3”
DVD video design
Client:
ECKO UNLIMITED
Director:
HEAVENSPOT
Animation/design:
HEAVENSPOT
www.heavenspot.com
Hollywood interactive agency
Heavenspot reteam with *eckoTV
for the third DVD episode in Marc
Ecko’s exploration of action sports,
street art and other assorted
cracks in the parking lot of pop
culture. The graphically divergent
show packaging, which the studio
says is stuffed with “symbols
of American and world culture,
touching upon religion, history,
politics, sports and society,”
includes two opens and two
bumpers.
For Heavenspot
CD/president: Chevon Hicks
EP: Seth Silver
Producer: Luella Magsino
Sr designer: Pong Ko
Designer/animator: Chang Ho Lee
3D modeler/animator:
Jermaine Saunders
Composer: Charles James
stash 30.14
CHANNEL FOUR FINLAND
“SOHO”
Broadcast design
Client:
CHANNEL FOUR FINLAND
Director:
FAKE GRAPHICS
Animation/design:
FAKE GRAPHICS
www.fakegraphics.com
Channel Four Finland needed to
promote their new Soho lifestyle
programming block with its
requisite themes of interior design,
health and beauty, food, travel
and gardening. Helsinki design
and animation studio Fake says
they based their solution on “using
a 2.5D approach by building the
scenes with photographs layered
in 3D space. The locations were
photographed in several layers by
shooting set pieces in the same
distance on one plate. We feel
we achieved just enough realism
with a strong touch of the surreal.”
Crew and schedule: six artists for
six weeks.
For Channel Four Finland
Marketing director: Tommi Lahde
AD: Tuomo Kulomaa
Still photography: Kimmo Virtanen
Music/sound design: Humina
Toolkit
3ds Max, Fusion, After Effects,
Photoshop
stash 30.15
THE DISCOVERY CHANNEL
“TOYOTA: ONE AIM”
Documentary excerpt
Agency:
BROTHERS AND SISTERS
Director:
STEVE SMITH
Animation:
TRUNK
www.trunk.me.uk
This clip is the first of four
commissioned by the Discovery
Channel through the Brothers
and Sisters agency to sit within
an hour long documentary
exploring the inner workings of
the Toyota F1 team and their
cars. “The concept was to have a
part of the car center-screen all
through the 50-second sequences
which lead us to a very static,
un-dynamic board,” reveals
Trunk director Steve Smith.
“So the creative challenge was
to make the animation exciting
and in constant flow around that
car part. The technical challenge
was mainly to achieve a lot of
animation (3.5 minutes) in a short
time.” Schedule: Nine weeks from
commission to completion, five of
those for animation.
Toolkit
3ds Max, After Effects
stash 30.16
NANDO COSTA
Recent work
www.nandocosta.com
TELECINE “FUN PARK”,
“FERRIS WHEEL”
Broadcast design
Costa: “The Brazilian cable TV
network Telecine approached
me with the task of creating two
short ID’s for their channels. The
concept was based on influences
from circus’ and theme parks,
insinuating that watching their
channels was just as fun.”
Direction/animation/compositing:
Nando Costa
Animation: Renator Ferro,
Ricardo Ferro, Victor Hugo
Music: Polar Empire
Toolkit
After Effects, 3ds Max
FUEL TV “ASSEMBLY ID”
Broadcast design
Costa: “Following the construction
of a model FMX motorcycle that
transforms into a full sized ride
ready for action, the concept plays
to the creative inspiration that
action sports enthusiasts of all
ages get from watching FUEL TV.”
For FUEL TV
Sr producer OAP: Todd Dever
Director OAP: Oren Hatum
VP marketing & promo:
Jake Munsey
SVP/assistant GM: CJ Olivares
CD/designer/2D animator/
compositor: Nando Costa
3D modeler: Thiago Costa
3D animator: Renato Ferro
Sound design/music: Combustion
stash 30.17
ARBY’S ACTION SPORTS
AWARDS
Broadcast design
Client:
FUEL TV
Director:
SHILO
Design/animation:
SHILO
www.shilo.tv
Shilo breaks the action sports
world out of its usual flat cut-out
shackles but gives the resulting
3D treatment an unexpected
illustrative look and lends the
raucous genre a little class. “The
character animation proved to be
a challenging assignment,” reveals
Shilo CD Jose Gomez. “Since
most of us at the studio come
from some sort of action sports
background, we are very familiar
with how surfers and skaters
perform these types of tricks.
Bottom line is we wanted the
action to be true to the sport.”
For Shilo
CDs: Jose Gomez, Andre Stringer
Lead design: Jose Gomez
Animation: Jose Gomez,
Curtis Doss, Jon Lorenz
Lead 3D design: Cody Smith
3D: Kiel Figgins, Chris Mead,
Jorma Auburn, Christopher
Adams, Cody Smith, Blake Guest,
Compositors: Cody Smith, Curtis
Doss, Jon Lorenz, Jose Gomez
Editor: Mike Goubeaux
Prod coordinator: Brooke Marshall
Producer: Jake Hibler
EP: Tracy Chandler
Toolkit
Maya, After Effects, Photoshop
For Fuel TV
CD: Jake Munsey
SVP/assistant GM: CJ Olivares
Sr producer: Todd Dever
Director OAP: Oren Hatum
stash 30.18
FOX SPORTS “GALAXY”
TVC :60
Directors:
ROBERT GOTTLIEB,
ROB HOOVER
Production:
FOX SPORTS
Animation/VFX:
DIGITAL DOMAIN
www.d2.com
Heralding the return of the Daytona
500, the biggest and loudest
fossil fuel festival in the world of
NASCAR, the in-house creative
team at Fox Sports knew that the
60 second spot had to be visually
arresting. The live action elements
were shot on green screen over
the course of a day then trucked
off to Venice, CA, for Digital
Domain to conjure the cars and
galactic environments.
Watch Behind the Scenes on
the DVD.
For Fox Sports
EVP: Eric Markgraf
VP/CD: Robert Gottlieb
Directors: Robert Gottlieb,
Rob Hoover
EP: Bill Battin
Sound design: Mic Brooling
Editor: Felipe Fenton
For Digital Domain
President Commercials/EP:
Ed Ulbrich
VFX producers: Lisa Beroud,
Mark Kurtz
Associate producer: Alex Theisen
VFX super: Fred Raimondi
CG super: Richard Morton
Flame artists: Paul Kirsch,
Kevin Ellis
Nuke compositor: Rachel Keyte
Digital artists: Earl Hibbert,
Kent Lidke, John Lima, Sven
Dreesbach, Charles Paek, Terry
Naas, Paul Gimm, Gabriel Koerner,
Jeff Dierstein, Todd Dufor,
John Bavaresco
Matte painters: Mannix Bennet,
Alan Sonneman
Tracking: Geoff Baumann
Roto artist: Rob Liscombe
Toolkit
Avid, Photoshop, DD proprietary
software, After Effects, Illustrator
stash 30.19
U2 “WINDOWS IN THE SKIES”
Music video
Record label:
INTERSCOPE RECORDS
Agency:
MODERNISTA!
Director:
GARY KOEPKE
Post/VFX:
THE MILL NY
www.the-mill.com
U2 “WINDOWS IN THE SKIES”
Music video
Production:
NEXUS PRODUCTIONS
in London. Working in his
Filmteknarna studio in Stockholm,
Odell and crew scanned the stills
of the band from the new “U2 on
U2” book and then assembled
them into this swooping black and
white dream world.
Animation:
FILMTECKNARNA
www.filmtecknarna.se
For Filmtecknarna
Director: Jonas Odell
Producer: Lisa Möller
Released a few weeks after the
Modernista!/Mill NY version, this
take on the Window in the Skies
track comes from Swedish director
Jonas Odell via Nexus Productions
Toolkit
Combustion, Smoke, Flame
Director:
JONAS ODELL
For The Mill NY
CD: Angus Kneale
Producers: Dan Williams,
Verity Grantham
Lead Flame: Dan Williams
Flame: Dirk Greene, Richard de
Carteret, Westley Sarokin,
Gavin Wellsman, Mark French,
Aska Otake, Cole Schreiber
Smoke: Jeff Robins, Tristian Wade
Combustion: Jeanette Willford,
Anu Nagaraj, Winston Lee
Art support: Gigi Ng, Mary Casey
3D animators: Ben Smith, Pete
Hamilton, Kevin Ives, Jin Choi,
Emily Meger, Wyatt Savarese
Read detailed production notes
at www.stashmedia.tv/30_19.
After a monumental search
through hundreds of hours of
archival footage and the tedious
matching of dozens of lips to
snippets of lyrics, Modernista!
CD/director Gary Koepke and his
editing team began collaborating
with the Mill NY to finesse the
illusion of famous vocalists singing
U2’s Windows in the Sky. They
used time warps, speed changes
and, in a few cases, complex
mouth manipulations to hit the
required sync.
For Modernista!
Creatives: Gary Koepke,
Nathan Naylor
DOB: Charles Wolford
Associate producer: Joyce Chen
Editors: David Brodie, Max Koepke
Assistant editor: Julian Wadsworth
PA: Alejandra Ravassa
stash 30.20
GOTYE “HEARTS A MESS”
Music video
Record label:
CREATIVE VIBES
Director:
BRENDAN COOK
Production/animation:
PICTUREDRIFT
www.picturedrift.com.au
Australian design and animation
studio pictureDRIFT set some
ambitious goals for this video, one of
their first ventures into 3D. “I wanted
the live action backgrounds to have
the feel of time-lapse photography
at night. I also wanted fast moving
shadows and to retain a high
level of detail in the images,” says
director Brendan Cook. DP Barnaby
Norris found the solution using
two polarizing filters set at different
angles allowing very long exposures
in full daylight. Another challenge
was rendering: “I was rendering 4K
images with motion blur on a single
G5 and having many crashes and
corrupt frames which was causing
huge headaches.”
Read how pictureDRIFT solved
this production problem at
www.stashmedia.tv/30_20.
Watch Behind the Scenes on
the DVD.
For pictureDRIFT
Director: Brendan Cook
Character design/illustration:
Duncan Irving
Cinematography: Barnaby Norris
3D modelling/rigging: Stefan
Litterini, Mayumi Kaneko
3D: Brendan Cook,
Mayumi Kaneko
Compositing/2D animation:
Brendan Cook
Toolkit
Maya, After Effects, Illustrator,
Photoshop, Final Cut Pro
stash 30.21
O.LAMM “AERIALIST”
Music video
Record label:
ACTIVE SUSPENSION
Director:
MUMBLEBOY
Animation:
MUMBLEBOY
www.mumbleboy.com
Kinya Hanada (a.k.a. Mumbleboy)
recently partnered with Parisian
record label Active Suspension
to dream up a whole world of
wacky for electronic beat master
O.Lamm and his new track
“Aerialist”. Hanada, best known
for his eclectic Flash videos and
handmade dolls, worked alone
on the project and without a hard
deadline. The video was created
primarily in After Effects and
wrapped (with a very vibrant bow)
in two months.
Director/designer/animator:
Kinya Hanada
Toolkit
After Effects. Flash
stash 30.22
NIKE
“BORN FROM OBSESSION”
Virals x 3
Agency:
WIEDEN+KENNEDY TOKYO
Directors:
QIAN QIAN, PHUNK STUDIO,
BURACA DE BALA
QIAN QIAN
Air Max 360 Running
“The key idea behind the video
is to showcase the Air Max 360
as the best performing running
shoe. I saw similarities with bugs
after seeing the parts, so I played
around with the parts, just as I
started imagining the air-cushion
as an inner space with all those
pillars.”
Direction/design: Qian Qian
Story: Qian Qian, Wu Di
Modelling/animation: Brian Moore,
Patrick Dunnegan
Music/sound: Nathan N. Cook
Watch Behind the Scenes on
the DVD.
PHUNK STUDIO
Nike SB Zoom Tre
“The technology of this shoe
endows one with freedom and
confidence and we wanted to
show this by highlighting the sheer
energy present in any skating
trick. Other than showing the
exceptional grip of the shoe, we
also wanted to depict it as an
extension of a skater’s personality.”
BURACA DE BALA
Mercurial Vapor III
“Our biggest challenge was to
come up with the characters,
storyline and produce the videos
under a tight schedule. It was
Ronaldo from the Brazilian national
team that we had to feature for a
big company from abroad, so we
felt a big load of pressure.”
For Buraco de Bala
2D Illustrations: Emerson Luiz,
Danilson Carvalho, Gleydson
Caetano, Aleixo Leite
3D: Bruno Rojas, Samir
Rahamtalla, Yuri Alves
Compositing: Bruno Rojas,
Sílvio Nóbrega, Márcia Roth
Clean-up: André Nóbrega,
Daniel Barroca, Daniel Carvalho,
Daniel Grilo, Gabriel Fazzioni,
Mallo Ryker, Viviane Barros.
Music: Batalá.
Sound Design: Márcio Brandão,
Aleixo Leite
Animation/design:
QIAN QIAN, PHUNK STUDIO,
BURACA DE BALA
www.q2design.com
www.phunkstudio.com
www.buracodebala.com
These three clips are part of a
series commisioned by Nike Asia
which gathered artists from around
the world to create short films,
sculptures, characters and posters
to promote a series of footwear
models highlighting the shoes’
components and the theme “Born
from Obsession”. All the elements
were featured in an exhibition
that toured Japan, China, Korea
and Singapore. Stash featured a
fourth film Meta7 on the cover of
issue 29.
For Wieden+Kennedy Tokyo
Executive AD: Eric Cruz.
Designer: Shane Lester
Producer: Hiromi Shibuya,
Hisako Kuniyasu
stash 30.23
TOWER 8 “THE FACE OFF”
Music video / short film
Director:
TOWER 8
Animation:
TOWER 8
www.tower8.net
Details are few on the mysterious
world of Tower 8. The collective
calls themselves “a comic
book rock opera set in a postapocalyptic world where music is
a supernatural force.” Tower 8’s
primary presence is on Tower8.
net, where videos, music, art,
and the website provide “a
window into an alternate future
where artistic creativity can
alter the rules of reality with
supernatural effects.” The Faceoff
is the first video in a series and
combines painted backgrounds,
ink drawings, photos, public
domain films, 2D vector art and
3D animation. The visuals and
music were built together, “so the
structure of the story and the song
mirror one another.”
For Tower 8
Director: Danny Cannizzaro
Producer: Gavin Brown
Concept: Michael Ashton,
Gavin Brown, Danny Cannizzaro
2D animation: Michael Ashton,
Danny Cannizzaro
3D animation: Michael Ashton
Music: Gavin Brown
Vocals: Scott Williams
Special thanks: Mark Tribe, Sadie
Barchini, Mukta Chowdhary, mtvU,
Cisco Systems
Toolkit
After Effects, Photoshop, Maya,
Illustrator, Sony Vegas, Acid
stash 30.24
VERTICAL CAT “FOG”
Music video
Record label:
ACHINGLY RESPONSIVE
RECORDS
Director:
CELYN
www.zigzagmountain.com
Animation:
NEXUS PRODUCTIONS
www.nexusproductions.com
London comic artist/illustrator/
animator/director Celyn melds
all his talents into this dystopian
cartoon video for Dan Arthure
aka Vertical Cat. He started with
a model set, photographed the
scenes with a digital camera, then
tracked and split up each scene
so he could animate over this
footage. The animation was done
traditionally, by hand, and each
scene was then lit and graded to
create the stormy night time look.
“I wanted to create an atmospheric
space,” says the director,
“something that connected the
viewer directly with the rhythmic
dynamism of the track.”
For Nexus Productions
Director/animator: Celyn
Toolkit
After Effects, Canon EOS
stash 30.25
HEAD GEAR ANIMATION
Recent work
www.headgearanimation.com
Meanwhile, back at Head Gear,
the zaniness continues. This fresh
batch of canny absurdities from
the Toronto studio includes an
answering machine beep finding
gainful employment as an expletive
censor via Recruit Ireland and a
series of painful virals for Blistex.
The studio says the major challenge
on both projects was finding simple
and effective visuals to carry the
story despite the small budgets.
Blistex directors Isaac King, Philippe
Blanchard and Julian Grey each
took on their own spots: designing,
animating, compositing, and in
some cases, creating the sound
effects and voice work themselves.
Read more about both projects
www.stashmedia.tv/30_25.
RECRUIT IRELAND “BEEP”
TVC :30
BLISTEX
Virals x 3
Agency:
CHEMISTRY
Agency:
ML ROGERS, NY
Directors:
STEVE ANGEL, JULIAN GREY
Directors:
ISAAC KING, PHILIPPE BLANCHARD, JULIAN GREY
For Chemistry
Copy: Anne Fleming
AD: Nicole Sykes
For ML Rogers
AD: Scott Barbey
Producers: Steve Amato, Ian Phillips
For Head Gear Animation
EP: Sue Riedl
Producer: Kathryn Rawson
Animators: Steve Angel, Nick Fairhead, Julian Grey
Compositors: Nick Fairhead, Julian Grey
For Head Gear Animation
Producer: Ruby Zagorskis
Toolkit
Photoshop, After Effects, Flash, cel animation
stash 30.26
THOR MX
TVC :30
Agency:
CURTIS BIRCH, VENICE
Director:
RICHARD YELLAND
Animation/design:
SPUTNIK STUDIO
www.sputnikstudio.com
As extreme sports move closer to
the mainstream, so have the once
fresh visual marketing devices it
created. So when Santa Monica’s
Sputnik Studio was given the
chance to create a 30 second spot
for the 2006 Supercross Anaheim
Race, the challenge was to not
only break away from the standard
visual clichés of the extreme sports
world, but do it in six weeks, with a
crew of three.
For Curtis Birch
Writer: Jim Gallagher, Joe Paraiso,
Richard Yelland
AD: Jim Gallagher, Joe Paraiso,
Richard Yelland
For Sputnik Studio
Director: Richard Yelland
Animation: Pasha Ivanov
Motion graphics: Cadin Batrack
stash 30.27
JOHNNIE WALKER
“INVISIBLE MAN”
TVC :60
Agency:
LEO BURNETT SYDNEY
Director:
SPENCER SUSSER
Production:
CURIOUS FILMS
VFX:
FUEL
www.fuel-depot.com
“It’s rare to work on a TVC where
every shot, 16 in total, is a visual
effects shot and in this case we
needed to create 89 invisible
people,” says Simon Maddison,
who led the Invisible Man team
of 35 artists and technicians at
Sydney VFX house Fuel. They
started with tracking markers,
clean slates, and a load of
photographic reference on set. In
post the actors faces and hands
were removed and replaced with
3D versions of the inside of their
hats and cuffs. Replacement
backgrounds also had to be
carefully tracked and added to the
final comp. This :60 and two :30’s
were completed in less than five
weeks.
Read more detailed notes at
www.stashmedia.tv/30_27.
For Leo Burnett
CD: Mark Collis
Producer: Simone O’Connor
Copy: Trent Christie
AD: Andrew Ostrom
For Curious Film
Producer: John Rogers
DOP: Greg Frasier
For Fuel
VFX super: Simon Maddison
VFX producer: Dave Kelly
Lead Flame: Karen Fabling
Flame: Edwin So, Chris Scott
3D lead: Mike Bain
3D: Romain Buignet, Nick Cross,
Eleni Diakomichalis, Kane Elferink,
Lianne Forbes, Chris French,
Matt Hermans, Joseph Kim, Paul
Lada, Michael Orbing, Tim Sotiri,
Francois Sugny, Gary Sullivan,
Anders Thonell, Gerard Van
Ommen Kloeke, Andreas Wanda,
Grant Warwick
Shake Lead: Chris Daves
Shake: Tate Arbon, Jason
Billington, Sam Cole, Dexter Davey,
Danielle Hession, Craig Rowe,
Murray Smallwood, Matthew
Wynne, Koji Yamaguchi
Matte painter: David Woodland
Designer: Eddy Herringson
Toolkit
Maya, Flame, Flint, Shake, boujou,
Match Mover, ZBrush, SynthEye,
Photoshop
stash 30.28
CHRIS CLARK “TED”
Music video
Record label:
WARP RECORDS
Director:
ARVIND PALEP
VFX:
1ST AVE MACHINE
www.1st-ave-machine.com
For 1st Ave Machine
Director: Arvind Palep
Producer: Serge Patzak
Compositor: WeiTo Chow
Modeler: Capac Roberts
Insect handling: Sharon Curran
Toolkit
3ds Max
To the delight of entomologists
everywhere, 1st Ave Machine
continues to screw with the line
between real and surreal in this
new video for Warp Records
and artist Chris Clark. The CG
tentacles, bristles and mandibles
were all created in 3ds Max and
tracked onto live action insects.
According to director Arvind
Palep, the goal was to give the
insects “a distinct regal quality and
augment their quality of perfect
intimidation. It’s a bit shocking,
but that’s what we love to do
– triggering that primary emotional
response; that curious, excited
surprise in viewers is what we are
always after.”
stashBONUS FILMS
PSST! PASS IT ON 2
Short films
Concept/production:
GROW DESIGN WORK
“The movies are done! The movies
are done! The movies are done!
It’s been four months of hard
work. Feels like longer. Nine films.
Three teams per film. 27 different
teams in 12 different cities spread
over five countries. 70 artists to
keep track of, email, coordinate
and collaborate with. This time,
each team got six weeks on the
schedule with one week of overlap
between each consecutive team.
They had to produce about 30
seconds each, transitioning from
the previous section into their own
– creating the story, graphics,
animation, and working with a
composer on music and sound
design. Nine teams x two minutes
= 18 minutes of fun! Keep an eye
on www.psstpassiton.com for
screening dates in NYC, LA, and
London.”
Bran Dougherty
PPIO creator/CD/contributor
http://psstpassiton.com
01. BUBBLE EIDETIC SPINDROME
03. DRIFT SLICYCLE POPPED!
Part 1
Director: Radical Friend
Sound: Adam Bruneau
Part 1
Design/animation: Noah Conopask,
Anthony Vitagliano
3D: Linas Jodwalis
Editor: Josh Bodnar
Music contains elements of:
Syndrone “Cachexia”, “Pan_Ic” Max
Spransy “The Lights In The Sky Are
Stars” courtesy of Merck Records
Part 2
Director: Buck
Artists: Tomás Peña, Stephen
Kelleher, Patrick Scruggs,
Joe Mullen, Ben Langsfeld,
Thomas Schmid
Music/sound design: Chris Wei,
Insurgent Music
Editor: Harry Walsh
Part 2
Design/direction/animation: Ted Gore
Audio: Judson Cowan at Cicada
Part 3
Directed/animated: Joe Vaccarino,
York Capistrano
Sound design: Scott Pittinsky,
Compound
Part 3
Director: David Ahuja at Athletics
Sound design: David Ahuja
02. FRACAS GIANT AMERICA
Part 1
Creator: Jonathan Cannon
Audio: Ben Lukas Boysen at HECQ
Part 1
Produced/directed: Honest
Sound design/music: John D Black
at Cypheraudio
Part 2
Design/animation: PetPunk
Music: Vitalijus Karnišinas
Part 3
Director: James Price
Audio: Bennett Barbakow,
Chris Smith, Matt Lewkowicz at
Huma-Huma
VO: Franklin O. Smith
04. DECOMPRESS STILL-LIFE
POEM
Part 2
Director: Jan Mathias Steinforth
Animation: Christoph Meyer
Photography: Florian Bochnig
Rotoscoping: Nina Reckeweg
Thanks: Lucky Diner, Hannover
Audio: Ben Lukas Boysen at HECQ
Part 3
Director: Chris James Hewitt
at Dstrukt
Audio: Ben Lukas Boysen at HECQ
Special thanks: Rob Chiu, The Wyld
Stallyons
05. SPARKLE ESPERANTUMOR
STIMULATION
Part 1
Directors: Ted Kotsaftis,
Josh Goodrich, Michele Sandroni,
Darren Culley at loyalkaspar
Audio: Bennett Barbakow,
Chris Smith, Matt Lewkowicz at
Huma-Huma
Part 2
CD/illustrator: Brian Won at National
Television
CDs: Chris Dooley and
Brumby Boylston
Concept artist/TD/2D cell animator:
Kevin Walker
2D cell animator: Song E. Kim
EP: Jared Libitsky
Audio: Bennett Barbakow,
Chris Smith, Matt Lewkowicz at
Huma-Huma
Part 3
Director: Aaron Stewart
Audio: Bennett Barbakow,
Chris Smith, Matt Lewkowicz at
Huma-Huma
06. UNRECIPROCATED SURGERY
DEAD or ZOMBIE!!!
Part 1
Director/animator: James Wignall at
Mutanthands
Audio: Gavin Hislop at Babyshaker
Part 2
Director/animator: Matt Tragesser
Audio: Ron Winter
Part 3
Lead director/designer: Brian Gossett
Co-director/designer:
Stephen Kelleher
Lead animator: David Lewandoski
Animator: Juicy Wang
Audio: David Lewandowski
07. LOQUACIOUS EYESICLE
WILD-BITES
Part 1
Director: Freestyle Collective
CD/designer/animator: Hoon Chong
Creative consultant: Victor Newman
Animator/designer/3D lead artist:
Christina Sidoti
Animator/designer: Mark Bellncula,
Simon Benjamin, Ayako Fukumitsu,
Entae Kim
Producer: Katie Boote
EP: Elizabeth Kiehner
Audio: Bennett Barbakow,
Chris Smith, Matt Lewkowicz at
Huma-Huma
08. MAISON NACHOS FLIGHT
Part 1
Director: Justin Fines at DEMO
Audio: Joel Pickard at Hatfarm
Part 2
Writers/directors: Jenn Leong,
Saiman Chow, Dennis Go, Chad Col
Audio: Joel Pickard at Hatfarm
Part 3
Designed/animated: Bran DoughertyJohnson at Grow Design Work
Audio: Joel Pickard at Hatfarm
TV announcer’s voice: Jason Sloan
09. GLAM WHISPERY TURBIDITY
Part 1
Directors: Alan Bibby, Doug Purver
Thanks to: Ivan Abel, Alice Bertay,
Ryan Mckenna, Noda, Timothy
Saccenti, Ami Suma
Audio: Bennett Barbakow,
Chris Smith, Matt Lewkowicz at
Huma-Huma
Part 2
Director: Kim Dulaney,
Emmett Dzieza, Michelle Higa
Audio: Bennett Barbakow,
Chris Smith, Matt Lewkowicz at
Huma-Huma
Part 2
Directed/animated: Maithy Tran,
JJ Walker
Audio: Bennett Barbakow,
Chris Smith, Matt Lewkowicz at
Huma-Huma
Part 3
Director: Takeo Hatai at Le Pivot
Modeling/animation: Corentin
Laplatte, François Malary
Audio: Bennett Barbakow,
Chris Smith, Matt Lewkowicz at
Huma-Huma
Part 3
Picture/music: John Leamy