Hong Kong - Vienna Boys Choir Music Academy Foundation
Transcription
Hong Kong - Vienna Boys Choir Music Academy Foundation
Hong Kong - Vienna Music Festival 15 Jul - 28 Aug, 2016 Sponsorship Proposal ! Programme 15 Jul, 2016 Opening Concert Hong Kong 18 - 30 Jul, 2016 Summer Music Academy Hong Kong 31 Jul - 13 Aug, 2016 Professional Training Tour Austria 14 - 17 Aug, 2016 Hong Kong Week Austria 28 Aug, 2016 Finale Concert- Mahler Symphony No.8 Hong Kong ! PART 1: OPENING CONCERT [HONG KONG] Introduction Prior to the establishment of the Foundation, Vienna Boys Choir has already been implementing music programmes for kindergarten and primary students in Hong Kong. Over the years, these programmes have given hundreds of students access to quality music education and have ignited a passion for the arts in many. The very first concert of the Festival will see participants of these programmes gathering and demonstrating their transformation through a public performance. The Opening Concert is an epilogue of our pervious efforts and also a prologue marking the beginning of a new chapter in the Foundation’s cause. Date 15 Jul, 2016 (Fri) Venue Hong Kong City Hall, Hong Kong (Capacity: 1400 seats) Highlights • Performance by participants of Vienna Boys Choir (VBC) programmes in Hong Kong • Performance by VBC pedagogues • Complimentary tickets for community programme participants and the under-privileged to offer access to a unique and inspiring concert-going experience VBC Pedagogues Without our professional teachers, none of our community programmes would have been possible. Our pedagogues possess high musical competency and are formally trained in Vienna by the Vienna Boys Choir. Two of them will join us in the Opening Concert to celebrate the Foundation’s initial achievements in the community. Eunice Suen Graduated from the Trinity Laban Conservatoire of Music and Dance, Suen is competent in performing an extensive range of musical work. Her operatic repertoire includes Carmen, Così fan tutte, King Arthur, L’incoronazione di Poppea and A Mid-Summer Night’s Dream. She has also been engaged in opera scenes from Aïda, Le nozze di Figaro, Idomeneo, Giulio Cesare, Eugene Onegin and a number of productions by Opera Hong Kong. In 2009, Suen performed The Magic Flute with the Hong Kong Philharmonic Orchestra in Beijing National Grand Theatre. Besides theatrical works, she also gives regular departmental solo, ensemble and choir concerts. She was also an active member of the Philharmonia Chorus (London). Numerous performance opportunities led her to many world-renowned halls including the Royal Albert Hall and the Royal Festival Hall (London), Chapel of King’s College (Cambridge), Palau de la Música (Spain) and so on. Agnes Quilicot Agnes Quilicot attended the University of Philippines College of Music, where she obtained her degree in Choral Conducting with concentration in Voice. After that she finished her Liturgical Music Composition Studies at the Paul VI Institute of Liturgy in Philippines. Quilicot was trained as a conductor and chorist with the three-time World Grand Prix Champion choir, the Philippine Madrigal Singers under the late Prof. Andrea O. Veneracion and Mark Carpio. As an opera singer, Quilicot has done various opera productions in the Philippines, Hong Kong and China. Examples are The Magic Flute, Cosi Fan Tutte, Carmen, La Traviata etc. Extensive experiences round up her portfolio as an all-round musician: a vocalist, a conductor, an instrumentalist and a composer. PART 2: SUMMER MUSIC ACADEMY [HONG KONG] Introduction As the Capital of Music, Austria’s music education has not only cultivated many talents but also managed to promote music as a life-long companion. Summer Music Academy is a once-in-a-life-time opportunity for local students to experience Austrian music education without leaving Hong Kong. Our Austrian conductors will lead the participants through a musical journey, not only to sharpen their musical skills but also their intercultural competence. 50 students will participate on full scholarship to ensure that music is accessible for all regardless of background. Date Group 1: 18 - 23 Jul, 2016 (Mon - Sat) Group 2: 25 - 30 Jul, 2016 (Mon - Sat) * Programmes for Group 1 and Group 2 are identical Venue Chinese University of Hong Kong Programme • Individual / Ensemble vocal training • Resonance training • Body awareness and breathing training • Musical aural training and sight reading skills • Composition PART 3: PROFESSIONAL TRAINING TOUR [VIENNA] Introduction The cultivation of a creative culture in the general population relies heavily on the educators. Professional Training Tour will open the mind of our educators and expose them to the Austrian education model in which the art is taught as a part of everyday life. After the tour, participants will be able to bring the Austrian model to Hong Kong and synthesise it with local educational needs. By influencing the future generations with their passion, our participants are expected to take an active role in giving Hong Kong an artistic glamour and making it a place where everyone treasures the value of art and recognises its profound effect on life. Date 31 Jul, 2016 (Sun) -13 Aug, 2016 (Sat) Venue Pielachtal — Sekirn — Vienna Programme • Intensive training programme led by Gerald Wirth, Artistic Director of Vienna Boys Choir (VBC) - Strategies to achieve sustainable voice development with a choir or music group - Training on effective choir conducting and teaching technique - Training on sight-reading, resonance and sound awareness - Post-training concert to present repertoire participants have worked on all week Hong Kong - Vienna Music Festival 維港音樂節 PROFESSIONAL TRAINING TOUR (15D12N) 師資培訓交流團 (15日12夜) Date 日期 : 30 Jul - 13 Aug, 2016 Location 地點 Vienna, Pielachtal, Sekirn 維也納 Pielachtal Sekirn (Photo up: Lukas Beck) Featured Programme 精選行程 ・ Intensive training programme led by the Artistic Director of VBC, Gerald Wirth 密集式培訓課程(由維也納兒童合唱團藝術總監格洛德 韋特主持) ・ Observe rehearsals at Vienna Boys Choir (VBC) summer camp 觀摩維也納兒童合唱團排練 ・ Participate in VBC s vocal training 參與維也納兒童合唱團的聲樂訓練 ・ Round-table discussion with VBC music staff 與維也納兒童合唱團音樂導師進行圓桌討論 Training Content 訓練內容 ・ Strategies to achieve sustainable voice development with a choir Target 對象 Choirmasters / Music Teachers / Music Majors* 合唱團指揮 / 音樂老師 /音樂系學生* *18 or above 18歲或以上 Quota 名額 25 (First come, first served 先到先得) Price 價錢 $48,500 Enrolment close on 截止報名 30 April, 2016 合唱團聲線發展 ・ Training on effective choir conducting and teaching techniques 合唱指揮和教學技巧 ・ Training on sight-reading, resonance and sound awareness 視唱 共鳴和聽覺敏感度訓練 Enquiries 查詢 Vienna Boys Choir Music Academy Foundation 維也納兒童合唱團音樂學院基金 Tel. 電話 (852) 2339 1132 Add. 地址 603A, 6/F, OfficePlus@Prince Edward, 794-802 Nathan Road, Kowloon, Hong Kong 香港九龍彌敦道794-802 號協成行太子中心6樓603A室 Email 電郵 [email protected] For Enrolment Forms, please visit 報名表格請瀏覽 www.vbcmaf.org/festival GERALD WIRTH 格洛德 韋特 - Artistic Director, Vienna Boys Choir - 維也納兒童合唱團藝術總監 Gerald Wirth received his first musical training as a member of the Vienna Boys Choir and at the Anton Bruckner Konservatorium in Linz, Austria, where he studied voice, oboe and piano. He was one of the youngest ever choir directors of the Vienna Boys Choir and Chorus Director at the Salzburg Opera company “ Landestheater”. In 1991, Gerald Wirth moved to Calgary Canada to take on the position as Artistic Director of the Calgary Boys Choir Organisation. He was the Music Director of the Calgary Civic Symphony as well as Associate Conductor of the Calgary Philharmonic Orchestra. He has conducted choirs and orchestras all over the world, and sings and plays himself in a number of ensembles. Gerald is regularly invited throughout the globe as a clinician to conduct workshops about music pedagogy and all aspects of choral music. In 2001, Gerald Wirth became the artistic director of the Vienna Boys Choir. While he is keenly aware of the choir’s rich tradition, Wirth also explores new ways to create and make music. He has instigated a number of projects involving world music, a cappella pop and film music. Wirth’s first love is the voice; as is evident from his own compositions: his works include three children’s operas, several oratorios, theatre projects, music especially written for festivals and countless arrangements for choirs. He finds much of his inspiration in myths and philosophical texts. His works are commissioned and performed internationally. Wirth is convinced that intensive engagement in music has a positive impact on every realm of the personality, and motivates his students to utilise their potential. 格洛德 韋特早年是維也納兒童合唱團團員 在團中接受音樂啟蒙教育 其後於奧地利林茲的安東 布魯克納大學進修聲樂 雙簧管和鋼琴 他是 維也納兒童合唱團最年輕的藝術總監及薩爾斯堡歌劇公司 Landestheatre 最年輕的合唱總監之一 1991年移居加拿大後 曾任卡爾嘉利兒童 合唱團藝術總監 卡爾嘉利公民樂團音樂總監和卡爾嘉利愛樂樂團 副指揮 韋特指揮過世界各地的合唱團和樂團 其本人也在 許多不同的合奏團裡演奏與演唱 他是炙手可熱的合唱 醫生 於各地主持有關音樂教學及聲樂的工作坊 2001年 韋特成為維也納兒童合唱團藝術總監 他一 方面保留合唱團源遠流長的傳統 一方面追求以創新 的方法表達音樂 他策劃了多個音樂項目 如世界音 樂 無伴奏合唱流行曲及電影音樂 他對歌唱的熱愛在 其作品中表露無遺 其作品包括三齣兒童歌劇 數齣神 劇 劇場作品 音樂節歌曲 還有數之不盡的改編曲 韋特 喜歡在神話和哲學文本中尋找靈感 其作品亦在世界不同角落的 舞台公演 韋特相信 投入音樂對人格的各個方面也有正面影響 因此他 極力鼓勵學生發展潛能 VIENNA BOYS CHOIR 維也納兒童合唱團 Boys have been singing at the court in Vienna since the 14th century. In 1498, more than half a millennium ago, Holy Roman Emperor Maximilian I moved his court and his court musicians to Vienna. He gave instructions that there were to be six singing boys among his musicians; the boys came from different parts of the Holy Roman Empire, from the Netherlands, Italy, Germany, and Austria. Historians have settled on 1498 as the foundation date of the Vienna Chapel Imperial (Hofmusikkapelle) and in consequence, the Vienna Boys Choir. Until 1918, the choir sang exclusively for the imperial court, at mass, concerts and private functions, and on state occasions. Musicians like Heinrich Isaac, Heinrich Ignaz Franz Biber, Johann Joseph Fux, Wolfgang Amadeus Mozart, Antonio Caldara, Antonio Salieri, Christoph Willibald Gluck, and Anton Bruckner worked with the choir. Composers Jacobus Gallus, and Franz Schubert were themselves choristers. Brothers Joseph Haydn and Michael Haydn, members of the choir of St. Stephen’s Cathedral frequently sang with the imperial boys choir. Today there are 100 choristers from 30 different nations between the ages of ten and fourteen, divided into four touring choirs. Between them, the four choirs give around 300 concerts and performances each year in front of almost half a million people. Each group spends nine to eleven weeks of the school year on tour. They visit virtually all European countries, and they are frequent guests in Asia, Australia and the Americas. 維也納兒童合唱團前身是 維也納宮廷樂師 裡的兒童合唱團 自十四世 紀起 維也納宮中就有男童演唱 1498年 神聖羅馬皇帝馬克斯米廉一世 將朝廷和宮廷樂師遷往維也納 並下令樂師裡要有六名男童歌手 這六名 來自神聖羅馬帝國的不同地區 包括荷蘭 意大利 德國和奧地利 的男 童歌手 就是維也納兒童合唱團的創團成員 歷史學家將1498定為 維也 納宮廷樂師 的成立年份 因此 維也納兒童合唱團 也同時成立 1918年以前 團員只會在奧地利皇宮 彌撒 音樂會 私人 聚會和官方場合上獻唱 五百多年來 與維也納兒童合唱 團合作過的著名音樂家不計其數 包括艾薩克 比伯 富斯 莫扎特 卡達拉 薩里耶利 格魯克和布魯克 納 作曲家格魯斯和舒伯特早年都是團員 約瑟 海頓 和弟弟米高在聖史提芬大教堂當詩班員時 也經常與維 也納兒童合唱團一起獻唱 維也納兒童合唱團現有100位團員 分別來自30個國家 年齡 介乎10至14歲 團員分為四個巡迴演出團 每年合共演出約300場音 樂會 觀眾近50萬人 每個巡迴演出團每學年外訪演出9至11週 足跡遍 佈所有歐洲國家 也是亞洲 澳洲和美洲的常客 VIENNA BOYS CHOIR MUSIC ACADEMY FOUNDATION 維也納兒童合唱團音樂學院基金 Vienna Boys Choir Music Academy Foundation (VBCMAF) is a member of the Vienna Boys Choir Family. We are dedicated to cultivating talents with global consciousness and cross-cultural competence. We aspire to promote harmony among different nations, races and populations through the proven means of music. ‘Hong Kong-Vienna Music Festival’ is an annual signature event of VBCMAF. 維也納兒童合唱團音樂學院基金是維也納兒童合唱團的成員 旨 在培育具備環球視野及跨文化能力的人才 並以音樂促進不同國家 不同種族 不同人群之間的和諧 維港音樂節為基金的年度盛事 ITINERARY (15D12N) 行程(15日12夜) Tour Operator 旅行社: Hong Kong Oriental Travel Ltd 東方旅業有限公司 License no. 牌照號碼 351842 31 Jul, 2016 (Sun 日 ・ Morning - Arrival in Vienna ・ Afternoon - Visit the Vienna Central Cemetery and pay respects at the graves of world-known composers such as Ludwig van ・ 早上 到達維也納 ・ 下午 到維也納中央公墓 向偉大的古典 音樂家如貝多芬 舒伯特 Beethoven, Schubert, Brahms, Strauss and 布拉姆斯 史特勞斯 格魯克等致敬 Gluck ・ 前往 Steinschalerhof ・ Transfer to Steinschalerhof ・ 於 Naturhotel Steinschalerhof 留宿 ・ Overnight at the Naturhotel Steinschalerhof 1 - 6 Aug, 2016 (Mon - Sat 一至六) ・ Morning and Afternoon - Intensive Training ・ 早上及下午 Programme ・ Evening - Cultural Events such as bonfire and ・ 傍晚 密集式培訓課程 文化活動 如營火晚會及民族舞蹈 ・ 6/8 設有音樂會 folk dance ・ 於 Naturhotel Steinschalerhof 留宿 ・ Final Concert on 6/8 ・ Overnight at the Naturhotel Steinschalerhof 7 Aug, 2016 (Sun 日) ・ Morning - Transfer to Sekirn ・ 早上 ・ Afternoon - Sightseeing ・下午 Villa Siegel: Admire the lakeside villa on the 前往 Sekirn 觀光 Lake Woerth that Mahler purchased in 1899 Villa Siegel : 從外面觀賞馬勒於1899年在韋 (now privately owned) from the outside. 爾特湖購買的別墅 (現為私人物業) Komponierhaeuschen: visit the refuge in which Komponierhaeuschen : 參觀馬勒 1900至 Mahler spent his summer time from 1900 to 1907 年的夏季居所 ・ 於 Hotel Ibis Woerthersee 或同級旅店留宿 1907 ・Overnight at the Hotel Ibis Woerthersee or similar 8 - 9 Aug, 2016 (Mon - Tue 一至二 ・ All day : Programme at VBC Summer Camp - Observe rehearsals - Participate in VBC s vocal training - Round-table discussion with VBC Pedagogues ・ Overnight at the Hotel Ibis Woerthersee or similar ・ 全日 維也納兒童合唱團夏令營交流活動 - 觀摩排練 - 參與維也納兒童合唱團聲樂訓練 - 與VBC導師進行圓桌討論 ・ 於 Hotel Ibis Woerthersee 或同級旅店留宿 10 Aug, 2016 (Wed 三) ・ Morning - Transfer to Vienna ・ Afternoon - Music-themed city tour of Viennathe Ring Avenue, the Hofburg Palace, the ・ 早上 前往維也納 ・ 下午 音樂主題的城市觀光 環城大道 霍夫堡 歌劇院 聖史蒂芬大教堂和莫札特之 Opera House, St. Stephen s Cathedral and 家 自費入場 Mozart s Figaro House (no entrance incuded) ・ 於 Hotel Ibis Messe 或同級旅店留宿 ・ Overnight in Hotel Ibis Messe or similar 11 Aug, 2016 (Thur 四) ・ Morning - Guided Tour at Musikverein / State ・ 早上 Opera House / Vienna Concert House 金色大廳/國家歌劇院/維也納音樂廳導 賞團 ・ Afternoon- Visit the Sound Museum (Haus der ・ 下午 Musik), an interactive sound museum which 參觀音樂殿堂 現代化的互動體驗式博 物館 以有趣又科學的嶄新角度體驗音樂 (包入 provides a new approach to music on a playful 場費 as well as scientific level (incl. entrance) ・ 於 Hotel Ibis Messe 或同級旅店留宿 ・ Overnight in Hotel Ibis Messe or similar 12 Aug, 2016 (Fri 五) ・ Morning - Enjoy some shopping on the famous Kaertnerstrasse ・ Afternoon- Transfer to airport ・ Departure to Hong Kong *Lunch not included Inclusions ・ Hong Kong-Vienna round trip Economy Class flight ticket ・ Accommodation (Shared twin room basis) ・ Three meals each day (except stated otherwise) ・ Programmes ・ Air-conditioned coach for transfer and sightseeing ・ Entrance fees for sightseeing spots (except stated otherwise) ・ Travel insurance ・ Tips for guide and escort ・ Tour Briefing Exclusions ・ Visa fee & travel document application fee (HKSAR or BNO passport holders do not need Austrian Visa; passports must have at least 6 months validity) ・ Excess luggage charges • Other personal expenses, including but not limited to medical, laundry, long distance call and internet * Quotation is based on the rates in Dec 2015, subject to adjustment for peak season loading and currency fluctuation up to 5%. * VBCMAF retains the right to alter the itinerary. ・ 早上 在著名的 Kaertnerstrasse 觀光及購物 ・ 下午 前往機場 ・ 飛返香港 * 不包括午餐 團費包括 ・ 香港 維也納往返經濟艙機票 ・ 住宿 雙人雙床房 佔半房 ・ 每日三餐(註明者除外) ・ 課程 ・ 往來上課及參觀地點之空調旅遊車 ・ 行程所列之參觀地點入場費(註明者除外) ・ 旅遊保險 ・ 導遊及司機小費 ・ 簡介會 團費不包括 • 旅遊證件及入境簽證費(香港特區護照或英國國民海 外護照無需申請簽證 護照須至少六個月內有效) • 行李超重費用 ・ 個人支出 如 醫療 洗衣 長途電話及上網等 * 此為2015年12月之報價 視乎報名時的旺季附加費及 匯率浮動 或有不多於5%的調整 * 維也納也童合唱團音樂學院基金保留更改行程的權利 ! ! ! PART 4: HONG KONG WEEK [VIENNA] Introduction Hong Kong Week provides talented Hong Kong artists more exposure and connection to the international stage of musical performance. Weeklong events will also bring Viennese audience a refreshing multi-sensory experience with a blend of oriental and western music. The cross-cultural experience Hong Kong Week offers is a prime example of the multinational collaboration that the Festival is fostering. Date 14 Aug, 2016 (Sun) - 17 Aug, 2016 (Wed) Venue MuTh - Concert Hall of the Vienna Boys Choir, Vienna (Capacity: 400 seats) Highlights • Solo and ensemble performances by HK Musicians • Performances include commissioned works by Hong Kong composers ! ! Programme 1 - Opening Concert Date: 14 Aug, 2016 (Sun) Programme: - Gustav Mahler’s Das Leid von der Erde (with Chinese libretto) Artists: Philharmonia APA Programme 2 - Beethoven Piano Sonatas Marathon Date: 15 Aug, 2016 (Mon) - 16 Aug, 2016 (Tue) Programme (Day 1): - Pre-concert Talk by John Wilson - Ludwig von Beethoven’s Piano Sonatas Op. 14/2, 31/1, 49/2, 79, 10/2, 54, 7, 10/1, 13 ‘Pathetique’, 27/1, 31/3, 81a ‘Lebewohl’, 22, 49/1, 106 ‘Hammerklavier’ Programme (Day 2): - Ludwig von Beethoven’s Piano Sonatas Op.10/3, 28, 31/2 ‘Sturm’, 2/1, 26, 57 ‘Appassionata’, 110, 27/2 ‘Mondschein’, 14/1, 90, 109, 2/2, 78, 101, 2/3, 53 ‘Waldstein’, 111 Artists: - Hong Kong: Colleen Lee, Tony Chan, Warren Lee, Charles Tam, Chiyan Wong, Raymond Young - Vienna: Jimmy Chiang, Stephan Möller, John Wilson ! ! Programme 3 - Chinese Night Date: 17 Aug, 2016 (Wed) Programme: Chinese Instrumental Music : - Cantonese Music Ensemble - Chiu Chow Music Ensemble - Guqin solo - Dizi solo - Nanyin etc Artists: Chinese University Chinese Music Ensemble ! PART 5: FINALE CONCERT- MAHLER SYMPHONY NO.8 [HONG KONG] Introduction The Finale Concert of the Hong Kong - Vienna Festival gathers the artistic crème de la crème of both cities to present one of the greatest orchestral-choral masterpieces. Our 300 performers and dozens of art administrators all come from diverse backgrounds and speak a variety of languages. It is music that connects these otherwise unrelated people and puts them on the very same stage. This chemistry of music and cultures will create an unpredictable spark that makes our Mahler symphony unique to the audience and the players. ‘Passion of a thousand voices’ in an add-on programme of the finale concert. 1000 local students will receive training and join us at the rehearsal to sing excerpts of the choral part, offering them a precious opportunity to take part in large scale productions and experience world-class music training. Date ‘Passion of a thousand voices’: May - Aug, 2016 Open Dress Rehearsal: 27 Aug, 2016 (Sat) Concert: 28 Aug, 2016 (Sun) Venue Hong Kong City Hall, Hong Kong (Capacity: 1400 seats) Highlights • Joint performance by world-class artists from Vienna and Hong Kong • Orchestra tutti includes pre-professionals from Vienna and Hong Kong recommended by the above artists • Conducted by Mr Jimmy Chiang, Hong Kong-born conductor appointed as Kapellmeister of Vienna Boys Choir in 2013 Artists Vienna Conductor Hong Kong Jimmy Chiang Soloists Anna Baxter, soprano Christina Baader, mezzo-soprano Vincent Schirrmacher, tenor Clemens Unterreiner, baritone Yuki Ip, soprano Louise Kwong, soprano Samantha Chong, mezzo-soprano Apollo Wong, bass-baritone Adult Choir 50 (Arnold Schönberg Choir) 100 Children Choir 10-12 (Vienna Boys Choir) 20 (Hong Kong Treble Choir) Orchestra 50 50 Jimmy Chiang, conductor (Hong Kong / Vienna) ’Versatility comes through Hard Work, Discipline and Respect’, a title which described Jimmy Chiang in a front-page article written by the international opera magazine ‘Orpheus’ in 2009. The Hong Kong born conductor and pianist has started his musical career already at the age of 13 with his first public appearance as concert pianist. His major breakthrough as a conductor came with the winning of the renowned ‘Lovro von Matacic' International Competition for Young Conductors in Zagreb in 2007. Chiang was also recipient of awards and honours of numerous international competitions such as the International Competition for Young Choir Directors in Vienna (2004) and the Golden Key International Society Performing Arts Showcase in USA (2000). His versatility as a well-rounded musician has been proven by his convincing interpretation of a wide-ranging operatic, symphonic, choral, solo piano, chamber music and song recital repertoires, whether in opera pits or on concert stages. While serving as principal conductor of the Hong Kong Pan Asia Symphony since 2008, he has worked as assistant music director of the Wagner’s Ring cycle at Theater Lübeck from 2007 to 2009, as well as Kapellmeister at Theater Freiburg, where he led from 2009 to 2011 numerous premiere productions, including a howling success of Ligeti’s opera Le Grand Macabre with celebrated stage director Calixto Bieito. Starting autumn of 2013, Chiang is appointed as Kapellmeister of the world famous Vienna Boys Choir, with whom he leads in concerts in Vienna as well as concert tours worldwide. Anna Baxter, soprano (Vienna) Baxter was a prize winner at the 2007 International Singing Competition of Passau. Her European debut in 2006 as Violetta in La Traviata was highly acclaimed by audience and critics alike. She has also given concerts and recitals in the USA, Europe and Asia. She has sung with orchestras such as the Zagreb Philharmonic, Philharmonic Orchestra of the Hansestadt Lübeck and the Hong Kong Pan Asia Symphony Orchestra. She has been a regular guest soloist at Theater Lübeck, Theater Freiburg, Stadttheater Bern and Oper Halle. Her roles include Arabella, Salome, Vitellia, Elisabeth (Tannhäuser), Rosalinde, Saffi, Freia, Liu, Mařenka as well as a wide range of concert repertoire. Yuki Ip, soprano (Hong Kong) Highlights of Hong Kong soprano, Ip Po-Ching's career, so far, included performing as soloist with José Carreras for the inaugural season of the National Centre of the Performing Arts, Beijing, China, taking the role of Cio-Cio San in Puccini’s Madame Butterfly with MusicaViva, and making her European debut at the Basilica di San Vitale, Ravenna, Italy in Pergolesi’s Stabat Mater. Ip was also the soprano soloist in a Hong Kong performance of Bach’s B Minor Mass conducted by Maestro Helmuth Rilling in 2011. In addition, she recently performed Villa-Lobos’s Bachianas Brasileiras No.5 in Verona and Cremona, Italy, and was guest soloist at the Shanghai World Exposition with Shanghai Opera House Orchestra. Christina Baader, mezzo-soprano (Vienna) Christina Baader performed in recitals and as soloist in Vienna, as well as in France and in Germany, including the inauguration of 'Ottobeurer Konzerte im Kaisersaal' together with Taiwanese pianist Yu-Wei Ku, and performed in the musical scores of several films. In 2001 she toured through Japan as soloist with the Vienna State Opera ensemble, returning to Japan in 2009 as soloist in Beethoven's 9th Symphony in Hiroshima with the Hiroshima Symphony Orchestra under conductor Kazufumi Yamashita. Louise Kwong, soprano (Hong Kong) Being the awardee of the Hong Kong Arts Development Council Young Artist Award 2014, Kwong is one of the youngest and most active soprano in Hong Kong. She has sung title roles in numerous local and overseas opera productions, such as Liù in Puccini’s Turandot, Santuzza in Mascagni’s Cavalleria Rusticana, Anna in Donizetti’s Anna Bolena and La Contessa in Mozart’s Le Nozze di Figaro and Fiordiligi in Mozart’s Cosi fan tutte in the Grachten Festival Netherlands. Locally, Kwong is one of the most active young solo vocalist in Hong Kong. She has worked with the Hong Kong Philharmonic Orchestra in A National Day Celebration as soprano soloist (Sept 2015), Opera Hong Kong in production Cosi fan tutte as Fiordiligi (August 2015), Learners’ Chorus as soprano soloist in Rossini’s Stabat Mater (July 2015) etc. Vincent Schirrmacher, tenor (Vienna) Vincent Schirrmacher received vocal tuition from Prof. Raimund Gilvan in Saarbruecken, Germany. From 2003 he studied with Prof. Josef Protschka at the Cologne Academy of Music, Germany until his graduation. The ‘Gottlob Frick’ Medal was given to him in 2006 for his contribution to stage success. In the same year he won the ‘Johan Strauss Prize’ in Coburg, Germany. At the International Robert Stolz competition in Hamburg, Germany in 2007 the jury awarded Schirrmacher the First Prize. He was also the vote of the audience. At the International ‘Belvedere’ competition, which took place in Vienna, Austria in 2008, he was awarded the 3rd Operetta Prize and Special Opera Prize from the Norske Opera Oslo and the Gran Teatro del Liceu Barcelona. In the same year he was the finalist of the ‘Placido Domingo – Operalia’ competition in Quebec, Canada. Since 2008, Schirrmacher was engaged at the States Theater Schleswig-Holstein’s ensemble. There he sang roles such as the Octavio in Lehar’s operetta Giuditta, Duke in Verdi’s Rigoletto, Prince in Dvorak’s Rusalka, Julien in Charpentier’s Louise and Busoni’s Doktor Faust. Samantha Chong, mezzo-soprano (Hong Kong) Mezzo-soprano Samantha Chong graduated with the Master of Music Degree, having earlier earned her Bachelor of Music Degree both at The Hong Kong Academy for Performing Arts (HKAPA). Chong was a young artist at the Opera Studio Melbourne in 2010-2011. In 2014, Chong made her débuts with Opera Hong Kong (as Marthe Schwerlein in Gounod’s Faust) as well as the Hong Kong Philharmonic Orchestra. She then sang the role of the Page in Richard Strauss’s Salome, Dorabella in Mozart’s Così fan tutte, again with Opera Hong Kong. In January 2016, Chong will appear as a soloist in Drama Rashomon at the Sunbeam Theater. Chong is now a singer in Opera Hong Kong Young Artist Program. Clemens Unterreiner, baritone (Vienna) Unterreiner started his career at the annual Vienna Festival (Wiener Festwochen) and performed in concert tours in Bulgaria, Syria, Italy, Spain and Germany. He performed at the Grand Hall of the Wiener Musikverein, at the Vienna Concert House (Wiener Konzerthaus), Palao de la Musica Barcelona and other international concert halls. He sang concert performances of La Traviata as Germont, Fidelio as Pizarro and Tosca as Scarpia. In October 2002 he made his opera debut at the State Theatre in Linz for the European première of 'The Voyage' by Philip Glass. During the summer of 2003 he sang Count Baccellone in La Contessina. Further engagements took him 2004 at the Vienna State Opera where he performed in the première of Massenet’s Werther. He sang Sharpless in Madama Butterfly in Chur, Straßburg and Großes Festspielhaus Salzburg which was awarded the Prize of the Music Theatre 2004 season. During the summer of 2005 he sang the title role in Don Giovanni at the Heidenheim Opera Festival in Germany and Bartolo in Paisiello's Barber of Seville. On September 4th 2005 he had his house debut in Puccini´s Manon Lescaut where he started his career a soloist and ensemble member of the Vienna State Opera. Apollo Wong, bass-baritone (Hong Kong) Bass-baritone and conductor Apollo Wong received his education in vocal studies at the University of California, Los Angeles under the supervision of Vladimir Chernov and Juliana Gondek. He has also studied with Sami Kustaloglu in Berlin. Wong has sung operatic and musical roles including Zuniga in BIZET’s Carmen, the Superintendent Budd and Bottom in Britten’s Albert Herring and A Midsummer Night’s Dream, Frère Laurent and Le Duc in Gounod’s Roméo et Juliette, Ariodate in Handel’s Serse, Benoit and Alcindoro in Puccini’s La Bohème, Barone Trombonok in Rossini’s Il Viaggio a Reims, Javert in Les Miserables, among others. He was also in the role of Lu Xun in 2013 Hong Kong Arts Festival’s world premiere production of Heart of Coral by Dr Chan Hing Yan; and in the roles of King Oryant/Markes in the 2014 premiere of Jeffrey Ching’s Before Brabant in the same festival. His concert and oratorio repertoire include Bach’s St. John Passion and St. Matthew Passion, Beethoven’s Symphony No. 9, Brahms’ Ein Deutsches Requiem, Faure’s Requiem, Handel’s Messiah and Dixit Dominus, Haydn’s Stabat Mater, Mendelssohn’s Elijah, Mozart’s Requiem, Puccini’s Messa di Gloria, among others. He has sung under conductors such as Paolo Olmi, Renato Palumbo, Joseph Rescigno, Helmuth Rilling and Francois-Xavier Roth. Arnold Schönberg Choir (Vienna) The Arnold Schoenberg Choir was founded in 1972 by current artistic director Erwin Ortner and remains one of the most sought after and versatile vocal ensembles in Austria. The choir’s repertoire ranges from renaissance and baroque to the present day with a focus on contemporary music. The choir has a particular interest in a cappella music, however it also regularly performs large scale works for choir and orchestra. As well as concert performances, the choir has also regularly taken part in opera productions, beginning with Schubert's Fierrabras at the Vienna Festwochen in 1988 (directed by Ruth Berghaus and conducted by Claudio Abbado), and including Messiaen's Saint François d'Assise in 1992 (directed by Peter Sellars and conducted by Esa-Pekka Salonen) and the world premiere of Berio's Cronaca del Luogo at the Salzburg Festival in 1999 (directed by Claus Guth and conducted by Sylvain Cambreling). The Choir is also regularly engaged in opera productions at the Theatre an der Wien; among others Janaceks’ Aus einem Totenhaus, which was directed by Patrice Chéreau and conducted by Pierre Boulez. This production was voted ‘Best Opera production in German speaking countries 2007’. Learners Chorus (Hong Kong) The Learners Chorus was founded in 1979 by former members of the Hong Kong University Students’ Union Choir. Recent major performances include Brahms’ Ein Deutsches Requiem, Lully’s Te Deum, Mahler’s Symphony Nos. 2 and 8, Rachmaninov’s The Bells, Rossini’s Messa di Gloria and Stabat Mater, Verdi’s Messa da Requiem and Quattro pezzi sacri. In 2013 and 2014, Learners performed Britten’s War Requiem with the Hong Kong Philharmonic Orchestra and its Chorus under the baton of the late Maestro Lorin Maazel, and to celebrate 'Hong Kong Cultural Centre – Celebrating 25 Years', respectively. In May 2015, Learners was invited to perform 'Macao Soul' with Macao Orchestra and the Macao Perosi Choir at the 26th Macao Arts Festival. Learners is devoted to promoting music among youth. Students are often invited to sing with the Chorus or play in the Learners Orchestra alongside professional musicians. Young choir members are offered the chance to conduct the Chorus. Student members receive sponsored vocal training by our Music Director. Young musicians also give guest performances in our concerts. Over 6,400 students have benefited from our Student Ticket Sponsorship Programme, which aims to extend music appreciation opportunities to the younger generation. Vienna Boys Choir (Vienna) The Vienna Boys Choir, with more than 500 years of history, is one of the oldest choirs in the world. Today there are around 100 choristers between the ages of 10 to 14, divided into 4 touring choirs named after famous Austrian composers – Bruckner, Haydn, Mozart and Schubert. The 4 choirs give around 300 concerts each year for almost 500,000 people in Europe, Asia, Australia and the Americas, which include world leaders and artists. The Choir’s repertoire includes everything from medieval to contemporary and experimental music. Since 1920s, the Choir has collected music from around the world and recently produced a number of world music projects. Hong Kong Treble Choir (Hong Kong) Hong Kong Treble Choir (HKTC) was founded in 2000 as a registered charitable organisation. HKTC is honoured to invite a group of renowned choral experts and masters as directors and consultants, including Honorary Advisor Mdm. Barbara Fei, SBS, Honorary Artistic Director Prof. Wing-wah Chan, JP, Honorary Music Directors Ms. Nancy Loo, MH, Artistic Director and Principal Conductor Prof. Leon Shiu-wai Tong and several overseas advisors. Under the leadership of Prof. Leon Shiu-wai Tong, HKTC has participated in various performances and cultural exchanges. The significant performances includesthe International Society for Music Education (ISME) World Conference in Kuala Lumpur, Malaysia in 2006, the concerts with Les Petits Chanteurs de Saint-Marc in Lyon and Paris, France in 2008, 'The World Sings for Olympics Concert' and 'The World Youth Choir Concert' in 2008 Hong Kong International Youth and Children’s Choir Festival. In 2009, HKTC was invited as the guest performer at the Hong Kong Arts Development Awards 2008 and Les Choristes in Concert. Touring performances were held in different cities in China. Marketing Plan April [Hong Kong Summer Music Academy - Enrollment Impressions - Distribution of Poster and Programme Leaflets to • 1000 local primary and secondary schools, reaching parents and students • 75 international primary and secondary schools, reaching parents and students - E-version on Partner Websites • Vienna Tourism Board • Chinese University of Hong Kong • Vienna Boys Choir • 600k - 1m views per month • 4 million views per month • 20k views per month • Vienna Boys Choir Music Academy - Press Release to local and international media - Placement on South China Morning Post / Mingpao Daily / Singtao Daily 29/30 June Festival – Press Conference - Press Conference on Festival with local artists - Press Release to local and international media - Launch of Promotional Video • Promotion on Youtube 7 days in a row targeting • up to 21k • up to 217k • up to 68k • min. 5000 classical music enthusiasts. • Promotion on Facebook 7 days in a row targeting classical music enthusiasts • Promotional on Instagram 7 days in a row targeting classical music enthusiasts - Launch of Festival Facebook Page - Distribution of Programme Booklets - E-news on Official and Partner Websites • Vienna Tourism Board • Vienna Boys Choir • 600k - 1m views per month • 20k views per month • Vienna Boys Choir Music Academy - EDM to music, social organisations and schools in Hong Kong - E-promotion via partner channels 1-30 Jun Opening Concert – Ticket Sales - Advertisement of Festival on Fine Music (June Is- • sue) Free distribution at 77 music venues and music centres in Hong Kong. • Free online version, whose website has 55-75k views per month - E-news on Official and Partner Website - E-promotional via partner channels Finale Concert – Ticket Sales - Poster and Leaflet at all Urbtix outlets and ad space • Urbtix Outlets: 36 • 20 government venues • Free distribution at 77 music - Placement in house programmes in concerts presented by LCSD - Advertisement on Fine Music (July issue) venues and music centres in Hong Kong. • Free online version, whose website has 55-75k views per month - Promotion on Facebook for 14 days in a row • up to 434k impressions - Promotion on Instagram for 14 days in a row • up to 136k impressions - E-news on Official and Partner Website (see above) - E-promotional via partner channels (see above) Hong Kong Week – Ticket Sales - Distribution of posters and leaflets around Vienna - Festival video played in Muth • loop once every ten minutes 15 Jul Opening Concert - 1400 House Programmes - Souvenir counter with joint promotion opportunities 18 - 30 Jul Summer Music Academy - 300 camp brochures - 300 camp T-shirts - 400 House Programme for community concerts - banners around the campus of Chinese University • of Hong Kong high exposure due to the venue’s proximity to MTR station - Daily Facebook updates 31 - 13 Jul Professional Training Tour - 30 tour brochures • Overseas exposure • Overseas exposure - 30 tour T-shirts 14 - 19 Aug Hong Kong Week - Chinese-themed on-site decoration, including wall-sized outdoor banners, columns etc - 200 house programmes per concerts - Souvenir counter with joint promotion opportunities - Daily Facebook updates - Artists’ interviews online - Sponsors’ interviews online 27 - 28 Aug Open Dress Rehearsal and Finale Concert - 2800 house programmes distributed - Recording, broadcast and archive by RTHK - Outdoor wall-banners in Hong Kong City Hall - Pre-concert cock-tail reception - Artists’ interviews on online Sep, 2016 Post-festival reports to sponsors In-kind Sponsorship Request Finale Concert- Mahler Symphony No.8 Instrument Rental and Transportation Date : 24-28/8/2016 Venue : Chinese University of Hong Kong and Hong Kong City Hall Instruments needed : A set of Low-pitched bells 1 Celesta 2 Full-sized Double Bass 1 Electronic Organ 1 Harp: Lyon and Healy, Style 30 Financial Sponsorship Request $88,000 Bronze Sponsor Benefits $100,000 Highlight Benefits Speech at Press Conference and Pre-concert Cocktail Reception at Finale Concert Joint Promotion Opportunities Pre-Festival Publicity Press Conference - Booth / Counter set-up Press Conference - Acknowledgement Press Kit - Insertion opportunity Press Release - Acknowledgement Festival Website - Hyperlink and Acknowledgement Festival promotional video - Hyperlink and Acknowledgement Promotional materials (poster, leaflet, edm) - logo On-Site Publicity House Programme (3,000 pcs) - Acknowledgement Events 4 Complimentary tickets to concerts in Hong Kong or Vienna (best available) Tailor-made arrangement is available. All programmes and benefits are subject to change without prior notice.