16 17 ぐ 㖞⴩邍 㣐㷖 PANEL SESSIONS VENUES AT PEKING

16 17 ぐ 㖞⴩邍 㣐㷖 PANEL SESSIONS VENUES AT PEKING

16
ぐⴔ⠔⠔㖞⴩邍⻌❩㣐㷖
PANEL SESSIONS VENUES
AT PEKING UNIVERSITY
⻌❩㣐㷖薉匊❜崨⚥䗱⠔㖞䎂꬗㕃
FLOOR PLAN OF YINGJIE EXCHANGE CENTER, PEKING UNIVERSITY
2016 䎃 9 剢 16  17 傈⻌❩㣐㷖
Peking University, Sep.16t h- 17th, 2016
ⴔ雿㗐
Panel Session
⠔㖞
Venue
痦♧ⴔ⠔ 露霒♸嚋䙁
Session 1 Words and Concepts
薉匊❜崨⚥䗱꣉⯕⾍
Sunlight Hall, Yingjie Exchange Center
痦♲ⴔ⠔ 䟝韌♸䫏㼘
Session 3 Imagination and Projection
薉匊❜崨⚥䗱痦✳⠔雳㹔
Meeting Room No. 2, Yingjie Exchange Center
痦✳ⴔ⠔ 叻ⲥ♸ㅷ霉
Session 2 The Rank of Art
痦㔋ⴔ⠔ 妇餿♸㹊欽
Session 4 Appreciation and Utility
痦❀ⴔ⠔ 荈錣♸荈䖒
Session 5 Self-Awareness or Self-Affirmation
痦♫ⴔ⠔ 崨⠛♸㴬」
Session 7 Translation and Change
痦Ⱃⴔ⠔ 犜䗻♸侅⻊
Session 8 Art and Taboo
痦⛰ⴔ⠔ 杝用♸馄膴
Session 9 Autonomy and Elusion
痦⼧ⴔ⠔ 䚍ⵆ♸㦀㥎
Session 10 Gendered Practices
痦⼧♧ⴔ⠔ 굥兞♸㣼錜
Session 11 Landscape and Spectacle
痦✳⼧♧ⴔ⠔ 㢴⯋♸⚆歲
Session 21 Connecting Art Histories and World Art
薉匊❜崨⚥䗱僤⯕⾍
Starlight Hall, Yingjie Exchange Center
薉匊❜崨⚥䗱痦Ⱃ⠔雳㹔
Meeting Room No. 8, Yingjie Exchange Center
椚猰 5 〿嚁 203
Room 203, Natural Sciences Bldg. No. 5
椚猰 5 〿嚁 201
Room 201, Natural Sciences Bldg. No. 5
薉匊❜崨⚥䗱㣐餥㺉㹔
VIP Room, Yingjie Exchange Center
薉匊❜崨⚥䗱痦♧⠔雳㹔
Meeting Room No. 1, Yingjie Exchange Center
薉匊❜崨⚥䗱痦♲⠔雳㹔
Meeting Room No. 3, Yingjie Exchange Center
薉匊❜崨⚥䗱痦㔋⠔雳㹔
Meeting Room No. 4, Yingjie Exchange Center
薉匊❜崨⚥䗱剢⯕⾍
Moonlight Hall, Yingjie Exchange Center
岤椚猰 5 〿嚁⠔㖞⡙✵薉匊❜崨⚥䗱䎛㖞⽂⣩嚁⵸剣⠔雳叻霋կ
Note: Natural Sciences Bldg. No. 5 lies to the south of Yingjie Exchange Center square; the
logo of the Congress can be noticed in front of the building.
17
痦♧ⴔ⠔露霒♸嚋䙁
SESSION 1_WORDS AND CONCEPTS
20
1
劥絆⚺䌏 / Chairs
HILDERBRAND-SCHAT, Viola
Goethe-Universität, Frankfurt am Main, Germany
䗞㕂 岁Ⱎ⯘犷㣐㷖
桬ꞣ / WANG Yong
Chinese National Academy of Arts, Beijing, China
⻌❩ ⚥㕂蒌助灇瑕ꤎ
꣥❭ / CHEN Liang ꫬ䎃⚺䌏 / JUNIOR CHAIR
Universität Heidelberg, Germany
䗞㕂 嵳䗞㜃㣐㷖
⻌❩㣐㷖薉匊❜崨⚥䗱꣉⯕⾍
Sunlight Hall, Yingjie Exchange Center, PKU
9 剢 16 傈ワ❀
September 16, Friday
14 : 00 - 14 : 15
14 : 15 - 15 : 00
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 00 - 15 : 45
15 : 45 - 16 : 00
16 : 00 - 16 : 45
16 : 45 - 17 : 30
17 : 30 - 18 : 15
劥絆➝絏 _ INTRODUCTION BY CHAIRS
HECK, Michèle-Caroline_Between Concept and Manner: The Paradoxical Absence of the
Word Art in Early Modern Northern Europe_ 錜䙁♸䩛岁⛓ꢂ鵛➿⻌妍蒌助Art
♧霒溏⡃濨湽涸緃㣟
PETERSON, Jeanette Favrot_In iollotli, in tultecaiotl: "The heart, the artisanship"of the preand postconquest Nahuas in Mexico_ "In iollotli, in tultecaiotl": 銯棴暅⽑곭⵸た涸㟯銯
ㆥ紵⼶➃涸䗱抳ծ䪮蒌嚋䙁
蘡姅 _TEA BREAK
AVRAMIDOU, Elena _ Mimesis and the Banishment of the Artists in Plato's Republic _
厣䬘㕃շ椚䟝㕂ո⚥涸垷⟬雿ㄤ끮鷶蒌助㹻
DESBUISSONS, Frédérique_Food Lexicon: Describe and Think Painting at the Age of
Gastronomie _ 굹暟霒宨繠굹傞➿㼆絚歘涸䲽鶣ㄤ䙼罌
PANOVA, Olga _ Paintings in public and semi-public space in Song Dynasty China _ 㸢➿⚥
㕂ⰖⰟㄤ⼱ⰖⰟ瑟ꢂ⚥涸絚歘
9 剢 17 傈ワⰙ
September 17, Saturday
9 : 00 - 9 : 45
9 : 45 - 10 : 30
10 : 30 - 11 : 15
11 : 15 - 11 : 30
11 : 30 - 12 : 15
12 : 15 - 13 : 00
13 : 00 - 14 : 00
14 : 00 - 14 : 45
14 : 45 - 15 : 30
15 : 30 - 16 : 15
16 : 15 - 16 : 30
16 : 30 - 17 : 15
17 : 15 - 18 : 00
18 : 00 - 18 : 15
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
21
PARK, Young-Sin_The Discursive Formation of "Art" in Modern Japan and Korea: Cultural
Translation and Institutional Development_ 鵛➿傈劥ㄤ꯺㕂繠助霢露涸䧭䕎
俒⻊缺霖ㄤ劼匬〄㾝
⟣⚹ / REN Wei_Loss and Gain in Translation: Modern Art and Design in China_
缺霖⚥涸㣟♸䖤⚥㕂鵛➿涸蒌助♸霃雦
WESSELY, Anna_The Story of the Hungarian Term for "Art"_ ⺱暅ⵄ露⚥蒌助助露涸
佦✲
蘡姅 _TEA BREAK
翇搡 / GENG Yan_Term, Concept, and Translation: Rethinking "xieshizhuyi" and
"xianshizhuyi"_ 助露ծ嚋䙁ㄤ缺霖ꅾ䙼ⱗ㹊⚺⛐ㄤ梡㹊⚺⛐
BECKER, Danielle_South African Art: the possibility of decolonization_
⽂ꬋ蒌助⿡婤字⻊涸〳腊䚍
⼯귬 _LUNCH
VOGT, Tobias_From home and abroad: "Non-art" in late 19th century Paris_
劥㕼♸嵳㢪涸錠錭⼧⛰⚆紬儻劍䊼랫涸ꬋ蒌助
PAISTIK, Alo_Examining the Pluralism of the Notion of Cinematic Art in Its Earliest Years_
歏䕧蒌助錜䙁㖈Ⱖ剒ⴲ❡欰傞劍涸㢴ꅾゎ⛐罌
DOLINKO, Silvia_Multiple Art and Original Print: Peculiarities of a Problematic Term in the
Argentine Art Scene of the 20th Century_ 䪠ꆀ蒌助ㄤ⾲⴯晜歘✳⼧⚆紬꣚呏䒄蒌
助㖞兞⚥♧⚡毟ꦼ助露涸暵餘
蘡姅 _TEA BREAK
PESELMANN, Veronica_Painting as Art? The "Ground" as a Material and Conceptual Term of
19th Century Painting in Europe_ 絚歘⡲⚹蒌助
歘䏀⡲⚹⼧⛰⚆紬妍崍絚歘
涸勞俱ㄤ錜䙁䚍助露
劫ꫬ欰 / ZHU Qingsheng (LaoZhu)_The Chinese Concept of Art in the Han Dynasty_
⚥㕂宪➿涸蒌助嚋䙁
䚪絕䫣デ _CONCLUSION
痦✳ⴔ⠔叻ⲥ♸ㅷ霉
SESSION 2_THE RANK OF ART
22
2
劥絆⚺䌏 / Chairs
WAENERBERG, Annika
University of Jyväskylä, Finland
蓷Ⱎ ✵꯷倛㾅蜟㣐㷖
どㅷ歊 / LV Pintian
Chinese National Academy of Arts, Beijing, China
⻌❩ ⚥㕂蒌助灇瑕ꤎ
勿꫽ / YANG Jing ꫬ䎃⚺䌏 / JUNIOR CHAIR
University of Jyväskylä, Finland
蓷Ⱎ ✵꯷倛㾅蜟㣐㷖
⻌❩㣐㷖薉匊❜崨⚥䗱僤⯕⾍
Starlight Hall, Yingjie Exchange Center, PKU
9 剢 16 傈ワ❀
September 16, Friday
14 : 00 - 14 : 15
14 : 15 - 15 : 00
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 00 - 15 : 45
15 : 45 - 16 : 00
16 : 00 - 16 : 45
16 : 45 - 17 : 30
17 : 30 - 18 : 15
劥絆➝絏 _ INTRODUCTION BY CHAIRS
DEMUR, Angélique_A renaissance affirmation in Belgium's fin de siècle_
嫱ⵄ傞⚆紬劣涸㢕Ⱓ
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
9 剢 17 傈ワⰙ
September 17, Saturday
9 : 00 - 9 : 45
9 : 45 - 10 : 30
10 : 30 - 11: 15
11 : 15 - 11 : 30
11 : 30 - 12 : 15
12 : 15 - 13 : 00
13 : 00 - 14 : 00
14 : 00 - 14 : 45
14 : 45 - 15 : 30
15 : 30 - 16 : 15
PALIN, Tutta_Non-Avantgardist Conceptions of Experimentation_
蒌助㹊낉涸ꬋ⯓ꝓ䚍嚋䙁
蘡姅 _TEA BREAK
넞꣉ / GAO Yang_Rehearsal and Innovation: The standards for ancient worship in painting
appreciation in Ming and Qing Dynasties and their values_ 㢕鶣♸⴯倝僈➿絚歘ㅷ霉
⚥涸䃩〢叻ⲥ⿺⟟⧩
KLEIN, John_Ranking Decoration_ 鄳껑涸獘䎸
DE BOSIO, Stefano_A Distinctive Stimmung: Wölfflin, Kandinsky and the Role of Image
Direction in Pictorial Composition_ 杝暵涸䞔䙖将㼷㣗卌♸䐀㹁倛㛇雿㕃⫸鴝
⣩⿿鲮♸㕃歘곡䎸
23
16 : 15 - 16 : 30
16 : 30 - 17 : 15
17 : 15 - 18 : 15
琁榰Ⳡ / MU Ruifeng_Development of Ranking Theory on Painting of Tang Dynasty_
㇫➿絚歘ㅷ霉椚雿涸〄㾝
CASINI, Tommaso_Filming the Sistine Chapel: the multiple Michelangelos_
Ꞥ㣢♴涸銯倛䒄侅㛔㼆碛䒓剽㛇縄絑Ⱙ⡲ㅷ涸♶ず雩濼
㾅岚 / QU Bo_Middle-level Art Criticism in New China: A Historical Inspection_
倝⚥㕂繠助⚥㽻䪠霉♧⚡⾎〷涸罌㻋
蘡姅 _TEA BREAK
BAROTSI, Rosa_A Pile of Bricks? Pedro Costa' Juventude en Marcha, labour, and the museal
space_ 〫僽♧䍢䒊瘰暟に⢆䗞縄·猰倛㝜շ⵸鵳ꫬ僱ո⸣⸓ㄤ⽇暟껧
LUUKKANEN-HIRVIKOSKI, Teija_Corporate art collection as an intersection of values in art
and values in business_ 蒌助⟟⧩♸㉁⚌⟟⧩❜宨涸⟱⚌蒌助佐诡
⼯귬 _LUNCH
桬巾荫 / WANG Shuzhen_Ranking Contemporary Art: A Cartesian coordinate system and
the "other" dimension_ 鍒區⚥㕂䔲➿蒌助䱗ぜ〥碫♲絶䱗遤劼ⵖ⛓〳腊䚍䱲雭
GERIN, Annie_The Rise and Fall of Early Soviet Satirical Art: Context and Historiography
⴬庆 / LIU Ting_ Cross-disciplinary value reconstruction of art in modern China: A Study on
Northwest Art and Cultural Relics Investigation (1940-1944) _ 梡➿⚥㕂騗㷖猰胜兞♴涸
蒌助⟟⧩ꅾ匬➢侅肫鿈銯⻌蒌助俒暟罌㻋靍饰1940 ˋ 1944
蘡姅 _TEA BREAK
鿓紤哆 / GUO Hongmei_ Mao Zedong Eras Female Characters of Fine Arts_ 嬁峂⚎傞
➿繠助⚥涸㥎䚍䕎韌
䚪絕䫣デ _ CONCLUSION
痦♲ⴔ⠔䟝韌♸䫏㼘
SESSION 3_IMAGINATION AND PROJECTION
24
3
劥絆⚺䌏 / Chairs
KLEINER, Fred S.
Boston University, USA
繠㕂 岚㡦곦㣐㷖
齽❠勿 / SHAO Yiyang
Central Academy of Fine Arts, Beijing, China
⻌❩ ⚥㣛繠助㷖ꤎ
脋咕 / HU Qiao ꫬ䎃⚺䌏 / JUNIOR CHAIR
University of Glasgow, Glasgow, UK
薉㕂 呔䬘倛ㆥ㣐㷖
⻌❩㣐㷖薉匊❜崨⚥䗱痦✳⠔雳㹔
Meeting Room No. 2, Yingjie Exchange Center, PKU
14 : 00 - 14 : 15
14 : 15 - 15 : 00
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 00 - 15 : 45
15 : 45 - 16 : 00
16 : 00 - 16 : 45
16 : 45 - 17 : 30
17 : 30 - 18 : 15
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
9 剢 17 傈ワⰙ
September 17, Saturday
9:00-9:45
9:45-10:30
10:30-11:15
11:15-11:30
11:30-12:15
9 剢 16 傈ワ❀
September 16, Friday
12:15-13:00
劥絆➝絏 / Introduction
13:00-14:00
WIMMER, Karin_Illusion in the works of Giorgio de Chirico_
㛇ꅽ猰⡲ㅷ⚥涸䎑韌
14:00-14:45
CABELLO, Gabriel_Between real objects and moving images. The imaginary and projection
from André Breton's Le Cendrier Cendrillon to Luis Buñuel's Viridiana._ 㹊暟ㄤ獴⸓涸
㕃⫸⛓ꢂ➢㸝䗞捘· 䋒⹗⚎涸 Le Cendrier Cendrillon ⵌ騟僒倛·䋒⸖㙩㼷涸
Viridiana 涸䟝韌ㄤ䫏䕧
15:30-16:15
蘡姅 _TEA BREAK
CHILDS-JOHNSON, Elizabeth_Metamorphism and Daemons of Shang period China_
㉁➿涸」䕎⥌⟓ㄤ뇫牟䃩䬺
PINKUS, Assaf_Colossus Imagination: Roland Statues in Late Medieval Germany_
㸪⠚涸䟝韌⚥⚆紬た劍䗞䠑䘋涸縄Ⱎꧧ㝕
MANICKA, Anna_New ancient Slavic Gods by Zofia StryjeÎska_
Zofia StryjeÎskaz ꅾ㝕涸〢➿倛䬘㣗⛓牟
25
14:45-15:30
16:15-16:30
16:30-17:15
17:15-18:15
ⲳ併 / LING Min_Historical Variations of Imagination and Projection in Chinese Painting_
⚥㕂歘⚥涸䟝韌♸䫏㼘⟄⿺⾎〷」䒗
齽䕖 / SHAO Yan_Luoshenfutu and the Concubines of Emperor Gaozong of Song: Reflection
on the Functions and Implications of the Facsimile of the Song Dynasty_麰䞔䟝⫸곥劅
䙕䟵
շ峫牟餻㕃ո♸㸢넞㸺た㹡
導露ⱺ / SHEN Yubing_The Convergence of the Modernist Paintings between China and
the West: Paul Cézanne and Huang Binhong_ ⚥銯梡➿⚺⛐絚歘涸⠔鸑⛓騟㝱㼿♸
랕㺉赙
蘡姅 _TEA BREAK
KESKA, Monika_Furies at the Base of a Crucifixion: Francis Bacon's Readings of Oresteia_
շ羴玽「ꦼ㕃ո⚥涸㢕➔㥎牟䒼剽銯倛·㛆呏Ⱒ✵շ㤵榰倛䲿❇ո涸ꢓ靀
✵嶹欰 / YU Runsheng_Imagination of Historicism: Tretyakov Portrait Gallery as an
Example_ ⾎〷⚺⛐涸䟝韌⟄暵⴩㷍❇猰㣗涸聰⫸歘䐤⚹⢾
⼯귬 _LUNCH
CLIFTON, James_Human and Divine in Sacred Footprints and Their Representations_
牟㖁膃⽪⚥涸➃ㄤ牟⟄⿺㕃⫸ⱄ梡
PORRAS, Stephanie_The Re-imagination and Migration of St Michael the Archangel_
շ㖁㣔⢪碛鶊⹗ո涸䕎韌ⱄ鸣ㄤ鴲獴
QUIRICO, Tamara_Visual Representations of the Last Judgment in Spanish America and
Their Interrelations with Europe_շ剒た涸㹎ⴼո㖈銯㾩繠崍涸錠錣ⱄ梡ㄤ♸妍崍涸
Ⱒ翫
蘡姅 _TEA BREAK
BURTON, James_Ekphrasis as Science Fiction_ 蒌呔侴霒♸猰䎑
䚪絕䫣デ _CONCLUSION
痦㔋ⴔ⠔妇餿♸㹊欽
SESSION 4_APPRECIATION AND UTILITY
26
4
劥絆⚺䌏 / Chairs
CAUSEY, Faya
National Gallery of Art, Washington D.C. , USA
繠㕂㕂㹻繠助껧
匆ꢂ / HANG Jian
China Academy of Art, Hangzhou, China
匆䊜 ⚥㕂繠助㷖ꤎ
䓎僱蒁 / ZHANG Chunyan ꫬ䎃⚺䌏 / JUNIOR CHAIR
China Academy of Art, Hangzhou, China
匆䊜 ⚥㕂繠助㷖ꤎ
⻌❩㣐㷖薉匊❜崨⚥䗱痦Ⱃ⠔雳㹔
Meeting Room No. 8, Yingjie Exchange Center, PKU
9 剢 16 傈ワ❀
September 16, Friday
14 : 00 - 14 : 15
14 : 15 - 15 : 00
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 00 - 15 : 45
15 : 45 - 16 : 00
16 : 00 - 16 : 45
16 : 45 - 17 : 30
17 : 30 - 18 : 15
劥絆➝絏 _ INTRODUCTION BY CHAIRS
LEDDEROSE, Lothar / ꨭ䗞⣵ _Colophons in China and the West_ ⚥㕂♸銯倰涸곿霒
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
9 剢 17 傈ワⰙ
September 17, Saturday
9 : 00 - 9 : 45
9 : 45 - 10 : 30
10 : 15 - 11 : 30
11 : 15 - 11 : 30
11 : 30 - 12 : 15
12 : 15 - 13 : 00
13 : 00 - 14 : 00
14 : 00 - 14 : 45
14 : 45 - 15 : 30
15 : 30 - 16 : 15
RAWSON, Jessica_Ritual Vessels as Icons_ ⡲⚹痗〿涸爞㐼
蘡姅 _TEA BREAK
㼿⴮ / SHANG Gang_Official History and Manufacture in the Mongalian Yuan Dynasty_
姻〷♸鸣⡲灇瑕  ⟄褐⯋傞➿⚹⢾
SIMONISCHVILI, Nino_From Object as a "Museum" to a Museums Object: The Social Life of
the Khakhuli Triptych_ ➢♧⚡鄄獦⚹⽇暟껧涸暟ㅷⵌ⽇暟껧涸♧⟝诡ㅷ
Khakhuli ♲翫歘涸爢⠔㖑⡙涸」鴲
BINDMAN, David_Kant and the Incompatibility of Utility and Appreciation_
䐀䗞ㄤ㹊欽 妇餿涸濨湽
27
16 : 15 - 16 : 30
16 : 30 - 17 : 15
17 : 15 - 18 : 00
18 : 00 - 18 : 15
FEIGENBAUM, Gail_From Altar to Gallery: Detecting a Moment of Categorical Shift_
➢㖁㗐ⵌ歘䐤䱲瑕猫碫」刿涸傞ⵠ
BARTOLI, Roberta_Art, Artifice, Artifact? The Tuscan Renaissance Marriage Chest_
蒌助ծ낕助ծ➃鸣暟䩯倛⽓紵涸俒蒌㢕Ⱓ㭵爞厷
FREDDOLINI, Francesco_Descriptions, Display, and Notions of Value: Pontormo's Halberdier
in its Historical Context_ 䲽鶣ծ㾝爙ㄤ⟟⧩錜⾎〷䞔㞯⚥觌䩯㼷蜒涸䧾Ⱕ聰⫸歘
蘡姅 _TEA BREAK
MURDOCH, Tessa_Ducal Splendour: Silver for a Miltary Hero, the Elie Pacot Ewer and Basin_
Ⱆ昽涸儑饟ⱙ✲薉꧆涸Ꜿ㐼Elie Pacot 涸宐㡵ㄤ宐渜
㩈⚸ / YAO Dan_Social Status and Craftsmanship: an Ink Brush Dealer in Qing Dynasty
Huzhou_ 幡➿廩䊜疴㹐罌疴㉁涸〥♧猫爢⠔魧⟧
⼯귬 _LUNCH
VITALI, Vanda_Towards a Contextual View of Art_ 饥ぢ䞔㞯⚥涸蒌助錜
GONZALEZ, Antonio_From Rock to Digital, Art Historical Scholarship and Prehistoric Art_
➢䀵瀖ⵌ侨瀦蒌助〷㷖ㄤ〷⵸蒌助
SCHLIMME, Hermann_Spring Fountains, Plays of Water and Hydraulic Technology:
Appreciation in China and Europe_ ㌂屮宐涸怵ⴀㄤ巊⾓䪮助㖈⚥㕂ㄤ妍崍涸妇餿
蘡姅 _TEA BREAK
ISKIN, Ruth_The Nineteenth-Century Poster as Advertising, Design and Art_
⸆腊♸繠㷖⡲⚹䎛デծ霃雦ㄤ蒌助涸 19 ⚆紬嵳䫣
CHAIMOVICH, Felipe_Mirrors as the Origin of Contemporary Art_
⡲⚹䔲➿蒌助呏彂涸Ꞥ㶩
䚪絕䫣デ _CONCLUSION
痦❀ⴔ⠔荈錣♸荈䖒
SESSION 5_SELF-AWARENESS OR SELF-AFFIRMATION
28
5
劥絆⚺䌏 / Chairs
NOVA, Alessandro
Kunsthistorischen Institut in Florenz, Florence, Italy
䠑㣐ⵄ 끩兜䨾⡱縄⠡蠖蒌助〷灇瑕䨾
⡮鳋 / YU Hui
The Palace Museum, Beijing, China
⻌❩ 佦㹡⽇暟ꤎ
⴬兑 / LIU Chen ꫬ䎃⚺䌏 / JUNIOR CHAIR
Peking University, Beijing, China
⻌❩ ⻌❩㣐㷖
GRÜNDLER HANA
Kunsthistorischen Institut in Florenz, Florence, Italy
䠑㣐ⵄ 끩兜䨾⡱縄⠡蠖蒌助〷灇瑕䨾
⻌❩㣐㷖椚猰 5 〿嚁 203
Room 203, Natural Sciences Bldg. No. 5, PKU
9 剢 16 傈ワ❀
September 16, Friday
14 : 00 - 14 : 15
14 : 15 - 15 : 00
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 00 - 15 : 45
15 : 45 - 16 : 00
16 : 00 - 16 : 45
劥絆➝絏 _ INTRODUCTION BY CHAIRS
BOKODY, Peter_Before Self-Affirmation: Self-Analytical Painting in Early Renaissance Art
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
9 剢 17 傈ワⰙ
September 17, Saturday
9:00-9:45
9:45-10:30
10:30-11:15
11:15-11:30
11:30-12:15
12:15-13:00
13:00-14:00
14:00-14:45
14:45-15:30
15:30-16:15
16:15-16:30
16:30-17:15
ITO, Takuma_In the Shadow of Domenico: The Workshop Strategy of the Ghirlandaio
Brothers_ 㢴哆㽲ㆥ涸꣊䕧♴㛇㼷Ⱎ鴪紨⯌䓍㖈䊨⡲㖷涸絚歘㹊騨
蘡姅 _TEA BREAK
勿聰 / YANG Xiao_Reflections on "Autonomy" in Early German Self-Portraiture: Revisiting
Albrecht Dürer's 1493 Louvre Portrait
16 : 45 - 17 : 30
KRUGER, Klaus_The Pictorial Reflection of Evidence in the Renaissance
17 : 30 - 18 : 15
REBECCHINI, Guido_Ars sima naturae: Titian, the Laocoön and Controversy of Art
29
17:15-18:15
GOTTLER, Christine_Artists in Groups: Articulating (Collective) Identities in Early SeventeenthCentury Haarlem
PERICOLO, Lorenzo_Absolute Art and Relative Market: Guido Reni's "Non-Finito"
STOICHITA, Victor_Hitchcock's Rear Window and Beyond: Avatars of the Scopic Drive
蘡姅 _TEA BREAK
O'NEILL, Elena_"Art of the XXth century": Carl Einstein and the 1st Documenta_
⴯⡲♸䒁絯䚍⽓㼷·昶㔔倛㗞ծ絶㼷紵·ㆁ㣗暵削⿺20 ⚆紬涸蒌助
NUNES, Sofia_The Autonomy of Art and Its Critical Potentiality
⼯귬 _LUNCH
勚犷곡 / LI Fushun_A Survey on the Methods of Dating Rock Art in China_
⚥㕂䀵歘倗➿倰岁嚋霹
PEJCOCHOVA, Michaela_Tradition or Innovation? European Exhibitions and Reception of
Modern Chinese Guohua Painting in the Inter-War Period
URANCHIME, Tsultem
蘡姅 _TEA BREAK
劫饋赙 / ZHU Saihong_Level and Significance of Aaulic Book Binding in the Late Imperial
China_ 䋷ⵖ⚥㕂儻劍㹡䒄⛼硂鄳䌅涸瘝紩邍䖄⿺Ⱖⰻ巑
䚪絕䫣デ _CONCLUSION & 荈歋㸝䱗 _FREE ARRANGEMENT
痦♫ⴔ⠔崨⠛♸㴬」
SESSION 7_TRANSLATION AND CHANGE
32
7
14 : 00 - 14 : 15
14 : 15 - 15 : 00
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 00 - 15 : 45
15 : 45 - 16 : 00
16 : 00 - 16 : 45
16 : 45 - 17 : 30
17 : 30 - 18 : 15
劥絆⚺䌏 / Chairs
RAY, Sugata
University of California, Berkeley, USA
繠㕂 ⸈䊜㣐㷖⠭⯘ⵄⴔ吥
龨䀵 / ZHENG Yan
Central Academy of Fine Arts, Beijing, China
⻌❩ ⚥㣛繠助㷖ꤎ
剎䎧渠 / TSENG Chinyin ꫬ䎃⚺䌏 / JUNIOR CHAIR
Peking University, Beijing, China
⻌❩ ⻌❩㣐㷖
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
9 剢 17 傈ワⰙ
September 17, Saturday
9 : 00 - 9 : 45
9 : 45 - 10 : 30
10 : 30 - 11 : 15
11 : 15 - 11 : 30
⻌❩㣐㷖椚猰 5 〿嚁 201
Room 201, Natural Sciences Bldg. No. 5, PKU
11 : 30 - 12 : 15
9 剢 16 傈ワ❀
September 16, Friday
12 : 15 - 13 : 00
劥絆➝絏 _ INTRODUCTION BY CHAIRS
翇䎓㡫 / GENG Youzhuang_Session Keynote_ ⴔ⠔⚺곿〄鎊
桬桪Ⱶ / WANG Yudong_Coming to Terms with Rilievo
蘡姅 _TEA BREAK
KONDO, Takako_Question of Transparency: Whereabouts of Translational Dissonances in
World Art History_ 餘霧鷳僈䚍 : ⚆歲蒌助〷⚥涸䔲➿傈劥蒌助
NOTH, Juliane_Positioning Chinese Painting in the 1930s: Translation and Revision in
National Painting Monthly
鿓❭ / GUO Liang_The Landscape of Chorography and Boundaries' Ceremony: Genre Scene
Describing of Late Ming Dynasty in European Jesuits' Cartography_ 㽯晧굥兞♸毐㚖⟉䒭
 妍崍羴玽⠔㖑㕃蒌助䲽絚涸儻僈굥⤺㖞兞
33
13 : 00 - 14 : 00
♨ꨍ / DING Yu_Mosaic and Display: Chinese Ceramic in East African Coast_ Ꞿ䅺♸꣥⴩
崯區⚎ꬋ屠嵳爢⠔⚥涸⚥㕂櫘㐼
WANG Ching-ling_Iconographic Turn: On Chinese Buddhist and Daoist Iconography in the
Diez Albums
HOPKINS, Claudia_Dreams and Realities of Cultural Translation: The Islamic World in Spanish
Art in the 19th and Early 20th Century_ 俒⻊缺霖涸唀䟝♸梡㹊19 ⚆紬ㄤ 20 ⚆紬
傍劍銯棴暅蒌助⚥涸⟻倛Ⱎ⚆歲
蘡姅 _TEA BREAK
MUKHERJEE, Sraman_Lives in Transition: Locating Buddhist Relics in the Worlds of
Scholarship, Antiquarian Market, Diplomacy, and Religion
WEINRYB, Ittai_The Cross Cultural and the Problem of the Everyday: The Case of TwelfthCentury Europe
⼯귬 _LUNCH
14 : 00 - 14 : 45
FORDHAM, Douglas_British Orientalism and the Reproductive Print
14 : 45 - 15 : 30
SZIR, Sandra_ Periodical Routes: Displacements and Appropriations in the Illustrated Press in
Nineteenth-Century Buenos Aires _ 劍ⴚ騟絁⼧⛰⚆紬䋒㹆霿倛蒔ⵄ倛涸歘䫣⚥
涸縨䰃♸䮱欽
15 : 30 - 16 : 15
16 : 15 - 17 : 00
17 : 00 - 18 : 15
MIRJAM, Brusius_"Without any aid whatever from the artist's pencil" ? Persian Photography
at the Crossroad between Europe and China
BAADER, Hannah_Session Respondent_ ⴔ⠔霉雳➃
䚪絕䫣デ _CONCLUSION & 荈歋㸝䱗 _FREE ARRANGEMENT
痦Ⱃⴔ⠔犜䗻♸侅⻊
SESSION 8_ART AND TABOO
34
8
劥絆⚺䌏 / Chair
GAMBONI, Dario
University of Geneva, Geneva, Switzerland
榰㡦 傈ⰻ檲㣐㷖
꣥㾶欰 / CHEN Lvsheng
National Museum of China, Beijing, China
⻌❩ ⚥㕂㕂㹻⽇暟껧
龨蒁 / ZHENG Yan ꫬ䎃⚺䌏 / JUNIOR CHAIR
National Museum of China, Beijing, China
⻌❩ ⚥㕂㕂㹻⽇暟껧
⻌❩㣐㷖薉匊❜崨⚥䗱㣐餥㺉㹔
VIP Room, Yingjie Exchange Center, PKU
14 : 00 - 14 : 15
14 : 15 - 15 : 00
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 00 - 15 : 45
15 : 45 - 16 : 00
16 : 00 - 16 : 45
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
9 剢 17 傈ワⰙ
September 17, Saturday
9 : 00 - 9 : 45
9 : 45 - 10 : 30
10 : 30 - 11 : 15
11 : 15 - 11 : 30
11 : 30 - 12 : 15
12 : 15 - 13 : 00
13 : 00 - 14 : 00
ULLEN, Magnus_Tabooing Bodily Excitement: Art and Pornography Revisited
넞㡦帹 / GAO Shiyu_Body as Landscape: The Representation of the Body in Chinese
Contemporary Art_ 魧⡤굥兞⚥㕂䔲➿蒌助⚥涸魧⡤
DEFFEBACH, Nancy_The Art of Débora Arango: From Censorship to Canonization in Colombia
蘡姅 _TEA BREAK
TURAI, Hedvig_Communism, Assimilation, and Taboo: János Major's "In Memory of Móric
Scharf"
EDAMURA, Taisuke_(Un) covered Genitalia: The Veiling of RyÚdai Takano's With Me
⼯귬 _LUNCH
9 剢 16 傈ワ❀
September 16, Friday
14 : 00 - 14 : 45
LI, Vivian_Re-Moved: Art and Spatial Politics in Taiwan
14 : 45 - 15 : 30
BADEN, Sebastian_The Stockhausen Syndrome and the Avant-Garde Taboo after 9 / 11
劥絆➝絏 _ INTRODUCTION BY CHAIRS
15 : 30 - 16 : 15
KAEPPLER, Adrinne_Tabu and Mana and Their Interpretation from Cook and Hodges to His
Artists to the World
16 : 15 - 16 : 30
16 : 30 - 17 : 15
DIAMITANI, Boureima_Out of Sight Out Of Mind: Secret and Sacred Objects of the TagwaSenufo of Burkina Faso
蘡姅 _TEA BREAK
ARAKI, Fumika_Absent Monogram and Repressed Memory: The Disputed Legitimacy of Saint
Bernardino of Siena in Late Fifteenth-Century Rome
16 : 45 - 17 : 30
GOBIN, Anuradha_The Criminal' s Taboo: Touch and the Conversion of Deviance in the Dutch
Republic
17 : 30 - 18 : 15
DAZZI, Camilla and VALLE, Arthur_Afro-Brazilian Religions and Art: Image-Making, ImageBreaking
35
17 : 15 - 18 : 00
18 : 00 - 18 : 15
桬樟欰 / WANG Huangsheng_Public Education and the Democratization of Knowledge
_ 濼霋ⰖⰟ䚍♸侅肫字⚺⻊
蘡姅 _TEA BREAK
MACNEILL, Kate_To Copy is to Steal: the Intersection of Intellectual Property, Cultural Practices
and Visual Art
剆䎧儲 /CAO Qinghui_Zhou Sicong's Dismantling of the Dogma and Taboo in the Art of
Cultural Revolution_ ⶟淼」䕎雵ワ䙼耙㼆俒ꬠ蒌助侅勵♸犜䗻涸䬒鍒
䚪絕䫣デ _CONCLUSION
痦⛰ⴔ⠔杝用♸馄膴
SESSION 9_AUTONOMY AND ELUSION
36
9
劥絆⚺䌏 / Chairs
COLI, Jorge
State University of Campinas, São Paulo, Brazil
䊼銯 㖿淼紵倛䊜用㣐㷖
䓎儯ⲳ / ZHANG Xiaoling
China National Academy of Painting, Beijing, China
⻌❩ ⚥㕂㕂㹻歘ꤎ
㸌⼾嶮 / NING Zhuotao ꫬ䎃⚺䌏 / JUNIOR CHAIR
University of Strasbourg, Strasbourg, France
岁㕂 倛暵䬘倛㜃㣐㷖
⻌❩㣐㷖薉匊❜崨⚥䗱痦♧⠔雳㹔
Meeting Room No. 1, Yingjie Exchange Center, PKU
9 剢 16 傈ワ❀
September 16, Friday
14 : 00 - 14 : 15
14 : 15 - 15 : 00
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 00 - 15 : 45
15 : 45 - 16 : 00
16 : 00 - 16 : 45
16 : 45 - 17 : 30
劥絆➝絏 _ INTRODUCTION BY CHAIRS
CUTLER, Anthony_Authenticity and Elusion_ 溫㹊䚍♸鷖鼙
넞㣔字 / GAO Tianmin_Historical Construction in the Differentiation: the Art of Chinese
Characters in the World Art History_ 䊵䒗⻊⚥涸⾎〷Ⱏ䒊⚆歲繠助〷鵳玐⚥涸
宪㶶蒌助
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
37
9 剢 17 傈ワⰙ
September 17, Saturday
9 : 00 - 9 : 45
9 : 45 - 10 : 30
10 : 30 - 11 : 15
11 : 15 - 11 : 30
11 : 30 - 12 : 15
12 : 15 - 13 : 00
13 : 00 - 14 : 00
14 : 00 - 14 : 45
14 : 45 - 15 : 30
蘡姅 _TEA BREAK
15 : 30 - 16 : 15
HUGUET, Bérangère and SCHOTT-FONTAINE, Sammy_Picturing the Indiscernible Outline of
the Shifting Fluid Zhang Daqian's Authenticity beyond Patterns_ 歘ⴀ溏♶錛涸崨⸓갍䖒
䓎㣐⼪歘⡲涸溫㹊䚍瑲灶垷䒭ꣳⵖ
16 : 15 - 16 : 30
MARSDEN, Rachel_Replicas and Re-imaginations: Curating China's Copyists
16 : 30 - 17 : 15
17 : 15 - 18 : 00
18 : 00 - 18 : 15
CHICANGANA-BAYONA, Yobenj Aucardo_The Table is Set, Dinner is Served. The Cannibals
of Hans Holbein's Novus Orbis Regionum, 1532_ 呱㶩䊺䶓㥩儻귬䊺畮♳կ宪倛·꩚㼷
䬺㔔 1532 䎃䨾絚շ倝⚆歲㖑㕃ո⚥涸굹➃欰殣
䓎䟃僈 / ZHANG Huiming_Wishes, Investment of the Donors, and Artists' Expression in the
Creation of Religious Fine Arts in Medieval China_ ⚥〢⚥㕂㸺侅繠助⡲ㅷ⴯⡲⚥倶⚺
涸䠑䡦ծ餴⸔♸蒌助㹻涸邍鴪
PUSHAKOVA, Anna_Japanese Woodblock Prints Collections from Russian Museums: Official
Documentation and Problems with Attributions_ ⤜縄倛⽇暟껧⚥涸傈劥加晜歘佐诡
㸽倰俒柄ㄤꝡ霴霥ꅺ
蘡姅 _TEA BREAK
勭㼱贄 / DU Shaohu_Complementary Adaptation and Fusion: The "Trans-Cultural"
Evolution of the Western Oil Painting in Early China_ ❜✽⚥涸鷓䎾♸輑ざ傍劍銯峕
屘歘㖈⚥㕂涸騗俒⻊灇瑕
GAIOTTO MIYOSHI, Alexander_Trends of the Modern Sculpture: Authenticity and Elusion in
a Guillotined Book of Art History
⼯귬 _LUNCH
꣥僈 / CHEN Ming_"Inversion" and "Transcendence": Paintings of New China in the Context
of Modernism Prevailing around the World_ ⿿ぢ♸馄馊⚆歲梡➿⚺⛐蒌助露㞯♴
涸倝⚥㕂屘歘
MARTINEZ, Felipe Sevilhano_The Attribution of the Still Life with Vase, Plate and Flowers by
Vincent Van Gogh_ 㖁⥂縄蒌助⽇暟껧佐诡涸唞넞⡲ㅷշ꫽暟蔄櫕ծ渹㶩♸蔄ո
涸溫⠦꡼곿
䓎䔂 / ZHANG Qiang_Subsquentrecognition, Resistance And Spectrum System
Reconstruction of "Chinese Characters/Writing" Experience: New Exploration In The Context
Of Globalization And Diversification_宪㶶 / ⛼ⱗ絑낉涸鷅雩ծ⿿ⵖ♸靶禹ⱄ䒊
㖈Ⰼ椕⻊♸㢴⯋⻊露㞯⛓⚥ꅾ倝䱲雭
蘡姅 _TEA BREAK
ALVES JR., Martinho_Inebriating Spaces: Sex, Drugs and Landscape
劫Ⱖ / ZHU Qi_Art and Calligraphy: Modernity of Writing in the Mid-20th Century Painting
between China and Western_ 䬄韌⚺⛐♸⛼岁䚍
䚪絕䫣デ _CONCLUSION
痦⼧ⴔ⠔䚍ⵆ♸㦀㥎
SESSION 10_GENDERED PRACTICES
38
10
劥絆⚺䌏 / Chairs
SCHMAHMANN, Brenda
University of Johannesburg, Johannesburg, South Africa
⽂ꬋ 紨缦ⰻ倛㜃㣐㷖
勚Ⱆ僈 / LI Gongming
Guangzhou Academy of Fine Arts, Guangzhou, China
䎛䊜 䎛䊜繠助㷖ꤎ
ぢ㖈虽 / XIANG Zairong ꫬ䎃⚺䌏 / JUNIOR CHAIR
ICI Berlin Institute for Cultural Inquiry, Berlin, Germany
䗞㕂 ICI 厣卌俒⻊灇瑕䨾
⻌❩㣐㷖薉匊❜崨⚥䗱痦♲⠔雳㹔
Meeting Room No. 3, Yingjie Exchange Center, PKU
9 剢 16 傈ワ❀
September 16, Friday
14 : 00 - 14 : 15
14 : 15 - 15 :00
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 00 - 15 : 45
15 : 45 - 16 : 00
16 : 00 - 16 : 45
16 : 45 - 17 : 30
17 : 30 - 18 : 15
劥絆➝絏 _ INTRODUCTION BY CHAIRS
CORDERO, Karen_"The Protest of the Day After (Mother's Day)": Artistic Activism in
Resistance to "Abducted Motherhood" in Mexico
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
9 剢 17 傈ワⰙ
September 17, Saturday
9 : 00 - 9 : 45
9 : 45 - 10 : 30
10 : 30 - 11 : 15
11: 15 - 11 : 30
11 : 30 - 12 : 15
12 : 15 - 13 : 00
13 : 00 - 14 : 00
蘡姅 _TEA BREAK
BUCKEBRROUGH, Sherry_Women, Abstraction and Gender Oblivion: Delaunay's Political
Drama
BIRNBAUM, Paula J. _Chana Orloff: Gender and the Modern Artist as Émigré
脋俛 / HU Bin_The Second Face of Gender and Laborer: Representation of "Barefoot"
Women in the Mao-era_ 䚍ⵆ♸⸣⸓罏涸痦✳꬗㺂嬁峂⚎傞➿㦀㥎涸饕膃邍鴪
VON VEH, Karen_The Evolution of Feminism in the Work of Diane Victor
INGLOT, Joanna_Feminism on Trial: Gender, Art, and Politics in Post-Communist Poland
忆儯꜉ / TENG Xiaobo_Feminism: How Chinese Female Scholars Describe the Art History of
China_ 㥎䚍⚺⛐⚥㕂㥎㷖罏㥵⡦欽倝錠錭雷鶣⚥㕂蒌助〷
蘡姅 _TEA BREAK
DEKEL, Tal_Feminist Readings of Art Created by Philippine Migrant Women in Israel
HOBBS , Philippa_The Disruptive Warp: Tapestry and Gender Practices in the Weaving
Studio at Rorke's Drift
⼯귬 _LUNCH
14 : 00 - 14 : 45
MOORE, Catriona and MILLNER, Jacqueline_Domesticating Institutional Critique
14 : 45 - 15 : 30
ENGEL, Antke_Afrofuturism Facing Conflict: Encounters between Lebo Ntladi's
thebeautifulonesarehere and Tim Stüttgen's QuAre Assemblages
15 : 30 - 16 : 15
SUNG Ji Eun_Reviving the Disappearing Ones: A Korean
Feminist Artist Siren Eun Young Jung's Yeosung Gukgeuk Project
16 : 15 - 16 : 30
16 : 30 - 17 : 15
CABRERA, Delfina_Goddesses of the Unrepeatable: Art and the Political in Las Yeguas del
Apocalipsis
39
17 : 15 - 18 : 00
18 : 00 - 18 : 15
蘡姅 _TEA BREAK
⡸桪峇 TONG Yujie_The History of Feminisim Art in China_ ⚥㕂㥎䚍⚺⛐蒌助絑낉〷
ALLARA, Pamela_Gendered Practices in South African Art: Three Artists/Three Decades
䚪絕䫣デ _CONCLUSION
痦⼧♧ⴔ⠔굥兞♸㣼錜
SESSION 11_LANDSCAPE AND SPECTACLE
40
11
劥絆⚺䌏 / Chairs
KRIEGER, Peter / 叕樵䗞
National Autonomous University of Mexico, Mexico City
㟯銯ㆥ㙹 㟯銯ㆥ㕂用荈屛㣐㷖
⩫歍 / FU Shen
National Taiwan University, Taipei, Taiwan
〵⻌ 〵弩㣐㷖
忆㸙㸌 / TENG Yuning ꫬ䎃⚺䌏 / JUNIOR CHAIR
Peking University, Beijing, China
⻌❩ ⻌❩㣐㷖
⻌❩㣐㷖薉匊❜崨⚥䗱痦㔋⠔雳㹔
Meeting Room No. 4, Yingjie Exchange Center, PKU
9 剢 16 傈ワ❀
September 16, Friday
14 : 30 - 15 : 00
15 : 00 - 15 : 45
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 45- 16 : 00
16: 00 - 16 : 45
16 : 45 - 17 : 30
17 : 30 - 18 : 15
劥絆➝絏 _ INTRODUCTION BY CHAIRS
SCHNEEMANN, Peter_Eco-Action: Materialities and Territories as Mediators of Contemporary
Landscapes_ 欰䙖遤⸓䔲➿蒌助兞錜⚥嶍⿺涸勞俱♸㖑㚖꡼곿
蘡姅 _TEA BREAK
RANKIN, Elizabeth_Imperial Violations: Undermining the Conventional Tropes of Landscape:
Michael Shepherd's New Zealand Landscapes_ 䋷㕂Ⰶ⤀㼆굥兞⿺Ⱖ⠛絡俒⻊䠑巑涸
灶㗁 Michael Shepherd 疴♴涸倝銯Ⱎ굥兞
GEE, Gabriel_The Late 20th Century Marine: "Forgotten Spaces" and Trans-Industrial
Visions_20 ⚆紬儻劍涸嵳峕
鄄麰䘍涸瑟ꢂ⿺騗❡⚌䡦兞
TURAZZI, Maria Inez
Favelas in Rio de Janeiro: New Approaches to a Singular Landscape
ꅽ紨掚ⰻ⽔涸餛字璼Favelas: ꅾ倝雭雿鵯♧鿪䋑㣼兞
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
41
9 剢 17 傈ワⰙ
September 17, Saturday
9:00-9:45
9:45-10:30
10:30-11:15
11:15-11:30
11:30-12:15
12:15-13:00
13:00-14:00
14:00-14:45
14:45-15:30
15:30-15:45
15:45-16:30
16:30-17:15
17:15-18:00
18:00-18:15
FRESCHI, Federico_From Volksargitektuur to Pretoria Regionalism: The Imagined Landscape
of the Nation in Afrikaner Nationalist Architecture, 1936-1976_ ➢字㾀Volksargitektuur
ⵌ嫱⹗꣜ⵄ❇Pretoria㖑倰⚺⛐⽂ꬋ涯➃䒊瘰涸字偛䟝韌⛓㞯1936-1976
SUD, Shivani_In a Land of Death and Disease: Epidemiological Landscapes and Photography
in Colonial Bombay_ 娥❖♸氬氻⛓㖑婤字㖑傞劍㷆✈㙹䋑涸崨遤氻㷖兞錜ㄤ䶑䕧
GOTLIEB, Marc_The Orientalist Sublime: Landscape, Self, and Spectator in the Work of
Gérôme and his Contemporaries_ ⚎倰⚺⛐涸䃩넞匊縄㨖⿺Ⱖず傞➿蒌助㹻⡲ㅷ
⚥涸굥兞ծ荈䧮ㄤ錜溏
蘡姅 _TEA BREAK
KERN, Margit_Historical Landscape and Progress:Ecocritical Perspectives on "Cuadros
Nacionales" (National Paintings) in 19th Century Mexico_ ⾎〷굥兞ㄤ鵳玐欰䙖䪠霉
錠錭溏 19 ⚆紬㟯銯ㆥ涸㕂㹻絚歘(Cuadros Nacionales)
SENG, Eva-Maria_Pall Mall: From the Sportsground to the Urban Pleasure Ground_
꜈㕕椕㖞➢鵘⸓㖞䨾ⵌ鿪䋑㬛⛙㖞䨾涸」鴲
⼯귬 _LUNCH
⴬爞紤 / LIU Lihong_The Wu Landscape: Eco-aesthetics in Chinese Paintings, 1450-1550_
゠꡶㿋宐⚥㕂絚歘⚥涸欰䙖繠㷖1450-1550
线⵿ꫬ / WENG Jianqin_Humanity, Nature and Pattern: the Meaning of the Space in
Illustration of the Literature in the Ming Dynasty_ 兞韌 · ➃俒 · 㕃䒭僈➿䧬刼俒㷖䳃
㕃涸㖞兞♸錠錣巑⛐
蘡姅 _TEA BREAK
괃儯ⱙ / YAN Xiaojun_Dong Qichang and the Travel Landscape Painting: a Visual
Reconstruction of the Real Landscape in his Neo–confucianism_ 袙Ⱖ僅♸儻僈涸紬康㿋
宐椚㷖錜䙁㼆溫㹊굥兞涸錠錣ꅾ匬
裳倰❫ JIANG Fangting_Wang Shizhen and the Landscape Sketches of the Grand Canal in
the Shui Cheng Album_ 桬⚆餎♸շ宐玐㕃ոⱃ⚥涸鵘屎굥兞ⱗ欰
雽䕒 / XU Tong_The Creation and Spread of the "Jiangnan" Famous-site Images in the
Qianlong Period_ ✝ꥑ劊寐⽂ぜ胿㕃⫸涸ⵖ鸣♸⠛乄
䚪絕䫣デ _CONCLUSION
痦䒒♧ⴔ⠔㢴⯋♸⚆歲
SESSION 21_CONNECTING ART HISTORIES AND WORLD ART
60
21
劥絆⚺䌏 / Chairs
TROELENBERG, Eva
Kunsthistorisches Institut in Florenz, Florence, Italy
䠑㣐ⵄ 끩兜䨾⡱縄⠡蠖蒌助〷灇瑕䨾
剆䠑䔂 / CAO Yiqiang
China Academy of Art, Hangzhou, China
匆䊜 ⚥㕂繠助㷖ꤎ
薴涯♨ / FAN Baiding ꫬ䎃⚺䌏 / JUNIOR CHAIR
China Academy of Art, Hangzhou, China
匆䊜 ⚥㕂繠助㷖ꤎ
⻌❩㣐㷖薉匊❜崨⚥䗱剢⯕⾍
PKU Moonlight Hall, Yingjie Exchange Center
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
9 剢 17 傈ワⰙ
September 17, Saturday
9:00-9:45
9:45-10:30
10:30-11:15
11:15-11:30
11:30-12:15
9 剢 16 傈ワ❀
September 16, (Friday)
14 : 00 - 14 : 15
14 : 15 - 15 : 00
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 00 - 15 : 45
15 : 45 - 16 : 00
16 : 00 - 16 : 45
16 : 45 - 17 : 30
17 : 30 - 18 : 15
劥絆➝絏 _ INTRODUCTION BY CHAIRS
KAUFMANN, Thomas DaCosta and PILLIOD, Elizabeth_Ethical Issues in Practice: Forming
a Canon for Global Art History_ 㹊騨⚥涸⠡椚꡼곿⚹Ⰼ椕蒌助〷䒊用♧猫絑Ⱙ
13:00- 14:00
14:00- 14:45
14:45- 15:30
SMENTEK, Kristel_European Classicism and Chinese Art_ 妍崍〢Ⱙ⚺⛐♸⚥㕂蒌助
蘡姅 _TEA BREAK
WHITE, Michael_De Stijl and the Cultural Canon of the Netherlands: Gerrit Rietveld's RedBlue (and White? ) Chair_ 굥呔崣♸蚚Ⱎ涸俒⻊絑Ⱙ饟ꅽ暵·ꅽ暵餩㼷䗞涸紤覰
䧴
涯喱㶩
LANGFELD, Gregor_Canonising Modernism During National Socialism and the Cold War_
㖈㕂㹻爢⠔⚺⛐ㄤⲇ䧶傞劍梡➿⚺⛐涸絑Ⱙ⻊鵂玐
BINSTOCK, Benjiamin_A Post-Global Vermeer? The Role of Media in Canon Formation and
Reformation_ たⰌ椕⻊涸絶碛㼷㯮➝㖈絑Ⱙ䒊用ㄤꅾ䒊⚥涸⡲欽
61
15:30- 16:15
16:15- 16:30
16:30- 17:15
17:15-18:15
剎纈Ⳮ /ZENG Qunkai_The Parallel Geography and the Parallel Test: The Style and
Experiment of the Art history in the Art Ecology of the Xinjiang Province in China_ 䎂遤㖑椚
♸䎂遤霚낉倝毐蒌助欰䙖⚥涸蒌助〷䒭呋ㄤ㹊낉
GARAY, Alejandro_New Geo [graphies] Travelers and Their Images in Nineteenth-Century
Colombia_ 倝㖑続19 ⚆紬ㆥ⠡嫱❇涸假遤罏⿺Ⱖ㕃⫸
WEIß, Matthias_Gazes that Matter: The European Buildings of the Summer Palace in Beijing
Mirrored in Chinese Engravings and Western Photographs_ ꅾ銳涸ⳕ錠⚥㕂晜歘ㄤ
銯倰撑晙⚥ッ梡ⴀ涸⻌❩㕐僈㔩涸妍䒭䒊瘰
蘡姅 _TEA BREAK
GALLIPOLI, Milena_Casting the Canon: Plaster Casts as Global Dissemination Media during
the Long Nineteenth-century_ 㝕鸣絑Ⱙ㖈㣐 19 ⚆紬⡲⚹Ⰼ椕⠛乄㯮➝涸瀖
芁垷㘗
(12:15 - 13:00 荈歋㸝䱗 / Free Arrangement)
⼯귬 _LUNCH
BHAGWATI, Annette_Reference or Representation? The Impact of S.E.A. (Students Exercise
Artworks) on Canon Formation in Vietnamese Contemporary Art_ ⦶ꊹ鵮僽ⱄ梡㷖欰絅
⛴⡲ㅷS.E.A㼆䕎䧭馊⽂䔲➿蒌助絑Ⱙ涸䕧ㆇ
CAUSEY, Andrew_"Primitive" Yet "Civilized": Toba Batak Carvings in the Western Canon of Art
_ ꧋⾲㨤♸俒僈✵♧魧銯倰蒌助姻Ⱙ⛓䊼㝜⯘䩯䊼偛ꧧⵠ蒌助
꣥灇 / CHEN Yan_Binding the Canon: the Butterfly-fold Binding of Chinese Art Books in the
17th Century_ 鄳䌅♸絑Ⱙ⼧♫⚆紬⚥㕂蒌助⛼硂⚥涸軣軧鄳
蘡姅 _TEA BREAK
GONZALEZ, Valérie_Today Worlds Collide: a Comparative Reflection on Islamic and East Asian
Ceramic Art's Display Philosophy_ ➚傈⚆歲涸焥中⟻倛Ⱎㄤ⚎❇ꤲ櫘蒌助㾝爙
ㆹ㷖⛓嫱鳅
䚪絕䫣デ _CONCLUSION & 荈歋㸝䱗 _FREE ARRANGEMENT