views fall 2010 - Museum of Arts and Design
Transcription
views fall 2010 - Museum of Arts and Design
views fall 2010 02 From the Director Board of Trustees Dear Friends, welcome Lewis Kruger Chairman Everything came up roses for us last spring. We opened two highly popular shows, Dead or Alive: Nature Becomes Art and Bespoke: The Handbuilt Bicycle, which brought us enthusiastic reviews from publications and blogs from as far away as Moscow, Singapore, and Adelaide. (You can read a few choice plaudits from the local press on page 3.) And our Zombo Italiano film series, conceived as a diverting complement to Dead or Alive, brought to MAD a throng of 20-somethings, almost all new to the museum. If our visitor surveys are to be trusted, these young moviegoers will be coming back for the exhibitions as well as the film offerings. We also grabbed the attention of Columbus Circle passersby, especially cyclists, with our outdoor “MyBike Photobooth.” During its 12-week run more than 2000 photos were snapped. (Read more about the project on page 13.) JEROME A. CHAZEN Chairman Emeritus BARBARA TOBER Chairman Emerita Linda E. Johnson Secretary FRED KLEISNER Treasurer HOLLY HOTCHNER Director Stanley S. Arkin Ambassador Diego E. Arria Holly Hotchner Nanette L. Laitman Director Kay Bucksbaum Cecily Carson Tzili Charney Simona Chazen Michele Cohen Dan Dailey Eric Dobkin Marcia Docter Lisa ORANGE Elson C. Virginia Fields Carolee Friedlander We expect to attract still more new audiences this fall with The Global Africa Project, the pioneering survey of contemporary African art, design, and craft, co-curated by Lowery Stokes Sims, MAD’s Charles Bronfman International Curator, and Leslie King-Hammond, Founding Director of the Center for Race and Culture at the Maryland Institute College of Art (MICA). Featuring the objects of some one hundred artists working in Africa, Europe, Asia, the United States, and the Caribbean, the exhibition showcases a range of fresh talent emerging from the African continent. It also charts important new territory by actively looking beyond restrictions of traditional art historical groupings. A compelling schedule of public programs will accompany the exhibition, including a series of lectures and panel discussions, entitled “Vibrant Space,” which examine how physical, digital, and physiological environments have both formed and informed expressions of African identity throughout the globe. Kris Fuchs Seth Glickenhaus Sandra B. Grotta Chris Hacker Edwin B. Hathaway Linda E. Johnson Ann Kaplan J. Jeffrey Kauffman Nanette Laitman Jeffrey Manocherian robert lee morris Barbara Karp Shuster Ruth Siegel Klara Silverstein angela sun William S. Taubman Suzanne Tick Miles Young Honorary Suzanne G. Elson Jane Korman Jack Lenor Larsen Jeannie Levitt Nancy Marks Exploring new worlds and considering identities could be the themes to our autumn lineup, which begins with the American debut of the winners of the second annual Abraaj Capital Art Prize, an award focusing on contemporary artistic production from the Middle East, North Africa, and South Asia, a region known as the MENASA. October marks the premiere of Think Again: New Latin American Jewelry. And a true premiere it is, as this is the first survey of contemporary Latin American jewelry ever in North America. Much like The Global Africa Project, it is an exhibition that challenges stereotypes about a singular African aesthetic. In November, our MADProject gallery presents Patrick Jouin: Design and Gesture, an exhibition conceived by the French design phenom, known for his technical wizardry and brilliant twists on familiar objects. If these offerings aren’t enough for the makings of a lively fall season, don’t forget that in October, we will be holding our METALBALL, our second annual young patrons gala, on the 18th, and two days later, opening LOOT!2010, our tenth biennial exhibition and sale of contemporary one-of-a-kind jewelry. It’s the first time we’ve put on this special show in the galleries of 2 Columbus Circle. And then on November 17, we have our Visionaries! gala. With such an exciting program of exhibitions and events ahead, we hope to see you here often this autumn, participating in our MAD experiments in giving new meaning and access to the creations of artists working in diverse and unexpected media. Aviva Robinson Alfred R. Shands, III Ex-Officio Honorable Michael R. Bloomberg Honorable Christine C. Quinn Honorable Scott M. Stringer Marisa Bartolucci Editor Linda Florio Designer Carnelia Garcia Assistant Editor Sol Salgar Assistant Designer Holly Hotchner Nanette L. Laitman Director FSC LOGO museum of arts and design The Museum’s Thursday evening PayWhat-You-Wish program is underwritten by the Newman’s Own Foundation. Current and upcoming exhibitions are supported by Basil Alkazzi; American Express; the Andy Warhol Foundation for the Visual Arts; The Angelica Berrie Foundation; Bloomberg; the Consulate General of The Netherlands in New York; The Craft Research Fund, a project of the Center for Craft, Creativity and Design at the University of North Carolina; Farrow & Ball; the Friends of Global Africa; The Murray and Helen Gruber Fund; The Henry Luce Foundation, Inc.; HSBC Bank USA, N.A.; The Karma Foundation; Kate’s Paperie; The Mondriaan Foundation, Amsterdam; the Robert Sterling Clark Foundation, Inc.; The Rockefeller Foundation; the Smithsonian National Museum of the American Indian Indigenous Contemporary Arts Program; Susan Steinhauser and Daniel Greenberg; Swarovski; the Windgate Charitable Foundation; and the Inner Circle and Collectors Circle, the Museum’s leadership support groups. MADprojects exhibitions are made possible in part by the Newman’s Own Foundation and the Museum’s Design Council. The Abraaj Capital Art Prize is made possible through the support of Abraaj Capital. The ongoing Art Encounters installation project is made possible by Benjamin Moore & Co. Acquisitions to the Museum’s permanent collection are made possible in part through the generosity of the Board of Trustees; private and anonymous donors; and the Museum’s Collections Committee. The restoration of Robert Arneson’s Alice House Wall was made possible by a generous grant from The Henry Luce Foundation, Inc. The Charles Bronfman International Curatorship Program, focusing on contemporary global developments in art, craft, and design, has been generously funded by The Andrea and Charles Bronfman Fund. Group; The Glickenhaus Foundation; The New York Community Trust; The Seth Sprague Educational and Charitable Foundation; the Laurie M. Tisch Illumination Fund; the Barbara and Donald Tober Foundation; private and anonymous donors; and the Museum’s corporate members. Ongoing support is provided by the William Randolph Hearst Endowment Fund for Education and Outreach Programs. MADlab: Arts Access is made possible by the Fondation d’entreprise Hermès, with additional support from HSBC Bank USA, N.A. The Museum’s Cultural Collective was launched with funds from the New York Community Trust. Programming in the Museum’s Open Studios is made possible in part by the Helena Rubinstein Foundation. contents The Museum of Arts and Design, in addition to major financial assistance from its Board of Trustees, receives operating funds from many dedicated supporters. Major support for the Museum’s exhibitions, educational and outreach programs, and general operations is provided by public funds from the Institute of Museum and Library Services, an independent federal agency that grows and sustains a “Nation of Learners;” the National Endowment for the Arts; the New York State Council on the Arts, a State Agency; Mayor Michael R. Bloomberg, Commissioner Kate D. Levin, and the New York City Department of Cultural Affairs, in partnership with the New York City Council; City Council Speaker Christine C. Quinn, Councilmembers Gale A. Brewer, Jessica S. Lappin, and James G. Van Bramer, and the Manhattan Delegation of the Council; and Manhattan Borough President Scott M. Stringer. Important funds for the Museum’s ongoing operations are provided by the Museum’s members and Acorn Hill Foundation, Inc.; AG Foundation; Frances Alexander Foundation; Adrian and Jessie Archbold Charitable Trust; The Arkin Family Foundation; Bloomberg; BNP Paribas; The Brown Foundation; Matthew and Carolyn Bucksbaum Family Foundation; Carnegie Corporation of New York; The Carson Family Charitable Trust; The Chazen Foundation; Chilewich Sultan LLC; Michele and Martin Cohen; The Herbert and Junia Doan Foundation; Marcia and Alan Docter; Lisa Orange Elson and Harry Elson; Elizabeth Arden; The Estēe Lauder Companies Inc.; The Ferriday Fund Charitable Trust; Carolee Friedlander; Kris Fuchs; The Glickenhaus Foundation; Goldman, Sachs & Co.; Sandra and Louis Grotta; The Irving Harris Foundation; Edwin B. Hathaway; William Talbott Hillman Foundation; Lois U. and Dirk Jecklin; Linda E. Johnson; The J.M. Kaplan Fund; F.M. Kirby Foundation, Inc.; Eli Klein Fine Art; The Jane and Leonard Korman Family Foundation; The William and Mildred Lasdon Foundation; The Levitt Foundation; Lion Brand Yarn; Liz Claiborne, Inc.; Maharam; Material ConneXion; Maya Romanoff; MMPI; The Ambrose Monell Foundation; Nelson Air Corp.; Newman’s Own; Northern Trust; Oldcastle Glass; The Peco Foundation; Pratt Institute; The Jack A. and Aviva Robinson Family Support Foundation; Joel M. Rosenthal; The Evelyn Sharp Foundation; Barbara Karp Shuster; The Franz W. Sichel Foundation; The Ruth and Jerome Siegel Foundation; Klara and Larry Silverstein; Steelcase, Inc.; Sugar Foods Corporation; Suzanne Tick, Inc.; Swarovski; The Taubman Company; Tiffany & Co.; Time Warner, Inc.; Barbara and Donald Tober Foundation; and many other generous private and anonymous donors. 02 welcome 04 MAD about us 05 current exhibitions 06 – 07 upcoming exhibitions 08 curatorial perspective 11 in the studio: artist profile 12 inside MAD 14 – 15 events: loot•metalball•visionaries 16 travel 17 – 18 membership & discount program 19 supporters The Museum’s print design portfolio is made possible in part through the generosity of Trustee Chris Hacker and the design teams at Johnson & Johnson and StudioCase. MADviews is made possible through the generosity of the Liman Foundation. The Museum’s educational programs are supported by the Rose M. Badgeley Residuary Charitable Trust; the Central Park Conservancy; Chubb Insurance cover: Serge Mouangue Wafrica, 2008 Cotton, silk, wax print Dimensions variable Courtesy of the artist Photo: Yuji Zendou right: Magdalene Odundo Untitled, 2009 Red clay; carbonized, multi-fired 17 3⁄4 in. Courtesy of Anthony Slayter-Ralph Photo: Jon Stokes 04 MAD about us! During the first half of the year we garnered all kinds of media acclaim. And we’re not at all embarrassed to share some of the accolades with you. Regarding Dead or Alive: Nature Becomes Art, the New York Times exclaimed, “Almost everything Fine Arts Magazine commended the in it will arouse some kind of curi- show for its braininess, “It is also, despite osity, whether material, scientific, outward appearances, an intellectual or historic. The 16th-century adventure encouraging serious thought wunderkammer, it seems, is an on ecology, beauty, violence to humans excellent model for a 21st-century and animals, and most notably, one’s art and design museum.” own mortality.” To put it in a nutshell, as is the mission And the style-obsessed website of the redoubtably pithy The Week, the Luxist was impressed by the show appeared “more reverent than show’s profundity. “Rather than revolting and even evokes a certain morbid, the work is mysterious, spiritual awe.” highly personal, and each in its own way comments on the human condition and the transcendence Bespoke: The Handbuilt Bicycle, our of life, whether man or beast.” summer MadProjects exhibition, also inspired raves. “You would have to be MAD not to check out Bespoke: The And the blog SGNL effused, “While there’s no Handbuilt Bicycle…” gushed Interior denying the sheer eye-candy appeal of the 21 bikes Design magazine. currently on display at NYC’s Museum of Arts and Design, the show goes beyond the glossy frames, contoured leather seats, and clever accessories, The eco-design blog Treehugger declared delving into the intensive craftsmanship that that “the most beautiful wheels in the drives the growing rebirth of the trade.” world are on display at the Museum of Arts and Design in New York right now.” As gratifying as those reviews were, we were also pleased to see our own Barbara But the most gratifying piece of Tober in the New York Times last May in an press was without question the article in the Real Estate section about her article on the museum that ran in Manhattan residence. Always thinking of Crain’s New York Business in July. MAD, Barbara got us a plug in the very The business daily was curious to first paragraph. Not surprisingly, the reporter see how MAD had fared since its observered that Barbara’s home could, “Pass opening in September 2008 just as for a beautifully appointed house museum, the global economy went into furnished as it is with examples of crafts- freefall. What was its verdict? “For a manship representing many centuries and museum that dramatically expanded amassed from around the globe.” its operating budget and moved into an expensive new home in the teeth of the financial crisis, MAD is doing remarkably well.” Indeed. museum of arts and design 05 Dead or Alive: Kader Attia History of a Myth: The Small Dome of the Rock, 2009–2010 Courtesy: Abraaj Capital Art Prize 2010 Photo: Max Milligan Nature Becomes Art Through October 24, 2010 > This much-praised exhibition features contemporary works created from multiples of organic materials. Elements current of flora and fauna, such as feathers, bones, fur, leaves, below: Maker Unknown Miao Neckpiece, Guizhou Province, China, 19th–20th century Silver 16 7⁄8 x 19 x ½ in. Collection of Museum of Arts and Design Gift of Daniel and Serga Nadler, 2008 Photo: John Bigelow Taylor and cocoons, are recombined and rearranged into works of art that address the transience of life and all that is intriguing and beautiful, and sometimes, uncanny or even repulsive, in the natural world around us. “In the hands of these artists, Abraaj Capital Art Prize mute materials are brought Through October 10, 2010 back to life as works of art. > Now in its second year, the With profound and provocative Abraaj Capital Art Prize is associations, organic materials unique among art awards; not are transformed and resusci- only is it the world’s most gen- tated,” says David R. McFadden, erous, disbursing $1 million a co-curator of the show. to its recipients, but it is also distinct in it concentration and Dead or Alive is made possible, in part, through the generous support of the National Endowment for the Arts and American Express, with additional support from the Mondriaan Foundation, Amsterdam and the Netherlands Cultural Services (New York). approach, focusing on contemporary art and design from the Middle East, North Africa, and South Asia (MENASA) region and honoring proposals conceived by an artist and curator pairing rather than individual realized works. On show are the works by this year’s three winning teams: the Algerian artist Kader Attia with Laurie Ann Farrell, executive director of exhibitions for the Savannah College of Art and Design in the United States; the Egyptian artist Hala Elkoussy with Jelle Bouwhuis, a curator at the Stedelijk Museum, Amsterdam; and the Lebanese artist Marwan Sahmarani from Lebanon with the Lebanese-Spanish curator Mahita El Bacha Urieta. Among the international panel of jurors who selected the winners from 97 applicants was MAD’s Charles Bronfman International Curator, Lowery Stokes Sims. The Abraaj Capital Art Prize is made possible through the support of Abraaj Capital. Portable Treasuries: Silver Jewelry from the Nadler Collection Through September 26, 2010 > Collectors Daniel and Serga Nadler have assembled a unique collection of silver jewelry from around the world, including massive neck ornaments, anklets, bracelets, complex earrings, and a wide variety of brooches and fibulae. This exhibition presents some 150 works, from North Africa, the Indian Subcontinent, and the hill tribes of Southeast Asia. This marks the inaugural exhibition of the Nadler Collection. Of the pieces on display, 207 were donated to the Museum of Arts and Design Nick Cave Soundsuit, 2010 Mixed media 96 x 33 x 27 in. Courtesy of the artist; Jack Shainman Gallery, New York Photo: James Prinz as outright gifts. Portable Treasuries: Silver Jewelry from the Nadler Collection is made possible, in part, through the generosity of the Collectors Circle, a leadership Museum support group. MAD VIEWS FALL 2010 WWW.MADMUSEUM.ORG 06 upcoming Ma. Constanza Ochoa Untitled, 2008 Necklace Latex balloons, flour, cotton 7 7⁄8 x 21 5⁄8 in. Photo: Federico Cavicchioli Eat Drink Art Design: Tableware in the MAD Collection September 21 – March 27, 2011 > The artists and designers in this exhibition have created objects for the table—cups and plates, tea sets and silverware— that redefine the art of dining. Drawing from MAD’s collection, the exhibition features 60 objects for eating and drinking by such artists as Ted Muehling, Cindy Sherman, and Dale Chihuly. Featured works range from the beautifully handcrafted vessels of the early years of the collection, to elegant flatware and goblets, to recent conceptual works by artists such as Paul Scott, who uses the familiarity of tableware as a frame for contemporary issues. The show reveals the ways in which the table can be a domestic setting for families and feasts, as well as an intellectual space for ideas and history. Eat Drink Art Design is made possible by the Collectors Circle, a leadership Museum support group. Think Again: New Latin American Jewelry Patrick Jouin: Design and Gesture November 9, 2010 – February 6, October 12, 2010 – January 9, 2011 > As the latest edition of 2011 > This show represents the MADProjects, an exhibition se- first comprehensive overview ries exploring emerging trends of contemporary art jewelry and innovations in the design from Latin America to be seen world, the Museum of Arts and in the United States. It dem- Design presents Patrick Jouin: onstrates not only the passion Design and Gesture the second these artists have for jewelry solo exhibition at an American making, but also how regional museum of the work of this pro- culture and avant-garde art lific 43-year-old French designer. trends influence their work. A protégé of Philippe Starck, “The new Latin American jew- Jouin established his own stu- elry must be appreciated for dio in 1999. Since then, the what it is. One shouldn’t impose Paris-based designer’s career stereotypes or resort to clichés,” ascent has been meteoric, with says guest-curator Valeria projects spanning quite liter- Vallarta Siemelink. “Far from ally from the spoon—Zermatt being an imported concept from flatware for Puiforcat—to the the West, jewelry-as-art in Latin city—street furniture for Paris, America is very much a product including a self-cleaning lava- of the region’s history and its tory. His technical wizardry has diverse and dynamic modern made him a master of material societies.” Organized by Otro transformation, as perhaps best Diseño Foundation for Cultural exemplified by his revolution- Cooperation and Development, ary 2005 Solid polyurethane and Think Again showcases more resin chair series, produced than 80 works by some 50 through stereolithography (3-D Latin American jewelry artists/ rapid prototyping). Design and designers, including: Mirla Gesture will feature a multime- Fernandes and Claudia Cucchi dia installation, conceived and (Brazil); Valentina Rosenthal produced by Jouin, examining (Chile); Elisa Gulminelli and the nature of gesture when tak- Francisca Kweitel (Argentina); ing a culinary dish from food Jorge Manilla and Alcides Fortes prep to service. On show will be (Mexico); and Miguel Luciano 22 of his landmark designs for (Puerto Rico). the domestic landscape, ranging from his Zermatt flatware to Constantin Boym, Laurene Boym Still Life Table from the series “Ultimate Art Furniture,” 2006 Maple wood, oil on canvas 18 x 26 1⁄2 x 21 in. Photo: Boym Partners Think Again: New Latin American Jewelry is organized by the Otro Diseño Foundation for Cultural Cooperation and Development. A Dutch-Mexican organization, based in the Netherlands, it is dedicated to the conceptualization and development of projects that promote the exchange of ideas, expertise and resources among designers and jewelry makers from Europe and Latin America. Think Again: New Latin American Jewelry is made possible by the Inner Circle, a leadership Museum support group. his C1 Solid chair. Celebrated for his show-stopping chandeliers, Jouin, in collaboration with the Italian lighting company Leucos, will create a dramatic one-off light feature for MAD’s Lobby. Patrick Jouin: Design and Gesture is made possible in part by Cultural Services of the French Embassy/Maison Française, with additional support from Leucos USA, Inc. museum of arts and design Patrick Jouin Bloom.MGX, 2010, for MGX by Materialise and Pasta Pot, 2005, for Alessi Photo: Patrick Jouin Patrick Jouin C2 Solid PatrickjouinID edition, 2004 Epoxy resin 30 7⁄8 x 15 7⁄8 x 21 ¼ in. Photo: Patrick Jouin MUD Studio/Werner & Philippa du Toit Beaded Chandelier, 2004 (detail) Clay, crystals, steel wire Courtesy of Amaridian, New York Photo: Peter Murdock The Global Africa Project A Shared Vision for Africa November 17, 2010 – May 15, designers range from such The Global Africa Project is a landmark exhibition for 2011 > An unprecedented exhibi- well-known figures as Yinka MAD not only in its conception, but also in the size tion exploring the broad spectrum Shonibare, Kehinde Wiley, and and enthusiasm of the institutional support it has of contemporary African art, Fred Wilson, to designer Duro received. Such generosity has been deeply gratify- design, and craft worldwide. Olowu, who is an important ing, especially in these challenging times. Margaret Featuring the objects of some 100 presence in the London fashion C. Ayers, the President and CEO of the Robert Sterling artists working in Africa, Europe, scene, and Paris-based Togolese/ Clark Foundation, believes the exhibition “highlights Asia, the United States, and Brazilian designer Kossi Aguessy, the importance of cultural diplomacy in fostering the Caribbean, The Global Africa who has collaborated on products successful international relations in an ever-changing Project surveys the rich pool of with Renault, Yves Saint Laurent, global arena.” This topic is a new and central concern new talent emerging from the Cartier, Swarovski, to the Gahaya of the Foundation, and the Museum is proud that African continent and its influ- Links Weaving Association of The Global Africa Project is a centerpiece of the new ence on artists around the world. Rwanda, a collaborative of Hutu Through ceramics, basketry, and Tutsi women working in textiles, jewelry, furniture, and traditional basketry techniques. “The art and design of Africa and the African diaspora” was what attracted another major funder, one fashion, as well as a selection of architecture, photography, International Cultural Engagement initiative. “The Global Africa Project charts new to the Museum, the Andy Warhol Foundation painting, and sculpture, the exhi- important new territory in the for the Visual Arts, according to Pamela Clapp, bition actively challenges con- field by actively looking beyond Program Director at the Foundation. “[African art and ventional notions of a singular restrictions of traditional art design] are in a remarkable state of creative ferment African aesthetic or identity, and historical groupings, including at the moment,” she notes. “At a time when it is both reflects the integration of African medium, geography, and artistic increasingly visible to and of interest in the West, art and design without making genre,” states Holly Hotchner, such work cries out for a large-scale exhibition at a the usual distinctions between the Museum’s Nanette L. Laitman major New York institution. The presentation at “professional” and “artisan.” Director. “By many measures, the Museum of Arts and Design of The Global Africa this exhibition is entirely unprec- Project will assure this vibrant material a large and The exhibition will showcase a edented and it is a landmark well-deserved audience.” diverse group of creators, includ- moment in our history. As a ing artists who are experimenting museum that has long challenged The Rockefeller Foundation, which has long been with the fusion of contemporary the hierarchies separating art, engaged in African initiatives, found “the idea of practices and traditional materi- craft, and design, we are delighted an exhibition addressing the African diaspora very als, and design collectives that to introduce these new explora- compelling,” says Associate Director Edwin Torres. are using their creative output tions of contemporary African “Images of Africa are usually one dimensional; as engines of local economic art and aesthetics.” it’s very much us and them, with ‘us’ usually parachuting in to help ‘them,’” he continues, adding change. Featured artists and “The Global Africa Project is a really sophisticated way The Global Africa Project is made possible by the Robert Sterling Clark Foundation as part of its International Cultural Engagement initiative, with additional support from the Andy Warhol Foundation for the Visual Arts, The Rockefeller Foundation, HSBC Bank USA, N.A., and a group of private donors. Major support for the exhibition catalogue has been provided by Basil Alkazzi, who gave additional funds in memory of Judi Hoffman. of presenting the African as a global citizen marked Corporate support provided by Stennett calls The Global Africa Project a “new kind of by personal and professional agency.” Such innovation also appealed to Bloomberg. Erana exhibition, uniting not just artists and designers, but cultures and nations, in the making and presentation of contemporary art.” These endorsements have further burnished MAD’s reputation as a presenter of trailblazing arts exhibitions, and inspire us to conceive more similarly ambitious exhibitions in the future. MAD VIEWS FALL 2010 WWW.MADMUSEUM.ORG ............................................................................................................................................................................................................................................................................................................................................... ............................................................................................................................................................................................................................................................................................................................................... .............................................................................................................................................................................................................................................................................................................................................. 07 08 Curatorial Perspective: An Interview with Lowery Stokes Sims about The Global Africa Project upcoming ....................................................................................................................................................................... Tell us about The Global Africa Project exhibition: represents the culmination of my personal inter- This groundbreaking exhibition will be the first creativity, which has been an important focus museum survey anywhere of design, craft, and art for me in my career over the last three decades. focused on the global African world. It’s intended It was interesting to bring together designers, to demonstrate the strong and influential pres- craftsmen and artists whose work I was familiar ence of creators in and outside Africa working in with along with others that I learned about from these realms. Well-known figures such as Yinka research and the important input from colleagues Shonibare, Kehinde Wiley, and Fred Wilson will in the field. The resulting analogies and correla- be among the diverse group of creators whose work tions in the work was fascinating. est in African, African American, and Caribbean will be presented, along with pieces by artists is known in more specialized contexts, such as Isn’t the continent large enough, why make the exhibition “global” Africa? the fashion designers Duro Olowu, an important My co-curator Leslie King-Hammond, director of presence on the London fashion scene, and Anggy the Center for Race and Culture at the Maryland Haïf, whose work utilizes organic materials from Institute College of Art in Baltimore, and I wanted the environs of the Cameroons. to portray the truly encompassing—and extraor- and design collectives whose artistic production dinarily variant—nature of being African, or Why Africa? African-descended, in the contemporary con- Although the Museum has always focused on text. A “global Africa” also accommodates Serge the United States, Europe, and Asia, particu- Mouangue, a designer from the Cameroons larly Japan, the trustees and staff recognized working in Japan; the Gahaya Links Weaving the imperative to widen the Museum’s purview, Association, a collaborative of Hutu and Tutsi women working in traditional basketry tech- incorporating parts of the world niques in Rwanda; and Kossi Aguessy, a Togolese/ that were underrepresented in exhibition and acquisition Brazilian designer working in Paris who has activities. One of these areas collaborated with Renault, Yves Saint Laurent, was Africa. This project also Cartier, Swarovski, S.T. Dupont, and Branex. left: Kossi Aguessy Produced by Kossi Aguessy and Prototype Damn!!!, 2009 Laser-cut aluminum Dimensions variable Courtesy of the artist Photo: Masaki Okumura right: MUD Studio/Werner & Philippa du Toit Beaded Chandelier, 2004 Clay, crystals, steel wire Courtesy of Amaridian, New York Photo: David Ross ..................................................................................................................................... ............................................................................................................................................. museum of arts and design far left: Ardmore Ceramic Art Sculpted by: Benet Zondo Painted by: Zinhle Nene Wild Dog Urn Masterpiece (AAA), 2009 Hand painted earthenware 29 x 13 x 12 in. Courtesy of Amaridian, New York Photo: David Ross left: Victor Ekpuk All Fingers Are Not Equal, 2008 Pigment print and acrylic ink on paper 43 3⁄4 x 50 in. Courtesy of the artist Photo: Victor Ekpuk ......................................................................................................................................................................................................... Through your research did you discover an “African” aesthetic? What genres are represented in the exhibition? No. The Global Africa Project is not about defining The exhibition will include furniture, textiles, an overarching African identity or aesthetic. jewelry, ceramics, basketry, and other items of That such a notion might reveal itself in the lives décor. We have also included architecture and and careers of the individual creators and their fashion, and photography, painting, and sculpture work is largely incidental. If anything the exhi- will also be integrated where they complement bition reveals stories of individuals working in and clarify the thematic content of the exhibition. the psychic and physical space that is known as How many creators are represented? “Africa” in the world today. There are 100 creators and collaboratives included. How would you characterize those stories? alities about being black, African, or Afro-centric Where do these designers, craftsmen, and artists come from? in the world today. These reflect the wide range They live and work in Africa, Europe, Asia, the of African-ness, and the thesis of this exhibition United States, and the Caribbean including focuses on the origin of African identity in Trinidad, Cuba, Haiti, and Guyana. There is a relationship to place rather than to cultural strong representation from South Africa and difference. The work shown in The Global Africa artists from Nigeria, Senegal, Kenya, Uganda, Project does, however, highlight certain charac- Cameroon, Ghana, Togo, Benin, Mali, and teristics that can be observed in the artists in the Mozambique. But there also are a number who exhibition such as the exploitation of surface and live and work in Great Britain, France, and pattern, the use of unexpected materials which Germany. Then there are the unexpected places includes recycling and repurposing of objects that like the Comoro Islands, Madagascar, southwest- constitute foreign “cargo,” and an exploration of ern India, and Japan. The exhibition demonstrates the relationship between traditional techniques both the creativity coming out of Africa and cre- and forms and contemporary design. ativity outside of Africa that is inspired by Africa. Collectively, these stories reveal certain common- Hair Wars Hairstylist: L.A. Braid Queen (Los Angeles) The Bird Cage ‘Do, c. 1996 Photo: Courtesy of David Humphries MAD VIEWS SPRING 2010 WWW.MADMUSEUM.ORG ............................................................................................................................................................................................................................................................................................................................................... ............................................................................................................................................................................................................................................................................................................................................... ............................................................................................................................................................................................................................................................................................................................................... ......................................................................................................................................................................... 09 10 upcoming “. . . the exhibition reveals stories of individuals working in the psychic and physical space that is known as ‘Africa’ in the world today.” ......................................................................................................................................................................................................... Gonçalo Mabunda The Hope Throne, 2008 Deactivated welded weapons, leather 52 3⁄8 x 50 13⁄16 x 36 5⁄8 in. Museum of Arts and Design; purchase with funds provided by proceeds from works donated by the American Craft Council, Maurice S. Polkowitz and Michael Zagaris by exchange, 2009 Photo: Courtesy of Galerie Perimeter, Paris How is the exhibition organized thematically? What kinds of resources did you bring to organizing this project? The Global Africa Project exhibition will be orga- First of all we relied on our colleagues in the field nized around 6 themes that reflect concerns and to provide information and suggestions. Then the challenges faced by designers, craftsmen, and artists also were important resources. We also artists in the Global Africa universe: 1) Branding initiated a blogspot on the Museum’s website Content; 2) Intersecting Cultures; 3) Competing and invited colleagues to contribute observations Globally; 4) Sourcing Locally; 5) Transforming on the global African scene, which helped to Traditions; and 6) Building Communities. These provide the public with an insight into the themes emerged from information that was curatorial process. transmitted to us from the field particularly in an magazine Design in Formation, in which individual What do you hope will come out of this project? graphic, furniture, product and fashion design- We are just indicating the broad spectrum of ers, as well as government officials and educators creativity by peoples of African descent in the discussed the challenges that designers in Africa fields of design, craft and architecture. We hope faced in today’s world. that this initial effort will inspire many projects important feature published in the South African and bring a number of artists to the attention of the art world at large. ......................................................................................................................................................................................................... Mickalene Thomas Afro Goddess with Hand Between Legs, 2006 C-print Edition of 5 48 x 60 in. Courtesy of the artist; Lehmann Maupin Gallery, New York Shompole Collection The Abyssinian Cuff, 2009 Ugandan cow horn, Ethiopian amber, freshwater pearl (market, Egypt), 18k gold Diameter 8 in. length 2 in. Photo: Liz Gilbert museum of arts and design In the Studio: Artist Algernon Miller ......................................................................................................................................................................................... Photo: Courtesy of Algernon Miller Algernon Miller’s latest work Change (2010), featured in The Global Africa Project, invokes the tapestry-like wall installations that he fashioned out of scrap metal early on in his four-decade artistic career. This time, the 65-year-old Harlem native crafted the work out of beads made out of scrap paper, and of a very particular kind. Each bead is composed of recycled literature from Barack Obama’s presidential campaign. In some ways, the piece evokes his quilt-inspired design for the newly unveiled Frederick Douglass monument in Central Park—encoded in the abstract images are hidden meanings. Algernon Miller ......................................................................................................................................................................................... “I became aware that language, which was sometimes hidden, was part of the function of African art and textiles, and not just for the purpose of adornment.” ......................................................................................................................................................................................... “I’ve always been interested in symbolism,” says Miller, a longtime student of African art. Through his research, he says: “I became aware that language, which was sometimes hidden, was part of the function of African art and textiles, and not just for the purpose of adornment.” For Miller, this use of symbols “represented a sort of economy of ideas—no waste—a door to another ethos in which one object could have layered meanings like different levels of consciousness.” Referencing the recent presidential election, Change at first glance seems to concern itself with American history. But a deeper investigation reveals it to be a compelling document of a dialogue between two continents and cultures. And so it is, as the work is a collaborative endeavor between Miller and the bead makers of the Kwetu Afrika Art and Design Development Centre in Uganda, who cut the pamphlets into triangular or rectangular shapes and rolled them around twigs to make the beads. The artist discovered their rolled paper work at the Go Green Expo in New York City last spring, and dazzled by their artistry, immediately launched upon creating this large 8-by-10 foot installation. “Everything was done electronically, through the Internet and telephone,” says Miller who, has never met any of the approximately 40 women members of the cooperative, established by the Ugandan painter and jewelry designer Sanaa Gateja, who also had a hand in the work’s creation. “But I hear that every one of them is so excited and eager to make more and I want to be able to help them and provide a source of livelihood for them.” The tapestry is one of the highlights in The Global Africa Project, a high concept, yet tactile work that combines history and current affairs, handcraft and digital technology, and perhaps, most importantly, artistic and humanitarian pursuits—the latter a thread that ties all aspects of the work together. Algernon Miller in collaboration with Sanaa Gateja and the Kwetu Afrika Women’s Association Angels Change, 2010 (full view and detail) Beads fabricated from recycled Barack Obama presidential campaign literature 8 x 10 ft. Photo: Courtesy of Algernon Miller MAD VIEWS FALL 2010 WWW.MADMUSEUM.ORG ............................................................................................................................................................................................................................................................................................................................................... ............................................................................................................................................................................................................................................................................................................................................... ............................................................................................................................................................................................................................................................................................................................................... 11 12 inside mad Bamboo Bike Studio with India Salvor Menuez from City as School in Manhattan Photo: Barbara Dweck Bamboo Bike Studio with Nicholas Sherwood from Satellite Academy High School in Manhattan Photo: Barbara Dweck Building a Better Ride and a Better World Summer Art Camps In conjunction with Bespoke: The Handbuilt We came up with the idea for the workshop Bicycle, this summer the Redhook-based after learning how few New Yorkers were Bamboo Bike Studio presented a series of being admitted to the city’s excellent art and weekend bike-making workshops as part design schools. “How could this be?” you may of MAD’s Open Studios program. The bikes ask, considering that New York is the art and were crafted from bamboo harvested by the media capital of the world. Sadly, despite artisans from the New Jersey Meadowlands. that distinction, secondary school art educa- MAD offered five New York City public high tion in the city is spotty at best, and in too school students the chance to not only serve many schools, woefully inadequate, if not as apprentices to these makers, but to also non-existent. As a result, aspiring young art- MAD held its first Portfolio Development Workshop for college-bound high schoolers as part of its Summer Art Camp program. take home the bikes they helped fab- ists and designers don’t know how to present ricate. Some 30 young New Yorkers their work, or themselves, when applying to applied, with the semifinalists com- schools. To remedy the situation we created ing in to the museum for a personal this workshop. Our senior curators David interview. Passionate about what McFadden, Lowery Sims, and Dorothy Globus they do, the bike makers engaged advised the young participants about careers these young New Yorkers and all in art and design and critiqued their port- who dropped by our 6th floor Open folios. The artist Sonia Studio in discussions about the Blesofsky taught them pleasures derived from building how to use photography one’s own environmentally to document their work, sustainable vehicle from scratch. how to present it and It is a mission they are zealous themselves before an about promoting far beyond audience, and how to Brooklyn. With the Earth write an artist state- Institute at Columbia University, ment. So pleased were the Bamboo Bike Studio is establishing the we with the results, first bamboo bike factory in Ghana, as a we plan to continue model of sustainable entrepreneurship and the workshop through development. the 2010–2011 academic school year. MAD also offered a summer art camp in jewelry making and another in three-dimensional sculpture. museum of arts and design 13 Shoot My Bike With the expectation that the exhibition Bespoke: The Handbuilt Bicycle would attract a brand new audience of bikers and bike enthusiasts to MAD, we built the MyBike Photobooth to engage these newcomers, as well as the larger audience of passersby on their way to Central Park and Columbus Circle. On the museum’s glass facade participants pressed a ‘button’—really a lightsensitive sensor—that triggered a 10-second countdown, giving them ample time to strike the Photos from mybike.madmuseum.org perfect pose. All images were then uploaded to an online gallery, where visitors could browse through the hundreds of photos. While the project was intended to attract bike riders, we collected so many fun images of non-bikers that we shared those, too. In total, over the 12 weeks the photo booth was active, we snapped over 2000 pictures. At left is a sampling. You can see the rest at mybike.madmuseum.org. ArtsLife Internship Program Supported by a gift from Cathy Seligman and Bonnie Eletz, the ArtsLife Internship program entered its second year this summer. The program exposes students to career opportunities in the not-for-profit visual arts. The Portfolio Development Students from Gotham Professional Arts Academy with MAD curators Photo: Barbara Dweck students receive hands-on experience in every department of the museum; they submit content for the MAD blog; they assist artists in the Open Studio program and educators in the summer programs; they give tours of the main exhibition; and conclude their internships by curating their own show. One of the students from the pilot program, who is matriculating at Parsons School of Design this fall, described the experience as “life changing.” Cinema Invades MAD! Kicking off with the series, Zombo Italiano: The Italian Zombie Movement, 1972–1985, this summer saw the return of cinema programming to MAD’s historic theater. In conjunction with the exhibition Dead or Alive: Nature Becomes Art, MAD presented ten rarely screened classics from master directors including Lucio Fulci, Pier Paolo Pasolini, and George A. Romero. This was an opportunity to showcase an under-recognized group of artists who changed cinema history through their pioneering blend of horror, special effects, and social critique. Zombo Italiano introduced MAD to a new group of visitors, cult horror movie fans, who were mostly young men—not our usual demographic. Since they gave us high marks for our film programming, we’re hoping they’ll come back to see our exhibitions. This September, MAD Cinema continues with a retrospective of Chilean director Alejandro Jodorowsky, whose visually operatic work paved the way for a generation of music video ArtsLife with the Museum Director Holly Hotchner Photo: Barbara Dweck directors and fine artists. MAD VIEWS SPRING 2010 WWW.MADMUSEUM.ORG 14 New Trustees: Robert Lee Morris and Angela Sun Photo: Carl Scheffel events Architecture + Design Evenings an art jewelry gallery in New York’s Plaza Hotel, who took him on as an artist. Yet it wasn’t until 1976, that Robert became a major player in the fashion world when his jewelry appeared on the cover of Vogue. (The fashion bible went on to feature his work in a record 49 consecutive issues!) When Sonnabend’s gallery closed in 1977, Robert established his own called ARTWEAR, representing his work and that of other like-minded artists. The SoHo space set contemporary jewelry trends for nearly two decades, until it closed in 1995. In its place, he established the shop RLM to purvey his jewelry exclusively. Robert’s road to success was not paved with the precious metals he now fashions into his signature jewelry. But that doesn’t mean he wasn’t always part of the zeitgeist. At the start of his career, in the late 1960s, he embraced the studio craft movement, which at the time, he says, epitomized the “inherent coolness of the American Craft Council, craft fairs, and the celebration of everything handmade.” Shortly after graduating from Beloit College, this self-described hippy united a dozen similarly-minded artists on a “craft farm” commune. A few years later, in 1971, when peddling his work at Vermont’s Putney School Craft Fair, he was discovered by Joan Sonnebend, the director of Sculpture to Wear, While his style has definitely evolved over the years, he says his original aesthetic, which he describes as “tribal and futuristic, sculptural and bold—a fusion of cultures,” can still be seen in all he creates. It’s this timeless originality that has earned Robert numerous honors—among them a Coty in 1981 and three CFDA awards. In fact, he was the first jewelry designer to win the CFDA’s Geoffrey Beene Lifetime Achievement Award. Distinguished as his career has been, he’s always believed in giving back. He has served on the Board of Trustees of his alma mater Beloit for 15 years and as Treasurer of the Board for the Foundation for Shamanic Studies, in Mill Valley, California. As the youngest member of the Museum’s Board of Trustees, 36-year-old Angela Sun brings a fresh, ardent perspective to MAD. The prospect of introducing a new generation of curious and artistically minded supporters and stewards to the Museum thrills the Chief of Staff to the President of Bloomberg, L.P. Photo: buck ennis Member Events The legendary designer of wearable art, Robert Lee Morris only joined the Board as an Artist Trustee this spring, but he’s already done much to contribute to MAD—donating two of his works to be auctioned off at this October’s METALBALL, and offering 20 pieces from his new silver jewelry collection to sell at LOOT!2010, MAD’s biennial contemporary art jewelry Robert Lee Morris selling exhibition, for which he also serves as Vice Chair of the gala benefit preview. Needless to say, MAD’s immensely grateful that he agreed to come “on board.” This series, open to Curators Circle members and up, offers behind-the-scenes tours of New York’s most cutting-edge architectural works hosted by builders and designers. This year the group visited Thom Mayne’s new building at Cooper Union and many of the buildings that hosted Antony Gormley’s Event Horizon installation. Upcoming events include a visit to Norman Foster’s Hearst Tower. Recently, he’s partnered with QVC to sell not only RLM, but also a new line of “useable art” housewares. As savvy a retailer as he is a designer, through QVC Robert has also set up a Facebook fanpage for his RLM Studio line, which will promote both the METALBALL and LOOT!2010. She also happens to be a member of the Council on Foreign Relations, and she serves as Co-Chair for the Muscular Dystrophy Association’s Wings Over Wall Street benefit for ALS research. For Angela, joining MAD’s board is not just another distinction to add to her already illustrious CV. It is a deeply felt honor and joy. She speaks with passion and enthusiasm about attending the Museum’s recent exhibition, Slash, which rekindled her fascination with paper art. Walking through the galleries, Angela was taken by the ability of the artists to transform this ordinary material into fantastical creations. The fastidiousness of the craftsmanship amazed her. In fact, she feels the art exhibited at MAD possesses a certain authenticity and stand-alone worth that some contemporary works seem to lack. “It’s the storytelling behind the hands-on creation of each piece that I find so inspiring,” she says. “I see a parallel there with the story of MAD’s own reinvention—its changew of location, its re-branding, its decision to dedicate itself to unique exhibitions and programming. That’s why when I first visited Slash, I felt a visceral connection not just to the art, but also to the Museum and what it stands for, its brave commitment to artisanship, to aesthetic values, to metamorphosis. I am delighted to be able to assist in its future growth.” Being a corporate executive, overseeing new business development, long-term strategic planning and the management of corporate-wide initiatives for Bloomberg, you might not think Angela has an artistic soul. But she confesses that she’s been entranced with art and craft since she was seven years old and her parents enrolled her in a graduate-level studio art course. Overwhelmed at first, she soon found her stride, as she has in just about everything else. She is, after all, a Summa Cum Laude graduate of Harvard College, with a J.D. from Harvard Law School. Angela Sun Special Event Rentals This series, open to Collectors Circle and up, features visits to the working studios of artists, often featured in current MAD exhibitions, to experience first-hand how materials are transformed into art. (This is a new series.) Upcoming Artist Studio Events façade served as a 10-story screen for a special projection of advertisements from the Mad Men era — the 1960’s. In collaboration with AMC’s Mad Men series and in celebration of the new season, the Museum and AMC partnered to present iconic advertising images from the 1960’s on the exterior of the Museum’s facade. Photo: Courtesy of Benjamin Moore Artist Studio Series Some of the fabulous events we’ve hosted to date include: The Benjamin Moore HUE Awards; the Hearst Foundation Intercollegiate Awards Dinner; the Odegard Design Competition Awards Ceremony; the 40th Anniversary Celebration for Maya Romanoff in conjunction with Architectural Digest; press events for Allergan and Nexxus; product launches for Baccarat, Celebrity Cruises and The Republic of Tea; annual conferences for Unilever and Starwood Hotels and Resorts; and cocktail receptions for Northern Trust, Société Générale, FLAG Capital, First Republic and HSBC. • Marc Swanson, Dead or Alive: Nature Becomes Art • Ayse Birsel + Bibi Seck, The Global Africa Project • Kehinde Wiley, The Global Africa Project Inner Circle Salons Past Inner Circle Salons • David McFadden on Second Lives: Remixing the Ordinary at the home of Andrea and John Stark • Patricia Faber on Collection Jewelry at the home of Trustee Michele and Martin Cohen • David McFadden on Porcelain Epiphany: Ceramics Today at the home of Trustee Ann Kaplan and Robert Fippinger • Amy Lau on Design at the home of Michael Weinstein and Family • David Ling on Collecting Space at his home and studio • David McFadden on Dead or Alive: Nature Becomes Art at the home of Elizabeth and Robert Sloan • David McFadden with Nancy Olnick and Giorgio Spanu in their home, for a discussion on curating a private collection. MAD offers a wide range of options for special event rentals. Our premier event space, located on the Museum’s 7th floor, boasts stunning floor-to-ceiling views of Columbus Circle, the Time Warner Center, Central Park West, Broadway, and the full expanse of New York’s Central Park, a showplace in every season. The Barbara Tober Grand Atrium and our gallery floors may also be rented for private receptions. Our newly-renovated, glamorous theater, on the Museum’s lower level, seats 143 and boasts Blu-Ray, DVD, 35mm projection, digital, laptop, and auxiliary inputs with Dolby surround sound. A full menu of options for renting select spaces, including combining various floors or the full Museum, is possible. In addition, the 54,000-square-foot building with a ceramic-and glass-paneled facade is available for video projections/installation on the building’s exterior. Artistic projections will have the ability to reach tens of thousands of New Yorkers and tourists every day in the epicenter of the city. In September 2009, the Museum’s museum of arts and design Photo: Courtesy of Baccarat The Salons are a series of intimate evenings in the homes of Manhattan’s top art collectors, which are open only to our Inner Circle Members, and feature talks by artists, scholars, and curators. We look forward to working creatively with you to ensure a memorable evening for you and your guests. The Museum of Arts and Design offers catering exclusively through Ark Restaurants. For additional information or to schedule a site visit contact stephanie. [email protected] or 212.299.7729. 15 Save-the-date > LOOT!2010 October 20 One of MAD’s most popular and defining events, LOOT!2010 offers the public the chance to purchase one-of-a-kind contemporary art jewelry directly from its creators. More than 65 leading American and international jewelry artists, specially selected by MAD’s curators, will be represented. LOOT!2010 will open with a gala evening preview on Wednesday, October 20, 2010 to benefit the Museum’s exhibition and education programs, and run through Tuesday, October 26, 2010. Special thanks to Event Chairs Michele Cohen and Donna Schneier and Vice Chair Robert Lee Morris. LOOT!2010 is made possible in part by Chubb Personal Insurance and The Giorgio Vigna “Gorgolio” ring, Yellow gold and Japanese cultivated pearls of different sizes Mondriaan Foundation, Amsterdam, and with public funds from the Netherlands Cultural Services. For tickets or more information, visit LOOT.madmuseum.org. Detail of Sandra Enterline, necklace, oxidized silver and diamonds Anastasia Azure, “Coaxial Providence (Pendant),” 2009, fine silver, sterling silver, nylon monofilament and pearl Save-the-date > Save-the-date > METALBALL!2010 October 18 Visionaries!2010 November 30 This is MAD’s annual young patrons gala. A Host In celebration of our second anniversary at 2 Columbus Circle, Committee of young talent and legends in the architec- Visionaries!2010 will be held at the Mandarin Oriental on Tuesday, tural, fine art, and design community put together this November 30th. MAD is pleased to bestow the Visionaries!2010 exciting fundraising gala, which gives 100 percent of its Award, our highest honor, on five exceptional individuals: George proceeds to the Museum’s acclaimed exhibitions and M. Beylerian, founder and CEO of Material ConneXion; Daniel L. children’s educational programs. This fall, the Metalball Doctoroff, President of Bloomberg LP; Seth Glickenhaus, Senior Partner is expected to draw more than 1,000 guests—young arts and Chief Investment Officer of Glickenhaus & Co; and Janet Nkubana patrons and collectors who champion emerging voices and Joy Ndungutse, founders of the Gahaya Links Association. In honor and artistic innovation in the global arts and design of our 2nd anniversary the evening will feature auction items created community. For tickets or more information, visit by several artists included in MAD’s most recent exhibitions. For www.themetalball.com. tickets or more information, visit http://v2010.madmuseum.org. SOFA New York 2010 Photo: Ric Kallaher MAD was thrilled to honor our longtime Trustee and friend, Sandy Grotta at our SOFA NEW YORK Gala Benefit Reception and Dinner in the Tiffany Room at the Park Avenue Armory. The evening was a fantastic success and the room was filled with Sandy’s longtime friends, supporters and family members. It was a fabulous tribute to Sandy in celebration of her 13 years as Event Chair of SOFA NEW YORK and her many years of commitment to the Museum as a member of the Board of Trustees. Several of Sandy’s friends, including Norma Minkowitz, Dorothy Gill Barnes, Carol Eckert, David Ling, and Sheila Hicks, created one-of-a-kind plates as a tribute to her. The evening featured “A Taste of New York” and the room was transformed by architect David Ling and his team. Guests enjoyed live jazz music and bid on unique restaurant and travel packages. Holly Hotchner with Board of Trustees member and SOFA Honoree Sandy Grotta. MAD VIEWS FALL 2010 WWW.MADMUSEUM.ORG 16 MAD’s Travel Program explores the world of contemporary art, design, and craft, in both domestic and international locations. The trips are defined by MAD’s curatorial vision and expertise, and are open to members at the Curators Circle level and above. To learn more about MAD’s travel program, contact April Farrell at [email protected] or call 212-299-7732. Recent travel MAD Summer Nights Tour of Norway and Finland June 12 – 22, 2010 This summer began with a once in a lifetime “Design Reconnaissance” trip to Norway and Finland where our group was granted behind the scenes access to design studios, private collections of contemporary art and design, and exclusive curatorial tours in galleries, museums, and design companies. Above: Designer Frode Myhr at left, with Fern Hurst, Adrianne Silver, Holly Hotchner, David McFadden, Mona Golfman, Krayna Golfman, Hope Byer and Jane Koryn in Oslo, Norway. Left: The group on a curator-led tour of the Snøhetta Opera House in Oslo. Photos: April Farrell We saw first hand how design can improve everyday life— from furniture and textiles to cutlery and ceramics. The all-encompassing quest for “ideal forms” among Scandinavian designers has led them to find inspiration from the wonderful variety of shapes found in the natural world, such as frozen ice patterns, curving lake shores, and tree bark textures. We attended the opera in Norway’s extraordinary Snøhetta Opera House after a backstage architectural tour; visited Fiskars Village in Finland, a unique town inhabited entirely by artists and makers; dined in the finest restaurants; and even had a guided tour of the world-renowned glass artist Oiva Toikka’s retrospective exhibition at the Design Museum of Finland by the artist himself, who was kind enough to share a meal with us afterwards. It was a trip that left a lasting impression. Become a Circle Member today and come on our next MAD adventure! Upcoming Fall in San Francisco September 29 – October 3, 2010 MAD’s memory-making four-day trip to San Francisco and the Napa Valley will focus on the diversity and brilliance of the robust art and design scene in San Francisco and offer exclusive entrée into some of the city’s premier private contemporary collections. We will visit some of the city’s most compelling cultural destinations, including Yves Behar’s curated exhibition at the Yerba Buena Center for the Arts and The Living Roof, Renzo Piano’s design marvel at the California Academy of Sciences. We will also be visiting numerous studios, including some artists like Clifford Rainey and Lia Cook, whose work is in MAD’s permanent collection. The trip will end with a phenomenal day excursion to nearby Napa Valley, and will include visits to some of the areas most prestigious art collections, tours of outstanding wineries, and will end at Alice Water’s famed restaurant Chez Panisse. Bay Bridge, San Francisco The Living Roof, California Academy of Sciences, San Francisco MAD for South Africa February 22 – March 3, 2011 (March 4th – 6th Safari Extension) Join Curator Lowery Sims and Director Holly Hotchner on a once-in-a-lifetime trip to South Africa in celebration of the Museum’s exhibition The Global Africa Project. Reflecting the spirit of the exhibition, this trip will concentrate on visits to many of the studios of artists represented in the exhibition, as well as take a deep look at the rich culture of artisanship in the region. We will be welcomed into the homes of some of South Africa’s finest collectors, dine in its best restaurants, and spend time in Cape Town, Johannesburg and Durban, recently featured in the New York Times for its coastal beauty. Cape Town, South Africa Photo: The Gerald and Marc Hoberman Collection In addition to studio visits to many of the artists showcased in The Global Africa Project, we will have the opportunity to visit the Siyanda township outside Durban where traditional techniques are being fused with cutting-edge design, along with the Cradle of Humankind, Gauteng, an almost 200-square-mile region of savannah and limestone caves that has been made a UNESCO World Heritage Site due to its extraordinary paleontological treasures and natural beauty. We will also explore South Africa’s famed wine country with a stop at Stellanbosch. Become a Circle Member today and join us! museum of arts and design 17 Join Today MAD membership is your personal invitation to see special exhibitions before anyone else, and this fall you’ll want to be the first to preview The Global Africa Project. MAD members always receive complimentary admission, discounted admission for guests, invitations to major exhibi- members tion previews, discounts at The Store, and the benefits of our discount program. Your membership contribution helps to make MAD’s exhibitions and educational programs possible.You can become a member by visiting www.madmuseum.org. For more information contact 212.299.7721 or [email protected]. All members enjoy Dual $100 (100% tax deductible) Supporting $500 ($450 tax deductible) • Free admission to the Museum • Personalized membership card • The Museum’s newsletter, MADViews • Discounted admission for up to four guests • Invitations to members-only exhibition previews • A 10% discount in The Store at MAD • Invitations to special shopping days with discounts of up to 20% in The Store at MAD • Discounts on select performances and educational and public programs • Special opportunities at partner restaurants, stores, parking garages, and hotels • E-reminder updates • Benefits listed above for two at the same address • Two personalized membership cards • Acknowledgement in the Annual Report Individual $75 (100% tax deductible) Student $50 Out-of-Town $50 Benefits listed above for one named adult on membership CIRCLE MEMBERSHIP Circle members are an active group of dedicated supporters who receive exclusive access to our Circle events, including studio visits, private home tours, and special programming. The Museum of Arts and Design’s Circle Level membership family plays a significant role in the Museum’s mission and helps to ensure the Museum’s success. All Circle Members enjoy • Benefits for two (at the same address) • Two personalized membership cards • Unlimited free admission to the Museum • Exclusive opportunity to participate in the MAD Travel Program; one-of-a-kind curated art trips to destinations all over the world. • The Museum’s biannual newsletter, Views • Special opportunities at partner stores, parking garages, and hotels • Discount in MAD store—10% • Invitations to special shopping days with discounts in the MAD Store up to 20% • Discounts on selected performances and educational and public programs • E-reminder updates • Privileged access when visiting the Museum • 2 additional guest passes to the Museum (4 total) Benefits of Contributing Membership plus • 2 additional guest passes to the Museum (4 total) Family $125 (100% tax deductible) • Advance opportunity to purchase Annual Benefits of Dual Membership plus • Children 18 and under admitted free* • Discounts on family programs • Early registration opportunity for curator- * Gala tickets led Museum day trips, special events, and exhibition tours L imited to 4 children per visit when accompanied by member Contributing $250 ($200 tax deductible) Benefits of Dual Membership plus • Invitations to all evening exhibition opening receptions • Reciprocal membership to over 300 participating museums throughout the United States • 2 guest passes to the Museum • Opportunity to participate in curator-led Museum day trips, special events, and exhibition tours • Reciprocal membership to over 100 participating museums • Advance opportunity to purchase Annual Gala tickets • Acknowledgement in the Annual Report • Early registration opportunity for curator-led Museum local trips, events and exhibition tours Curators Circle $1,000 ($950 Tax Deductible) • Includes all benefits of the supporting level • Invitations to all of the Curators Circle Architecture + Design Series events; behind-thescenes tours of New York’s most cutting-edge architecture hosted by builders and designers Plus: • Membership cards that admit 2 for admission to MAD • Gift membership to the recipient of your choice at the Individual level • 6 additional guest passes to the Museum (10 total) • Complimentary admission for guest in the company of a member (one guest per member) • Invitations to all evening exhibition-opening receptions • Special shopping days at the MAD Store, with additional discounts 360 Young Collectors Indiv. $200/Dual $300 ($150/200 tax deductible) • Benefits of Individual Membership for those between the ages of 21 and 45 • Invitations for two to all evening-exhibition opening receptions • Invitations to events planned solely for the Young Collectors group Collectors Circle $2,000 ($1,900 tax deductible) • Includes all benefits of the Curators Circle level • Invitations to all of the Collectors Circle Artists Studio Series events: Visit studios of artists, many in current MAD exhibitions, to experience firsthand how materials are transformed into art. Plus: • Gift membership to the recipient of your choice at the Dual level • Unlimited guest passes • Complimentary admission for guests in the company of a member • Invitations to spend time with MAD’s curators, artists, and Director at private receptions • Access to library arranged by appointment Inner Circle $5,000 ($4,815 tax deductible) • I ncludes all benefits of the Collectors Circle level • I nvitations to all of the Inner Circle Salon Series events: Intimate evenings in the homes of Manhattan’s top art collectors. Plus: • One complimentary Museum published catalogue •G ift membership to the recipient of your choice at the Contributing level • Special VIP passes to select art fairs Shop the best in fine art and fine craft from more than 200 artists from across North America. Each item for sale at the show is made by hand one piece at a time and every artist represented will be in attendance—offering shoppers the wonderful opportunity to buy a work directly from the artist who created Complimentary passes for MAD members and it. The One of a Kind Show is an ideal place to find unique gifts in a wide VIP passes range of media and categories including Accessories, Ceramics, Fashion, for Inner Circle members Fiber Art, Furniture, Glass, Gourmet, Holiday, Jewelry, Kids, Metal, Mixed are available. Please visit Media, Painting, Paper, Photography, Sculpture, and Wood. While at the oneofakindshowny.com, show enjoy convenient amenities, entertaining events, and engaging click on the ticket page and programming, including artist demonstrations and crafting workshops. enter the promo code: MAD One of a Kind Show NY, 7W 34th Street (at 5th Avenue) November 11 – 14 and 18 – 21, 2010. For more details, visit www.oneofakindshowny.com MAD VIEWS FALL 2010 WWW.MADMUSEUM.ORG 18 r M AD M e m b e am r g o r P t n u o c Dis Discounts are nontransferable and are valid only for the member named on the membership card. MAD is The New York Kids Club, is New York’s pre- Parking mier children’s enrichment center known for their creative and innovative classes, camps not responsible for store closings and price/discount and birthday celebrations. Offer valid at all six changes. Unless otherwise noted, discounts are valid Enterprise Parking Systems believes in attention New York Kids Club locations, visit www.nykidsclub.com. through December 31, 2010. to detail and guarantees a pleasurable parking MAD members receive a discount of $50 on purchase (excludes experience. 1 Central Park West between 60th purchases of gift certificates), with a MAD membership card. Street and 61st Street. MAD Members receive With a cohesive presentation of well-designed craft and design objects, The Store at MAD is a special rate of $25.00 (payable only by credit card) with a VOOS is a furniture showroom in dedicated to building a bridge between its parking ticket stub stamped by the Museum. Williamsburg that showcases works of more than 75 New York City designers. customers, the makers and their product and offers works that celebrate the artist, material use, Garage Management Company All products are locally made and customizable. 103A North workmanship and design. Shop online at http//:thestore. provides professional parking 3rd Street, Brooklyn. 10% discount on purchases with a MAD madmuseum.org. 2 Columbus Circle at 59th Street. Members and has more than 70 con- membership card. always receive a 10% discount on all purchases with additional venient locations throughout Manhattan. Lincoln Plaza, special discounts throughout the year. 44 West 62nd Street between Broadway and Columbus Avenue. 10% discount on parking with a MAD membership Hotels card. Restaurants Yelo is an entirely new concept in wellness Retail & Services where, through a unique combination of sleep, reflexology, massage and detox ses- A Voce’s new outpost in Time Warner Center offers refined cuisine, an extensive wine list, and attentive service in a modern and beautiful setting. Executive Chef Missy Robbins presents ingredient-driven Italian classics inspired by the spirit of seasonal and regional simplicity, with an innovative and contemporary twist. Time Warner Center, 10 Columbus Circle. 10% discount on all purchases (eat in/eat out only excludes delivery and catering) with a MAD membership card or ticket stub. sions, one emerges feeling revived, refreshed and balanced. Alaric is a full-service design studio 315 West 57th Street between 8th Avenue and 9th Avenue. that offers a unique blend of traditional 15% discount on any product or service with a MAD membership elegance and modern chic, using the card. finest flowers from around the globe. Call 212.308.3794 or visit www.alaricflowers. Europe, AQ Kafé offers a broad selection dinner, seven days a week. 1800 Broadway between 58th Street and 59th Street. 10% discount on purchases (eat in/eat out only-excludes delivery and catering) with a MAD membership card. Visit www.hudsonhotel.com. Morgans Hotel Group’s Hudson to offer MAD members a 10% Hotel invites friends of MAD to stay at exclusive rates start- discount off single tickets to ing from $285 plus taxes (subject to availability). To book call purchase of gift certificates) with a MAD membership card. dishes of Central, Northern and Eastern pastries, desserts and more. Open for breakfast, lunch and of Lincoln Center is pleased 57th Street. 10% discount on purchases (excludes services and Inspired by the flavors and signature of coffees, teas, soups, salads, sandwiches, platters, entrees, The Chamber Music Society Located in midtown, just steps from Central Park, Columbus Circle and the theater district, Hudson is a brilliant reflection of the boldness and diversity of the city, while simultaneously representing the next generation of cheap chic: stylish, democratic, young at heart and utterly cool. com. 721 Fifth Avenue, Suite 30H, between 56th Street and its season of events. Call 212.875.5787 or email tickets@ Despaña offers quality gourmet food dining experience with local farm fresh ingredients and all natural items. Café Metro serves a full breakfast, soups, salads, sandwiches, wraps, pizza, pasta and more. Discount available at all Café Metro locations. 10% discount on purchases (eat in/eat out only; excludes delivery and catering) with a MAD membership card. vinegars, fish specialties, vegetables, fruit preserves, and almond sweets; taste and select from more than 50 specialty cheeses and dry cured meats at the counter. 408 Broome Street between Lafayette and Cleveland Streets. 10% discount on grocery purchases including eat in/ take out prepared tapas (excludes delivery and catering platter orders) with a MAD membership card. Emmelle is a boutique with a city-chic Dan Japanese Restaurant serves affordable Japanese dishes. Sushi chef, Mr. Miyata, and dining chef, Mr. Hara, have been satisfying patrons with delicious meals for over a decade. 2018 Broadway at 69th Street. 10% discount of purchase (Sunday–Thursday from 3pm to 11 pm) with a MAD membership card. Family owned and operated for more than 24 years, La Boite en Bois is a French restaurant located in a brownstone in the heart of the Upper West Side offering lunch, weekend brunch and a pre-theater menu, and serves everything from escargot and pâté to roasted duck. 75 West 68th Street between Columbus Avenue and Central Park West. 10% discount on purchases (excludes services and purchase of gift certificates) with a MAD membership card. collection of sophisticated, easy-to-wear designer fashions that reinvents the art of personal style. 311 Columbus Avenue between 74th Street and 75th Street. 10% discount on purchases (excludes services and purchase of gift certificates) with a MAD membership card. The Emporium has been known for years as a hidden source for high quality but affordable antiques, jewelry, and art works. 20 West 64th Street between Broadway and Central Park West. 10% discount on purchases (excludes services and purchase of gift certificates) with a MAD membership card. FACE Stockholm is the only Swedish cosmetics company to give makeup and skin care that is true to the Swedish beauty ideal: natural, trend-forward, simple, clean, gorgeous, and fun! Time Warner Center, 10 Columbus Circle.10% discount on purchases (excludes services With a focus on local products and seasonal produce, Nick and Toni’s Café prepares fresh food simply. Enjoy a perfectly crispy pizza or one of the many house specialties such as the roasted chicken, whole fish of the day, or scallops prepared in the wood-fired oven. 100 West 67th Street between Broadway and Columbus Avenue. 10% discount on purchases (cannot be combined other promotional offers such as prix fixe or ‘Lunch/Dinner and a Movie’; excludes services and purchase of gift certificates) with a MAD member- Magazines products imported exclusively from Spain. Shelves are stocked with olive oils, Café Metro prides itself on providing a healthy 1.800.606.6090. chambermusicsociety.org. and purchase of gift certificates) with a MAD membership card. For more than fifty years, Innovation Luggage has been the Northeast’s premier luggage and travel ware specialty retailer and offers a broad selection of quality merchandise at competitive prices with unmatched customer service. 2001 Broadway at 68th Street. 10% discount on purchases (excludes services and purchase of gift certificates) with a MAD membership card. Metropolis is dedicated to all aspects and areas of design; provoking conversation and new ways of thinking. The only magazine that looks at design from a broad perspective to provide coverage of all design disciplines, Metropolis’ award-winning editorial anticipates trends and reveals innovative ideas. MAD members receive a rate of $22.95—a saving of 30%. To take advantage of this offer, include the special offer code of AMADJ9 with your subscription, to Metropolis, P. O. Box 609, Mt Morris, IL 61054. New York Magazine keeps even the most demanding city lover up-to-date on food, fashion, shopping, culture, politics and more. It’s a treat that delivers 43 times a year. New York Magazine extends the rate of $19.97 (a 20% discount) on the purchase of a one-year subscription when MAD members subscribe online at: www.nymag.com/subscribe-madmuseum. Readers turn to Surface for creative inspiration, coverage of the burgeoning design world, and profiles of the emerging designers and provocative projects that are reshaping the creative landscape. With its ability to identify and collaborate with the undiscovered talent, the magazine acts as a cultural barometer of global style in all its forms. MAD members receive a rate of $9.95—a saving of 50%. Use the special offer code MAD when subscribing online at www. surfacemag.com/store/subscriptions. Each week Time Out brings readers the best of what’s happening in and around the city, including shows, movies, concerts, performances, sales, exhibitions and must sees Special issues include Cheap Eats, Great Spas, Fall Preview, Holiday Gift Guide and more. Members enjoy a discounted rate of $15.97 (51 issues) on Time Out New York and $7.97 (12 issues) on Time Out Kids with the membership code 89LMAD on the purchase of a one-year subscription. Call 1.888.GET.TONY ship card. for Time Out and 1.800.927.4253 for Time Out Kids. museum of arts and design 19 Photo: Oskar Landi supporters Board of Trustee member Nan L. Laitman, center, flanked by Museum supporter Arlene Caplan, left, and Board of Trustees Chairman Emerita Barbara Tober. The Museum of Arts and Design’s Board of Trustees and staff thank the generous individual, foundation, corporate, and government donors who made contributions of more than $100,000 to the Museum’s Campaign for 2 Columbus Circle between January 1 and June 30, 2010. Your support is vital to our success. If you are a donor to the Museum and your name does not appear in the following lists please notify us at 212.299.7721 or [email protected], so that we may correct this oversight. Capital Campaign Donors Founders Simona and Jerome A. Chazen Nanette L. Laitman Leaders Honorable Michael R. Bloomberg, Mayor of the City of New York Carolyn S. and Matthew Bucksbaum Carson Family Charitable Trust Judith K. and Robert M. Cornfeld Dobkin Family Foundation Empire State Development Corporation Sarah and Seth Glickenhaus New York City Council New York City Economic Development Corporation The Tiffany & Co. Foundation Barbara and Donald Tober Builders Marcia and Alan Docter Ambassador and Mrs. Edward E. Elson Ann F. Kaplan and Robert Fippinger Frances Alexander Foundation Edwin B. Hathaway Jane and Leonard Korman Marie-Josée and Henry Kravis Oldcastle Glass Ronald P. Stanton Steelcase, Inc. SVM Foundation Judy and A. Alfred Taubman The William Randolph Hearst Foundation Benefactors Anonymous Andrea and Charles Bronfman Fund Daphne and Peter Farago Laura and Lewis Kruger Cynthia and Jeffrey Manocherian Linda E. Johnson and Harold W. Pote Phillips International Auctioneers Aviva and Jack A. Robinson Philip and Lynn Straus Foundation Stroock & Stroock & Lavan LLP Patrons Ambrose Monell Foundation BNP Paribas Booth Ferris Foundation The Honorable C. Virginia Fields, former Manhattan Borough President Sandra and Louis Grotta Institute of Museum and Library Services The Jesselson Family Jeanne S. and Richard Levitt New York State Council on the Arts Honorable David A. Paterson, Governor of the State of New York Rita and Dan Paul Mary and Alfred R. Shands The Honorable Scott M. Stringer, Manhattan Borough President Swarovski Windgate Charitable Foundation Supporters American Express Suzanne and Stanley S. Arkin Brown Foundation, Inc. Hope Lubin Byer Carl and Lily Pforzheimer Foundation, Inc. Michele and Martin Cohen Susan Steinhauser and Daniel Greenberg Irving Harris Foundation A.E. Hotchner Lois U. and Dr. Dirk Jecklin William W. Karatz Christine and Jeff Kauffman Maharam Sandra and Paul M. Montrone National Endowment for the Arts Newman’s Own Foundation New York City Department of Cultural Affairs Northern Trust Eleanor T. and Samuel J. Rosenfeld Joel M. Rosenthal Dorothy and George B. Saxe Donna and Marvin Schwartz Barbara Karp Shuster Gloria and Alan Siegel Ruth and Jerome Siegel Klara and Larry Silverstein Ellen and Bill Taubman From the entire MAD family, a big thank you to the individuals, foundations, corporations, and government agencies who contributed generously between January 1 and June 30, 2010 to support MAD’s exhibitions, collections, educational and public programs, special events, publications, and general operations at 2 Columbus Circle. As we grow our services to the public, we are grateful for your continuing dedication. If you were a donor to the Museum during this period, and your name does not appear in the following lists, please notify us at 212.299.7721 or [email protected] so that we may correct this oversight. CORPORATE, FOUNDATION, AND GOVERNMENT DONORS $100,000 and above The Chazen Foundation Robert Sterling Clark Foundation, Inc. The William & Mildred Lasdon Foundation National Endowment for the Arts Newman’s Own Foundation The Andy Warhol Foundation for the Visual Arts Johnson & Johnson The Jane and Leonard Korman Family Foundation The Mondriaan Foundation, Amsterdam New York State Council on the Arts The Rockefeller Foundation Barbara and Donald Tober Foundation $10,000–$24,999 Arete Foundation Benjamin Moore & Co. Bloomberg LP Bloomingdale’s Consulate General of the Netherlands Dobkin Family Foundation The Estēe Lauder Companies Inc. Goldman, Sachs & Co. The J.M. Kaplan Fund Laurie M. Tisch Illumination Fund Liz Claiborne Foundation Pratt Insitute The Spektor Family Foundation Sugar Foods Corporation $5,000–$9,999 Bonhams & Butterfields Frances Alexander Foundation Helena Rubinstein Foundation Lambert Family Foundation The MDK Foundation The Ruth and Jerome Siegel Foundation The World Exposition of Ceramic Tile & Bathroom Furnishings, Inc. $4,999 and below Acorn Hill Foundation Inc. Arkin Family Foundation The Barr Foundation Burlington Northern Santa Fe Foundation The Gerald and Daphna Cramer Family Foundation, Inc. Daniel J. and Edith A. Ehrlich Family Foundation Martin and Rebecca Eisenberg Foundation Fiduciary Trust Company IBM The Irving Harris Foundation John Wiley & Sons, Inc. Kittay Foundation Leo Kesting LLC Macy’s Neuberger Berman Pfizer Matching Gifts Program Margaret S. Rice and Henry Hart Rice Foundation Richard Meier Foundation Seaman’s Tiffany & Co. $25,000–$99,999 ABRAAJ Capital American Express Andrea and Charles Bronfman Foundation Artists Legacy Foundation The Brown Foundation F.M. Kirby Foundation, Inc. Fondation d’enterprise Hermès The Glickenhaus Foundation The Greenberg Foundation HSBC Bank USA, N.A. INDIVIDUAL DONORS $100,000 and above Simona and Jerome A. Chazen Laura and Lewis Kruger Nanette L. Laitman Barbara and Donald Tober $25,000–$99,999 Basil H. Alkazzi Bonnie Roche-Bronfman and Charles Bronfman Marian C. and Russell Burke Marcia and Alan Docter Kris Fuchs Sarah and Seth Glickenhaus Christopher Hacker Linda E. Johnson Barbara Karp Shuster Klara and Larry Silverstein Ellen and Bill Taubman $10,000–$24,999 Suzanne and Stanley S. Arkin Ed Brickman Betsy Z. Cohen and Edward E. Cohen Michele and Martin Cohen Barbara and Eric Dobkin Michael Gould Sandra and Louis Grotta Edwin B. Hathaway Holly Hotchner and Franklin Silverstone Ann F. Kaplan and Robert Fippinger Jane and Leonard Korman Serga and Daniel Nadler Charline Spektor and Gabriel Nussbaum Miles Young $5,000–$9,999 Hope Byer Cecily M. Carson David C. Copley Alberto Eiber Joan W. Harris Johnna M. and Fred J. Kleisner Sheila and Bill Lambert Cynthia and Jeffrey Manocherian Rita and Dan Paul Linda and Seth Plattus Ruth and Jerome A. Siegel $4,999 and below Al Aheto Gayle Perkins Atkins Carolyn BaRoss Sylvia and Garry K. Bennett Sandye and Renee Berger CeCe Black Karen Johnson Boyd and William Beaty Boyd Barbara Brown and Steven Ward Kay Bucksbaum Jon Bunge Arlene and Harvey Caplan Ann and Thomas G. Cousins Elizabeth de Cuevas Helen W. Drutt-English and H. Peter Stern Edith A. and Daniel J. Ehrlich Helene B. Eiber Rebecca and Martin Eisenberg Lisa Orange Elson and Harry Elson Irene S. and Barry Fisher Kay Foster Frances J. Frawley Gail and Robert Galli Genevieve R. Gee Katja Goldman and Michael Sonnenfeldt Maya and Larry Goldschmidt Mona Golfman Boo and Cecil Grace Jo and Bruce Grellong Candice Groot Christie and Tracy Hansen Marieluise Hessel Fern Karesh Hurst Arlyn J. Imberman Wendy Evans Joseph Christine and Jeff Kauffman Fernanda Kellogg and Kirk Henckels Morley Klausner Arie Koppelman Jane L. Koryn Ellie and Mark Lainer Joseph and Phuong Lewis Jeremy Lipkin Mimi S. Livingston Ambassador John L. Loeb, Jr. and Sharon Handler Frank Maraschiello Marjorie Margolis Kathrine McCoy Henry McGee Jennifer McSweeney Shelagh Megeath Richard Meier Melissa Merrill Nazee and Joseph Moinian Anne G. Montgomery Catherine Morgan Eileen Harris Norton Sheila Palevsky and Joe Ingram Sophie Pearlstein Mike and Edwin Peissis Susan Porth Harriet Radwell Toni and Carl Randolph Deborah and David Roberts Barbara Robinson Joan Sachs Helene Safire Irving Salem Robert Salemo Bette Saltzman Rony Sanelli Linda and Donald Schlenger Kathy and Joel Segall Owen Sharkey Melanie Shorin Nancy Sichel Adrianne and William Silver Beth and Donald Siskind Fran Smyth and Stephen Warshaw Howard and Gayle Sobel Patricia and David K. Specter Carolyn and Robert Springborn Ilene and Marc Steglitz Beth Stellato Angela Sun Suzanne Tick and Terrance Mowers Kathryn W. Toll Julian Tomchin Siri von Reis Florence and Robert I. Werner Helen Winter Erving Wolf Myrna and Robert Zuckerman MAD VIEWS FALL 2010 WWW.MADMUSEUM.ORG INDIVIDUAL DONORS TO THE MUSEUM’S EDUCATION AND PUBLIC OUTREACH PROGRAMS Ilana and David Adelman Carolyn BaRoss George H. Beane and Patricia Begley Jeffrey Berlind Ambassador and Mrs. Donald Blinken Louise L. Braver Kay and Matthew Bucksbaum Henry Buhl Hope Byer Gloria and Craig Callen Judy and Russell L. Carson Joni Maya Cherbo Dr. Layla S. Diba Barbara and Eric Dobkin R. Bradford Evans Jonathan Farkas Professor and Mrs. Meyer Feldberg Kris Fuchs Jacqueline and Robert Garrett Sarah and Seth Glickenhaus Lois Gross Douglas and Katya Heller John Hoffman Pamela Howard Geoffrey J. Isles Linda E. Johnson Ann F. Kaplan and Robert Fippinger Christine and J. Jeffrey Kauffman Fernanda Kellogg and Kirk Henckels Johnna M. and Fred J. Kleisner Laureen S. and Ragnar M. Knutsen Arie Koppelman Laura and Lewis Kruger Nanette L. Laitman Evelyn and Leonard A. Lauder Shelly Lazarus Ambassador John L. Loeb, Jr. and Sharon J. Handler Cynthia and Jeffrey Manocherian Frank Maraschiello Dr. Safwan M. Masri Christine A. McConnell and Richard McBride Patti McConnell and Barry LoGiudice Melissa Merrill Nazee and Joseph Moinian Melissa and Chappy Morris Suzanne Elizabeth Murphy Linda and Al Mushlin Rita and Dan Paul Encarnita and Robert Quinlan Aviva and Jack A. Robinson Joyce and Maya Romanoff Marjorie and Arthur Samuels Maria Sepulveda Barbara Karp Shuster Klara and Larry Silverstein Donna Slade Britton Smith Howard and Gayle Sobel William Thomas Suzanne Tick and Terrance Mowers Barbara and Donald Tober Linda Verba Elizabeth Whitall Carolina Wolkowitz Lucinda Ziesing Photos: Oskar Landi 20 MAD Board of Trustees member Michele Cohen with her husband Martin and Laura Kruger at the Bespoke: The Handbuilt Bicycle opening. Michael Maharam, center, and MAD Director Holly Hotchner, far right, with the bike makers featured in Bespoke. They are from left to right: Peter Weigle, Jeff Jones, Mike Flannigan, Sacha White, Dario Pegoretti, and Richard Sachs. MEMBERS Lee and Marvin Traub John Venekamp and Clifford Schireson Jennifer Vorbach Karl M. Wahala and Xenia Liu Tom Watson Marcia Weber and James Flaws Charlene Forest and Steve Yarris Director’s Council Ed Brickman Betsy Z. Cohen and Edward E. Cohen David C. Copley Inner Circle Jody and John Arnhold Sandye and Renee Berger Bonnie Roche-Bronfman and Charles Bronfman Kay and Matthew Bucksbaum Marian C. and Russell Burke Judith K. Dimon Linda Grossman and Richard Bass Julia and Edward Hansen Constance and Harvey M. Krueger Jan Liverance Mimi S. Livingston Robin I. Neustein Barbara and John R. Robinson Aviva and Jack A. Robinson Muriel Siebert Judith Zee Steinberg and Paul J. Hoenmans Ms. Jan Alane Wysocki Collectors Circle Diane and Arthur Abbey Joan Borinstein Anonymous Joan and Donald J. Gordon Lois U. and Dirk Jecklin Bonnie Lee Korn Jane L. Koryn Anonymous Patrick McMullan Sara and William V. Morgan Edie Nadler Karen C. and Charles Phillips Christie C. Salomon Lynn N. Schusterman Melanie Shorin Beverly and Jerome Siegel Jane and David Walentas Barbara and Donald Zucker Curators Circle Sheri and Lawrence Babbio Raquel and John Baker Clay H. Barr Shayne Barr Millie M. and John D. Bratten David Charak II Suzanne and Norman Cohn Suzanne Davis and Rolf Ohlhausen Wilma and Arthur Gelfand Katja Goldman and Michael Sonnenfeldt Susan R. Goldstein Janet L. Handtmann Martin and Wendy Kaplan Audrey King Lipton Sandra T. Kissler Delphine Krakoff Nicole and Fernand Lamesch Mimi Levitt Sara and David J. Lieberman Kate McGrath Marc Meyers and Evan Snyderman Regina and Marlin Miller, Jr. Sharon Molberger-Draghi and Eric Draghi Joan Prager Jeanne Greenberg Rohatyn Samantha Boardman and Aby Rosen Michael Rosenfeld and Halley K. Harrisburg Sheri C. Sandler Adrianne and William Silver Paco Underhill Mildred Weissman Richard Wright Supporting Al Aheto Gayle Perkins Atkins Frederick and Jean Birkhill Deborah Buck and Chris Buck Joni Maya Cherbo Marilyn and Robert Cohen Drs. Joan and Peter Cohn Helen W. Drutt-English and H. Peter Stern Barbara and Dennis DuBois Rebecca and Martin Eisenberg Sandra and Howard Fromson Suzanne Frye Mr. and Mrs. Leslie J. Garfield Mr. and Mrs. Robert G. Gray Marieluise Hessel Roberta and Brad Karp Sharon Karsten Elizabeth Kubie Marta Jo Lawrence Susan Grant Lewin Joseph and Phuong Lewis Randie and Aaron Malinsky Edwina and Marvin Marks Henry McGee Jennifer McSweeney Karen and Ira Meislik Donald Mullen Eileen Harris Norton Eileen and Antonio Perez Rosemarie and Richard Petrocelli Katharina Plath Toni and Carl Randolph Maria Rodriguez and Alan Atkinson Tamara and Michael Root Pat and E. J. Rosenwald Marcia and Philip Rothblum Ted L. Rowland Irving Salem Victoria Schonfeld and Victor Friedman Frances Schultz Martin and Jane Schwartz Barbara Seril Nancy and Kenneth Stein Valerie Street Pamela and Victor Syrmis Paula Wardynski and James Scala Contributing Rachel Abarbanel and Elizabeth Martin Debra Tanner Abell and Edward Abell The Loreen Arbus Foundation Deborah Bailey Robyn M. Bailey Elizabeth and Henry Baker Chris E. Bazzani and Mark Grigalunas Sonya Bekkerman Nina and Richard Bentley Steffi and Robert Berne Louis H. Blumengarten Marion G. Bowie Prudence Bradley Elizabeth Brody Deirdre M. Brown Janet and Bruce Bunch Judy and Cary Cheifetz Rob and Vanne Cowie Katherine D. Crone Glenda R. Daggert and Ira J. Copperman William P. and Catherine S. Daley Sara Jane and William DeHoff Beverly B. and Jonathan Denbo Adele DiMedio Eleanor and Arthur Dinitz Leatrice and Melvin Eagle Karen Eifert Florence Feinberg and Benjamin Geizhals Maxine and Jonathan Ferencz Kitty W. Freydberg Eleanor Friedman and Jonathan Cohen Kathleen and Howard Fuhr Nancy Wittman and Michael Gans Terri and Stephen Geifman Edward P. Gelmann and Fardosa Mohamed Robert A. Gender Richard and Ilene Gibbs Belinda and Richard Gilbert Sondra and Celso Gonzalez-Falla Rita Sue and Alan J. Gold Virginia and Stanley W. Gordon Paula and James Gould Joan Graham Donna Green Stephen and Marilyn Greene Ellen and Lawrence R. Gross Karen Gunderson and Julian Weissman Christie and Tracy Hansen Eleanor and Bruce Heister Helena Hernmarck and Niels Diffrient Susan Hilty Nancy and Alan R. Hirsig Lisina M. Hoch Jane Weiss and Barry Hoffman Angela and Charles Hudak Madeline Isbrandtsen Bonnie Jaffe Anita A. Kahn Carol and Steven Kallet Cathy and Ann A. Kaplan Helen and Jane Kaplan Gerri Kay Steven Klapisch Alison Korman Feldman and Marc Feldman Carol E. and Robert B. Laibstain Terry Last Marilyn and Robert Laurie Carol Leibenson Adele and Leonard Leight Cindy Levine Francine and Jeffrey Light Susan and Arthur Lindenauer Kathleen Lingo Barbara S. Linhart Vera and Robert Loeffler Joyce Lowinson Donna and Mickey J. Mandel Alice Aspen March Joyce F. Menschel Regina Meschko and Glen O. Grossman Paula Michtom Sandra and Paul M. Montrone Terri Moreland Victoria and Stephen Morris Frances T. Needles and Naomi Mendelsohn Anita and Arnold Newman Barbara V. Oliver Harley and Stephen Osman Nancy and Peter Philipps Jennifer Podurgiel and Ari Rosenberg Marian Pollack Joe and Carolyn Reece Elsa and John Reich Sheila J. Robbins Jane A. and Morton J. Robinson Hila and Saul Rosen Amy Rosi and Peter Rosenthal Carla Roth Robert Rothenberg Lois Russell Linda Russin Phyllis Lynn and Shannon Haller Sacks Lili and Sid Schlusselberg Kate Schmeidler Fredric Schneider Judith and Richard Schultz Wendy Seelig Carol Shapiro and Bruce Cohan Owen Sharkey Joan and John Shipley Louise Shirley Joyce Silver Christine A. Smith Ruth and Rick Snyderman Blair Sorrel and Richard Spain Charline Spektor and Gabriel Nussbaum Ladd Spiegel and Curtis Cole Ellen and Jerome L. Stern Helen Taylor Aurea and Howard S. Tom 360 Young Collectors Megan Abell Jennifer Butch and Christopher Dieckmann Veronica Campanelli Helena Durst and Mark Domino Michael D. Dwork Shirley and David Ginsberg Barbara Goodstein and Robert Rosenblatt Janell Lantana Anthony T. Mazzei, Jr. Karl Monge Ruthard Murphy Thuylinh Nguyen Nana Onishi Marisa Rieue David Robbins Anne Rogers Joan and Reade H. Ryan Jennifer and Jonathan Soros Ms. Renee Soto Laura Swedlow Natasha and Daniel Tauber Melinda Wang Thomas Henry Wengelewski Beth Wicklund and Amy Shapiro Family Kathleen and Ernest Abrahamson Cathy and Larry Altman Oona Amsden and Maria Lakis Lester and Abike Jotayo Anderson Katie McLeish and Greg Barrett Larry and Beth Beede Debra M. Beneck and Theodore Green Veronica and Bruce Bennett Carol and Paul Bentel Ann Berdy and Jamie Zimmerman Jane Berentson and Fred Bleakley Linda Berke and Andrew Berke Robert D. Bielecki Tracey and Jonathan S. Blue Amanda Bouquet and Michael Sprague Deborah L. Brand Phelan and Fay A. Bright Deborah and Ted Brodheim Christina and Paul Bromfield Charlotte Cole and Scott Budde Catharine Buttinger and Bruce Crowley Brook H. and Shawn S. Byers Patricia and Gil Caffray Irene and Robert Campus Leita G. and Robert M. Chalfin Wendy Chivian and Richard Molloy Michael and Barbie Cook R. Boykin Curry and Celerie Kemble Julie Davidson and John Elizandro Bette J. Davis and James Asselstine Wende and Hans De Groot Michael Maharam with Paola Antonelli and Annette Schrich; Left, partygoers at the Bespoke opening. museum of arts and design Stephanie Altman Dominus and Andrew Dominus Maxine and Warren Eisenberg Alicia Ernst and John Katzman Anne C. Flick Lauri and Douglas Freedman Michelle and Benjamin Friedman Paula and Krin Gabbard Bonnie Taub Gordon and David Gordon Stephanie and Steve Gottlieb Phyllis R. Green and Randy Cowen Sonya Hamlin and Bernard Berkowitz Walter and Gail Harris Hedy Hartman and Andrew Chait Caroline Heffron and Adam Clayman Thayer and Edwin Hochberg Lynne R. Hyman Sheila Palevsky and Joe Ingram Anthony and Rebecca Iovino Lynn and Thomas James Joanna Johnston and Michael Beltran Barbara and Leon Kalvaria Rachel Kanter and Andrew Ely Maxine and Howard Kaplan Helene Keers and Peter Van Oort Keers Anne Kelly Gayle and Leo-Arthur Kelmenson Patricia Kenner and Julie Kenner Case Mr. and Mrs. Richard E. Kobrin Janice S. and Melvin Kupperman Carmela Landes and Bob O’Sullivan Carol M. Lee and Brian R. Apatoff Rosemarie and Nicholas J. LeRose, Sr. Robert Levy and Sally Tucker-Levy Belda and Marcel Lindenbaum Ai-Ling Lu and Hsing Mai Huang Patricia and John Lummis Karen and David Mandelbaum Barbara Marcus-Markenson and Joseph Markenson Brian McCarthy and Daniel Sager Violy McCausland-Seve and Fatima Jones Amy McIntosh and Jeffrey Toobin Sharon Monplaisir and Michael Gostigian Bridget Moore and Edward De Luca Jane G. and Michael A. Murphy Susan Oliff and Ron Lieberman Susanne Olin Laure and Pierre Olivier Florence and Jim Palmer M. Perun Linda and Seth Plattus Sheila Rankowitz and Megan Fraser Chauncie and Paul Rodzianko Ingrid Roze and Steven Knoblauch Huberta Schroedel and Kemal Ugur Carol Schulman Nancy Shapiro and Jonathan Cohen Zipi and Ziki Slav Josephine Sokolski Nancy and David Solomon Karen Starr and Robert Puswald Peggy Stern and Emma Ruskin Elizabeth and Frank Suatoni Julie Taw and Adam Glassman Emily Terry and Steve Sabella Joel Tishcoff and Faye Penn Evelyn and Jon Tomasson Michael and Barbara Tomlin Mimi and T. W. Towell P. Roy and Diana T. Vagelos Julia and C. Carter Walker Joyce Weinberg Michael and Dana Werner Mary White and Elizabeth Flowers Joanne Witty and Eugene Keilin Moish Ziv and Carole Godin Myrna and Robert Zuckerman Dual Susan B. Abanor and Harold S.A. Woolley Hedy and Jack Abel Blanche Abramov and Martin Kotler Vicki and William Abrams Linda and Bill Ackerman Arlene and Alan Alda Jim and Anita Alic Bella Allaire and Jean Christophe Allaire Peggy C. Allen and Steven Dixon Robert and Sherry Alpern Karen H. and Faustino J. Alvaloz Stephane Amate and Frederic Boisserie Paul Amit and Amit Cohen Rose and Michael Ammirati Edie S. and Mort Amster Jamie D. Anchin and Elliot Strauss Melissa Anderson Vogel and Richard Vogel Dorothy and Lawrence Arnsten Constance and Peter Aronson Victoria Arzano and Randi Hesman Phyllis and George Asch Sandy and Ira Asherman Hallie Atkinson and Evan Sinclair Elisabeth and Johan Avery Larisa and Ben Baer Kiyomi Baird Judith and M.S. Balkin Martha Ballard and Steve Matthews Patricia and Charles Baller Cathy Barancik and Steve Novik Ava Barbour and David Christofferson Sally and Morris Barron Sylvia and David Barsion Carol and Tom Beam George H. Beane and Patricia Begley Susan and William Beech Amoree Beekman and Syd Rothstein Sheila and Saul D. Behr Erin Bekowies and Steven Hershberger Jane D. Benjamin and Tricia Muse Abbey and Bruce Berg Barbara and Bruce Berger Noel Berk and Elizabeth Omedes Kathy and Andrew Berkman Barbara Berliner and Sol Rymer Constance Berman and John Langsdorf Krista Berman and Richard Mark Rachel and Charles Bernheim Penny and Sheldon Bernick Arlene and Mark Bernstein Judith Bernstock and David Gross Joan Bick Nedra and Paul Biegel Sue Merlino and Sheldon Blackman Roz and Allan Blau Jane and Michael Bloom Emma and Eli Bluestone Pamela S. and Dr. Bernard H. Boal Susan and Clifford Boehmer Janet Boguch and Kelby Fletcher 21 Cecilia and Garrett Boone Kay and Fred Bosselman Phyllis Bosworth and Claire Neff Michele Boyd and Scott Oberstaedt Bonnie Bradford and Steven Tripka Lorraine J. Brancato and Lucy A. McGuigan Esther Brandwayn and Shlomo Manne Bradley M. Brave Lilyan and Louis Braver Eileen Brengle and Jay Schlossberg Ruthe and Max Brimberg Riki and James Brodey Philip and Laura Brody Arlene and Bob Brody Carol and Joel Bronz Lawrence and Marsha S. Brooks Theresa Brown and Bruce Regal Ellen and Harold Bruck Shelly and Tom Brunner Lynn and Daniel Brush Mary Beth and Walter Buck Bente and Gerald E. Buck Ronnie Janoff-Bulman and Michael Bulman Jon Bunge Marcie G. and Nelson J. Burros Lewis and Rochelle C. Burrows Debra and Steven Butler Susan S. and Tom Butler Gwen and Solara Calderon Patricia Callan Crafts and Chuck Crafts Deborah Campbell and Thomas Garcia Ronni and Ronald Casty Joanna Griner Cawley and Abigale Knapp Govender Gisselle and Shellita Cenzia Michele and Ezra Chammah Eve S. and Richard M. Chapin April Chapman and Phillipe St. Luce Alice and Richard L. Chappell Pamela Kok and Jerome N. Charnizon Wendy Chavkin and Nick Freudenberg Tina Chen and Marvin Josephson Shinta Cheng and Joel Waldenberg Sharon Chertok and Susan Ledley Sally Ann Chestney and Peter H. Lillard Janey M. and Richard A. Cheu Anup Chitnis and Ryan Incrocci Lauren and Philippe Chivee Minsoo and Sooin Chung Shelly and Bill Clarke Amanda and Cory Clarke Marcia and William Clarkson Deena Cohen and Jerry Pont Ellen Cohen Nancy and Richard Conners Raye and Robert C. Cooke John and Lenore Cooney Bunni and Paul Copaken Scott Corzine and Anna Bergman Sybil and Robert Costello Ann and John Costello Martha A. Cotter and Alan Sussman Jane R. Cottrell and Richard T. Kortright Stephen G. Crane and Elaine Forman Crane The Reverend D. Crawley Linda Crevelt Kyra and Xavier Cuadrado Fabienne Cuter and Hocine Mouas Jean-Marc Cuvilly and Andrew Tzellas Jacqueline and Tiran Dagan Kendra and Allan Daniel Jane and Edward Davenport Patricia and Alan Davidson Myrna and Paul Davis Cynthia R. de Windt and Alan L. Court Christina Delfico and Franta Nedved Bunny Dell Vivien and Michael DeLugg Janet L. Denlinger and Endre Balazs Jamie DeRoy Brittany Diamond and Reva Bottles Hester Diamond and Ralph Kaminsky Ellen S. and David J. 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Riddle Jason and Mindy Robbins Michael Roberto Elizabeth Robinson Helen Rodde Mary Roehm Anne Ronai Ms. Sally Rosen Nan Rosenblatt Louise Rosenfield Renee Rozen Gail Rubinfeld Virginia A. Rudd Diann Russell Karen Sade Judith Salomon Heidi Salz Alexander M. Salzberg Karen E. Samaras Judy Samelson Carole A. Sasiela Claire Jeanine Satin Amy Schaffer Ms. Cathy Schleussner Karen Schneider Donna Schneier Ms. Beverly Schoninger Evie Schorr Lisbeth G. Schwab Susan Schwartz Arlene C. Schwimmer Carol Scott Gilbert N. Segel Erika Sellin Ellen Shillinglaw R. Joan and Allen M. Shore Judith Shoucair Sheila Siegel Clare Signy Ben Silverman Rhoda Silverman Evan Sloan Nancy Slotin Paul Smead Suzanne W. Smith Johanna G. Sparks Sandra Spector Marlene W. Stein Ellen R. Stone James E. Stovitz Monica Stroter Dr. Carol J. Stuart Tracie and Brian P. Sullivan Davira and Marvin Taragin Gerri Taylor Michael Taylor Betty Thompson Nancy C. Tilkin Seanna Tsung Amy Valeiras Maryann Van Dogen Ilene Van Duyne Andy Van Meter Lise Van Susteren Nancy Vaughn Kirsten Vice Judith Viorst Esther Viros Yoshiko Imamoto Wada Deborah J. Wagner Elaine Walling Tony Walsh Karen Warshaw Lampcov Kent Watkins Marilyn Weintraub Idell Weisberg Marjorie Weiser Judith S. Weisman Ms. Fredda Weiss Judith Weitz Phyllis Wells Barbara K. Welsh Diane J. Welter Linda Whelihan Barbara C. White Rosa Wiener Catherine Wigdor Lon W. Williams Arthur J. Williams Jude A. Williamson Elizabeth Wilson Trudi Wineman Laura Winer Susan Writer-Hamill Kwok Y Yan Vivian Yeh Kate Maryann Zarouk Karen Zaur Thelma Zelen Mary K. Zervigon Jane Zwisohn Photos: Ric Kallaher Board of Trustees Chairman Lewis Kruger, center, flanked by Lou Grotta, left, and Chairman Emeritus Jerome Chazen, at the SOFA Dinner in Honor of Honorary Trustee Sandy Grotta. MAD Chairman Emeritus Jerry Chazen with Curator Circle supporter Sara Lieberman and Holly Hotchner at the Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection opening. MAD VIEWS FALL 2010 WWW.MADMUSEUM.ORG Patrick Jouin: Design and Gesture Nov. 9–Feb. 6, 2011 Think Again: New Latin American Jewerly Oct. 12–Jan. 9, 2011 Eat Drink Art Design: Tableware in the MAD Collection Sept. 21–March 27, 2011 inside this issue NEW YORK, NEW YORK 10019 2 COLUMBUS CIRCLE PAID LIC, NY 11101 PERMIT NO. 159 PRSRT STD U.S. POSTAGE Kweku & Josephine Forson, Ashanti Stools, Ghana, $152–$348 Photo: David Ross Hours: Mon.–Sat. 10 AM–7 PM, Thur. 10 AM–9 PM, Sun. 10 AM–6 PM, 212.299.7700, www.madmuseum.org Members Holiday Shopping Days: November 26–January 9th members enjoy 20% off Stephanie Albertson Thursday, December 9th 5:30–8:00 Lena Skadegard Thursday, November 11th 5:30–8:00 Save the Dates! Share an evening with two of our special jewelers. Our special collection of African home accessories, textiles, and jewelry arrives on November 23, 2010 ........................................................................................................................................................................................................................ ....................................................................................................................................................................................................................... ....................................................................................................................................................................................................................... This Fall The Store Salutes The Global Africa Project