Minolta SR-1

Transcription

Minolta SR-1

Congratulations! You now own an exceptionally precise camera that far exceeds the demands
of the average photographer. The elements contained within it will meet any photographic
situation on a professional level.
IO
All cbout your Minolto sR-t OI
Your Minolta SR-l features the world-famous Rokkor
F1.8/55mm, F2.0/55mm or
F2.0/53mm lens treated with an exclusive Achromatic coating to give you high fidelity
sharpness particularly in color photography. The camera contains an extremely bright penta
prism viewing system and a completely automatic pre-set diaphragm. Please read this manual
carefully so that you may effectively utilize the full potential of your new Minolta SR-1. (All
illustrations used in this booklet are with the Fl.S lens. There is no fundamental
difference in usage between the F1.8 and F2.0 lenses.)
www.orphancameras.com
conrenrfT
S p e c i f i c a t i o n s. ' . .
........ 1
H o w t o u s e t h e M i n o l t a S R m e t e r . . . . . . . . . . . . . . . . . .l g
6 stepsto perfect pictures
. . . . . . . ; , . . . .g
F o c u s i n ga n d f r a m i n c . . . . . .
Film loading
.............5
Holding the camera
Advancingthe film
Shutter speeds
Setting the diaphragm....
Automaticdiaphragm
Depth of f ielcl
How to use the pre-view button
..........9
......10
...........1
. 1
.................12
. . . . . . . .| 3
.......:.....15
Unloadingfilm.........
..............29
.. ............30
.............32
S e t t i n g t h e s e l f - t i m e r . .. .
.......34
Flash photography
.......3b
Interchanging lenses
Accessories.......
.....3g
........40
Minoltn SR-t Specificntions
Film Rewind and
Back Opening Knob
Penta Prism Viewfinder
Film Advance and Shutter Cock
Shutter Release
Shutter SPeed Dial
Film Counter
Fl ash Synchronization Terminal s
Lens Lock
Meter Shoe
Aperture Setting Ring
Focusing Ring
Distance Scale
Depth of Field Scale
Standard Lens
Depth of Field Pre-view
Self-timer
Film Pressure Plate
Take-up Spool
Sprocket Gear
Shutter Curtain
Rewind Shaft
Rewind Release Button
Viewer
Tripod Socket
6 steps to perfect
l. Loacl f il m
piclr.lr
'2.
Adv anc e
l ev er
4. Set Aperture
5. Focus and Frame
6. Press shutter
(Eoch step is exploined in detqil on
the following poges.)
F i l ml o a d i " rV ,
t To open the camera back, pull out
the rewind knob until it stops. Then
with a slight extra pull, the back
will snap open.
Exposure counter will
automatically
return to start posrtron.
2Insert
film
magazine
into
the chamber so
that the axis of
the
magazine
is
the
on
bottom
side
chamber.
of
the
3 Push the
down.
If
rewind knob
you should
have any difficulty,
the knob slightly
pusb down
again.
turn
and
Film loading or unloading
should be done in the
shade.
When loading the film,
be sure not to touch the
shutter curtain.
4 Turn
of the
the knurled base
f i lm
take-up
unti I
the
catching clip
upward.
spool
f ilm
faces
5 Insert the f i lm leader
into the take-up spool.
Make sure the sprocket
gear teeth are engaged
perf orwith the f i lm
atrons.
6 Advance the f i lm lever
unti I both sides of the
f i lm
perlorations
are
engaged properly with
gear.
the
sprocket
the
When
advance
lever stops, release the
(:an
shutter
so you
advance further.
7 Please make sure the film
is
parallel
to
the camera body
bef ore c losing the camera back.
8 Advance
and
Repeat
ar e
the
then
this
r eadv
lever
release
action
rt stops
shutter.
tw i c e and you
until
the
to shoot.
window
The
f ilm
counter
indicates when the f irst f ilm
f rame is in position ready to be
exposed.
If the film is loose in the cartridge you can tighten it very
slowly by turning the rewind
knob clockwise.
Emutsionspeed indiccrr"V
As
a
on
the
number
loaded.
convenient
re mi n d e r,
set the indicator
located
the emulsion speed
(ASA
o r D I N ) o f t h e f i lm you have just
Simply
t u r n t h e d i a l to the corresponding
back
Film speed
of
the
camera
to
g
number of your film
the red figures.
speed.
For
color
film
use
chcrrf
ILFORD HPS
Ansco Super Hypan
AGFA ISOPAN RECORD
AGFA ISOPAN ISS
AGF'A ISOPAN IFKodak Panatomic X
Kodak PIus X
Kodak Tir X
400
500
650
200
100
50
125
400
Films
ASA i Emulsion speed numbers (AsA) are listed above
Kodacolor X
64 for your convenience. They are also found on the
Ektachrome X
64 instruction sheet contained with each film.
(daylight type)
Kodachrome II
10
(daylight type)
Kodachrome X
64
E k t a c h r o m e H i g h S p e e d 160
(daylight type)
Anscochrome
32
Advnncing
rhe film
The shutter cannot be released
until the film advancing lever
is completely wound. If, after
advancing the lever, the shutter
release is still locked, advance
the lever again until it stops.
When winding the film advance
lever, you wi ll
f eel some
resistance just before the end
of the stroke. This is normal
resistance.
Keep
mechanical
it stops comwinding until
pletely.
Caution:At slow shutter speeds
second or I I 2
such as 1
second, do not advance f ilm
while shutter is in motion.
The f ilm advance lever perf orms
actions simulthe followingfive
taneously:
1 .Advances the film
2 .Advances the film counter
3.Cocks the shutter
4 .Sets the quick return mirror
5 .Opens the diaphragm fully
You can turu the lever either with
several short strokes or one 180
degree stroke.
shutter ro""o{rn
The shutter speed dial is markecl with f igures 1
to 500 plus B and X.
The figures l, 2, 4, B, 15, etc., indicate shutter
speeds of 1 second, I 12 second,
second
I l4
up to 1/500 second.
The B position, or bulb, enables you to keep the
shutter open as long as the shutter button is
pressecl down. This position is usecl when more
than one second exposure ls requlrecl.
'fhe
X position corresponcls to about 1/50 seconcl
speecl. This
equlpment.
speeri is
userl with
electronic
f lash
Sening
Turn
the
shuttcr
the dial to the desired speed, lining
the center red line.
it up with
sertins the dioph."r{t
The diaphragm ring has aperture f igures f rom 1.8
to 16. Turn the diaphragm ring so that the desired
aperture figure coincides with the white dot.
The click stops enable you to use intermediate aperture
through the lens. For example, &t f 16 the diaphragm
is closed down to a pin-point opening; at f 1.8 the lens
is wide open. The relationship between aperture and
light volume is shown on the scale below.
openings between any two f /stops. The larger
the
aperture f igure, the less light volume is permitted
Diaphragm can be set either before or after advancing
the film lever.
An..,ur"
Lig h t
volume
O
{
Whor is q completely
dicphrcgm?
qutomqtic pre-set
One of
the superb f eatures of the Minolta SR- 1 is
completely automatic pre-set diaphragm. In a
conventional single lens reflex camera, when the lens
is stopped down the visual f ield of view becomes
its
darker thus making it dif f icult to focus. In the
Minolta SR- 1, the lens is completely automatic ancl
pre-set;aperture is always at maximun opening unti I
the shuttter is released. Consequently, focusing can be
quickly determined through the extra bright viewfinder
no matter what aperture you have preselected.
When the shutter is released, the diaphragm closes to
pre-set aperture, the mirror clears, the picture is taken
the mirror returns, the diaphragm re-opensto maximum
aperture...all simultaneously, all automatically.
E]Eilril
$$$
Depth of ,,",{r,
The depth of fielcl of a lens
is the range of
clistance
within which all
subjects
are
in
relatively
sharp
f ocus.
This range varies
with the aperture opening.
It
is greatest when
the
lens is stoppecl down ( f 16)
anrl least when it is f ul ly
opern( f l.B ). Tht: photographs
sirle illustrate relation-ship.
'l'he
same subject was taken
at rlifferent aperture settings.
-.
t|W:::
,,)
:tW
The principles goyerning depth of field
(lr
Depth
Bockground
Foregroun
epth of field
depth of field is greater as the distance is
increased or the aperture is stopped down.
2. The depth of field grows less as the distance is
decreased or the aperture is enlarged.
ll. The depth extends greater into the background
1.The
than into the foregrouncl.
4. The depth of f ield is greater with a shorter focal
length lens and shallower with a longer focal
length lens.
Because the depth of field can be controlled by the
aperture stops, you can either bring to sharpness
both bac,kgrouncl and f oreground or emphasize the
s u b j e c t s h a r p n e s s o n l y b y p u r p o s el y m a k i n g t h e
background out of focus.
$
How ro use rhe pre-view
,,r*o{t,
You may pre-view depth of f ield, if you wish by
pressing the pre-view button which manually closes
the diaphragm to its pre-set aperture. When you
do this you can inspect through
the viewer
the
precise effect of depth of field.
Deprh of field r.o,fr.
The arrow mark A on the scale indicates
the distance detween camera and focused
subject.
The two sets of f igures on both sides
of the arrow mark are aperture stops
and the distance f ramed by the two
same figures shows the depth of field.
For example, if you focus on a subject
15 feet away and use an full aperture,
read the distance opposite the two
f igures tr.
In this case the depth of
is approximately 10 feet to 37
that distance range all
Within
subjects are in relatively sharp focus.
field
feet.
You can also check depth of field by ref erring to
the depth of field scale marked on the lens barrel.
This indicates in feet and meters t h e r a n g e w i t h i n
which everything will be in focus.
Tobleof Depthof ,r"Nf'
(F)
X'no
oo
1.8
91
2
86
2.8
70
4
55
c.o
oo
oo
oo
oo
42
oo
8
32
11
24
16
L7
oo
oo
oo
30
15
z5' 6', 13/10'
t6/ 5' L6t s',
10
g'
L0'
60
70
z't Lo Lst go g ' 5 0
3 7 ' 4 0 L6' 70 ].]}t 8'
,
n
5
4
3.5
(3'6',)
3
2.75
2 . 5 2.25
(2'g',) (2'6',) (2'3',)
6 ' 9 ' 4 t L 0 ' 3,LLO 3' ,tA' 2 ' l L % o 2'
7 ' 3 0 5t 2', 4 t L ' 3' 6y4',3' ,4n 2'
6'9' 4t L0'
7/ A', 5 t 2 0
S I L L O 3/ 5t/4' 2tLLYI' 2'
lAo 2'
4 ' L o 3' 68/a,o3,
23' 6n L3l 2 0 9 ' 2 0 6"1o 4 ' L 0 0 3ttDo 3' 48/+o2 ' L l Y t n 2,
L]-' 7' L7/ 5 0 LLI
7 ' 5 ' 5' s', 4 t 2 0 3 ' 7 y 4 ' 3' 8/+n2'
Z L , 7 n L2/ 7'
19, 6 n Lgt 70
SILLN
LLI 5N
L g ' 4 n LL/ 9O g ' 6 0
6 7 ' 9 n 2 0 ' g , L2/ 20
6',', 4 ' g o 3'LDn3' 4y' 2'Ljs/+o 2'
7 ' 9 , 5/ 4', 4' 20 3 ' 7 y 4 ' 3,
, LIAO 2/
4 / 3 0 3 ' 6 o 3, Ls/+'2 '
9 t 2'
4 / 7 ' 3 , L L % ' 3' 3s/+n3'
6'
4'
s', 5:'3'
6' T', 4,TL' 4'
y4',2' 7s/+' 2'
2' 3' 5%,' 3'
(r'9')
8r4' 2'ss/+o 2'28/+o L, tlg/+,
s%,,2'6/+' 2 ' 3 Y n o 2' y4'
L' 8s/+n
Il 9L/+'
Syzn 2,5%o 2'2s/+o lt lls/a' L ' 8 y 4 '
9y' 2'614' 2'3Y4o 2, r/+' L ' 9 y n ' ,
gt/+, 2'5r4',2'zyo Lt LLg/+oL, gS/L'
9s/a,o2,6140 2' 3yo 2' 7/+oL ' 9 y n ' ,
g, 2'5r4',2'2%,o ttt|r4' L' 8s/+n
L0' 2'6%' 2'3s/+' 2, 16,,L, gr/t,
6'3', 4 ' 7 0 3 ' 9 0 3, 3s/+'2'L0%' 2' 7s/40 2 ' 5 0 2'21/+o
8'
5 t 6 0 4 ' 3 0 3 ' S Y z n3, L8/+'2 ' L o % o 2'7Tt', 2 ' 4 n
3 t 2, g8/+,2' 7r/to 2'4y' 2 ' I 8 / + o
4' 6' 3 ' 8 n 3 '
6'
g ' 6 , 5' g' 4 ' 5 n 3 ' 9 Y 4 ' , 3' 2%,',2, LL' 2,7s/+' 2'4)4',
16'L0, LO,LOO 8 '
oo
24' 60 L3' 5'
7t 40 5'go
l4t 3a g ' g ,
oo
33' 4' L5' g' g t 3 ,
LL, 9O g ' 6 0 6' g, 5'3',
oo
20' 5' L0'90
68'
L.75
2
L'LLL/+, L ,
8/+oL ,
2'
L,
2'
8%
e%
LLO l ' 8 / + n
L o I' 98/en
8',
L0'
5r4' 2,31/+' 2' s/+o r't0y4,r,7 3/+,,
rr6,n2'9y' 2'58/+" 2' z', v ro%'
6%'
2 ' 4 0 2,LLA' L'L}s/+o L I
2 ' g % , " 2/ 50 2 ' L % o t '
Auto Rokkor
. Auto Rokkor
oto
55mm, f 1.8
55-- ,l2.o
NOTE:
If your lens is 53mm/12.0, see page 56.
Hishryerccurqre
cds rishr merervt
Your Minolta SR-l should be used with the highly
accurate detachable CdS light meter. It's powered
by a mercury
battery
and extremely
sensitive,
covers an extensive range from
candlelight
to
bright
( 0 . 5 6 - 3 7 , 0 0 0 c d / m 2) .
outdoors
The
light
receiving angle is only 30o. Hence, you measure the
l ight
ref lected by the subj ect only.
Extraneous
I ight does not upset exposure readings. The meter
is coupled to the shutter and, as you will read on
the fol lowing pages, very easy to use.
Toble shows relotionship between operture ond shutter speeds.
"lrT"'"lralzslalsolslulrol | | | ;
ShutterA"..
(sec.)
l
How to use the Minoltcl SR -"r"rJrn
V
lJsed correctly, this CdS light meter will give you
correct exposure every time. It measures outdoor
It's extremely
light
and indoor light as well.
versatile, every bit as reliable as the hand-held
types the professionals use. It will measure the
reflecetd light of anything that can be photographed.
are two I ight-measuring scales on the top
There
of the meter. One is for general outdoor photography,
the other is for dimly lit situations. In such situations switch to low sensitivity l ight and read the
corresponding aperture f igures on the meter scale.
Attqching the mefer to rhe cqmerVn
v
On the bottom side of the meter, you'l I see a
fitting pin. Insert the pin into the meter shoe
locatecl on the camera.
Before attaching the meter to the camera, however,
you should set the two shutter dials (one on the
c am er a,
one on the m eter )
pr es s
the
couple
correctly
m eter
c l ow n
to the
n ot,,
r otate
the
y ou
feel
engage
it
m eter 's
w i th
to
i nto
the s am e s peeds .
the
camera's
s hutter
s hoe
shutter.
di al
the c am er a's
fhen,
and
it
will
If
it
does
s l i ghtl y
s hutter
unti l
di al .
Elemenfs of fhe Minolrcl
SR meler.
Shutter
s peed di al
Film speed dial
Diaphragm dial
( f s toP)
Sensitivity
change dial
Guide line
Photo cell
Immediately after loading film, set the ASA film speed
rating on the top of the meter. Rotate the aperture dial (A)
until the speed rating of the film you are using lines up
with the ASA mark (B).
DIN speed ratings are also marked on the dial. (C)
(D)...Battery checking mark. See page 24.
Selecting shuffer speed or qperlure
J
ZZ
You may set either shutter speed or aperture first. If you set shutter
speed first, measure the light and the meter needle will indicate the
correct aperture for that speed. If you set aperture first, adjust the
shutter dial, while measuring the light, until the meter needle coincides
with the aperture you have pre-selected.
Shutter speed is usually determined by the motion of the subject.
If you are compelled to use a fast shutter speed, 1/500 for example,
set it on the shutter dial.
The dial is coupled to the meter and automaically adjusts the meter's
light value scale to coincide with the shutter speeds. In other words,
t he m e t e r
w il l
i n d i ca te co rre tc aper of
o f a va r iety
one
t u re f o r a ny
shutter speecls.
1/500sec. for fast moving
objects.
Reodinsrhe -"n"rlru
When determining aperture setting, read along the
guide line of the light meter scale. The meter needle
will indicate the correct diaphragm opening. It will
not, however, always point directly to a f /stop number.
It may f al l between or of f to the side of guide
lines in which case an intermecliate f /stop shoulcl
be set on the aperture ring of the lens barrel.
1/30 sec. or slower in
dark places.
I/L25 s ec . for s l ow
moving objects.
Operqting
l;,; :)'')
',rfug,.g,g;g.,#
,{'
|
rhe light meter
There are four positions on the light meter dial---Checl<,H,
OFF and L.
'f
he average I ife of the mercury battery is two years. During
use, howerer, yolr may test battery power by turning the meter
dial to "Check" position. If the needle points to the check
mark as i llustrated on page 2l then battery power is ample. If
the neeclle falls outside the check mark, battery power is not
aclequateancl it is time to replace the battery. [Jnlike conventional batteries, the mercury battery cloes not lose power
gradually. When it clies, it clies abruptly. Hence, your light
meter is always working
at maxlmum accuracy.
!
swrrc"v,
LowsENsrrvrrY
When the meter needle does not register
due to inadequate light, use the low
sensitivity shift dial. Rotate the dial
((L" position. This
shifts the
to the
meter to low sensitivity light and gives
a correct exposure reading even under
adverse lighting conditions. In some
cases the low sensitivity reading may
be one f/stop lower than the high sensitivity reading. IJse the lower light
value.
(In the low position, read the orange
colored f numbers. )
ffi
*klt
OFF
When the camera is not in use, switch
the meter dial to the" OFF" position.
This will insure longer battery life.
Determlnlng
reflected
lighl
Bcckllghtlng
Photogrophing
In the case of backlighting, move
close to the subject and measure
the light ref lected from it. Be
particularly careful that the back-
When photographing a person, the
light
reflected
by the subject
and the light
reflected by the
background
may
be
at
wide
variance, particularly in snow, at
the beach or in other bright backgrounds. In such cases move the
camera close to the subject and
measure the ref lected light. If
you cannot approach the subject,
light can be measured by extending
the palm of your hand in front
of the meter.
light does not strike the lightreceiving surface of the exposure
meter. Otherwise the result will
be a silhouette.
People
Londscope Photogrophlng
For landscape photographing, the
subject,
be
of
course cannot
approched and exposure must be
measured at the camera position.
Special care shoulcl be taken so
that direct light from the sky is
not measured. Measure the general
lighting conditions of the area and
take the average reading.
Replacingthe bq*e rY
,,
The average life of the mercury battery is two years. When
the meter does not respond to light, the battery is dead and
must be replaced. This
mercury
is a conventional
battery
available throughout the world.
Remove the battery cover on the bottom of the
meter by
turning the cover counter-clockwise. Take out the old battery.
When replacing the new battery, be sure the plus ( + ) side is
facing up towards you.
Note: When the battery has deteriorated any of
are suitable as replacement:
National M-D Type/Malory RM-625R
E v e r e a d y E 6 2 5 1 G .E . N o . 6 2 5
the following
Focusinsqnd frqmi"r!*
Look through the viewf inder and rotate the f ocusing
ring on the lens barrel. Your subject will become
sharp and clear. At the sharpest point you are in
focus and ready to shoot. You see exactly the same
image that will appear on the film negative. This is
one of the advantages of the single lens ref lex
More
important,
because you
system.
f ocus
through the lens there is never a paral lax problem
-l'his
no matter how close you get to the subject.
svstem also permtis you to see the real relationship
between subject, background and foreground and the
actual color condition when using f ilters"
Inf rcrred film
indiccltor
If you use infrared film, focus as
you would ordinarily. Then move
the distance scale to correspond
with the red letter R which appears on the depth of field scale.
For example, if your focus scale
tells you the subject is 15 feet
from the camera, move the focsui.tg ring so that the number 15
I ines up with the red letter R.
Film position
indiccrtor
On the top of the camera there
is a red circle with a line through it. This mark indicates the
exact position of the f il m in the
camera. Precise distance then is
the distance from the subject to
this line. With the aid of a tape
measure, this line can be used for
extremely critical focusing. For
general photography such f ocusing is not necessary.
[l":il:r*"
cer
merei-Releqsi
"rVu
The
pr ess
with
sharp
o
camera
the
may
cam er a
a slow
be
pr es s ur e
negatives.
held
fi r m l y
You
horizontally
agai ns t
in
or der
may
focus
y our
to
or
av oi d
with
vertically.
fac e and
al l
It
r el eas e
m ov em ents
whichever
eye
is
is best to
the
s hutter
and
i ns ur e
convenient
for You,, alth ough for s equenc e s hots i t i s adv i s abl e to us e the r i ght
eye to per mit fr ee us e of the r api d w i nd l ev er .
The lever co ntai ns a doubl e
ex pos ur e pr ev enti on d ev i c e; the s hutter
automatically
ffi
fli
w
l oc k s
after
eac h pi c tur e.
Using slow shutter speeds
. When
usi n g
slower
it
sh u tte r
i s a d vi sa b l e
r e l e a s e to a vo i d
If
a tripocl
against
The
of
a
use
ca mer a
is not available,
so me th i n g
c ab l e
all
speecls
to
I ll5
tr ipod
second
and
release button. It is best to use a cable release
whenever you use a triPocl.
. Note: At slow shutter speeds please be careful not
to advance the film while the shutter mechanism
or
cable
m ovement.
set the
camera
on
or
is still
sta ti o nar y.
re l e a se
i s scr ewecl
into
the
in motion.
shutter
::ijj::l.'
:.
::ll::i::i#::
:rr:.;i:Ii
::riif,j::i
UntocrdinsfitmV,
When you hove
will not be
finished the
qble to
further. Do not force
the film will teqr
odvonce
the
film
odvonce
out of the
roll, you
the lever ony
lever
or
mogozine ond
be impossible to rewind.
You must rewind the f ilm back into the
f ilm magazine in order to unloacl the
camera.
When you have finished taking
pictures, push in the rewind
release button and it will click
into place. If the button should
pop up, advance the lever slightly
and push the button down again.
2. Raise up the crank and rewind
in a clockwise direction as the
arrow on the knob indicates
until you feel the film slip out
from the clip of the take-up
spool and a sudden release of
tension.
do
pull
not
f ilm,
rewinding
Whenever
the
up
Note:Load ing or unloadinB
f il m should be done in the
pleose
rewind
knob.
shade.
When opening the back cover,
be sure not to touch the
shutter curtain.
This oction snops open the comero
bqck
ond
f ilm
your
would
be
exposed.
3.Open
the camera back by
i.tg
ou t
{ar
as
f il m
th e
it
re w i n d
g o e s.
knob
Re move
puilas
th e
magazine.
Senlngthe self-tr-"rvrn
The self-timer allows you to get yourself
into the picture. (It can also be used to
minimize blur at slow shutter speeds.)
The self-timer has a built-in automatic
bypass. If , after setting the timer, you
don't want to use it, simply press the
shutter release button and the timer will
not operate.
1. To set the timer, push
down the lever. When it
is all the way clown as
shown in the picture, you
will get a time lapse of
10 seconds.
2. To
start
the
timer.
push the button towards
th e lens
barrel.
The
shutter will release automatically in 10 seconds.
Ftcrshphotogrophy
- .]
Flash is recommended for night shots, indoors or
outdoors, and for filling
in shaded areas. Your
Minolta SR- I is gearecl f or both electronic f lash
ancl ordinary f lash bulbs" Be sure to insert the
-
3b
V
flash cable into the correct terminal of the camera.
terminal is for electronic f lash, " EP" is
The "X"
for focal plane flash bulbs.
f lclsh
Set the shutter speed dial to the
red "X". Slower speeds may also
be used. The camera is synchronized
from I second to 1/50 of a second
for electronic flash.
Electronic
Flcrsh bu
u l bt s
bDS
s r ( Focal Pl aT.
ane
: lka sssb rUIlbs
[Jse FP clz
zed
ht e cc a mt err:aa r s synchronrtze
b u l b s ) . T hh,
st
shuttter
str)e
sS :ed f rom
I
at all
n
econd when us] lrng
E sec
second to T I500
FP
class
bs.
bult
Attcrchins ftcrsh equipme"Vuo
v
Y
To attach f lash equipment to your camer a, &D access or y s hoe i s pr ov i dec l
store) which fits over the penta p r l s m viewfinder .
Her e is how i t i s i n s t a l l e d .
A) Turn the eyepiece on the vlewf inder
counterclockwise
and
re move rt.
B) Insert the accessory shoe unto
the eyepiece.
( av ai l abl e
at y our
l oc al
c am er a
C) To lock the shoe oD, replace the
eyepiece to its original position.
Shutter speeds for flclsh photogrqphy
(The speedshown by oblique lines are the speedsyou can use.)
W
B
lscc.
%
%
%
,n
),4
X
FP cl
bul b
i!
,6
Xrt
%^
)60
I
a
F.
class
bul bs
d
r l
M
class
z
bul bs
X
S p e e dl i g h
How to determine
Insert the flash gun into the accessory shoe f rom the rear.
Then tighten the f lash gun screw.
exposure
important factor in f lash photography is the aperture setting.
This is determined by the brightness of the f lash and the distance
from the tight to the subject. As these factors very greatly, precise
instructions are attached with flash bulbs and electronic flash.
The
Exposure guide nurnbers
The
instructions accompanying f lashbulbs or electronic f lash will
include guide numbers for the most popular films. lJnder the guide
number system, you divide the guide number by the distance of the
subject from the lamp in order to obtain the correct f/stop.
The guide number formula is:
Guide number
?,
t/stoP -distance
n*i*
Minolta
automatic
preset lenses
can be changed even after advancirg the lever ancl stil I maintain
the fullest aperture opening.
To remove the lens, push down the
Iens lock button ancl turn the l ens
barrel
counterclockwise
until it
stops. Lift out carefully.
To
the
the
with
Turn
attach the lens, insert it into
bayonet mount by lining
up
recl clot on the lens barrel
the red clot on the camera.
stops.
the lens
clockwise
until
it
Minolrcr SR phot"
."rr"r{n*
Relqtive
fields
of
view
witli
Minoltcr interchongecrble lenses
F.
di+
t t,E
35%'
roo%,
oo%,
200%,
Interchongeoblc
Ientcr
for
Focal length
( mm)
SR.
Maximum
Aperture
Diameter
screw
of filter
(mm)
AUTO W.ROKKOR SG
28
3.5
76"
67
Minimum Distance
Focusing
60cm (2.0 feet)
W.ROKKOR QE
AUTO W.ROKKOR HG
35
4
64"
55
40cm(1.25feet)
35
64"
55
40cm ( 1 . 2 5f e e t )
MACRO ROKKOR QT
AUTO. ROKKOR PF
50
2.8
3.5
45"
CD
23cm (0.76feet)
55
58
100
1.8
1.4
43"
41"
CD
cc
4
24"
46
50cm ( I . 7 5f e e t )
60cm ( 2 . 0 f e e t )
l20cm (4.0 feet)
100
3.5
24"
DC
1 2 0 c m( 4 . 0 f e e t )
r00
2
24"
62
l20cm (4.0 feet)
135
4
18"
46
135
4
lg"
46
l50cm (5.0 feet)
135
2.8
l8'
55
150cm(5.0 feet)
67
200cm ( 6 . 6 f e e t )
Name
/2
2a
ROKKOR TC
AUTO TELE
ROKKOR QE
AUTO TELE
ROKKOR PF
ROKKOR TC
ROKKOR TC
AUTO TELE
ROKKOR PF
TELE ROKKOR QF
TELE ROKKOR TD
TELE ROKKOR TD
AUTO ZOOM ROKKOR
AUTO ZOOM ROKKOR
Angle of view
200
3.5
12"
300
4.5
8"
77
4 5 0 c m (1 4 . 8 5 f e e t )
600
80- 160
5.6
4"
126
1 2 0 0 c m ( 3 7 . 5f e e t )
77
77
250cm(8.0 feet)
r60-500
3.5
8
30"- 15"
I F O
IC-J
F
O
4 5 0 c m (1 4 . 8 5 f e e t )
$ua
hecrd
Pqnorermq
panorama head, an extensive
With the Minolta
range can be photographed in segments and printed
as a single picture. The panorama head permits
shifting the camera angle after each picture, shooting
as much as 360' if you wish.
Each film
can be subsequently joined into one
dramatic panoramic view. Especially effective for
perspective photography with the extended horizon
distinctly shown.
Ultro-wideAngle W RokkorSG-F
3 . 5/ 2 8 m m .
F or
panor am i c
an exaggerated
v i ew s
or photogr aphy
perspective.
S p e c i fi c o t i o n s :
Picture ongle:
76"
Filter screw mount:
67mm
Dioph ro gm:
Auto pre-set
w i th
Meicro
Rokkor
QF,
F3.5
50mm,
Angle
5o
F i l t e r S c r e w M o un t 5 5 m m
also
general photography,
but
for
Not only
good for
ancl macrophotocopying
especially
reverse
graphy. Macro Rokxor
QF' consists of
intermediate ring and Leica mount adapter
ring,
ring. The lens is designed f or use f rom inf inity
from infinity
to I inches without adapter ring;
is used. The
to 8 inches when reversing ring
enlarged size will
be 1:1.
New type inlerchongeqble
Rokkor TC, F4, l35mm
A versatile lens for nature photography, animals and plants. With
the Minolta Extension Bellows
II , Rokkor TC can be used from
infinity to close up-l : 1 . 1 ratio.
The lens is also valuable in
portraiture, copying and comme
rcial photography.
lenses
Rokkor
F3.5,
l5
Zoom Lens
80-l60mm
F8,
Element
Filter Screw
With
Mou nt-77mm
distonce-250cm
Filter screw mount: 77mm
(8ft.)
(lY+ft.)
cluf omcltic
Diophrogm: Automotic pre-set
This
z oom
is
a
high-performance
l ens
des i gned
photog raphy.
diaphragm
This is the new Minolta Rokkor
Zoom lens that
f unctions as
several lenses. It zooms f rom
B0 to 160mm with no shift in
focus while zooming. Also, you
get a clear, distinctive picture
all the time with no change of
brigbtness
even at maximum
setting. It's ideal as
all-purpose telephoto lens.
telephoto
an
l5o -5
Minimum distqnce:4.5m
ottochment-l40cm
Fully
160-500mm
Angle
Angle 30o^,15"
Minimum
Auto Zoom Rokkor
Weight: 1350 sr
l i ghter
in
other
zoom
w ei ght
parativative
Zoom
maneuverable.
sports
of
is
the
also
It
any
com Auto
highly
introduces
for photogr aphi ng
events,
of
lens
tel eand
than
power:
Rokkor
new hor i z ons
s ubj ec t
for
S mal I er
landscapes
ec ol ogi c al
and
i nter es t.
d
3
Tipe
Tipe
Extension bellows
A versatile device for extreme close-ups as in
the phtoography of animals and plants, for example.
There are two Minolta sets-type I
and type II
(deluxe). Typ"
T is a folding compact type.
Typ" I has the slide copying attachment.
Copylng steind
Microscope cdopter
With the camera held rigidly on a suitable support,
matter,
most close-up work, copying of printing
with
etc., are easily accomplished. Combined
expand the
extension devices, the copy stand will
versatil ity of your SR.
This adapter is used between the microscope and
the camera body when taking microphotos.
You
easily take micropictures of moving
can
objects while watching them through the lens.
Angle finder
The angle finder attaches to the eyepiece mount and permits
you to view the subject at right angles.
Uririversol microscoFe photo system
This equipmentis designedto record faithfully and
accurately results of microscopic research. It has
two finders and a highly efficient exposure meter.
The equipment can also be used for reproduction of
literature and f il m title.
ww
qffiw%
Eyepiece correclion
lenses
Five different lenses designed for individual diopter
of far-sighted eyes are useful for easier focusing.
Mcrgnifier
is used for precise focusing in
The magnif ier
copying,
close-ups and
telephotography,
ultra
microphotography.
Accessory clip
Withe SR accessory clip
to your camera.
you can attach a flash
gun
Filters
F i l ter s
ar e
us ec l
to
results in the print
Lens shqde
A lens shade is recommendedto prevent any stray
I igh t
on
from
the
e n te ri n g
p i c t ure .
work.
35mm f 2 . 8
// t 4
53mm
f 2
th e
l e ns
E sp e ci a l l y
which
essential
will
in
//
glar e
synchr oflash
135mm
2 . 8 ,f 4
t.4
2
1 . 8 ,{ 2
3.5
2.8
or
tr uer
Filter
other
m or e
special
c l r am ati c
ef f ects.
screw mount 55mm
I
Mount
)
l--
lccmm
Mount
f 1.8
)
58mm f r . 4
Telephoto lenses include a lens shade.
55mm f 2
cause
35mm
58mm
53mm
55mm
l00mm
obtai n
or to secure
100mm
100mm
135mm
200mm
300mm
600mm
4
2
4
3.5
4.5
5.6
F i l t e r s c r e w mount 43mm
F i l t e r s c r e w mount 62mm
//
46mm
//
67mm
77 rnm
126mm
Polorizing filter
Minollcr deluxe
flqsh gun
Excellent pictures can be taken even in dark places
indoors or at night by using f lash with the SR
camera. Accessory cl ip is easily used to f i x t h e f l a s h
gun to the SR.
A polar rzing f ilter controls or eliminates reflections
on non-metallic surfaces i.e. glass or highly finished
wood or plastic. It can also be used to darken the sky
very dramatically.
Minolta polarizing filters are:
for 55mm f 1.8 or f 2 and 53mm f 2
standard lens
100mm f 3.5
telephoto lens
//
//
135mm f 2.8
35mm f 2.8
35mm f 4
wide
angle
lens
//
Leiccr mount fype
odopter
Preikficcr mounr fype
odopter
Excrklcr mounr fype
qdqpter
ffi
With the Leica mount type adapter,
Leica mount type lenses are f itted
to the SR.
These lenses, however, can be used
only for close-ups and copying,
since they are designecl for a different back-fclcus.
With this adapter, Praktica lenses
can be used with the SR-7.
The lens can then be used from the
nearest distance to infinftv.
With this adapter, oDy lens fitted
with Exakta bayonet mount can be
used with the SR from the nearest
distance to infinitv.
Pholo
oscilloscope unif
As a result of the remarkable developments in the
electronics industry and research work, the use of
cathode ray tube oscilloscopes has increased at a
rapid pace.
This unit can be used for accurate photography of
images in electronics testing and research.
Extension tubesel
varieties of extension tubes can be usecl
s i n g l y o r i n c o m b i n a t i o n t o get the lens closer
to the object than 9 inches.
Five
rabteor deptho, ,,"Jlf,*
,X
oo
30
15
10
7
5
4
3.5
(3'6',> 3
2.75
(2'g',)
24',L00 L 3 ' 7 n g ' 5 0 6 ' g n 4 ' 1 0 0 3'Llo 3' sL/+n2,TL,4'2'
3/+o2'
37'L00 L6/ g' L 0 ' 9 0 7 t . 4 n 5' zt', 4 ' l o 3 '
7 ' 3'
2
84
2.8
67
oo
42t 5' L7' 60 LL,
4
53
2rl 3t L2' 6' g ' 1 0 " 6 ' 5 0 4 / g o 3 ' l 0 ' 3 ' 4 % o 2'103/+,2 '
5L, 3',t L8, LO' ]-]-t 6, 7' 8', 5' 4', 4' 20 3' 7y4', 3' Ll/t' 2 '
c.o
8
oo
oo
4l
oo
31
oo
23' 3' L3, L'
gl
z',
Lrl
8',
L00
2t 51/40
2'68/+o
2'2yn',L , L T Y N I l 8a/+
2'33/+'2 / Y z t L , e%
6' 20 4 ' 7 0
8'
5' 60
3 ' 9 0 3, 3a7n'2tror4,2 ' 7 % o 2'48/to 2 t
4 ' 4 0 3 ' 8 y 4 ' ,3 '
2 0 2'L0%' 2'71/Lo 2 '
1 6 ' 5 n L0' go 7 ' l L o
oo
25/ 40 L3' go
5I LLO 4 t
8t 7' 5'
4 ' 5 0 3'
23
oo
L3,LLN g ' 7 n 7' 3', 5' 7' 4 '
oo
3 5 ' 7 n L6, LN g' 5' 6 '
16
L7
LL/ 4'
8/ 4n
oo
L.75
(L'g')
8r4' 2'5r4' 2,2r/2' T, LLg/A,'L ' 8 Y 4 n
e%,,2'6%,o 2'3yn', 2' rA' L ' 9 Y 4 "
1g/11' LLI 8' g ' 5 ,
73'
z L I L O Lzt 4'
oo
2
6 ' 7 0 4 ' g " 3'10, 3' 48/+n2 ' l I Y 4 o 2 ' 8 y o 2'5r4,'2'2%' L ' l L g / + n L, B3/+'
T ' 2, ga7n,2'614' 2'3)40 2'
7 ' 6 ' 5' 3n 4 ' 2 0 3 ' 7 y 4 ' 3 ,
Y4n t, gr/n,
11
oo
2.5
2.25
(2'6',) (2'!',)
50
90
2n l'LLt/+n L ,
8/+nL l
4 n 2'
3 ' g , 3' 234' 2'
98/eo 2'
7' 2 t A Y o 2 ' L g / + o Il
L0" 3' 2s/+'2 ' L L Y + , 2,78/+' 2'4%' 2 ,
TI' t ' B%
L ' L , 98/+
3 0 3 ' 6 0 3' ry, 2 ' \ y n ' ,2' 6t/+o 2,38/+' 2 , t t A o L, L08/+'L ,
r o 4 ' g o 3'LLs/en 3 '
4 0 3' y4', 2'8%,o 2' 5' 2' L%,',L'
6' 7' 5 ' 2 0 4 '
2 L ' 8 0 LLI L' 6 ' 9 '
3' 40
o
Auto Rokkor
3'
2, 7%,o2' sr/4,
4' 2y' 3'
6t' 3' Lg/to
53mm/f2.O
2 ' 3 0 2'
2'98/to 2'
8%
e%
8'
10'
l/ L01/n' t ' 7 y 4
6 n 2 ' 2 Y 4 o l ' L0%
%'

Minolta SR-1

Transcription

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