night at the - NW Mom Magazine
Transcription
night at the - NW Mom Magazine
feature o night at the Opera Opera. The name often conjures up high-pitched arias, formal attire, and music sung in a foreign language. If you’ve never been to the opera, the idea of attending one might feel daunting. The reality is that opera is less daunting and more accessible than many might imagine. Rather than a staid production of unintelligible music, it is a stage production of great magnitude, with complex and colorful sets, great costumes, and the full range of human emotion played out in music, acting, and dance. Opera began during the renaissance in Italy during the early 1500s. A group of artists, city leaders, and intellectuals in Florence (called the “la camerata fiorentina”) were fascinated by Greek tragedies. Using music and theater, they worked to revive them and thus produced the earliest form of opera. Later, during the Baroque period in the 17th century, the Bel Canto or “beautiful singing” style developed, which emphasized the vocal virtuosity of its singers. The 19th and 20th centuries produced some of the better known operas, such as “La Traviata,” “Aida,” “Madame Butterfly,” and “Turondot.” Today, many people are familiar with some of the arias in these operas popularized by special presentations such as “The 44 N W M O M M a g a zin e . c om Feb/Mar 2016 by Geoff Shook Three Tenors,” which featured Plácido Domingo, José Carreras, and Luciano Pavarotti. Turondot’s moving “Nessun Dorma” became the signature aria of Pavarotti. Modern operas take on current events, such as Nixon’s visit to China or even the tragic life of Anna Nicole Smith. They also revisit older themes and works, such as Thomas Adès work “The Tempest” based on Shakespeare’s play. The contemporary opera is often also more experiential in its musical forms and structure and it continues to evolve, just as opera changed from those early Greek tragedies to a showcase for singers to the almost movie-score-like work of Puccini. A recent Seattle production of Mozart’s “Don Giovanni” featured a Harley Davidson motorcycle onstage and a vivid staging of the philandering Casanova pulled into hell to pay for his misdeeds. This season’s “The Marriage of Figaro” had a unique set that moved back and forth across the stage, exposing adjoining rooms to help the audience understand the humorous eavesdropping and confusion that ensued onstage as the clever Figaro works to outmaneuver his employee, the Count, and get married to Susanna, for whom the Count has designs. There is an excitement in the ritual of attending the opera. You are about to encounter another world of entertainment. Many operas are available to watch on the Internet. It is a great place to start watching opera and getting a sense of the music, action, and timing. Try searching for any of the ones mentioned in this article. Locally, KINGFM 98.1 broadcasts the acclaimed Metropolitan Opera in New York every Saturday morning at 10:00 am and Saturday Night Opera at 8:00 pm. KINGFM also presents live performances of the Seattle Opera throughout the season. There is an excitement in the ritual of attending the opera. You are about to encounter another world of entertainment. It is an opportunity to dress up, if you enjoy that, although today’s opera attendees embrace a range of attire from jeans to fancy dress. Once there, grab a glass of wine, a cocktail, or a coffee while you wait to enter the theater. The Seattle Opera offers pre-performance talks before each opera that describe the history, story, and background of each opera. These talks are a great way to understand what you are about to see and create a sense of anticipation as the doors to the theater open. When attending the opera, be aware that the event will usually be two to three hours long with several intermissions. Despite the long duration, Feb/Mar 2016 N W M O M M a g a zi ne .c o m 45 feature | the opera The unspoken actor in the opera is the set. The staging of an opera presents many challenges, such as simultaneous scenes or depicting grand temples and palaces, and all with the ability to quickly change from one scene to another. The enjoyment of the performance includes seeing these sets and watching how they are used. In the opera “The Tales of Hoffman,” the first scene opens as people exit the opera and gather at a bar. The Seattle Opera chose to present the scene from the bartender ’s point of view, and the bar ’s counter is stretched across the stage, only to split in the middle and open up to reveal the next scene. The same opera cleverly imitated flowing water, rowing gondolas, and a mechanical doll. During the performance it is perfectly acceptable to cheer and clap loudly at the end of an aria or particularly well-acted scene. If you’re new to the opera, follow the lead of the audience to know when to show your appreciation. At the end of the performance, be prepared for the extended curtain calls. It is an opportunity to acknowledge the entire cast and see who captured the hearts of the audience. Do not be dissuaded by past preconceptions of opera, the awkwardness of a new and unknown experience, or be intimidated by the seemingly inaccessibility if it. Today’s opera experience is for everyone. It is easier than ever in this arts-rich region to find a local opera and experience the thrill and emotional rollercoaster that it provides. Take a chance on a great time and enjoying yelling “Bravo” as the singer nails a challenging aria. It is easier than ever in this arts-rich region to find a local opera and experience the thrill and emotional rollercoaster that it provides. 46 N W M O M M a g a zin e . c om time seems to go by quickly as the story unfolds and the characters are introduced. You need to keep in mind that once seated, when the doors close and the lights go down, there is no admittance or re-admittance until after the next intermission. This prevents distractions to both the audience and the cast. Fortunately for those not fluent in French, Italian, or German, the libretto (the opera’s text) is displayed above the stage. This is beneficial even when it is sung in English. Operas typically begin with an orchestral overture when the lights go down and the conductor appears. The orchestra sets the mood for the first act. If you listen to the musical theme in the overture, it often reappears in the music. Feb/Mar 2016 Though many believe the cost is prohibitive, there are affordable options. Seattle Opera offers seats starting at $25, and there are other local opera companies that are not as expensive as Seattle Opera. The Puget Sound Concert Opera plays in various venues and is only $20 per performance. Here is a short list of some of the local operas. Skagit Opera, Mt. Vernon, WA skagitopera.org Puget Sound Concert Opera pugetsoundconcertopera.org Lyric Opera Northwest, Bellevue, WA lonw.org Vancouver Opera, Canada vancouveropera.ca Opera Popolare, Bellingham, WA operapopolare.com I encourage you to attend one and discover the excitement and enjoyment of the opera experience. nwm Feb/Mar 2016 N W M O M M a g a zi ne .c o m 47