Brampton, Ontario: MAPEI supersizes new plant in Canada
Transcription
Brampton, Ontario: MAPEI supersizes new plant in Canada
[MAPEI] Realtà AMERICAS Brampton, Ontario: MAPEI supersizes new plant in Canada ISSUE 19 Daniel Libeskind interview • Shangri-La Hotel and Condominiums • Selecting grouts • 2014 trade shows PRESIDENT’S LETTER MAPEI goes to work In this issue of Realtà MAPEI Americas, we are taking the opportunity to give you a peek into the inner workings of MAPEI operations. We have expanded in Eastern Canada with the opening of a newer, larger facility to replace an older production plant in Brampton, Ontario, which gives us a chance to show you the inside of one of our production facilities. At MAPEI we continually update and improve our plants, incorporating the latest processes that lead to labor savings for our employees and added efficiency for the company. The MAPEI family is always at the top of the list when it comes to safety and health conditions; you’ll see that in the brief histories of several of our plants and in the comments by the Ministry of Labour inspectors, who spoke so highly of our Brampton plant. Luigi Di Geso, President and CEO, MAPEI Americas Another thing you’ll see in this issue is the way “MAPEI goes to work” electronically. Our technical team has developed up-to-date, interactive CAD drawings and specifications for architects. A new MAPEI app for Apple and Android systems on smartphones and tablets is now available, thanks to work by our Marketing Department. We have also added grout color palettes for each of our grout lines to our Website and to our app. “Socially” speaking, MAPEI has a lot to offer too. You can follow us on Twitter, like us on Facebook and see the latest MAPEI videos on YouTube. We use our social media to keep you up to date on training offerings in the industry and to introduce you to new products and processes from our Research and Development team. We also highlight examples of work where you have used our products. As you can see, we work hard to make you a part of the World of MAPEI and to make the World of MAPEI a part of your everyday life. As we say in our corporate ad: In your home, at your office and bank, in your children’s schools, and at your places of worship and theaters, you will find the same quality of MAPEI products that have been used in some of the world’s best-known engineering and architectural projects. MAPEI Group, with 68 subsidiaries including 63 plants in 31 countries, is today the world leader in the manufacturing of adhesives and complementary products for the installation of all types of floor and wall coverings. The company also specializes in manufacturing other chemical products for building, concrete restoration systems, and special decorative and protective coatings for walls. Developed through 18 research centers worldwide, MAPEI’s innovative product offerings can transform your visions into reality. Discover our world at www.mapei.com. Thanks for working with MAPEI! CONTENTS TOP STORY 2 Supersizing a plant SINGLE-SOURCE SYSTEM 9 The waterproofing solution for shower renovations 10 26 SPECIAL FEATURES Great architecture for a new renaissance: An interview with Daniel Libeskind 2014 Trade Shows: World of Concrete and Surfaces INSIDE SCOOP 14 New MAPEI resources for architects/contractors 18 3 3 38 PROJECT REFERENCES Metro Bank Aquarius Mews II Condominium Shangri-La Hotel and Condominiums PRODUCT SPOTLIGHTS 22 Kerabond T ™/ Keralastic ™ 36 Ultratop ® PC TECHNICALLY SPEAKING 23 Talking Grout: Selecting the correct grout for your tile 2 41 MAPEI TECHNICAL INSTITUTE 42 BUSINESS NEWS TECHNICAL FEATURE 30 A peaceful oasis in a noisy world: Mapesonic ™ 2 44 PROJECTS IN THE WORKS EDITOR Diane Choate EDITORIAL CONTRIBUTORS Adriana Spazzoli, Dan Marvin, Dr. Neil McMurdie, Tiziano Tiziani PRODUCTION EDITORS Brian Hedberg, Corey Siggins GRAPHIC DESIGNER Stephen Gil PRODUCTION COORDINATOR Stephen Gil ON THE COVER Brampton, Ontario: MAPEI supersizes new plant in Canada OPERATIONAL MARKETING MANAGER Steven Day PRESIDENT & CEO Luigi Di Geso PUBLISHER MAPEI Corporation, Headquarters of the Americas 1144 E. Newport Center Drive Deerfield Beach, FL 33442 MAPEI GLOBAL CORPORATE HEADQUARTERS Mapei SpA Via Cafiero, 22 – 20158 Milan (Italy) PRESIDENT & CEO Giorgio Squinzi DIRECTOR Adriana Spazzoli COORDINATION Metella Iaconello Keyword: MAPEI Americas 1-800-42-MAPEI (1-800-426-2734) www.mapei.com Copyright ©2014 by MAPEI Corporation (“MAPEI”) and all rights are reserved. MAPEI does not guarantee or warrant the accuracy or completeness of this publication. Nor does MAPEI assume any responsibility arising from the reader’s reliance on the information in this publication. MAPEI denies all liability for damages of any kind arising from any errors, omissions or inaccuracies in this publication, or resulting from any reader’s reliance on this publication. Therefore, MAPEI disclaims all express and implied warranties, including, but not limited to the implied warranties of MERCHANTABILITY and FITNESS FOR A PARTICULAR PURPOSE. All intellectual property rights and other information contained in this publication are the exclusive property of MAPEI (or its parent or related companies), unless otherwise noted. No part of this publication may be reproduced or transmitted in any form without the prior written consent of MAPEI. NOTE: The electronic version of this publication is found on MAPEI’s website at www.mapei.com and shall be exclusively governed by that website’s terms and conditions of use. RM Americas 19/2014 1 TOP STORY MAPEI PLANTS IN THE AMERICAS SUPERSIZING A PLANT MAPEI expands to a new plant in Brampton, Ontario Communities grow, and their needs for construction and renovation grow along with them. Wherever there are homes being built, malls being constructed, commercial areas being developed and public spaces being erected, MAPEI is part of that growing world. In the Americas today, MAPEI has production facilities and warehouses in five Canadian cities, eight U.S. cities, Puerto Rico, Mexico, Panama, Venezuela and Argentina. The company also has representation throughout Latin America and the Caribbean. 2 RM Americas 19/2014 New operation expands Canadian production One of the newest facilities in the “World of MAPEI” is the Brampton production plant in Ontario. Increasing demand throughout Eastern Canada prompted the decision to relocate from leased facilities at 2130 Williams Parkway E. to an expanded, wholly owned MAPEI property at 95 Walker Drive (about 2.7 miles [4,35 km] to the southeast). The lease on the older facility was assumed by MAPEI when the company acquired Chembond in 2001. The production layout was set up to manufacture primarily liquid adhesives for carpet and resilient floorcovering installations. With the move to the new plant, products for Tile & Stone Installation Systems (TSIS) and Concrete Restoration Systems (CRS) were the first focus of production operations in Brampton. First into production were the mortars and grouts used by professional installers to set tile and stone. “After the existing TSIS formulas and equipment were qualified for use at the new plant, we gradually began adding products for the CRS line,” said Jim MacNeil, the Brampton Unit Manager. “Of note is the production of Ultraplan ® 1 Plus, a high-volume leveling material that had previously been manufactured at our sister plant in Fredericksburg, Virginia. There is a very large demand for the self-leveling underlayments in Ontario construction. As soon as we were able to manufacture Ultraplan 1 Plus here at the Brampton plant, we experienced a huge savings in freight costs.” Ideal location for MAPEI and its employees Ontario Highway 407, a major toll road in the area, stretches across northern Toronto and runs right by the new MAPEI plant, generating a lot of brand exposure due to the plant’s MAPEI sign. When the building’s sign was raised, people driving by on 407 called to learn more about MAPEI. The plant has generated some great conversations, and community members are excited about the new addition to the area. The plant tower, which is the second tallest in the worldwide MAPEI Group, can be seen as far away as 15 miles to the west and 20 miles to the east. When MAPEI moved from its old location to the new plant, the entire MAPEI family from Williams Parkway moved to Walker Drive as well. Following MAPEI’s policy of more than 75 years, no layoffs took place. The turnover rate of Brampton employees was only 2.5% in 2013, including the temporary employees involved in the physical move and the retirement of one employee. There is less manual work for the employees, but they are actively climbing a big learning curve as they move from older processes to newer ones. Mixers, packaging equipment and palletizers are all new, and everyone is busy becoming efficient at using them. The physical plant nearly doubled its floor space in the move. Whereas MAPEI occupied 80,000 sq. ft. (7 432 m2) at the former plant, the new operation now occupies 133,000 sq. ft. (12 356 m2). The main features of the plant include a huge mixer, silos and mixing chambers, packaging equipment and palletizers for shipping. The packaging machines are changing packaging over to recyclable plastic from the former lined paper bags that take longer to decompose in landfills. The new plastic packaging makes for a much cleaner environment in the plant, reducing dust in the packaging and warehousing areas. When Ministry of Labour representatives came to inspect the Brampton plant, both inspectors were highly impressed by the facility’s cleanliness. One inspector commented, “These people work for employers who really care about their employees.” Large and small silos feed raw materials into the batching process. The increased building space and manufacturing capacity have resulted in steadily increasing production, allowing MAPEI to efficiently manufacture for large on-site jobs in the Toronto area. RM Americas 19/2014 3 TOP STORY MAPEI PLANTS IN THE AMERICAS When the existing building at 95 Walker Drive was renovated, numerous improvements were made: • As with all MAPEI facilities, there is a Quality Control (QC) lab on the premises to ensure the quality and workability of raw materials and finished products. The QC areas added new testing equipment, and an environmental system for enhanced temperature and humidity control was installed. Ultraflex™ LFT ™ gray mortar was used to set new tiles in the lab, and Ultracolor ® Plus grout was used for grouting. •The MAPEI Technical Institute (MTI), where installers and distributors are trained in the use of MAPEI products, was enlarged to accommodate a classroom as well as a training space under the mezzanine. The training space and an area in front of the QC lab were improved with the use of Primer L™ acrylic latex primer and Ultraplan M20 Plus self-leveling underlayment. The MTI classroom was tiled using Ultraflex LFT gray mortar and Ultracolor Plus grout. 4 RM Americas 19/2014 • Scales were added to the exterior of the shipping area for measurement at entry and exit of transportation trucks, and the shipping and warehousing space was enlarged. •The areas for customer service and sales on the second floor were enlarged, and a small conference room was added for customer meetings. The tiles in this area were also set using Ultraflex LFT gray mortar and Ultracolor Plus grout. • Office space was also increased. In the shipping office area, vinyl tiles were installed using Ultrabond ECO® 711 vinyl tile adhesive and the cove base was installed with Ultrabond ECO 575 wall-base adhesive. Many other MAPEI products were used in the renovation of the Brampton plant. In the public restrooms, new tile was set over existing tile, so the installers used ECO Prim Grip™ primer to preclude the need to rip out the old tile. Ultraflex LFT white mortar was used to set tiles on walls and floors, and Kerapoxy® was used for grouting in the restrooms. Mapecem Quickpatch concrete patch was used in any areas where small concrete repairs were needed. The most interesting parts of the building renovation were the first-floor lobby and conference room, and the stairs leading to the second floor. After Mapecem 202 was used to repair the floor surface, it was coated with Planibond ® EBA bonding agent. Then, members of MAPEI’s own Technical Services team used Ultratop® gray selfleveling topping to produce a flat surface throughout the lobby and conference room. Integral colors were added to Ultratop White to form swirling patterns and the MAPEI logo within the gray surface. The stairs were coated with a mixture of Planicrete® UA admixture and Ultracolor Plus grout to form a sturdy skid-resistant topping. When all the renovations and the tower construction were finished, the dedicated employees of the Brampton plant had a new home in the World of MAPEI. MacNeil congratulated everyone by saying, “We want to thank all our colleagues in the plant and those who helped us make 95 Walker Drive such a great success!” A snapshot of other MAPEI Americas plants A number of other MAPEI plants in the Americas have interesting histories too: 1 West Chicago, Illinois – Jose Granillo, Unit Manager Plant opened: 1996 Plant size: The West Chicago campus houses three buildings: • 530 Industrial Drive – the manufacturing plant, at 194,000 sq. ft. (18 023 m2 ) • 1600 Western Drive – a warehouse, at 78,000 sq. ft. (7 246 m2 ) • 430 Industrial Drive – a warehouse and MAPEI Technical Institute, at 119,000 sq. ft. (11 055 m2 ) Brief history: • The West Chicago plant was first located in Elk Grove Village, IL, from 1989 to 1996. • 1996 – The manufacturing plant was then moved to 530 Industrial Drive. • 2003 – The 1600 Western Drive building was purchased. • 2006 – The new polymer plant was added. • 2012 – The 430 Industrial Drive building was purchased. 1 2 Garland,Texas – Under the direction of Mark Sheffer Plant opened: 1994 Plant size: 160,000 sq. ft. (14 864 m2 ) Brief history: • 1994 – Opened with production of powders for Tile & Stone Installation Systems • 1994-1998 – Housed MAPEI Americas headquarters • 1999 – Added production of mastics, carpet and vinyl adhesives, and Kerapoxy • 2003 – Added a urethane production line • 2008 – Expanded the warehouse • 2009 – Added a plastic packaging line • 2013 – First plant to introduce UltraCare™ tile, stone and grout care and maintenance production line • 2014 – First plant to introduce Ultracoat ™ wood-floor finishing and maintenance production line 2 3 Dalton, Georgia – Michel Henrie, Unit Manager Plant opened: Acquired in 2009; additional building purchased in 2010 Plant size: The building at the 2424 Abutment Road is 46,945 square feet (4 361 m2 ), while the second site is approximately 78,000 (7 246 m2 ) square feet in size. Brief history: • 2009 - MAPEI acquired the APAC facility at 2424 Abutment. • 2010 - MAPEI purchased a second building at the 2308 Dalton Industrial. • 2010 - The R&D Center of Excellence for SBR and Acrylic adhesives was located in this building. 3 RM Americas 19/2014 5 TOP STORY MAPEI PLANTS IN THE AMERICAS 4 Fredericksburg,Virginia – Luis Aponte, Unit Manager Plant opened: 1998 Plant size: 62,000 sq. ft. (5 760 m2 ) Brief history: • 2008 – Installed plastic packaging unit in December, with the first bag coming off the line January 8, 2009 • 2013 – Began operating 24 hours a day 4 5 Dorado, Puerto Rico – Jose Escobar, Unit Manager Plant opened: 1998 Plant size: 19,000 sq. ft. (1 765 m2 ) Brief history: • After a long history of working with partners in Puerto Rico, the first manufacturing plant was built in 1998. • The plant was remodeled completely after a 2006 fire. 5 6 San Bernardino, California – Ron Pickinpaugh, Unit Manager Plant opened: 2004 Plant size: 126,000 sq. ft. (11 706 m2 ) Brief history: • 2004 – MAPEI became a corporate citizen in San Bernardino, California, with opening ceremonies that included dignitaries from local and state government. • 2008 – Switched to a new production line to package materials in plastic bags 6 6 RM Americas 19/2014 7 8 9 7 8 9 Tempe, Arizona – Al Fornaro, Unit Manager Plant opened: 1983 South River, New Jersey – Lou Genzlinger Jr., Unit Manager Plant opened: 1989 Fort Lauderdale, Florida – Robert Piatek, Unit Manager Plant opened: 1997 Plant size: 31,000 sq. ft. (2 880 m2 ) Plant size: 12,000 sq. ft. (1 115 m2 ) Plant size: 91,000 sq. ft. (8 454 m2 ) Brief history: • First plant in the United States • MAPEI’s Eagle Manufacturing Award winner (2011) • Member of OSHA’s Safety and Health Achievement Recognition Program (SHARP) – only 21 companies in the state of Arizona have been admitted to date and MAPEI is the only company in the program that is involved in industrial manufacturing Brief history: • 1967 – The South River plant was originally built by then-owner L & M-Surco. • 2014 marks 25 years that the South River plant has been operated by MAPEI. • One South River employee has worked at the plant for more than 25 years, while three others have been employed for more than 20 years. • A brand-new 230,000-square-foot (21 368 m2 ) plant will be opening in Logan Township, New Jersey, very shortly; this plant will supply all MAPEI products to service customers in the Northeastern United States. Brief history: • 1999-2001 – The headquarters for MAPEI Corporation were located in the Fort Lauderdale plant. • 2008 – Plastic packaging equipment was installed. • 2012 – Plant won the Florida Manufacturers Association's “Manufacturer of the Year Award.” RM Americas 19/2014 7 TOP STORY MAPEI PLANTS IN THE AMERICAS 10 11 10 11 Laval and Maskinonge, Quebec Cagua,Venezuela – Maria Pieretti, Unit Manager – Michel Durocher, Unit Manager Plant opened: 1995 Plant opened: 1976 on Cunard Street; moved to Francis-Hughes Street in 1982 Plant size: Laval – 147,000 sq. ft. (13 657 m ); Maskinonge – 8,000 sq. ft. (743 m2 ) 2 Brief history: • Laval is the Canadian head office with R&D, Human Resources, Finance, Technical Services, Sales (Quebec), Customer Service and Marketing located there. • 1985 – Addition of a polymer reactor, a reception area and a shipping area at Laval • 1999 – Additional reactor at the Laval plant • 2005 – Most recent expansion took place in the warehouse and shipping area in Laval 8 RM Americas 19/2014 12 Plant size: 8,136 sq. ft. (756 m2 ) Brief history: • Started business in 1995 with a 1,610-sq.-ft. (150-m2 ) warehouse and four employees, three of whom remain with the company today • The first products sold were imported mainly for the brewing industry. • The production plant was built in Cagua, Aragua in September 1996 • 1998 – Purchase of extra land • 1999 – Installation of new silos • 2001 – New commercial office in Caracas • 2011 and 2012 – Additions and enhancements to the production facility 12 Delta, British Columbia – Robert Allaby, Unit Manager Plant opened: in New Westminster in 1988; moved to Delta in 2001 Plant size: 80,000 sq. ft. (7 432 m2 ) Brief history: • 1988 – Plant start-up in New Westminster, BC • 2001 – Plant moved to a 40,000-sq.-ft. (3 716 m2 ) facility in Delta, BC • 2009 – Plant expanded to 80,000 sq. ft. (7 432 m2 ) • 2009 – When the plant was expanded, the new warehouse and offices were built to LEED standards. SINGLE-SOURCE SYSTEM The waterproofing solution for shower renovations Challenge: When it is time to install new tile in a bathroom, waterproofing is at the top of the list of considerations. Whether the bathroom is in a condominium residence or a national hotel chain, property owners are concerned about leaks and underlying damage as well as mold and mildew. Contractors can set new tile over old during bathroom renovations and include a waterproofing membrane in the installation at the same time. A liquid-rubber waterproofing and crackisolation membrane, such as Mapelastic™ AquaDefense, provides a thin, continuous barrier to protect adjacent rooms and floors below from water damage. For common problem areas like coves, corners, cracks and drains, the membrane can be combined with reinforcing accessories (cove roll and drain flash) to provide additional protection. A reliable membrane has added qualities; for example, Mapelastic AquaDefense can be flood-tested after 12 hours of drying time, is IAPMO-listed for use as a showerpan liner, and exceeds ANSI A118.10 and ANSI A118.12 standards. Mapelastic AquaDefense is also listed by the ICC and the Los Angeles Board of Building and Safety Commission. Solution: Step 1: If the renovation will include tiling over existing tile, first examine the existing tile to ensure that it is sound, well-bonded, clean and free of residues. Step 2: To enhance the performance and adhesion of the following layers, ECO Prim Grip™ is rolled or brushed on over the existing tile. The bond-promoting aggregates in this low-VOC, synthetic resin-based primer give it excellent versatility with an easy, lowodor application. Step 3: Apply Planipatch Plus™ over ECO Prim Grip to smooth its coarse texture, allowing application of Mapelatic AquaDefense at the recommended mil thickness to cover the aggregate. 7 5 3 1 6 4 8 2 Step 4: Any in-lane cracks up to 1/8" (3 mm) should be pre-treated when the floors and walls in the bathroom and shower are waterproofed with Mapelastic AquaDefense. Because Mapelastic AquaDefense can be applied with a roller or brush, it is easy to use on flat, curved or irregular surfaces. Step 5: Mapeband ™ accessories are the ideal reinforcements for environments where waterproofing membranes undergo change of plane, dissimilar materials, vibrations, etc. The cove roll tape can be used at corners, floor and wall intersections and expansion joints. The drain flashing is used for sealing around drains. Step 6: A lightweight, thin-set mortar for floors that can also be used as an nonsag, medium-bed mortar for wall tiles is the perfect solution for tile and stone installations in bathrooms, and MAPEI Ultralite™ Mortar fills this role flawlessly. Step 7: Epoxy grouts make the best joint fillers in wet areas such as showers and bathrooms. The proprietary colored quartz aggregate in Kerapoxy ® CQ makes it easy to install and maintain. Kerapoxy CQ cleans to its original color and contains BioBlock ® technology to help prevent mold and mildew in the grout. Step 8: UltraCare™ Low-Sheen Sealer & Finish produces the final touch to a faultless bathroom tile renovation if natural stone or quarry tiles were used in the installation. It provides a durable, non-yellowing satin finish and maximum stain resistance. RM Americas 19/2014 9 SPECIAL FEATURE DANIEL LIBESKIND Daniel Libeskind American architect, and protagonist of international architecture and urban design GREAT ARCHITECTURE FOR A NEW RENAISSANCE The optimism, culture and eclecticism of Daniel Libeskind are revealed in an exclusive interview by DrSsa Adriana Spazzoli, Operational Marketing Communication Director for Mapei SpA; and Tiziano Tiziani, Editorial Contributor for Realtà Mapei International Shortly before the inauguration of his exhibition in Rome – titled Never Say the Eye is Rigid: Architectural Drawings of Daniel Libeskind and featuring 52 of his drawings on display for the first time ever – American architect Daniel Libeskind spoke with Adriana Spazzoli and Tiziano Tiziani of MAPEI Group in Milan. During the interview, Libeskind talked about the guidelines that have helped make him feel more artistic and architectural. His personal memories and visions of a changing world are interwoven with technical observations on architecture and on the materials used to create buildings. How do music and your training as a musician influence your style? A lot. I think that being a professional musician is not just something from my past. It’s also there when I work; music becomes a part of architecture because music is very important for life and for architecture. Music and architecture are very similar because they are both very highly intellectual activities, very precise, but also very emotional. They have to communicate with the soul, not just with the mind, so everything about music and architecture is very close to my heart; and also the way music is produced is very similar to architecture. It’s very similar to creating a project. It’s like an orchestra – you have to be able to have a piece of music and conduct in a large orchestra. There has to be harmony, genuine reverberations and echoes for the soul. 10 RM Americas 19/2014 What role does the imagination play? Do you imagine what a building will be like? Sure, because you cannot do it otherwise. The imagination plays a fundamental role. But as architect and sculptor Filippo Brunelleschi said when he was building The Duomo in Florence, there’s no other way of showing drawings, models or virtual reality except by building them. Because you cannot physically embody gravity, the sky or the horizon, then you have to be able to imagine before you’re able to build. In a recent interview you gave to the Italian daily newspaper La Repubblica, one of the questions was about the influence a client can have on the work of an architect. What is the relationship between these two players? If you work in a serious way with the client or the owner, you have to work through creative cooperation in order to make the building something really fantastic. And if you work with great materials, great owners and great people with great ideas, you can create really fantastic architecture. So I have always believed that it’s really a development together. It’s not just the architect that does something and the owner writes something; rather, you have to do the project together to make everybody care for something to be built. The interview with Daniel Libeskind (right) conducted by Tiziano Tiziani (left) and Adriana Spazzoli. The work of an architect in Europe and in America is completely different. For example, I know that in America, architects usually choose the materials themselves. How well do you really want to get to know the materials? I think that without the knowledge of materials, you cannot create a good building. It’s not just a matter of a ready-made product, but the knowledge of what is behind a specific product. Research and development by companies like MAPEI, which create products with high scientific and technical quality, really influences the quality of the construction of the building. So I think that it’s very important wherever you are working, although of course it’s different in Italy than in the USA. We are living in a period of economic crisis that is having quite an effect on the construction world. Can design and the choice of materials help us overcome this situation? Sure, I think this is the time for great architecture. There’s no money to be wasted on mediocre architecture. This is the time for really important ideas and buildings. I mean, let’s remember that it was during a period of economic crisis that the Empire State Building and the Rockefeller Center were built. And so, money is never wasted when it is used for something well built; actually, it’s important to build something that is truly sustainable and that people want. And it’s for this reason that in the United States [the] Ground Zero [site] is under development, even though there is an economic crisis. I think architecture provides more confidence for the future, because in moments like this it’s very important not to put our heads in the sand. So you think we must always stay positive? Absolutely! I think it’s only through having a positive view that reality will change, and I would say that architecture is naturally linked to optimism – you cannot be pessimistic in architecture. Maybe as an economist or as a political leader you can be pessimistic, but you cannot be pessimistic as an architect because you’re building for the future. The future is always going to be better. Does this also directly involve those who work in the building industry and in the construction market? “Without the knowledge of materials, you cannot create a good building.” During one of your interviews you said that, when you arrived in America from Poland, you were particularly struck by the skyscrapers of New York. Is that true? Oh, it really was. I was 12 or 13 years old, and I arrived in America on a ship. Even if all of us have seen the movies about skyscrapers and read about them, it’s so different from having them in front of you, because it’s a miracle to see the power of architecture, the power of human imagination, of ambition, of progress. We now see skyscrapers rising up all over the world. Milan is being transformed: we just have to think about the area where CityLife* is being built. The impression it arouses is really positive. Definitely. I also think it’s true when we just talk about skyscrapers, because they give us enormous confidence that something fantastic is going on. Because in these places a lot of people are living, a lot of people are working. So it’s not just the aesthetics of the building; there is also the power of a community, and you can feel it when you are in New York or Milan, the new Milan in particular, where you can feel that there is a positive transformation of the city. * CityLife Milano is an ambitious commercial and residential development on Milan's historic former trade fairgrounds, the Fiera Milano. Exactly. I’m a great believer in great projects, especially because they provide jobs; they provide employment for entire cities and countries. RM Americas 19/2014 11 SPECIAL FEATURE DANIEL LIBESKIND One of the most evocative buildings in New York is the Flatiron Building, dating back to 1902. When you design a building nowadays, the materials are obviously different. Sure, materials are different; we have a greater choice of materials today compared to when the Flatiron Building was built. In the past, there were fewer possibilities with the materials available. Now we have new possibilities by using different materials, lightweight and with a very good effect on the environment. So I think this is the power of change. In the past, a lot of things were still unknown. Now we have a clearer perception of technology and we are aware, even if only partially, of all the effort that is put into research. This means that now we can do things better, especially regarding respect for the environment, which means positive change for our lives and for our future. Exactly; all this helps the environment. Good air, the better methods used to make the materials and the fact that the materials are not only technical, but they also become memorable for the life of the building or of the site. I think that’s a big change; people have rediscovered how important this is for the cities and for buildings, which I think is like the Renaissance. Now people are aware that it’s no longer just a question to build some buildings, but they understand that it’s important as part of culture, part of civilization. You are a citizen of the world and your work involves designing while trying to give an answer to all the requirements in any country. Which country do you feel responds best to the challenges we face? The world is really more united than it is divided. Of course, there are big differences between the culture of Italy and the culture of the United States or South America, or between the countries of Asia – for example, Korea, Singapore and China. So, it’s very interesting, because each country has a unique history, each country has a unique ambition. Of course, you cannot compare them in terms of culture (and Italy is at the top), but the ancient cultures and the modern cultures have a continuous flow so they cannot be compared. So I think what is true is that, wherever you are around the world, you will see an interesting new development in the people, about how they live, about the importance of design. There is a more global understanding now that, as more and more people live in cities – and within a few years more than 50% of the population of the world will live in cities – there has been a big shift towards architecture and the environment. In “old” countries such as Italy, France and Spain, people are more prudent when it comes to architecture, which is also because of their cultural heritage. In the new emerging countries, such as in Eastern Europe, they seem to be freer when it comes to making architectonic choices. What are your feelings on this? 12 RM Americas 19/2014 The Zlota 44 Tower, in the center of Warsaw, is seen in the center of the photo. Designed by Libeskind, it is the tallest residential tower in Europe. An emblematic example of what we are [discussing] is the Zlota 44 building, a skyscraper in the center of Warsaw in Poland. It’s the tallest residential tower in Europe, and it is located opposite the Palace of Culture and Science dedicated to Stalin. The countries in Eastern Europe and Asia are now developing very rapidly, and they have a certain advantage because they don’t have the kind of history we have in Europe, so they can really quickly build an entire city. In the center of South Korea, in Busan, there is the largest concentration of skyscrapers (30). It is as if there has been a renovation of a city [that] already has 600 or 700 years of history. So your designs are influenced by the entire situation? I mean from renovation work to the buildings of the future. Every architect has a unique way of working. I work in Germany, in Poland and in Belgium. Every country has its own sense of how [it does] things. So, we can’t say this country is bad or that country is good. Every country has its own process, and I think you have to be able to understand that process. Of course, there are different complexities, different cultures and different ways of doing things; and, sure, those differences should be caught. Culture and art are connected. What relationship do they have with architecture? Culture and art were around at the beginning of history and are resources for architecture. I think drawings from the beginning of history are the source of architecture. Now we have computers that are very quick and they offer new frontiers to the imagination, but the freedom that drawing offers the imagination hasn’t changed. MAPEI’s style of communications also opens doors to the imagination, because we believe that, if we lose our fantasy, then we lose everything. The imagination is essential for form, for cities, for possibilities. I think that, if we don’t have imagination, we don’t have cities. What is memorable is what has been created with the imagination. According to your biography, apart from architecture, you have other passions and skills such as music, drawing and art in general. It is very similar to Leonardo da Vinci who, as an architect, completely changed the face of cities, especially Milan, by knocking down fortifications, widening roads and bringing water courses into the city. It is like the trigger to a cultural process that gives a city a new meaning. How do culture, society and people’s needs influence your designs? Leonardo was a man of humanistics and of science at the same time. I think that’s architecture; you have to combine scientific and artistic ideas. I think that the inspiration from Leonardo came from music, the world of architecture, mathematics, scientific ideas, poetry… How and how much does modern architecture manage to highlight the differences between different cities and different countries, yet on the other hand how much is it becoming a globalizing tool that tends to destroy their identity? We live in a global world, but we have to take care of identity. Each place has its own unique identity, unique sky, unique history, so it is connected with local genius. The world wasn’t built by following some abstract formula, but by seeing these differences. Examples of Libeskind’s work: Above, the Jewish Museum in Berlin and, below, the Denver Art Museum in the United States. “Buildings… must be developed from the inside, from the soul.” So you believe differences are important, then? Yes, differences are essential and are linked to the different atmosphere in buildings, to the different materials used for buildings, to the different architects who design buildings. Buildings can’t be imposed from the outside in an abstract way. They must be developed from the inside, from the soul; that’s the key. Our conversation started by discussing music, so it would only be right to end by going back to the subject. What type of music do you like? I love all music: classical, ancient, popular and contemporary. It’s the beginning of dance, which is the choreography of architecture. MAPEI often invites its friends to La Scala Theatre in Milan, and we would like to invite you soon. The programs often include operas by Verdi and Wagner. Which of the two musicians do you prefer? I appreciate Wagner, but I love Verdi. He wrote from the heart. Verdi has the lightness of Italian culture that has influenced the world. RM Americas 19/2014 13 INSIDE SCOOP NEW MAPEI RESOURCES FOR ARCHITECTS/CONTRACTORS NEW MAPEI RESOURCES FOR ARCHITECTS/CONTRACTORS MAPEI’s premium-quality products now come with added support and resources that simplify access to specifications and product information for architects and contractors. In recent months a new, interactive guide for architectural CADs and specifications has been added to the MAPEI Americas Website. MAPEI has also developed an app that allows contractors to take MAPEI’s product knowledge with them when they are on the go. 14 RM Americas 19/2014 Architectural CAD and Specifications Guide The MAPEI Architectural CAD and Specifications Guide is an interactive tool on MAPEI’s Website that gives design professionals the ability to access current industry-approved methods for ceramic-, glass- and stone-tile installations that include a corresponding CSI 3-part specification. Each of the 143 CAD drawings in the guide (97 ceramic-tile drawings and 46 stonetile drawings) lists the appropriate MAPEI products for use on a project based on ANSI A108/A118/A136 and ISO 13007 standards. The products are in a CSI 3-part guide specification that includes reference standards, product description, and execution requirements. This easy-to-use tool enables architects to determine appropriate methods for specific project requirements. Specifiers can access the MAPEI Architectural CAD and Specifications Guide to select CADs and specifications using any one of three different methods: • Word search for keywords (floor, wall, interior, exterior, etc.) • Method search (by Tile Council of North America [TCNA] and Terrazzo Tile & Marble Association of Canada [TTMAC] method numbers) • Description search (bathroom floor, shower wall, balcony deck, etc.) When a selection is made, specifiers can have direct access to: • A downloadable PDF for each method. • A downloadable AutoCAD (DWG file) for each method. • Technical Data Sheets (TDSs) for MAPEI products that are listed in the CAD and specification. • LEED certification letters for MAPEI products that are listed. “These features will help everyone involved in the building process save time, reduce liability and maximize the opportunity for a permanent, problem-free installation,” said Don Miller, Senior Technical Consultant for Tile & Stone Installation Systems. Miller assists MAPEI representatives with special requests from architects, often customizing specifications within a 24-hour timeframe. This guide represents the most current selection of ceramic-, glass- and stonetile methods/products available. The guide is continuously updated, ensuring that architects will always have the latest information at their fingertips. RM Americas 19/2014 15 INSIDE SCOOP NEW MAPEI RESOURCES FOR ARCHITECTS/CONTRACTORS MAPEI product information app MAPEI has produced a free app for tablets and smart phones that is now available in the app stores for Apple and Android applications. “This app will make it easier for flooring contractors and installers to access information about MAPEI products on the jobsite and in other mobile locations,” said Steven Day, Operational Marketing Manager for MAPEI Americas. “It can also be used by distributors in the warehouse when answering questions for customers. Plus, architects and designers can use the app when they want to quickly look up a MAPEI product for specification.” With the MAPEI app, users can swiftly acquire product information that they can explore and email to themselves or a colleague, including: 16 RM Americas 19/2014 • Product listings by product line. •TDSs. • Safety Data Sheets (SDSs). • Ancillary data (guides, brochures, bulletins, etc.). Corporate information is often important to users, too; this data is also available on the MAPEI app. If a contractor needs a question answered, technical and customer support are available via direct email from the app. With the locator tool on the main page of the app, contractors can easily locate distributor and retailer locations carrying the products that interest them. The MAPEI grout color palettes are also a feature of this new app, giving tile-installation contractors the opportunity to discuss grout colors with their customers with just a tap on a tablet or smart phone screen. “What we offer customers with our MAPEI app is a quick, easy, convenient way to stay in touch with the most up-to-date information on all available products,” Day said. “The information on the app is connected to our core database; whenever an update is made, it immediately appears on the MAPEI app. This is just one more way we support contractors with the latest resources available.” Grout color palettes available electronically MAPEI supplies grouts in a number of formulations to meet the many diverse requirements for filling the joints in tile and stone installations. Grouts run the gamut from simple sanded and unsanded cementitious grouts to specialty cement grouts and various grades of epoxy grouts. (See the technical article in this issue on “Talking grout: Selecting the correct grout for your tile,” pages 23-24.) Whether an architect is specifying a grout for a commercial project or a contractor is discussing the best grout color for the kitchen tile with a homeowner, having access to all the colors available for that grout makes the decisions easier. A series of charts was developed for each grout line and loaded onto MAPEI Americas’ Website, as well as into the MAPEI app: • • • • • • • Keracolor ™ U Keracolor S Ultracolor ® Plus Kerapoxy ® CQ Kerapoxy IEG Kerapoxy Opticolor ™ Not only can users view the entire 36-color palette for MAPEI grouts, but now they can select by grout product name to view available colors. The appearance of each grout color has also been adjusted to give a more realisticlooking hue/texture. Other ways that MAPEI helps MAPEI interacts with its customers in many ways to gain insights into their project requirements and personal needs. The personal touch is present in conversations between Customer Service representatives and distributors/customers every day. And through daily communication with members of the construction industry, MAPEI’s Technical Services representatives can provide feedback to MAPEI’s Marketing Department for the creation of the most helpful customer resources. Trade shows, conventions, contractor councils and individual customer visits give Marketing Department members the opportunity to talk directly with customers. In addition, MAPEI’s Business Development Leaders, local representatives, and specialized team of architectural and commercial project managers meet with architects and contractors regularly, which helps MAPEI to better cater to customers’ wants and needs. RM Americas 19/2014 17 PROJECT REFERENCE METRO BANK 18 RM Americas 19/2014 TILING A FACADE IN COLD WEATHER Metro Bank – Douglasville (Atlanta), Georgia The biggest problem that Certified Finishes faced on the project was the weather. Metro Bank in Douglasville, Georgia, is a community bank primarily owned by shareholders living in Douglas, Carroll, Cobb and Paulding counties, that is chartered to serve the needs of individuals and businesses in the west metro area of Atlanta. The bank recently built a new main office that opened in May 2012 in Douglasville. The exterior of the bank is covered with 18" x 18" (46 x 46 cm) travertine stone tiles. The tile work was done by Certified Finishes of Smyrna, Georgia, under the leadership of Charlie Rapplean. Rapplean and his crew often work with general contractor New South Construction; it was their reputation for overcoming challenges and providing excellent outcomes that helped land Certified Finishes this job. The project consisted of installing the travertine over cement board attached to metal studs. The biggest problem faced by New South was the vertical and horizontal reveals that the architect designed for the façade of the bank. The design called for a 2" (5-cm)-wide reveal (with a 3/4" [19-mm] recess) to match the window mullions. The reveals were placed at a level along the bottom of the windows, 8 feet (2,44 m) up and 12 feet (3,66 m) up. These horizontal reveals were incorporated all the way around the building. Where light fixtures were placed, a 9" (23-cm) reveal was constructed vertically all the way up the front of the bank. The tile was 1/2" (12 mm) thick, and the contractor used a cement board measuring 1/2" to 5/8" (12 to 16 mm). Rapplean’s team suggested using a 1/4" (6-mm) cement board at the reveals on the smaller tile pieces so that the cement board would not be exposed. Then, where the larger-format tile was placed, the team used a 1/2" x 1/2" (12 x 12 mm) notched trowel on the mortar for the field tile. RM Americas 19/2014 19 PROJECT REFERENCE METRO BANK We used the Granirapid System from MAPEI because it sets fast and we didn’t have to wait several days for the mortar to cure, as we would have with other setting materials. – Charlie Rapplean, Certified Finishes The design intent of a 3/4" (19-mm) recess was unattainable due to the stone only being 1/2" (12 mm) thick, which would have left a gap between the field tile and recess tile. Rapplean’s team used a 1/4" x 3/8" (6 x 10 mm) notched trowel on the reveals to give complete coverage so that the recess would have a total depth of 1/2" (12 mm); that way, there would be no exposed areas in the recesses, which would still look good while fulfilling the architect’s design intent. While the reveals were a challenge that Rapplean overcame with technical savvy and the trust of the New South team, the biggest problem that Certified Finishes faced on the project was the weather. The exterior tiling had to be completed between January and March 31 of 2012. The weather conditions posed a challenge to the installers because the substrate temperature needed to be 50°F (10°C) or above for the thin-set mortar to set and cure. “We used the Granirapid ® System from MAPEI because it sets fast and we didn’t have to wait several days for the mortar to cure, as we would have with other setting materials,” Rapplean said. “We first talked about tenting and heating the substrate of the bank’s facade, but for a week or two it 20 RM Americas 19/2014 was above 50 degrees (Fahrenheit [or 10 degrees Celsius]) for a short period of the day in Atlanta. We really lucked out there.” Rapplean managed a crew of 10 to 12 installers who had to move fast, working from 9 or 10 in the morning until 2 or 3 in the afternoon during the tile setting because of the temperatures dropping at night. Crew members used temperature lasers on the walls to detect where the substrate was above 50°F (10°C). “We had to leave enough time for the Granirapid to set before the temperatures got too cool,” Rapplean commented. He likes that there is no water in the Granirapid System: “The liquid polymer in the two-component system makes the mortar easier to use and gives a much stronger bond.” Grouting presented the same problems. If temperatures were too cold, the installers would be taking a risk that the grout could pop out of joints. The solution was to use MAPEI’s Ultracolor ® Plus grout because it is also a fast-setting product, and this product’s formula is efflorescence-free. Before beginning the installation process, the Certified Finishes crew covered the cement boards with Mapelastic™ 315 waterproofing membrane using trowels. Mapelastic 315 also provided crack-isolation protection to the substrate. The architect had planned for control joints in the stucco but not in the tile; with natural stone, this was especially important. Rapplean pointed out that the TCNA Manual recommends using control joints every 8 to 12 feet (2,44 to 3,66 m) for large-format tile, and the engineer changed the specifications to approximate the recommendation. Because the 18" x 18" (46 x 46 cm) travertine stone tiles had a chiseled edge, Rapplean had to use 1/8" (3-mm) spacers to give the appearance of the 3/8" (10-mm) grout joint designed by the architect. The exterior tile job measured a total of 5,500 square feet (511 m2). The walls were 20 to 22 feet (6,10 to 6,71 m) tall, and the front wall had a tower that was 28 feet (8,53 m) tall. For the area of the building above eye level, crew members had to use two lifts to install tile all the way around the building, with certifications required for those who operated the lifts and stood on them. The exterior façade work also included tiling the columns on the drive-through lanes of the bank. The exterior décor extended to inside the bank, where Rapplean’s team set the same travertine – honed, filled and polished – in the lobby. In this case, approximately 1,900 square feet (177 m2) of the stone was installed on the floors. Bull-nosed tiles measuring 9" x 18" (23 x 46 cm) were fabricated for the wall base in the lobby. About 200 feet (61,0 m) of 12" x 1" (30 x 2,5 cm) mosaic stone and glass tile was set in the entrance of the lobby. The crew finished up the complete tile job by installing standard 12" x 12" (30 x 30 cm) ceramic tile on the floors in restrooms and the break room. “Overall, we really enjoyed working on this project,” Rapplean said. “Our lucky ‘warm spell’ in the winter helped us out a lot, but we depended on Granirapid and Ultracolor Plus to get the job done within our daily temperature time limits. We’re just starting another project using this same stone, and we’ll be working with Granirapid and Ultracolor Plus again.” MAPEI is pleased that its products helped to contribute toward this project’s success. TECHNICAL DATA Metro Bank, Douglasville, Georgia Designer: Wakefield Beasley & Associates Period of construction: 2012 Period of MAPEI intervention: January to March, 2012 Where MAPEI products were used: Installation of large-format tile on outside of bank with the Granirapid mortar system and grouting with Ultracolor Plus after waterproofing with Mapelastic 315; installation of large-format tiles in lobby of bank and mosaics on wall of entryway using the same materials Client: Metro Bank of Douglasville Project manager: Charlie Rapplean of Certified Finishes General contractor: New South Construction Tile installer: Certified Finishes MAPEI distributor: Trinity Tile MAPEI coordinator: John Brown MAPEI PRODUCTS Waterproofing: Mapelastic 315 Setting and grouting exterior and interior tiles: Granirapid System, Ultracolor Plus RM Americas 19/2014 21 PRODUCT SPOTLIGHT NEW! Kerabond ™ T / Keralastic™ Product Performance Characteristics ISO 13007 Classification C2ES2P2 Classification Code Classification Requirement ≥ 145 psi (1 MPa) after standard aging, heat aging, water immersion and freeze/ thaw cycles ≥ 72.5 psi (0,5 MPa) after 20 to 30 minutes ≥ 0.2" (5 mm) ≥ 145 psi (1 MPa) C2 (cementitious, improved adhesive) E (extended open time) S2 (improved deformation of mortar) P2 (improved adhesion to plywood) Shelf Life and Application Properties at 73°F (23°C) and 50% relative humidity Shelf life Open time* Pot life* Time before grouting* VOCs (Rule #1168 of California’s SCAQMD) 1 year (Kerabond T); 2 years (Keralastic) 20 to 30 minutes > 2 hours 24 to 48 hours 0 g per L * Open time, pot life and time before grouting vary based on jobsite conditions. ANSI Specification** Premium, Flexible Medium-Bed and Thin-Set Tile Mortar Kerabond T / Keralastic is a high-performance, two-part system: second-generation “flexible” acrylic latex additive Keralastic is used to enhance the performance of Kerabond T, which is a premium-grade, medium-bed and thin-set mortar. This system has exceptional bond strength, flexural strength, elongation and freeze/thaw durability. Features and Benefits • High-performance bond • Best for most difficult tiles, substrates and conditions Uses • Most interior/exterior residential and commercial installations on floors, walls and ceilings • Installation of ceramic and porcelain tile, glass tile, quarry tile, pavers, Saltillo tile and most types of marble, granite and natural stone Test Method Specification Standard Test Results ANSI A118.15E – (extended open time) ≥ 75 psi (0,52 MPa) at 30 minutes Pass ANSI A118.15 – shear strength, impervious ceramic (porcelain) mosaics > 400 psi (2,76 MPa) at 28 days 400 to 600 psi (2,76 to 4,14 MPa) ANSI A118.15 – shear strength, impervious ceramic (porcelain) mosaics, heat aging > 400 psi (2,76 MPa) at 28 days 400 to 600 psi (2,76 to 4,14 MPa) ANSI A118.15 – shear strength, glazed wall tile > 450 psi (3,10 MPa) at 7 days 450 to 600 psi (3,10 to 4,14 MPa) ANSI A118.15 – shear strength, quarry tile to quarry tile > 150 psi (1,03 MPa) at 28 days 500 to 700 psi (3,45 to 4,83 MPa) ANSI A118.11 – shear strength, quarry tile to plywood > 150 psi (1,03 MPa) at 28 days 250 to 400 psi (1,72 to 2,76 MPa) ** Anything that meets A118.15 by definition exceeds A118.14. Approximate Coverage*** per 50 lbs. (22,7 kg) Typical Trowel Coverage 1/4" x 1/4" x 1/4" (6 x 6 x 6 mm) 85 to 95 sq. ft. (7,90 to 8,83 m²) 1/4" x 3/8" x 1/4" (6 x 10 x 6 mm) 65 to 75 sq. ft. (6,04 to 6,97 m²) 1/2" x 1/2" x 1/2" (12 x 12 x 12 mm) 40 to 50 sq. ft. (3,72 to 4,65 m²) 3/4" x 9/16" x 3/8" (19 x 14 x 10 mm) 35 to 40 sq. ft. (3,25 to 3,72 m²) *** Trowel dimensions are width/depth/space. Actual coverage will vary according to substrate profile and tile type. 22 RM Americas 19/2014 TECHNICALLY SPEAKING TALKING GROUT TALKING GROUT – Selecting the correct grout for your tile Years ago, choosing a grout was pretty easy – all grout was gray and made of Portland cement. The advent of thin-set installation systems, challenging service environments and more sophisticated consumer tastes has led to a proliferation of grout options, and choosing the correct one can be the difference between a satisfied customer and an angry one. Because Portland cement products are porous, they can absorb liquids. Therefore, any Portland cement-based grout can stain unless it is treated. Additives like MAPEI’s Grout Maximizer have been developed over the years to help minimize staining in these grouts. Topical sealers such as UltraCare™ Grout Sealer can also be applied after installation. Selecting the right grout depends entirely on where it will be used and what conditions it will be used in. Portland cement-based products are also prone to a condition called “efflorescence,” when salts from the installation materials migrate to the surface of the grout and leave white mineral deposits. While staining and efflorescence can be minimized with sealers, cleaners and careful installation techniques, specialized grouts have been developed over the years that are much less sensitive. Cementitious grouts The most basic grout is a cementitious grout based on Portland cement, typically with latex added to give it some flexibility and with pigments or dyes added to give it color. If the grout joints are going to be larger than 1/8" (3 mm) – a typical size for porcelain tile, tumbled stones, and floors – a sanded grout should be used. Sanded grouts like Keracolor™ S include grains of sand (aggregate) that help bridge the gaps between the tiles. For grout joints less than 1/8" (3 mm) – a typical size for wall tiles, mosaics and backsplashes – an unsanded grout like Keracolor U should be used. Unsanded grouts will not scratch delicate surfaces such as polished stones, metallic or resin tiles, and they are better at filling narrower spaces because they do not contain any aggregate. Ultracolor® Plus is one specialized grout that is free of efflorescence and ensures color consistency. Instead of traditional Portland cement, Ultracolor Plus uses MAPEI’s High-Hydrated Cement Technology to eliminate mineral migration (the cause of efflorescence). In installations where color consistency and ease of maintenance are critical, grouts of this type should be used. While cementitious grouts are suitable for most residential and light-commercial applications, some commercial applications have their own challenges that require more specialized grouts. RM Americas 19/2014 23 TECHNICALLY SPEAKING TALKING GROUT “Ready-to-use” grouts Reaction resin grouts As do-it-yourselfers have increasingly tackled tiling as a home improvement project, ready-to-use (sometimes called “premixed”) grouts have become popular. These grouts have good stain resistance and do not require the addition of water that can impact color consistency if over- or under-hydrated. In addition, performance is ensured because too much or too little water can weaken the integrity of the grout. One class of grouts developed to solve commercial and challenging residential problems is reaction resin grouts (more commonly referred to in the United States as epoxy grouts). These grouts are two- or three-part systems made up of an epoxy resin and a hardener to cure the grout, plus, in some cases, a separate colorant. Epoxy grouts never need to be sealed; they are used in applications where the grout must stand up to high traffic or may be subjected to high humidity, chemicals, stains, alkalinity, chlorine or bacteria. MAPEI Flexcolor ™ CQ is a professionalclass, “ready-to-use” grout for both commercial and residential installations with porcelain, ceramic and naturalstone tiles. It can be used to grout interior and exterior tile and is formulated with DropEffect™ technology, which provides water repellency to the surface of the grout, thereby preventing water-based stains. No sealer is required. In addition, the latest innovation in aggregates is formulated into MAPEI Flexcolor CQ. Its coated quartz (CQ) aggregate offers the benefit of MAPEI’s Coated Quartz Technology, which ensures color consistency, ease of cleanability and improved workability, and will not stain sensitive tile surfaces. MAPEI Flexcolor CQ cures naturally via evaporation, which is uniquely different from hydraulic or chemical curing of grouts. Some of this specialty grout’s features include: •Mold and mildew resistance thanks to BioBlock® technology. • A crack-resistance and shrinkagecontrolled formulation with no efflorescence. • For grout joints from 1/16" to 1/2" (1,5 to 12 mm). •Useable straight from the pail without dilution. 24 RM Americas 19/2014 Kerapoxy® CQ is one of the industry leaders in this grout category because it includes another key feature mentioned in the “‘Ready-to-use’ grouts” section – coated quartz technology that dramatically improves cleanability during grouting and provides for consistent color at all times. By removing free pigment from the system, this grout will not readily stain tiles or stones that have pits or pores, and the aggregate duplicates the look and feel of sanded grouts. The most demanding conditions – such as industrial, commercial and institutional wall and floor installations – require a grout such as Kerapoxy IEG, which provides an extremely chemical-resistant and heatresistant resin system. This grout can stand up to steam cleaning, corrosive chemicals and the heaviest of foot traffic. Other considerations Another grout consideration is the color of the grout. The surface of Portland cementbased grout is porous and, if not sealed, will typically darken over time as dirt and grime stain the grout. While they tend to be cheaper up front, maintenance costs for light-colored cementitious grouts on floors tend to be higher over the long term. A final consideration for grout selection is the environment. Choose grouts with low volatile organic compound (VOC) ratings. Identify grout manufacturing facilities that are close over those that have to be trucked in from long distances. Purchase grouts from companies like MAPEI (with 13 strategically located plants throughout North America) that make sustainability a core component of how they do business. It is important that one understands the limitations, benefits and requirements of the grout chosen. Careful attention to a grout’s technical data sheet can prevent a variety of issues and help in choosing the correct grout for a particular application. About the author: Dan Marvin Dan is the Associate Director of Technical Services for MAPEI Americas. Dan has more than 20 years of technical expertise in the tile industry and sits on technical committees for TCNA, CTDA, ASTM, ANSI, and the Handbook for Tile and Stone Installation, working closely with these committees to improve existing standards and create new ones as the industry continues to evolve. New MAPEI Flexcolor ™ CQ targets your grout problems callbacks mixing cracking sealing staining efflorescence Ready-to-Use Grout with Color-Coated Quartz MAPEI Flexcolor CQ is formulated with the latest innovation in quartz aggregate, which ensures color consistency, ease of cleanability and improved workability. The next-generation formula will give you flush joints and incorporates DropEffect™ technology, which helps prevent most stains. This professional-grade, ready-to-use specialty grout was made for precision commercial and residential installations. Available in 26 designer colors and 2 packaging sizes (1 & 2 gallons). Your reputation relies on being precise every time. Trust the new MAPEI Flexcolor CQ ! SPECIAL FEATURE 2014 TRADE SHOWS 2014 TRADE SHOWS Inquisitive attendees excited about new MAPEI products World of Concrete Las Vegas Convention Center Las Vegas, Nevada January 21-24, 2014 Attendance at World of Concrete this year was down by 7,000 visitors, as many people waited to attend the CONEXPO-CON/AGG show, which is held only once every three years. The people who did attend World of Concrete 2014, however, were very busy at MAPEI’s booth, asking questions and lining up to see the technical demonstrations held each day. MAPEI brought a number of products to World of Concrete this year, reinforcing its sharing of the company’s European technology with the American market. Products and systems shown through demonstrations and exhibits included: •The Mapefloor™ parking deck system for heavy pedestrian and vehicular traffic: This new system is specially formulated for interior and exterior concrete surfaces that require waterproofing, flexibility, and 26 RM Americas 19/2014 high resistance to wear and abrasion. Mapefloor products include a primer, a basecoat and two topcoats – one for areas exposed to constant sunlight and one for areas without sunlight. • Planitop® 11 SCC self-consolidating concrete mix with a corrosion inhibitor: Planitop 11 SCC can be used for full-depth structural concrete repairs in above-, below- and on-grade applications. It is ideal for structural repairs to tunnels, bridges, dams, parking garages, balcony edges and columns. • Ultratop® PC polishable, self-leveling concrete topping: Suitable for both interior and exterior use, Ultratop PC has been engineered to provide a thin resurfacing material that is very dense, hard and durable, with the ability to hold a brilliant polish. MAPEI customers took time out of their busy itineraries one afternoon to stop by the MAPEI booth and enjoy the VIP hospitality event. There was a lot of talk about the latest MAPEI products, with a high level of interest in the Mapefloor system. One of the highlights of the MAPEI booth was the new “World of MAPEI” branding. Many of the graphics in the booth depicted the work of architectural illustrator Carlo Stanga, who designed the images that highlighted projects around the world where MAPEI products were used for construction, restoration and renovation. During MAPEI’s annual press conference, Luigi DiGeso, president and CEO of MAPEI Americas, talked with the media about the new look and what it means to the company and its customers. MAPEI’s CRS demo team shows the audience how to use Planitop 11 SCC concrete repair mortars. A demo team member explains various surfaces in the Mapefloor system. World of Concrete attendees meet and mingle with MAPEI staff during the VIP event. RM Americas 19/2014 27 SPECIAL FEATURE 2014 TRADE SHOWS Surfaces Expo Mandalay Bay Convention Center Las Vegas, Nevada January 28-30, 2014 The first thing people noticed about the MAPEI booth at Surfaces was the “whiteness” of everything. What they were seeing was the new “World of MAPEI” branding, showing a white background on which colorful images portray architectural illustrations of many places where MAPEI has become a part of people’s daily lives. The second thing that visitors noticed was the new applied-sample presentations. Everyone highly approved of the waist-high displays, which gave a horizontal view of the various layers involved in floor covering and tile/stone installations. Large posters that rose above the applied samples explained the MAPEI products in use along with their features and benefits. During the MAPEI press conference, the business managers for the various flooring installation categories introduced to the press the new products being exhibited at the show: 28 RM Americas 19/2014 • MAPEI Flexcolor™ CQ next-generation, ready-to-use grout has been designed to provide uncompromised cleanability while maintaining color consistency with its color-coated quartz technology. •MAPEI has extended its support of the tile installation systems market with the introduction of two ShowerPerfect™ installation kits – one that uses a liquid membrane for waterproofing and one that uses a sheet membrane. These installation systems focus on tub-toshower conversions, with the inclusion of a linear drain assembly. •MAPEI is adding another branch to its growing family tree of wood-flooring products with the introduction of the full line of Ultracoat™ wood-floor finishing materials, plus products for maintenance of floors treated with those materials. The Ultracoat line includes wood-floor finishing accessories, basecoats, finishes, sealers maintenance products. and All the new products were demonstrated and exhibited throughout the three days of the trade show by the MAPEI demo team, led by MAPEI national technical presenter Sam Biondo. Another new feature of the MAPEI booth this year was the use of a viewing screen behind the demo team, which projected the team’s demonstrations to the large groups of contractors and distributors in the audience for each presentation. MAPEI colleagues gave numerous presentations at Surfaces and at StonExpo/ Marmomacc during the conference portion of the expo. The subjects of these presentations ranged from the problems associated with remediation of postabatement concrete floors, to the latest advances in the trend toward installation of ultra large-format thin-tile panels. Sam Biondo, MAPEI’s national technical presenter, led the demo team in a series of hourly talks and demonstrations of products. MAPEI exhibited new products in horizontal sample displays. One display was devoted to MAPEI's new ShowerPerfect Installation Systems. RM Americas 19/2014 29 TECHNICAL FEATURE MAPESONIC 2 A PEACEFUL OASIS IN A NOISY WORLD Mapesonic™ 2 employs a patent-pending technology for sound reduction 30 RM Americas 19/2014 “Please make it stop!” In a world filled with ever-louder demands for our attention from every direction, the most precious commodity around can often be just a little peace and quiet. Finding innovative ways to stop the pounding and tone down the volume in the home and office has been a growing concern for designers, architects, builders and owners around the globe. Many designs and construction methods have been used in the past, all with varying results and at a wide range of costs to the owners. As the industry has matured within the United States, engineers have begun to settle on specific test methods and noise-reduction requirements to bring the best value and results to the marketplace. Achieving these new sound-reduction standards in a costeffective and installer-friendly way has been the focus of the MAPEI Group research organization for several years. The end product, Mapesonic 2, achieves world-class sound dampening by using patent-pending technology as a way to bring that needed relief to MAPEI’s customers. The science of silence Over the years, the scientific community studying the science behind sound dampening in buildings has come to recognize that there are two very different types of sounds that must be addressed in order to make living spaces comfortable for the human ear. The first of these is impact sounds: heels striking floors, furniture dragging, machines vibrating and banging – practically any sound that results when an object comes in physical contact with a floor or wall. Such sounds that come from impacts and sound waves traveling directly through solids are classified by sound engineers as Impact Insulation Class (IIC) sounds. The second type of sounds that engineers have identified is those sounds that travel through the air initially and then pass through a floor or wall to the next room. These are the sounds of life: people talking and laughing, music playing, and the occasional baby crying. They are not all bad, but when the neighbors upstairs are having a fight at the top of their lungs, it is not a soundtrack anyone wants to be listening to at 2 a.m. Airborne sounds are officially classified as Sound Transmission Class (STC) sounds for sound-dampening purposes. In delving a little deeper into the science, it turns out that these two types of sounds require individual tests by sound-reduction engineers because they require different strategies for sound dampening. In other words, the techniques that stop the impact (IIC) sounds do not necessarily help to kill the noise from air transmission (STC) sounds. Accomplishing both goals with one product truly required an invention that could achieve the desired reductions now being specified by engineers and zoning ordinances: a 50/50 STC/IIC rating. The 50/50 numbers come from using three very specific American Standard Test Methods – ASTM E90 to measure STC sound reduction, and a combination of ASTM E492 and E2179 to measure the IIC and DeltaIIC sound reduction respectively. Performing these tests requires highly specialized laboratories and exacting conditions that specifically test an exact construction design for its sounddampening properties. Measuring sounds over the full range of human hearing and the changes in all the harmonics involved goes into every test to determine an exact level of sound reduction. Higher test numbers are better. While the ASTM tests are very specific and exact, they do not specify or standardize the flooring or ceiling design or the exact flooring products being tested. Because there was no universal requirement, a wide variety of products was offered to the marketplace with very little, if any, exact side-by-side comparisons to allow consumers to make the best choice and to be able to compare “apples to apples.” Big numbers abounded on specifications and in product literature, but how much a sound-dampening product individually contributed to those numbers was not always clear. A great leap forward for the marketplace occurred with the development and publication of the American National Standards Institute (ANSI) specification for sound-reduction membranes, ANSI A118.13 in 2010. For the first time, the ANSI A118.13 standard set a specification and required that sound-reduction membrane products use the same testing system – standardized construction with a simple 6" (15 cm) concrete slab and no suspended ceiling to achieve a real sound reduction using the ASTM E2179 test. Products certified for ANSI A118.13 could now be compared in a realistic manner, and the better products could be distinguished from lesser offerings. The challenge for MAPEI scientists was to develop a product that could produce the sound reductions needed in the controlled test that met the high standards now being demanded without any added sound-dampening help to reach the desired 50/50 STC/IIC rating. TN ™ RM Americas 19/2014 31 TECHNICAL FEATURE MAPESONIC 2 Developing Mapesonic 2 Using Mapesonic 2 The conventional wisdom in the marketplace is that if a thin sound-reduction membrane works part of the way to reduce IIC and STC sounds, a slightly thicker version of the same membrane should also achieve the desired 50/50 rating. In reality, this is not the case. The differences in how IIC and STC sounds must be dampened prevent a conventional membrane with a reasonable thickness from achieving both sound-reduction numbers. Standard membrane materials like rubber, bitumen, polyurethanes and the non-woven synthetic fibers used in most sound-control membranes affect the absorption and reflection of sound differently; so simply adding more material is not the solution. Mother Nature’s offering, cork, will work at the right thickness; however, it is subject to mold, mildew and swelling if it is installed on a floor that contains any moisture. Cork is, therefore, not an optimal solution for realworld floors that must stand up to all kinds of conditions. Mapesonic 2 is a peel-and-stick membrane that is applied over a clean and primed floor. Two versions of the primer to be used are available: MAPEI SM Primer™ and MAPEI SM Primer Fast. Both are roller-applied products that dry quickly and prepare the surface of the floor to receive the application of Mapesonic 2. MAPEI SM Primer Fast offers faster grab and allows the product to be used over floors with higher moisture levels, up to a maximum of 8 lbs. per 1,000 sq. ft. (3,63 kg per 92,9 m2) per 24 hours by the calcium chloride test (ASTM 1869). Once the primer has dried, the peel-andstick Mapesonic 2 is applied and rolled into place using a heavy roller. At that point, the membrane is ready for whatever comes next: tile, stone, wood or any other approved flooring system. Mapesonic 2 was born from an extensive research project to analyze how sound waves travel and from a full study of the novel combination of materials needed to deliver optimal results. In the end, MAPEI Group scientists developed a patentpending construction of materials that both reflect and dampen sound waves using the physics of sound and heat. From the customer’s perspective, Mapesonic 2 was developed to overcome the limitations of existing products to achieve at least a 50/50 rating over a 6" (15 cm) concrete slab with no ceiling assembly. Mapesonic 2 is truly a product innovation that utilizes its material composition and design format to deliver better sound-performance results with a thinner membrane than its 90- to 110-mil (2,3 to 2,8 mm) counterparts. About the author: Dr. Neil McMurdie Table 1 Results shown below are from ASTM testing of sound reduction by NGC Testing Services, a leading independent laboratory. Sound-reduction ratings were measured over a 6" (15 cm) concrete slab with no suspended ceiling and using 12" x 12" (30 x 30 cm) porcelain tile. ASTM Method Used Type of Sound Reduced Test Result ASTM E492-04 (IIC) Impact sound 50 ASTM E2179-03 (Delta IIC) Impact sound 21 ASTM E90-04 (STC) Airborne sound 52 32 RM Americas 19/2014 Neil oversees the development of innovative new technologies and products for MAPEI Americas. After completing his B.S. in Chemistry as a Presidential Scholar at the University of Texas, Neil gained his Ph.D. in Chemistry from Yale University. He has 18 years’ experience in chemical research and is a member of the American Chemical Society, the Materials and Methods Standards Association, the American Concrete Institute, the Adhesives & Sealants Council and the Ceramic Tile Distributors Association. He received the U.S. EPA Presidential Green Chemistry Challenge Award in 2001, and he is a holder of 10 U.S. patents. PROJECT REFERENCE AQUARIUS MEWS II CONDOMINIUM ADDING TO LUXURY CONDO LIVING IN YALETOWN MAPEI’s Ultratop® brings the understated elegance of decorative concrete to a penthouse in Vancouver’s Aquarius Mews II “Yaletown got its name in the 19th century when the Canadian Pacific Railroad moved its rail yards and repair facilities from Yale, in the Fraser River canyon, to the new Yaletown on the north shore of False Creek [in Vancouver]. “Known to many as Vancouver’s little Soho, Yaletown has experienced a revival in the past several years to emerge as downtown’s trendiest residential neighborhood for urban professionals. Impeccably hip, Yaletown is brimming with quality restaurants, boutiques, and galleries. It is a neighborhood where everyone goes to see-and-be-seen. “A seven block area bounded by Nelson, Homer Drake and Hamilton Streets and Pacific Boulevard, Yaletown retains the red brick charm of its history as a 19th century rail yard. Warehouses have been converted into lofts, and railway loading docks now serve as patio space for martini bars.” – Quoted from BCPassport.com/shopping/yaletown RM Americas 19/2014 33 PROJECT REFERENCE AQUARIUS MEWS II CONDOMINIUM Occupying a prime spot at the south end of Yaletown is Aquarius Mews II, part of a collection of four high-rise buildings surrounding a scenic courtyard. The building houses a fitness center with an indoor pool, Jacuzzi and sauna room. Stepping out the front door of the condo lobby, residents step right into all that Yaletown has to offer. And if the condo inhabitants tire of the urban scene, they can turn around for a view of the marina and yacht harbor across Marinaside Crescent. Completed in 1999 as the second building in the group, Aquarius Mews II is located at 198 Aquarius Mews. It rises 33 stories and houses 184 units. One of the penthouse suites on the 28th floor recently got a new owner and an innovative facelift. After the 34 RM Americas 19/2014 closing, the owner – an interior designer – immediately gutted the unit and began searching for a fresh new look. With regard to the floor, sound protection was critical. In addition, the owner wanted an organic concrete-looking floor with radiant-floor heating, making the project a considerable challenge. The system solution that MAPEI created had never been tried with the company’s products yet proved quite successful. A cork sound mat was used over the concrete slab, and was covered with 6-mil thick poly to provide a separation slip sheet. Expanded metal lath was placed on the slab, providing a grid for the heating pipes to be strapped to and producing reinforcement for the mud bed. The contractor, Artisans in Concrete, used Topcem™ Premix mortar mixed with Planicrete® AC liquid-latex admixture. Under the leadership of project manager Anton Vogt, the crew added stainless-steel fiber into the mix for added stability. Workers divided up the rooms into grids using high-density foam. Foam strips were bolted to the slab and acted as screed rails for the mud bed. Topcem Premix was mixed on the small patio deck, and the mud bed took two days to install. TECHNICAL DATA Next, the Topcem Premix mud bed was allowed to cure for two days before the overlay application. Workers applied Primer E ™ with broadcast sand over the entire floor area of the condo unit, including the kitchen, hallways, bathrooms, closets and bedrooms. Ultratop White was then installed over the primer on the following day. Specifically designed for applications where a distinctive and creative floor is desired, Ultratop is a self-leveling, self-drying topping, based on HighHydrated Cement Technology (HCT™), that is specially formulated for fast-track resurfacing and construction of interior horizontal wear surfaces. It provides the ultimate palette for designing unique and artistic floors, and it offers an unlimited range of interesting effects when mixed with integral colorants and materials such as glass, aggregates and metals. Ultratop White also maximizes the brilliance of architectural stains and integral coloring agents. The Ultratop application process took two days, due to the layout of the unit. Once the Ultratop had cured for an additional day, it was buffed and subsequently sealed with an acrylic sealer. Several coats of floor wax were then used to form a protective sacrificial layer. The floor turned out amazingly well and gave the home owner the exact look that she was trying to achieve. Now her condo truly “tops the list” of creative locations in Yaletown. Aquarius Mews II Penthouse Condo, Vancouver, British Columbia (Canada) Period of construction: 2011-2012 Where MAPEI products were used: Topcem Premix mixed with Planicrete AC was used to form a mud bed around and under a radiant-floor heating system. The mud bed was then covered with Ultratop White to form an elegant, decorative concrete background for the modern décor in the condominium. Client: Private homeowner Project manager: Anton Vogt Decorative concrete contractor: Artisans in Concrete – Vancouver, BC MAPEI coordinator: Dave Randall MAPEI PRODUCTS Surface preparation: Topcem Premix, Planicrete AC and Primer E Installation of decorative concrete flooring: Ultratop White RM Americas 19/2014 35 PRODUCT SPOTLIGHT Ultratop ® PC High-Performance, Polishable Concrete Topping Ultratop PC is a high-flow, quick-setting, selfleveling, cementitious topping optimized for polishing. Suitable for both interior and exterior use, Ultratop PC is designed to be applied at 3/8" to 2" (10 mm to 5 cm) thick and cures quickly for fast-track resurfacing and polishing of concrete floors. Ultratop PC is suitable for applications such as high-end residential units, retail stores, warehouses, schools, kitchens, airport hangars and loading docks. Ultratop PC is engineered to provide a thin resurfacing material that is extremely dense, hard and durable so that it is capable of holding a brilliant polish. Features and Benefits • Very fluid self-leveler; easily installed from 3/8" to 2" (10 mm to 5 cm) neat in a single lift and up to 5" (12,5 cm) extended • Polishable in as soon as 24 hours under normal conditions • Suitable for both new (28-day cured) and existing concrete, for interior and exterior floors • Polished topping maximizes the brilliance of natural gray concrete floors. • Will accept light vehicular and foot traffic in commercial, light industrial and residential applications • Suitable for areas of constant water exposure Uses • Suitable for retail stores, mall corridors and entrances, exterior walkways, showroom floors, restaurant floors, hotel lobbies and schools • For applications where a unique, creative floor is desired • For industrial warehouse floors and airports subject to foot and light vehicular traffic Product Performance Properties Laboratory Tests Results Compressive strength – ASTM C109 (CAN/CSA-A5) at 73°F (23°C) and 50% relative humidity 4 hours > 2,900 psi (20 MPa) 1 day > 5,075 psi (35 MPa) 28 days > 7,250 psi (50 MPa) Flexural strength – ASTM C348 (CAN/CSA-A23.2-8C) 1 day > 725 psi (5 MPa) 28 days > 900 psi (6,21 MPa) Approximate Coverage* per 50 lbs. (22,7 kg) Yield 0.44 cu. ft. (0,01 m³) Coverage at 3/8" (10 mm) thickness 14.10 sq. ft. (1,31 m2 ) Coverage at 1/2" (12 mm) thickness 10.6 sq. ft. (0,98 m2 ) * Coverage shown is for estimating purposes only. Actual jobsite coverage may vary according to substrate conditions and setting practices. Packaging Size Bag: 50 lbs. (22,7 kg) 36 RM Americas 19/2014 The ULTIMATE choice in wood adhesives. MOISTURE VAPOR BARRIER SOUND REDUCTION BONDING SYSTEM ONE product. ONE application. THOUSANDS of happy customers. Ultrabond ECO ® 995 • Moisture barrier, sound reduction and bonding system in a single product • 100%-solids formulation; no solvent added • Utilizes rapidly renewable raw materials • Excellent green strength to hold planks in place during installation • Approved for use with all types of solid hardwood and exotic planks/shorts; parquet; bamboo flooring; acrylic impregnated wood and laminated plank; cork underlayment; and all sizes of engineered wood flooring Scan here with your smartphone for information about MAPEI’s Ultrabond ECO 995, or contact your local sales representative. PROJECT REFERENCE SHANGRI-LA HOTEL AND CONDOMINIUMS SHANGRI-LA HOTEL AND CONDOMINIUMS An eye-catching addition to the Toronto skyline uses MAPEI adhesives for its wood flooring The term “Shangri-la” refers to “a paradise on Earth,” and that is exactly what the ultra luxury hotel development of the same name has created in Toronto. Following up on its Living Shangri-La Vancouver hotel/ 38 RM Americas 19/2014 condominium project, Shangri-La Hotels and Resorts – along with Westbank and Peterson Group – has introduced the new Shangri-La Hotel and Condominiums, designed by James K.M. Cheng Architects. Christopher Hume, columnist for the Toronto Star, made the following comments on the architectural aesthetics of the Shangri-La: “...this 66-storey extravaganza brings an unprecedented level of architectural intensity to the neighborhood. Nothing quite like it has been seen before, perhaps in all Toronto. For the most part, the recent arrival inhabits its space well. One might have preferred a little more restraint, but that’s not what this building is about. Indeed, try as one might, it’s hard to avoid the ShangriLa. From the extraordinary sculpture on University Ave. to the exquisite glass pavilion behind it, the gentle geometry of the tower to the impressive stone facades of the podium, this is a complex that will not be denied. It’s also a complex that doesn’t shy away from complexity. Though the design spirit is minimalist in some ways, the building takes a downright deconstructionist pleasure in its own multifaceted nature. With so much going on, the base reads like a whole streetscape of its own. Parts extend out toward the street, others pull back. The sculpture, by Chinese artist Zhang Huan, hovers in the narrow space between creepiness and beauty. Again, it’s unlike anything in Toronto, a city where most public art ranges from the decorative to the commemorative. The combination of hotel (below) and condos (above) feels appropriate. The main entrance, on Simcoe St., presents a more sober face to the city. The residential entrance, on Adelaide, reads almost like an afterthought. The main facade, on University, is the public face of the Shangri-La, a function it performs brilliantly.” The hotel occupies the first 17 floors of the 66-story building (222 rooms), while 393 luxury condominiums are located on the levels above. The hotel features a threestory lobby with a cafe, a mezzanine-level restaurant overlooking University Avenue, and Chi - The Spa; these amenities are also available to condominium owners. To make sure tenants and hotel guests enjoy beautiful luxury flooring, Westbank consulted with Parchettificio Garbelotto of Treviso, Italy, to obtain the elegant wood used on all the hotel rooms’ and condo units’ floors. The Garbelotto factory worked with technicians from the Shangri-La to find the best solution to the wide variety of humidity and temperature ranges present in Toronto. Garbelotto produced custom 1/2" x 3-1/2" (12 x 90 mm) oak planks in three colors – white, graphite and dark brown. The planks were pre-smoothed and beveled on four sides, and all materials were finished with an anti-flame varnish. The parquet was supplied in two shapes – one for a “stack bond” installation (where all four seams line up on every side) and the other for a herringbone installation. The complete production cycle, from gluing to surface finishes, was completed in the Garbelotto facilities – “a guarantee of a product completely MADE IN ITALY,” according to Garbelotto. RM Americas 19/2014 39 PROJECT REFERENCE SHANGRI-LA HOTEL AND CONDOMINIUMS IN THE SPOTLIGHT Ultrabond ECO 995 is a premium combination of moisture control and wood-flooring adhesive. Just a single application of Ultrabond ECO 995 provides both superior bonding and moisture vapor emission control of up to 15 lbs. (6,80 kg) in MVER or 85% relative humidity. This single-component, ready-to-use, 100%-solids, moisture-cure urethane system is excellent for all types of wood flooring, including exotics and bamboo. Ultrabond ECO 995 utilizes MAPEI’s “greenest” technology and naturally renewable resources, resulting in an odor-free, phthalatefree installation that can help contribute additional points toward LEED-certified projects. This easy-to-trowel, elastomeric adhesive offers excellent trowel ridge hold-out, allowing it to perform well in commercial and industrial-grade applications as well as residential usage. TECHNICAL DATA MAPEI also began work on this project early in the planning stages (2008). The original specification called for the use of a double-glue-down technique. Cork was to be used for sound reduction, and then the wood was to be glued to the cork with a second adhesive. MAPEI offered Westbank a system warranty for use of self-leveler Novoplan ® 2 to meet the substrate tolerances for engineered wood, and Ultrabond ECO ® 995 as a one-step acoustical membrane and adhesive. Once the job was awarded to Sterling Tile of Vaughn, Ontario, MAPEI held several inhouse training seminars with their installers at the MAPEI plant in Brampton and at Sterling’s facility. With all the pre-planning and excellent technical support, MAPEI was able to meet the needs of the contractors and the property owner for the successful 40 RM Americas 19/2014 installation of 400,000 sq. ft. (37 161 m2) of wood. Before the wood could be installed, however, extensive surface preparation had to be completed by concrete restoration contractor Ground Floor Industries (GFI), Inc. GFI crews applied Primer L™ and poured 400,000 sq. ft. (37 161 m2) of Novoplan 2 to meet the specified tolerances for substrate flatness (approximately 1/8" [3 mm] in 10 ft. [3,05 m]). After the initial pours, if any areas remained out of tolerance, they were skimmed with Planiprep™ FF. The result of the teamwork between the concrete restoration contractor, the wood floor-covering installer and MAPEI produced floors that have indeed added to the luxury of the Shangri-La Hotel and Condominiums. Shangri-La Hotel and Condominiums, Toronto, Ontario (Canada) Architects: James K.M. Cheng Architects and Hariri Pontarini Architects Period of construction: 2008-2012 Where MAPEI products were used: Self-leveling concrete substrates, patching small voids and installing engineered oak flooring in the hotel rooms and high-rise condominiums of the Shangri-La Toronto Client: Shangri-La Hotels and Resorts Project manager: Bruce McCulloch (Westbank Projects Corporation) General contractor: Westbank Projects Corporation Wood flooring installer: Sterling Tile of Vaughn, ON Surface preparation contractor: Ground Floor Industries, Inc. MAPEI coordinators: Gaspare Clemenzi and Jason Zeppieri MAPEI PRODUCTS Surface preparation: Novoplan 2, Primer L and Planiprep FF Installation of wood flooring: Ultrabond ECO 995 The MAPEI Technical Institute (MTI) provides the highest-quality, basic product knowledge with demonstrations and hands-on training to architects, contractors, installers and distributors in 9 locations: Deerfield Beach (FL), San Bernardino (CA), Garland (TX), Dalton (GA), West Chicago (IL) and Swedesboro (NJ), all in the USA; and Laval (Quebec), Brampton (Ontario) and Delta (British Columbia), all in Canada. MTI offers three types of training classes: Tile & Stone Installation Systems (TSIS) and UltraCare™ Stone, Tile & Grout Solutions – Basic product knowledge with demonstrations and hands-on training that cover surface preparation, moisture mitigation, waterproofing, crack isolation, tile/stone installation and grouting products, sealers, finishes, and cleaners for stone, tile and grout. Floor Covering Installation Systems (FCIS) and Ultracoat ™ wood-floor systems (available in U.S. only) – Basic product knowledge with demonstrations and hands-on training that cover the understanding and application of adhesives for vinyl, rubber, carpet and wood flooring, as well as Ultracoat products for wood-floor surface preparation base coats, finishes and maintenance. Concrete Restoration Systems (CRS) – Basics and hands-on training that focus on surface preparation, bonding agents, corrosion protection, repair mortars, grouts, joint fillers, epoxies, fiberreinforced polymers, sealants and waterproofing products. >For registration information on U.S. seminars, please contact Sophia D’Amico-Campbell at (954) 246-8555. >For registration information on Canadian seminars, please contact Raffaelina Aceto at (450) 662-1212. RM Americas 19/2014 41 BUSINESS NEWS MAPEI launches new line of products for wood floors MAPEI, leading manufacturer of adhesives, mortars and chemical products for the building industry, is adding another branch to its growing family tree of wood-flooring products. The Ultracoat™ line was designed in Europe, where it has developed a proven track record of performance. MAPEI Americas is now bringing the Ultracoat finishing materials and wood maintenance products to the United States to round out its Ultrabond ECO® line of wood-flooring installation products. MAPEI meets the industry benchmark for these products through UV resistance, traffic resistance and ease of application. “We are excited about introducing these products in the United States because Ultracoat expands our market opportunities in the wood-flooring industry to include site-finished wood flooring,” said Jeff Johnson, Business Manager for Floor Covering Installation Systems and Surface Preparation Products. “According to statistics, approximately 50% of wood flooring installed is site-finished, and now MAPEI supports this industry with a line of exceptional, proven products – the Ultracoat line.” The NWFA’s Accepted Product Seal program identifies wood-flooring products that meet or exceed established industry standards. The Accepted Eco Product Seal identifies specific products that meet or exceed certain eco-friendly standards. To gain approval for the Accepted Product Seal, MAPEI had its product line tested to ensure that it conforms to established thirdparty testing specifically for finishes, stains and sealers. The product line will be retested and re-documented annually to ensure that the standards are continually met. Two polyurethane finishes in the Ultracoat line – Ultracoat Easy Plus one-component, water-based wood-flooring finish and Ultracoat High Traffic two-component, water-based wood-flooring finish – have received the National Wood Flooring Association’s (NWFA) Accepted Product Seal and Accepted Eco Product Seal. MAPEI’s full line of Ultracoat wood-floor finishing materials, plus products for maintenance of wood floors, falls into four categories: 1. Wood-floor finishing accessories 2.Basecoats 3.Finishes 4. Maintenance products MAPEI joins SHARP in Arizona MAPEI is committed to the safety and environmental health of its employees throughout the company’s global infrastructure. One testament to this commitment is the certification of the MAPEI operations facility in Tempe, Arizona, by OSHA’s Safety and Health Achievement Recognition Program (SHARP). OSHA is the Occupational Safety and Health Administration. “We are extremely proud of our employees and our safety record,” said Al Fornaro, Unit Manager for MAPEI’s Arizona operation. “When we were notified of our certification by the Arizona Division of Occupational Safety and Health, Director Bill Warren gave us some startling facts that emphasized the 42 RM Americas 19/2014 significance of our accomplishment. He said there are 158,000 employers in Arizona, but only 26, including MAPEI, have achieved certification by the SHARP program.” The plant in Tempe, Arizona, joins MAPEI’s plant in Ft. Lauderdale, Florida, which achieved SHARP status in 2010. One of the most important results of gaining SHARP recognition is creating a culture of safety. The benefits, as stated in the OSHA program, include: • Creating a better working environment that is free of safety and health hazards; • Boosting worker morale by involving workers in creating a culture that emphasizes a safe and healthful workplace; • Improving communication among workers and management; • Encouraging safety in the community as workers may transfer safe and healthy work practices outside of the workplace. MAPEI celebrated the SHARP certification with the Tempe Chamber of Commerce and OSHA representatives at the plant on January 28, 2014. Mapefloor™ products protect parking decks The Mapefloor parking deck system was introduced at the World of Concrete 2014 trade show. The two-component, flexible polyurethane system has been designed to provide an elastomeric waterproofing membrane for heavy pedestrian and vehicular traffic. It may be used in multistory parking garages and areas with heavy vehicular traffic, as well as on suspended pedestrian walkways and balconies. “The Mapefloor parking deck system is specially formulated for interior and exterior concrete surfaces that require waterproofing, flexibility, and high resistance to wear and abrasion,” said Roger Pratt, Business Manager for MAPEI’s Concrete Restoration Systems line. “In parking garages, the decks can see a lot of wear and abrasion, undergo extreme temperature variations, and be subjected to attack from aggressive chemical agents as well as salt and water intrusion. The Mapefloor parking deck system provides an impermeable, non-slip surface that will resist this wear while protecting the concrete from oil, fuel and salt intrusion. “Mapefloor is also flexible enough to allow for above-grade substrate movement and provide some crack-bridging capability to prevent water and salt from penetrating the concrete surface,” Pratt continued. The Mapefloor parking deck system is available in two formats. The standard system is a minimum 40-dry-mil (1-mm) system, excluding aggregate and primer. The heavy-duty system – ideal for high-wear areas such as spiraled ramps, turn and drive lanes, and ticket booths – is a minimum 55-dry-mil (1,4-mm) system, also excluding aggregate and primer. The components of the systems are as follows: • Mapefloor Primer (for standard applications) and Mapefloor Primer Fast (for heavy-duty applications), both two-component epoxy primers, are used for priming and consolidating the worn concrete surface. • Mapefloor PU 400 two-component polyurethane basecoat is applied over the primer and acts as a waterproofing membrane. • Mapefloor Finish 415 NA twocomponent, aromatic polyurethane topcoat is used in areas of parking garages not exposed to the sun. • Mapefloor Finish 450 twocomponent, aliphatic polyurethane topcoat provides UV protection in areas of garages that are constantly exposed to the sun. Parking garages is a rapidly growing segment of the concrete restoration sector, Pratt said. “As new buildings are added in city environments, a parking garage must be added adjacent to or beneath these buildings. Existing garages that were built in the ’70s and ’80s have lost their protective coatings through wear and need replacement,” he added. “New garages demand this coating to extend the service life of these concrete decks. The Mapefloor parking deck system is the most effective answer to the protective coating needs of these concrete floors.” RM Americas 19/2014 43 PROJECTS IN THE WORKS MAPEI partners with a host of flooring professionals throughout the Americas to provide solutions for a variety of product challenges. “Projects in the Works” showcases some of the installations currently under construction or recently completed. Check out what’s happening in your area – MAPEI may be right around the corner. b c e d b Bayshore Shopping Centre and Parking Facility Ottawa, Ontario Located in the western part of Ottawa, Bayshore Shopping Centre offers an easily accessible one-stop shopping destination. Each year, nearly 7 million people visit Bayshore Shopping Centre. Patrons benefit from recent renovation and expansion projects that make shopping at Bayshore an even more pleasant experience. Bellai Brothers (Ottawa, ON) used the MAPEI FRP systems to strengthen columns in Bayshore’s parking facility. Inside the threestory mall, Maple Terrazzo (Bolton, ON) renovated the tile floors, using Ultraplan® 1 Plus underlayment, Mapecem® 100 mortar and Mapecem Quickpatch concrete patch for surface preparation. Ultraflex™ RS mortar was used to set uncoupling membranes, and Mapeguard™ 2 soundreduction membrane was used for crack isolation in other areas. The Maple Terrazzo team used the Granirapid® mortar system to set 24" x 24" (61 x 61 cm) large-format porcelain tiles, and then grouted the tiles with Ultracolor® Plus sanded grout. c St. Joseph’s Hospital-South Riverview, Florida The 352,000-sq.-ft. (32 702-m2) St. Joseph’s South Hospital, to be completed in 2015, will offer something for just about 44 RM Americas 19/2014 everyone in the Riverview, Florida, area, with 90 private patient suites plus an additional 22 observation rooms. MAPEI was the overwhelming choice made by Gresham, Smith and Partners (AIA) of Tampa, Florida. MAPEI’s diverse product offering and ability to issue a complete project warranty were important factors in the architects’ decision about a supplier. MAPEI was able to supply its best products within their individual categories for the specification due to the demands for a hospital facility that will be open 24 hours a day, 7 days a week. St. Joseph’s Hospital-South showcases nine different MAPEI products from slab to finished surface: Mapelastic™ 315 and Mapelastic AquaDefense waterproofing membranes, Ultraflex LFT mortar, Granirapid mortar system, Kerapoxy® mortar and grout, Planiseal™ MVR epoxy, Primer T ™ primer, Ultraplan 1 Plus underlayment and Planipatch® patching compound. d St. Regis New York New York, New York The St. Regis New York hotel, originally owned by John Jacob Astor, was completed in 1904 and was enlarged in 1927. It has become a New York City landmark, noted for its beauty and elegance. Renovations of the marble in each suite’s bathroom, kitchen and foyer began in 2013, and Jantile, Inc. (Bronx, NY) did the impressive renovation work. The Jantile installers repaired and replaced marble throughout the suites in the iconic hotel, using MAPEI’s Ultraflex 1 and Ultraflex 2 mortars and Keracolor™ U unsanded grout. e Aga Khan Museum Toronto, Ontario The Aga Khan Museum, due to open in 2014 in Toronto, Canada, will be dedicated to the acquisition, preservation and display of Muslim artifacts – from various periods and geographies – relating to the intellectual, cultural, artistic and religious heritage of Islamic communities. It will also house the collections of the members of the family of the Aga Khan. Installers from Gem Campbell Terrazzo & Tile Inc. (North York, ON) used MAPEI products for the installation of granite around the reflection pool on the grounds of the museum. The Kerabond/Keralastic™ mortar system was used to install approximately 30,000 sq. ft. (2 787 m2) of granite for the pool coping pieces, pool floor panels, pool wall panels, pool cap pieces and the granite paving set in concrete. The Gem Campbell teams used Mapelastic AquaDefense waterproofing membrane to waterproof the pool deck and pool trough walls, and Mapelastic 315 waterproofing membrane for the pool trough floors. Planitop® 23 and Mapecem 202 mortars were used for surface preparation. 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