VENICE - Travel guides to the World

VENICE
Stigs
& VICINITY
…another travel guide by Stig Albeck
5th edition
Stig’s Venice
Top 10 in Venice
www.turismo-venezia.it
www.turismo.veneto.it
45°22'50"N 12°22'8"E
Venice is unique in the world and an experience you will
never forget. The city in the swamp on the millions of
piles is the Pearl of the Adriatic and built up over the
centuries to the splendid city, you can visit today.
A gondola on the Grand Canal is also a boat ride
through the city's long history. The many palaces that
through 1000 years has housed the city's wealthy
families, the Rialto Bridge, Doge's Palace and of course
St. Mark's Square are just some of the many world
famous attractions.
Venice is also one of the romantic capitals, where you
can enjoy the gondoliers sing and a walk through the
many narrow alleys and along the countless channels.
Outside of Venice a number of northern Italy's cultural
cities located. Such as Verona, where well-preserved
history is on display in the Roman arena and other
monuments from the Roman Empire and the following
time and centuries.
Have a good trip!
13. Chiesa di Santa Maria Assunta o dei Gesuiti
14. The Golden House/Ca’ d’Oro
18. Basilica dei Santi Giovanni e Paolo
22. Rialto Bridge/Ponte di Rialto
39. Basilica di Santa Maria della Salute
Table of contents
History of Venice ..…………………………….….. page 3
Tour overview ……………………………………… page 6
Sights – tour 1 ……………………….……..….…... page 7
Sights – tour 2 ………………………...….…….… page 11
Sights – tour 3 ……………………….…….…..… page 14
Sights – tour 4 ……………………….…………… page 17
Sights – tour 5 ……………………….…….…..… page 21
Tours from Venice .…………………………....… page 26
Shopping in Venice ..…….……………………… page 31
With kids in Venice ……………………………… page 31
Facts about Italy……….….……………………… page 32
Weather in Italy ………………………………….. page 34
45. St. Mark’s Tower/Campanile di San Marco
47. St. Mark’s Basilica/Basilica di San Marco
50. Biblioteca Nazionale Marciana
About the Author
Stig Albeck is a writer and a tour guide to Australia, New
Zealand, Russia, Canada, USA, Mexico etc. He has
travelled in over 80 countries, visited numerous cities
and written about many of them.
51. Doge’s Palace/Palazzo Ducale
All rights reserved. Text and photos:
© Stig Albeck, 2013
5th edition
54. Embankment of Slaves/Riva degli Schiavoni
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History of Venice
The city foundation in the lagoon
Behind the natural protection from the Adriatic Sea, the
Venice lagoon city hosted scattered habitation of
fishermen already before the foundation of Venice itself.
A proper settlement of what would become Venice, is
believed to have started in the 400s, where people from
the mainland sought refuge from invading Huns and
Germanic tribes.
Migrants were gradually developing villages founded on
piles in the marshy islands, and the inhabited area was
centered around the Rialto, which was the highest area.
There is not a date and year of the city's founding, but it
is estimated the city's beginnings was at noon 25 March
421. At this time, the church of San Giacomo di Rialto
was inaugurated as the first in Venice.
to the city's first dux, a ducal title, which was later
renamed the doge. Leo III also gave Ursus the title as
consul.
In 751 the Lombard King Aistulf conquered most of the
Exarchate of Ravenna, and thus Venice became
isolated and in terms of area a small Byzantine outpost
to the northwest.
The dux was Venice's leader, and his residence was
located in Malamocco on the island of Lido in the current
Venice. During dux Agnello Particiaco who ruled 811827, the seat of government moved to Rialto, and the
first Doge's Palace was built along with other new
buildings.
Adriatic trading rights
In 774 the Frankish Empire headed by Charlemagne
crushed the Lombard kingdom in Italy, and the new
order put Venetian independence under pressure.
Charlemagne's son Pippin, who became king of Italy,
established a siege of Venice. It lasted six months and
resulted in a retreat and defeat for Pippins forces. In the
aftermath of the siege Charlemagne and Emperor
Nikephoros made an agreement that recognized Venice
as Byzantine territory and the city was granted trading
rights along the Adriatic coast. The agreement
established Venice as a de facto independent republic.
Immigration and self-government
Venice was still a small settlement in the century after
the founding. That changed with the GermanScandinavian Lombards who invaded the Eastern
Roman Italy from North in 568.
The Lombards, who influenced the future of Lombardy,
forced many to flee to Venice, which together with
Ravenna to the south was a East Roman enclave that
was only connected to the rest of the kingdom, and thus
the capital of Constantinople by sea.
The isolated position in the kingdom led to a high of
autonomy in Venice where Tribuni Maiores met in 568
as the first local governing body. It was a new start in
Venice, and during this time major new port facilities
were constructed, among other places on the island of
Torcello. Officially, Venice remained a part of the
Eastern Roman Empire, and the emperor's
representative was the exarch in Ravenna.
The first doge
In 726 it came to a bloody revolt in Ravenna, where the
exarch was killed. It happened in the iconoclastic
controversy, the Byzantine Iconoclasm, which was a
passionate debate between the Orthodox Catholic
Church and the Byzantine emperor about the proper use
of icons.
In this context, Venice supported the Emperors quest to
recapture the Exarchate of Ravenna with both men and
ships. The aid was by Emperor Leo III reciprocated with
extended rights for Venice, which in 726 elected Ursus
Mark is coming, and trade flourishes
Venice's commercial importance increased, and when
Venetian merchants in 828 brought back the relics of St.
Mark the Evangelist, the city also became a religious
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center. For the purpose St. Mark's Basilica was built to
keep the relics in a suitable place.
The following centuries, Venice developed fast, and with
the Byzantine Empire's gradual decline, Venice's
position constantly was strengthened. Over time, the city
was a real city-state in line with Amalfi, Genoa and Pisa.
Venice's trade, financial capacity and political power
were increased all the time during this period. The city
was central to trade between Western Europe, the
Byzantine Empire and the Middle East. Venice achieved
outstanding rights to trade with the Byzantines by
providing ships for the kingdom's fleet.
In 1095 the republic's ships supported Pope Urban II's
crusade, and this was the beginning of Venice's path to
further dominance in the Eastern Mediterranean region.
This, however, leaded to a break with Constantinople,
which in 1182 persecuted successful Venetians.
The crusades dependence on Venetian ships came to
be a high cost for Constantinople. The Fourth Crusade
of 1202 was the starting of the looting of the city which
fell in 1204 in what is believed to have been one of
history's most profitable looting of any city. Venice's big
booty included among other things the four bronze
horses that are now seen at the top of St. Mark's
Church.
interest was to continue the city's growth, abilities and
power. The dominance was, however, increasingly met
with resistance in neighboring countries. The city-state
of Genoa, which was leading at the sea in the western
Mediterranean and Venice went through many battles
before Venice in 1380 won a major naval battle of
Chioggia.
The time gave birth to Venice's quest toward land to
complement its dominant trading position on the seas.
Through the 1400s the city-state's territory thus
extended to both Padua and Verona west of Venice, the
area along the eastern Adriatic coast and to the
Mediterranean island of Cyprus.
Venetian rule was bulky, but other powers were
stronger, and it was the beginning of Venice's decline.
The Turkish Ottomans had since the 1420s been at war
for dominance on the seas of the eastern
Mediterranean, and at the end of the century Venice
suffered defeats that led to the loss of rural areas.
More seriously for the city-state was several powers
alliance of the Venetian countryside close to the Venice.
The pope wanted Romagna, the Holy Roman Emperor
Maximilian I Friuli and Veneto, Spain wanted the ports of
southern Italy region of Apulia, France wanted Cremona
and Hungary Dalmatia.
Greatness and emerging decline
Venice's dominance and influence was especially
commercial in nature, and money flowed to the city,
where stately palaces were built. Most famous are the
Venetian palaces that were built with Byzantine
inspiration down to Venice's main water way, the Grand
Canal.
After the defeat of Constantinople in 1204 the merchants
had even better opportunities as Venice's territory had
expanded considerably with many colonies that
previously belonged to the Byzantine Empire. For
example, the island of Crete belonged to Venice.
15 April 1509 French forces left Milan and invaded
Venetian territory. The final battle between the disputing
powers took place on 14 May 1509 at the Battle of
Agnadello. Venice suffered a defeat that could have
costed the city-state its life, but with continued will of
defense and diplomacy Venice managed to turn the
defeat into a partial victory with some reclaimed land.
The battle, however, was the end of Venice's expansion.
Venice in the 1600-1700s
Already in 1348 and again in 1575-1577 the plague had
struck Venice, where in the latter period about 50,000
citizens died. In 1630 the disease struck again, and this
time a third of the approximately 150,000 inhabitants
suffered death. It provided a natural setback for the city.
Through 1600-1700s Venice had also fought against the
Ottomans, not least for the continued domination of
Cyprus and about some land in Greece. More fights
Back in Venice the ruling system was inspired by the
defunct Roman Empire. The city council ruled and chose
a doge as a leader. The wealthy reigned, and their
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during the 1700s drained the city's once-proud fleet that
had once counted more than 3,300 ships. In 1790 the
town's merchant fleet was also reduced to a few
hundred ships.
Venice's power on the seas was over, while the city still
had good economy because of other rich cities and the
Venetian region of Northern Italy counting Bergamo,
Verona, Vicenza, Padua and Venice itself.
Italy, which after the formation made Rome its capital
and Vittorio Emanuele II was the new king.
Despite external decline the wealth gave Venice a
cultural boom where literature, construction and art in
general flourished through the 1700s. It was thus one of
Europe's most elegant cities, which came under
pressure as Napoleon's armies were approaching. The
French took Venice in April 1797 and thereby ended the
former superpower, the Republic of Venice, as an
independent nation. The following year Austria
conquered the city.
The new status as part of Italy started a massive
development of Venice in the late 1800s. The past
desire for greater dominance of the mainland was now
gradually met. There was a steady increase in trade in
the harbor, and a mainland connection between Venice
and the Veneto mainland opened. Tourism, which is
Venice's main source of revenue today, developed with
the easier access and improved facilities.
Under Mussolini a car bridge was constructed, and the
area on the mainland became industrialized. Venice had
now grown from a city-state to include the villages of
Mestre and Marghera.
Industry in the area on the mainland caused the
bombing during World War II, but the old part of Venice
escaped relatively unscathed through the war years.
Industrialization continued in the post-war years, for
example in the petrochemical industry, and today
Veneto is still in development in relation to other parts of
Italy's traditional industrial regions.
Investments made jobs in the region, but it was the
mainland that developed. The Venice city's population
was halved in the years and the islands evolved toward
today's Venice, which has significantly fewer people
than in the past, but instead here is a highly developed
tourism industry.
In 1805 Venice became part of the Kingdom of Italy,
which was established with the Peace of Pressburg,
after the Battle of Austerlitz marked the end of the Third
Coalition War.
The Kingdom of Italy was a French puppet state, and
with Napoleon's final defeat Venice again became
subject to Austrian rule.
Modern Venice
Austria never integrated the city of Venice and the
Veneto region in the Alpine country, and it fed the
Venetian participation in the growing Italian nationalism
that was to become a new political entity.
After a rebellion in 1848-1849 the Venetian Republic
was reestablished and Venice broke with Austria in
1866. The city then became part of the new kingdom of
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Venice – tour overview
Tur 1
Tur 3
Tur 2
Tur 5
Tur 4
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1. Santa Lucia Railway Station/
Stazione Ferrovie Santa Lucia
Ferrovia
45°26'28"N 12°19'15"E
Vaporetto: Ferrovia
The city of Venice is located on an island in the large
lagoon that lies within the lido on the Adriatic Sea. The
city's connection to the mainland, where most of the
inhabitants live, is the dam where both road and rail
runs.
Piazzale Roma or Stazione Ferrovie Santa Lucia is thus
often the starting point for visitors to the city, and Santa
Lucia is also the main terminal of the city's many water
buses that runs like public transport with stops along the
canals.
Today's train station is one of the few modern buildings,
located down the Grand Canal. Plans for it began in
1924, when the architect Angiolo Mazzoni started
drawings of the railway station. There was ongoing work
the following decades, and the building was completed
in 1952.
2. Virgin Mary of Nazareth Church/
Chiesa di Santa Maria di Nazareth
Fondamente dei Scalzi 57
45°26'28"N 12°19'19"E
Vaporetto: Ferrovia
Chiesa di Santa Maria di Nazareth is a church with a
magnificent Baroque interior, where in addition to
generally classy marble decorations, you can enjoy the
columned altar and a ceiling painting above the altar.
The first station in Venice was built in 1860, and to
connect it all the way to the Grand Canal among other
buildings the church Chiesa di Santa Lucia was
demolished. It has since given its name to the station.
7
The church was built from year 1600 and consecrated in
1705. The distinguished façade in Venetian late Baroque
is constructed in the years 1672-1680.
The church is also called the Chiesa degli Scalzi, where
the word Scalzi means "barefoot" and alludes to the
Carmelite monks who came to the city in the latter half of
the 1600s.
In front of the church is the beautifully constructed bridge
Ponte degli Scalzi, which is one of the few bridges that
cross the main waterway, the Grand Canal. When the
bridge was built in 1934 it replaced a previous bridge at
the same place.
The church is a pilgrimage church, with the relics of
Saint Lucy's stored here. Saint Lucy was a Christian
who was martyred in 304 under Emperor Diocletian's
persecution of Christians.
5. Labia Palace/Palazzo Labia
Fondamenta Labia/Campo San Geremia
45°26'35"N 12°19'31"E
Vaporetto: Guglie
As one of the last of Venice's great mansions the
Spanish Labia family built this baroque palace mainly
through the 1700s. It is adjacent to the channel Canale
Cannaregio at the Grand Canal.
The mansion has recently been restored, and within it
the frescoed ceilings are particularly known. Giovanni
Battista Tiepolo painted them in the banquet hall, the
Salone delle Feste, in the years 1746-1747. Tiepolo's
works here are considered as some of the finest of its
kind in Italy, and Gerolamo Mengozzi-Colonna
supplemented Tiepolo's works with an optical illusion,
trompe l'oeil.
The exterior distinguishes Palazzo Labia from many
other urban mansions by having both a beautifully
decorated façade facing the canal and also in the other
direction, in terms of the square Campo San Geremia.
As is customary, the facade facing the Canale
Cannaregio, is the primary.
3. St. Simon Church/Chiesa di San Simeone Piccolo
Campiello della Chiesa 693
45°26'25"N 12°19'20"E
Vaporetto: Ferrovia
This domed church is from 1718-1738 and thereby one
of Venice's newer churches, and probably the last one
completed during the Venetian republic time. It was
designed by Giovanni Antonio Scalfarotto in a
neoclassical style.
6. St. Marcuola Church/Chiesa di San Marcuola
Rio Terà dietro la Chiesa 1777
45°26'34"N 12°19'43"E
Vaporetto: San Marcuola
Chiesa di San Marcuola originates from founding in the
1100s and a major refurbishment by Giorgio Massari in
the years 1730-1736. Inside, there are some works of art
to see, among other things Tintoretto's painting The Last
Supper / l'Ultima Cena.
7. New Ghetto/Ghetto Nuovo
Campo di Ghetto Nuovo
www.ghetto.it
45°26'43"N 12°19'36"E
Vaporetto: Guglie
Campo di Ghetto Nuovo is the main square on a small
island in the middle of the Cannaregio district. The island
was the world's first Jewish ghetto, which in itself is a
word from the Venetian language, which has spread to
many parts of the world.
4. San Geremia Church/Chiesa di San Geremia
Campo San Geremia
45°26'33"N 12°19'31"E
Vaporetto: Guglie
Chiesa de San Geremia dates back to the 1000s, but
after several modifications, the current building was
created from the mid-1700s. The facade, however,
changed in the 1860s. From the Roman period is the
preserved tower the most visible element.
8
Venice was for a long time very tolerant to the city's
Jewish population, but with a larger immigration in the
early 1500s it was decided that the Jews were isolated.
A ghetto was established in 1516, and all the city's Jews
moved to here and had to stay at night.
The city's Jewish population increased gradually, and
building in the height was then the only option. The
ghetto spread out later to other neighboring islands. In
1541 the Old Ghetto/Ghetto Vecchio was established,
and in 1633 The New Ghetto/Ghetto Nuovissimo.
Despite the name is Ghetto Nuovo older than the Ghetto
Vecchio.
At Ghetto Nuovo, there are still Jewish shops, although
the Jews were assigned common citizenship as early as
1818. There are, among other things, a museum of the
ghetto's history and several synagogues.
9. Moor’s Square/Campo dei Mori
Campo dei Mori
45°26'44"N 12°19'55"E
Vaporetto: Orto
The square Campo dei Mori is named after the Moors,
even though these people never resided here. However,
it has brothers Rioba, Sandi and Afani Mastelli who in
the 1100s came from the city Morea on the Greek island
of Peloponnese.
The brothers built the palace Palazzo Mastelli on site,
where you can also see statues of the three brothers,
who invested in the Crusades and took home big gains
in trading especially African and Asian products.
By Campo dei Mori, one can also see the house where
the 1500-century artist Jacopo Comin, known as
Tintoretto, lived the last twenty years of his life. Casa di
Tintoretto (Fondamenta dei Mori 3399) is located a few
houses to the east along the canal Rio de la Sensa.
10. St. Mary dell’Orto Church/
Chiesa della Madonna dell’Orto
Campo della Madonna dell’Orto
www.madonnadellorto.org
45°26'47"N 12°19'57"E
Vaporetto: Orto
Chiesa della Madonna dell'Orto was built in 1300 and
originally dedicated to the traveler's patron saint Saint
Christopher. However, it was already about 1400 rebuilt
to accommodate the Virgin Mary statue that stands in
the church. The statue was found in one of the area's
gardens, and was said to perform miracles. The church
was renamed in this honor.
The church facade takes its appearance from the years
1460-1464, and you can also see the bell tower, which
was completed in 1503. At the bell tower there are
statues of Evangelists, while the facade is decorated
with niches with Jesus' twelve disciples .
Inside, in addition to the Virgin Mary statue, there are
some interesting 1500s paintings in the choir by the
artist Tintoretto, who for many years lived near the
church, and who is buried here. In Contarini
Chapel/Capella Contarini you can see Tintoretto's work
St. Agnes' Miracle/Il Miracolo di San Agnese, and both
Tintoretto and other artists such as Cima da Conegliano
have decorated other parts of the church.
8. St. Martialis Church/Chiesa di San Marziale
Campo San Marziale
45°26'37"N 12°19'58"E
Vaporetto: Orto, San Marcuola, Ca’ d’Oro
The first edition of Chiesa di San Marziale was built in
the 800s and rebuilt in the mid-1100s.
The medieval and unadorned exterior is in opposition to
the current baroque interior, which dates from 1693 to
1714. The renovated church was consecrated by Bishop
Pietro Barbarigo in 1721.
Of particular interest is the interior decoration, which
features frescoed ceilings by Sebastiano Ricci and
works from 1548-1549 by the Renaissance painter and
native son Tintoretto.
11. Church of Mercy/Chiesa della Misericordia
Campo dell'Abbazia
45°26'38"N 12°20'7"E
Vaporetto: Ca’ d'Oro, Orto
Chiesa della Misericordia was founded in the 900s. The
current building is dominated by the opulent façade, that
Gaspare Moro created in the 1650s. The decoration
consists mainly of allegorical statues.
The building immediately next to the church in a westerly
direction is the Old Mercy School/Scuola Vecchia della
Misericordia, whose building was built in 1310.
9
To the south of the church is the school building The
New Mercy School/Scuola nuova della Misericordia,
whose architectural lines originates from the 1500s.
13. St. Mary Assumption Jesuit Church/
Chiesa di Santa Maria Assunta o dei Gesuiti
Campo dei Gesuiti
45°26'35"N 12°20'20"E
Vaporetto: Fondamente Nove
This church is also just called Gesuiti by the Jesuit
monks who, after a dispute between Pope Paul V and
Venice were exiled from the city. The conditions were
normalized, and in the years 1715-1729, they could build
this very beautiful and richly decorated church.
The exterior baroque design is one thing, but the visit is
rewarded by the ample interior of the church, which used
different colors marble in a splendid composition and
splendidly done frescoed ceilings.
12. The New Quays/Fondamenta Nuove
Fondamenta Nuove
45°26'33"N 12°20'29"E
Vaporetto: Fondamente Nove
The street Fondamenta Nuove is a long quay
established in the 1580s. Today it is a good promenade
in one of Venice's more quiet neighborhoods away from
the tourist flowing to the south. There are good views to
the islands to the north in the lagoon, including the
neighboring Isola di San Michele, a cemetery island.
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Sights in Venice – tour 2
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On the ground floor there is a loggia behind a colonnade
with direct access from the canal. On the first floor there
is a balcony and the mansion's main salon. The building
is constructed with an inner courtyard, where climbing
stairs and balconies were demolished in the 1800s.
The State bought Ca' d'Oro in 1922, and after
restoration stands the palace now in its former glory.
Visitors can go beyond the actual building experience in
a gallery that especially includes the Ca' d'Oros last
private owner, Giorgio Franchettis art collection.
14. The Golden House/Ca’ d’Oro
Calle della Ca’ d’Oro 3932
www.cadoro.org
45°26'27"N 12°20'2"E
Vaporetto: Ca’ d’Oro
Ca' d'Oro means gold house, and it is beautifully
situated on the Grand Canal. Its official name is St. Sofia
Palace/Palazzo Santa Sofia, but has always been
known as Ca' d'Oro due to the original exterior
decorations with gilding.
Ca' d'Oro is considered as the most beautiful palace in
Venice, and it holds in its architecture the city's typical
style with a mixture of Western and Oriental decorations.
The mansion was built in 1428-1430 by the prestigious
Contarini family, who over the years has produced eight
of the city's doges. The Ca' d'Oro architects were also
the ones behind the city's Doge's Palace, Palazzo
Ducale, and towards the Grand Canal, you can clearly
see their particularly flourishing Venetian Gothic.
15. Christ's Apostle Church/
Chiesa dei Santi Apostoli di Cristo
Campo Santi Apostoli
45°26'25"N 12°20'12"E
Vaporetto: Ca’ d’Oro
With the founding in the 7th century Chiesa dei Santi
Apostoli one of the oldest churches in Venice.
Reportedly St. Magnus of Oderzo had a vision from
11
Jesus' disciples to build a church exactly where he saw
12 cranes, and thus began the construction at this spot.
The church stands today as a result of especially a
major renovation that was completed in 1575. Most
famous of the interior is the chapel for the family
Cornaro, Cappella Cornaro, which was built by Mauro
Codussi in the 1490s.
From the late 1500s the works of, among others, Paolo
Veronese and Giovanni Contarini can be seen.
16. Virgin Mary Miracoli Church/
Chiesa di Santa Maria dei Miracoli
Campo dei Miracoli
45°26'22"N 12°20'21"E
Vaporetto: Ca’ d’Oro/Rialto
Chiesa di Santa Maria dei Miracoli was built 1481-1489
by Pietro Lombardo with great use of marble and is
therefore also called the Marble Church. It is considered
one of the city's finest examples of early Venetian
Renaissance.
The church is very beautiful and richly decorated both
inside and out. The many marble works, columns and
reliefs form a colorful and stylistically very clean and light
building where the central staircase to the altar is
dominant.
18. St. George and Paul Basilica/
Basilica dei Santi Giovanni e Paolo
Campo Santi Giovanni e Paolo
www.basilicasantigiovanniepaolo.it
45°26'21"N 12°20'31"E
Vaporetto: Ospedale
This basilica is one of the largest churches in Venice. It
was built as the city's Dominican church, hence, the
impressive size that would match a large congregation.
Dominicans got the land in 1246 by the doge Jacopo
Tiepolo. They built a church that stood until 1333, from
which the present basilica was built. It was completed
after almost a hundred years of construction in 1430.
Inside, there are many paintings and funerary
monuments, including for Doge Jacopo Tiepolo, who
donated the land in its time. A total of 25 doges are
buried in the church, the most since the 1400s.
Among the chapels is the ornate 16th Century Rosary
Chapel/Cappella del Rosario particularly worth seeing.
The most impotant of the church's relics is of Catherine
of Siena, who was a nun in Dominican Friars in the
1300s.
Next to the church, at the square Campo Santi Giovanni
e Paolo, stands an equestrian statue. It is produced by
Andrea del Verrocchio around 1480 and envision the
military man Bartolomeo Colleoni.
17. St. Marc Great School/
Scuola Grande di San Marco
Fondamenta dei Mendicanti 6776
45°26'24"N 12°20'31"E
Vaparetto: Ospedale
Scuola Grande di San Marco was established as part of
the so-called Great Schools in Venice/Scuole Grandi di
Venezia, which was founded as education accessible to
all, regardless of background, students should just be
citizens of Venice.
The school was built in 1260. The original building
burned down, however, in 1485 and had to be rebuilt.
The result is the distinguished Renaissance building,
you can see today. The façade with it's arches and
sculptures is an impressive sight.
In 1819, the institution was redesigned as an Austrian
military hospital, and today it houses a civil hospital.
19. St. Lawrence Church/Chiesa di San Lorenzo
Campo San Lorenzo
45°26'14"N 12°20'43"E
Vaporetto: San Zaccaria
Chiesa di San Lorenzo's history dates back to its
founding in the 9th century. The church burned down in
1105, but was rebuilt.
The present church is the result of a major renovation in
the years 1592-1602, and it is most famous for being the
place where the merchant and explorer Marco Polo was
buried after his death in early January 1324.
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22. Rialto Bridge/Ponte di Rialto
Ponte di Rialto
45°26'16"N 12°20'9"E
Vaporetto: Rialto
Rialto Bridge is the largest of the bridges that cross the
Grand Canal, and over many centuries it was also the
only one. The bridge is also at the city's highest point,
although this may be difficult to see.
The first bridge on the site was built as a pontoon bridge
in 1181 by Nicolò Barattieri. The bridge was called Mint
Bridge/Ponte della Moneta due to the city's coin lying
here on the east side.
Rialto Market/Rialto Mercato next to the bridge quickly
created a lot of traffic over the Ponte della Moneta, and
in 1255 a wooden bridge was built. In the first half of the
1400s shopping malls on the bridge sides opened, and
rental income generated funds for bridge maintenance.
The wooden bridge was difficult to maintain and it both
burned and collapsed over the years. In the early 1500s
a proposal to build a stone bridge arose. However, it
took some years before Antonio da Ponte's design was
chosen and the bridge built. It was opened in 1591 after
three years of construction.
The bridge is one of Venice's landmarks, and it is
wonderful both to sail under and cross by foot. The site
also provides an excellent view over the Grand Canal's
winding course and many beautiful mansions.
20. St. Mary Formosa Church/
Chiesa di Santa Maria Formosa
Campo Santa Maria Formosa
45°26'13"N 12°20'27"E
Vaporetto: Rialto
Chiesa di Santa Maria Formosa is a work of the
Renaissance architect Mauro Codussi. It was built in the
late 1400s, while the two church facades, however,
came later.
The façade facing the canal was erected from 1542 and
it is faithful to the church's Renaissance architecture,
while the facade facing the square is from the 1600s
Baroque period. An additional feature of the main church
is the elegant tower.
21. The Holy Saviour Church/Chiesa di San Salvador
Campo San Salvador
45°26'11"N 12°20'11"E
Vaporetto: Rialto
The Saviour Church, Chiesa di San Salvador, was
founded in 1177 by Pope Alexander III after his
reconciliation with the Holy Roman Emperor Frederick I
Barbarossa in the nearby St. Mark's Church/Basilica di
San Marco.
However, the present church was built from 1508 in
Venetian Renaissance style. The beautiful, bright façade
was built in 1663, and in that one can see a bricked
cannonball. The bullet comes from an Austrian
bombardment in 1849.
Of the inside decoration you can enjoy fine mosaic floors
in many colors and artwork of Tiziano Vecellio, for
example, the biblical scene of the Annunciation/
Annuciazione from the years 1559 to 1564.
In connection with the church and immediately south of
the site is the former convent buildings now used for
office purposes.
23. St. Jacob Church in Rialto/
Chiesa di San Giacomo di Rialto
Campo San Giacomo de Rialto
45°26'18"N 12°20'7"E
Vaporetto: Rialto, Rialto Mercato
Chiesa di San Giacomo di Rialto is as the name
suggests located in the district of Rialto. It is regarded as
Venice's oldest, as it is believed that the first church on
the site was consecrated in the year 421.
The present church is in its original form erected around
year 1000, but the earliest documentation is from 1152.
The church is particularly famous in the city for the very
large clock that hangs over the entrance. The clock is
from the 1400s and was a practical installation here in
Venice's commercial center.
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After Longhena died during the building time the Pesaro
family allowed Gian Antonio Gaspari to complete the
house in 1710.
In 1902 it was decided to refurbish the palace into a
museum for the city's collection of modern art; a
collection that was established five years earlier.
Today there are mainly 1800-1900-century artists to be
seen in the museum, that both exhibits works by
Venetian and other artists.
In Ca' Pesaro there is also a museum of oriental art. You
can i.e. see Japanese, Chinese and Indonesian works.
25. Mocenigo Palace/Palazzo Mocenigo
Salizzada San Stae 1992
www.visitmuve.it
45°26'26"N 12°19'47"E
Vaporetto: San Stae
The family Mocenigo has historically been one of the
city's leading and their San Stae branch resided in this
mansion from the 17th century. The family's importance
is emphasized by the fact that they between 1414 and
1778 delivered seven doges.
The palace was originally built in Gothic style, it got the
present look by the conversion in the early 1600s. The
last descendant of the Mocenigo family donated the
mansion to the City Council in 1945 in order to create a
museum. In 1985 the site was converted into a center
for historical textiles and clothing suits, and besides that
a visit here gives a good impression of historic Venetian
wealthy standards.
24. Ca’ Pesaro/Ca’ Pesaro
Santa Croce 2076
www.capesaro.visitmuve.it
www.arteorientale.org
45°26'27"N 12°19'53"E
Vaporetto: San Stae
Ca' Pesaro is a marble palace in Baroque style, which is
located at the Grand Canal. Construction began in the
1600s by the architect Baldassarre Longhena's design.
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At Campo San Polo stands the Chiesa di San Polo,
which in its present form is from the 1400s. The
Campanile bell tower was however completed in 1362,
and on the ground there has been a church since
around year.
You can also see some beautiful mansions here, such
as Palazzo Tiepolo (Campo San Polo 1957) from the
1500s and Palazzo Soranzo (Campo San Polo 21692170) from the 1400s, both located on the east side of
the square.
28. Virgin Mary Brother Church/
Chiesa di Santa Maria Gloriose dei Frari
Campo dei Frari
45°26'12"N 12°19'35"E
Vaporetto: San Tomà
This Gothic church from the 1200-1300s is almost
enormous compared to the low settlements in the
surrounding streets. The church tower reaches a height
of 80 meters and has only been surpassed by the
Campanile in Piazza San Marco.
The church was built by the Franciscan Order in its
original appearance and size between 1250 and 1338
and an expansion was almost immediately started. The
high bell tower was finished in 1396.
Inside the big church there are many beautiful and
interesting sights. The carved seat rows in the monks'
choir was built in 1468 and centrally behind the choir is
the high altar with the artist Tiziano Vecellios work from
1518 of Mary's Ascension, l' Assunta. Immediately on
either side of the altar are the tombs of doges Nicolò
Tron and Francesco Foscari.
A detail of the church is that it embodies Venice's only
preserved lectorium, which means the pulpit, the
Scripture was read from.
Next to the church are associated monastery buildings.
The now former monastery is designed for public
administration, but the cloister with the atmospheric
walkways stands as in former times, with all their
monastic charm.
26. The Turkish House/Fondaco dei Turchi
Salizada del Fontego dei Turchi 1730
www.msn.ve.it
45°26'30"N 12°19'43"E
Vaporetto: San Stae
Fondaco dei Turchi is a palace on the Grand Canal,
which was previously ghetto of Venice's Turkish
population. The building dates from the first half of the
1200s, and in 1381 it was purchased by the Venetian
state. After having worked as a Turkish ghetto from the
early 1600s to 1838, the building was a kind of center for
Turkish trade.
Today, it is designed as the city's Natural History
Museum, Museo di Storia Naturale, which has many
interesting things in the exhibition.
29. St. Roch Great School/
Scuola Grande di San Rocco
Campo San Rocco
www.scuolagrandesanrocco.it
45°26'11"N 12°19'31"E
Vaporetto: San Tomà
Behind the name Scuola Grande di San Rocco hides a
building where you can see the largest collection of
works by the artist and the Venetian Tintoretto, who lived
from 1518 to 1594.
Tintoretto was commissioned to provide paintings in
1564, and he is responsible for more than 50 works here
which took over 20 years to complete. Perhaps the most
impressive is the crucifixion/La Crocifissione that can be
seen in the lavish Sala dell'albergo. Sala Superiore has
a similar beautiful decor.
27. San Polo Square/Campo San Polo
Campo San Polo
45°26'15"N 12°19'47"E
Vaporetto: San Silvestro
Campo San Polo is one of Venice's main squares and
has previously been used for, among other masked
balls, bullfights and major public ceremonies.
The square was paved in 1493 and one of the few
fountains that over time have been in Venice was
erected here. Of more stupendous cases, Lorenzino de'
Medici was assassinated here in 1548, Lorenzino de'
Medici is known as the man who killed his cousin
Alessandro, Duke of Florence.
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The building was built as a school by a group of wealthy
citizens who founded it in 1478. Construction of the new
school building was approved in 1499 and went on for
many years with a completion in 1560. The school was
recognized as one of Venice's so called Great
Schools/Scuola Grande.
The monks built in the period 1590-1714 this church in
Saint Nicholas of Tolentinos name. From the outside, it
differs from other churches in the city by being the only
one with a Corinthian portico.
Vaporetto/Vaporetto
www.actv.it
Venice's main roads are the small and large channels
that connect almost every corner of the city. The
highway is the Grand Canal, which winds through the
city before it flows into the Venice Lagoon.
A good way and simultaneously a must do during a visit
is a boat ride on the Grand Canal, but it is also
interesting to sail south and north of the central districts,
where you get a different impression than in the absolute
center.
You can sail along the major waterways with the city's
water buses, the vaporettos, that operate as regular
buses with regular stops. A tour in the smaller canals is
most evocative done in a gondola, and if you want to
move a little faster, you can take a water taxi.
A hub in the vaporetto system is Santa Lucia train
station, from where you can sail both the classic ride
along the Grand Canal and to other destinations.
30. Martyr St. Pantaleon Church/
Chiesa di San Pantaleone Martire
Campo San Pantalon
45°26'8"N 12°19'28"E
Vaporetto: San Tomà
This church, colloquially called San Pantaleon, is worth
a visit due to the huge and impressive ceiling painting,
Gian Antonio Fumiani painted in the period 1680-1704.
The painting depicts Saint Pantaleons martyrdom and
apotheosis.
31. St. Nicholas of Tolentino Church/
Chiesa di San Nicolò da Tolentino
Campo dei Tolentino
45°26'15"N 12°19'19"E
Vaporetto: Piazzale Roma
After the Holy Roman pillage of Rome in 1527 members
of the Catholic Theatiner monks came to Venice in the
same year.
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32. Saint Nicholas Mendicoli Church/
Chiesa di San Nicolò dei Mendicoli
Campo San Nicolò
45°25'57"N 12°18'57"E
Vaporetto: San Basilio
This church was first constructed in the 7th century,
making it one of the oldest in Venice. The current church
building and church tower dates from the 1100s, but the
church has undergone several renovations since then.
For example, the floor was raised in 1970 as it was
previously under the water table in the surrounding
canals.
On the outside the church is quite simple and not very
flashy, but inside it is richly decorated with archways,
gilded statues, large ceiling paintings and other art.
regardless of their background, which for example gave
impecunious new opportunities.
Initially, the school administration was in the Carmelite
monastery next door, and a partnership started with the
Carmelites.
The school got the city council's approval in 1597, and in
1767 the institution was obtained as the last school in
town to get the title of a Great School/Scuola Grande.
Only schools that took students without regard to their
circumstances, were given that title.
Best known in the school is the splendid chapter
house/Sala Capitolare which the artist Tiepolo decorated
in the period 1739-1749. The nine ceiling paintings are
considered to be among his best works.
Among other noteworthy rooms are Archive Hall/Sala
dell'Archivio and Hospice Hall/Sala dell'albergo, both of
which are also lavishly decorated.
34. Virgin Mary Church in Carmini/
Chiesa di Santa Maria dei Carmini
Campo Carmini
45°26'0"N 12°19'20"E
Vaporetto: Ca’ Rezzonico
This church is in its original form built from 1286 and
inaugurated in 1348, but it has over the centuries been
repeatedly rebuilt and expanded.
The foundation came with Carmelite monks that with a
large congregation was one of the city's most wealthy.
Their background is seen on the church's facade, it is
decorated with statues of the founders of the order.
33. Carmini Great School/Scuola Grande dei Carmini
Campo Carmini
45°26'1"N 12°19'20"E
www.scuolagrandecarmini.it
Vaporetto: Ca’ Rezzonico
Scuola Grande dei Carminis history goes back to its
founding 1 March 1594 as a school for students
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In the church there are various altars, sculptures and
works of art, made by eg Tintoretto. The church tower
stands picturesquely facing the canal with a statue of the
Virgin Mary on top, forming a very evocative Vue.
Palazzo Bon would be built, and the architect
Baldassarre Longhena was hired for the work, but it
stopped with Bons economic decline. The Rezzonico
family bought the unfinished marble mansion and
finished the construction.
Venice city government bought the Ca' Rezzonico in
1935 and it is today a museum of Venice in the 1700s.
Besides the very beautifully decorated mansion building,
you can experience various art and furniture that gives a
good impression of that era.
35. Fist’s Bridge/Ponte dei Pugni
Ponte dei Pugni
45°25'59"N 12°19'27"E
Vaporetto: Ca’ Rezzonico
Of Venice's numerous bridges over the city's many
canals Ponte dei Pugni is one of the most well known.
Pugni means fists, and the name comes from the fact
that the bridge was formerly a well-known place for
staging fist fights.
The loser was subsequently thrown into the water.
These fights were banned in 1705, but you can see the
pair of footprints on the ground, which marks the starting
point for the fights.
37. Academy Gallery/Gallerie dell’Accademia
Campo della Carità
www.gallerieaccademia.org
45°25'51"N 12°19'41"E
Vaporetto: Accademia
Gallerie dell'Accademia is an art museum that houses a
large and very fine paintings collection of works from
primarily the 1200-1700s.
The core of the collection is the many works of Venetian
painters, and the many artists and centuries represented
36. Rezzonico House/Ca’ Rezzonico
Fondamenta Rezzonico 3136
http://carezzonico.visitmuve.it
45°26'0"N 12°19'35"E
Vaporetto: Ca’ Rezzonico
Ca 'Rezzonico is a mansion, located down to the Grand
Canal. It started with Filippo Bon, who in 1649 decided
to build a new beautiful mansion in the place where two
smaller houses were located.
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give a good impression of the width that has been in the
city's artistic life.
One of the museum's most famous works of art is
Leonardo da Vinci's drawing of the Vitruvian Man/Uomo
Vitruviano which is believed designed in 1487.
The background of the museum was established by the
Academy of Fine Arts/Accademia di Belle Arti in 1750. In
1807 the academy moved to the current building, which
has a past as school, church and monastery.
gratitude for the relief of the plague. It takes place 21
November at the event Festa della Madonna della
Salute, where a procession goes from San Marco.
38. Peggy Guggenheim Collection/
Collezione Peggy Guggenheim
Calle San Cristoforo
www.guggenheim-venice.it
45°25'50"N 12°19'53"E
Vaporetto: Accademia, Salute
Collezione Peggy Guggenheim is a museum that
exhibits some of the world's best in contemporary art.
There are paintings and sculptures, and countless artists
are represented, including Salvador Dalí, Vasily
Kandinsky and Pablo Picasso.
The collection was founded by American Peggy
Guggenheim, who in 1910 bought the works of primarily
expressionism, cubism and surrealism.
Guggenheim bought the museum building in 1949 and
used it as her home until her death in 1979. The building
is called Palazzo Venier dei Leoni and was built in 1700.
Basilica di Santa Maria della Salute is regarded as one
of Italy's most beautiful examples of Baroque buildings
outside Rome. Among the details are more than 100
statues that adorn the building.
40. Sea Customs/Dogana di Mare
Fondamenta della Dogana alla Salute 2-7
45°25'50"N 12°20'10"E
Vaporetto: Salute
Dogana di Mare is a customs house, originally built in
the 1400s on the eastern tip of the district of Dorsoduro.
In the years 1676-1682 it was rebuilt and given the
current facade. The location meant that you from here
could control the entrance to the Grand Canal.
39. Virgin Mary Savior's Basilica/
Basilica di Santa Maria della Salute
Campo della Salute
45°25'50"N 12°20'5"E
Vaporetto: Salute
The impressive Baroque church, the Basilica di Santa
Maria della Salute, is located at the mouth of the Grand
Canal's inner part towards the Venetian lagoon. The
church's dimensions are stressed by the fact that the
foundation consists of more than 100,000 poles that are
hammered into the soft ground.
Construction was started in gratitude of the end of the
epidemic plague in 1630 after it ravaged and spread
dead and became the end for about a third of the city's
population since the summer of 1629.
The foundation stone of the church was laid down the
following year, and the completion of the church
happened in 1687. On that occasion, it was decided that
the city's senate each year should visit the church in
From the promenade in front of the building there are
outstanding views in several directions. Grand Canal,
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Piazza San Marco, Palazzo Ducale, the Basilica of San
Giorgio Maggiore, Venice Lagoon are the highlights, but
it's also interesting just to follow the hectic traffic on the
water, where water buses, gondolas, police boats and
many other boats pass by.
magnificent as much else in Venice. Construction
started in 1790 and already in 1792 the building was
inaugurated as the opera house La Fenice, which
means Phoenix and refers to the fact that the site rose
from the ashes.
Already in 1836 the opera burned again, and this time
the rebuilding went fast. Already in 1837 could it be reopened once again with a magnificent interior.
There are many great setups that have premiered here.
Giuseppe Verdi used La Fenice for plays like La Traviata
and Rigoletto.
41. St. Stephen Square/Campo Santo Stefano
Campo Santo Stefano
45°25'59"N 12°19'49"E
Vaporetto: Giglio/Sant’ Angelo
Campo Santo Stefano is one of Venice's main squares
and forms the setting for several mansions, eg Morosini
Palace House/Palazzo Morosini. In the middle of the
square you can see a monument to the Italian literary
historian Nicolò Tommaseo.
At the north end of the square is St. Stephen
Church/Chiesa di Santo Stefano, which is mainly built in
the 1300s, however, with later alterations. The church
contains several funerary monuments, among them one
for the 14th century doge Andrea Contarini.
Campo Santo Stefano is also known as Campo
Francesco Morosini, whose name comes from the
Venetian naval hero from the 1600s; Franceso Morosini.
43. Contarini Bovolo Palace/
Palazzo Contarini del Bovolo
Calle delle Locande
www.scalabovolo.org
45°26'5"N 12°20'3"E
Vaporetto: San Marco/Rialto
Contarini del Bovolo is a small palace, which was built in
the 1400s. It is known for the external spiral staircase
tower, Scala Contarini del Bovolo, located in the
courtyard and forms a large archway across several
floors.
Public transport in Venice
Venice water busses: www.actv.it
Venice airport: www.veniceairport.it
Italian railroads: www.trenitalia.com
42. Fenice Opera/Gran Teatro La Fenice
Campo S. Fantin
www.teatrolafenice.it
45°26'0"N 12°20'0"E
Vaporetto: Giglio
Since Venice's main opera house burned in 1773, the
need arose for a new building, and this had be
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44. St. Mark's Square/Piazza San Marco
Piazza San Marco
45°26'2"N 12°20'17"E
Vaporetto: San Marco, San Zaccaria
Piazza San Marco is Venice's main square, and actually
it is the only place in town that is called with the name
Piazza, the majority of the other is titled with the bane of
a lesser Campo.
The result of the meeting was the Peace of Venice,
where reconciliation and peace was concluded between
the Papal States, The Lombard League and the Holy
Roman Empire, which suffered defeat to the Lombard
League at the Battle of Legnano in 1176. Emperor
Barbarossa was forced to seek peace, and he
recognized at peace Alexander III as pope instead of his
own anti-pope.
Piazza San Marco is dominated by several large
buildings, the Basilica of San Marco and the Doge's
Palace to the east, the Campanile in the square and the
pillar arcade buildings to the west (L'Ala Napoleonica),
north (Procuratorie Vecchie) and south (Procuratorie
Nuove).
Procuratie Vecchie was first built in the 1100s for offices
and homes of the procurators, which gave its name to
the place. The current building dates from the 1500s.
Procuratie Nuove was built in the period 1586-1640,
while the Napoleon wing/L'Ala Napoleonica is from
around 1810. It was erected as a replacement for a few
former side wings and a small church.
The official gateway to the square are the two pillars
erected in honor of the town's patron saints, St.
Mark/San Marco and St. Theodore/San Teodoro, and
they welcome visitors from the water. The pillars provide
access to a part of the square, called the Little St. Mark's
Square/Piazzetta San Marco. Public executions took
place here in the 1700s.
The square's history dates back to the 800s, when it was
founded as a small square in front of St. Mark's Basilica.
The current square was created in 1177, when several
channels were filled up, so the area could form an
appropriate place for this year's landmark meeting
between Pope Alexander III and the Holy Roman
Emperor Frederick I Barbarossa.
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The pavement of Piazza San Marco has since the 13th
century been first in a herringbone pattern and since
1723 in a more complex geometric pattern.
The square is Venice's lowest point, and therefore it can
be partially submerged at certain times. This can be an
experience in itself, when racks are put up to allow
pedestrians who still can cross the square dry-shod.
The lavish style of the Clock Tower is an exhibition of
Venice's wealth. The great clock and its work is the
original from 1499, and the building on the whole has
also not been altered since it was built.
47. St. Mark’s Basilica/Basilica di San Marco
Piazza San Marco
www.basilicasanmarco.it
45°26'4"N 12°20'23"E
Vaporetto: San Marco, San Zaccaria
Basilica di San Marco is the best known of all the
Venetian churches, and it is also the finest example of
Byzantine architecture in the city. Originally it was
functioning as the chapel for Venice's rulers, but since
1807 it has had the status of the city's cathedral and is
the seat of the Patriarch of Venice.
45. St. Mark's Tower/Campanile di San Marco
Piazza San Marco
45°26'2"N 12°20'20"E
Vaporetto: San Marco, San Zaccaria
Campanile di San Marco is one of Venice's famous
landmarks. It measures 98 meters in height and reached
its present appearance in the 1514. The tower
collapsed, however, in 1902, and a reconstruction of the
original tower was built and completed in 1912.
The tower dates back to the 9th century when it was a
watchtower of the dock areas that were on site at the
time. In the Logetta building below the tower guards for
the city's doges were later housed. Logetta was
destroyed by the collapse in 1902.
There is a fantastic view from the top of the Campanile
di San Marco to Piazza San Marco, Venice in general
and the lagoon to the east.
The first church on the site was built in 828 to house the
relics of St. Mark the Evangelist, they had been brought
from Alexandria.
Basilica di San Marco have had to be restored several
times, including after a devastating fire in 978. After the
fire started construction of the current church, which was
consecrated in 1094.
The church was built as a magnificent symbol of the citystate of Venice's wealth and power. It has been rebuilt in
the centuries after the inauguration and is now a
wonderful mix of Byzantine and Roman style. The
church is with its five impressive domes quite large, and
both on the facade and the inside are full of unique
details. The dimensions of the Basilica di San Marco is a
floor plan of 76x62 meters and a height of 43 meters.
Outside above the main entrance stands antique horse
statues that have previously been exhibited at the
Constantinople hippodrome. In 1254 they were installed
here at the Basilica di San Marco. In 1797, Napoleon
moved them to Paris, where they came back after the
Napoleonic wars in 1815.
Within the church you are greeted by 1100s marble
floors and a sumptuous decor. As in a traditional
Byzantine church there is an iconostasis, and it is
crowned by Gothic sculptures from the 1400s. At the
high altar the relics of St. Mark are kept.
46. St. Mark’s Clock Tower/Torre dell’orologio
Piazza San Marco
45°26'5"N 12°20'20"E
Vaporetto: San Marco, San Zaccaria
Torre dell’orologio is a bell tower that should not be
mistaken with the high tower, Campanile di San Marco.
This tower was built 1496-1499 as a bell tower with a
clock, which could be seen from the ships on the Grand
Canal so they could sail on time.
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One of the most impressive things is the variety of
ancient mosaics in gold, bronze and many different
stones covering thousands of square meters.
1603 onwards had to be sent in a copy to here, but over
the years many smaller or larger collections have been
added. The library building is in Renaissance and built
from 1537. The majority was completed by 1553,
however extended later in the 1500s in the same style to
the water.
48. Correr Museum/Museo Correr
Piazza San Marco 52
http://correr.visitmuve.it
45°26'0"N 12°20'17"E
Vaporetto: San Marco, San Zaccaria
In the building Procuratorie Nuove on the south side of
Piazza San Marco is the Museo Correr located. The
beginning of the museum was Teodoro Corrers
collection, which he donated to the city in 1830.
Correr strenuously collected effects and material that
was related to the history of Venice. He had managed to
acquire many works of art and other things from various
wealthy families, who after the Republic of Venice's
decline in 1797 and with varying powers of government
had to sell their items in the uncertain times.
The museum gives a good insight into Venetian life and
culture over the centuries, and there is also a fine art
collection.
51. Doge’s Palace/Palazzo Ducale
Piazza San Marco 1
http://palazzoducale.visitmuve.it
45°26'2"N 12°20'25"E
Vaporetto: San Marco, San Zaccaria
Doge's Palace, Palazzo Ducale, is the place where
Venice's Doges lived and had their administration. It also
housed the city's main courts and stands today as one
of Venice's landmarks and most magnificent buildings.
49. National Archaeological Museum/
Museo Archeologico Nazionale
Piazzetta San Marco 17, Piazza San Marco 52
www.polomuseale.venezia.beniculturali.it
45°26'0"N 12°20'17"E
Vaporetto: San Marco, San Zaccaria
At Venice's National Archaeological Museum you can
see a fine display of various finds from, among other
things Greek, Roman and Assyrian cultures, as well as a
number of other items, such as pottery and coin finds.
The current Doge's Palace is mainly built in the years
1309-1424. The style is typically Venetian with its mix of
western Gothic and oriental ornamentation.
There are two ornate facades, facing respectively Piazza
di San Marco and Venice Lagoon. The facades are
constructed with curved arches in the lower floors, and it
is a tecnique that creates airiness in the edifice. Close to
the facade you can also see the elegant decor of the
major surfaces of the outside decor. To the Piazza di
San Marco you can see two pillars at the first floor, they
are redder than the otherones and just between these
columns were death sentences read aloud.
The inside of the Palazzo Ducale is also very seeworthy.
Among the highlights is the entrance gate next to the
Basilica San Marco, Porta della Carta, which is a
50. Mark’s National Library/
Biblioteca Nazionale Marciana
Piazzetta San Marco
http://marciana.venezia.sbn.it
45°26'0"N 12°20'21"E
Vaporetto: San Marco, San Zaccaria
This is a library that contains one of the world's finest
collections of classic texts. The core of the many works
comes from the fact that all books printed in Venice
23
beautiful example of Venetian late Gothic style. New
doges were led this way into the palace.
In the palace courtyard, there are several styles mixed
together in a very attraction composition. Here the
Giants Stairs/Scala dei Giganti lead from the courtyard
to the upper floors and the residence of the doge. The
giants depict the gods Mars and Neptune, and they are
created in 1567. The many rooms in the palace count
besides residential areas also political meeting rooms
and various function rooms.
paintings, among other Venetian Tintoretto's depiction of
The Last Supper/l'Ultima Cena.
You can also go for a walk into the slim bell tower from
1791, where you are rewarded with a fine view of the
lagoon and towards the center of Venice.
At the Basilica of San Giorgio Maggiore there are also
some monastery buildings. The monastery's history
dates back to the year 982, when the whole island was
donated to a Benedictine monk, who subsequently
founded the place.
In 1177 Pope Alexander III and the Holy Roman
Emperor Frederick I Barbarossa resided here at their
meeting in the city. The current monastery buildings are
mainly built through the 16th and 17th centuries.
52. Bridge of Sighs/Ponte dei Sospiri
Fra Ponte della Paglia
45°26'2"N 12°20'27"E
Vaporetto: San Zaccaria
Behind the Palazzo Ducale is the famous Bridge of
Sighs, Ponte dei Sospiri, leading from the Ducal Palace
across the canal Rio di Palazzo to the place of
imprisonment.
The 11 meter long bridge was built 1600-1603 by
Antonio Contin, and its purpose was to provide easy
access from the cells to the interrogation rooms in the
Doge's Palace. Many prisoners have gone this route,
including native son Giacomo Casanova, who was
arrested and sentenced in 1755.
54. Embankment of Slaves/Riva degli Schiavoni
Riva degli Schiavoni
www.hoteldanielivenice.com
45°26'1"N 12°20'40"E
Vaporetto: San Zaccaria
The street Riva degli Schiavoni form a highly
atmospheric promenade at the Venice Lagoon. The view
from here is awesome and in addition to the many tourist
stalls Venetian gondolas are numerous. You can take a
walk or just enjoy the sight of the beautiful boats.
The promenade was built in the 1400s, and along the
way there are churches, monuments and one of
Europe's most exciting hotels, Hotel Danieli (Riva degli
Schiavoni 4196), which is housed in the Palazzo
Dandolo from the 1300s. Previously, the building has
been an opera, but since 1822 it has been a hotel with
many distinguished guests through the years.
The name Riva degli Schiavoni refers to the slaves from
the Dalmatian coast, who typically were Croats and
came to Venice as artists and thus had some influence
on the city-state.
53. Saint George Great Church/
Basilica di San Giorgio Maggiore
Isola di San Giorgio Maggiore
45°25'45"N 12°20'36"E
Vaporetto: San Giorgio
The view from Piazza San Marco across the Grand
Canal is very picturesque, and many artists have
depicted the beautiful horizon and warm atmosphere.
Central to this Vue is the island of Isola di Giorgio
Maggiore with the chapel of the same name.
After a trip on the water bus to the island you can see
the Basilica di San Giorgio Maggiore, appearing from
1566 by the architect Andrea Palladio and completed
around 1610. Palladio's works can be seen in several
places in Italy, and the Basilica of San Giorgio Maggiore
is a fine example of his style.
Inside the basilica, you see a church that is built light
and in a classic renaissance style. There are various
55. St. Zacharias Church/Chiesa di San Zaccaria
Campo San Zaccaria
45°26'5"N 12°20'36"E
Vaporetto: San Zaccaria
This church is built in the style mix of Gothic and
Renaissance in the period 1444-1515 and dedicated to
John the Baptist's father, whose body is believed buried
24
in the church. As early as the 800s there was a church
here, and its historical importance is underlined by the
crypt, where eight of the Venetian doges are buried.
The early Romanesque church was rebuilt in 1170,
where the preserved bell tower, Campanile, originates.
Inside, there are some works of art in the form of several
masters' paintings on the walls, eg by Tintoretto and Van
Dyck.
56. Saint George Greek Church/
Chiesa di San Giorgio dei Greci
Calle dei Greci 3435
45°26'7"N 12°20'41"E
Vaporetto: San Zaccaria
Over the centuries, the Greek Orthodox Church was not
allowed in Venice. It was in 1498, the Greeks got the
permission to establish an actual church to their
Christian faith, and through taxation on shipping from the
Orthodox world, they gathered funds for the
construction.
In 1539, the foundations for Chiesa di San Giorgio dei
Greci were laid, and after 22 years of construction it was
inaugurated in 1561. The elegant bell tower was not
completed until 1592.
Inside there are frescoes from around 1590 and it is
naturally built in Greek design and style which is evident
with i.e. the iconostasis.
A part down the Via Garibaldi is a green area around the
side street Viale Garibaldi. Here is a statue from 1885
depicting Giuseppe Garibaldi, which is considered as the
man behind the unification of Italy in the 1800s.
59. The Arsenal/Arsenale
Fondamenta di Fronte
45°26'9"N 12°21'15"E
Vaporetto: Arsenale
Arsenale is Venice's old naval area that was established
in the 1100s. Over the years there has been a great
expansion of the facilities. The two distinctive towers at
Porta da Mar, resting on each side of the canal Rio de
l'Arsenale is the example from the 1500s.
The fleet was the lifeblood of the trading power Venice
to maintain its empire and its revenues. Arsenale was
therefore the city's most important and largest employer.
Up to the Republic of Venice's decline in 1797 the fleet
gradually lost its importance, and Napoleon's destruction
ended the area's original activity, although the Arsenale
still belong to the military.
57. Naval Museum/Museo Storico Navale
Riva San Biasio Castello 2148
www.marina.difesa.it/venezia
45°25'57"N 12°21'0"E
Vaporetto: Arsenale
At Venice's old naval area, Arsenale, you find the city's
interesting naval museum. Its exhibition portrays both
the Venetian and the later Italian Navy's history.
The museum gives a good insight into the foundations of
Venice's success and wealth, which not least was
created through strong trade and shipping.
58. Garibaldi Street/Via Garibaldi
Via Garibaldi
45°25'56"N 12°21'14"E
Vaporetto: Arsenale
The street Via Garibaldi is a fine example of a former
channel that has been filled. It was French Napoleon,
who in 1808 launched the construction.
At the corner from the promenade Riva dei Sette Martiri
is Giovanni Cabotos house. Caboto known in England
as John Cabot, the man who under the British flag set
sail from Bristol and became the first European since the
Vikings to set foot on the American mainland and what
became today's Canada.
25
Tours from Venice
31
41
51
32
42
52
33
43
53
34
44
54
68
64
63
55
35
45
36
46
37
47
57
38
48
58
39
49
40
50
62
61
69
60
67
65
66
56
59
70
60. Venice Lido/Lido di Venezia
Lido di Venezia, 3 km E
45°24'38"N 12°22'12"E
Vaporetto: Santa Maria Elisabetta/Casino
Venice's famous Lido is a 12 kilometer long island
located between Venice Lagoon and the Adriatic Sea.
Lido was at the beginning of the 1900s one of Europe's
leading bathing areas and celebrities flocked here.
Today the island is a quiet sanctuary that offers long
beaches, beach hotels and quaint small canal streets.
All this in a short time by waterbus from Venice.
Terracotta walls surround the cemetery, where there
grows large cypress trees. Isola di San Michele was
designed as a cemetery in the 1800s, and before that
most citizens were buried in smaller places in the city of
Venice. The practice was halted due to hygienic
reasons, and now most bodies are buried, however, on
the Italian mainland and not at Isola di San Michele.
The island's church, Chiesa di San Michele in Isola, was
designed already in 1469. It is the first example of a
Renaissance church building in Venice, and it is built in
light stones from Istria.
61. St. Michael Island/Isola di San Michele
Isola di San Michele, 1 km N
45°26'48"N 12°20'49"E
Vaporetto: Cimitero
The island Isola di San Michele is a cemetery island
used by the city of Venice. It is the closest island north of
Venice itself.
62. Murano/Murano
Murano, 3 km N
www.muranonet.com
45°27'30"N 12°21'7"E
Vaporetto: Museo/Da Mula
The island of Murano is like a mini version of Venice with
its islands and channels, there is also a channel here
called Canal Grande.
Murano has a cozy and peaceful atmosphere and is
famous for the glass, you can see being produced at the
many glass factories.
26
Despite its modest size, Murano was for some time the
center of Europe's glass production, and at the Glass
Museum/Museo Vetrario, located in the palace Palazzo
Giustinian, you can see items back to the 1400s.
62a. Virgin Mary and Saint Donato Basilica/
Basilica dei Santa Maria e San Donato
Campo San Donato
45°27'26"N 12°21'25"E
Vaporetto: Museo
Basilica dei Santa Maria e San Donato was built in the
1100s. Inside, there are interesting mosaics and original
floor to be seen, and it is worth noting the different styles
used, especially Byzantine and Gothic.
The church has been a focal point for the up to 30,000
inhabitants, the island had at its peak.
65. Chioggia/Chioggia
Chioggia, 53 km S
www.chioggia.org
45°13'10"N 12°16'45"E
Station: Chioggia
The town of Chioggia is located in the southern part of
the Venetian lagoon and is built like a mini version of
Venice with channels as the historic thoroughfares
through the islands, the city with its development have
come to lie on.
The primary channel is Canal Vena from which the city's
many streets, all named Calle, begin from. Canal Vena
passes under the beautiful Vigo Bridge/Ponte di Vigo.
There are several churches in the city, of which Mary's
Assumption Cathedral/Cattedrale di Santa Maria
Assunta is one of the most remarkable.
Chioggia is like Venice built as an island in the lagoon
where the built-up area also forms the Old Town and
thus provides the island's outer limits. As a gateway to
the city stands the Virgin Mary Port/Porta di Santa Maria
(Corso del Popolo).
63. Burano/Burano
Burano, 8 km NE
45°29'7"N 12°25'2"E
Vaporetto: Burano
The island of Burano is one of the most visited and
popular islands in the Venetian lagoon. In the relatively
small island all is within comfortable walking distance
and here waits true Venetian lagoon atmosphere with
channels and the many colorful houses, the island is
particularly known for.
Even away from the island, you can see the tower of the
church Chiesa di San Martino. The tower has over the
years gained a significant lean and it is a prominent
feature of the island's silhouette.
64. Torcello/Torcello
Torcello, 10 km NE
45°29'38"N 12°25'5"E
Vaporetto: Torcello
Torcello, now almost deserted, was after its founding in
the 5th century the Venetian lagoon's leading city with
more than 20,000 inhabitants. Today there are very few
compared to its heyday.
The architectural highlight of the island is the Byzantine
Chiesa di Santa Fosca. The church was built from 1008
into the 1100s, but a former church stood here back
from 638, where among other things the pulpit comes
from.
Around the island you can see the remnants of its former
glory. There are channels that have previously been the
home of the island's busy lives. Some channels sanded
over time and together with epidemics the sanding up
and the resulting transport trouble became main causes
of depopulation.
66. Sottomarina/Sottomarina
Sottomarina, 54 km S
45°12'43"N 12°17'31"E
Station: Chioggia
As an almost grown together part of Chioggia the town
of Sottomarina lies along the Adriatic coast. Sottomarina
offers long wide beaches and general seaside ambience
along the promenade street Lungomare Adriatico, where
the hotels are on a line with swimming pools and a few
meters to the ocean waves.
27
The chapel is named after the family Scrovegni from
which Enrico Scrovegni built the chapel in memory of his
father.
67. Padova/Padova
Padova, 40 km SW
www.comune.padova.it
45°24'15"N 11°52'35"E
Station: Padova
Padua is an ancient cultural city in the Veneto region.
The city has many sights that you can even see at a
longer tour. In any case, you should see the main ones
described here, but for example, the Palazzo del Bo (Via
VIII Febbraio 2) and Musei Eremitani (Piazza Eremitani)
are also recommendable.
On a walk through Padua you will get a good impression
of some of the city's distinctive features, namely the
many arcades, squares and bridges over the river
Bacchiglione that through history almost slung around
Padua's city walls.
67a. Scrovegni Chapel/Capella degli Scrovegni
Piazza Eremitani
45°24'42"N 11°52'46"E
Capella degli Scrovegni is a unique building with its
beautiful frescoes, carried out by the the Florentine
master Giotto in the years 1303-1305. The frescos are
painted as a cycle around Virgin Mary's life.
67b. Saint Anthony's Basilica/Basilica di Sant’Antonio
Piazza del Santo
45°24'5"N 11°52'51"E
The great Basilica of Saint Anthony is with it's Byzantine
and Oriental inspiration among Italy's most exciting
buildings. It was built in the 1200s in an impressive size
and with a great mix of styles.
The basilica holds St. Antony's tomb and is visited today
by many pilgrims from all over the country. You can also
see reliefs by the artist Donatello, who also created the
equestrian statue of Gattamelata just outside the
basilica.
28
University of Padua are moreover in itself a historic
cultural institution that since its founding in 1222 has
attracted great artists and scientists such as Giotto,
Donatello and Galileo Galilei.
67c. Ragione Palace/Palazzo della Ragione
Piazza delle Erbe
45°24'26"N 11°52'30"E
Palazzo della Ragione is a huge mansion, built in the
period 1172-1219. The dimensions are impressive with a
floor plan of 81x27 meters and a height of 24 meters.
Inside you can see the Great Hall/Salone, which is
adorned by Nicolo Miretto and Stefano da Ferraras
works of art from the first half of the 1400s.
68. Vicenza/Vicenza
Vicenza, 70 km W
www.vicenzae.org
45°32'49"N 11°32'53"E
Station: Vicenza
The renaissance city of Vicenza has as Venice
historically been a prosperous town with many wealthy
families' mansions. Most famous are the architect
Palladio's many buildings, but overall it's worth taking a
walk in the city to enjoy the many architectural gems that
are here.
68a. The Olympic Theater/Teatro Olimpico
Piazza Matteotti
45°33'0"N 11°32'57"E
The theater Teatro Olimpico is initially designed by
Palladio, however it was one of his students who
completed it after Palladio's death. Palladio drew the first
lines in 1579, and the building was erected the following
years. The name Teatro Olimpico alludes to the
theater's objective of the performance of Greek plays.
67d. Prato della Valle/Prato della Valle
Prato della Valle
45°23'53"N 11°52'36"E
The square Prato della Valle is with its about nine
hectares of significant size. It has the shape of an ellipse
with a central park surrounded by water. Along the
waterfront are 78 statues of famous citizens. The square
was created in the 1700s by Andrea Memmo.
68b. Signori Square/Piazza dei Signori
Piazza dei Signori
45°32'50"N 11°32'48"E
Vicenza's center with Piazza dei Signori enjoys with its
non trafficated squares and streets a special
atmosphere. The dominant building, the Palazzo della
Ragione, is also known as the city's basilica, and it is
from 1549 and was built by the city's famous son
Palladio. The sleek tower on the square, Torre di Piazza,
is 82 meters high and built in 1311.
67e. Botanical Garden/Orto Botanico
Via Orto Botanico
www.ortobotanico.unipd.it
45°23'57"N 11°52'49"E
Orto Botanico in Padua is the world's oldest botanical
garden. It was established in 1545 as a vegetable
garden for the city's university medical faculty. The
garden covers today much more than herbs, and the
beautiful place is today a UNESCO World Heritage site.
69. Verona/Verona
Verona, 120 km W
www.tourism.verona.it
45°26'29"N 11°0'1"E
Station: Verona
Verona was one of the Roman Empire's major cities,
and it leaves its mark on the city. It was also here that
29
Shakespeare's Romeo & Juliet took place, and this and
much more can be experienced in the city center.
Verona for tourists is a journey from ancient Rome's
great buildings to monuments from the city's own golden
age and the years of Venetian rule.
69f. Verona Cathedral/Cattedrale di Verona
Piazza Duomo
45°26'50"N 10°59'49"E
Verona's cathedral was built in the 1100s, however, its
Gothic style is derived from later expansions. Notice the
font that in year 1200 was carved from one piece of
marble, and the mosaic floor in the adjoining cloister,
dating from the 500s.
69a. The Old Castle/Castelvecchio
Corso Castelvecchio 2
45°26'22"N 10°59'15"E
Down to the Adige river lies Verona's ancient castle,
Castelvecchio, which was built from 1355 to 1375. Both
the castle, the bridge on the site and the remains of the
old city walls are interesting, and there is also a
seeworthy collection of paintings here.
69g. Pietra Bridge/Ponte della Pietra
Ponte della Pietra
45°26'52"N 11°0'0"E
Ponte della Pietra is an ancient Roman bridge that was
built in the 2nd century. The beautiful bridge leads over
the Adige river winding course.
69b. Verona Arena/Arena di Verona
Piazza Bra
www.arena.it
45°26'20"N 10°59'39"E
Verona Arena was built in the 2nd century Roman
Empire, and the size is second only to Rome's
Colosseum. The arena is despite earthquakes and
partial demolition so well kept that it is still used for
performances of up to 22,000 spectators during the
summers.
69h. Roman Theatre & Archaeological Museum/
Teatro Romano & Museo Archeologico
Rigaste Redentore 2
45°26'50"N 11°0'6"E
Rising above the the river Adige and the Ponte della
Pietra lies Verona's Roman theater, which dates from
around the year 0. The theater is still used, and both
from here and from the even higher located
archaeological museum the view to the river and the city
is simply great.
69c. Erbe Square/Piazza della Erbe
Piazza della Erbe
45°26'34"N 10°59'50"E
Piazza della Erbeis the ancient Roman marketplace, and
even today it is in the center of Verona's shopping
streets. The whole square is built over many centuries,
which can be seen at the various buildings. Maffei
Palace/Palazzo Maffei from 1668 have interesting
statues of gods, while Gardello Tower/Torre di Gardello
was built in 1370. At the same time, the Virgin Mary
Fountain/Fontane di Madonna was completed while the
statue of St. Mark's lion, which is Venice's symbol, was
inaugurated here in 1523.
69d. Signori Square/Piazza dei Signori
Piazza del Signori
45°26'36"N 10°59'53"E
Following the Piazza Erbe lies the elegant square,
Piazza dei Signori, where there is a statue of Dante
Aligheri.
Right next to this is the tower Torre dei Lamberti, which
is 84 meters high and offers visitors sweeping views of
the center of Verona.
69e. Juliet’s House/Casa di Giulietta
Via Cappello 27
45°26'31"N 10°59'55"E
Have you seen Romeo & Juliet, you will recognize the
scene from the courtyard at Juliet's house. The house
with the famous balcony is located in Verona. The house
itself, which you can visit, is from the 1200s.
30
Shopping in Venice
With kids in Venice
Shopping
streets
Mellem Piazza San Marco, Ponte di
Rialto, Santa Lucia Merceria, Calle
Larga XXII Marzo Frezzeria
Mestre (rundt om Piazza Ferretto,
Via Palazzo)
Water park
Auchan
Via Don Tosatto 22, Mestre
http://mestre.gallerieauchan.it
Centro Le Barche
Piazza XXVII Ottobre 1
Mestre
Ipermercato Panorama
Via Sertorio Orsato, Mestre
www.e-panorama.it
Seaside resort
and activities
Department
stores and
shopping malls
Naval museum
Natural history
Seaside resort
Water busses
Beaches
31
Aqualandia
Via Buonarroti 15, Jesolo
www.aqualandia.it
Museo Storico Navale
Riva S. Biagio
www.marina.difesa.it/venezia
Jesolo
Jesolo
www.jesolo.it; www.jollyroger.it,
www.playvillage.com
Museo di Storia Naturale
Calle Fontego dei Turchi
www.msn.ve.it
Sottomarina/Sottomarina
Sottomarina
Vaporetto
Fx fra Ferrovia
www.actv.it
Venedig Lido/Lido di Venezia
Lido di Venezia
Facts about Italy
Flag
Highest mountains
Height
Name
4,808 m
Monte Bianco (Mont Blanc)
4,748 m
Monte Bianco di Courmayeur
4,634 m
Monte Rosa
4,609 m
Punta Nordend
4,563 m
Punta Zumstein
Largest islands
Area
25,460 km²
23,813 km²
224 km²
116 km²
83 km²
General information
Official name
Italian Republic/Repubblica Italiana
Capital
Rome/Roma
Political system Parliamentary republic
National day
2 June (Festa della Repubblica)
Anthem
Il canto degli italiani
Primary religion Christianity
Language
Italian
Area
301,338 km²
Population
57,110,114 (2001)
Currency
Euro (EUR)
Time zone
CET (UTC+1)
www-domain
.it
Calling code
+39
License plate
I
Longest rivers
Length
749 km
652 km
410 km
406 km
313 km
Largest lakes
Area
370 km²
213 km²
146 km²
128 km²
114 km²
Land and sea borders
North
Switzerland, Austria
South
Mediterranean Sea, Ionian Sea
East
Slovenia, Adriatic Sea, Ionian Sea
West
France, Mediterranean Sea,
Tyrrhenian Sea
Inner
The Vatican, San Marino
Name
Sicily/Sicilia
Sardinia/Sardegna
Isola d’Elba
Isola di Sant'Antioco
Isola di Pantelleria
Name
Drava*
Po
Adige
Tevere
Adda
*runs only partly in Italy
Name
Lago di Garda
Lago Maggiore*
Lago di Como
Lago Trasimeno
Lago di Bolsena
Only partly located in Italy
Largest cities/urban areas (2006)
City
Inhabitants city
Rome
2,706,000
Milan
1,303,000
Naples
975,000
Turin
901,000
Palermo
667,000
Genua
616,000
Bologna
373,000
Florence
366,000
Bari
325,000
Catania
302,000
32
Inhabitants area
3,850,000
3,774,000
3,100,000
2,215,000
1,236,000
903,000
921,000
957,000
1,580,000
1,074,000
Administrative divisions
Region
Capital
Abruzzo
L’Aquila
Apulia
Bari
Basilicata
Potenza
Calabria
Catanzaro
Campania
Napoli
Emilia-Romagna Bologna
Friuli-VeneziaTrieste
Giulia
Lazio
Roma
Liguria
Genova
Lombardia
Milano
Marche
Ancona
Molise
Campobasso
Piemonte
Torino
Sardegna
Cagliari
Sicilia
Palermo
Toscana
Firenze
Trentino-Alto
Trento
Adige
Umbria
Perugia
Valle d’Aosta
Aosta
Veneto
Venezia
Selected statesmen and politicians
Name
Title
Vittorio
King
Emanuele III
Umberto II
King
Benito Mussolini Prime minister,
First Marshall,
duce
Area
10,794 km²
19,362 km²
9,992 km²
15,080 km²
13,595 km²
22,124 km²
7,855 km²
Reign/in office
1900-1946
1946-1946
1922-1945
Holidays and memorial days
Date
Occasion
1 January
New Years Day
6 January
Epiphany
Date varies
Easter
Date varies
Easter Monday
25 April
Liberation Day
1 May
May Day
2 June
Founding of the Republic
15 August
Assumption of Mary
1 November
All Saints Day
8 December
Immaculate Conception
25 December
Christmas Day
26 December
Boxing Day
17,207 km²
5,421 km²
23,861 km²
9,694 km²
4,438 km²
25,399 km²
24,090 km²
25,708 km²
22,997 km²
13,607 km²
8,456 km²
3,263 km²
18,391 km²
33
Weather in Italy
Climate Rome (source: worldclimate.com)
Climate Venice (source: worldclimate.com)
Month
24 hour average
temperature (°C)
Average rainfall
(mm)
Month
24 hour average
temperature (°C)
Average rainfall
(mm)
January
6.8
81
January
2.5
56
February
7.9
63
February
4.4
55
March
9.9
70
March
7.8
61
April
13.3
56
April
12.2
73
May
17.0
53
May
16.8
69
June
21.0
36
June
20.6
79
July
23.8
18
July
23.2
68
August
23.6
28
August
22.5
78
September
20.6
61
September
19.0
67
October
16.1
118
October
13.7
77
November
12.4
111
November
7.8
88
December
8.0
98
December
3.6
62
Climate Milan (source: worldclimate.com)
Climate Genua (source: worldclimate.com)
Month
24 hour average
temperature (°C)
Average rainfall
(mm)
Month
24 hour average
temperature (°C)
Average rainfall
(mm)
January
1.1
61
January
8.7
103
February
3.6
58
February
8.7
104
March
8.0
72
March
11.4
110
April
12.6
85
April
13.8
97
May
17.3
98
May
17.5
85
June
21.3
81
June
21.0
65
July
23.8
68
July
24.5
37
August
22.8
81
August
24.6
58
September
18.9
82
September
21.8
119
October
13.2
116
October
17.8
188
November
6.9
106
November
12.2
186
December
2.5
75
December
10.0
124
34
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