Jamie Lynn Slenker
Transcription
Jamie Lynn Slenker
Jamie Lynn Slenker portfolio of students’ work Interior Design Studio V: Mapping the User’s Experience 2009 2012 Contents UNH History of Architecture and Interiors I & II Senior Portfolio and Exhibit Interior Design Studio V Interior Design Studio VI Decon’ 11 Poster Session Building Materials Reuse Association (BMRA) International Conference, Yale University Interdisciplinary Design Charette Innovation Incubator: Deployable Healthcare Platform, Setion Art Gallery, Univ. of New Haven SCAD Interior Design Studio IV: Capstone History of Archicture and Interiors I ...is a lecture course focused on architectural and design achievements from Pre-History and Antiquity through the Industrial Revolution with reference to interiors as a social art, responsive to historical, cultural, theoretical and philosophical influences. A semester long design journal project allows students to abstract knowledge of historical style by recognizing influences in modern interpretations. Design Journal: Modern Interpretations of Historical Style Experiential Education: Metropolitan Museum of Art Yale Furniture Study History of Architecture and Interiors II ...is a lecture course focused on architectural and design achievements from the Industrial Revolution through Contemporary Design with reference to interiors as a social art, responsive to historical, cultural, theoretical and philosophical influences. A semester long design journal project allows students to abstract knowledge of historical style by recognizing influences in modern interpretations. Design Journal: Modern Interpretations of Historical Style Original Designs Senior Portfolio and Exhibit ...is a course focused on professional level portfolio development and production including supplemental application materials including resume, cover letter, references, business card and teaser with emphasis on branding and graphics. Students promote and exhibit their packages to industry members and the public as a culmination of their design education at a local gallery. Katherine Madden, New Jersey Interior Design V ...is a senior level interior design studio course focused on design thinking and innovation with emphasis on evidence-based research and complex programming in the context of a non-traditional library facility. Special topics include user observation research methods, third place theory and rapid prototyping. Team Project: Emily Boelsems, California & Jamie Lecce, New York Focus Area Example Rapid Prototyping Interior Design V Aubrey Duncan, New York Lindsay Giovan, New York Danielle Russo, Massachusetts Third Place Theory: stoop culture Privacy in Public: wall layer prototype New Technologies Interior Design VI ...is a senior level interior design studio course focused on environmental sustainablity with minor emphasis on historic preservation. Students work with local architectural firm Turner Brooks Architects, West Haven city officials and local deconstruction expert Joe DeRisi, owner of Urban Miners. Students presented in competition at the Building Materials Reuse Association (BMRA) International Conference Decon’ 11 Poster Session at Yale University, taking home 1st and 3rd places. Interior Design VI Precedent Study Successful relocations of University Art and Design Departments, in downtown cities. 2004 University of Syracuse 2007 Columbus State University 2010 University of Tennessee 2011 Florida International University Historical Content The Masonic Temple was used as a gathering place for the freemason members of the Annawon 115. The members were very focused on architecture and geometry and called themselves “The Great Architects of the Universe”. G “ Department Masonic Temple Knoll Pfister Lounge Seating Knoll Studio Pensi Table, Made from recycled materials Ransom Thrill K12988 100% Recycled Fiber Brick Fireplace The design concept for the Masonic Temple combines a modern aesthetic with an exposed structure, illustrating mason’s building techniques. In this way, students of the University of New Haven’s Art & Design Department can learn from their educational environment. Exposing the architectural structure allows for visual connections to be made from in-class concepts. Roundtrip Festival K14302 100% Solution Dyed Fiber Air Duct System Exposing Interior Walls Allsteel Inspire Work Stool Surf, 100% antimony free polyester MBDC Cradle to Cradle, Silver Certified Sherwin Williams Eco Friendly Paint Mountain Air Friendly Yellow Armstrong Performance Plus Flooring ESP5240 Natural 3form Lemon Press Armstrong Rejevenation StoneRun 34363 Travertini Metropolitan Low emitting Materials Knoll Panel Fabrics Glam Veil WC10703 Recycled polyester Armstrong SoundScapes Acoustical Canopies 1 Bank Site Analysis Knoll Generation Chair Firecracker Flex, Bluemarine & Lemongrass Recycled content of 46% Steelcase Castesst Enea Cafe Stool 94.4% Recyclable, 30.1% Recycled Content Wooden Beams an educational framework Lounge Area Restaurant Post Office Park et Stre City Hall Dental Cam pb ell reet er St Library Ave Solar Panels Clay Tile 304 Center Street, West Haven CT 06516 Elm Community Connectivity SSc3: Alternative Transporation 3.1: Public Transportation Access 3.2: Bicycle Storage & Changing Rooms 3.3: Parking Availability Materials & Finishes Katherine Madden Structure Exposed Sustainable Leed Credits SSc1: Site Selection SSc2: Development Density & Historic Preservation “ Renovation of the West Haven Masonic Temple University of New Haven Art & Design Cent Education n St Mai Hair Salon Day Care West Haven Bus: 15 min. commute Temple The Green Bike Racks: 13 min. commute 2 4 3 Drafting Room Presentation Pin-Up Area Personal Studio Spaces Parking for 2 Hybrid Cars: 7 min. commute Permeable Pavement Lower Level Main Level Upper Level Landscaping & added trees for shade 2 3 4 Insulated Roof & Walls Storm Water Management & Irrigation Low Flow Toilets & Fixtures Pervious Pavement Pervious Side Walk: 1 34 min. commute Pippa Ellis, England 3rd Place Award: Decon’ 11 Poster Session, BMRA Conference, Yale University Information Graphics Concept Development: Community Connectivity and Public Draw Site Analysis: LEED Credits Interior Design VI ENTRANCE / LOBBY STUDENT LOUNGE DRAFTING ROOM DRAWING ROOM GALLERY VIEW GALLERY RECEPTION UPPER LEVEL ENTRY LEVEL KRISTEN KOFSUSKE LOWER LEVEL CLASSROOM EXTERIORS Corkboard Recycled Countertop / Alkemi Surf stool / Allemuir Varia EcoResin / 3 form Bamboo Floor / Plyboo Recycled Mosaic Glass in herringbone pattern / Ann Sacks “18 x 36” Carpet Tile (C2C Certified) / Shaw Aegean Teal + Spring Meadow / B.Moore Natura Wave bench / Allemuir Sidewalk Lounge / Steelcase Cobi Task / Steelcase Carpet / Shaw Barcelona Chair / Knoll Resilient floor covering / Ozloc Kristen Kofsuske, Connecticut Multi-Media Rendering Decon ‘11 Chateau Parefeuille Reclaimed Terra Cotta Pave Tile Sagano-Natural Bamboo Flooring Shawfloors NY State of Mind Zero VOC Paint Benjamin Moore Citrus Mist Zero VOC Paint Benjamin Moore Stem Green Zero VOC Paint Benjamin Moore Aeron Chair GREENGUARD Herman Miller Petit Lounge Chair Le Corbusier designed by: Sequoia Littrell SEVEN faith, hope, charity, justice, prudence, temperance, fortitude Freemasons were memebers of a fraternal organization that focused on brotherly love, equality, and truth. Meeting houses, like the West Haven Masonic Temple, were used as a gathering place where their lessons on morals and various concepts of freemasonry were taught to members by the experienced crafstmen. There is a lot of architectural symbolism used to identify the work of the freemasons. Sustainability The concept of the design and renovation of this building stems from the work of the freemasons. They were very attracted to sacred geometry and grouping things in threes, fives, and sevens; for example: the stairs leading to the building. The lower floor of this building is divided into seven major rooms and/or areas, the ground floor is divided into five major rooms, and the upper floor is divided into three. renovation of a Masonic Temple utilizing sustainability and historic preservation Cato-Fire Red Environmental Fabric Knoll Textiles FIVE University of New Haven Art and Design Building These giant metal air ducts are an integral part of the structure of the building. Instead of covering them up, they will be left exposed and used to display artwork using magnets. It will create a unique pin-up space for group discussions and critiques. 7 - seven cardinal values Preservation These wooden doors were found in the attic. They are too beautiful to be left where no one will find them. So, they will be relocated throughout the building. 5 - five: star/pentagon symbol THREE entering apprentice fellow craft master mason Concept/Theme 3 - three degrees of the craft Normally, one does not find a fireplace in an Art and Design building, which is why this will be preserved. It will be utilized as a focal point amidst an open congregational area and will feature comfortable lounge furniture. Upper Floor 1991 - Auburn University - Alabama Ground Floor 2003 - University of Nevada 2001 - North Dakota State University Site Analysis 2009 - Savannah College of Art and Design 2005 - University of St. Francis - Illinois Historical Context 2010 - New York School of Interior Design Lower Floor This precedent study of art and design programs reveals several colleges and universities that have relocated to buildings off campus, placing students within the downtown community to better integrate art and design with the general public. Precedents Study Students presented and competed at the Building Materials Reuse Association International Conference hosted by Yale University, on May 19, 2011. 11 students were accepted of 30 total participants in the poster session. 1st and 3rd place awards were taken home by UNH Interior Design VI students. Sequoia Littrell, Arkansas 1st Place Award: Decon’ 11 Poster Session, BMRA Conference, Yale University Poster Session: presentation and judging Interdisciplinary Design Charette Students participated in a multi-day interdisciplinary design charette focused on global issues and cultures entitled “Innovation Incubator: Deployable Healthcare Platform”. Students worked with visiting artist Kevin Lair, delivering experiential knowledge from research in Ghana Each team had a representative student from Interior Design, Pre-Architecture, Engineering and Graphic Design Team “Pathway 5” Panel Solution for Exhibition, Seton Art Gallery Interdisciplinary Collaboration Interior Design IV: Capstone “The focus of this project is to facilitate a better approach to treating women who have experienced breast cancer by providing a community-driven space where patients and survivors, as well as their families and friends, can meet in an unconventional supportive setting that will help women maintain a sense of beauty and self from the moment of diagnosis and infinitely thereafter.” Brittany Roy, BFA Interior Design, SCAD Brittany Roy, Connecticut Interior Design IV: Capstone “The subject chosen for research is music education and the needs and benefits of music on a growing brain. Because the writing, listening, and performance of music utilize both sides of the brain simultaneously, it is important to include such activities in a child’s life. The music facility I am designing will encourage social interactions, musical development, as well as provide music lessons and instruments to those less fortunate. In the center, there will be designated areas for writing, recording, searching for, buying, and sharing music, in addition to practicing and performing. This way, children have a place to go, off the streets, to experience new age technologies, socially interact, and indulge themselves in every side of music.” Emily Siek, BFA Interior Design, SCAD Emily Siek, Georgia Jamie Lynn Slenker t: 757.214.4523 e: [email protected] Please visit jamielynnslenker.com to view a portfolio of professional work