Carnegie Hall Rental

Transcription

06-11 DCINY_Carnegie Hall Rental 5/25/16 9:45 AM Page 1
Saturday Evening, June 11, 2016, at 8:30
Isaac Stern Auditorium / Ronald O. Perelman Stage
Iris Derke, Co-Founder and General Director
Jonathan Griffith, Co-Founder and Artistic Director
presents
ECHOES OF DESERTS
AND MOUNTAINS
JANE DELOACH MORISON, Director
Highlands Youth Ensemble
PETER ANGLEA
Jubilate Deo
EMILY MCCRAW, Piano
PABLO CASALS
WILLIAM BYRD
DAN FORREST
O Vos Omnes
Haec Dies
Psalm 8: Adonai, Adonenu
ANNIE DAWSON, Piano
NATALIE LUGO, Violin
ANDRÉ THOMAS
Gloria
MARY NERREN, Piano
SARAH SHIPP & BRENNA WILLIAMS, Soloists
Brief Pause
PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES.
STEVEN RASH, Director
Odem High School Wind Ensemble
JOHN PHILIP SOUSA
PIERRE LA PLANTE
GUSTAV HOLST
Fairest of the Fair
A Walk in the Morning Sun
Second Suite in F for Military Band, Op. 28,
No. 2
I. March
II. Song Without Words
IV. Fantasia on the Dargason
ROSSANO GALANTE
WILLIAM FRANCES
MCBETH
RANDALL
D. STANDRIDGE
A Childhood Remembered
Canto, Op. 61
NATHAN WILLIAMS, Director
Imaginarium
Intermission
GARY NICHOLSON, Director
Colorado Springs Youth Symphony
NIKOLAI
RIMSKY-KORSAKOV
LEONARD BERNSTEIN
JOHN WILLIAMS
Russian Easter Festival Overture
Overture to Candide
The Cowboys Overture
Brief Pause
TETSUYA IMAI, Founder & Director
Wajima Wadaiko Toranosuke
TETSUYA IMAI
Saika kokoro (Mind of Brilliant Festival)
TETSUYA IMAI
Kofuu mai (Blast Dance)
TETSUYA IMAI
Wajima Taisai (Wajima Grand Festival)
TETSUYA IMAI
Meoto hisashi (Longevity Couple)
Colorado Springs Youth Symphony, Gary Nicholson
Wajima Wadaiko Toranosuke, Tetsuya Imai
ERIC EWAZEN
Fantasia for Taiko and Orchestra
(New York Premiere)
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For information about performing on DCINY’s series or about purchasing tickets, e-mail
[email protected], call (212) 707-8566, or visit our website at www.DCINY.org.
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Notes ON THE PROGRAM
PETER ANGLEA Jubilate Deo
Born in 1988
In Jubilate Deo Peter Anglea’s ebullient
setting of the text (Psalm 100: 1, 2, 5)
encapsulates the Psalmist singing praise
to God. The mixed meter treatment
adds to the vitality of the piece.
PABLO CASALS O Vos Omnes
Born in 1876; Died in 1973
“O Vos Omnes” is adapted from the
Latin Vulgate translation of Lamentations 1:12. It was originally sung as
part of Holy Week services in the
Roman Catholic liturgy, and was often
set, especially in the 16th century, as
part of the Tenebrae Responsories. In
modern times the text is often sung as a
motet. Casals’ treatment utilizes dark
coloration through thick textures in the
initial TTBB exposition and throughout
as alto, then soprano voices are added.
Casals also uses pauses for the audience’s contemplation of the Lamentation author’s “sorrow” at the ends of
text phrases.
WILLIAM BYRD Haec Dies
“Haec Dies” is an antiphon text associated with Easter Sunday. Byrd’s setting is a delightful six-part treatment
that projects a joyful and energetic
spirit in the interweaving of the
melodic lines.
DAN FORREST Psalm 8: Adonai, Adonenu
Born in 1978
Dan Forrest’s setting of Psalm 8
begins with the ethereal sound of
pianissimo expressions of awe in the
voices and harmonics in the violin.
The piece develops into sweeping
phrases with massive crescendos
before settling back into an attitude of
prayer at the conclusion.
ANDRÉ THOMAS Gloria
Born in 1952
André Thomas’ “Gloria” is a gospel-style
setting of the text from the Ordinary of
the Mass. Thomas utilizes movement and
clapping as well as vocal idioms like slides.
JOHN PHILIP SOUSA Fairest of the Fair
John Philip Sousa, the American March
King, composed prolifically at the turn
of the 20th century. His influence in
music made a lasting impact on the future
of American marching and concert bands,
as well as bands around the world.
Fairest of the Fair was inspired by the
memory of a beautiful girl he met at a
fair. Its melodic content makes this March
one of his finest.
PIERRE LA PLANTE A Walk in the Morning Sun
Born in 1943
The composer writes, “While growing
up in Sturgeon Bay, Wisconsin, in the
1950s, some of the first orchestral
music I heard was written by Leroy
Anderson. Although Leroy Anderson
had been composing since the 1930s,
this was the first time when he was
experiencing his greatest commercial
success, and his orchestral miniatures
were a staple on WDOR.” He states,
“A Walk in the Morning Sun is a ‘tip
of the hat’ to Leroy Anderson’s
unique style and contribution to American Music.”
GUSTAV HOLST Second Suite in F for Military Band, Op. 28,
No. 2 (Mov. I, II, & IV)
Gustav Holst may be best known for
his orchestral work The Planets, but he
also made an indelible impact in the
world of concert band music. Holst’s
Second Suite was composed two years
after his Suite No. 1 for Wind Band.
Both works may very well be pointed
out as some of the earliest wind ensemble literature to gain respect as significant. His experience playing trombone
is quite evident in his writing of this
work, which often uses the low brass as
a vehicle for melodic content. Ironically
though completed in 1911, it was not
premiered until 1922, due to distraction
by other projects he was working on.
In his Second Suite, Holst used seven
Hampshire folk songs as the foundation of the piece. The first movement,
March, features the Euphonium playing
the folk song “Swansea Town.” In the
second half of the movement the woodwinds begin a light 6/8 section that
leads to a reprise of the first half in its
entirety. Song without Words, the second movement of the Suite, uses the
folk song “I’ll Love my Love” as its thematic material. The movement begins
with a clarinet solo that develops into a
full band sound, before descending
through the woodwinds into the tenor
brass, and its final descent into a solo
tuba. In the final movement, Fantasy on
the Dargason, Holst uses the instrumentation of the wind band to its fullest
potential with nearly every section featured at some point. Beginning with a
solo saxophone, the work uses the
familiar tune of “Greensleeves” in the
middle as its main theme. After fully
developing the movement, Holst reduces
the instrumentation to an unlikely duet
between the piccolo and the tuba.
ROSSANO GALANTE A Childhood Remembered
Born in 1967
Rossano Gallante is best known for his
work as a film composer, but more
recently has also composed a number of
works for concert band. Rossano writes,
“This light, lyrical composition captures youth and innocence through the
eyes of a child. Playful melodic lines
interspersed with more lyrical, lush
sonorities will take audiences back to
that simple time of their childhood.” A
Childhood Remembered was commissioned by, and dedicated to, the Hofstra
University Symphonic Band, Dr. Peter
Boonshaft, director.
WILLIAM FRANCIS MCBETH Canto, Op. 61
One of the most influential composers of
the 20th century, William Francis McBeth
was best known for his “pyramid of
sound” concept, which is consistently
demonstrated throughout his works. In
Canto, McBeth used a number of unique
devices such as clapping and “pitched
blocks of wood” to make the piece come
alive. McBeth uses the folk song melody
“Sakura” as a foundation throughout this
piece. Tonight’s performance is conducted
by assistant director, Nathan Williams.
RANDALL D. STANDRIDGE Imaginarium
Born in 1976
The composer writes, “Inside every
person, there is a place where creativity dwells. Gears turn, dreams flow,
and ideas spark into life. This idea-factory
or ‘Imaginarium’ is the place that every
creative person goes to, again and
again, to find their muse, flesh out
ideas, and to exert change on the
world around them. This piece is dedicated to all of the dreamers who see
more in the world than is actually
there, who see possibilities where others see only dead ends, and who
believe in creation rather than destruction. This one’s for you.”
Imaginarium was commissioned by the
Association of Texas Small School Bands
for our All-State Concert Band in 2015.
It is comprised of four sections: “Sparks,”
where ideas begin to germinate; “The
Cloud Factory,” which represents the day
dreamy zone where one imagines endless
possibilities (with my best nod Eric Satie
as well); “Here, There be Monsters…” is
that moment of panic or nightmare that
all creative people feel when self-doubt
sets in and the task seems too monumental to overcome; a brief recapitulation to
“Sparks” before “Eureka!”—the idea is
fully realized!
NIKOLAI RIMSKY-KORSAKOV Russian Easter Festival Overture
Rimsky-Korsakov dedicated this piece
to Modest Mussorgsky and Alexander
Borodin, two composers who, with
Rimsky-Korsakov, Mily Balakirev, and
César Cui, made up “The Five,” a group
of Russian composers dedicated to
establishing a distinct Russian style
within the traditions of Western classical music. Through Rimsky-Korsakov’s
use of melodies from the Obikhod, a
collection of chants from the Russian
Orthodox liturgy, the Russian flavor of
this work is prominent, with RimskyKorsakov describing it in his memoirs:
“…[reminiscent] of the ancient prophecy,
of the gospel narrative, and also a general picture of the Easter service with its
pagan merrymaking.”
LEONARD BERNSTEIN Overture to Candide
Based on Voltaire’s 1758 novella Candide:
or, All for the Best, Berstein’s operetta
Candide opened to mixed reviews and
closed shortly thereafter. Voltaire’s satirical novella unabashedly explored the
excesses of the Catholic Church’s Inquisition, and Lillian Hellman’s libretto
was seen as a thinly masked attack on
the House Un-American Activities
Committee. While the original overture
was composed for a smaller ensemble, the
later scoring performed here for full
orchestra has become one of Berstein’s
most well-known and often performed
pieces. Weaving together melodies from
throughout the operetta with musical
jokes, this overture has become a favorite
not only to hear, but to perform, as well.
JOHN WILLIAMS The Cowboys Overture
Born in 1932
There are few orchestras as iconically
American as the Boston Pops Orchestra, and when John Williams succeeded
Arthur Fiedler as its principal conductor in 1980, he wanted to open his first
concert with an original piece. Williams
had composed a score for the 1972
John Wayne film The Cowboys, which
painted a picture of the trials and
adventures of a ragtag group of youth
under the tutelage of Wayne’s character
on a 400-mile cattle drive. Taking the
melodies from that score, Williams constructed a traditional orchestra overture that began his lasting association
with Boston Pops.
TETSUYA IMAI Saika kokoro (Mind of Brilliant Festival)
Imagine a scene of the rough waves of
the Sea of Japan surrounding Noto
peninsula, Ishikawa prefecture, Japan.
TETSUYA IMAI Kofuu mai (Blast Dance)
Dance as the wind blows to the beat of the Taiko drums.
TETSUYA IMAI Wajima Taisai (Wajima Grand Festival)
This work is traditionally performed at
the Wajima festival, and has been
arranged for stage performance.
TETSUYA IMAI Meoto hisashi (Longevity Couple)
This composition is merry music, and indispensable for celebrations.
ERIC EWAZEN Fantasia for Taiko and Orchestra (NY Premiere)
Born in 1954
In 2013 world renowned American-born
composer Eric Ewazen accepted a commission from the Colorado Springs Youth
Symphony to compose a work for taiko
drum ensemble and full orchestra. Fantasia was premiered during the group’s tour
of Japan in 2014. Tonight’s performance
represents the North American premiere,
and includes the appearance of Wajima
Wadaiko Toranosuke from Wajima,
Japan, who performed the world premiere. Composed in a concerto grosso
style, the work melds the percussive power
of taiko with the tonality of an orchestra.
Texts AND Translations
Jubilate Deo
PETER ANGLEA (b. 1988)
Jubilate Deo, omnis terra;
servite Domino in laetitia,
Introtie in conspectus ejus
in exultation.
Make a joyful noise unto
the LORD, all ye lands.
Serve the LORD with
gladness: come before
His presence with singing.
Quoniam suavis est Dominus:
in aeternum Misericordia ejus,
et usque in generationem
et generationem veritas ejus.
For the LORD is good,
His mercy is everlasting;
and His truth endureth
to all generations.
O Vos Omnes
PABLO CASALS (1876–1973)
O vos omnes qui transities per viam:
attendite et videte si est dolor, sicut dolor
meus.
O, all ye who pass by on the road before me:
behold and see if there be any sorrow like
unto my sorrow.
Haec Dies
WILLIAM BYRD (1540–1623)
Haec dies quam fecit Dominus:
Exultemus et laetemur in ea. Alleluia!
This is the day which the Lord hath made:
Let us be glad and rejoice therein. Praise
the Lord!
Psalm 8: Adonai, Adonenu
DAN FORREST (b. 1978)
Adonai, Adonenu, O Lord, our Lord how majestic is Your name in all the earth!
When I consider Your heavens, the work of Your fingers,
the moon and stars that You have set in place,
What are mortals? What are mortals that You care for them, O Lord?
O Lord, our Lord, how majestic is Your name in all the Earth! Adonai, Adonenu.
Gloria
ANDRÉ THOMAS (b. 1952)
Glory to God in the highest, and on Earth peace to all men of good will.
Glory to God in the highest.
We praise Thee, we bless Thee, we adore Thee, we glorify Thee,
We give thanks to Thee for Thy great Glory.
Lord God, King of heaven, Father Almighty One.
Glory be to Jesus Christ, Lamb of God, the Father’s only Son.
Oh Thou who takes away all the sins of the world, have mercy on us. Receive our
prayers.
Thou who sits at the right hand of God the Father Almighty in heaven, have mercy
on us.
For only Thou art holy, only Thou art the Lord, only Thou art the most high.
In the name of the Father, in the name of the Son, in the name of the Holy Ghost,
In the glory of the Father, Amen.
THE
Artists
JANE DELOACH MORISON, Director
Jane DeLoach Morison received the
bachelor of music education (summa
cum laude) from East Tennessee State
University, where she was twice named
Most Outstanding Music Student. She
received the master of music degree in
performance studies (piano) from the
University of North Carolina at Greensboro, and has completed further study
at L’académie de musique de Sion in
Switzerland. Ms. Morison is on the faculty at King University, and has directed
and taught at the Montreat Worship and
Music Conference, the Barter Theatre
Youth Academy, the ETSU Summer Piano
Camp, and the Virginia Suzuki Institute.
She is the Virginia State Membership
chairman for the American Choral Directors Association and is in demand as an
honor choir clinician, adjudicator, pianist,
and vocalist. For her work in the performing arts and music education she
was honored by Minds Wide Open:
Virginia Celebrates Women in the Arts
(2010), and Virginia Celebrates Children in the Arts (2012). Under Ms.
Morison’s leadership the MECCA choirs
have performed in places as diverse as
Syros, Greece; ACDA conferences; Carnegie Hall; and the Bristol Motor Speedway. This coming summer she will make
her Carnegie Hall conducting debut as
the Highlands Youth Ensemble performs
a solo concert set on the world’s most
famous stage!
STEVEN RASH, Director
Steven Rash is the director of bands at
Odem High School in Odem, Texas.
Since 2007, when he began teaching in
Odem, his bands have successfully earned
many honors and awards. This spring
under his direction, the Odem High
School Band earned their third consecutive UIL Sweepstakes Award of the UIL
Concert and Sight-Reading contest/UIL
Marching contest. In 2010, under his
direction, the Odem Junior High Symphonic Winds earned the first ever
Sweepstakes Award for Odem Junior
High School. Following that year they
earned several more Sweepstakes Awards,
as well as numerous state and local
awards. Under his direction in 2014 the
Odem JH Symphonic Winds earned the
title of State-Runner Up in the Association of Texas Small School Bands (ATSSB)
Outstanding Performance Series March
Category. The band had been state
finalists for four out of the five previous
years. Mr. Rash has served as a region
clinician and has been invited to be a
guest clinician for many bands. Mr.
Rash is a provisional member of the
Texas Music Adjudicator Association,
secretary for ATSSB Region 14, and
holds memberships in the Texas Music
Educator’s Association and the Texas
Bandmasters Association. He earned
his bachelor’s of science degree in music
education from a joint program at Case
Western Reserve University and the
Cleveland Institute of Music. Mr. Rash
studied conducting with Dr. Gary
Ciepluch. His studies on his principal
instrument of flute were with Andreas
Tischauser, Katherine DeJongh, Joseph
Juhos, and Elizabeth Nelms. He studied
saxophone with Gregory Banaszak and
arranging/jazz with Paul Ferguson. Mr.
Rash is a member of the faculty at
Hummingbird Music Camp in the summers in Jemez Springs, New Mexico,
returning each year to the state he grew
up. Mr. Rash is also an alumnus of Theta
Chi Fraternity. This year marks his ninth
year as a director in Odem-Edroy ISD.
GARY NICHOLSON, Director
Conductor Gary Nicholson, music director of the Colorado Springs Youth Symphony Association and conductor of its
top orchestra, co-founded the organization in 1980. Mr. Nicholson came to
Colorado Springs in 1976 after graduating from Wichita State University,
magna cum laude, with degrees in music
education and music performance with
honors. Upon arrival in Colorado Springs,
Mr. Nicholson began teaching in School
District 11 and playing second trumpet
with the Colorado Springs Symphony
Orchestra. As a trumpeter, Mr. Nicholson
has performed with the Aspen Music
Festival, the Wichita Symphony, the
Colorado Opera Festival, the Colorado
College Conservatory of Music, the
Colorado Springs Chorale, Music Theater of the Rockies, the Fine Arts Center
Repertory Theater, and the Colorado
Springs Symphony Orchestra, and was
a founding member of the Colorado
Springs Symphony Brass Quintet and
the Pikes Peak Brass Quintet. Mr.
Nicholson has also performed with
Abendmusik, a professional quality
vocal chamber ensemble. Mr. Nicholson
has served as a guest conductor and
clinician in Wisconsin, Kansas, Colorado, Australia, and Japan. From
1995 to 1998 he was the music director
and conductor of the Colorado College
Chamber Orchestra. Mr. Nicholson has
led Youth Symphony tours to New
York City; Washington D.C.; Japan;
Australia; New Zealand; Spain; Austria; Hungary; Poland; Czech Republic;
China; Bulgaria; and Istanbul, Turkey.
The Youth Symphony has performed in
such prestigious venues as the Mozarteum in Salzburg (2000), the Kennedy
Center (2001), Carnegie Hall (2005),
Sydney Opera House (1998, 2002,
2006, 2010), Shanghai Oriental Art
Center (2008), and Bulgaria’s National
Concert Hall in Sofia (2012). In 2000
the Youth Symphony received first place
in the full orchestra category at the
International Youth and Music Festival in
Vienna, Austria. In addition to his work
with the Youth Symphony, Mr. Nicholson
teaches music at Broadmoor Elementary
and Skyway Elementary schools in School
District 12 and performs with the Colorado Springs Philharmonic. He and his
wife, Donna Sheldon, have a son, Aaron,
and reside in Colorado Springs with their
miniature dachshund, Sydney. He enjoys
skiing, reading, landscaping/gardening,
hiking, camping, CC hockey, great food,
and going to the movies with his family.
TETSUYA IMAI, Director and Founder
Tetsuya Imai, founder and director of
Wajima Toranosuke Wadaiko, is a stage
director and composer of Taiko music.
He won the title of Yokozuna, which is
the best title for a Taiko player, in 2002.
The Toranosuke Wadaiko team was
established in the year 2000, bringing
about a new generation of Japanese
Taiko drumming. It was founded on the
basis of traditional festival drumming
in Wajima City located in Ishikawa Prefecture. In 2005 the team was crowned
the winner of the World Taiko Drumming Competition and was awarded
the Minister of Education, Culture,
Sports, Science, and Technology Prize.
Following this success, the team participated in the Eighth Japanese Taiko
Junior National championships the following year. Again, the team triumphed
victoriously, becoming national champions and receiving the Minister of Internal Affairs and Communications prize.
In addition, on the March 25 the team
represented Ishikawa Prefecture at the
14th Japanese Taiko Junior National
championships in Maebashi City Gunma
Prefecture. The team emerged victoriously for the first time in eight appearances in this competition, taking the
Prime Ministers Prize for the second
time in its history.
We do not take our prestige for granted,
and owe all of our success to those who
have supported us from the very beginning. We are committed in our work to
be recognized as a team, and teach as
many people as possible the enjoyment
and pride of Wadaiko drumming.
PERFORMING ARTS PARTNERS
DCINY would like to thank our Performing Arts Partners, who, with their financial support, have made this performance possible.
Highlands Youth Ensemble
Soprano 1
Isabella Bane
Abigail Bell
Alison Fuller
Lucy George
Lydia Grunstra
Sylvia Meredith
Jane Morison
Olivia Preshong
Savannah Royston
Sarah Shipp
Brenna Williams
Soprano 2
Maria Coletti
Kasey Crawford
Annie Dawson
Natalie Lugo
Annie Osborne
Haley Owen
Rebekah Preshong
Abbi Stuart
Alto 1
Leeanna Barfield
Rebekah Barfield
Glorianna
DeRepentigny
Emily McCraw
Lydia McCraw
Miranda McCraw
Rachel Mehl
Claire Melton
Mary Nerren
Madison Ratliff
Alto 2
Katy Grunstra
Rebecca Hartman
Sierra Lee
Emily McCroskey
Margaret Melton
Sophie Strawn
Erin Sullivan
Tenor 1
Peter Morison
Daniel Osborne
Tenor 2
Jesse Hernandez
Daniel Lee
Taylor Moorefield
Chad Smith
Bass 1
Nathan Mauger
Peter Meredith
Luke Ponce
Bass 2
Bradley Fore
Eli McCraw
Glenn McCroskey
Jacob Surber
Trumpet
Matthew Chavez
Jonathan Gomez
Adam Lopez
Marivel Mancias
Madison Ortega
Kolton Witherspoon
Euphonium
Jonathan Cano
Denis Ivanov
Ricardo Montoya
Odem High School Wind Ensemble
Piccolo
Maria Silva
Flute
Anointiyae Beasley
Ashley Garcia
Emma Guzman
Klara Hernandez
Leslie Lugo
Daelynn Rosenbaum
Elizabeth Sanchez
Libni Cruz
Angelica Garcia
Kristina Garcia
Breanna Luna
Lorenna Nino
Madelon Ochoa
Ashley Rodriguez
Sydney Rodriguez
Bass Clarinet
Sabrina Childress
Oboe
Jaime Becker
Lorena Gonzales
Alto Saxophone
Alfredo Gomez
Alexis Soliz
Bb Clarinet
Kristine Aviles
Lilibeth Barra
Lorena Beltran
Tenor Saxophone
Nikki Cuellar
French Horn
Catarina Martinez
Tuba
Lesley Barra
Roberto Ramirez
Natalie Stanley
Charles Tucker
Trombone
Alexis Garcia
Enrique Martinez
Brandon Morin
Josh Perez
Percussion
Macey Hammack
Christina Montoya
Larissa Nevarez
John Pizana
Lycena Recio
Justin Ridgway
Noah Villarreal
Violin I
Karl Buvarp
Frances Hayward
Emma Johnson
Sean Jones
Jory Lane
Erin Maloy
Ciara McGuire
Marisa Miranda
Eli Osteroos
Jorrin Powell
Bryant So
Viola
Thomas Colleary
Patrick Jones
Madison Reichert
Jonathan Williams
Chad Wireman
Colorado Springs Youth Symphony
Flute
Ryan Fulton
Rebecca Park
Hannah Tassler
Trumpet
Erin Blackley
Aaron Ghrist
Ryan Leonard
Oboe
Yoorie Chang
Anna High
Trombone
Justin Bosco
Andrew Lee
Nattasitth Yamasmit
Clarinet
Natalie Boggs
Mercer Bristol
Bass Clarinet
James DeMoss
Bassoon
Glenna Boggs
Daniel Geisz
Brandie Moore
French Horn
Taylor Blackley
Carson Bristol
Lindsey Kells
Tuba
Oriana RamirezLuckert
Percussion
Nicolo Betoni
Brendan Leap
Minyong Lee
Yoonsung Park
Harp
Paige Gaydos
Violin II
Elisabeth Buvarp
Emily Chang
Phyllis Kumbera
Jessica Kurtz
Maya Mijares
Toby Mijares
Katherine Muser
Izzy Nunez
Isaac Orvin
Jason Qian
Katherine Schwinck
Jonathan Vu
Cello
Sophia Artley
Madalyn Botkin
Andrew Coronado
Alison Garscadden
Beatrice Hall
Rebecca Mijares
Jayna Powell
Ryan Scaggs
Will Stritzel
Double Bass
Baylor Brown
Olwyn Doyle
Patrick Hoppe
Olivia Khaliqi
Christopher Oram
Karolina Vida
Wajima Wadaiko Toranosuke
Yukina Akita
Rukio Boshita
Akihisa Futaki
Tokimune Hashidume
Ayano Kawabata
Mizuki Kawabata
Yuon Maeda
Yuka Mensaka
Karin Miyashita
Akane Nakagishi
Aimi Obata
Haru Obata
Kurea Ohtsumi
Seshia Ohtsumi
Himari Okizaki
Hiroto Sakata
Konatsu Yamaichi
Musashi Yamamoto
Nene Yoshiura
The Performing Arts Partners list includes names supplied by directors as of April 20, 2016. Any
questions regarding missing or misspelled names should be addressed to the individual directors.
DISTINGUISHED CONCERTS INTERNATIONAL NEW YORK
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empowering educational programs, and its global community of artist and audiences, DCINY changes lives through the power of performance.
For more information about Distinguished Concerts International New York and
upcoming DCINY musical events around the world, please visit: www.DCINY.org.
DCINY ADMINISTRATIVE STAFF
Iris Derke, Co-Founder and General Director
Jonathan Griffith, Co-Founder, Artistic
Director & Principal Conductor
Danuta Gross, Director of Finance &
Administration
Kevin Taylor, Director of Program Development
James M. Meaders, Associate Artistic Director
& Conductor
Jason Mlynek, Associate Director of Program
Development
Jim Joustra, Program Development
Mark Riddles, Program Development
Katie Sims, Program Development
Julia Falkenburg, Program Development
Maria Braginsky, Program Development
Assistant
Marisa Tornello, Program Development
Assistant
Andrea Macy, Associate Director of
Marketing, Box Office & Promotions
Edmundo Montoya, Director of Production
DeAnna Choi, Office Operations Manager,
Accounting & Billing
Gary Crowley, Graphic Design & Website
Samm Vella, Concert Operations & Production
Thomas Reinman, Concert Operations
For PR and media inquiries, please contact Andrew Ousley of Unison Media at [email protected]
or (212) 707-8566 Ext. 316.
DCINY 2016 CONCERT SERIES
Sunday Afternoon, June 12, 2016, at 2:00
Stern Auditorium/Perelman Stage, Carnegie Hall
Eternal Light
Grases: Nocturnos y Adivinanzas (World Premiere)
Courtesy of the DCINY Premiere Project
Cristian Grases, Composer/Conductor
Featuring Distinguished Concerts Orchestra & Distinguished Concerts Singers International
Morten Lauridsen: Lux Aeterna
Jonathan Griffith, DCINY Co-Founder, Artistic Director and Principal Conductor
Featuring Distinguished Concerts Orchestra & Distinguished Concerts Singers International
Friday Evening, June 17, 2016, at 7:00
Alice Tully Hall, Lincoln Center
Show Me LOVE: Bringing Beauty & Love To A Hurting World
An Evening With Lincoln Gospel Choir
Darcy Reese, Director
Darnell Davis, Soloist
Tonia Hughes, Soloist
The Remnant, Special Guests
Sunday Afternoon, June 26, 2016, at 2:00
Stern Auditorium/Perelman Stage, Carnegie Hall
Songs of Inspiration and Hope
Music for Treble Voices
Lori Loftus, DCINY Debut Conductor
Featuring Distinguished Concerts Singers International
Spivey Hall Children’s Chorus (GA)
Martha Shaw, Director
Stuyvesant High School Chorus (NY)
Holly Hall, Director

Carnegie Hall Rental

Transcription

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