THE FAMILY JOSEPH ARTHUR
Transcription
THE FAMILY JOSEPH ARTHUR
THE FAMILY JOSEPH ARTHUR Happy unhappy It’s how I started I NEVER – not unlik e three hun dred million sub urban kids before and after m e. But this thing in my world as a kid all at th e same ti me. And was used that way aga inst me and for m e. And thus began my long, wei rd relations hip with music. This saviour . This damnati on. And I wo n’t apologize fo r the Emo di rect sloppiness o f this descr iption. There’s no w ay to soft s ell it. It’s a need to transcend love-fustrat ion -pain-suffering-eu phoria bliss-magic A piano restorer in Carroll Gardens found my 1912 Steinway Vertegrand piano for me. When it came up on Craigslist, he said he was baffled by it. It came to my place for $1,600, all in. It was a steal. There are famous photos of John and Paul (The Beatles) playing identical pianos, writing their early hits. My piano tuning friend gave it the full inspection and tuning, but little to no repair was needed. It was like out of a time capsule. It was aged, and it had character. But nothing compared to what it was and how old it is. It had lived in Connecticut with the same family for generations, and it simply had become an artifact, despite sentimental value. And how unfortu end up n in an i ate/fortunat e for i ndustri studio t to al of Red Hoo f the coast o garage space/ k, Broo f the w at kl new lif e it fa yn, where ear ers of ced nea ly in i was onl r d ts y it on c saved by frie evastation. I inder b nds who t locks w fuck us hen San lifted all. dy came to BUT I T SUR VIVED We SURV . IVED . “You Wear Me Out”, which became the catalyst for the concept of this record about family dynamics. I set out to make an album that centered about all of the aspects and all of the relationships of “The Family”. And how fitting that these songs should begin on that hundred-yearold Steinway that had only ever belonged to one family. So the songs just came. One after the other. It felt like some dumb divine clockwork. Everything else I had, or was doing, went out the window and seemed tired and irrelevant. I hadn’t yet released “Boogie Christ”, but I dove into this passionately. stories – anything they could recall. FFor ex or am ““Sisteexamppllee,, wwhheenn II rreeffeerr to Sisterr DDaawn” to ‘si wn”, ssister ister,, tthhoug , II’’mm nnoott ssppeeaaki‘sisstteerr’’ iinn n oughh II ddii in the dd uussee hekingg aabboouutt mmy in he ssoong, h r y e n a “ g r c , was t T h a was mee wwhho w “Thee FFaammiillyy””.. H cttuuaall nnaammee owweevver, i o woouulldd ccl H that m o er t liimmbb uupp e tha was evveerryy tr,eeit It watswasnn’’ttiinnWWeesstt t . ree. AAnd VViirrggiinnia It wasiinnAkr nd ia,,ee oo Akr to An nn i ,,OO t h i h t . mm i h h i oo o to An ee o oo . . rr r . B B e u u , t t w W r e e w e , sttVV and ev e dd ii ddgg ii rr gg and erryChr Wes oo in ii na iaev ee v e r Chi footbaevey s y r t r s i m u y s mmer ta ms summ a, s,an footbl ad ndwe al wedi llth dd te idplplayer hr ee r. e. ay ahould Perhaps I I used fact s from thin gs my folks and then qu told me ickly ficti onalized. World story War II fa ctors , about but for i m e it n heavily was a right war right to th lw n e the m now. That ow—the lo ays just ’s wh ain s s s we al y to dynam l h ics s ry, whic I let it h is surro ave hape th u us an d mak e way fam nd e us i who w ly e are . THE FAMILY Sister Susan By the time she was four She could climb up Just about any tree From the highway You could see our house She would look out As the cars drove past And the family Was always Glad you came Said the family Was always Glad you came We played football On the gravel drive I would take it long Every time In West Virginia The stakes were high The ball would fly through The sky so bright And the family Was always Glad you came Said the family Was always Glad you came We may never Pass this way again but I’ll never let you down (no I won’t) I’ll always let you in I’ll never let you down (no I won’t) I’ll always let you in The family Was always Glad you came Joseph Leon was taken first Mama Enid she lost her mind It was mercy that held them close And it was mercy that left us behind The family Was always Glad you came Said the family Was always Glad you came (Endless mercy Hold me now Hold me now Hold me now Hold me now Hold me now Endless mercy) SISTER DAWN Sister Dawn Take care of your young Don’t do what they did And hide away, hide away, hide away Last night you were wrong When you raged at your youngest son When you grabbed him by his arm He hid away, hid away, hid away Hid away, hid away, hid away Sister Dawn Take care of your young You know our folks are getting old It’s you and me, you and me, you and me You say you can’t deal Twisted by the way they make you feel But they need you to be strong Don’t hide away, hide away, hide away Hide away, hide away, hide away Sister Dawn Take care of your young WITH YOUR LIFE I’m away Tonight The devil will pray For a fight I’m driving drunk But I still see the road My car is flipping And it still might explode But I’m known here To bite (don’t run away, don’t run away don’t run away, don’t run away) All night long They run Oh girl All night long They run Oh girl I’ll throw your back Up against the wall Nobody here And nobody to call Well I’ll shut off Your light I’m away Tonight The devil will pray For a fight The Will of God or man Nobody can know The jungle laws And the idiot show Well I’m watching For your knife You got no rights here You’re just a kid Don’t want to hear you Or about what you did So just leave now With your life THEY CALLED HIM LIGHTNING They called him Lightning and he flew the war He was from Scotland, but he had to run to the shore America it saw his fortune grow He had a family and two sons he never would know I never knew him cause we barely spoke Disowned my brother over money, no one would joke His wife was drunk, but she still needed him He brought her money and another bottle of gin Now your mother gonna waste my time Saying What you are What you are She don’t love nothing but a wasted spine On a dirty floor, on the killing floor You know most people they will never change They damn you young and we all just end up the same I’m driving drunk but I can find the end I’m looking for her in the eyes of some other friend She looks at you and she can see her face She looks at me and sees someone she wants to erase You know one day she’s gonna lay me down You know one day she’s gonna put me into the ground Now your mother gonna waste my time Saying What you are What you are She don’t love nothing but a wasted spine On a dirty floor, on a killing floor Now your mother gonna waste my time Saying What you are What you are She don’t love nothing but a wasted spine On a dirty floor, on the killing floor (There’s a darkness in the heart of man But you could be mine You could be mine There’s a darkness in the heart of man But you could be mine You could be mine) WHEN I LOOK AT YOU When I look at you I can see his face I can see his smile I can see his dream When I look at you I can see his trust I can see his hope And everything he lost In this lonely (purple) haze Look at you I must When I look at you When I look at you When I look at you When I look at you WISHING WELL When I look at you When I look at you Maybe you’re the moon When I’m in the dark Maybe you’re the voice In a hopeful song When I look at you When I look at you I can see the maze I can see the loss On a long-distance Sunday We could go to the mall Look around but still don’t buy much Can’t afford a place to fall Oh, the wishing well Throw your coins in there Tell them what you want Oh, the wishing well I wonder who gets the money It’s been sitting there for years Those old coins they don’t rust tho Soaking in our dreams and tears Tell them what you want Oh, the wishing well Oh, the wishing well Throw your coins in there Tell them what you want Oh, the wishing well I know you will Find your way So you’ve got to hold on You always got to hold on (repeats) Just one dime will get you mercy (mercy) A nickel is worth a place to stay (come here) A quarter and you’ll be forgiven For everything you couldn’t say Oh, the wishing well Throw your coins in there I know you will Find your way You know you’ve got to hold on You always got to hold on I know you will Find a way To hold on, hold on I know you will Find a way To hold on (hold on) MACHINES OF WAR Now I’m leaving to fly in a warplane Hitler’s coming and he is a madman I’ll be back though so care for our children Tell them Daddy has left to protect them now On a mission the sky is a blood field On a mission you see what our bones yield Raining bodies, the jet planes are falling I gotta go now the army is calling me Time is a jet away Wish you would lock the door See how our children play We are machines of war They are so young I hope they remember me Love couldn’t make me stay I couldn’t love you more Just watch how our children play We are machines of war Time is a jet away Wish I could give you more See how our children play We are machines of war The factory will give me my job back If I make it out of a casket If I make it I hope you’ll be waiting With the kids and the love never fading out When you wake them please give them a kiss now When you wake them please tell them I miss them And when I’m gone please show them my picture Love couldn’t make me stay (stay) I couldn’t love you more Just watch how our children play We are machines of war And when she died she was ninety-two years old Bill was from Glasgow He flew a fighter plane in the war But after the war he killed a man And ran away to America ETHEL WAS BORN Ethel was born The day the Titanic sunk Her mother died when she was young She took over for her And took care of her Dad Until she ran away to New York City Ethel was born The day the Titanic sunk Her father drowned in the Portage Lakes Known to be a great swimmer His death was a suicide There she met a man named Bill He was fifteen years older than her And he already had a wife But he was soon to be divorced You and I, rain girl You and I, You and I, rain girl You and I, are gonna YOU WEAR ME OUT are gonna reign are gonna You’re their mother Start being one I’m their father But I can’t hold it down alone You should see them When they ask for you What should I tell them Since I can’t tell them the truth are gonna reign Like a cloud, in the sky Like a king and queen, getting high Like a cloud, in the sky Like a king and queen, getting high You and I, You and I, rain girl You and I, You and I, rain girl are gonna reign are gonna are gonna reign are gonna Yeah You wear me out You say you need them But you’ve been gone They have changed now Boy have they grown and grown I know it’s speed That’s turned you blue The pills you swallow Haven’t they now swallowed you? Yeah You wear me out You wear me out You wear me out Time Time Time Time won’t won’t won’t won’t For you Or them turn turn turn turn around around around around HOLD ON JERRY Hold on Jerry, hold on Talking to the dead Endless highway mercy’s song Well I sing to you Going home there’s no one Gonna meet you there As your road keeps droning on (and on) The dead just come to you This life is complicated This death is overrated And your dream is turned to faded blue This love is obligated This time is thinly stated And your mind is agitated too Hold on Jerry, hold on The family needs you now As you come back to us all Well we come to you Going home to Mercy She’s been loving you And you’ve been loving her so much She’s in you now This life is complicated This death is overrated And your dream is turned to faded blue This love is obligated This town is thinly stated And your mind is agitated too This life is complicated This death is overrated And your dream has turned to faded blue This love is obligated This time is thinly stated And your mind is agitated too YOU KEEP HANGING ON I love you more than my pain Says I should I love you more when you’re rain Than the desert would/wood You say life’s in the past When we were strong But I would love you to stay Keep hanging on You keep hanging on Even when I tell you to go You keep hanging on Even when I ask you to leave You keep hanging on Even when I tell you to go You keep hanging on Even when I ask you to leave I see you on the other side Of your moon and your folded knife And I wonder How you came into my life I know sometimes you’re cold inside But I still want you to be mine It makes me wonder Why you came into my life I love you more like a dream Than reality I love the way that you seem To be there for me You say love is a church And a crucifix It will kill us in time After saving us You keep hanging on Even when I tell you to go You keep hanging on Even when I ask you to leave You keep hanging on Even when I tell you to go You keep hanging on Even when I ask you to leave THE FLAG Though you’re gone You’re still here In Jimmy’s eyes And Linda’s tears Your picture sits Upon the wall I think you’d say Don’t give up Today I think I’ve had enough Without you here I’m not that strong There’s no one else I want to touch Cause I wish you were near I wish you were near The army came They had your stuff It’s in the basement With the flag We used to say In God We Trust But I’m not sure Anymore Today I think I’ve had enough Without you here I’m not that strong There’s no one else I want to touch Cause I wish you were near I wish you were near I wish you were near DADDY, THE WAR MACHINE Here comes The war machine Here comes The war machine Daddy Has gone to war I know What that means He may die there and Never come home Fighting those men That want to kill us I wish you came home Mother was never the same Daddy I still Love you The war machine Here comes The war machine Here comes The war machine Here comes The war machine Here comes The war machine The war machine Daddy You were brave I miss you At your grave Blake y Tchad b d les. e x i M rel, Wa g n o M r l u l at Fu ph Arth by Jose ur y l ph Arth e Written n by Lo by Jose d d e e h c s u ) i d P l Pro Pub (ASCA ut LLC n usic M Astrona n e dam Aya x i by W ed by A . in r n e i g t m n s d i a A r M ) ( Inc. Maste , y g a n w i e h t s at Ga Publi e r, d, Main h Arthu p e Portlan s o J y b d e r ark Enginee Sheldon Peter W Jacob, ent by m t e t g i a r n r a M Me . wards Gomberg erek Ed D t a y b y l n e g Desi t entir a.co.uk d almos o i d at patw u Recorde t S y r t n u o y Rebel C tings b nd pain klyn. a o o o e r t h B o t h n P i at Arthur ecorded Joseph n LA. Drums r i e s u o m/ e H ords.co Carriag orldrec w l a m e u r r . d www ums, rthur itars als, dr josepha harthur.com All voc ng, pianos, gu r u i h ep m t s m ph Ar www.jo progra by Jose s h t n y and s Special thanks to Peter Gabriel and Real World who took me into their family a long time ago and gave me a home to make this possible. And to Tchad Blake who took what I gave him and generously constructed something much greater. And to Peter Wark who in this tough industry saw this project through and never stopped believing in it.