NEO CAMPARI ASKES YOU TO PLEASE BUY THIS CHECK LIST

Transcription

NEO CAMPARI ASKES YOU TO PLEASE BUY THIS CHECK LIST
VICTOR BOULLET’S
CHECK LIST
And a new instalment in the literary feuilleton “Mona”!
Written by
Stian Gabrielsen
Password: monet
http://ilovemonetmore.tumblr.com
NEO CAMPARI ASKES YOU TO
PLEASE BUY THIS CHECK LIST ONLINE
@ FRENETIC HAPPINESS.com
IT’S ONLY 5 EURO
SO SORRY THAT THIS IS NOT A
FREEBIE PLEASE FORGIVE
NEO CAMPARI
THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIST. NEO CAMPARI.COM
Provenance, from the French provenir, "to come from", refers to the chronology of the ownership, custody or location of a historical object.[1] The term was originally mostly used in
relation to works of art, but is now used in similar senses in a wide range of fields, including
archaeology, paleontology, archives, manuscripts, printed books, and science and computing.
The primary purpose of tracing the provenance of an object or entity is normally to provide
contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership,
custody, and places of storage. The practice has a particular value in helping authenticate
objects. Comparative techniques, expert opinions, and the results of scientific tests may also
be used to these ends, but establishing provenance is essentially a matter of documentation.
In archaeology (particularly North American archaeology and anthropological archaeology
throughout the world), the term provenience is used in related but a subtly different sense to
provenance. Archaeological researchers use provenience to refer to the three-dimensional
location of an artifact or feature within an archaeological site, whereas provenance covers an
object's complete documented history. Provenience can be used more broadly (e.g. the name
of valley or estate),[clarification needed] especially when an artifact was found by a private
party and its specific position not recorded. Any given antiquity may therefore have both a
provenience (where it was found) and a provenance (where it has been since it was found).
In rare cases, e.g. known artisanship or original ownership, an antiquity's provenance may
include facts that predate its entry into the archaeological record, as well as those relating to
its history after rediscovery.
NEO CAMPARI ASKES YOU TO
PLEASE BUY THIS CHECK LIST ONLINE
@ FRENETIC HAPPINESS.com
IT’S ONLY 5 EURO
SO SORRY THAT THIS IS NOT A
FREEBIE PLEASE FORGIVE
NEO CAMPARI
THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIST. Untitled (The Coming Together of Opposites)
2014
C-print on Kodak Endura paper /mounted on aluminium /framed / 110 x 140 cm / 43.3 x 55.1"
140 x 110 cm / 55.12 x 43.31"
1/3 + 1AP / SOTR/PH 2007-001/1
Victor Boullet
LUNCHEON NAPKIN MONET: PRINTEMPS A GIVERNY
Monet Servittes trapped under original plastic
SIZE 8F / 36 X 48cm 2013
This series contains five works where the artist has pushed a stupied
napkin up into the plastic that protects the canvas.
This work serves no purpose and it’s rubbish.
NEO CAMPARI ASKES YOU TO
PLEASE BUY THIS CHECK LIST ONLIN
@ FRENETIC HAPPINESS.com
IT’S ONLY 5 EURO
SO SORRY THAT THIS IS NOT A
FREEBIE PLEASE FORGIVE
NEO CAMPARI
Victor Boullet
Untitled (Rodin, Andouillette & Yellow Pong # 15) Oil on canvas,
38 X 46cm, 2012
MY name is Victor BOullet I like Gustave Caillebotte
- I mean REALLY LIKE!
as part of the 2013 tour of – Critique of Pure Rubbish
Reevaluating Rather Then Redefining
The Post Conceptual Art Discourse of Recirculating Material
THE USE OF THE USEFUL
from Rules of Cynical Trash.
As Mona said, "I look at the Third Symphony
of Brahms, and I feel like a pygmy.
THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIS
Victor Boullet
Untitled (Rodin, Andouillette
& Yellow Pong # 15) Oil on
canvas, 38 X 46cm, 2012
Water Lilies
Haystacks
Poplars
Patrons
Gustave Caillebotte, Ernest Hoschedé, Georges Clemenceau
Influenced by Eugène Boudin, Johan Jongkind, Gustave Courbet
Claude Monet (French: [klod mɔnɛ] or [mɔne]; 14 November 1840 – 5
December 1926) was a founder of French impressionist painting, and the
most consistent and prolific practitioner of the movement’s philosophy of
expressing one’s perceptions before nature, especially as applied to plein-air
landscape painting.[1][2] The term Impressionism is derived from the title
of his painting Impression, Sunrise (Impression, soleil levant).
Water Lilies
Haystacks
Poplars
Patrons
Gustave Caillebotte, Ernest Hoschedé, Georges Clemenceau
Influenced by Eugène Boudin, Johan Jongkind,
Gustave Courbet
Claude Monet (French: [klod mɔnɛ] or [mɔne];
14 November 1840 – 5 December 1926) was a
founder of French impressionist painting, and
the most consistent and prolific practitioner of
the movement’s philosophy of expressing one’s
Provenance
Ottoman-French Jewish art collectors
Musée Nissim de Camondo
By the French government’s count, there are 1,008 of these works at the Louvre alone. There’s Boucher’s stormy “La Fôret” (MNR 894), a Chardin still life
(MNR 716), and a tempera-on-wood “Annunciation” by Solario (MNR 256).
Unlike so many other collections owned
by Jews, thisRubens
one remained
In aoftwist
of fate, (MNR
the 411) was
The golden-hued
triptychuntouched.
“The Erection
the Cross”
family donated it to France before the
war, and
so itLinz,
was where
incorporated
into the
same
of museums
recovered
from
it had been
stored
in union
preparation
for Hitler’s museas the Louvre. This saved the extraordinary
artare
inside,
yetDelacroix
could not dancers
protect the
Camondos.
um. There
ecstatic
(MNR
143) andAa memorimournful Géricault
al plaque outside the museum tells lion
of the
family
members
at Auschwitz.
(MNR
137),
whosekilled
owners,
like all the others, have never been found.
Perhaps the most hauntingly beautiful museum in all of Paris is the Musée
Musée Nissim de Camondo
Nissim de Camondo <http://travel.nytimes.com/travel/guides/europe/france/
paris/25333/musee-nissim-de-camondo/attraction-detail.html?inline=nyt-classifier> , the former home of a family of Ottoman-French Jewish art collectors.
NEO CAMPARI ASKES YOU TO
LEASE BUY THIS CHECK LIST ONLINE
@ FRENETIC HAPPINESS.com
T’S ONLY 5 EURO
O SORRY THAT THIS IS NOT A
REEBIE PLEASE FORGIVE
NEO CAMPARI
HE MONEY WILL SUPPORT N ARTIST TO BE ABLE TO MAKE NOTHER FANZINE OR A CHECK LIST. Untitled (The Coming Together of Opposites)
2014
C-print on Kodak Endura paper /mounted on aluminium /framed / 110 x 140 cm / 43.3 x 55.1"
140 x 110 cm / 55.12 x 43.31"
1/3 + 1AP / SOTR/PH 2007-001/1
Not to be confused with Édouard Manet, another painter of the same era.
“Monet” redirects here. For MONET, see Multiwavelength optical networking. For database management, see MonetDB.
Claude Monet Claude Monet, photo by Nadar, 1899.
Birth name Oscar-Claude Monet
Born 14 November 1840
Paris, France
Died 5 December 1926 (aged 86)
Giverny, France
NationalityFrench
FieldPainter
MovementImpressionism
Works Impression, Sunrise
Rouen Cathedral series
London Parliament series
Water Lilies
NEO CAMPARI ASKES YOU TO
PLEASE BUY THIS CHECK LIST ONLINE
@ FRENETIC HAPPINESS.com
IT’S ONLY 5 EURO
SO SORRY THAT THIS IS NOT A
FREEBIE PLEASE FORGIVE
NEO CAMPARI
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
et Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
et Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIST. et Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
plein-air landscape painting.
plein-air landscape painting.
plein-air landscape painting.
plein-air landscape painting.
Victor Boullet
EET FUK Explorer # 16
Waxed tablecloth, 80 X 120cm,
2012
THE ESSAY
by MONA
FIND IT
THE LEFT HAND SIDE
CHURCH WALL / OUTSIDE
Church of Saint-Denys of the Holy Sacrament
68 Rue de Turenne
75003 Paris
O CAMPARI ASKES YOU TO
ASE BUY THIS CHECK LIST ONLINE
FRENETIC HAPPINESS.com
ONLY 5 EURO
SORRY THAT THIS IS NOT A
PLEASE READ
EBIE PLEASE FORGIVE
PLEASE READ
PLEASE READ
O CAMPARI
MONEY WILL SUPPORT ARTIST TO BE ABLE TO MAKE OTHER FANZINE OR A CHECK LIST. read Private ROOM by STIAN GabRIELSEN.
E
Untitled (The Coming Together of Opposites)
2014
C-print on Kodak Endura paper /mounted on aluminium /framed / 110 x 140 cm
/ 43.3 x 55.1"
140 x 110 cm / 55.12 x 43.31"
1/3 + 1AP / SOTR/PH 2007-001/1
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm et Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
NEO CAMPARI ASKES YOU TO
PLEASE BUY THIS CHECK
ONLINE
Oil LIST
on CanvAs
@ FRENETIC HAPPINESS.com
IT’S ONLY 5 EURO
SO SORRY THAT THIS IS NOT A
FREEBIE PLEASE FORGIVE
NEO CAMPARI
Oil on CanvAs
Oil on CanvAs
Oil on CanvAs
Oil on CanvAs
Oil on CanvAs
Oil on CanvAs
Oil on CanvAs
et Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
Eet Fuk Explorer 2012
Marker pen on Wax Table cloth 90 X 120cm
THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIST. EET
FUK
EXPLORER
BLAH
BL
EET
FUK
EXPLORER
BLAH
BLA
EET
FUK
EXPLORER
BLAH
BL
EET
FUK
EXPLORER
BLAH
BL
EET
FUK
EXPLORER
BLAH
B
EET
FUK
EXPLORER
BLAH
B
EET
EET
FUK
FUK
EXPLORER
EXPLORER
BLAH
BLAH
BL
B
EET FUK EXPLORER BLAH B
EET
FUK
EXPLORER
BLAH
BLA
EET
FUK
EXPLORER
BLAH
BL
EET FUK EXPLORER BLAH BL
PLEASE BUY THIS CHECK LIST O
@ FRENETIC HAPPINESS.com
IT’S ONLY 5 EURO
SO SORRY THAT THIS IS NOT A
FREEBIE PLEASE FORGIVE
NEO CAMPARI
Les Tissus FrancaIS
Les Tissus FrancaIS
And a new instalments in the literary feuilleton
17 rue “Mona”!
du Pont aux Chox,
17 rue du Pont aux Chox,
Written by
75003 Paris
75003 Paris
Stian Gabrielsen
Password: monet
http://ilovemonetmore.tumblr.com
CANOPY
PLASTIC WORK IN WINDOW!
SOON IN PARIS
THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAK
ANOTHER FANZINE OR A CHEC
Les Tissus FrancaIS
17 rue du Pont aux Chox, 75003 Paris
CANOPY
Untitled (The Coming Together of Opposites)
2014
C-print on Kodak Endura paper /mounted on aluminium /framed / 110 x 140
cm / 43.3 x 55.1"
140 x 110 cm / 55.12 x 43.31"
1/3 + 1AP / SOTR/PH 2007-001/1
ONLINE
A
Tor Hoff DEBRIS - RUBBISH Oslo Malmø Oslo Paris
by a courrier from HELL! NICE COURRIER, NICE COURRIER
CD639344913NO
CD640110836NO
Package has been handed in to post office
2013-06-18 09:25, 0411 OSLO
- read Private ROOM by STIAN GabRIELSEN.
CANOPY PLASTIC WORK IN WINDOW! PARIS! CANOPY PLASTIC WORK IN
WINDOW! PARIS! CANOPY PLASTIC WORK IN WINDOW! PARIS! CANOPY
PLASTIC WORK IN WINDOW! PARIS! CANOPY PLASTIC WORK IN WINDOW!
PARIS!
NEO CAMPARI ASKES YOU TO
PLEASE BUY THIS CHECK LIST ONLINE
KE @ FRENETIC HAPPINESS.com
CK LIST. IT’S ONLY 5 EURO
SO SORRY THAT THIS IS NOT A
FREEBIE PLEASE FORGIVE
NEO CAMPARI
as part of the 2013 tour of – Critique of Pure Rubbish
Reevaluating Rather Then Redefining
The Post Conceptual Art Discourse of Recirculating Material
THE USE OF THE USEFUL
from Rules of Cynical Trash.
CANOPY PLASTICVictor
WORK INBoullet
WINDOW!
PARIS!
2013
LUNCHEON NAPKIN MONET: PRINTEMPS A
GIVERNY
Monet Servittes trapped under original plastic
SIZE 8F / 36 X 48cm
NeoCampari Proudly Presents
Monday 24th June 2013
Places to be confirmed!
...
Chine Store (Supermarket)
23 Rue au Maire
75003 Paris
THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIST. Private Room / The Essay / The Check List
by Victor Boullet
And 3 new instalments in the literary feuilleton
“Mona”!
Written by
Stian Gabrielsen
as part of the 2013 tour of – Critique of Pure
Rubbish
Reevaluating Rather Then Redefining
The Post Conceptual Art Discourse of Recirculating
Material
THE USE OF THE USEFUL
from Rules of Cynical Trash.
Drinks will be served
For more information please wait in line.
K Kahn, if you can understand this, I DO NOT LIKE THIS DESIGN, IT’S HORRIBLE please change
everything, I will not go for this. UNDERSTAND? Victor
BONUS
Frenetic Happiness producing for The Middle of a Societal Hierarchy
Victor Boullet would like to thank the following.
Gustave Caillebotte is fantastic, he is missed by the Frenetic Happiness staff every day, and that is why we let
Victor Boullet makes this superCheckList as part of our new superstructure.
Design by He is an Idiot (.com) / Cairo / J K Kahn / he was paid because he has nothing.
Printed in PARIS by AdHoc / Mr Pierre.
Wake up and smell the friCking Frenetic Happiness / 2013
For this you have to pay €5,- please do so with pleasure and love, because you just supported an artist.
Monday 24 – Friday 28 June
09:00
www.fanzine.frenetichappiness.com
www.frenetichappiness.com
PRIVATE ROOM
by Victor Boullet
NEO CAMPARI ASKES YOU TO
PLEASE BUY THIS CHECK LIST ONLINE
@ FRENETIC HAPPINESS.com
IT’S ONLY 5 EURO
NEO CAMPARI ASKE
O CAMPARI
ASKES
YOU
TO
SO SORRY THAT THIS IS NOT A
PLEASE
BUY THIS CH
ASEFREEBIE
BUY THIS
CHECK
LIST
ONLINE
PLEASE FORGIVE
@ FRENETIC HAPPIN
RENETIC
HAPPINESS.com
NEO CAMPARI
IT’S ONLY 5 EURO
ONLY 5 EURO
SO SORRY THAT THIS
SORRY
THAT
THIS
IS
NOT
A
THE MONEY WILL SUPPORT FREEBIE PLEASE FOR
EBIE
PLEASE FORGIVE
AN ARTIST TO BE ABLE TO MAKE NEO CAMPARI
O CAMPARI
ANOTHER FANZINE OR A CHECK LIST. Chez Nenesse
17 Rue de Saintonge, 75003 Paris
12:00 –14:30, 20:00 –22:15
Chine Store (Chinese Supermarket)
23 Rue au Maire
75003 Paris
Mustafa the Tailor / La Retouch
10 rue du Pont aux Choux, 75003 Paris
Les Tissus Francais
17 rue du Pont aux Choux, 75003 Paris
The Essay by Mona
Church of Saint-Denys of the Holy Sacrament
68 Rue de Turenne
75003 Paris
MONEY WILL SUPPORT THE MONEY WILL SU
AN ARTIST TO BE AB
ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE O
OTHER FANZINE OR A CHECK LIST. AS PART OF THE Critique of Pure Rubbish
Reevaluating Rather Then Redefining
The Post Conceptual Art Discourse of Recirculating Material
THE USE OF THE USEFUL
from Rules of Cynical Trash.

Similar documents