magazine

artla
magazine
In Loving
Memory Of
Charlie deMar
1959-2014
March 2014
Contents
dellamarie parrilli
4
Silvia Poloto
10
Robert Firestone:
Page 4
Page 8
Every Picture Tells A Story
Page 10
Page 20
completely speechless at the present moment. In December 2012, I wrote
about a very special and amazing artist that had a stroke during his
Opening Reception. Five minutes ago I learned that he passed away this
Please see story on page 8.
Kindly,
www.parrilli.com
[email protected]
www.dellamarieparrilli.com
2 | ArtLA Magazine | March 2014
Contributors
David Katz
ArtLA.com, Inc.
Art Director
ArtLA.com
ArtLA.com
March 2014 | ArtLA Magazine | 3
where he lived for many years. When we met
we were very young, fell madly in love and
got married 2 weeks later. I was working as
for the wrong reasons, and immediately start-
my parents or anyone ever did, and when he
died, one month short of our 20th wedding
ArtLA.com: What was the happiest moment
of your life?
Silvia Poloto:
Silvia Poloto
Artist Studio
By Tim Broughton
B
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The Moment Is A Living Seed, Mixed Media,
65 x 40 inches
ArtLA.com:
of Bloom and Shadow” what were you feel-
moment.
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Silvia Poloto: A few years ago, I worked on
to span a wide range of interpreta-
path.
ArtLA.com:
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him or her?
Silvia Poloto:
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-
4 | ArtLA Magazine | March 2014
ArtLA.com
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March 2014 | ArtLA Magazine | 5
Silvia Poloto
ArtLA.com:
“Eight months ago I lost my mother.
Silvia Poloto: From European roots I was
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Four years ago I lost my father.
Three years ago I lost my husband.
ArtLA.com: What is the most important
One year ago I lost my best friend.
Silvia Poloto: I guess the most important
ing lesson.
The ache, the sorrow,
the grief, the tears . . .”
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myself.
in the present moment. I have learned that
-
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ing self-portrait, the images are personal and
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ArtLA.com:
-
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spired, to wait for the right moment when all
most love.
ArtLA.com:
Silvia Poloto:
Silvia Poloto:
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their fear. I never understood that, as I had
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art, as well as in your life, if you follow your
ing tools to make my work without having
6 | ArtLA Magazine | March 2014
ArtLA.com
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March 2014 | ArtLA Magazine | 7
In Memory Of Charlie deMar
to many. Charlie painted with a
great degree of talent and passion
so many in the art world. Charlie
was a realist; a down to earth guy
of the snapshots that Charlie turned
into visual adornments that gave so
Box of Memories 3, Acrylic on canvas, 60 x 45 inches
was making progress that surprised
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please contact (310) 315-9502.
your gentle nature. Simply put, we
8 | ArtLA Magazine | March 2014
Clockwise: Ektachrome, Acrylic on canvas, 36 x 36 inches, Ektachrome 3, Acrylic on canvas, 36 x 36 inches
Roller Skate, Acrylic on canvas, 36 x 48 inches
ArtLA.com
ArtLA.com
March 2014 | ArtLA Magazine | 9
Artist Up Close
ArtLA.com:
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Robert Firestone:
-
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also possesses some parallel skills and
Robert Firestone: Originally, their
lives and their art inspired me to
ously devote myself to an important
ArtLA.com:
drive?
Robert Firestone: I feel that I
Robert Firestone
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-
ArtLA.com:
By Tim Broughton
of authority and lonely, I thought
things out for myself. My life from
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Robert Firestone: My work is
ArtLA.com: Are you always looking
-
great value on feeling. In my life and
- pallet?
Robert Firestone: Yes, I am alArtLA.com:
the appeal for you?
10 | ArtLA Magazine | March 2014
ArtLA.com
ArtLA.com
er explores the usage of his paints,
ArtLA.com:
March 2014 | ArtLA Magazine | 11
Artist Up Close
Robert Firestone: I feel the most
alone when I feel the most myself,
est friends and when I feel the most
ArtLA.com: If there were one
Robert Firestone:
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pain of my separateness, personal
ArtLA.com:
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Robert Firestone: At moments I
feel the terror of my eventual death
On a more universal level, I explain
as when I was a young man.
Transcendence, Digital print, 36 x 48 inches
another. We fear others who think
another. I have explained and exFlatbed print on aluminum, 32 x 72 inches
12 | ArtLA Magazine | March 2014
ArtLA.com
ArtLA.com
March 2014 | ArtLA Magazine | 13
Pete Gorski
By Burt Winchester
Every
Picture
Tells A
Story
his art that are powerful,
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town of Brooklin, Maine. Annoyed
to him. Brooklin was a magnet for
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Cocktails, Acrylic on board, 18 x 12 inches
14 | ArtLA Magazine | March 2014
ArtLA.com
ArtLA.com
March 2014 | ArtLA Magazine | 15
Pete Gorski
-
Portland Press Herald and Lewiston Sun Journal
newspaper art and design world, he would
ArtLA Magazine:
you loved surrealism?
Pete Gorski:
work.
ArtLA Magazine:
Pete Gorski:
when one person or another has had more
-
I really liked how they thrived on doing art
point to.
ArtLA Magazine: What is your earliest
memory of art?
Pete Gorski:
every sort around the house growing up. I was
Glass Half Empty, Acrylic on board, 20.5
x 15.5 inches
16 | ArtLA Magazine | March 2014
ArtLA.com
-
ArtLA Magazine:
artwork?
ArtLA.com
March 2014 | ArtLA Magazine | 17
Pete Gorski
Pete Gorski:
Pete Gorski:
-
-
-
here?” I really like the pairing of the artwork
going in originally at a later date.
ArtLA Magazine:
your art and life?
Pete Gorski:
used to always listen to it while I was paintpast and present, and then the old master
-
want to get down on paper to perhaps expand
ArtLA Magazine:
But the work of the old masters and their use
-
Pete Gorski:
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a point of view through his artwork like I do.
the world that I want to address in my work.
the day to do it all.
ArtLA Magazine:
Pete Gorski: Where do I start? As I said,
-
Pete Gorski:
ArtLA Magazine:
idea of what you are going to paint, or does it
evolve?
18 | ArtLA Magazine | March 2014
-
ing to have to make a pilgrimage to Southern
California and get a full dose of surrealism.
ArtLA Magazine: What is the most import-
is important.
ArtLA.com
ArtLA.com
March 2014 | ArtLA Magazine | 19
t
n
i
r
P A
e
M ld!
r
r
o
W
The Art of 3-D Printing
by David Katz
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Quintrino
Photography,
by Bathsheba Grossman
20 | ArtLA Magazine | March 2014
ArtLA.com
ArtLA.com
March 2014 | ArtLA Magazine | 21
3-D Printing
an
material is deposited, layer upon layprint a variety of three-dimensional
-
-
-
-
Time Magazine.
degree that provides her with the
Khoshnevis explains how an in-
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original works of art.
the style of a true visionary, Khosh-
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knowledge, is the renowned Neri
Oxman. Oxman is an assistant prothe moon!
-
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-
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Nexus
Photography,
by Bathsheba Grossman
22 | ArtLA Magazine | March 2014
ArtLA.com
ArtLA.com
March 2014 | ArtLA Magazine | 23
3-D Printing
ed at the Museum of Modern Art,
-
imitate nature.
While there are many people at
-
different forms and models. All of
natural forms. While her art forms
-
visionaries who were early pio-
that is then integrated into the
Oxman does not work alone; she
to demonstrate how it has evolved
of dreaming .... any poetry that
resides in the mind.” Oxman goes
The Corset
Photography
by Neri Oxman
24 | ArtLA Magazine | March 2014
use multiple materials to print a
ture holds. If you would like to get
-
ital morphogenesis.” Oxman has
ArtLA.com
ArtLA.com
March 2014 | ArtLA Magazine | 25
26 | ArtLA Magazine | March 2014
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ArtLA.com
March 2014 | ArtLA Magazine | 27
at the Venice Skills Center
their lives. As AWBW steps into a new
Dog with a Blog
A Window Between Worlds is the only
28 | ArtLA Magazine | March 2014
ArtLA.com
ArtLA.com
March 2014 | ArtLA Magazine | 29
S
pring is upon us and that
-
At Its Finest
will take a look at some of the wares
By Tim Broughton
The Neverfall NM
because it can be carried
across the body,
on the shoulder,
or as a clutch.
in iconic
Monogram canvas,
combines a smart,
structured exterior
with a spacious
well-organized interior.
is the most structured
handbags. The original
is one of the
most delicate
mini-bags
available
and so inexpensive
at just $1,640.
is part of the 2014 Spring/
It’s an astonishingly precise
work of art that is
references to cats as part
of its nomenclature.
The Fascinante
This is another bag from the
is a shintzy shoulder bag
that says a lot,
and carries a lot.
It’s made of luxurious
Epi Leather and
is especially spacious.
pheasant feathers makes this bag unique.
Avoid the countryside in Scotland
on a Sunday morning when many people
fashionable Paris.
30 | ArtLA Magazine | March 2014
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March 2014 | ArtLA Magazine | 31
Art Calendar
Art Calendar
Richard Hamilton
Frank Lloyd Wright and the City: Density
vs. Dispersal
-
-
photographer, a long way from all the leg-
photography and television, as well as his
aims to present a history of his extraordinary
32 | ArtLA Magazine | March 2014
ArtLA.com
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March 2014 | ArtLA Magazine | 33
Art Calendar
Art Calendar
The Nelson A. Rockefeller Vision
Louise Bourgeois, a Woman Without Secrets
-
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A series of rooms displaying small- and-
-
-
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terms as governor of the State of New York
34 | ArtLA Magazine | March 2014
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March 2014 | ArtLA Magazine | 35
Thanks for viewing
artla
magazine
For advertising enquiries:
email Tim Broughton
at [email protected]
or call 310.315.0282
36 | ArtLA Magazine | March 2014
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March 2014 | ArtLA Magazine | 37