OIL PAINTINGS, WATERCOLOURS, DRAWINGS AND MINIATURES
Transcription
OIL PAINTINGS, WATERCOLOURS, DRAWINGS AND MINIATURES
FIRST DAY’S SALE TUESDAY 29th APRIL 2014 OIL Paintings, WATERCOLOURS, DRAWINGS AND MINIATURES Commencing not before 2.30pm Pictures will be on view on: Friday 25th April 9.00am to 5.15pm Saturday 26th April 9.00am to 1.00pm Sunday 27th April 2.00pm to 4.00pm Monday 28th April 9.00am to 5.15pm Limited viewing on sale day Enquiries: Martin Scadgell Tel: 01392 413100 Email: [email protected] Enquiries: Daniel Goddard Tel: 01392 413100 Email: [email protected] 281 • David Eustace [b.1950] A sore head oil on board 43 x 40.5cm. £100 - 200 • Biography. David Eustace was born in Birmingham. He was encouraged to attend art school but a lack of money prevented this and he trained to become a carpenter. He did subsequently train at Sutton School of Art and then Exeter College of Art, but insists that he is self-taught. Eustace is a painter, muralist and jazzman, latterly part of a quartet called Shufflebones. His paintings reveal a social quirkiness combining odd characters and peculiar moments. 282 • David Eustace [b.1950] My beautiful bath signed oil on octagonal board 33 x 33cm. 64 £100 - 200 283 • David Eustace [b.1950] Morris man and bull dog; After a visit to the vets; Terrier in a pub; Man’s best friend a group of four, one signed oils on board each 24 x 20.5cm. [4] £200 - 300 283 284 • David Eustace [b.1950] The Iron Bridge, Exeter signed oil on board, 28 x 20.5cm, in the artist’s cut out and painted frame, together with a painting of Exeter Prison. [2] £100 – 200 285 No Lot. 284 65 286 • Dora Holzhandler [b.1928] Girl playing with a ball signed and dated ‘96 oil on board 16 x 11.5cm. £200 - 300 286 287 • Silvio Loffredo [1920-2013] Head of a girl signed and dated ‘79 oil on board 13.5 x 18.5cm. £80 - 120 287 288 Attributed to Vincent Cartwright Vickers [19th/20th Century] Google Bird pen, ink and watercolour 36.5 x 27cm. £300 - 400 • Provenance. Private Collection David Pleydell-Bouveire Esq. 2005 288 289 - 290 66 No Lots 291 • Michael Seward Snow [1930-2012] Grey to Mauve Space signed, inscribed and dated 1965 on the reverse oil on board 20.5 x 15cm, mounted on a painted backboard. £600 - 800 • Provenance. Peterloo Gallery, Manchester 1968. Rowan Gallery, Lowndes Street, London. 291 292 • Peter Thursby [1930-2011] Concave Pod initialled and numbered PT 250.74.10 bronze sculpture height 50.1cm, width 16.5cm, depth 14.2cm. £2500 - 3500 • Extract from Peter Thursby by Vivienne Light and Simon Olding. ‘’The descriptive title of ‘Podmen’ came about as Thursby observed ‘little men on scaffolding constructing buildings. They appeared to be framed in boxes like peas in a pod...therefore the name Podmen arose’. As the series progressed so Podmen began to emerge climbing, falling, ascending, descending, whirling and rotating on external surfaces. ‘Looking Forward’, commissioned by Exeter City Council, was the beginning of Podman’s escape from restricted compartments towards final release.’ From the biography Peter Thursby by Vivienne Light and Simon Olding. 292 67 293 • Clifford Fishwick [1923-1997] Passing storm signed and dated ‘83 bottom right further signed, inscribed and dated on the reverse oil on board 60 x 70cm. £300 - 500 293 294 • Clifford Fishwick [1923-1997] Yacht Race Torbay signed and dated ‘69 bottom right inscribed with title on the stretcher oil on canvas 90 x 120cm. £500 - 700 294 295 • Clifford Fishwick [1923-1997] Yacht Race Powderham signed and dated 1980 bottom right further signed and inscribed with title on the reverse watercolour 37 x 57cm. 295 296 • Alfred Cohen [1920-2001] Coastal landscape with cottages signed oil on board 33 x 40.5cm. 296 68 £120 - 180 £250 - 350 297 • Arthur Karl Maderson [b. 1942] Foggy Morning, near Cappoquin signed further signed and inscribed on the reverse oil on board 22.5 x 18cm. £500 - 700 • Provenance. The George Gallery & Montague Ltd, Exhibition of Recent Works by Arthur Maderson 1991. 297 298 • Arthur Karl Maderson [b. 1942] Bathroom Study signed further signed and inscribed on the reverse oil on board 21 x 17.5cm. £400 - 600 • Provenance. The George Gallery & Montague Ltd, Exhibition of Recent Works by Arthur Maderson 1991. 298 299 Francesco Raffaello Santoro [1844-1927] Fonti del Clitunni, Italy signed oil on board 40 x 27cm. 300 £400 – 600 No Lot 299 69 301 Frederick John Widgery [1861 - 1942] The Exe Estuary, Topsham in the distance signed watercolour 17 x 45cm. £150 - 250 301 302 302 Frederick John Widgery [1861 - 1942] The Source of The Exe signed watercolour 17 x 44.5cm. £150 - 250 303 Frederick John Widgery [1861 - 1942] Watermouth Creek, Devon signed and inscribed watercolour and bodycolour 16.5 x 27cm. £150 - 250 303 304 Frederick John Widgery [1861 - 1942] Coastal view near Bournemouth signed and inscribed watercolour and bodycolour 17 x 27cm. £150 - 250 304 305 Frederick John Widgery [1861 - 1942] Dartmoor landscape signed watercolour 16.5 x 27cm. £100 - 200 305 70 306 Alfred Leyman [1856-1933] The Lych Gate, Offwell signed watercolour 53 x 73cm. £600 - 900 307 Frederick John Widgery [1861-1942] Nr. Okehampton, Dartmoor signed and inscribed bottom left bodycolour with watercolour 48.5 x 73.5cm £250 - 350 306 307 308 William Darton [19/20th century] Landing a catch at The Barbican Quay signed and dated 1924 watercolour 25 x 35cm. £200 - 300 308 309 Walter James Shaw [1851-1933] A Cornish Bay signed and dated 1882 oil on canvas 49 x 80cm. £300 - 500 309 71 310 311 310 William Widgery [1822-1893] Devon North Coast, stormy sea, watch tower on hill beyond signed W.Widgery bottom left oil on canvas 152 x 102cm. £300 – 500 311 William Widgery [1822-1893] Rocky shore with towering cliffs signed W.Widgery bottom left oil on canvas 152 x 102cm. £300 - 500 312 312 John Faulkner [1835-1894] A Breckon Lane signed and inscribed bottom left watercolour 49 x 99cm. £400 - 600 313 313 H J Livens [19/20th century] Cattle watering on a highland river signed oil on canvas 125 x 110cm. 72 £400 - 600 314 314 Charles Edward Brittan [1870-1949] A moorland sunset signed, inscribed and dated 1908 watercolour with scratching out 77 x 128.5cm. £1200 - 1800 315 - No lot 316 316 Circle of Thomas Sidney Cooper [1803-1902] Sheep resting oil on panel 12.5 x 21.5cm. £150 - 200 317 317 Thomas Whittle [19th century] Fishing in a river gorge, Derbyshire signed and dated bottom right oil on board 17.5 x 14.5cm £250 - 350 73 318 Continental School 19th century Lovers bathing in a grotto oil on panel 10 x 18cm. £500 - 800 318 319 Circle of Julius Caesar Ibbetson [1759-1817] Sheep grazing in a woodland clearing oil on millboard 30 x 39cm £200 - 300 319 320 Manner of Abraham Pether [19th century] A moonlit estuary scene with sailing barge oil on panel 17.5 x 27cm. £200 - 300 320 321 Joseph Thors [c.1843-1898] Marshland with punt, farm and windmill in the foreground signed bottom right oil on canvas 49 x 74.5cm £250 - 350 321 74 322 Attributed to Dorothea Sharp [1874-1955] Gathering Blackberries initialled DS bottom right watercolour and bodycolour 40.5 x 64cm £250 - 350 322 323 Manner of James Baker Pyne, 19th century A Neapolitan capriccio, figures resting on balustraded steps, a view to a harbour and coastal town beyond oil on canvas 93 x 118cm £300 - 500 323 324 James Duffield Harding [1797-1863] Travellers in an upland wooded landscape signed and dated J.D. Harding 1851 bottom right watercolour heightened with white 30 x 42cm £150 - 200 324 325 William Cartwright [1864-1911] Stover Devon signed bottom left oil on canvas 31 x 48cm. £250 - 350 325 75 326 Thomas Bush Hardy [1842-1897] Off Yarmouthsigned, inscribed and dated 1890 bottom right watercolour 25 x 36.5cm. £300 - 500 326 327 Samuel Owen [1768-1857] A stormy beach scene, fisherfolk on a shore, coastal shipping in distance signed S.OWEN and indistinctly dated ‘28 bottom right watercolour with scratching out 8.5 x 12cm £250 – 350 327 328 Circle of Talbot Kelly [1861-1934] A Nile scene, dhows on the river bank, figures in the foreground indistinctly signed bottom right watercolour and bodycolour 27 x 43cm. £200 – 300 328 329 Attributed to Thomas Hart [1830-1916] Kynance Cove; The Cornish Coast two, pastel drawings each 34 x 48cm. [2] £200 – 300 329 76 330 William Pitt [1853-1890] Fishermen and boats at Frogmore, Devon signed and inscribed on the reverse oil on canvas 61 x 122cm. £800 - 1200 330 331 John Cheltenham Wake [19th Century British] Fishermen in coastal waters signed oil on canvas 84 x 127.5cm £700 - 900 331 331A William Oliver [1804-1853] An extensive river landscape, figures on a riverbank in the foreground, outskirts of a town beyond, possibly Italy, the Tiber and environs of Rome signed, William Oliver and indistinctly inscribed bottom left oil on canvas 56 x 95cm £800 - 1200 331A 77 The following 26 paintings and watercolours by Robert Lenkiewicz comprise 13 works from one private collection in Cornwall and the remainder come from six other small private collections. 332 • Robert O Lenkiewicz [1941-2002] Self-Portrait with Red Scarf signed twice and inscribed on the reverse further marked with a red triangle oil on board 22.5 x 18cm. £5000 - 7000 • The presence of a Red Triangle has been explained as a mark which Lenkiewicz used to indicate that a work was Not For Sale, or of a special significance and as a result a Red Triangle has caused intrigue where it appears. 78 333 • Robert O. Lenkiewicz [1941-2002] Anna with striped jumper at the House signed twice and inscribed on the reverse oil on board 22.5 x 18cm. 334 • Robert O. Lenkiewicz [1941-2002] Self Portrait signed twice and inscribed on the reverse oil on board 23 x 17.5cm. £4000 - 6000 £4000 - 6000 79 335 • Robert O Lenkiewicz [1941-2002] Portrait of Jolie Project 3, Mental Handicap 1976 signed oil on canvas 49.5 x 59.5cm. £2500 - 3000 335 336 • Robert O Lenkiewicz [1941-2002] The Painter with Lindsey Seers signed and inscribed on the reverse oil on canvas 44 x 35cm. £5000 - 7000 336 80 337 • Robert O. Lenkiewicz [1941-2002] Janice Smith, Study, Shortly after Birmingham Exhibition signed twice and inscribed on the reverse oil on board 55.5 x 55.5cm. £1000 - 1500 337 338 • Robert O. Lenkiewicz [1941-2002] Portrait of a young woman signed on the reverse oil on board 34.5 x 24.5cm. £600 - 800 338 339 • Robert O Lenkiewicz [1941-2002] Phillip Saunders Project - Gossip on The Barbican, 1979 signed twice and inscribed on labels attached to the reverse oil on board 36 x 29.5cm. £600 - 800 339 81 340 340 • Robert O. Lenkiewicz [1941 - 2002] Orgasm, Project 9 It seems that her hands are blood red - her head and hair becomes green also the extremities, her feet. My right hand locked firmly in death white. As I press into her a grey blue spiral sweeps from above swirling through us turning red at genital area and plummets deep down into an ink black. As she makes climax the lower regions merge into a brilliant orange around a yellow, her eyes and mouth become black and the noise she makes covers my head with a death white inscribed and dated 28 Feb 78 watercolour, pen and ink drawing heightened with white 19.5 x 27cm. £800 - 1200 • Provenance. Lenkiewicz Studio Sale, Bearnes, 2004. Lot 505. 341 • Robert O. Lenkiewicz [1941 - 2002] Orgasm Study Project 9 signed inscribed and dated ‘78 further signed, inscribed and dated on a label attached to the backboard watercolour heightened with white 25 x 26cm. £500 - 700 •Provenance. Lenkiewicz Studio Sale, Bearnes, 2004. Lot 183 82 341 342 • Robert O. Lenkiewicz [1941-2002] The Painter with Lisa, St Anthony Theme signed and inscribed along the right edge watercolour heightened with white and bodycolour 39 x 24cm. £800 - 1200 342 343 • Robert O. Lenkiewicz [1941-2002] Study of Lisa Stokes signed and inscribed along the right side watercolour heightened with white 45 x 35cm. £1000 - 1500 343 344 • Robert O. Lenkiewicz [1941-2002] Self Portrait signed and inscribed along the right side watercolour heightened with white 49 x 35cm. £2000 - 3000 344 83 345 • Robert O. Lenkiewicz [1941 - 2002] Alex Donague and one other wax crayon drawing 43 x 36cm. £500 - 700 • Provenance. Lenkiewicz Studio Sale, Bearnes, 2004. Lot 481. 345 346 • Robert O. Lenkiewcz [1941-2002] Mouse Hampstead signed, inscribed and dated 1960’s pencil drawing 25 x 27.5cm. £150 - 250 347 • Robert O. Lenkiewicz [1941-2002] Four drawings of Mouse pen, ink and pencil each with Lenkiewicz Studio blindstamp largest 35.5 x 14cm in three frames. £150 - 200 346 84 348 • Robert O. Lenkiewicz [1941-2002] Study Lisa, St Anthony Theme signed and inscribed on the reverse oil on canvas 127 x 90cm. £4000 - 6000 348 349 349 • Robert O. Lenkiewicz [1941-2002] The Painter with Rachel, Study Painter with Women, Observations on the Theme of The Double signed and inscribed as catalogued on the reverse oil on board 27 x 26.5cm. £2000 - 3000 350 350 • Robert O. Lenkiewicz [1941-2002] Study of Karen in the Studio signed and inscribed on the reverse oil on board 27 x 26.5cm. £2000 - 3000 85 351 • Robert O. Lenkiewicz [1941-2002] Estuary Study - 8am February signed and inscribed on the reverse oil on canvas 114 x 65cm 86 £6000 - 8000 352 • Robert O. Lenkiewicz [1941-2002] Young Hasid signed twice and dated 1965 on the reverse also inscribed ‘[Hampstead] Eton Avenue-study/ Young Hasid-for life size Four Figures Hasidic [Cabala] - painting now in Glasgow. [Hotel Shemtof 85-87 Fordwych Road]’ oil on board, 44 x 28.5cm. £4000 - 6000 • Provenance. The Lenkiewicz Studio sale, Bearne’s, Westpoint, Exeter, 2008 352 353 • Robert O. Lenkiewicz [1941-2002] Fragment from ‘The Fight’ Project 17. Observations on Local Education signed and inscribed on the reverse, further inscribed [S W Fascism Column 88] oil on canvas 34.5 x 19cm. £1000 - 1500 • ‘The Fight’ was a 1988 Project 17 painting which was cut into several fragments, this being one. Five other parts were sold in 2003 at the Sotheby/Bearnes Lenkiewicz Studio sale, lots 113 - 117. 353 87 354 • Robert O. Lenkiewicz [1941-2002] The Painter with Karen signed twice on the reverse and inscribed Painter with Women Observation son the Theme of The Double Project 18 Aristotle & Phyllis, oil on canvas 191 x 90cm. £20000 - 30000 • Exhibited. The Painter With Women, Birmingham, 1994. 88 355 • Robert O. Lenkiewicz [1941-2002] Study Karen Ciambriello signed twice and inscribed on the reverse oil on canvas 101 x 90cm £5000 - 7000 89 356 • Robert O. Lenkiewicz [1941-2002] Study of The Hut - Landscape Series signed twice and inscribed on the reverse oil on canvas 57.5 x 58cm. • Exhibited. Landscape Exhibition, 1995 90 £3000 - 5000 357 • Robert O. Lenkiewicz [1941-2002] The Painter with Lisa signed on the reverse and inscribed The Painter with Women Observations on the Theme of The Double St Anthony Theme Project 18 oil on canvas 99 x 89cm. £20000 - 30000 • Exhibited. The Painter With Women, Birmingham, 1994. 358 No Lot 91 359 Anglo/Indian School [19th/20th century] Nine views in India, Gateway of Palace, Marble throne in Council Chamber, Juinina Musjid, Mosque, Dewan Khas, Suftni Junj, Jerwina Musjid, The Kootub by moonlight, King’s Throne, The Taj watercolours on ivory, each 5 x 6cm nine images in one composite frame. £500 - 700 92 360 360 Erskine Nicol [1825-1904] A country girl, wearing a shawl, in a landscape signed E. Nicol and dated ‘55 watercolour with bodycolour 23.5 x 17.5cm £400 - 600 361 362 361 • John Thomas Young Gilroy [1898-1985] Portrait of a girl signed Gilroy bottom left further signed and inscribed with the artist’s address at High Park Road, Kew Gardens on the backboard pastel drawing 30 x 23.5cm. £200 - 300 362 English School late 19th century Miniature portrait of a young lady bust-length with long fair hair tied in a pink ribbon and wearing a white silk blouse, sky background on ivory, oval, 6.9cm, in a gold frame and red leather case. £150 - 250 93 363 Circle of Gervase Jarvis Spencer [c.1715-1763] Miniature portrait of a young lady, head and shoulders with bright red lips, wearing a white lace dress with pink sash oval, 4cm, together with five other 18th and 19th century miniatures by various hands, some after earlier originals by Holbein, all within later plain ebonised frames, including two in one frame.[6] £400 - 600 94 364 364 Russian School 19th Century Miniature portrait of an officer bust-length with curling powdered hair wearing a Star for the Order of St Vladimir and the Order of Saint Anne on ivory, octagonal, 6.4 x 5.5cm. £3000 - 4000 365 365 Attributed to John Hoskins [c.1590-1664] Miniature portrait of a courtier, head and shoulders, wearing a black doublet with lace collar landscape and sky background oval, 4.7cm, within a later plain ebonised frame. £600 - 800 95 366 Circle of Gerard Soest [Dutch circa 1600-1681] A portrait of a Nobleman, standing half-length, wearing a breast plate armour with ceremonial braid and full length wigoil on canvas 76 x 62cm £800 - 1200 366 367 367 French School [early 18th Century] Portrait of a young gentleman, wearing buttoned tunic and white cravatinscribed Etat ‘54? and dated 1717 pastel 28 x 22cm, together with two other pastel portraits by the same hand. [3] £300 - 500 96 368 Circle of John Michael Wright [1617-1694] Charles II, half length seated, wearing garter robes oil on canvas 117 x 101cm. £5000 – 7000 97 369 Follower of Thomas Hudson circa 1780 Portrait of a lady, half-length wearing a blue velvet dress oil on canvas 74 x 62cm £400 - 600 369 370 Follower of Thomas Gainsborough, 19th Century Portrait of a lady seated three-quarter length, wearing a green and white satin dress and a broad rimmed hat oil on canvas 125 x 101cm £500 - 700 • Notes. Probably based on the Gainsborough portrait of Georgina, Duchess of Devonshire. 370 371 Circle of Sir Peter Lely [ 1618-1680] Portrait of a young man, standing three-quarter length, wearing a buttoned tunic, his hands resting on a hound’s head oil on canvas 89 x 69cm. £300 - 500 372 Manner of Guido Reni [19th Century] Pandora’s Box oil on canvas 60 x 49cm. £300 - 400 371 98 373 Attributed to Arthur Devis [1712-1787] Portrait of two young girls, the first standing wearing a blue lace trimmed dress and offering a sprig of flowers to the other young girl seated on a velvet stool wearing a lace bonnet and a lace trimmed apron over a velvet dress oil on canvas 104 x 120cm £5000 - 7000 99 374 Circle of John Nixon [circa 1750-1820] Kingfishers, study of three birds within a river landscape watercolour 34 x 51cm £200 - 300 374 375 Thomas Stowers [fl.1778-1814] The Rag Fair signed, inscribed and dated 1800, on reverse pen, ink and watercolour 33 x 44cm £150 - 200 376 British School circa 1840 Still life botanical study of peaches on a branch watercolour and bodycolour on card sheet size 52 x 39cm, unframed. £80 – 120 375 377 Attributed to Heloise Suzanne Leloir nee Colin [1820-1873] Fashionable ladies on a balcony watercolour heightened with bodycolour 22 x 15.5cm. £250 - 350 •Provenance. Newman Galleries U.S.A. Delehar, London Janet Hill Collection 376 100 377 378 No Lot 379 Miachino Marcello [Italian, 1877-1929] Summer flowers in a Venetian style vase; With a companion a pair, each signed oils on panel each 50 x 40cm. £600 - 800 387 380 Manner of Ambrosius Bosschaert [19th Century] Still life of Summer flowers oil on panel 44 x 34cm £250 - 350 381 John M Aitken [20th century] Winter roses signed watercolour 38 x 53cm. £250 – 350 382 No Lot 380 381 101 383 383 Pieter Cornelis Dommersen [1834-1908] ‘On the Scheldt’, a breezy day with a sailing boat embarking from a jetty, a fisherman’s cottage and figures in the foreground signed and dated P C Dommersen 1869 bottom right, also inscribed with title on a label on reverse oil on canvas 39.5 x 59.5cm £3000 - 5000 • Provenance. With Frost & Reed Ltd. • Biography. P.C. Dommersen was born in the Dutch City of Utrecht, also known as Pieter Christian Dommersen, and also by the Dutch spelling ‘Dommershuijzen’. He was a member of a large family of painters. PCD travelled and painted with his son William Raymond and his brother Cornelis Christian visiting America, Belgium, The Netherlands, Britain and France. His subjects were diverse; townscapes, marine and riverscapes. He moved to England permanently from the Netherlands around 1855. He went on to exhibit at the Royal Academy, Suffolk Street and the British Institution. 384 102 384 Dutch School 18th century An army attacking a castle oil on canvas 48 x 71cm. £2000 - 3000 385 After Raffaello Raphael Sanzio Madonna del Granduca oil on canvas 84 x 54cm. £300 - 500 386 English School Madonna and Child with Saint John oil on canvas 39 x 31cm £300 - 500 387 Robert Boyd Paul [c.1825-1885] after Walter William Ouless Portrait of John W Walrond, Bt., signed, inscribed and dated 1876 oil on canvas 90 x 69.5cm. £200 – 300 388 Anglo/Chinese School [late 19th century] Musicians in an interior oil on canvas 45 x 59.5cm 385 £250 – 350 386 387 388 103 389 Manner of Tobias Stranover, late 18th Century Ornamental fowl and exotic bird by a pond, figure and cottage beyond oil on canvas 74 x 61cm. £3000 - 5000 104 390 Flemish School 17th Century An allegory of the Garden of Eden oil on panel 49 x 61cm. £5000 - 7000 105 391 Attributed to George Lambert [1700-1765] An extensive classical landscape, figure group by a rocky stream in the foreground, arcadian temple beyond, figures by a river in middle distance oil on canvas 95 x 129cm £6000 - 8000 106 392 Lodewyck De Vadder [1605-1655] An upland wooded landscape, horsemen and dogs resting by a stream in the foreground, extensive vista beyond signed with a monogram and indistinctly inscribed bottom right oil on canvas 107 x 147cm £20000 - 30000 107 384 393 Julius Hartung aka Carl Reichert [1836-1918] Pug dogs and a parakeet in an interior; A companion painting a pair, both signed J Hartung inscribed on labels attached to the reverse ‘So ich dir’ and ‘Wie du Mir’ oils on panel each 25 x 19.5cm. [2] £2000 - 3000 394 • Renato Cataldi [1909-1981] Dance of the Mannakins; Scarlet Tangers a pair, both signed oils on board each 30.5 x 81cm. [2] £400 - 600 • Provenance. The Tryon Gallery, Dover Street, London. 395 394 108 No Lot 396 396 Frederick French [c1883-1916] Kittens a pair, both signed oils on canvas each 19.5 x 24.5cm. [2] £400 - 600 397 397 John Emms [1843-1912] A spaniel with mallard duck signed J EMMS bottom left oil on canvas 22 x 22cm 398 £600 - 800 • Provenance. By family repute; a gift from Queen Victoria to a lady in waiting, thence by family descent. 398 William Cruikshank [1848-1922] Still life of a bird and nest on a mossy bank signed oils on ivory, oval, 11 x 12.5cm. £150 – 250 399 No Lot 109 400 Abraham Soloman [1824-1862] Mother and daughter signed and dated 1854 bottom left oil on board 34 x 28.5cm £2000 - 3000 400 401 401 Follower of van Mieris, 19th Century Continental School The pet songbird oil on panel 51 x 41cm 110 402 £300 - 500 402 Manner of Thomas Barker of Bath [19th Century] Mother, child and donkey in a landscape oil on canvas 32 x 26.5cm £80 – 120 403 William A. Breakspeare [1856-1914] The Fair Rosalind signed bottom right oil on panel 24 x 19cm. £250 - 350 403 404 Edmond Andre [1837-1877, French] The Connoisseur, figures in an interior indistinctly signed bottom right oil on canvas 49 x 29cm £600 - 800 404 405 Walter F Tyndale [1855-1943] Street scene on the continent signed and dated ‘95 watercolour 34 x 23cm, together with one other watercolour of a young girl by a well by a different hand. [2] £250 – 350 406 No Lot 405 111 407 Frederick Goodall [1822-1904] An Arab Street scene signed bottom left oil on canvas 44 x 34cm. £800 - 1200 407 408 Emile Tatin [20th Century French School] Rue Saint Romain, Rouen signed bottom right oil on board 91 x 72cm. £500 – 700 408 409 408 112 No Lot 410 Leon Desire Bouillon [1848-1900, French School] The young fishergirl signed bottom left oil on canvas 59 x 47cm £600 - 800 410 411 Eugene Jean Marie Bergeron [?-1896] Still life of crabs and langoustine signed top left oil on board 36 x 44cm. £200 – 300 411 113 412 Isaac Henzell [1815-1876] An extensive shore scene, fisherfolk with catch in foreground, horse, cart and fishermen unloading a catch from a beached boat beyond signed and dated 1848 bottom right oil on canvas 63 x 93cm. £1500 - 2000 412 • Biography. A genre, landscape and portrait artist. Born Sheffield, descended from the Huguenot family De Henzell, who settled in Tyneside in 1619. First recorded as an artist in Newcastle in 1841. Shortly afterwards he emigrated to Australia with his nephews, the marine artists, Hemy, but returned in 1854. He spent most of his working life painting in the Newcastle area, frequently travelling to London, where he had an address, to show and sell his work. He exhibited at the Royal Academy and Suffolk Street. 413 Charles Landseer [1799-1879] ‘At the well’; signed bottom right oil on canvas 70 x 90cm. £1500 - 1800 413 414 Lewis(Louis) Vaslet [1742-1808] A gentleman, standing full-length, wearing a long blue frock coat, watering his horse by a brook, a view to a village beyond signed and dated 1783 indistinctly bottom right pastel 74 x 50cm. £500 - 700 • Provenance. Sothebys 15th May 1957, Lot 30 Sothebys 14th March 1985 Lot 86 • Literature. Ellis Waterhouse, The Dictionary of British 18th Century Painters, Suffolk 1981, illust. p.396 414 114 415 Harold Harvey [1874-1941] Off to Market signed Harold Harvey and dated ‘04 bottom left also inscribed on the stretcher “Purchased from the Newlyn Art Exhibition 1904” oil on canvas 30 x 46cm. £8000 - 12000 • Provenance - by repute purchased from a Newlyn Art Exhibition 1904. Thence by family descent. • Biography Harold Harvey was educated in Cornwall and studied Art at the Academie Julian in Paris from 1894-1896 under his future mentor Norman Garstin. In 1896 he studied further at the Academie Delecluse and the Academie Colarossi. In 1897 he returned to Penzance, Cornwall where he worked with Norman Garstin. He painted largely in oils drawing for his subjects scenes of everday life in his native Cornwall. He became a member of the Royal Cambrian Academy from 1909 and a member of the Newlyn Society of Artists from 1910-1935. He married the talented artist Mary Bodinnar in 1911 and they settled in Newlyn. In 1920 Harvey, with his close friend and artist Ernest Proctor, established the Harvey-Proctor School of Art in Newlyn. 115 416 Alfred Augustus Glendening Jnr [1861-1907] An exchange at the flower market signed with a monogram and dated 1897 bottom right watercolour 49.5 x 75cm. £4000 - 6000 116 417 Carl Wilhelm Holsoe [Danish 1863-1935] An interior scene with a lady seated wearing a white dress, sewing by a window, a view to a sunlit room beyond signed C. Holsoe bottom right oil on canvas 58 x 53cm. £15000 - 20000 • Provenance. With Richard Green, Dover Street. • Biography. Carl Vilhelm Holsoe was born in Lyngbye near Arhus in Denmark. He studied at the Royal Academy in Copenhagen between 1882-1884, and subsequently at the Artists Studieskole under Peder Severin Kroyer. In 1886 he exhibited at Charlottenberg, an interior , a subject for which he was to become renowned. Interior scenes, often sparsely furnished rooms, were a feature of Danish painting in the latter part of the 19th Century. He became enormously popular throughout Scandinavia and the rest of Europe, receiving an honourable mention at the Universal Exposition in Paris and a medal at the Munich Exhibition of 1891. His works can be found in museums in Copenhagen and Munich. 117 418 418 Alfred De Breanski Senior [1852-1928] ‘Invergarry’, a fisherman and dog by rocky falls in the foreground, mountain river landscape beyond signed Alfred de Breanski bottom left also signed and inscribed on reverse oil on canvas 20.5 x 30.5cm, with a companion, ‘Duncraggan’, a highlander with dog beside cattle at the edge of a lake, mountain landscape beyond signed Alfred de Breanski bottom right also signed and inscribed on the reverse a pair, oils on canvas each 20.5 x 30.5cm. [2] £4000 - 6000 • Provenance. With Richard Green Dover Street • Invergarry ( Scottish Gaelic Inbhir Garadh) is a village in the Highlands of Scotland, in the Great Glen near where the river Gary flows into Loch Oich. Duncraggan- a locality north of the Black Water in Stirling, lying immediately to the south of the Brig O’Turk, between Loch Achray and Loch Venachar 419 James D. Aylward [fl.1895-1917] Check Mate; figures in an interior around a chess table signed J.D. Aylward bottom right oil on panel 15 x 20cm. £600 - 800 419 118 420 Circle of Jan Wyck [circa 1680-1710] A hunting party in an upland landscape, fortification in distance oil on canvas 75 x 148cm £3000 - 5000 119 Artist Index Aitken, J. M. 381 Holzhandler, D. 286 Andre, E. 404 Landseer, C. 413 Aylward, J. D. 419 Lenkiewicz, R. O. Bergeron, E. J. M. 411 Leyman, A. 306 Bouillon, L. D. 410 Livens, H. J. 313 Breakspeare, W. A. 403 Loffredo, S. 287 Breanski, A. de 418 Maderson, A. K. Brittan, C. E. 314 Marcello, M. 379 Cartwright, W. 325 Nicol, E. 360 Cataldi, R. 394 Oliver, W. 331A Cohen, A. 296 Owen, S. 327 Cruikshank, W. 398 Pitt, W. 330 Darton, W. 308 Reichert, J. H 393 De Vadder, L. 392 Santoo, F. R. 299 Dommersen, P. C. 383 Shaw, W. J. 309 397 Snow, M.S. 291 Soloman, A. 400 Stowers, T. 375 293-295 Tatin, E. 408 396 Thors, J. 321 Gilroy, J. T. Y. 361 Thursby, P. 292 Glendening, A. A. 416 Tyndale, W. F. 405 Goodall, F. 407 Vaslet, L. 414 Harding, J. D. 324 Wake, J. C. 331 Hardy, T. B. 326 Whittle, T. Harvey, H. 415 Widgery, F. J. 301-305, 307 Henzell, I. 412 Widgery, W. 310-311 Holsoe, C. W. 417 Emms, J. Eustace, D. 281-284 Faulkner, J. 312 Fishwick, C. French, F. 120 332 – 357 297-298 317
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