OIL PAINTINGS, WATERCOLOURS, DRAWINGS AND MINIATURES

Transcription

OIL PAINTINGS, WATERCOLOURS, DRAWINGS AND MINIATURES
FIRST DAY’S SALE
TUESDAY 29th APRIL 2014
OIL Paintings, WATERCOLOURS,
DRAWINGS AND MINIATURES Commencing not before 2.30pm
Pictures will be on view on:
Friday 25th April 9.00am to 5.15pm
Saturday 26th April 9.00am to 1.00pm
Sunday 27th April 2.00pm to 4.00pm
Monday 28th April 9.00am to 5.15pm
Limited viewing on sale day
Enquiries: Martin Scadgell
Tel: 01392 413100
Email: [email protected]
Enquiries: Daniel Goddard
Tel: 01392 413100
Email: [email protected]
281
• David Eustace [b.1950]
A sore head
oil on board
43 x 40.5cm.
£100 - 200
• Biography. David Eustace was born in Birmingham. He was encouraged to attend art school but
a lack of money prevented this and he trained to become a carpenter. He did subsequently train
at Sutton School of Art and then Exeter College of Art, but insists that he is self-taught. Eustace is a
painter, muralist and jazzman, latterly part of a quartet called Shufflebones. His paintings reveal a
social quirkiness combining odd characters and peculiar moments.
282
• David Eustace [b.1950]
My beautiful bath
signed
oil on octagonal board
33 x 33cm.
64
£100 - 200
283
• David Eustace [b.1950]
Morris man and bull dog;
After a visit to the vets;
Terrier in a pub;
Man’s best friend
a group of four, one signed
oils on board
each 24 x 20.5cm. [4]
£200 - 300
283
284
• David Eustace [b.1950]
The Iron Bridge, Exeter
signed
oil on board, 28 x 20.5cm, in
the artist’s cut out and painted
frame,
together with a painting of
Exeter Prison. [2]
£100 – 200
285
No Lot.
284
65
286
• Dora Holzhandler [b.1928]
Girl playing with a ball
signed and dated ‘96
oil on board
16 x 11.5cm.
£200 - 300
286
287
• Silvio Loffredo [1920-2013]
Head of a girl
signed and dated ‘79
oil on board
13.5 x 18.5cm.
£80 - 120
287
288
Attributed to Vincent Cartwright Vickers
[19th/20th Century]
Google Bird
pen, ink and watercolour
36.5 x 27cm.
£300 - 400
• Provenance. Private Collection
David Pleydell-Bouveire Esq. 2005
288
289 - 290
66
No Lots
291
• Michael Seward Snow [1930-2012]
Grey to Mauve Space
signed, inscribed and dated 1965 on the reverse
oil on board
20.5 x 15cm, mounted on a painted backboard.
£600 - 800
• Provenance.
Peterloo Gallery, Manchester 1968.
Rowan Gallery, Lowndes Street, London.
291
292
• Peter Thursby [1930-2011]
Concave Pod
initialled and numbered PT 250.74.10
bronze sculpture
height 50.1cm, width 16.5cm, depth 14.2cm.
£2500 - 3500
• Extract from Peter Thursby by Vivienne Light
and Simon Olding. ‘’The descriptive title of
‘Podmen’ came about as Thursby observed
‘little men on scaffolding constructing buildings.
They appeared to be framed in boxes like
peas in a pod...therefore the name Podmen
arose’. As the series progressed so Podmen
began to emerge climbing, falling, ascending,
descending, whirling and rotating on external
surfaces. ‘Looking Forward’, commissioned
by Exeter City Council, was the beginning of
Podman’s escape from restricted compartments
towards final release.’ From the biography Peter
Thursby by Vivienne Light and Simon Olding.
292
67
293
• Clifford Fishwick [1923-1997]
Passing storm
signed and dated ‘83 bottom right
further signed, inscribed and dated on the reverse
oil on board
60 x 70cm.
£300 - 500
293
294
• Clifford Fishwick [1923-1997]
Yacht Race Torbay
signed and dated ‘69 bottom right
inscribed with title on the stretcher
oil on canvas
90 x 120cm.
£500 - 700
294
295
• Clifford Fishwick [1923-1997]
Yacht Race Powderham
signed and dated 1980 bottom right
further signed and inscribed with title on the reverse
watercolour
37 x 57cm.
295
296
• Alfred Cohen [1920-2001]
Coastal landscape with cottages
signed
oil on board
33 x 40.5cm.
296
68
£120 - 180
£250 - 350
297
• Arthur Karl Maderson [b. 1942]
Foggy Morning, near Cappoquin
signed
further signed and inscribed on the reverse
oil on board
22.5 x 18cm.
£500 - 700
• Provenance. The George Gallery & Montague Ltd, Exhibition of
Recent Works by Arthur Maderson 1991.
297
298
• Arthur Karl Maderson [b. 1942]
Bathroom Study
signed
further signed and inscribed on the reverse
oil on board
21 x 17.5cm.
£400 - 600
• Provenance. The George Gallery & Montague Ltd, Exhibition of
Recent Works by Arthur Maderson 1991.
298
299
Francesco Raffaello Santoro [1844-1927]
Fonti del Clitunni, Italy
signed
oil on board
40 x 27cm.
300
£400 – 600
No Lot
299
69
301
Frederick John Widgery [1861 - 1942]
The Exe Estuary, Topsham in the distance
signed
watercolour
17 x 45cm.
£150 - 250
301
302
302
Frederick John Widgery [1861 - 1942]
The Source of The Exe
signed
watercolour
17 x 44.5cm.
£150 - 250
303
Frederick John Widgery [1861 - 1942]
Watermouth Creek, Devon
signed and inscribed
watercolour and bodycolour
16.5 x 27cm.
£150 - 250
303
304
Frederick John Widgery [1861 - 1942]
Coastal view near Bournemouth
signed and inscribed
watercolour and bodycolour
17 x 27cm.
£150 - 250
304
305
Frederick John Widgery [1861 - 1942]
Dartmoor landscape
signed
watercolour
16.5 x 27cm.
£100 - 200
305
70
306
Alfred Leyman [1856-1933]
The Lych Gate, Offwell
signed
watercolour
53 x 73cm.
£600 - 900
307
Frederick John Widgery [1861-1942]
Nr. Okehampton, Dartmoor
signed and inscribed bottom left
bodycolour with watercolour
48.5 x 73.5cm
£250 - 350
306
307
308
William Darton [19/20th century]
Landing a catch at The Barbican Quay
signed and dated 1924
watercolour
25 x 35cm.
£200 - 300
308
309
Walter James Shaw [1851-1933]
A Cornish Bay
signed and dated 1882
oil on canvas
49 x 80cm.
£300 - 500
309
71
310
311
310
William Widgery [1822-1893]
Devon North Coast, stormy sea, watch tower
on hill beyond
signed W.Widgery bottom left
oil on canvas
152 x 102cm.
£300 – 500
311
William Widgery [1822-1893]
Rocky shore with towering cliffs
signed W.Widgery bottom left
oil on canvas
152 x 102cm.
£300 - 500
312
312
John Faulkner [1835-1894]
A Breckon Lane
signed and inscribed bottom left
watercolour
49 x 99cm.
£400 - 600
313
313
H J Livens [19/20th century]
Cattle watering on a highland river
signed
oil on canvas
125 x 110cm.
72
£400 - 600
314
314
Charles Edward Brittan [1870-1949]
A moorland sunset
signed, inscribed and dated 1908
watercolour with scratching out
77 x 128.5cm.
£1200 - 1800
315 - No lot
316
316
Circle of Thomas Sidney Cooper [1803-1902]
Sheep resting
oil on panel
12.5 x 21.5cm.
£150 - 200
317
317
Thomas Whittle [19th century]
Fishing in a river gorge, Derbyshire
signed and dated bottom right
oil on board
17.5 x 14.5cm
£250 - 350
73
318
Continental School 19th century
Lovers bathing in a grotto
oil on panel
10 x 18cm.
£500 - 800
318
319
Circle of Julius Caesar Ibbetson [1759-1817]
Sheep grazing in a woodland clearing
oil on millboard
30 x 39cm
£200 - 300
319
320
Manner of Abraham Pether [19th century]
A moonlit estuary scene with sailing barge
oil on panel
17.5 x 27cm.
£200 - 300
320
321
Joseph Thors [c.1843-1898]
Marshland with punt, farm and windmill in the
foreground
signed bottom right
oil on canvas
49 x 74.5cm
£250 - 350
321
74
322
Attributed to Dorothea Sharp [1874-1955]
Gathering Blackberries
initialled DS bottom right
watercolour and bodycolour
40.5 x 64cm
£250 - 350
322
323
Manner of James Baker Pyne, 19th century
A Neapolitan capriccio, figures resting on
balustraded steps, a view to a harbour and
coastal town beyond
oil on canvas
93 x 118cm
£300 - 500
323
324
James Duffield Harding [1797-1863]
Travellers in an upland wooded landscape
signed and dated J.D. Harding 1851 bottom
right
watercolour heightened with white
30 x 42cm
£150 - 200
324
325
William Cartwright [1864-1911]
Stover Devon
signed bottom left
oil on canvas
31 x 48cm.
£250 - 350
325
75
326
Thomas Bush Hardy [1842-1897]
Off Yarmouthsigned, inscribed and dated 1890 bottom right
watercolour
25 x 36.5cm.
£300 - 500
326
327
Samuel Owen [1768-1857]
A stormy beach scene, fisherfolk on a shore,
coastal shipping in distance
signed S.OWEN and indistinctly dated ‘28
bottom right
watercolour with scratching out
8.5 x 12cm
£250 – 350
327
328
Circle of Talbot Kelly [1861-1934]
A Nile scene, dhows on the river bank, figures in
the foreground
indistinctly signed bottom right
watercolour and bodycolour
27 x 43cm.
£200 – 300
328
329
Attributed to Thomas Hart
[1830-1916]
Kynance Cove; The Cornish
Coast
two, pastel drawings
each 34 x 48cm. [2]
£200 – 300
329
76
330
William Pitt [1853-1890]
Fishermen and boats at
Frogmore, Devon
signed and inscribed on the
reverse
oil on canvas
61 x 122cm.
£800 - 1200
330
331
John Cheltenham Wake
[19th Century British]
Fishermen in coastal waters
signed
oil on canvas
84 x 127.5cm
£700 - 900
331
331A
William Oliver [1804-1853]
An extensive river landscape,
figures on a riverbank in the
foreground, outskirts of a town
beyond, possibly Italy, the
Tiber and environs of Rome
signed, William Oliver and
indistinctly inscribed bottom
left
oil on canvas
56 x 95cm
£800 - 1200
331A
77
The following 26 paintings and watercolours by Robert
Lenkiewicz comprise 13 works from one private collection in
Cornwall and the remainder come from six other small private
collections.
332
• Robert O Lenkiewicz [1941-2002]
Self-Portrait with Red Scarf
signed twice and inscribed on the reverse
further marked with a red triangle
oil on board
22.5 x 18cm.
£5000 - 7000
• The presence of a Red Triangle has been explained as a mark
which Lenkiewicz used to indicate that a work was Not For Sale,
or of a special significance and as a result a Red Triangle has
caused intrigue where it appears.
78
333
• Robert O. Lenkiewicz [1941-2002]
Anna with striped jumper at the House
signed twice and inscribed on the reverse
oil on board
22.5 x 18cm.
334
• Robert O. Lenkiewicz [1941-2002]
Self Portrait
signed twice and inscribed on the reverse
oil on board
23 x 17.5cm.
£4000 - 6000
£4000 - 6000
79
335
• Robert O Lenkiewicz
[1941-2002]
Portrait of Jolie
Project 3,
Mental Handicap 1976
signed
oil on canvas
49.5 x 59.5cm.
£2500 - 3000
335
336
• Robert O Lenkiewicz
[1941-2002]
The Painter with Lindsey Seers
signed and inscribed on the
reverse
oil on canvas
44 x 35cm.
£5000 - 7000
336
80
337
• Robert O. Lenkiewicz [1941-2002]
Janice Smith, Study, Shortly after Birmingham
Exhibition
signed twice and inscribed on the reverse
oil on board
55.5 x 55.5cm.
£1000 - 1500
337
338
• Robert O. Lenkiewicz [1941-2002]
Portrait of a young woman
signed on the reverse
oil on board
34.5 x 24.5cm.
£600 - 800
338
339
• Robert O Lenkiewicz [1941-2002]
Phillip Saunders
Project - Gossip on The Barbican, 1979
signed twice and inscribed on labels attached to
the reverse
oil on board
36 x 29.5cm.
£600 - 800
339
81
340
340
• Robert O. Lenkiewicz [1941 - 2002]
Orgasm, Project 9
It seems that her hands are blood red - her head and hair becomes green also the extremities, her
feet. My right hand locked firmly in death white. As I press into her a grey blue spiral sweeps from
above swirling through us turning red at genital area and plummets deep down into an ink black.
As she makes climax the lower regions merge into a brilliant orange around a yellow, her eyes and
mouth become black and the noise she makes covers my head with a death white
inscribed and dated 28 Feb 78
watercolour, pen and ink drawing heightened with white
19.5 x 27cm.
£800 - 1200
• Provenance. Lenkiewicz Studio Sale, Bearnes, 2004. Lot 505.
341
• Robert O. Lenkiewicz [1941 - 2002]
Orgasm Study Project 9
signed inscribed and dated ‘78
further signed, inscribed and dated on a label
attached to the backboard
watercolour heightened with white
25 x 26cm.
£500 - 700
•Provenance. Lenkiewicz Studio Sale, Bearnes,
2004. Lot 183
82
341
342
• Robert O. Lenkiewicz [1941-2002]
The Painter with Lisa, St Anthony Theme
signed and inscribed along the right edge
watercolour heightened with white and
bodycolour
39 x 24cm.
£800 - 1200
342
343
• Robert O. Lenkiewicz [1941-2002]
Study of Lisa Stokes
signed and inscribed along the right side
watercolour heightened with white
45 x 35cm.
£1000 - 1500
343
344
• Robert O. Lenkiewicz [1941-2002]
Self Portrait
signed and inscribed along the right side
watercolour heightened with white
49 x 35cm.
£2000 - 3000
344
83
345
• Robert O. Lenkiewicz [1941 - 2002]
Alex Donague and one other
wax crayon drawing
43 x 36cm.
£500 - 700
• Provenance. Lenkiewicz Studio Sale, Bearnes,
2004. Lot 481.
345
346
• Robert O. Lenkiewcz [1941-2002]
Mouse Hampstead
signed, inscribed and dated 1960’s
pencil drawing
25 x 27.5cm.
£150 - 250
347
• Robert O. Lenkiewicz [1941-2002]
Four drawings of Mouse
pen, ink and pencil
each with Lenkiewicz Studio blindstamp
largest 35.5 x 14cm
in three frames.
£150 - 200
346
84
348
• Robert O. Lenkiewicz [1941-2002]
Study Lisa, St Anthony Theme
signed and inscribed on the reverse
oil on canvas
127 x 90cm.
£4000 - 6000
348
349
349
• Robert O. Lenkiewicz [1941-2002]
The Painter with Rachel, Study
Painter with Women, Observations on the
Theme of The Double
signed and inscribed as catalogued on the
reverse
oil on board
27 x 26.5cm.
£2000 - 3000
350
350
• Robert O. Lenkiewicz [1941-2002]
Study of Karen in the Studio
signed and inscribed on the reverse
oil on board
27 x 26.5cm.
£2000 - 3000
85
351
• Robert O. Lenkiewicz [1941-2002]
Estuary Study - 8am February
signed and inscribed on the reverse
oil on canvas
114 x 65cm
86
£6000 - 8000
352
• Robert O. Lenkiewicz
[1941-2002]
Young Hasid
signed twice and dated 1965
on the reverse
also inscribed ‘[Hampstead]
Eton Avenue-study/ Young
Hasid-for life size Four Figures
Hasidic [Cabala] - painting
now in Glasgow. [Hotel
Shemtof 85-87 Fordwych
Road]’
oil on board,
44 x 28.5cm.
£4000 - 6000
• Provenance. The Lenkiewicz
Studio sale, Bearne’s,
Westpoint, Exeter, 2008
352
353
• Robert O. Lenkiewicz
[1941-2002]
Fragment from ‘The Fight’
Project 17. Observations on
Local Education
signed and inscribed on the
reverse,
further inscribed [S W Fascism
Column 88]
oil on canvas 34.5 x 19cm.
£1000 - 1500
• ‘The Fight’ was a 1988
Project 17 painting which was
cut into several fragments,
this being one. Five other
parts were sold in 2003 at the
Sotheby/Bearnes Lenkiewicz
Studio sale, lots 113 - 117.
353
87
354
• Robert O. Lenkiewicz [1941-2002]
The Painter with Karen
signed twice on the reverse and inscribed
Painter with Women
Observation son the Theme of The Double
Project 18
Aristotle & Phyllis,
oil on canvas
191 x 90cm.
£20000 - 30000
• Exhibited. The Painter With Women, Birmingham, 1994.
88
355
• Robert O. Lenkiewicz [1941-2002]
Study Karen Ciambriello
signed twice and inscribed on the reverse
oil on canvas
101 x 90cm
£5000 - 7000
89
356
• Robert O. Lenkiewicz [1941-2002]
Study of The Hut - Landscape Series
signed twice and inscribed on the reverse
oil on canvas
57.5 x 58cm.
• Exhibited. Landscape Exhibition, 1995
90
£3000 - 5000
357
• Robert O. Lenkiewicz [1941-2002]
The Painter with Lisa
signed on the reverse and inscribed
The Painter with Women
Observations on the Theme of The Double
St Anthony Theme
Project 18
oil on canvas
99 x 89cm.
£20000 - 30000
• Exhibited. The Painter With Women, Birmingham, 1994.
358
No Lot
91
359
Anglo/Indian School [19th/20th century]
Nine views in India,
Gateway of Palace, Marble throne in Council Chamber, Juinina
Musjid, Mosque, Dewan Khas, Suftni Junj, Jerwina Musjid, The
Kootub by moonlight, King’s Throne, The Taj
watercolours on ivory, each 5 x 6cm
nine images in one composite frame.
£500 - 700
92
360
360
Erskine Nicol [1825-1904]
A country girl, wearing a shawl, in a landscape
signed E. Nicol and dated ‘55
watercolour with bodycolour
23.5 x 17.5cm
£400 - 600
361
362
361
• John Thomas Young Gilroy [1898-1985]
Portrait of a girl
signed Gilroy bottom left
further signed and inscribed with the artist’s
address at High Park Road, Kew Gardens on the
backboard
pastel drawing
30 x 23.5cm.
£200 - 300
362
English School late 19th century
Miniature portrait of a young lady
bust-length with long fair hair tied in a pink
ribbon and wearing a white silk blouse, sky
background
on ivory, oval, 6.9cm, in a gold frame and red
leather case.
£150 - 250
93
363
Circle of Gervase Jarvis Spencer [c.1715-1763]
Miniature portrait of a young lady, head and shoulders
with bright red lips, wearing a white lace dress with pink sash
oval, 4cm, together with five other 18th and 19th century
miniatures by various hands, some after earlier originals by
Holbein, all within later plain ebonised frames, including two in
one frame.[6]
£400 - 600
94
364
364
Russian School 19th Century
Miniature portrait of an officer
bust-length with curling
powdered hair
wearing a Star for the Order of
St Vladimir and the Order of
Saint Anne
on ivory, octagonal,
6.4 x 5.5cm.
£3000 - 4000
365
365
Attributed to John Hoskins
[c.1590-1664]
Miniature portrait of a courtier,
head and shoulders,
wearing a black doublet with
lace collar
landscape and sky background
oval, 4.7cm, within a later
plain ebonised frame.
£600 - 800
95
366
Circle of Gerard Soest
[Dutch circa 1600-1681]
A portrait of a Nobleman,
standing half-length,
wearing a breast plate armour
with ceremonial braid and full
length wigoil on canvas
76 x 62cm
£800 - 1200
366
367
367
French School [early 18th Century]
Portrait of a young gentleman, wearing buttoned tunic and
white cravatinscribed Etat ‘54? and dated 1717
pastel
28 x 22cm, together with two other pastel portraits by the same
hand. [3]
£300 - 500
96
368
Circle of John Michael Wright [1617-1694]
Charles II, half length seated, wearing garter robes
oil on canvas
117 x 101cm.
£5000 – 7000
97
369
Follower of Thomas Hudson circa 1780
Portrait of a lady, half-length wearing a blue
velvet dress
oil on canvas
74 x 62cm
£400 - 600
369
370
Follower of Thomas Gainsborough, 19th
Century
Portrait of a lady seated three-quarter length,
wearing a green and white satin dress and a
broad rimmed hat
oil on canvas
125 x 101cm
£500 - 700
• Notes. Probably based on the Gainsborough
portrait of Georgina, Duchess of Devonshire.
370
371
Circle of Sir Peter Lely [ 1618-1680]
Portrait of a young man, standing three-quarter
length, wearing a buttoned tunic, his hands
resting on a hound’s head
oil on canvas
89 x 69cm.
£300 - 500
372
Manner of Guido Reni [19th Century]
Pandora’s Box
oil on canvas
60 x 49cm.
£300 - 400
371
98
373
Attributed to Arthur Devis [1712-1787]
Portrait of two young girls, the first standing wearing a blue lace
trimmed dress and offering a sprig of flowers to the other young
girl seated on a velvet stool wearing a lace bonnet and a lace
trimmed apron over a velvet dress
oil on canvas
104 x 120cm
£5000 - 7000
99
374
Circle of John Nixon [circa 1750-1820]
Kingfishers, study of three birds within a river
landscape
watercolour
34 x 51cm
£200 - 300
374
375
Thomas Stowers [fl.1778-1814]
The Rag Fair
signed, inscribed and dated 1800, on reverse
pen, ink and watercolour
33 x 44cm
£150 - 200
376
British School circa 1840
Still life botanical study of peaches on a branch
watercolour and bodycolour on card
sheet size 52 x 39cm, unframed.
£80 – 120
375
377
Attributed to Heloise Suzanne Leloir nee
Colin [1820-1873]
Fashionable ladies on a balcony
watercolour heightened with bodycolour
22 x 15.5cm.
£250 - 350
•Provenance. Newman Galleries U.S.A.
Delehar, London
Janet Hill Collection
376
100
377
378
No Lot
379
Miachino Marcello
[Italian, 1877-1929]
Summer flowers in a Venetian
style vase;
With a companion
a pair, each signed
oils on panel
each 50 x 40cm.
£600 - 800
387
380
Manner of Ambrosius
Bosschaert [19th Century]
Still life of Summer flowers
oil on panel
44 x 34cm
£250 - 350
381
John M Aitken [20th century]
Winter roses
signed
watercolour
38 x 53cm.
£250 – 350
382
No Lot
380
381
101
383
383
Pieter Cornelis Dommersen [1834-1908]
‘On the Scheldt’, a breezy day with a sailing boat embarking from a jetty, a fisherman’s cottage and
figures in the foreground
signed and dated P C Dommersen 1869 bottom right,
also inscribed with title on a label on reverse
oil on canvas
39.5 x 59.5cm
£3000 - 5000
• Provenance. With Frost & Reed Ltd.
• Biography. P.C. Dommersen was born in the Dutch City of Utrecht, also known as Pieter Christian
Dommersen, and also by the Dutch spelling ‘Dommershuijzen’. He was a member of a large family
of painters. PCD travelled and painted with his son William Raymond and his brother Cornelis
Christian visiting America, Belgium, The Netherlands, Britain and France. His subjects were diverse;
townscapes, marine and riverscapes. He moved to England permanently from the Netherlands
around 1855. He went on to exhibit at the Royal Academy, Suffolk Street and the British Institution.
384
102
384
Dutch School 18th century
An army attacking a castle
oil on canvas
48 x 71cm.
£2000 - 3000
385
After Raffaello Raphael Sanzio
Madonna del Granduca
oil on canvas
84 x 54cm.
£300 - 500
386
English School
Madonna and Child with Saint John
oil on canvas
39 x 31cm
£300 - 500
387
Robert Boyd Paul [c.1825-1885]
after Walter William Ouless
Portrait of John W Walrond, Bt.,
signed, inscribed and dated 1876
oil on canvas
90 x 69.5cm.
£200 – 300
388
Anglo/Chinese School
[late 19th century]
Musicians in an interior
oil on canvas
45 x 59.5cm
385
£250 – 350
386
387
388
103
389
Manner of Tobias Stranover, late 18th Century
Ornamental fowl and exotic bird by a pond, figure and cottage beyond
oil on canvas
74 x 61cm.
£3000 - 5000
104
390
Flemish School 17th Century
An allegory of the Garden of Eden
oil on panel
49 x 61cm.
£5000 - 7000
105
391
Attributed to George Lambert [1700-1765]
An extensive classical landscape, figure group by a rocky stream in the
foreground, arcadian temple beyond, figures by a river in middle distance
oil on canvas
95 x 129cm
£6000 - 8000
106
392
Lodewyck De Vadder [1605-1655]
An upland wooded landscape, horsemen and dogs resting by a
stream in the foreground, extensive vista beyond
signed with a monogram and indistinctly inscribed bottom right
oil on canvas
107 x 147cm
£20000 - 30000
107
384
393
Julius Hartung aka Carl Reichert [1836-1918]
Pug dogs and a parakeet in an interior;
A companion painting
a pair, both signed J Hartung
inscribed on labels attached to the reverse ‘So ich dir’ and ‘Wie du Mir’
oils on panel
each 25 x 19.5cm. [2]
£2000 - 3000
394
• Renato Cataldi [1909-1981]
Dance of the Mannakins;
Scarlet Tangers
a pair, both signed
oils on board
each 30.5 x 81cm. [2]
£400 - 600
• Provenance. The Tryon Gallery, Dover Street,
London.
395
394
108
No Lot
396
396
Frederick French [c1883-1916]
Kittens
a pair, both signed
oils on canvas
each 19.5 x 24.5cm. [2]
£400 - 600
397
397
John Emms [1843-1912]
A spaniel with mallard duck
signed J EMMS bottom left
oil on canvas
22 x 22cm
398
£600 - 800
• Provenance. By family repute; a gift from
Queen Victoria to a lady in waiting, thence by
family descent.
398
William Cruikshank [1848-1922]
Still life of a bird and nest on a mossy bank
signed
oils on ivory, oval, 11 x 12.5cm.
£150 – 250
399
No Lot
109
400
Abraham Soloman
[1824-1862]
Mother and daughter
signed and dated 1854
bottom left
oil on board
34 x 28.5cm
£2000 - 3000
400
401
401
Follower of van Mieris,
19th Century Continental School
The pet songbird
oil on panel
51 x 41cm
110
402
£300 - 500
402
Manner of Thomas Barker of Bath
[19th Century]
Mother, child and donkey in a landscape
oil on canvas
32 x 26.5cm
£80 – 120
403
William A. Breakspeare [1856-1914]
The Fair Rosalind
signed bottom right
oil on panel
24 x 19cm.
£250 - 350
403
404
Edmond Andre [1837-1877, French]
The Connoisseur, figures in an interior
indistinctly signed bottom right
oil on canvas
49 x 29cm
£600 - 800
404
405
Walter F Tyndale [1855-1943]
Street scene on the continent
signed and dated ‘95
watercolour
34 x 23cm, together with one
other watercolour of a young
girl by a well by a different
hand. [2]
£250 – 350
406
No Lot
405
111
407
Frederick Goodall [1822-1904]
An Arab Street scene
signed bottom left
oil on canvas
44 x 34cm.
£800 - 1200
407
408
Emile Tatin [20th Century French School]
Rue Saint Romain, Rouen
signed bottom right
oil on board
91 x 72cm.
£500 – 700
408
409
408
112
No Lot
410
Leon Desire Bouillon
[1848-1900, French School]
The young fishergirl
signed bottom left
oil on canvas
59 x 47cm
£600 - 800
410
411
Eugene Jean Marie Bergeron [?-1896]
Still life of crabs and langoustine
signed top left
oil on board
36 x 44cm.
£200 – 300
411
113
412
Isaac Henzell [1815-1876]
An extensive shore scene, fisherfolk with catch
in foreground, horse, cart and fishermen
unloading a catch from a beached boat beyond
signed and dated 1848 bottom right
oil on canvas
63 x 93cm.
£1500 - 2000
412
• Biography. A genre, landscape and portrait artist. Born Sheffield, descended from the Huguenot
family De Henzell, who settled in Tyneside in 1619. First recorded as an artist in Newcastle in
1841. Shortly afterwards he emigrated to Australia with his nephews, the marine artists, Hemy,
but returned in 1854. He spent most of his working life painting in the Newcastle area, frequently
travelling to London, where he had an address, to show and sell his work. He exhibited at the Royal
Academy and Suffolk Street.
413
Charles Landseer [1799-1879]
‘At the well’;
signed bottom right
oil on canvas
70 x 90cm.
£1500 - 1800
413
414
Lewis(Louis) Vaslet [1742-1808]
A gentleman, standing full-length, wearing a long blue frock
coat, watering his horse by a brook, a view to a village beyond
signed and dated 1783 indistinctly bottom right
pastel
74 x 50cm.
£500 - 700
• Provenance.
Sothebys 15th May 1957, Lot 30
Sothebys 14th March 1985 Lot 86
• Literature. Ellis Waterhouse, The Dictionary of British 18th
Century Painters, Suffolk 1981, illust. p.396
414
114
415
Harold Harvey [1874-1941]
Off to Market
signed Harold Harvey and dated ‘04 bottom left
also inscribed on the stretcher “Purchased from the Newlyn Art
Exhibition 1904”
oil on canvas
30 x 46cm.
£8000 - 12000
• Provenance - by repute purchased from a Newlyn Art
Exhibition 1904. Thence by family descent.
• Biography
Harold Harvey was educated in Cornwall and
studied Art at the Academie Julian in Paris from 1894-1896 under
his future mentor Norman Garstin. In 1896 he studied further at
the Academie Delecluse and the Academie Colarossi. In 1897 he
returned to Penzance, Cornwall where he worked with Norman
Garstin. He painted largely in oils drawing for his subjects scenes
of everday life in his native Cornwall. He became a member of
the Royal Cambrian Academy from 1909 and a member of the
Newlyn Society of Artists from 1910-1935. He married the talented
artist Mary Bodinnar in 1911 and they settled in Newlyn. In 1920
Harvey, with his close friend and artist Ernest Proctor, established
the Harvey-Proctor School of Art in Newlyn.
115
416
Alfred Augustus Glendening Jnr [1861-1907]
An exchange at the flower market
signed with a monogram and dated 1897 bottom right
watercolour
49.5 x 75cm.
£4000 - 6000
116
417
Carl Wilhelm Holsoe [Danish 1863-1935]
An interior scene with a lady seated wearing a white dress, sewing by a window, a view to a sunlit
room beyond
signed C. Holsoe bottom right
oil on canvas
58 x 53cm.
£15000 - 20000
• Provenance. With Richard Green, Dover Street.
• Biography. Carl Vilhelm Holsoe was born in Lyngbye near Arhus in Denmark. He studied at the
Royal Academy in Copenhagen between 1882-1884, and subsequently at the Artists Studieskole
under Peder Severin Kroyer. In 1886 he exhibited at Charlottenberg, an interior , a subject for
which he was to become renowned. Interior scenes, often sparsely furnished rooms, were a
feature of Danish painting in the latter part of the 19th Century. He became enormously popular
throughout Scandinavia and the rest of Europe, receiving an honourable mention at the Universal
Exposition in Paris and a medal at the Munich Exhibition of 1891. His works can be found in
museums in Copenhagen and Munich.
117
418
418
Alfred De Breanski Senior [1852-1928]
‘Invergarry’, a fisherman and dog by rocky falls in the foreground,
mountain river landscape beyond
signed Alfred de Breanski bottom left
also signed and inscribed on reverse
oil on canvas
20.5 x 30.5cm, with a companion,
‘Duncraggan’, a highlander with dog beside cattle at the edge of a lake, mountain landscape
beyond
signed Alfred de Breanski bottom right
also signed and inscribed on the reverse
a pair, oils on canvas
each 20.5 x 30.5cm. [2]
£4000 - 6000
• Provenance. With Richard Green Dover Street
• Invergarry ( Scottish Gaelic Inbhir Garadh) is a village in the Highlands of Scotland, in the Great
Glen near where the river Gary flows into Loch Oich.
Duncraggan- a locality north of the Black Water in Stirling, lying immediately to the south of the
Brig O’Turk, between Loch Achray and Loch Venachar
419
James D. Aylward
[fl.1895-1917]
Check Mate; figures in an
interior around a chess table
signed J.D. Aylward bottom
right
oil on panel
15 x 20cm.
£600 - 800
419
118
420
Circle of Jan Wyck [circa 1680-1710]
A hunting party in an upland landscape, fortification in distance
oil on canvas
75 x 148cm
£3000 - 5000
119
Artist Index
Aitken, J. M.
381
Holzhandler, D.
286
Andre, E.
404
Landseer, C.
413
Aylward, J. D.
419
Lenkiewicz, R. O.
Bergeron, E. J. M.
411
Leyman, A.
306
Bouillon, L. D.
410
Livens, H. J.
313
Breakspeare, W. A.
403
Loffredo, S.
287
Breanski, A. de
418
Maderson, A. K.
Brittan, C. E.
314
Marcello, M.
379
Cartwright, W.
325
Nicol, E.
360
Cataldi, R.
394
Oliver, W.
331A
Cohen, A.
296
Owen, S.
327
Cruikshank, W.
398
Pitt, W.
330
Darton, W.
308
Reichert, J. H
393
De Vadder, L.
392
Santoo, F. R.
299
Dommersen, P. C.
383
Shaw, W. J.
309
397
Snow, M.S.
291
Soloman, A.
400
Stowers, T.
375
293-295
Tatin, E.
408
396
Thors, J.
321
Gilroy, J. T. Y.
361
Thursby, P.
292
Glendening, A. A.
416
Tyndale, W. F.
405
Goodall, F.
407
Vaslet, L.
414
Harding, J. D.
324
Wake, J. C.
331
Hardy, T. B.
326
Whittle, T.
Harvey, H.
415
Widgery, F. J.
301-305, 307
Henzell, I.
412
Widgery, W.
310-311
Holsoe, C. W.
417
Emms, J.
Eustace, D.
281-284
Faulkner, J.
312
Fishwick, C.
French, F.
120
332 – 357
297-298
317

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