Auto Erotica - Quadrangle Architects
Transcription
Auto Erotica - Quadrangle Architects
DESIGN KATHERINE ASHENBURG Auto erotica Made of gleaming glass and steel, BMW Toronto is as slick and subtle as the cars it sells. Inside a six-storey shrine to speed horse track in the J850s. it became Union Course, but it couldn't compete with Woodbine and eventually went unde1: For a decade beginning in 1886, Toronto's first prolessiona.1 baseball park stood here, a gingerbread-trimmed wooden stadium that held 2.200 seats and the legendary "twirler" (pitcher in 19th-century par lru1ce) Ned "Cannonball" Crane. The land saw more prosaic uses iu the 20th century. BMW Toronto's new ad dress is 11 Sunlight Pal'k Road. which sounds optimistic and bucolic. [n fact, it refe1·s to the Sunlight Soap Works, found ed by William Hesketh Lever in 1892 and still operating at the southern end of the lot. (On rainy days, the smell of soap trav els as far as the BMW building, a congen ial accompaniment to its air of hygienic perfection.) The soap works. now known as Lever Ponds. had built a hulking, glass and-concrete office building in the '70s. In 2001. that structure. along with a few sur rounding buildings and approximately 10 acres, became available. Most automotive retail spaces are one storey because, as BMW Toronto's prind pal architect, Roland Rom Colthoff of Quaclr:mgle, says. "ears luwe dilliculties with stairs." But there was a compelling reason to keep the skeleton of the Lever Ponds building: if BMW had erectt1d something new, they would never have been permitted to site it so close to the highway. Not only the location but the dowdy offices promised the car company a new way to µresimt itself: they could re frame the public's idea of a11 auto show room into something smart and vertical. That thought sustained BMW through protracted dealings with tbocity. The soil needed extensive remediation. and the pt'oximity to the Don River meant they had to devise a swale with bio-retentive vegetation to purify storm watel'. The presen(.'e of' migratory birds necessitated THE LOT THAT WOULD BE BMW TORONTO'S downward-facing lights and a computer new home was no stmnger to masculine ized system that dims the perimeter dreams of speed and prowess. at least in lights Mter dark. its first half-century. Levelled to make a The building. designed by the same WHERE THE DON VALLEY PARKWAY MEETS Eastern Avenue, a gigantic vendiug ma chine beckons. High in the sky, six bright ly lit boxes, stacked two deep, display real cars: choose your model, insel't your money. and out pops a Bimmer. The ct' lestial Automat is pm 't of Toronto's most dazzling new billl,oard. Behind the six-storey, blue-glass fa.; ade lies $20 million worth of show rooms, offices and service bays, Canada's biggest cat· retail spaC'e. But don't dismiss the façade as window dressing. Its com ponents were as carefully conceived and engineered as the BMW 5 Series, and it's working as hard as the mechanics in the immaculate service department. Call its job image making or branding or what you will; BMW takes it very seriously. Bayerische Motoren Werke has gradu ally come around to the importance of image, from its beginnings in aircraft, through to motorcycles and luxut'y cars. In Canada, the company's head office in Whitby recently provided a graphic illus tration of the effoc'.tivenesi. of Hrchitec ture as statement. Designed by Qlladran gle Architects and Omniplan Automotive Retail Facility Planners as corporate of fices that would make a dramatic point from the 401, the building attracted so many would-be customers that BMW added a retaiJ showroom. All the more reason to rethink BMW Toronto. The showroom at Adelaide and Parliament was stuck on a one-way street. strapped for space. with no pres ence and no visibility from afm: However renovated. the building was never going to become the cal1ing card BMW wm1ted. When Hendrik von Kuenheim, the presi dent of BMW Canada, saw an available site ne,w Eastern and Broadview, his lir!it thought was what a good display it would make from the DVP and the Gardiner. 92 continued team that did the Whitby head office, is complex, supei·bly functional and taste ful-like a BMW, which is the point. Its 100,000 square feet incorporate 24 service bays for cars and two for motorcycles; separate showrooms for new cars, used cars and motorcycles; offices and client amenities, such as lounges and a "lifestyle boutique." DESIGN SENDING A WRITER WHO DRIVES A "PRE· loved'' Honda to the new car palace on Sunlight Park sounds like casting pearls before swine. But an auto ignoramus brings a certain purity of "ision. When I enter the main door, a car greets me. That is, I'm face to grille with the BMW 745i Sedan, in Sterling Grey Metallic ($108,200). To its right, 13 cars are parked whose indeterminate quality contrasts with the hard, sleek cars. The self-effacing details, designed to focus attention on the product. include ceilings that don't meet the perimeter walls but appear to t1oat above the cars. Although most of the visible customers are wearing suits and talking into cell phones when not slowly circling a poten tial purchase, the merchandise in the lifestyle boutique is designed for the young and sporty. It ranges from the X5 cap ($18.50) to the SlideCarver (scooter meets BMW. $998.50), the StreetCarver (a n1eld of skateboard and snowboard, $798.50) and the Z4 Pedal Cm· ($279..50. for ages three to five!). Everything here meets BMW's enginee. ring standards: the StreetCarver features BMW 5 Series sus pension components; the digital watch and t.he special wax used to shine them makes these second-hand specimens look factory fresh. Pait of this floor is also oc· cupied by the lower level of what Rom Colthoff calls the "matchboxes," the six cars shelved in the fa�aqe. When cus tomers apprehend the shapes behind the sandblasted glass, they invariably say. "So they're real!" The idea behind the matchboxes to break up a relatively dark, unrelieved e.Aterior-came from a higher-up at Omni· plan. At first, they were going to be out· side, but that pt·oved impracticable. In f stead, they're set of with a white frame and enclosed in ultra-clear glass. (Most glass has a faintly g1•eenish colom:) The sandblasted glass panels behirrd the cm·s are backlit so t.hat they glow at night.. The sombre fai;ade inspired another AS W I T H McDONALD'S AND TH E CATHOLIC CH URCH, YOU SHOULD BE ABLE TO WA LK I N TO A BMW S HOWROOM ANYWHERE IN THE WORLD AND KNOW W H ERE YOU ARE-NOT FROM T H E BIG MACS OR THE LITURGY, BUT FROM THE FLOOR TILES AND THE BLACK, BLUE AND W H ITE ROU N DEL in a loop, mimicking an autobahn, but one reserved for the elite. A model in Mystic Blue Metallic and another in lmola Red are the only cars to stray from an under stated palette of grey, black and bl'Onze. At first, I'm impressed with the obvious that the least e...xpensive new car ($35,000) costs more than 1 paid for my first house, and the most expensive ($195,000) is more than I paid for my cunent one. Next, I'm struck by the prevailing neu tt·ality of the space. While the designers grappled with a new showroom form, they also had to obey the Bivrw style bible. As with McDonald's and the Catholic Church, the idea is that you should be able to walk into a BMW show room anywhere i.n the world and know where you are-not from the Big Macs 01· the liturgy, hut from the floor tiles (grey in the showrooms and offices, brick red . in the service bays); the familiar sans-se.rif, silver-on-black BMW logo on the blue and white roundel; the lavish use of glass. 'rhe Munich-mandated colom scheme is white and grey, so the Toronto designers teased, "What shade of gtey should we choose?" (To compensate the chroma starved staff, their second-floor cafe teria-oft�limits to customers-has red and plum seats. ) The BMW customer doesn't necessarily register any of the de tails beyond the lqgo, much less realize 'that he's experiencing a gJobal brand identity, but he has a feeling of beautifuJly engineered, precise sw·roundings. Luckily, Rom Colthoff enjoys working with constraints, adjusting the BMW template to the site's unique characteris tics. Inside, he crafted deferential spaces 94 ($1,398.50) has a "balanced weight gener ator .and drive combination with quartz controlled digital module." To the left of the main entrance. a cir cular staircase of glass,_granite and steel spools its way around a transparent ele vator also made of glass and steel. The stairs at'e glamorous; the honest elevat,or displays its top-drawer engineering for all to see-the two faces of BMW. Once you've left your car for service, you have options; you can take the free shuttle downtown or a car on loan, or you can head upstairs to the second floor, to the customer waiting lounge. There. over looking the service bay, you can read Town & Country in a black leather club chair, admire the 50-inch Plasma screen TV, or work in one of sbi: modules with desk. Aeron chair and Internet hookup. For fuel, there's an impressive Van Houtte machine that produces very de cent cappuccino, espresso, latte and Americano. (At the building's opening party in November, BMW Canada chief von Kuenheim joked that the baseball stadium on the site was built in 1886 for $7,000, and he had just paid nearly the same price for a coffee maker.) The third storey-devoted to motor cycles and big pictures of exotic locales with hairpin turns-caters to a clientele mo1•e apt to talk business on bar stools than on office chairs. Or at least that seems to be BMW's supposition, judging by the lic1uorless bar and chic bfack leather stools (imported from Germany). The fourth floor belongs to "pre-owned" cars, although some mystical combina tion of BMW's seven-step paint process dramatic conceit, this one devised by Colthoff. To highlight the product and to allow clear views of the showroom floor, he lifted up and shifted the building's glass pane so that the glass skin projects above the roof and to the north. He won't say what kind of car he drives, othei· than to mourn ''an intense, seven yeat; relationship with a vintage 1973 2002 tii coupe1 which sadly had to end when my life rl'quired four doors." Per haps that's why his favourite spot is the vehicle delivery area at the top of the building, although you don't have to yearn for a BMW to admfre this two-storey space. During the first month of the de sign work, driving east on the Gai·diner, Colthoff realized that the fifth floor was just about level with the expres.sway and that there should be a "large, bright, glazed volume" on the west side. It was contral'ian and bold, but the designers placed new-vehicle delivery-the joyful place where the owner is introduced to all .his car's features-not at grade in the usual way, but at the top of the building. The all-glass space, with the floor t.iles laid out in eight angled "area rugs" to ac commodate multiple buyers, showcases cars to highway drivers while celebrating the client's purchase. The client pockets his new keys in front of what Colthoff justly calls a "stunning view of' the down town core." A tip for BMW buyers: arrange to take possession in late after no()n, overlooking Toronto as it spreads west and north against a purply pink sun set. As the BMW ads might put it, it will compound your feeling of being on top qf the world. F•bruerv 2004 Toronto LIie