The Scale Cabinetmaker Subject Index, Volume 1 to Volume 20

Transcription

37)
cabinet, garden shed: 9:2 (14-17)
cabinet, Hoosier: 7:4 (40-49)
cabinet, kitchen (c. 1980s): 8:6 (4-11)
cabinet, liquor (c. 20th C.): 13:4 (25-29)
ceiling fan, Casablanca w/ built-in motor: 8:1 (1823)
ceiling fan, working: (Part 1) 11:2 (44-48); (Part
2) 11:3 (38-44)
ceiling fan, working: 7:3 (29-35)
Celandine Tea Table (Stickley Arts Nouveau c.
1900): 15:4 (6-10)
chair, Adirondack: 1:4 (30-31)
chair, Chicago (c. 1987): 13:4 (39-42)
chair, folding (Wegner, c. 1949): 1:1 (11-13)
chair, folding deck: 1:4 (32)
chair, Modern low (c. 1929, half inch): 11:4 (3031)
chair, Paris hall: 13:1 (36-39,33)
chair, swivel (c. 1929, half inch): 11:1 (14-16)
chair, upholstered (Modern, c. 1929, half inch):
11:4 (31-32)
chair, upholstered wing (c. 1950): 3:3 (6-12)
chaise lounge, French Provincial (c. 1920s): 7:2
(46-52)
chest-on-chest, Cushman (c. 1941): 12:1 (6-8,10)
Christmas tree, artificial, Wards (c. 1929): 8:1 (810)
clavichord dolce, Sabathil (c. 1990): 15:1 (12-20)
clothes wringer, Sears, Roebuck (c. 1900): 6:4
(25-26)
commode, modern: 3:2 (22-26)
corner chair, outdoor (c. 1984): 15:1 (44-45)
cradle, “Three Bears” (Wards, 1929): 8:1 (10-11)
craftsman magazine cabinet, Stickley (c. 1910):
15:4 (21-23)
davenport/billiard table (c. 1900): 3:2 (4-10)
desk, French lady's (c. 1900): 8:4 (20-24)
desk, slant top on frame, Chippendale (c. 17301750): 16:1 (41-46)
desk, Weiman (c. 1950s): 9:3 (35-38)
dining room suite (Sears Tudorc. 1927): 18:3 (519)
dollhouse, fiberboard (c. 1938): 6:1 (23-28, plus
insert)
dresser bench, Cushman (c. 1941): 12:1 (14)
dresser, Cushman (c. 1941): 12:1 (11-13)
entertainment center (c. 1960s): 12:3 (6-8)
folding chair, doll's (c.1900): 6:1 (18-20)
furnace, hot air central air (Wards, c. 1922): 12:3
(17-23)
hanging book shelf, Stickley (c. 1905): 15:4 (1920)
The Scale Cabinetmaker
Subject Index, Volume 1 to
Volume 20 (1976-1996)
© Dorsett Publications, LLC, 2013
All rights reserved.
*A
20th Century (Furniture & Accessories)
arm chair, contemporary cottage: 10:2 (6)
arm chair, (c. 1950): 4:1 (32-35)
arm chair, overstuffed (c. 1960s): 12:3 (8-10)
arm chair, upholstered (Ethan Allen, c. 1976): 10:3
(21-25)
Arrow Spindle Bed, Ethan Allen (c. 1974): 15:4
(25-29)
baby's crib (20th C): 18:1 (11-14)
bathtub, American Standard (c. 1930): 8:3 (30, 3233)
bathtub, bench (Kohler, c. 1940): 8:5 (22-23)
bedside breakfast table (20th C. Chippendale, c.
1900-1920): 20:1 (20-24)
bed stand, Cushman (c. 1941): 12:1 (10-11)
bed stand, Haywood-Wakefield (c. 1949): 7:4
(30,32)
bed stand, Mission Oak (Stickley, c. 1910, Half
Inch): 14:1 (27-28)
bed, carved, contemporary Chippendale (c. 20th
C.): 19:2 (34-42)
bed, combination folding (c. 1900): 4:4 (4-16)
bed, headboard, bamboo (c. 1960): 1:3 (42-45)
bed, Mission Oak (Stickley, c. 1910, half inch):
14:1 (26-27)
bed, Murphy (c. 1920's): 13:3 (17-21)
bed, panel, Cushman (c. 1941): 12:1 (9-10)
bed, panel, Haywood Wakefield (c. 1949): 7:4
(37-38)
bedside cabinet (Contemporary Chippendale, 20th
C.): 11:4 (33-36)
bench, phone and stand (c. 1940s): 14:1 (37-39)
book trough (c. 1930's): 15:4 (37,44)
bookcase, built-in: 3:4 (14-15)
bookcase, contemporary: 3:3 (43-51); (half inch)
11:1 (10-13)
breakfast nook trestle table and benches (c.
1920's): 15:2 (42-45)
breakfast set, Sears and Roebuck, c. 1930: 9:1 (1420)
cabinet, built-in kitchen: 2:1 (48,52)
cabinet, French Art Nouveau (c.1900): 14:3 (31The Scale Cabinetmaker Index
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Volume 1 (1976-1977) to Volume 20 (1995-1996)
high chair, Sears (c. 1927): 15:1 (41-43,48)
library arm chair, Stickley (c. 1905): 15:4 (11-16)
library table, Stickley, ( c. 1905): 15:4 (10, 17-19)
love seat, contemporary Cottage: 10:2 (6)
magazine table (c. 1930's): 15:4 (36-37)
one-drawer commode, Ethan Allen (c. 1974): 15:4
(29-30)
ottoman (c. 1950): 3:3 (6-12)
patio furniture plastic pipe: 2:4 (54-55)
pedal car, Wards (c. 1914): 3:1 (37-44)
phone stand and bench, Mission (c. 1900): 15:1
(46-48)
play pen (20th C): 18:1 (14-15)
popcorn popper: 4:2 (24-28)
porch swing, flat woven: 1:4 (24-39)
range, gas, transitional (c. 1915): 13:2 (10-18)
range, kitchen (Sears Roebuck, c. 1905): i:3 (4753)
record changer, V-M (c.1949): 6:3 (33-34)
refrigerator (c. 1980s): 8:6 (7-9)
refrigerator, monitor-top (c. 1931): 11:3 (8-18)
rolling cart (c. 1920-1940): 15:4 (34-36)
server, Sears breakfast (c. 1930s): 9:1 (19-20)
side chair, cathedral style (c. 1930): 9:1 (17-20)
side chair, Danish Modern (c. 1979): 5:4 (40-45)
side chair, Modern (half inch): 9:4 (38)
side chair, Turn-of-the-Century oak (half inch):
13:2 (37-39)
sideboard, Danish Modern (c. 1979): 6:1 (15-17)
sideboard, Modern (half inch): 9:4 (39)
sink (lavatory), American Standard (c. 1930): 8:3
(30, 33-35)
sink, double (c. 1980s): 8:6 (5-7)
sink (lavatory), Kohler (c. 1940): 8:5 (22-23)
sofa , oak (c. 1950): 4:1 (32-35)
sofa Tuxedo (20th C.): 2:4 (26-31)
sofa, Early American (c. 1950): 3:3 (6-10)
sofa, overstuffed (half inch, c. 1960s): 12:3 (1012)
stool, kitchen utility (c. 1930s): 9:1 (21-22)
stove, Acme pot bellied (c. 1900): 6:2 (14-16)
stove, drop-in (c. 1980s): 8:6 (9-11)
stove, high-oven gas (c. 1925): 11:4 (37-45)
stove, Windsor fireless cooker (Wards, c. 1920):
12:2 (25-32)
stove/oven (Wards Blue Line, c. 1929): 13:3 (1217)
swing, lawn stand: 1:4 (26)
table, breakfast, dropleaf (Sears Roebuck c. 1930):
9:1 (14-18)
table, butler's: 14:2 (23-24)
table, butterfly dropleaf (c. 1920's): 13:3 (22-23)
table, coffee (1940s Federal): 6:4 (48-50)
The Scale Cabinetmaker Index
table, coffee (Queen Anne Style, 20th C.): 12:4
(36-38)
table, coffee, round, Modern (c. 1929, half inch):
11:4 (30-31)
table, console, with benches (c. 1990): 14:2 (4348)
table, Danish Modern (c. 1979): 5:4 (40-45)
table, end, (1940's Federal): 6:4 (48-49)
table, end, book trough (c. 1920's): 13:3 (47-48)
table, foyer (c.1990): 14:2 (43-48)
table, kitchen utility: 1:4 (47-48)
table, oak coffee: 4:1 (26-28)
table, ornamental (Golden Oak, c. 1900): 16:1
(37-40)
table, Parsons: 1:2 (17-19)
table, pedestal dining room (modern): 9:4 (37)
table, pedestal extension, Empire (c. 1910): 7:1
(36-44)
table, Regency-Style double gateleg dropleaf (c.
1920's): 13:1 (40-48)
table, tea. Garden (contemporary cottage): 10:2 (8)
television antenna (c. 1949): 6:3 (33-34)
television stand (c. 1949): 6:3 (34-35)
television, Stewart-Warner Custom Deluxe (c.
1949): 6:3 (29-33)
toilet (stool), Case & Sons (c. 1940): 8:5 (22,24)
toilet (water closet), American Standard (c. 1930):
8:3 (29-30,31)
train, operating tintype (c. 1920s): 6:1 (29-43)
vanity bench, Haywood Wakefield: 7:4 (36-37)
vanity dresser & bench, child-size (Wards, c.
1929): 8:1 (6-8)
vanity, Haywood Wakefield: 7:4 (30-36)
washing machine, Wards' Water Queen (c. 1925):
15:3 (5-16)
Accessories
andiron (16th C): 10:4 (47)
andiron (17th-18th C): 10:4 (48)
bases for: 6:4 (19-20)
billiard rack, contemporary: 17:1 (44)
bird cage and stand, Victorian: 8:5 (4-8)
broom (tired) and dustpan: 13:2 (23)
butter paddle: 19:2 (42)
candle holders, Shaker: 16:1 (36,40)
candle shelf, Colonial: 8:1 (11)
candlestand (c. 17th C): ECK (35-36)
candle stand, ratchet, Colonial: 8:6 (12-13)
corner cabinet, bow front: 17:4 (45-47)
corner what-not: 17:4 (44-45)
cream separator, Wards (c. 1922): 17:1 (25-31, 48)
curio shelf: 19:2 (45-46)
dart board and cabinet: 17:2 (37-39)
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Volume 1 (1976-1977) to Volume 20 (1995-1996)
easel, parlor (Late Victorian): 13:3 (iii)
fireirons: 10:4 (48)
fireplace fixtures (Tudor, c. 16th C): ECK (36-37,
40)
found objects, use of: 6:4 (51-52)
gumball machine (c. 1930): 9:4 (19-25)
hand pump: 9:1 (35-42)
hanging bookshelf, Stickley (c. 1905): 15:4 (1920)
hanging spool rack, Shaker: 16:3 (14-15)
infant walker-trainer: 17:2 (17-19)
kitchen clock shelf: 17:3 (47-48, C3)
lattice screen,: 6:1 (10-14)
magazine rack: 13:3 (47)
match safes: 11:1 (5-9)
cast iron with lid & removable slot (c. 1868)
11:1 (6-7)
F&G box-holding safe (c. 1900-1950).
history of, 11:1 (5)
japanned tin kitchen model (c. 1902): 11:1 (78)
paper mache parlor model 11:1 (7-8)
plain cast iron, double compartment wall box
(c.1864) 11:1 (6-7)
two-pocket wall model with half-daisy
ornamentation, c. 1859. 11:1 (6-7)
matches, wooden: 11:1 (9)
mirror, Cushman (c. 1941): 12:1 (13-14)
niddy-noddy: 17:1 (48)
phonograph, Edison Cygnet Cylinder (c. 1907):
13:4 (30-38)popcorn popper: 9:3 (31-34)
pots: 7:1 (28)
reflector roasting oven (tin kitchen, Colonial):
19:2 (13-20)
sewing box: 13:4 (23,48)
soap saver (c. 1900): 10:2 (22-23)
soap saver (c. 1925-1940): 10:2 (20-22)
tavern shelf: 19:2 (43-44, 46)
vacuum cleaner, hand pumped (c. 1911): 10:1 (1823)
vases: 7:1 (28)
wall boxes: 17:2 (40-43)
wall shelves: 12:4 (21-22)
wall shelf, Southwest (c. 18th): 17:1 (38-40)
wire dish rack: 9:2 (40-44)
wood box (Shaker, Pleasant Hill, KY, 19th C.): 8:6
(14-17)
wood washtub and water bucket, Colonial: 8:5
(14-15)
working draw drapes: 17:2 (44-48)
yard pump: 9:1 (35-42)
1755-1795): 2:2 (4)
Allen, Bill (Author)
Workshop Chatter (column): 11:1 (27); 11:3
(28,34)
Allison, Michael: New York Cabinetmaker, c. 1820s:
7:4 (16)
Aluminum
adhesive aluminum foil (see Autobody Patch)
foil, use of: 6:3 (10-12)
sheeting, source of: 5:1 (1)
American Standard: (see, also, bathrooms)
8:3 (29-30,31)
(30, 33-35)
American Southwest
Southwestern American Roombox (c. 17th C):
(Part 1) 16:2 (7-11); (Part 2) 16:3 (25-32, 44);
(Part 3) 16:4 (43-49)
American Toy Company: 2:1 (7)
Appleyard, Bary (Author)
Drawing Room Grand Piano: 12:2 (5-19)
Appliances
clothes wringer (Sears, Roebuck, c. 1900): 6:4
(25-26)
cream separator, Wards (c. 1922): 17:1 (25-31, 48)
ice box (Realife): 1:4 (35-37)
furnace, hot air central air (Wards, c. 1922): (Part
1) 12:3 (17-23); (Part 2) 12:4 (29-35)
range, gas, Sears Elite (c. 1920's): 18:4 (42-48)
range, gas, transitional (c. 1915): (Part 1) 13:2
(10-18); (Part 2) 13:3 (29-34)
range, Sears Roebuck gas, c. 1930s (kitbash)
range, kitchen, Sears Roebuck (c. 1905): 8:3 (4753)
range, kitchen (Realife): 1:4 (42-44)
refrigerator (c.1980s): 8:6 (7-9)
refrigerator, General Electric (c. 1930s, kitbash):
9:1 (6-9)
refrigerator, monitor top (c. 1931): 11:3 (8-18)
stove/oven, Blue Line (c. 1920's): 13:3 (12-17)
stove, drop-in (c. 1980s): 8:6 (9-11)
stove, Windsor fireless cooker (Wards, c.1920):
Affleck, Thomas Philadelphia Cabinetmaker (c.
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Volume 1 (1976-1977) to Volume 20 (1995-1996)
12:3 (25-32)
stove, Franklin fireplace: 6:3 (10-12)
stove, pot bellied (Acme, c. 1900): 6:2 (14-16)
vacuum, Hoover "Model O" (c. 1908): 11:2 (2529)
washing machine, Montgomery Wards Water
Queen (c. 1925): 15:3 (5-16)
siding, stucco: 11:2 (20,23)
Store Building, Victorian (c. 1880-1900): (Part 1)
6:4 (29-37); 7:1 (29-35); 7:3 (4-10)
use of templates: 6:4 (34-35)
Victorian Italianate, introduction to: 9:3 (4-6)
Whitman House (Connecticut Colonial, c. 1660):
1:1 (27-43); 1:2 (42-57); 1:3 (17-28); 1:4 (319)
window, introduction and guide to: 12:1 (25-29,
47)
window, assembly: 12:1 (30-35)
Architect's Scale, use of 2:1 (1-2)
Architecture (see, also: Projects, Architecture)
1931 Dutch-Style House, floor plan & elevation:
2:3 (38-41)
access design: 7:2 (9-12)
access panels, use of: 7:3 (4-5)
board and batton exterior: 8:6 (30)
Charlton House (kitbash, Colonial): (Part 1) 4:3
(19-26); (Part 2) 4:4 (41-46); (Part 3) 5:2 (4548)
Chimney pots, terra cotta: 11:2 (14-15)
Colonial, history of: 1:1 (28-31)
cornice design (c. 1796): 14:3 (16-18)
cornice, Graeme House (c. 1723): 17:4 (48, C3)
Cotswold Cottage (c. 1930): (Part 1) 10:4 (25-32 +
insert); (Part 2) 11:1 (36-44); (Part 3) 11:2 (1220)
distressing: 8:6 (29-31)
dollhouse hinge (access): 18:4 (3)
Federal Period Row House: 2:4 (4-17)
frame construction: 6:4 (37-35); 10:4 (26-30)
framing, rafter joints, common and primary: 9:2
(11)
gable peak ornaments: 11:1 (32)
“Green Window House” (19th C Kansas City,
Victorian): 8:1 (25-33)
gutter/eaves details: 11:1 (30)
Italianate (Tuscan) Depot (1/4” scale): 9:3 (18-23+
Insert)
Italianate Row House (1/2” scale): (Part 1) 9:3 (713); (Part 2) 9:4 (10-18)
Italianate Victorian house, 1/4 scale (Kansas City,
c. Late 19th C): 8:4 (25-30 + insert)
Late Georgian, architectural details (interior): 3:2
(28-41); 3:3 (32-42); 3:4 (8-16)
mansard roof, construction of: 7:3 (7-10)
porches, Victorian: 104 (5-11)
Shed, New England: 9:2 (7-13)
planning kit bashed: 3:1 (4-10)
problem of room size: 3:1 (6-7)
roofs, framing: 11:2 (16-20)
roof trim: 11:1 (29-350)
Armstrong, Ruth (Author)
1931 Monitor Top Refrigerator: 11:3 (8-18)
Between Scale and Art: Miniature Trickery in the
Third Dimension: (Part 1) 19:1 (5-15, 21);
(Part 2) 19:2 (25-33); (Part 3) 19:3 (47-48)
Colonial Low Post Bed: 10:3 (12-16)
Corn Meal by the Hundred Weight: A Working
Platform Scale: 18:1 (25-35)
Edison Cygnet Cylinder Phonograph: 13:4 (30-38)
Evolution of a Working Gumball Machine: 9:4
(19-25)
Farmhouse Cream Separator: 17:1 (25-31, 48)
The Fireless Cooker, c. 1920: 12:2 (25-32)
For Your Pre-WWII Kitchen: Making a Soap
Saver: 10:2 (20-23)
The Handpumped Vacuum Cleaner: 101 (18-23)
The J.J. Deal Buggy (c. 1900): (Part 1) 16:1 (516); (Part 2) 16:2 (12-20); (Part 3) 16:3 (4548)
Making the Original Hoover "Model O": 11:2 (2529)
Making a Swell Bodied Cutter: (Part 1, Jigs &
Bending) 17:3 (5-14); (Conclusion) 17:4 (2536)
Old Family Popcorn Popper: 9:3 (31-34)
Reality from the 20's: The High Oven Gas Stove:
11:4 (37-45)
Reflections In a Victorian Parlor; An Operating
1870 Kaleidoscope: 8:3 (6-11)
Seven Match Safes: 11:1 (5-9)
Tinwork Makes a Hoosier Cabinet: 7:4 (40-49)
The Transitional Gas Range, c. 1915: (Part 1) 13:2
(10-18,48); (Part 2) 13:3 (29-34)
Turn-of-the-Century Parlor Stereoscope: 8:5 (913)
A Turn-of-the-Century "What-Is-It?"...Japanese
Toilet Stand (c.1900): 20:1 (13-19, 48)
Water Queen Electric Washing Machine: 15:3 (516)
What Makes a Pump Pump? Yard and Pitcher
Pumps in Two Scales: 9:1 (35-42)
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Volume 1 (1976-1977) to Volume 20 (1995-1996)
Why Your Dollhouse Needs a Basement: 1920s
Hot Air Central Heating (Wards, c. 1922): (Part
1) 12:3 (17-23); (Part 2) 12:4 (24-35)
(22)
Miter Box with Adjustable Stop: 6:1 (44)
Simplified Drilling & Milling Jig: 6:4 (28)
Wood Bending Fixtures: 7:1 (45)
Art Nouveau (see, also, Arts & Crafts)
cabinet, French Art Nouveau (c.1900): 14:3 (3137)
cabinet, parlor , Wards (Art Nouveau, c. 1897):
1:2 (37-41); 14:3 (26-30)
1900): 15:4 (6-10)
chair, rocker, Canadian Art Nouveau (c. 1890s):
9:1 (28-34)
history of: 14:3 (25)
Awls,
construction and use of: 11:3 (45-47)
*B
Banisters: Balusters and Stringers
see, also, Stairs and Staircases
construction of: 3:1 (11-14)
cutting & fitting: 3:1 (11-14)
exterior balusters: 3:1 (13-14)
gluing jig: 3:1 (12-13)
interior balusters: 3:1 (11-13)
marking jig: 3:1 (11-12)
stair stringer gluing jig: 3:1 (12-13)
Arts & Crafts
See also: Mission, Stickley, and Eastlake
chair, Morris, Egyptian style (c. 1880): 6:4 (13-18)
15:4 (21-23)
door and window casing (c. 1880): 11:3 (5)
hat rack, Stickley (Tudor Rose Tea Room,
Victoria,, c. 1900): 16:4 (19-22)
The Inglenook Room (c. 1910-1930): (Part 1) 20:1
(5-12); (Part 2) 20:2 (25-36)
introduction to: 14:1 (25-26); 15:4 (5-6)
mantle (c. 1880): 11:3 (6)
period room, interior design history (c. 1880): 11:3
(3-7)
(46-48)
side chair, Greene & Greene (c. 1908): 16:2 (3841)
13:2 (37-39)
table, extension, Turn-of-the-Century oak (halfinch): 13:2 (36-37)
umbrella stand, Mission (Tudor Rose Tea Room,
Victoria,, c. 1900): 16:4 (22-24)
Bamboo, simulated: 1:3 (44)
Banding (see laminating and veneer)
Bandsaw
baluster cutting 3:1 (12)
ripping lumber: 5:4 (8-9)
Bargello (see Needlework)
Basswood:
base for simulated hardwoods: 1:2 (12)
characteristics of: 1:2 (10-12)
finishing: 1:2 (10-12)
surface fiber: 1:2 (11-12)
upholstered pieces, use of in: 9:3 (25-30)
use of: 5:3 (28)
Bathrooms
bench bath, Kohler (c. 1940): 8:5 (22-23)
design changes, 20th Century: 8:3 (29-35)
folding bathtub and water heater, Montgomery
Wards (c. 1895): 17:3 (15-20, 24)
history of hygiene: 2:2 (22-23)
history of: 2:2 (22-23)
lavatory (sink), American Standard ( c. 1930): 8:3
(30, 33-35)
lavatory (sink), Kohler (c. 1940): 8:5 (22-23)
stool, Case & Sons (c. 1940): 8:5 (22,24)
tub, American Standard (c. 1930): 8:3 (30, 32-33)
water closet, American Standard (c. 1930): 8:3
(29-31)
Atkins, Al (Author)
The Nature of Metals, 5:2 (12-15)
Auger, Wallace (Author)
Adjustable Doll House Construction Horse: 6:4
(27-28)
Adjustable Drilling Depth Stop for Unimat 3: 7:1
(46)
Drilling Jig with Pilot (Ladderback Chairs): 6:1
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Volume 1 (1976-1977) to Volume 20 (1995-1996)
Beaded Board: 9:4 (12-13)
Dollhouse Power Supplies: 9:4 (41-42)
Empire Painted Settee (c. 1840): 13:1 (13-20)
Fern Stand: 14:3 (21-22)
Introductory Guide to Tools: 9:4 (49-56)
Kitchen clock shelf: 17:3 (47-48, C3)
Mission Umbrella Rack: 16:4 (22-24)
Mitering with Hand Tools: 15:2 (36-41)
Modern Pedestal Desk: 10:4 (12-16)
Phone stand and bench, Mission (c. 1900): 15:1
(46-48)
Sharpening Carving Tools: 10:3 (51-55)
Simple Lathe Techniques: A Victorian Pedestal
Table (Doris Victor): 4:2 (41-45)
Soldering, Introduction to: 9:2 (42-45)
Stickley Hat Rack: 16:4 (19-22)
Table Saw Blade and Fence Adjustment: 8:4 (1317)
Table Saw Safety: 8:3 (12-16); 10:4 (35-39)
Thinking in Scale: 11:3 (35-37,44)
Transitional side chair, child's (Victorian, c.
1890): 18:1 (48, C3)
Wall boxes: 17:2 (40-43)
Window Assembly: Using Northeaster Scale's
Window System Materials: 12:1 (30-35,42)
Wire Dish Rack: 9:2 (40-44)
Beds
(25-29)
baby's crib (20th C): 18:1 (11-14)
bamboo (Contemporary, caned): 1:3 (42-45)
bedstead, Cottage spool turned (c. 1860): 17:4 (613)
bed spread: 3:4 (6-7)
bed step, half inch (c. 1810): 6:3 (25-26)
bedding: 3:4 (4-7)
campaign bed, mahogany, John Durham (c. 1810):
15:1 (34-40,12)
canopy: 3:4 (7)
canopy, Chippendale (c. 1770-1785): 7:3 (39-42)
carved, contemporary Chippendale (c. 20th C.):
19:2 (34-42)
combination folding bed (Montgomery Wards, c.
1875): 4:4 (4-16)
cradle, hooded, New England: 18:3 (31-32)
cradle, hooded, New Jersey: 18:3 (33-34)
cradle, Shaker (c. 1810-1830): 18:3 (30, 32)
dust ruffles: 3:4 (5-6)
folding suspension mechanism: 4:4 (13-16)
four-poster, modified (hired man's bed) (c. 1780):
5:2 (41-43)
four-poster, Colonial (plans only): 11:2 (31)
four post with trundle: 18:2 (40-48
lattice: 6:1 (10-14)
Mission Oak bed frame (Stickley, c. 1910, half
inch): 14:1 (26-27)
Murphy (c. 1920s): 13:3 (17-21)
panel, Cushman (c. 1941): 12:1 (9-10)
panel, Haywood Wakefield (c. 1949): 7:4 (36-38)
play pen (20th C): 18:1 (14-15)
rope: 2:1 (6)
roping: 18:2 (47)
slaw (c. 1700) 1:2 (1-9)
spring, folding bed: 4:4 (14-15)
swinging cradle, Sheraton (c. 1810): 8:4 (18-19)
Belt Grinder/Sander
Bench Grinder
form tool grinding: 2:1 (48-49)
safety rules: 2:1 (27)
use of in tool bit production: 2:1 (26-28)
Bench Magnifier
construction and use of: 11:4 (46-48)
Bending
ammonia, use of: 9:1 (34); 9:4 (14)
basswood: 11:1 (15-16)
boiling: 1:1 (21); 16:1 (8,11)
bow backs: 17:2 (10-11)
chair back, Eastlake: 17:2 (10-11)
clamping jig, pharmacy bottle: 3:1 (36)
compound: 12:4 (18-20)
cushion blocks, use of: 17:3 (12-13)
drying: 12:2 (42)
fabric softener, use of: 17:3 (11)
front plates, use of can/glass as mold: 2:2 (24)
hardwoods: 12:2 (39-42)
introduction to: 16:3 (45-46); 17:3 (11-12)
laminate: 3:1 (35); 13:1 (22-23)
liquid fabric softener, use of: 16:3 (45)
Beginner's Workbench / Notebook
Assembling a Square Carcase: 2:3 (42-45)
Basic Furniture with Hand Tools: (Part 1) 8:5
(16-21); (Part 2) 8:6 (18-24); (Part 3) 9:1 (2327)
Building a Simple Bookcase: 3:3 (43-52)
club rocker, child's upholstered (c. 20th C): 18:1
(44-48)
Country Kitchen Cabinet: 3:4 (46-51)
Cross-Base Candlestand: 5:1 (40-42)
Danish Modern Sideboard (c. 1979): 6:1 (15-17)
6
Volume 1 (1976-1977) to Volume 20 (1995-1996)
loop back: 12:3 (33-38)
masking tape, use of: 17:3 (12,13)
molding jigs,
bombe: 17:1 (20-21)
construction of: 12:2 (41-42); 12:3 (31)
use of: 8:3 (36-38); 12:2 (41-42); 12:3 (31)
molds, compound, use of: 12:4 (18-19)
plasticizing wood: 12:2 (40)
preparation of stock: 12:2 (40)
rail, circular staircase: 9:4 (17)
rear chair legs: 8:3 (36)
seat frame, chair: 8:3 (38)
selection of stock: 12:2 (39-40)
splints: 13:1 (21-23)
steam bent laminate :3:1 (35-36)
steaming: 3:1 (35-36)
strap molds, construction and use of: 12:3 (35)
wood bending fixture: 7:1 (45)
wood, green vs. processed. 12:4 (18)
Botto, Glen (Author)
Regulated Power Supply for Miniature Settings:
8:2 (49-56).
Brass and Brass Finding
adhesives for: 3:1 (40)
annealing (softening): 6:1 (45-46)
channels: 14:4 (10)
clock: 4:2 (5)
decorative, use on glass: 14:3 (36-37)
desk lock, working: 7:3 (11-14)
drawer pulls, Queen Anne: 2:2 (16)
ferrules: 15:1 (40)
hinge construction: 6:1 (45-48); 14:4 (12)
leg tips: 16:4 (18)
milling: 3:1 (39-40,41)
ormolu: 4:3 (32)
ornamental (forming & etching): 6:2 (8-12)
photo etching: 6:2 (10-12)
predrilling for hinges: 14:4 (12)
scratchboard: 6:2 (8-12)
sheets, source of: 5:1 (1)
shining techniques: 3:1 (39)
soldering flux, use of: 7:3 (13)
sources of: 4:2 (5)
squaring edges: 3:1 (39)
sweatsoldering: 3:1 (39-40)
tubing, use of: 13:3 (18-19)
techniques: 3:1 (39-40); 13:3 (17-21)
use of: 4:1 (8)
Bernier, Jane (Author)
Case-bound Bookbinding in Miniatures: 1:4 (5660)
Marbling Paper for Miniature Books: 2:1 (13-14)
Beveling (see, also, jigs and fixtures)
beveled edges, ripping: 15:2 (10)
beveling jig, tabletop: 16:2 (44-47)
Bezels, forming: 6:3 (29-32)
Billiards
history of: 3:2 (4-5)
Billiard Table and Davenport: 3:2 (4-10)
Bricks and stonework
architectural detail, use in: 9:3 (14-17)
bonds and bond patterns: 9:3 (14); 9:4(5-9)
corbeling: 9:4 (5-6)
grout: 9:3 (15)
head course: 9:4 (8)
Magic-'Brik (S/W Craft): 4:3 (24)
mastic, use of: 10:2 (24-28)
mini-bricks, use of: 5:3 (5)
painting, tube acrylic: 2:4 (17)
paints, use of: 9:3 (17)
Perma-Scene: 1:2 (48-49)
rowlock course: 9:4 (8)
simulated brickwork: 2:4 (17); 17:1 (4, 24)
sizes, standard: 9:3 (16)
soldier course: 9:4 (8)
stonework, simulated fieldstone: 1:2 (48-49)
substitutions for: 9:3 (17)
textured paint, use of: 10:2 (24-28)
tinting and staining: 9:3 (16-17)
tube acrylic: 2:4 (17)
Birkemeier, Bill (Author)
A Water-Cooled Lathe for the Unimat: 5:2 (49-50)
Blauman, Barbara F. (Author)
A Bed-Sitting Room: Artistic License in
Miniatures: (Part 1) 2:3 (26-29)(Part 2) 2:4 (1824); (Part 3) 3:2 (47-51)
Dressing a Bed With a Miniature Maker's
Workshop Flair: 3:4 (4-7)
Profile of a Craftsman: Judee Williamson: 3:2 (5051)
Bolts & Nuts:
binding post nuts: 14:1 (3)
scale equivalent: 5:3 (38-39)
sources of: 5:3 (38-39)
Bone, ivory substitute: 5:3 (11)
7
Volume 1 (1976-1977) to Volume 20 (1995-1996)
types of bond: 3:3 (59)
white glue mortar: 3:3 (59)
wood, simulated brick: 3:2 (34-35)
measurement conversion chart: 3:4 (cf1)
woodturning in the metalworking lathe: (Part 1)
1:4 (49-55); (Part 2): 2:1 (26-31); (Part 3): 2:2
(48-53)
working with the Dremel Moto-Lathe: 1:3 (3134); 7:1 (19-22)
Bristol Board use of, imitation china: 2:2 (38-43)
Brooks, Tamara (Author)
Add Safety and Save Money: Sharpening Your XActo Knives: 19:2 (33)
Arts & Crafts: Piano Bency & Magazine or Music
Stand: 18:4 (38-41)
Butter Paddle: 19:2 (42)
Craftsman Mirrored Hat Rack and Umbrella
Stand: 16:4 (19-24)
Early Canadian Washstand: 15:3 (29-32)
From the Peg Board...Hanging Spool Rack: 16:3
(14-15)
From the Tables Down at Murrey's: Cross-Based
Pub Table: 18:3 (20-24)
Half-Laps in the Sewing Room: Shaker-Style
Quilting Frame: 18:1 (16-24)
Hobby Horse Riding Stick (Beginner's
Workbench): 16:3 (39-40)
Niddy-Noddy: 17:1 (48)
Plantataion Leisure from British Guyana: The
Berbice Chair: 17:2 (25-30)
A Sabathil Clavichord Dolce: 15:1 (12-20)
Three Simple Wall Boxes: 17:2 (40-43)
TV as a Pattern Source: Irish Pub Chair: 17:4 (2124)
Upper Canadian Kitchen Table: 16:2 (21-24)
Cabinets (see, also, chests & dressers)
armoire, French Canadian (c. late 18th C.): 12:4
(5-13)
assembly: 2:3 (42-45)
backdoor valet, Shaker-style: 19:3 (21-22)
bedside, Contemporary Chippendale (20th C.):
11:4 (33-36)
bombe (kettle shaped) base: 17:1 (18-24)
book table, Georgian: 12:2 (20-22)
bookcase, contemporary built-in (half inch): 11:1
(10-13)
buffet, dining room (Sears, c. 1927): 18:3 (15-19)
buffet, Empire oak (c. 1890-1910): 20:1 (35-39)
built-in, Early 20th Century: 2:1 (52)
built-in, garden: 9:2 (14-17)
built-in, Late Georgian: 3:4 (14-16)
cellarette, mahogany (c. 18th C): 8:3 (23-25)
cellarette, walnut (c. 1750-1775): 8:3 (19-22)
china cabinet (Haywood-Wakefield, c. 1949): 19:1
(29-33)
commode, Antiqued Pine, Ethan Allen (c. 1976):
3:2 (22-26)
commode, Chippendale, Ethan Allen (c. 1976):
3:2 (22-26)
corner shelf (ecoinear), (c. 1759): 4:1 (4-9)
corner cabinet, serpentine-front, French Canadian
(c. 18th C.): 11:4 (7-13)
cracker barrel (Contemporary Colonial): 19:4 (4448)
cupboard, corner, Colonial (c. 1740-50): 9:2 (3237)
cupboard, Mexican (Contemporary): 17:2 (31-36)
cupboard & huntboard, Welsh (c. 1650s): 18:4
(18-24)
door types, kitchen: 18:2 (38)
doors
louvered: 3:3 (51)
nosed edge: 18:2 (37)
paneled: 3:4 (50)
drawer types, kitchen: 18:2 (38)
dresser, Colonial: 5:3 (18-21)
dresser, Welsh (c. 1670): ECK (23-26)
entertainment center, half inch (c. 1960s): 12:3 (68)
frame construction, typical: 18:2 (27)
hoosier: 7:4 (40-49)
Buckingham, Herb (Author)
Improving the Microlux Table Saw: 14:4 (20-24)
Butler, Aaron Butler Tinware, 1824, Greenville, NY:
2:3 (5)
Buttfield, Don: 1:1 (4-5)
*C
Cabinetmaker's Notebook (see Cabinetmaker's Shop
Manual)
Cabinetmaker's Shop Manual:
all-purpose shaper saw: (Part 1) 2:4 (37-42); (Part
2) 3:2 (18-21); (Part 3) 3:3 (25-29)
curvilinear measurement: 1:2 (31-34)
glossary of cabinet joints: 4:1 (cf1-4)
introduction to Handwoven Caning: 4:2 (cf1-4)
linear measurement and tools: 1:1 (23-26)
making a single flute molding cutter: 4:4 (cf1-4)
8
Volume 1 (1976-1977) to Volume 20 (1995-1996)
hunt board, Federal North Carolina (c.1790-1800):
13:1 (5-12,23)
kitchen (c. 1920's): 18:3 (35-40)
kitchen, contemporary (c. 1980s): 8:6 (4-11)
kitchen, Contemporary built-in: (18:2 (27-39)
kitchen (1914, St. Regis) (kitbash, Realife) 1:4
(37-41)
kitchen (kitbash, X-Acto): 1:3 (55-59)
kitchenette, apartment (c. 1920): 13:2 (28-32)
liquor cabinet, contemporary walnut (c. 20th C.):
13:4 (25-29)
magazine cabinet, Stickley (c. 1910): 15:4 (2123)
music / magazine stand, Craftsman (c. 1910): 18:4
(40-41, 48)
(29-30)
parlor (Art Nouveau): 1:2 (37-41)
rail and stile end panels, simulating: 14:1 (15)
sideboard (Haywood-Wakefield, c. 1949): 19:1
(33-37)
sideboard, small Hepplewhite-style (c. 17751780): 12:3 (13-16)
spice box on frame, Philadelphia (Queen Anne, c.
1740-1750): 14:3 (11-15)
spice chest, Queen Anne (c. 1740-1750): 8:4 (4-8)
toilet stand (wash stand), Japanese (c. 1900): 20:1
(13-19, 48)
wardrobe (c. 19th C.): 17:3 (39-46)
wardrobe, apartment (c. 1920): 13:2 (34-35)
washstand, Cottage (c. 1860): 17:4 (16-20)
washstand, Hepplewhite (c. 1790): 20:1 (44-46)
washstand, Nova Scotia, (c. early 19th C.): 15:3
(29-32)
washstand, Shaker (c. 1820-1850): 20:1 (46-48)
washstand, Victorian (19th Century): 16:4 (31-38)
modification of dial scale: 8:6 (40-41)
use of: 18:3 (37-38)
vernier calipers, use of: 16:1 (31-32)
Canadian (see also French Canadian)
Berbice chair, British Guyana: 17:2 (25-30)
Victoria,, c. 1900): 16:4 (19-22)
hobby horse riding stick: 16:3 (39-40)
rocker, Art Nouveau, c. 1890s: 9:1 (28-34)
table, kitchen (Upper Canadian, c. 1800-1830):
16:2 (21-24, C3)
(29-32)
Victoria,, c. 1900): 16:4 (22-24)
Candlewicking, techniques: 3:3 (53-54)
Caning and rushing:
binding: 1:3 (38)
caning rail, cutout & drill procedures: 5:2 (10)
concave: 17:2 (13)
curved panels: 5:1 (29-30)
drilling holes, curved rail: 5:1 (30)
flat-woven wicker: 1:4 (26-27)
folding chair (Wegner): 1:1 (11-13)
handwoven, intro to.: 1:3 (35-38); 4:2 (1-4cf);
17:2 (14-16)
hole count: 2:3 (2)
hole dimensions, drilling: 1:3 (35-36)
ladderback seat: 1:3 (53-54)
techniques for curved panels: 2:1 (57)
thread choice: 1:3 (36)
wicker: 5:1 (37-38)
Carcases:
(see, also, Cabinets)
assembly: 2:3 (42-45); 3:3 (51);5;3 (20-21)
construction techniques: 3:2 (23-24)
gauge blocks, use of: 16:1 (19-21)
glue/stain sequence: 4:3 (8-9)
handtools, use of: 19:1 (25-29)
introduction to: 18-2 (27-39)
Cabriole leg
ball and claw foot: 2:1 (34-35); 2:2 (5-7)
carving X-Acto blanks: 2:1 (37)
Chippendale: 1:2 (23-25)
French: 10:3 (9)
knee blocks: 1:2 (25); 2:2 (12)
layout and cutting: 1:2 (23-25); 18:4 (32)
Queen Anne: 1:2 (23-25)
Victorian: 1:1 (16-18)
use of template: 2:2 (5)
Cardstock:
china: 2:2 (38-43); 5:3 (11)
commode crockery: 2:2 (27)
paper grain & bending: 1:4 (43)
stovepipe: 1:4 (43)
upholstery templates: 2:1 (41-42)
use as protection during carving: 19:2 (40)
use of: 2:2 (27, 38-43)
Calipers
dial calipers,
conversion dials: 8:6 (40-42)
9
Volume 1 (1976-1977) to Volume 20 (1995-1996)
piercing: 19:4 (13-14)
relief, developing patterns for: 9:1 (31)
rococo shells: 13:2 (8-9)
rubber cement, use of: 18:3 (26)
scalloped shell: 2:2 (11)
scroll cutting steps: 19:2 (37)
sequence, use of: 16:3 (23)
side chair splat, rail: 1:3 (51); 2:1 (37-38)
settee back rail: 1:1 (22)
shallow: 14:1 (10)
shells, Queen Anne: 13:2 (6-7)
skew, use of: 9:1 (33)
table apron: 5:3 (45-46)
table saw: 10:2 (36)
techniques: 2:2 (5-16); 7:1 (41,43); 9:1 (31-34);
10:1 (11-13)
tools for: 10:1 (29-33); 18:3 (28,34)
tools, sharpening: 10:3 (51-55)
transferring patterns: 6:1 (5-6); 9:1 (32)
use of drill press: 2:2 (11)
u-gouge, use of: 9:1 (33); 14:1 (10-11)
v-cut (chip carving): 6:1 (6-9)
v-gouge, use of: 9:1 (33); 17:2 (35)
with dental burr/ Moto-tool: 1:1 (16-18)
wood, choice of: 6:1 (5); 18:3 (25)
Carousels
general information on: 11:3 (4)
Carving:
acanthus leaf: 2:2 (8)
applied: 18:3 (25-28)
ball & claw foot: 2:1 (34-35); 2:2 (5-8)
ball & claw, use of wood bead: 4:1 (37-38)
ball burrs, use of: 19:4 (13)
bas relief, chair back: 4:1 (22-23)
basic carving, introduction to: 6:1 (4-9)
beads, with V-gouge: 14:3 (35)
bending: 18:3 (27-28)
blanks: 18:3 (27-28)
brass tubing, use of: 14:1 (10)
cabriole leg, foliated: 10:2 (33-34)
cabriole leg, Victorian: 1:1 (16-18)
cardstock, use of: 19:2 (40)
chair splat, Chippendale: 2:1 (37-38)
chip carving: 10:1 (32-33); 10:3 (41-42); 17:2
(32-33)
circles: 14:1 (10)
crest rails: 14:1 (10-11)
curved surfaces, techniques for: 7:3 (15-18)
dental chisels, use of: 15:1 (21-24)
depth in: 6:1 (7)
desk drawer pull: 3:4 (37-38)
drawer pulls: 18:4 (35)
drawer pulls, grape leaf and fruit cluster: 17:3 (32,
34)
fans, Queen Anne: 13:2 (5-6)
finger molding: 1:1 (17)
finishes: 10:3 (42-43); 13:2 (9)
flat carving, introduction to: 10:1 (29-33)
flower & leaf, cabriole: 1:1 (18)
fruit & leaf, drawer pull: 1:2 (15)
goddard shells: 13:2 (7-8)
grain: 6:1 (5-6); 10:1 (31)
hand cut: 10:1 (31)
hand techniques, 6:2 (5-7)
hobby knife, use of: 6:1 (4-9)
incised: 4:4 (6), 10:1 (32-33)
incised, Eastlake: 5:3 (34); 5:4 (24,28-29)
introduction to: 18:3 (25-28); 19:1 (22-24)
jeweler's coping saw, use of: 10:2 (47-49)
leaf, on curved surface: 7:3 (16-17)
micro-carving tools, use of: 16:3 (23)
micro-chisels, use of: 9:1 (28-34)
mortising chisel, construction and use of: 15:1
(21-24)
needle files, use of: 10:2 (48-49)
oversized work space, value and use of: 14:1 (10)
Case Pieces (see Carcases, Cabinets)
Casters:
brass: 3:2 (10); 4:4 (6,12); 15:2 (19-22)
Castings
plaster molds, use of GE silicone seal: 9:4 (2)
Ceiling Fan
Casablanca, with built-in motor: 8:1 (18-23)
motor drives, assembly: 11:3 (41-42)
working: 7:3 (29-35)
working, with light fixture: (Part 1) 11:2 (44-48);
(Part 2) 11:3 (38-44)
Ceilings
Moorish: 16:3 (25-28)
tile, use of: 3:4 (4)
Cement & Concrete
modeling alternatives to: 18:3 (4)
Chairs, Benches, Sofas, and Stools:
Adirondack: 1:4 (30-31); 19:1 (48)
angled legs, construction of: 8:2 (13-14)
arm chair, Chippendale (kitbash) (c. 1750): 2:1
(36-38)
10
Volume 1 (1976-1977) to Volume 20 (1995-1996)
arm chair, continuous arm Windsor (c. late 17th
C): 12:4 (18-21)
arm chair, library, Stickley (c. 1905): 15:4 (11-16)
arm chair, Louis XIV, French Canadian (c. 18th
C.): 11:4 (13-17)
(21-25)
arm chair, wainscot (c. 1690): 14:1 (6-11)
baby tender: 8:3 (17-18)
benches, breakfast nook (c. 1920's): 15:2 (42,44)
bench, cobbler's: 13:3 (44-46)
bench, paneled (Stickley, c. 1907): 20:2 (9-13)
bench, Shaker: 11:3 (23)
bench, Southwest (c. 18th): 17:1 (38-40)
bench, utility, Shaker: 16:3 (16)
Berbice chair, British Guyana: 17:2 (25-30
caned Empire couch (c. 1810-1820): 2:1 (55-59)
chair leg and rung assembly: 8:2 (12-14)
chaise gondole, Late Empire (c. 1833): 13:4 (1822)
chaise lounge, French Provincial (c. 1920's): 7:2
(46-52)
Chicago, arm chair (c. 1987): 13:4 (39-42)
comb back windsor (c. 1760s): ECK (33-35)
commode, Chippendale (c. 1745-1755): 5:3 (8-11)
corner, comb-back (Chippendale, c. 1770-1780):
18:4 (12-17)
couch, Eastlake (c. 1875): 5:4 (28-34)
couch, scroll cut (Late Empire, c. 1830's): 13:4
(12-18)
dining side chair (Sears, c. 1927): 18:3 (11-15)
dining side (Spanish New Mexico): 16:4 (28-30)
dining chair, Vienna (Sears, c. 1897): 12:2 (29-32)
easy chair, Chippendale (c.1740-1750): 14:2 (1322,48)
easy chair, Federal (c. 1810): 16:4 (6-14)
high chair, wainscot (Charles I, 17th C): ECK (2930)
fixed head day bed, Queen Anne (c. 1730-50): 6:2
(17-20)
folding (Wegner, c. 1949): 1:1 (11-13)
folding deck: 1:4 (32)
folding, doll (c. 1900): 6:1 (18-20)
framing: 14:2 (11-19)
hall, Paris (c. 1987): 13:1 (36-39)
high chair (20th C): 18:1 (14-15)
horseshoe, Chinese: 9:4 (29-32)
Irish pub: 17:4 (21-24)
ladderback (c. 1875): 1:3 (53-54)
library chair (Craftsmen, c. 1907): 20:2 (16-19)
loop back Windsor (c. 18th C.): 12:3 (33-38)
love seat, overstuffed (c. 1960s): 12:3 (11-12)
low back Windsor arm (c. 1887): 8:2 (16-18)
Marlborough legs: 2:4 (32)
Melbourne Chair (c. 1991): 20:1 (40-43)
Morris chair, Egyptian Style (c. 1880's): 20:2 (4245)
New England fancy chair (c. 1800-1820): 8:3 (3638)
nursing chair, rocking, Eastlake (c. 1887): 9:2 (2931)
office chair, Eastlake (c. 1880): 17:2 (5-13)
ottoman, Early American (20th C.): 3:3 (6-12)
roundabout (c. 1770): 1:2 (27-30)
piano bench: 11:2 (10)
piano bench, Craftsmen (c. 1910): 18:4 (38-40)
piano stool, Victorian Renaissance, (c. 1878)
(kitbash)
pigs (French Canadian): 15:2 (24)
ranch, oak (c. 1950s): 19:4 (24)
rocker, Canadian Art Nouveau (c. 1980s): 9:1 (2834)
rocker, caned Empire (c. 1850-1860): 5:1 (28-31)
rocker, child's cane (Empire, c. 1870): 5:2 (9-11)
rocker, Colonial-style child's: 17:1 (47)
rocker, platform (Victorian, c. 1880): 20:2 (37-41)
rocker, slat back: 8:1 (17,52)
rocker, Thornet-Style bentwood: 13:1 (21-23)
rocking horse chair, French Canadian (c. 18th C.):
11:4 (17-18)
Roman curule chair, Empire (c. 1810-1840): 7:2
(4-8)
seats, scooped out: 12:3 (35-37)
settee, Empire painted (Beginner's Workbench):
13:1 (13-20)
settee, lyre-back Italian, c. 18th C: 9:1 (47-50)
settee, Rococo (c. 1860): 1:1 (19-22)
side chair, Chippendale (c. 1755): 2:1 (36-38)
side chair, dining room (Modern, 1/2”): 9:4 (38)
side chair, factory-made (c. 1860): 1:3 (39-41)
side chair, John Hall (c. 1840): 4:1 (22-24)
13:2 (37-39)
side chair, Sears cathedral breakfast (c. 1930s): 9:1
(17-20)
side chair, Victorian Transitional: 1:3 (49-52)
side chair, Windsor, Half Inch (c. 1750-1780): 7:1
(11-12)
slat back: 8:1 (12-15)
sofa, Chippendale (kitbash) (c. 1755): 2:1 (39-43)
11
Volume 1 (1976-1977) to Volume 20 (1995-1996)
sofa, Chippendale-Federal (c. 1795-1805): 7:2
(26-28)
sofa, contemporary: 9:3 (25-30)
sofa (daybed), cottage spindle (c. 1870s): 8:2 (2935)
sofa, Federal (c. 1810): 16:4 (6-14)
sofa, Philadelphia Chippendale (c. 1750-1780):
19:3 (25-31)
sofa, spindle (Craftsmen, c. 1907): 20:2 (20-23)
sofa, Tuxedo (20th C.): 2:4 (26-31)
step stool, Shaker: 17:1 (47)
stool, oak joined (c. 17th C): ECK: (28)
stool, swivel sewing (Mount Lebanon Shaker,
c.1850): 16:3 (11-14)
swivel (half inch, 20th C.): 11:1 (14-16)
valet: 8:2 (20-22)
vanity bench, Haywood Wakefield (c. 1949):7:4
(36-37)
Welsh Border (c. 1650): ECK(30-31)
window bench, Duncan Phyfe, Lyre Back (c.
1815-1825): 7:1 (13-15)
windsor, low back (c. 1706): ECK (32-33)
wing back sofa, Early American (20th C.): 3:3 (612)
wing chair, Chippendale (kitbash) (c. 1755): 2:1
(39-43)
wing chair, Early American (20th C.): 3:3 (6-12)
wing chair, Queen Anne modification(kitbash): 2:4
(32-36)
yacht, folding (c. 1890): 18:4 (6-11, 24)
(25-32)
chest and drawers, Colonial (plans only): 11:2
(32)
chest of drawers, Mission Oak (Stickley, c. 1910,
half inch): 14:1 (28-29)
chest-on-chest (Connecticut, c. 1802): 19:4 (5-14,
48)
chest-on-chest, Ethan Allen (c. 1974, half inch):
16:1 (19-21)
chest-on-frame, Queen Anne (c. 1768): 15:3 (3841)
chest with drawers, Jacobean (c.1680): 14:1 (1219)
dresser, gentleman's (Contemporary Chippendale,
c. 1990): 18:4 (30-37)
dresser, princess, Mission Oak (Stickley, c. 1910,
half inch): 14:1 (30-32)
five drawer chest, Haywood Wakefield (c. 1949):
7:4 (30-31)
French chest of drawers: 10:2 (29:36)
gauge blocks, use of: 14:3 (15); 16:3 (24)
high chest of drawers, Queen Anne (c. 17401760): 6:4 (9-12); 7:1 (4-6)
highboy, step top (c. 1750-70): 10:2 (15-19,23)
kneehole chest of drawers (c. 1790): 10:1 (24-28)
Lady's Vanity Dresser & Bench (Contemporary
Chippendale, c. 20th C): 19:4 (33-43)
low chest of drawers, apartment (c. 1920): 13:2
(34-35)
lowboy (c. 1760-1780) (X-Acto): 2:2 (17-21)
lowboy, Queen Anne (c.1760) (Half Inch): 7:4
(50-51)
lowboys, oversized, History of: 2:2 (17)
lowboy, William & Mary (c. 1710): 14:1 (19-22)
mirror, dresser (Chippendale, c. 1920): 19:1 (1619)
oak coffer (c.16th C): ECK (21-22)
Philadelphia dressing table (c. 1755-1795): 2:2 (516)
silver chests (Queen Anne and Hepplewhite): 9:4
(33-36)
stenciled cottage chest, c. 1840: 2:3 (4-16)
Chamfer: 1:2 (3-4); 5:2 (8-9)
using a drillpress: 18:4 (38)
Channel Router
attachment, construction of: 2:3 (31-32)
attachment, use of, with Dremel Moto-tool: 2:3
(32-33)
Chapman, C. Edward (Author)
Adapting Bell's Copy Cat to the Unimat SL: 11:3
(19-22)
Chapman, Jeanne (Author)
Basic Power Tool Jigs (Beginner's Workbench):
12:1 (15-19)
Chimney,
see, also, Bricks and Stonework
brace rod and plate: 9:4 (4)
chimney pots, terra-cotta: 11:2 (14-15)
Colonial, construction of: 1:2 (44-49)
Cheevy, Minerva: 2:2 (22)
Chests and Dressers
blanket box (19th C.): 17:1 (32-37, 48)
bride's chest, Norwegian (c. 1809): 6:4 (4-8)
chest, Renaissance-Style Cottage (c. 1860): 17:3
China
cardstock: 2:2 (38-43); 5:3 (11)
12
Volume 1 (1976-1977) to Volume 20 (1995-1996)
decals, use of: 2:2 (42-43)
imitating: 2:2 (38-43)
use of basswood blanks: 2:2 (42-43)
library clips, use of: 11:3 (11)
modeler's third hand vise: 5:1 (39)
safety pin clamp: 4:3 (6)
spring clamps: 4:3 (7)
toolmaker's, modified: 5:1 (39)
violin, construction of: 2:3 (45)
violin, use of: 2:3 (44-45)
violin-maker's clamps, use of: 3:3 (49)
wood tong: 5:1 (12)
Chinese Furniture:
chairs, history of: 9:4 (29)
side table (Ch'iao-t'ou): 10:1 (14-17)
Chippendale
arm chair (kitbash) (c. 1750): 2:1 (36-38)
ball and claw foot: 2:1 (34)
bed, Chippendale canopy (c. 1770-1785), half
inch: 7:3 (39-42)
cabriole leg: 1:2 (23-25)
chair, commode (c. 1750-1775): 5:3 (8-11)
chair, easy (c. 1740-1750): 14:2 (13-22,48)
chair splat, carved: 2:1 (37-38)
corner chair, comb-back ( c. 1770-1780): 18:4 (1217)
desk, slant topped on frame (c. 1730-1750)
difference with Queen Anne: 2:4 (33)
drawer pulls: 7:2 (41-45)
easy chair: 14:2 (13-22,48)
kettle stand (c. 1760-1780): 14:1 (23-24, 48)
modern adaptation of: 2:1 (33)
side chair (c. 1755): 2:1 (36-38)
sofa (kitbash, c. 1755): 2:1 (39-43)
sofa (c. 1795-1805): 7:2 (26-28)
sofa, Philadelphia (c. 1750-1780): 19:3 (25-31)
stand, basin (c. 1770-1780): 16:1 (21-24, 48)
tea table (c. 1755): 2:1 (35-36)
wing chair (kitbash): 2:1 (39-43)
Chopper (see miter cutters and mitering)
Clauden, C. David (Author)
Becoming a Momenticist: 5:4 (10-15)
Empty Rooms: 5:2 (4-8)
Clockmaker Broaches, type and use of: 14:3 (44)
Clocks:
grandfather clock, working pendulum: 8:4 (36-43)
lantern (case) clock: 11:3 (33-34)
lyre pendulum bob: 8:4 (40)
octagonal drop (c. 1900): 16:4 (42, 47)
tall case clock, grandmother: 11:3 (29-33)
tic toc transducer: 8:4 (36-43)
Vienna Regulator Parlor (c. 1900): 16:4 (40-42)
(Note Errata published in 17:1 (4))
Cogswell, John (Cabinetmaker): 17:1 (18)
Colonial/Pre-Revolution
see, also, Sheraton,
bed, four-post (plans only): 11:2 (31)
bed, four post with trundle: 18:2 (40-48)
bedroom (room box, c. 1750): 1:1 (44-47)
candle shelf: 8:1 (11)
candlestand, ratchet: 8:6 (12-13)
chest and drawers (plans only): 11:2 (32)
Connecticut High Chest of Drawers (c. 17401760): 6:4 (9-12)
corner cupboard (c. 1740-1750): 9:2 (32-37)
domestic architecture, history of: 1:1 (28-31)
introduction to: 14:1 (5-6)
joinery: 1:1 (31-43)
open wall box: 8:2 (18)
post & beam construction: 1:1 (31-33)
Slaw bed (c. 1700): 1:2 (1-9)
washtub & water bucket: 8:5 (14-15)
1:1 (27-43); 1:2 (42-57); 1:3 (17-28); 1:4 (319)
Chisels: See carving and joints and joinery
Christmas
consumerism: 8:1 (4-5)
decorating (c. 1929): 8:1 (4-5)
history of, in America: 2:1 (4-6)
stocking: 2:1 (6)
tree:
artificial (Wards, c. 1929): 8:1 (8-10)
decorations: 4:1 (31)
juniper: 4:1 (31)
Clamps and Vises
bulldog, use of: 16:3 (45)
cam action: 11:2 (40-42,48)
custom holding jaws: 4:3 (7-8)
electrical alligator clamps: 16:1 (8)
jewelers ring clamp: 4:3 (8)
Jorgensen: 4:3 (7)
kite string, use of: 11:3 (11)
13
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Colonial/Spanish
dining side (Spanish New Mexico): 16:4 (28-30)
table, Trestle (Spanish New Mexico): 16:4 (25-28)
Cooke, Harry (Author)
Building a Philadelphia Dressing Table: 2:2 (4-16)
Commodes: (see Cabinets)
Cooke, Horace (Author)
Empire Clock: 4:2 (4-8)
Computers
flooring designs: 18:2 (5-16, 39); 18:3 (41-48)
scale images: 20:1 (25-34)
Cooper, Kenneth A. (Author)
Carving on a Curved Surface: Building a Tea Poy:
7:3 (15-18)
Contemporary (1980s):
Country Living movement: 8:2 (4-5)
Understanding "reproductions": 15:4 (25)
Copy Attachment
fluting: 3:4 (17-22)
indexing mechanism, Dremel: 3:4 (18)
indexing mechanism, Unimat SL: 3:4 (21)
moto-tool arm: 3:4 (18)
Contours
cutting, w/ drum sander: 16:2 (28)
Copyright
Intellectual Property (response to letter): 2:2 (1-2,
15)
Miniatures: 2:2 (1-2)
Cook, Madelyn. (Author)
Beginner's Workbench (Series):
A Desk in the French Mode 4:3 (29-32)
Ch'iao-t'ou: The Chinese Side Table: 10:1 (1417)
Chinese Chair: 9:4 (29-32)
Depth & Scale: 6:1 (21)
Kits and Pieces:
Chest and Mirror Kit Bashing with X-Acto's
Laser Cut Pieces: 5:4 (37-39)
Lattice Bed and Screen: 6:1 (10-14)
Side Chair and Hanging Shelf: 6:2 (33-35)
Master of Disguise (column):
Design & Balance: 5:4 (35-36)
Exhibiting Made Easy: 7:1 (16-18)
Finishes: 7:4 (24-25)
Getting Down to Base-ics: 6:4 (19-20)
Give me a Break!: 7:3 (19-21)
Glitches and Twists in Needlework: 6:3 (2224)
Glue spots, too-shiny paint, grain, and gaps in
the floor: 4:2 (23);
Lighting: 5:2 (40,43)
Loose flooring, finishing: 4:3 (40);
Masonite, plywood, and crown molding:4:4
(39-40);
Modifying Table Height 6:2 (21)
Oversanding: 5:1 (33-34)
Planning for Ins and Outs: 7:2 (9-12)
The Nature of Miniatures, the Miniature Hobby,
and Creativity (Essay): 5:3 (26-27)
Two from One: A side Chair and Wicker Shelf
from X-Acto's Chippendale Shelf Kit: 5:1
(35-38)
Cosgrove, Barbara (Author)
A Rug With Few Peers: Graphing and Working a
Late 19th Century Sarouk: 3:1 (27-32)
Cornice, dental, exterior: 4:3 (23)
Couches, Loveseats, and Settees (see Chairs and
Sofas)
Creativity in Miniatures: 5:3 (26-27)
Crockery made from basswood: 2:2 (28)
Cut-off Disc, uses of: 1:3 (14); 3:2 (9); 5:2 (31)
Cushman (c. 1940)
bed, panel: 12:1 (9-10)
bench, dresser: 12:1 (14)
chest-on-chest: 12:1: (6-8,10)
dresser: 12:1 (11-13)
mirror: 12:1 (13-14)
night stand: 12:1 (10-11)
Cutters (see Lathes, Dremel Moto-Tool)
Cutting Tools, High Speed:
slotting saw, Dremel drill press: 8:2 (27)
use of: 8:2 (24)
*D
14
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Danish Modern
side chair (Danish Modern, c. 1979): 5:4 (40-45)
sideboard (c. 1979): 6:1 (15-17)
table (Danish Modern, c. 1979): 5:4 (40-45)
Desks, Secretaries, and Vanities
cabinet secretary, Renaissance Extra-Grade
Wooten (c. 1875): (Part 1) 15:1 (25-33); (Part
2) 15:2 (25-35); (Conclusion) 15:3 (42-48)
cupboard desk, Shaker (c. 1852): 11:1 (22-26)
desk lock, working: 7:3 (11-14)
hanging desk (Montgomery Ward, c. 1895): 10:2
(39-41)
ladies, cylinder (c. 1790): 9:2 (23-28)
ladies, French (c. 1900): 8:4 (20-24)
lady's writing (American Sheraton-Style, c. 1800):
13:3 (35-39)
pedestal, modern (half inch): 10:4 (12-16)
Queen Anne: 11:1 (17-21)
roll top, Eastlake (c. 1880): 3:4 (23-38); 17:1 (517, 24)
Secretary (John Cogswell, c. 1786): 17:1 (18-24)
secretary (Realife): 1:1 (6-10); 1:2 (13-16)
secretary, Victorian Renaissance (c.1870): 11:3
(25-27)
sewing desk, Mount Lebanon Shaker (c. 17861900) 16:3 (7-11)
ship captain's desk (c. 19th C.): 11:4 (19-23)
slant top on frame (Chippedale, c. 1730-1750):
16:1 (41-46)
vanity, Haywood-Wakefield (c. 1949): 7:4 (30-36)
vanity dresser & bench, child's (Wards, c. 1929):
8:1 (6-8)
Weiman (c. 1950s): 9:3 (35-38)
Dental Tools
burr, use of: 1:1 (17); 16:3 (C3)
chisel, use of: 3:3 (48);12:4 (8-10)
Depression Era (1928-1939)
book trough (c. 1930's): 15:4 (37,44)
11:4 (31-32)
insert)
(30, 33-35)
9:1 (14-18)
11:4 (30-31)
8:3 (29-30,31)
1929): 8:1 (6-8)
Dimensioning standard in: 2:1 (1-2)
Disc Sander:
adjusting screw for: 6:4 (21-24)
conical disc for sanding surfacer, making: 14:2
(25-27)
disc adjustments: 4:3 (49)
fences for the TSC Sanding Surfacer: 14:2 (32)
jointer attachment and accessories for TSC
Sanding Surfacer: 14:2 (33)
miter gauge: 4:3 (50-51)
plans for (C-frame motor): 4:3 (41-43)
plans for (1/8hp motor): 4:3 (44-52)
use of, 19:2 (8)
wood surfacer,
construction of: 4:4 (20-28);14:2 (25-34)
use of: 4:4 (27-28); 14:2 (34)
Depth, 6:1 (21,44)
Depth gauge, machinist's
use of: 1:1 (24-25); 19:1 (26-28)
use of, in joinery: 8:6 (18-24)
Display Box (See, also, roomboxes)
farm kitchen: 2:1 (47-48)
hinges, dollhouse: 18:4 (3)
wall hung miniatures display case: 18:1 (5-10)
Design
balance in: 5:4 (35)
rhythm in: 5:4 (36)
15
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Accessories Found & Made: (Part 1) 6:4 (51-52);
(Part 2) 7:1 (27-28)
Adirondack Chair: 19:1 (48)
Beginner's Workbench (Series)
Country Kitchen Cabinet (c. 1890): 3:4 (46-51)
An Oak Coffee Table: 4:1(26-28)
Blond or Dark: Modern Classic: 4:4 (35-37)
Building a 1930 New England Shed: 9:2 (7-13)
Building Furniture with Commercial Turnings: A
Low Back Windsor Arm Chair (c.1887): 8:2
(16-18)
Built-in Gardening Cabinets: 9:2 (14-17)
Caning: An Introduction to Hand-Woven Caning:
1:3 (35-38)
Caning: Contemporary Bamboo Headboard: 1:3
(42-45)
Caning: Late Empire Couch: 2:1 (55-59)
Caning: Victorian Factory Side Chair: 1:3 (39-41)
Carcase Alternatives in Half Inch: Arts & Crafts
Bedroom Set (Stickley, c. 1910): 14:1 (25-32)
Chair Leg and Rung Assembly with Hand Tools:
8:2 (12-15)
Child-Size Vanity Dresser & Bench (c. 1929): 8:1
(6-8)
A Child's Empire Rocker: 5:2 (9-11)
Chippendale Commode Chair (c. 1745-1755): 5:3
(8-11)
Chippendale Federal Sofa (c. 1795-1805): 7:2 (2628)
Christmas In a 1914 Kitchen: 12:3 (5, iii)
Christmas on the G.I. Bill: 4:1(29-35)
Colonial Dummy Board (c. 17th C) (Model in a
Minute): 14:3 (24)
Colonial Style Child's Rocker: 17:1 (47)
A Combination Folding Bed: 4:4 (4-16)
Connecticut High Chest of Drawers (c. 17401760): 6:4 (9-12)
Contemporary Built-in Bookcase (Half Inch
Scale): 11:1 (10-13).
The Cotswold Cottage: (Part 1) 10:4 (25-32); (Part
2) 11:1 (36-44); (Part 3) 11:2 (12-20)
Cottage Garden Suite: Yard Furniture for a
Summer Afternoon: 10:2 (5-9)
Couch Potato Furniture in Half Inch: Two
Occasional Pieces: 12:4 (39-40)
A Custom Kitchen in Record Time (c. 1980s): 8:6
(4-11)
Danish Modern Sideboard (Beginner's
Workbench): 6:1 (15-17)
The Democrat Rocker (Empire, c. 1850-1860): 5:1
(28-31)
Detailing A Federal Period Row House (Part 1):
TSC 2:4 (4-17) (Part 2 is listed as Planning a
Dohzuki Saw (Japanese dovetail saw)
construction of: 12:2 (33-38,42)
Donaldson, Theodore W. (Author)
Bell and Claw from Wooden Beads: 4:1 (37-38)
Doors:
arch curved: 9:2 (11)
Arts and Crafts, casing: 11:3 (5)
board & batten: 1:3 (21-22)
cabinet, nosed edge: 18:2 (37)
casing, plinth & corner block: 2:1 (48)
exterior Early 20th Century: 2:1 (51-52)
facia, exterior: 1:4 (10)
false: 2:4 (15)
Federal: 2:4 (14)
four-panel, bolection: 5:2 (33-34)
frames, Late Georgian: 3:4 (10-11)
interior Early 20th Century: 2:1 (51-52)
jamb, Late Georgian: 3:4 (9-10)
panel, Moorish/Colonial Spanish: 16:3 (30-32,44)
paneled, construction of: 15:2 (16-18)
panel, exterior: 1:3 (21-22)
panel, interior: 1:3 (21-22)
panel, Late Georgian: 3:4 (8-9)
six-panel: 3:4 (8-9)
studded, laminated exterior: 1:3 (21-22)
Doorbells and Chimes: (Part 1) 11:4 (25-28,32); (Part
2) 12:1 (43-47)
Dorsett, Helen: A Retrospective , 1927-1990. 14:3 (510).
Dorsett, Helen (Author)
18th Century Cabinetmaker French Canadian:
Regency Table and Transitional Chair: 12:4
(14-17).
1920's French Provincial Chaise Lounge: 7:2 (4652)
1920's Modern in 1/2 Inch Scale: 11:4 (24-32)
1929 Artificial Christmas Tree: 8:1 (8-10)
1929 Planter Box (Model in a Minute): 14:3 (37)
1938 Fiberboard Dollhouse: 6:1 (23-29)
A Garden House for Summer: 9:2 (4-6)
A Little Paint...Big Savings: 1920's Unfinished
Furniture: 13:3 (22-23, 47-48)
A Mirror Image by Half: Modern Sofas in 1” and
1/2” Scales: 9:3 (25-30)
A Thoroughly Modern Tuxedo Sofa: 2:4 (26-31)
Accessories for an Early American Family Room
(Model in a Minute): 3:3 (13-14)
16
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Kit-Bashed House in TSC 3:1)
Dining Room Set: Turn-of-the-Century Oak in
Half-Inch: 13:2 (36-39)
Doll's Folding Chair: 6:1 (18-20)
Dyeing with Natural Dyes: 1:4 (20-22)
Economy Breakfast Set from Sears, Roebuck: 9:1
(14-20)
Elegant But Low Cost: Marbled Wood Finishes:
14:1 (33-36,42)
Empire Clock: 4:2 (4-8)
Empire Painted Settee (Beginner's Workbench
Project): 13:1 (13-20,33)
English Country Kitchen:
Candlestand (c. 17th C): ECK (35-36)
Comb Back Windsor (c. 1760s): ECK (33-35)
Fireplace Accessories (Tudor, c. 16th C): ECK
(36-37, 40)
Low Back Windsor (c. 1706): ECK (32-33)
Oak Joined Stool: : ECK: (28)
Wainscot High Chair (Charles I, 17th C): ECK
(29-30)
Welsh Border Chair (c. 1650): ECK (30-31)
William & Mary Gateleg Table (c. 1695): ECK
(26-28)
Ethan Allen Upholstered Arm Chair: 10:3 (21-25)
Fold-Away Turntable Bed (c. 1920s): 13:3 (17-21)
For Boston Tea Parties: Chippendale Kettle Stand
(c. 1760-1780). 14:1 (23-24,48)
French Canadian Child's Rocking Horse Chair:
11:4 (17-18)
French Canadian Louis XIV Arm Chair (c. 18th
C): 11:4 (13-17)
From Kit to Modern: Americana Chest: 1:2 (3536)
From Country Store to Home: Accessories For an
Early American Family Room (Model in a
Minute): 3:3 (13-14)
From Kit Shell to Painted Lady: An Italianate Row
House: (Part 1) 9:3 (7-13); (Part 2) 9:4 (10-18);
(Part 3) 10:1 (34-37)
Furnishings for a Rustic Shed: 9:2 (17-22)
Half Inch Bed Step (c. 1810): 6:3 (25-26)
Half Inch Queen Anne Lowboy: 7:4 (50-51)
Half Inch Scale: Modern Pedestal Desk: 10:4 (1216)
Half Inch Windsor Side Chair: 7:1 (11-12)
The Hall Tree: A Riddle Wrapped in a Mystery:
3:1 (15-20)
High Style: A New England Fancy Chair (c. 18001820): 8:3 (36-38)
How I Built the Store Building: (Part 1) 6:4 (29The Scale Cabinetmaker Index
37); (Part 2) 7:1 (29-35); (Part 3) 7:3 (4-10)
How to Fill Your China Cabinet with Cardstock:
2:2 (38-43)
Hunting the Victoria Cabriole with Knife and
Dental Burr:1:1 (16-18)
An Improvised Eastlake Couch (c. 1875): 5:4 (2834)
Keystone Slate Mantle and Slate Works Marbled
Fireplace (c. 1872): 14:2 (35-42)
Kitbashing Mini Reproduction's Stove and
Refrigerator: 9:1 (6-14)
Knee-Deep in June: Leisure Furniture in the Early
1900s: 1:4 (23-32)
The Late Great Empire of John Hall. 4:1 (19-25)
Late Victorian Parlor Easel: 13:3 (iii)
Merry-go-round Efficiency: the Lazy Susan
Apartment: (Part 1) 13:2 (25-35); (Part 2): 13:3
(5-11)
A Mid-Victorian Mixture: 4:2 (29-38)
Modern Dining Room Set in Half Inch: 9:4 (3740)
Modern Table and Chair (Danish Modern, c.
1979): 5:4 (40-45)
Modern Walnut Folding Chair: 1:1 (11-13)
Modifying an Early American Secretary Kit: 1:1
(6-10)
Music in Their Homes: A Piano Stool and
Embellishments For a Scientific Kit: 3:2 (4246)
The Next Collectibles: Haywood-Wakefield
Modern Bedroom Suite: 7:4 (29-39)
Nineteen Forties Federal End Tables & Coffee
Table: 6:4 (48-50)
Oak...and Artful Clutter: A TSC Cover Room: 11:3
(5-7)
Oak...from Wards: Art Nouveau Parlor Cabinet:
1:2 (37-41); 14:3 (26-30)
Of Castles and Kitchens: (Part 1) 1:4 (33-48);
(Part 2) 2:1 (45-53)
Overstuffed Suite for TV Viewing: Couch Potato
Furniture in Half Inch: 12:3 (6-12)
Parson's Table: Easier by the Dozen: 1:2 (17-19)
The Pawn: An Eastlake Nursing Chair (c. 1887):
9:2 (29-31)
Pedestal Centre Table: 13:4 (7-11)
Plain and Simple...Colonial Kitbash: 11:2 (30-35)
Plastic Pipe Patio Furniture: 2:4 (54-55)
Queen Anne for the 20th Century: A Realife
Dining Room Kitbash: 8:6 (34-39)
Room for Growth: A Beginner's Stenciled Room
Setting: 5:3 (4-7)
Scientific's Secretary: the 2nd Time Around: 1:2
(13-16)
17
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Scroll-Cut Couch: 13:4 (12-17)
Shaker Cupboard Desk (c. 1852): 11:1 (22-26)
Shaker Pedestal Stand: 1:3 (29-30)
Slaw Bed: 1:2 (1-9)
Smithfield Plantation Round-About: 1:2 (26-30)
A Spanish Daybed Frame (New Mexico c. 1850):
4:3 (16-18)
Stenciled Floor Cloth: 8:2 (7-8)
Sturdiness, Directness, Efficiency: a Half Inch
Modern Swivel Chair (c. 1929): 10:1 (14-16)
Table Saw Safety (The Beginner's Workbench):
8:3 (12-13)
Tired Broom and Dustpan (Model in a Minute):
13:1 (23)
A Touch of Grace: Queen Anne Cabriole Leg: 1:2
(23-25)
Trickle-Down Furniture: A Chippendale Canopy
Bed (c. 1770-1785): 7:3 (39-43)
Tutor Swiveled Bookcase (c. 1928): 8:1 (34-36)
Utility Furniture: Six Board Shelf and Stool: 9:1
(21-22)
Victorian Factory Chairs: 1:3 (49-52)
Victorian Settee: 1:1 (19-22)
What's New? Not Much!: American Standard
Bathroom Fixtures (c. 1930): 8:3 (29-35)
What's New? Not Much!: American Bathroom
Fixtures, 1940-1960: 8:5 (22-24)
When Less is Better: Modification of X-Acto
Lowboy: 2:2 (17-21)
When Pedigree is Important: Modifying a Realife
Wing Chair: 2:4 (32-36)
Where Simplicity is Virtue: Two 19th Century
Country Kitchen Pieces: 1:3 (55-59)
Without Further Comment: The Ranch Oak Chair:
19:4 (24)
27)
Blue Line Oven/Stove: 13:3 (12-17)
Building a Simple Bookcase (Beginner's
Workbench Series): 3:3 (43-52)
Built Like a Paneled Wall: The Wainscot Armchair
(c. 1690): 14:1 (6-11)
Case Pieces with Hand Tools: HaywoodWakefield Modern Dining Set: (Part 1) 19:1
(25-37); (Part 2) 19:2 (5-12)
Casual Reminiscence: An Early American Family
Room (Essay): 3:3 (4-5)
Changing Times: A 1930 American Kitchen
(essay): 9:1 (4-6)
Chippendale Comb Back Corner Chair (c. 17701780): 18:4 (12-17)
Chippendale...With Some Changes: A TSC Cover
Essay: 8:3 (4-5)
The Christiansburg Depot (c. 1868): 9:3 (18-23 +
Insert)
Colonial America's Most Common Chair: A Loop
Back Windsor. 12:3 (33-38)
Cottage Spindle Sofa from Kansas (c.1874): 8:2
(29-35)
Country Living (Essay): 8:2 (4-5)
The Craftsman Furniture of Gustav Stickley: 15:4
(5-24)
Curves for a Change: William & Mary Lowboy (c.
1710): 14:1 (19-22,48)
Curvilinear Measurement (Cabinetmaker's Shop
Manual): 1:2 (31-34)
Cutting Basic Dado and Rabbet Joints (Beginner's
Workbench): 19:3 (5-11)
Decorating for a 1929 Christmas: 8:1 (4-5)
Designer before the genesis: A Retrospective:
Helen Dorsett, 1927-1990. 14:3 (5-10)
Eastlake in the Office: Caned Swivel Office Chair:
17:2 (5-13)
Efficiency Discovered: 1920's Kitchen Cabinet:
18:3 (35-40)
Empire Period Card Table: 16:2 (25-31)
Empire Extension Pedestal Table: 7:1 (36-44)
Empire Twins: Clocks by Helen Dorsett and
Horace Cooke: 4:2 (4-8)
English Gothic Library Table and Ladder (c.
1830): 15:2 (5-11, 22)
Ethan Allen Heirloom Bedroom Set (½" scale):
(Part 1): 15:4 (25-30); (Part 2) 16:1 (17-21)
An Exercise in Geometry: Jacobean Chest with
Drawers (c. 1680): 14:1 (12-19)
“Faking” a Sideboard: 6:3 (13-15)
A Federal Drawing Room: 16:4 (5-19)
Federal Period North Carolina Hunt Board:
Banding and Veneering: 13:1 (5-12,23)
Dorsett, Jim (Author)
1880's Egyptian Style Morris Chair: 20:2 (42-45)
A Connecticut Colonial: The Whitman House: 1:1
(27-43); 1:2 (42-57); 1:3 (17-28); 1:4 (3-19)
A Measure of Influence: Philadelphia Chippendale
Sofa (c. 1750-1780): 19:3 (25-31)
A Period Room From the 40's: The Cover Room:
6:3 (4-9)
A Shaker Original...Swivel Sewing Stool: 16:3
(11-14)
A Very Occasional Piece: Chippendale Basin
Stand: 16:3 (21-24, 48)
An Editorial Essay: Why Scale...and the Scale
Cabinetmaker: 20:2 (5-7)
Basic Furniture Joinery With Hand Tools
(Beginner's Workbench Series): (Part 1) 8:5
(16-21); (Part 2)8:6 (18-24); (Part 3): 9:1 (23The Scale Cabinetmaker Index
18
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Federal Sofa & Easy Chair (c. 1810): 16:4 (6-14)
For the Inglenook Room...Arts & Crafts Bungalow
Furniture (c. 1907): 20:2 (8-24)
French Bed Room Suite:
(Part 1) Panel Bed: 10:1 (5-13)
(Part 2) Chest of Drawers: 10:2 (29-36)
(Part 3) Bed Side Table: 10:3 (5-11)
French Canadian Armoire: 12:4 (5-13)
French Canadian Serpentine-Front Corner Cabinet
(c. late 18th C.): 11:4 (7-13)
From Desert to Miniature: Victorian Renaissance
Center Table: 5:3 (44-47)
From Jacobean to Chippendale: Furniture of the
American Colonial Period: 14:1 (5-22)
From The Beginner's Workbench: Child's Rocker
and Side Chair: 18:1 (44-48, C3)
Gate-Leg Table and Low Joined Stool: 16:3 (3338)
Greene and Greene Living Room Chair: 16:2 (3841)
Harmonious Confusion: An Oak Roll Top Office
Desk: 3:4 (23-38); 17:1 (5-17, 24)
The Hollins College Lady's Desk (c. 1900): 8:4
(20-24)
House Power...In a Coal Shed: 8:6 (25-33)
In Search of a FAce with Skew an Gouge: Hand
Carving a Canadian Art Nouveau Rocker: 9:1
(28-34)
John Leonard's High Density Workshop: 15:3 (2526)
John Meek's Chaise Gondole: 13:4 (18-22)
Just Leave them in the Rack: Making a Wire Dish
Rack: 9:2 (40-44)
Knee Deep in June: Leisure Furniture of the Early
1900's (essay): 1:4 (23-24)
Like Two Peas in a Pod: A Contemporary
Commode: 3:2 (22-26)
Linear Measurement and Tools (Cabinetmaker's
Shop Manual): 1:1 (23-28)
Living Room Table & Chair from the Gambel
House: 16:1 (25Mahogany Campaign Bed (c. 1810): 15:1 (34-40,
11)
Making a Single Flute Molding Cutter: 4:4 (cf1-4)
Making and Using Mortising Chisels: 15:1 (2124)
Measurement Conversion: 3:4 (Insert)
Metalworking With Hand Tools: A Popcorn
Popper from the Van Horn Collection: 4:2 (2428)
Mid-Victorian Bedroom (c. 1860): (Part 1) 17:3
(25-32); (Part 2) 17:4 (5-20)
Mudejar and the Southwestern Room: 16:2 (5-6)
Multi-Display Workhorse Transformer: 7:3 (2228)
Nature as Design...French Art Nouveau Cabinet
(c. 1900): 14:3 (31-37)
New Cupboard...Old Elements: Contemporary
Mexican Cupboard: 17:2 (31-36)
New Lebanon Shaker Sewing Room: 16:3 (5-7)
New York Sofa Table, Federal (c. 1820): 16:4 (1419)
Now You See It, Now You Don't: George III
Library Ladder, c. 1793: 14:4 (5-15)
Pennsylvania Spice Box on Frame (c. 1740-1750):
14:3 (11-15)
Queen Anne Corner Table (Workshop Project):
12:2 (19)
Regency-Style Double Gateleg Dropleaf Table (c.
1920's): 13:1 (40-48)
Renaissance-Style Cottage Chest: 17:3 (25-32)
Scratchbuilding at the Depot: The Fall 1986 TSC
Workshop: 10:4 (33-34)
Window Assembly with Northeastern Materials:
12:1 (30-35)
Setting the Crooked Straight: The Morris Chair (c.
1880): 6:4 (13-18)
Shaker Sewing Desk: 16:3 (7-11)
Sharpening Carving Tools (The Beginner's
Workbench): 10:3 (51-55)
Simple Elegance: Late 18th Century Connecticut
Chest-on Chest: 19:4 (5-14, 48)
The Somewhat Roaring Twenties: 1927 Sears
Tudor Dining Room Suite: 18:3 (5-6)
Standard in Every Home...Build-in Kitchen
Cabinets: 18:2 (27-39)
Table Saw Beveling Jig: 16:2 (44-48)
Table Saw Blade & Fence Adjustment (The
Beginner's Workbench): 8:4 (13-17)
Table Saw Safety (The Beginner's Workbench):
10:4 (35-39,43)
Thinking in Scale: An Editorial Essay (The
Beginner's Workbench): 11:3 (35-37,44)
True or False? The Shooting Board: 11:2 (21-24)
Victorian Italianate Architecture: An Introduction:
9:3 (4-6)\
Victorian Renaissance Secretary: A TSC
Workshop Project Plan: 11:3 (25-27)
Whitman House: A Retrospective: 1:4 (16-19)
Who Reads TSC? 1981 Reader Survey: 6:2 (3132)
Why Scale? 1:1 (1-3)
With a Lap Robe and Book: Victorian Folding
Yacht Chair (c. 1890). 18:4 (6-11, 24)
Wooden Toys for a 19th Century Christmas: 7:1
19
Volume 1 (1976-1977) to Volume 20 (1995-1996)
(7-10)
Working with the Dremel Moto-Lathe
(Cabinetmaker's Shop Manual): 1:3 (31-34)
small scale, sources of: 5:4 (53)
TSC power dowel maker: 14:3 (38-44)
use of drill gauge as drawplate: 3:1 (51-52)
use in joinery: 9:1 (23-27)
woodblock, extrusion: 1:2 (29)
Dorsett, Jim and Helen (Authors)
Building Furniture with Commercial Spindles: 8:1
(12-17,53).
Can Tom Chippendale Find Happiness in
Suburbia: 2:1 (33-43)
...Next to Godliness: A Sheraton Night Table: 2:2
(22-27)
Chippendale Easy Chair from Newport (c. 17401750): 14:2 (13-22)
The Country Look in Furniture: 1940 Cushman:
12:1 (5-14)
Late Empire...A Neglected Era in Miniature: 13:4
(5-22)
On the Margin of Respectability: A Mission
Billiard Table and Davenport: 3:2 (4-10)
A Period Room from the '40s: The Cover Room:
6:3 (4-9)
Planning A Kit Bashed House (Part 2): 3:1 (5-10)
Note: Part 1 is listed as Detailing A Federal
Period Row House in TSC 2:4)
Riding Toys From the Adult World: A Bent-wood
Sled (c. 1877) and Pedal Car (c. 1914): 3:1 (3344)
A Sitting Room in Summer (c. 1875) (Essay): 5:4
(4, 34, 36)
The Useless Presents of Christmas Morning: 2:1
(4-12); 14:4 (44-48)
Using the Dremel Drill Press (The Beginner's
Workbench): 8:2 (23-28).
Drapes and Curtains
working draw drapes: 17:2 (44-48)
Drawer Pulls and Knobs (see Hardware)
Drawers:
basic, construction of 3:3 (50); 7:4 (19)
shims, use of: 5:1 (34)
Dremel Moto Tool,
all-purpose shaper saw: (Part 1) 2:4 (37-42); (Part
2) 3:2 (18-21); (Part 3) 3:3 (25-29)
cutters,
ball shaped, use of: 8:2 (28)
choice and use of: 5:1 (26-27)
shouldered edge molding cutter, construction and
use of: 3:1 (17-19)
mounting table, construction and use of: 5:1 (2227)
Dremel Drill Press (see drill press)
Dressers (see Cabinets)
Drills and Drilling
angled holes: 13:1 (13-16)
cone burr, use of: 10:3 (14)
dental burrs, use of: 16:3 (36)
electric hand drill lathe/sander: 7:2 (13-19)
numbers & decimal equivalent: 1:2 (34)
pilot holes: 10:2 (44)
sizes for caning: 1:3 (36)
tap and clear: 4:4 (13-14)
twist drills, use of: 16:4 (10-11)
thin stock: 3:3 (1)
Dorsett, Meghan H.
The Cabinetmaker's Notebook: Handcarving
Miscellany: 19:1 (22-24)
Computer Graphics and the Miniature Setting:
Stalking the Electronic Mouse: 18:2 (5-16, 39)
A Glossary of Cabinet Joints: (Part 1) 18:4 (2529)
Linoleum Rugs From the 1920's (Wards): 18:3
(41-48)
Net Results...Uning the Internet as a Source for
Scale Images: 20:1 (25-34)
Drill Gauge,
dowel making: 3:1 (51-52)
source and use of: 3:1 (51-52); 3:3 (31)
types: 3:1 (51-52)
woods, types for dowel making: 3:1 (52)
Dowels and Dowel-making
burnishing: 8:2 (13)
cutting techniques: 11:1 (15)
drill gauge, extrusion: 3:1 (51-52)
integral dowel, in chairs: 8:2 (12)
introduction to dowels and dowel-making: 14:3
(38-40)
Drill Press:
adjustable drilling depth stop, Unimat 3: 7:1 (46)
auxiliary variable speed control, use of : 8:2 (23)
Bell Saw Mate, modification of: 9:2 (38-39)
beveling table for: 17:2 (34-35)
20
Volume 1 (1976-1977) to Volume 20 (1995-1996)
circles, cutting: 9:2 (26-27)
cutting mortise and tenons: 16:4 (34-35)
cutting rabbets & dados: 4:4 (33-34)
cutting rabbets with Dremel Attachment: 3:3 (48)
depth gauge dial (Micro-Lux): 10:3 (44)
depth stops: 8:2 (24); 10:3 (45); 11:3 (34)
Dremel, horizontal & vertical adjustments: 9:2
(38-39)
Dremel, introduction to and use of: 8:2 (23-28)
Dremel, limitations of: 8:2 (23-28)
Dremel, quill locking screw: 15:1 (4)
fence aligner (Micro-Lux): 10:3 (43)
fences, use of: 8:2 (25-26)
four-flute end mill, use of: 16:2 (46)
introduction to: 3:3 (48)
milling: 4:4 (3-4cf); 5:4 (38)
modification, Micro-Lux: 19:2 (3)
noise reduction (Micro-Lux): 10:3 (42)
pin router and fence for Dremel: 15:1 (4)
quill lock (Micro-Lux): 10:3 (42)
routing: 5:2 (35); 5:4 (17)
safety: 10:3 (45)
table for: 8:2 (24-25)
thicknessing wood: 3:4 (24-26)
use of: 5:3 (35)
wheels: 16:1 (9-10)
Ecoinear (corner shelf, c. 1759): 4:1 (4-9)
Editorials, James Dorsett
Whitman House: A Retrospective: 1:4 (16-19)
Why Scale? 1:1 (1-3)
Electrical (see Wiring)
Electronics
television, Stewart-Warner Custom Deluxe
(1949): 6:3 (29-35)
Truphonic Waldorf Phonograph, Sears (1927):
19:1 (38-42)
V-M record changer (1949): 6:3 (33-34)
Elevation Drawing,
how to read: 3:4 (46-47)
symbols, use of: 3:4 (46)
Elliot, Joan (Author). “Ince to the Foot.” 4:1 (4-9)
Embroidery (see Needlework)
Empire & Late Empire
caned couch (c. 1810-1820): 2:1 (55-59)
card table (c.1840)
clock: 4:2 (4-8)
chaise gondole (Late Empire, c. 1833): 13:4 (1822)
console, Empire (c. 1840): 4:1 (20-22)
couch, scroll cut (Late Empire, c. 1830's): 13:4
(12-18)
settee (c. 1840): 13:1 (13-20)
side chair, late Empire: 4:1 (22-24)
rocker, caned Empire (c. 1850-1860): 5:1 (28-31)
rocker, child's cane (Empire, c. 1870): 5:2 (9-11)
Roman curule chair, Empire (c. 1810-1840): 7:2
(4-8)
table, extension pedestal Table: 7:1 (36-44)
table, pedestal centre (Late Empire, c. 1830's):
13:4 (7-11)
Drip Pans
hall tree, construction of: 3:1 (20)
Dube, Don (Author)
High Volume Frame Cutting: A Sliding Mitering
Jib for the Dremel Table Saw: 8:5 (43-45)
Drum Sanders (see Sanders and Sanding)
Dyes, natural: 1:4 (20-22)
*E
Eastin, Donald C. (Author)
Miter Gauge: 17:4 (3)
Eastlake
couch: 5:4 (28-34)
drawer pulls, carved: carved: 3:4 (37-38)
incised carving: 5:3 (34); 5:4 (24,28-29)
mantle (c. 1875): 16:2 (32-37)
nursing chair (rocking) (c. 1887): 9:2 (29-31)
office chair (c. 1880): 17:2 (5-13)
roll top (c. 1880): 3:4 (23-38); 17:1 (5-17, 24)
secretary: 5:3 (32,36); 5:4 (18, 21-22)
English Gothic
library table and ladder , English Gothic (c. 1830):
15:2 (5-11, 22)
Entertainment Centers (see cabinets).
Etching (see, also, photoetching)
etching solution (ferric chloride): 3:1 (39)
resist ink pen, use of: 3:1 (39)
techniques: 3:1 (39-40)
21
Volume 1 (1976-1977) to Volume 20 (1995-1996)
acrylic, stonework: 1:2 (49)
acrylic, use to create decorative designs 12:3 -2223); 13:1 920i)
air brush: 5:1 (7-12); 5:3 (41-42); 15:3 (inside
back cover
application equipment: 5:1 (11)
assembly/finish sequence: 4:3 (8-10); 19:3 (39-46)
basswood:
stain for: 1:1 (6)
use of: 1:2 (10-12)
bent woods: 12:3 (48)
bleach, types and uses: 1:3 (15); 5:1 (14-15); 19:4
(19-20)
universal bleaching steps: 19:4 (19-20)
bone: 5:2 (51)
brown paper bags, use of in sanding: 16:4 (38)
brushes, types and use of: 5:1 (11)
burnishing: 4:3 (11-12)
carving: 13:2 (9)
color reduction: 5:2 (17)
coloring, equipment for: 5:1 (10-15); 19:4 (15-16)
cut shellac: 5:3 (47); 5:4 (42-43)
Deft, use of: 1:2 (12); 15:3 (inside back cover);
16:1 (39)
decorative designs, use of acrylic: 12:3 (22-23)
decorative figures, use of:
distressing/aging: 1:2 (49); 8:2 (10-11); 8:5 (2728); 8:6 (16-17);13:1 (20)
distressing, exterior: 8:6 (29-31)
dope, model airplane: 2:1 (12); 3:1(44)
drying:
drying box: 5:1 (12-13)
dryer, food dehydrator as: 5:1 (12-13)
dull finishes: 14:3 (27)
dulling: 4:2 (23)
dust control: 5:1 (13)
dye stains: 19:4 (22-23, 43)
chemical: 5:2 (19-20)
fabric: 5:2 (18)
lacquer: 5:2 (19)
oil based: 5:2 (19)
padding stains: 5:2 (19)
spirit / alcohol based: 2:2 (46); 5:2 (18-19);
15:1 (48)
varnish: 5:2 (19)
vegetable stains: 5:2 (20)
water based: 5:2 (18)
enameled metal, emulating: 9:1 (9)
faux poreclain (bathroom fixtures): 8:3 (33,35)
fiberglass brush, use of: 16:3 (C3)
fine tip markers, use of: 8:4 (10)
fingers and hands, use of: 5:1 (11)
galvanized metal, simulating: 9:1 (42)
Ethan Allen
arm chair, upholstered (c. 1976): 10:3 (21-25)
(25-29)
chest-on-chest (c. 1974): 16:1 (19-21)
one drawer commode (c. 1974): 15:4 (29-30)
triple dresser/mirror (c. 1974): 16:1 (17-19)
Exhibits & Exhibiting
covers, use of: 7:1 (17)
displays, access to: 7:2 (9-12)
power cords, managing: 7:1 (16)
risers, use of: 7:1 (16-17)
glitch kits: 7:1 (18)
*F
Farrer Colin (Author)
Miniature Marquetry: 19:3 (12-18, 38)
Federal
13:1 (5-12,23)
looking glass, Federal: 4:1 (24-25)
Row House: 2:4 (4-17)
sofa, Chippendale-Federal (c. 1795-1805): 7:2
sofa, Federal (c. 1810): 16:4 (6-14)
sofa table, Federal (c. 1820): 16:4 (14-19)
Fences end mill and guide, use of: 2:2 (13-14)
Fiberglass Brush
use of: 16:3 (C3)
Figures
cloth bodies: 5:4 (14-15)
modeling faces: 5:4 (13-14)
Super-Sculpey, use of: 5:4 (11)
use in room settings: 5:2 (4-8); 7:1 (28)
Files
cleaning techniques: 4:2 (19)
jeweler's, use of: 17:3 (29)
rat-tail, use of: 16:3 (23)
use of: 4:3 (15)
Finishes and Finishing:
abrasive selection: 1:1 (6); 4:3 (10)
acrylic, brickwork: 2:4 (17)
22
Volume 1 (1976-1977) to Volume 20 (1995-1996)
general techniques: 7:4 (24)
gesso, sanding sealer: 2:2 (40-41)
hand decorating techniques: 8:4 (9-11)
holding
devices: 4:3 (5-8); 19:2 (19-24); 19:4 (16-19)
tongs, use of: 5:1 (12)
india ink, use as stain: 13:1 (5)
limed oak: 4:1 (35)
marbled wood: 14:1 (33-36,42)
metal paints (Rustoleum), use of: 15:3 (15)
micro-scale decals, use of: 8:4 (10-11)
Minwax: 2:1 (43); 16:1 (39)
model railroad paint: 2:1 (7,9); 5:4 (21)
natural dyes: 1:4 (20-22)
oil, Neat-Lac: 4:3 (1)
oil, Watco Danish: 4:3 (1)
painted: 8:3 (38)
pigmented wiping stains: 19:4 (21-22)
pinstriping: 16:1 (12)
plastic:
see, also, plastic
introduction to: 5:1 (7); 5:3 (49)
plastic furniture: 5:3 (41-43)
plywood, finishing: 16:1 (38-39)
polyurethane spray, use of in prepping wood for
acrylic paint: 15:1 (16)
porcelain glaze: 2:1 (27)
presanding: 13:1 (7)
rosemaling
history of Norwegian rosemaling: 7:1 (4-5)
Rustoleum, use of: 16:1 (12)
safety precautions: 5:1 (13-14)
salad oil and steel wool: 1:1 (10)
sanding filler, use of: 9:1 (11)
satin: 16:3 (C3)
sandpaper and sanding
loose grit, uses of: 4:3 (13)
sanding and sizing: 4:3 (12-14)
wet sanding: 8:4 (11)
sawdust, use of: 17:1 (36)
scrapers: 4:3 (11)
smoothing: 4:3 (10-15); 19:3 (40-46)
smoothing, planes & files: 4:3 (15)
spindles: 14:1 (22,48)
sponge, types and use: 5:1 (11)
spattering: 7:4 (25)
spraying:
spray & dust control: 5:1 (13)
spraying box & exhaust fan: 5:1 (13)
spray booths, use of: 5:1 (12-14)
sponging: 7:4 (24-25
stain and staining:
burl: 15:1 (48)
glue spots: 4:3 (40)
mixing: 15:1 (48)
pre-staining: 1:1 (6)
universal steps: 5:2 (17); 19:4 (20-21)
steel wool, use of: 4:3 (14-15); 16:1 (39)
stenciling: 2:3 (11-16); 7:4 (25,28)
stippling: 7:4 (24-25)
striping bursh, use of: 16:1 (12)
surface preparation: 4:3 (4-15); 14:1 (34)
tack rag: 4:3 (12)
talc/dope mix: 1:2 (12); 1:4 (42)
Testor's gloss enamel, use of: 9:1 (9,14)
tortoise shell: 14:1 (23,48)
transferring patterns: 8:4 (9-10)
tung oil, polymerized, use of : 12:2 (19)
turned spindles: 1:3 (33); 4:3 (1)
varnish:
introduction to: 2:2 (16),: 2:3 (16)
varnishing, techniques for: 2:2 (16)
vat dip method: 5:1 (13)
washes: 7:4 (25)
weathered wood: 1:4 (13)
Fireplace: (see also Bricks and Stonework)
bedroom (c. 1900-1910)
brick: 5:3 (5)
brick hearth: 5:1 (21); 15:1 (9-12)
carved (c. 1900): 10:3 (36-44)
cast brick, use of: 9:2 (11)
chimney: 4:4 (45)
chimney drip courses: 1:2 (44,47)
colonial chimney stock: 1:2 (43-49)
corner, Spanish Colonial: 16:4 (43-49)
Early American (c. 1600-1800): 10:3 (30)
Federal: 2:4 (10-13)
firebox, anatomy of: 10:3 (29)
firebox, forms: 10:3 (34-35)
flue dimensions: 2:1 (49)
hearths: 5:1 (20-21)
Late Georgian: 3:3 (33-42)
lintel beams: 1:2 (47)
mantel: 2:4 (12-13); 5:2 (21-22); 5:3 (7)
mantel, Arts & Crafts (c. 1880): 11:3 (6)
mantle , Eastlake (c. 1875): 16:2 (32-37)
mantel, frieze molding: 3:3 (39)
mantel, marble (c. 1872): 14:2 (35-42,48)
mantel, late Georgian: 3:3 (33-39)
mantel, paneled :15:3 (17-24)
metal frame (c. 1850-1910)
paint, used as a pigmented stain: 5:2 (18)
23
Volume 1 (1976-1977) to Volume 20 (1995-1996)
parlor (c. 1900-1910): 10:3 (33)
soot & weathering: 1:2 (49); 5:1 (20-21)
staining steps, universal: 5:2 (17)
Williamsburg (Raleigh Tavern, c. 1700): 5:2 (2123)
wood brick, hearth: 3:2 (34-35)
8:5 (43-45)
French
Chaise Lounge, Provincial (c. 1920's): 7:2 (46-52)
French Bed Room Suite:
(Part 1) Panel Bed: 10:1 (5-13)
(Part 2) Chest of Drawers: 10:2 (29-36)
(Part 3) Bed Side Table: 10:3 (5-11)
Lamp Table (Restoration, c. 1833): 17:2 (20-23)
Fisher, Marcy (Author)
By the Chimney With Care: A Petite Petit Point
Stocking: 3:1 (22-26)
French Canadian
arm chair, Louis XIV: 11:4 (13-17)
armoire (c. late 18th C.): 12:4 (5-13)
corner cabinet, serpentine-front: 11:4 (7-13)
rocking horse chair: 11:4 (17-18)
Traditional French Canadian: A TSC Cover Room:
11:4 (5-6)
Floors and Flooring:
computer designs (c. 1914-1944): 18:2 (C4)
diagonal strip: 3:2 (37-39)
diagonal, inlay: 3:2 (37-41)
filling gaps: 4:2 (23)
floor covering, stenciled: 8:2 (7-8)
herringbone: 2:4 (18-20)
hearth, brick, Georgian: (3:2 (34-36)
installing wooden floors: 15:1 (8-9)
linoleum rugs, computer designed: 18:3 (41-48)
loose floor, repair of: 4:3 (40)
materials for: 15:1 (8-9)
oak, Colonial: 1:3 (23-24)
paper mache, substitute for tile: 16:2 (10-11)
parquet, Georgian: 3:2 (39-41)
perimeter strip, Georgian 3:2 (37-39)
plank: 1:3 (23-24); 3:2 (36-37); 5:1 (20)
stripwood: 5:3 (5)
tile floor, simulated clay: 16:2 (10-11)
tile, computer generated: 18:2 (5-16, 39)
Futer, Christopher W. (Author)
Tricycle Baby Carriage (c. 1870): 7:2 (29-40)
*G
Gables (see House, Roof)
Gauges
automotive spark plug gauge, use of: 17:4 (19)
Gehrke, Edward and Helen (Authors). Building an
Antique Trunk (c. 1672). 4:1(10-14)
Georgian (c. 1714-1760)
cabinet, built-in, Late Georgian: 3:4 (14-16)
door frames, Late Georgian: 3:4 (10-11)
fireplace, Late Georgian: 3:3 (33-42)
flooring, parquet, Georgian: 3:2 (39-41)
flooring, perimeter strip, Georgian 3:2 (37-39)
hearth, brick, Georgian: (3:2 (34-36)
Late Georgian, architectural details (interior): 3:2
(28-41); 3:3 (32-42); 3:4 (8-16)
roombox, Late Georgian: 3:2 (28-41); 3:3 (3242); 3:4 (8-16); 4:1 (15-18)
Fluting:
copy attachment, use of: 3:4 (17-22)
sandpaper, techniques: 11:1 (15)
Foot:
ball & claw, (see Carving)
bracket: 1:1 (8-9)
bun: 4:2 (42-43)
foot bracket: 2:2 (25)
foot dutch: 2:2 (19)
spade: 3:4 (2,40)
Form cutters and tools (see Lathes)
Gesso
glazing: 2:2 (41-42)
use of: 2:2 (39-42)
Found objects, use of: 6:4 (51-52)
Frame construction, see Architecture
Glass:
chimneys: 14:2 (7-8(
chips, source of: 8:3 (6)
coloring: 14:2 (11-12)
Frames:
sliding mitering jig for high volume frame cutting:
24
Volume 1 (1976-1977) to Volume 20 (1995-1996)
cutting techniques: 1:2 (40); 14:3 (29)
drilling and sawing: 14:2 (5-7)
flaring: 14:2 (9-10)
forming glass with heat: 14:2 (7-11)
fruit jars: 14:2 (10-11)
in cabinet doors: 1:2 (7)
lamp shades, bulb shaped: 14:2 (9-10)
plexiglass: 4:1 (22)
simulated art glass: 1:4 (39)
53)
Three Centuries of Warmth: Fireplaces and
Fireboxes: 10:3 (29-35)
Greene & Greene (see, also, Arts & Crafts)
side chair (c. 1908): 16:2 (38-41)
table, livingroom (c. 1907-1909): 16:1 (25-30)
Greiner, Ludwig: 2:1 (7)
Glue & Gluing
avoiding glue marks: 17:3 (48)
cement, plastic (liquid): 5:1 (5-6)
cement, plastic (tube): 5:1 (5-6)
cyanoacrylate,
high viscosity: 4:4 (48-50)
removing: 15:1 (3)
safety: 16:4 (4)
use of: 4:4 (14, 49); 9:3 (32)
epoxy: 4:3 (42)
epoxy, metal putty, use of: 11:3 (16)
fabric (Sobo): 2:1 (39), 2:4 (55)
gluing jig, use of: 19:2 (8)
hot melt: 4:3 (5)
instant glues, use of: 16:1 (39)
irregular assemblies: 16:2 (29)
jigs, use of: 2:3 (42-45); 3:3 (49)
mold lines, removal of: 5:1 (7)
painted vs. unpainted: 5:1 (6)
plastic: 2:4 (54); 5:1 (51-52)
plastic cement: 5:1 (5-6)
roughing the surface: 16:1 (39)
rubber cement, use of: 16:3 (39); 17:1 (22-23)
sizing: 19:2 (24)
styrene: 5:3 (49)
tack gluing: 18:1 (38)
tinted glue, separation of: 9:2 (18-19)
yellow carpenter's (aliphatic resin): 4:3 (31)
Grosse, Hillman R. (Author)
Spinning Wheel: (Part 1) 7:4 (4-13); 8:1 (40-53)
Gura, Joseph L. (Author)
Dremel Drill Press Improvements: Horizontal and
Vertical Adjustments: 9:2 (38-39)
Micro-Adjusting Scale Rip Fence: 10:1 (38-41)
*H
Hacksaw, use of: 3:3 (18-19)
Half Inch
chest-on-chest (c. 1974): 16:1 (19-21)
one drawer commode (c. 1974): 15:4 (29-30)
triple dresser/mirror (c. 1974): 16:1 (17-19)
arm chair, upholstered (c. 1976): 10:3 (21-25)
bed, Arrow Spindle (Ethan Allen, c. 1974): 15:4
(25-29)
bed step: 6:3 (25-26)
bed stand, Mission Oak (Stickley, c. 1910): 14:1
(27-28)
bookcase, contemporary built-in: 11:1 (10-13)
canopy bed, Chippendale (c. 1770-1785): 7:3 (3942)
chair, low (c. 1929): 11:4 (30-31)
chair, swivel (c.1929, half inch): 11:1 (14-16)
chair, upholstered (c. 1929): 11:4 (31-32)
chest, painted (c. late 18th C.): 12:4 (40)
chest of drawers, Mission Oak (Stickley, c. 1910):
14:1 (28-29)
desk, pedestal (Modern): 10:4 (12-16)
dining room set, modern: 9:4 (37-40)
dining room set, Turn-of-the- Century Oak (c.
1900): 13:2 (36-39)
dresser, princess, Mission Oak (Stickley, c. 1910,
half inch): 14:1 (30-32)
high chest of drawers, Connecticut (c.1740-1760):
6:4 (9-12)
Graver
sizing: 2:2 (5)
types of: 2:2 (5)
use of: 2:2 (5-8)
Gray, John (Author):
Andirons, Fireirons, and Accessories: 10:4 (47-48)
Clothes Wringer (c. 1900): 6:4 (25-26)
Electric Hand Drill Lathe/Sander: (7:2) 13-19
The Franklin Fireplace Stove: 6:3 (10-12)
The Friendly Machine: A Shop-Built Belt Grinder
Sander: 8:5 (36-42)
Pot Bellied Stove (Acme, c. 1900): 6:2 (14-16)
Sears, Roebuck Kitchen Range (c. 1905): 8:3 (45The Scale Cabinetmaker Index
25
Volume 1 (1976-1977) to Volume 20 (1995-1996)
love seat, overstuffed (c. 1960s): 12:3 (11-12)
lowboy, Queen Anne c. 1760: 7:4 (50-51)
magazine rack (c. 1929): 11:4 (29-30)
Mission Oak bed frame (Stickley, c. 1910, half
inch): 14:1 (26-27)
modifying plans for: 6:4 (9-10)
sideboard, Modern: 9:4 (39)
side chair, Windsor (c. 1750-1780): 7:1 (11-12)
sofa, contemporary: 9:3 (29-30)
table, oval top side w/ drawer (c. 1780-1810): 12:4
(39-40)
table, round coffee (c. 1929): 11:4 (30-31)
knuckle hinge: 16:1 (23-24)
L-hinge & pintle: 1:4 (15)
mounting: 1:1 (9); 3:4 (51); 4:4 (32); 5:4 (12);
6:4 (12); 13:4 (4); 16: 4 (37-38)
offset, mounting of: 11:1 (26)
pin: 4:4 (6-7)
sources: 5:3 (22)
steps for making hinges: 13:1 (46-47)
special purpose hinges: 6:1 (45-48)
strap & pintle: 1:3 (21)
vaseline, use of: 14:1 (3)
lock plates, brass: 17:3 (46)
Phohotoetching, preparing artwork for: 7:2 (4145)
Hall, John (19th c. English/American furniture
designer): 4:1(19-21); 13:4 (4-5)
Hardware Cloth
galvanized, use of: 19:2 (4)
Hall trees
history of: 3:1 (15-16)
Hardy, Carol (Author): Firescreen Desk: 4:4 (29-34)
Hand Grinder, use of: 12:3 (36-38)
Haywood-Wakefield
bed, panel (c. 1949): 7:4 (37-38)
bed stand (c. 1949): 7:4 (30,32)
bench, vanity (c. 1949): 7:4 (36-37)
chest, five drawer (c. 1949): 7:4 (30-31)
china cabinet ( c. 1949): 19:1 (29-33)
dining table (c. 1949): 19:2 (5-10)
side board (c. 1949): 19:1 (33-37)
side chairs (c. 1949): 19:2 (10-12, C3)
vanity (c. 1949): 7:4 (30-36)
Hand Tools (see, also, specific types)
introduction to basic set: 19:1 (26)
use of, general introduction to: 19:1 (25-28)
Hanley, Hope: 2:1 (21)
Hardware
Drawer Pulls
batwing, working bails and bail posts: 2.2 (2021)
brass: 2:2 (16); 10:2 (35-36)
carved, Eastlake: 3:4 (37-38)
carved, foliated: 1:2 (15)
china bead: 1:3 (58)
furniture knobs, manufacturing: 19:2 (4)
mushroom: 2:2 (51); 3:4 (5)
pyramidal: 14:1 (31,32)
willow mount, with (c. 1760-1780): 2:2 (2021)
Sheraton/Hepplewhite: 2:2 (27)
Hinges
attaching to cabinet doors: 13:4 (4)
attaching to surface: see mounting
bride's chest hinges: 6:4 (8)
butterfly hinge, how to make: 1:3 (14)
cabinet, construction of: 3:4 (47-48)
cast bronze, simulation of: 15:2 (28-29)
davenport/table: 3:2 (9)
fabrication: 3:4 (51); 14:4 (12)
folding bed mechanism: 4:4 (15-16)
hidden, drop leaf: 4:2 (36)
Hazen, Lillian Weston (1922): 1:4 (34)
Henricks, Donna (Author)
Antique Bird Cage and Stand: 8:5 (4-8)
Hepplewhite, George: 2:2 (22)
Herzfeld, John (Author)
Bench Made Tools: Preac Miter Gauges: 12:4 (23)
Heuer, Marie and Don (Authors).
1927 Sears, roebuck High Chair: 15:1 (41-43)
A Winter's Project for Summer: A Mail-Order
Lawn Swing (c. 1895): 14:4 (31-37)
All on a Saturday Night: Folding Bathtub and
Water Heater: 17:3 (15-20, 24)
Back to the Future?...Empire Oak Buffet (c. 18901910): 20:1 (35-39)
Beginner's Workbench (Series)
Colonial Dresser: 5:3 (18-21)
Colonial Penguin Table: 4:4 (17-19)
Cross-Base Candlestand: 5:1 (40-42)
26
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Modified Four-Poster: 5:2 (41-43)
Colonial Baby Tender: 8:3 (17-18)
Colonial Corner Cupboard (c. 1740-50): 9:2 (3237)
Colonial Rachet Candle Stand: 8:6 (12-13)
Colonial Wood Wash Tub & Water Bucket: 8:5
(14-15)
Dining Room Buffet (Sears, c. 1927): 18:3 (1519)
Dining Side & Host Chairs (Sears c. 1927): 18:3
(11-15)
Early 19th Century English Upright Grand Piano:
19:3 (32-38)
Eastlake Fireplace Mantle: 16:2 (32-37)
Extension Dining Table (Sears, c. 1927): 18:3 (611)
For the 1920's Kitchen: Sears Elite Gas Range:
18:4 (42-48)
For Scaling Scale Heights: Twenty Foot Extension
Ladder: 18:2 (17-22)
For the Special Vignette: Wall Hung Miniatures
Display Case: 18:1 (5-10)
A Glimpse of the Twenties...Breakfast Nook
Display Box: 15:2 (44-48)
Made at home with Loving Hands: Infant WalkerTrainer: 17:2 (17-19)
Montgomery Ward Hanging Desk (c. 1895): 10:2
(39-41)
Mayflower Stool: 7:3 (26-28)
Model in a Minute (Series)
Candle Shelf: 8:1 (11)
Lincoln Table: 13:2 (40)
Open Wall Box: 8:2 (18)
Operating Cabbage Cutter: 12:2 (23)
Three Wall Shelves: 12:4 (21-22)
Portable Reed Organ (c. 1853): 16:3 (17-20)
Queen Anne Corner/Hankerchief Table: 15:4 (3133)
Queen Anne Tuck-Away Table: 16:1 (22-24, 46)
Reflector Roasting Oven: 19:2 (13-20)
Ribbons, Notions, Needles, and Threads: Sewing
Box: 13:4 (23)
Sears Truphonic Phonography: 19:1 (38-42)
Scalloped Top Chest on Frame: 15:3 (38-41)
Ship Captain's Desk (19th C.): 11:4 (19-23)
Table Saw Mitering Jig: 17:2 (24)
Tasteful and Useful: 1920's Library Table: 20:2
(46-48)
The Swinging Cradle (c. 1810): 8:4 (18-19)
Turn of the Century Kitbash...1905 Bathroom
Fixtures: 19:4 (25-32)
Two Regulator Clocks: 16:4 (39-42)
Hillhouse, Jim (Author)
Three Drawer Cottage Chest: 2:3 (7-10)
Norwegian Bride's Chest: The Mystery of Early
Antique Joinery (Part 1): 6:4 (4-8); (note: Part
2 is listed under Shirley Hillhouse)
Hillhouse, Jim & Shirley (Authors)
The Stenciled Cottage Chest, Circa 1840: 2:3 (416)
Hillhouse, Shirley (Author)
An Introduction to Stenciled Decoration: 2:3 (5-6)
Norwegian Bride's Chest: Rosemaling-Decorative
Painting on Wood (Part 2): 7:1 (4-6); (note:
Part 1 is listed under Jim Hillhouse)
Stenciling in Miniature: 2:3 (11-16)
Hinge (see Hardware)
Hitchcock, L chair factory, 1812-1853: 2:2 (6)
Hobby knife (X-acto)
carving: 6:1 (4-9)
sharpening: 19:2 (33)
use of: 1:1 (16-18); 6:1 (4-9); 19:1 (27-28)
House: (see, also, Architecture; Roomboxes, and
specific elements)
dental cornice, exterior: 4:3 (23)
dutch style, floor plan/elevation: 2:3 (38-41)
foundation & vents: 4:3 (24-25)
frame & panel construction: 3:1 (8); 4:1 (49)
planning kit bashed: 3:1 (4-10)
porch, stair & rail: 4:4 (42-45)
post & beam: 1:1 (27-43)
problem of room size: 3:1 (6-7)
rake boards: 1:4 (9); 4:3 (23)
Hobby Knife (see also carving)
use of, carving curved surfaces: 7:3 (15-18)
Hollins College
Ladies Desk, French (c. 1900): 8:4 (20)
*I
Ince, William (18th c. furniture designer): 4:1 (4-6)
India Ink
use of, photoetching: 7:2 (41-42)
Inlay
general introduction to: 15:3 (45-47)
27
Volume 1 (1976-1977) to Volume 20 (1995-1996)
4:3 (44-52)
Fine Adjustment for the Shaper Table: 7:1 (23-26)
Fine Adjustment for the TSC Wood Surfacer: 6:4
(21-24)
Grinding a Profiling Tool for Wood Turning: 7:4
(26-28)
Helical Fluting with the Copy Attachment: 4:1
(39-47)
Hidden Wiring Update: An Improved Wiring
Channel Router: 8:2 (43-48)
Improving the Micro-Lux Drill Press: 10:1 (4246)
Installing a Small Fluorescent Light: 4:3 (33-38)
Knocking Out Scroll Saw Vibration: 13:4 (43-44)
Lathe Copy Attachment: Turning Slender
Spindles: 4:2 (9-19)
Making Flutes With the Copy Attachment: 3:4
(17-22)
Making Your Own Scale Dowels: 3:1 (51-52)
Making Your Own Scale Lumber: 5:4 (5-9)
Modifying the ATM Scroll Saw for Scale Work:
9:3 (42-47)
Modifying the Chopper: (Part 1) 6:2 (36-41); (Part
2-The Slicer Chopper Modification) 6:3:(1621)
Modifying the Micromark Scroll Saw: 14:1 (4345)
Mood changes in a Scale Room: Working Draw
Drapes: 17:2 (44-48)
A Mounting Table for the Dremel Moto-Tool: 5:1
(22-27)
Now You See It, Now You Don't: Hidden Wiring
in the Pre-Fab Miniature House: 2:3 (30-36)
Operating Tinplate in One-Twelfth Scale: 6:1 (2944)
Pin Driver for Miniatures: 7:4 (21-23)
Power Wood Carver: 8:4 (31-35)
Scale Nuts and Bolts: 5:3 (38-39)
Scale Drawing from a Photo: Making & Using
Proportional Dividers: 8:5 (29-35)
The Scratch Tool: 6:3 (48-52)
Scroll Saw Cross-Cutting and Ripping: 13:3 (4043)
Shaker Knobs & A Form Tool: 16:1 (31-35)
Three Simple Improvements for the Micro-Lux
Table Saw: 10:4 (40-43)
TSC Power Dowel Maker: 14:3 (38-44)
TSC Sanding Surfacer: 14:2 (25-34)
Twelve Times Projector: 15:3 (33-37)
Two Pedal Saws You Can Make (Part 1- Jeweler's
Saw): (Part 1) 12:1 (36-42); (Part 2-Dohzuki
Saw) 12:2 (33-38,42).
A Useful Table Saw Accessory: The Taper Jig:
Interior Trim
see, also, wainscot and paneling
baseboards: 15:4 (40-41)
cornice: 15:4 (42)
paneled walls, construction of: 15:2 (12-18)
Illusion
use in miniature settings: 6:3 (4-9, 13-15)
Illustration Board
hotpress board, use of: 10:4 (30)
warp prevention, 10:4 (30)
use of: 10:4 (30)
Italianate
House (Victorian, 1/4 scale): 8:4 (25-30 + insert)
*J
Japanning, history of: 2:3 (5-6)
Jedlicka, Jim (Author)
Note: Jim Jedlicka was the tool editor for The Scale
Cabinetmaker from 1978 until TSC came to an end in
1995. For the first two years, the articles were coauthored with his first wife, Harriet. After 1980, the
articles were by Jim, alone.
Adapting a Shaper Table for Curved Work: 6:2
(47-49)
A Build It Yourself Wood Surfacer: 4:4 (20-28)
A Tool Rest for Small Lathes: 9:4 (49-56)
Alternative Lighting Circuits: Mood Changes in
Scale Rooms: 17:3 (21-24)
AMT Scroll Saw...Solving the Blade Holder
Problem: 13:2 (41-44)
Bench Magnifier for Ten Dollars: 11:4 (46-48)
Cam-Action Bar Clamp: 11:2 (40-42,48); 19:2
(23)
Combating the Burned Out Lamp: Voltage and
Resistance in Miniature Lighting: 3:2 (11-15)
Combating Workshop Sawdust:
Part 1: Building a Portable Sawdust Collector:
7:2 (20-25)
Part 2: A built-in Sawdust Collector: 7:3 (5053)
Copy Attachment for Your Lathe: 3:3 (15-24)
Curved Molding: 5:2 (28-33)
The Cutting Edge: 10:2 (42-46)
A Dial Caliper for your Scale Projects: 8:6 (40-42)
A Disc Sander for the Miniaturist's Workbench:
28
Volume 1 (1976-1977) to Volume 20 (1995-1996)
12:3 (39-43,iii)
Ventilate Your Work Area: 14:4 (16-19)
When a Modeler Needs a Tool: Tools and Costs
on the Modeler's Workbench: 9:4 (49-56)
Workbench Power Controller: 16:2 (42-43)
Wrestling with Plywood: 12:4 (25-28)
caned seat frame: 1:3 (39-40)
carving: 13:2 (5-9); 17:2 (10)
chair back, rail mold: 1:3 (40)
chair: rung drilling: 1:3 (39-40)
circular cutting jig: 12:1 (18)
circular saw sliding table: 12:1 (15-16)
clapboard spacing: 1:4 (10)
curved molding jig: 15:2 (32)
design and use of: 7:4 (4-13)
diagonal cutting jig: 12:1 (19)
door hinges, jig for locating: 15:2 (3)
dovetail marking and cutting jig: 17:1 (34-35)
dowel drilling jig: 16:4 (17)
dowel sawing jig: 8:5 (1)
drill jig,
felloes (spinning wheel): 7:4 (9)
legs: 13:1 (18,19)
drilling jig with pilot: 6:1 (22)
edge sanding block: 2:3 (42-43)
felloe drill template (spinning wheel): 7:4 (7)
flat gluing jig: 2:3 (43)
flat panel bending jig: 2:3 (27-28)
forming die fixture (brasswork): 6:2 (8-10)
gauge blocks, use of: 16:3 (24)
gluing jig for balustrades: 3:1 (12-13)
gluing jig for bent fronts: 2:2 (26)
gluing jigs. use of: 2:2 (26); 6:2 (35)
hinge forming fixture: 6:1 (47)
hinge stock jig: 13:1 (46-47)
holding jig, for reeding: 16:4 (7-10)
holding jigs: 16:4 (32)
hub indexing and drilling fixture (spinning wheel):
7:4 (12-13)
jig for cutting perfect circles: 6:4 (28)
keyboard scribing jig: 16:3 (20)
laminating gluing jig: 6:4 (38-39)
lamp clamp: 3:1 (45-47)
leg shaping jig: 19:2 (9)
marking jig
for balustrades: 3:1 (11-12)
for legs: 13:1 (18)
micro-mitering jig: 16:1 (49)
milling wood, jigs for: 8:3 (39-43)
miter box with adjustable stop: 6:1 (44)
miter stop block: 5:4 (42-43); 8:2 (12)
mitering jig: 18:3 (39)
mitering jig, construction and use of; 15:2 (39-41)
mitering jig, legs: 13:1 (19-20)
mortise drilling: 4:1 (34)
overhead routing fixture: 10:2 (37-38)
pilot pin routing jig: 9:2 (26)
plastic table bed: 8:3 (39-40)
post drilling jig: 16:4 (17)
Jim Jedlicka and James Dorsett (authors)
Operating Ceiling Fan 7:3 (29-35)
Jewelers & Coping Saws
bird's beak (V-block) , use of: 3:1 (17,19); 5:4
(42): 14:2 (24); 14:3 (13)
cutting multiple blanks: 19:2 (12)
pedal-operated:
blade adjustment and tensioning: 12:1 (40-42)
use of: 12:1 (42); 16:3 (39-40)
ripping with: 3:3 (1)
scroll work: 3:1 (17-19); 4:1 (21)
scroll jig, use of: 3:1 (17)
use of: 3:1 (17-18); 4:1 (21); 4:4 (17-18); 5:1 (24);
5:3 (12-14); 10:2 (47-49)
Jig saw
cutting cabriole legs: 1:2 (24-25)
Jigs, Fixtures, and Fences:
1” and 1/2” Scale Conversion Chart: 6:4 (28)
45° miter cut: 3:3 (51)
90° and 45° cross cutting jig
acrylic plastic, use in jigs: 11:3 (34)
adjustable doll house construction horse: 6:4 (2728)
adjustable drilling depth stop: 7:1 (46)
adjustable fence for Jedlicka thicknessing sander:
6:2 (46)
adjustable jig for 45° joints: 8:2 (41)
adjustable jig for square ends: 8:2 (40)
angle & stop block jigs: 18:1 (39-40)
angle drilling jig: 13:1 (13,16)
angled sides, jig for: 8:2 (39)
arbor, finishing (lathe, brasswork): 6:2 (10-11)
back assembly jig, square: 11:4 (16)
balluster marking & cutting jig: 3:1 (11-12)
bending jig: 3:1 (36)
bending mold: 1:2 (38)
beveling jig, construction of (Preac): 15:2 (10, 11)
beveling jig, tabletop: 16:2 (44-47)
beveling table, drillpress: 17:2 (34-35)
blank turning fixture, lathe, brasswork: 6:2 (10-11)
brass slitting fixture: 6:1 (46)
brass tubing holder: 11:4 (27)
29
Volume 1 (1976-1977) to Volume 20 (1995-1996)
raising block, finishing: 5:1 (11)
rim bending jig (wheels): 7:2 (33)
rip and cross cut fixture: 13:3 (41-42)
rip fence, micro-adjusting scale: 10:1 (39-40)
ripping jig, plywood: 13:1 (3)
rotisserie holding jig: 5:1 (11)
routing jig for irregular shapes: 5:4 (38)
rung hole jig: 8:2 (13)
sash jig for window assembly: 12:1 (32)
saw depth gauge: 12:2 (43-45)
scroll jig: 3:1 (17)
shelving gauge blocks: 11:1 (12)
shooting board: 8:2 (38); 11:2 (21-23)
simplified drilling and milling jig: 6:4 (28)
sliding mitering jig for Dremel table saw: 8:5 (4345)
sliding router table: 12:1 (16-18)
sliding tapered fence: 10:1 (39-40)
slot cutting jig for table saws: 15:4 (4)
slotting fixture for felloes (spinning wheel): 7:4
(11-13)
spindle, center finding jig: 4:2 (11,14)
spring clip: 8:6 (1)
squaring block (gluing jig): 15:4 (23); 16:2 (41)
table leg fixture: 17:4 (42)
table saw mitering jig: 17:2 (24)
table top edge reeding fence: 13:1 (46)
taper leg/spade foot: 3:4 (2,40)
tapering jig: 10:1 (38); 17:2 (25-30
angle finder: 15:4 (12-13)
scaled down taper jig for Dremel: 12:3 (40-42)
two nail taper jig: 12:3 (43,iii)
wing nut taper jig for Microlux: 12:3 (42-43)
use of: 14:2 (4)
tenon cutting jig: 12:1 (18-19); 16:4 (34)
tripod leg gluing jig: 3:2 (44)
tube, holding fixture: 4:2 (14)
tufting jig: 16:2 (17)
turning fixture for felloes (spinning wheel): 7:4 (89)
use of: 17:3 (6-9)
wheel assembly and gluing fixture: 7:4 (12)
wheel hub reboring fixture: 7:4 (13)
wheel rim jig: 16:1 (7-10)
wood bending fixture: 7:1 (45)
Coloring: 5:1 (10-15),
Staining: 5:2 (16-20)
Modeler's Third Hand Vise: 5:1 (39)
Variations on a Theme: Ideas for the Lathe
Duplicator: 4:2 (46-49)
Joints and Joinery:
butt joint (with hand tools): 8:5 (16-17)
butt joints: 16:4 (32-34)
butterfly keys: 18:1 (20)
center lap joint (with hand tools): 8:5 (21)
chamfers, use of a sanding block: 17:1 (36)
cross lap joint (with hand tools): 8:5 (21,54)
cylinder desk: 5:4 (18)
dados:
blind dado (with hand tools): 8:5 (20)
desk pull shelf: 3:4 (32)
drawer construction: 16:4 (36)
dremel burr, use of
drill press / circular saw: 2:2 (9)
drill press, router: 3:3 (48-49)
handcutting: 3:3 (46-47); 8:5 (19-20)
hand tools: 3:3 (47-48); 10:3 (6)
helving: 16:4 (34)
router, use of: 16:2 (24,C3)
shelving: 18:2 (33)
differences in approaches: 16:4 (31-38)
dovetail
cone burr, use of: 2:2 (14)
cutting: 2:2 (13-14); 6:4 (5-6)
cutting, six steps: 4:3 (18)
drill press, use of: 2:2 (14)
hand cut: 17:1 (32-37, 48)
open & blind: 3:4 (43)
repairing: 17:1 (36)
single: 4:3 (17)
summer beam: 1:1 (35,39)
use of end mill and guide fence: 2:2 (13-14)
dowel drilling jig: 16:4 (17)
doweled: 1:3 (52); 9:1 (23-27); 16:4 (16-18)
drawer assembly: 2:2 (13)
dressing table: 2:2 (4-14)
drill press, use of: 16:4 (34-36); 17:3 (38-29)
drill press router, use of: 3:3 (50)
drill press with dental burr, use of: 4:4 (33-34)
drop leaf table frame: 4:2 (36)
edge dowel: 4:1 (cf1)
edge rabbet: 4:1 (cf1)
edge sanding block, use of: 2:3 (42-43)
end lap joint (hand cutting): 8:5 (20-21)
firescreen desk: 4:4 (31-33)
fitting drawers: 5:1 (33)
full lap: 4:1 (34)
Johnstone, James B. (Author):
The Fine Art of Finishing (Revision of earlier
article): (Part 1) 19:2 (19-24); (Part 2) 19:3
(39-46); (Part 3) 19:4 (15-23, 43)
Finishing Mini's is Different: (Series)
Tools for Holding and Preparing the Surface:
4:3 (4-15)
30
Volume 1 (1976-1977) to Volume 20 (1995-1996)
half blind tongue & rabbet, drawers: 18:2 (38)
half lap: 1:2 (2, 6); 1:3 (44); 3:3 (44); 16:3 (37);
18:1 (22)
handcut joints: 19:3 (6-9)
hand tools, use of in joinery: 8:5 (16-21); 8:6 (1824)
house frame, post & beam: 1:1 (27-43)
hunting miter: 5:2 (32)
joints, glossary of: 4:1 (1-4cf); 18:4 (25-29)
keyed tenon (hand-cut): 8:6 (23-24)
knuckle: 1:2 (2,5); 13:1 (41-44)
five segment: 16:1 (22-24)
leg joints, round pedestal: 4:1 (28)
mandrel, use of: 3:4 (27-28)
mitered lap (hand-cut): 8:6 (18-19)
modular construction: 4:4 (4)
Mortise & Tenon:
alternative machine modes for cutting: 19:2
(34)
cutting,
with dental burrs: 16:3 (36)
with dental chisels: 14:1 (7); 15:1 (24)
with drill: 1:2 (3)
with drill press: 8:2 (27); 17:4 (9-11); 18:2
(45)
square end cutter: 16:4 (35)
with hand tools: 8:6 (21-22)
cabinet doors: 17:3 (39-41)
desk frame: 4:4 (33)
dresser frame: 10:2 (30-33)
hinged: 12:4 (12-13)
introduction to: 13:2 (45-48); 15:4 (10-16);
16:4 (32-38)
marking: 14:1 (9)
methods for cutting: 19:2 (36-38)
milling and cutting: 2:2 (8-9)
pegged: 12:4 (5-13): 13:2 (45-48)
pegs and peg legs: 15:2 (23-24,41)
pinned tenons: 16:2 (21,24)
post & beam: 1:1 (35-43)
post & rail: 3:2 (6-7)
router, use of: 18:2 (45)
slats: 15:1 (39)
slitting saw, use of: 3:4 (27-30); 14:1 (9)
table frame: 2:1 (36)
table legs: 16:2 (23-24)
tenons, cutting with drill press: 18:2 (47)
tusk: 4:1 (34)
mortise and spline: 18:1 (40-41)
mortising chisels, construction and use of : 15:1
(46-48)
open mortise (with hand tools): 8:6 (19-21)
rabbet: 3:3 (47), 4:1(11-13)
rabbets: 16:4 (35-36)
cutting by hand: 16:4 (22)
cutting with drill press: 8:2 (26)
cutting with hand tools: 8:5 (17-19)
drawers: 18:2 (38)
leg posts: 10:3 (8-9)
lipped rabbet, drawers: 18:2 (38)
rafter seat: 1:4 (6)
rail & stile (simulated): 4:4 (8, 13)
rail & stile panel: 3:4 (26); 8:2 (27)
razor saw, use of: 3:3 (47)
roll top desk: 3:4 (26-33)
routed joints: 19:3 (9-10)
rule joint: 4:1 (cf1); 4:4 (16)
secretary, Eastlake: 5:3 (32,36); 5:4 (18, 21-22)
slotting saws, use of: 3:4 (27-28); 8:2 (27-28)
spline: 4:1 (cf1)
table saw joinery: 19:3 (11-12)
tongue and groove: 4:1 (cf1-2)
tools: 1:1 (33)
tusk tenon: 1:1 (35); 13:2 (46-48)
use of jigs: 16:4 (32,34)
Jointer, see routers and shapers, shapers
Jointing
cutter alignment: 2:4 (41)
cutters: 2:4 (42)
definition of: 2:4 (40)
technique: 3:2 (18-19)
*K
Kempton, Tom
Dollhouse Hinge: 18:4 (3)
A Modern Original: Melbourne Chair (c. 1991):
20:1 (40-43)
Kits and Kitbashing (see, also, Projects, kitbashing)
additions to kit bashed house: 3:1 (8)
beginners guide to: 9:2 (18-21)
differences between saw cut and die-cut: 9:1 (6)
distressed finishes: 8:2 (10-11)
planning a kit bashed house: 3:1 (5-10)
masking tape, use of: 3:1 (6)
technique, furniture: 6:1 (10-14)
troubleshooting: 5:1 (33-34)
Kitchens
design, history of 20th Century: 9:1 (4-6)
Kluger, Phyllis: 2:1 (21)
31
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Korb, Donna (Author) Sultan's Garden: A Scale Silk
Oriental Rug: 2:4 (44-49)
templates for: 3:3 (23)
use of: 3:3 (23-24)
copy cat, Bell, adaptation to Unimat: 11:3 (19-22)
cutters, single flute molding: 4:4 (cf1-4)
cutting tools, introduction to: 10:3 (47-48)
Dremel Moto-Lathe, using: 1:3 (31-34)
drill chuck, use of: 10:4 (20-21)
drilling: 10:4 (20-21)
duplicator templates, use of: 8:2 (32-33)
electric drill, use of as lathe/sander: 7:2 (13-19)
faceplates, use of: 5:3 (46-47)
faceplate, turning sequence: 11:3 (38-39)
form tools, making form tools, use of: 2:2 (48-53);
16:1 (32-35)
hand held turning tools: 5:4 (46-49)
headstock, review of: 13:1 (27)
helical fluting attachment: 4:1 (39-47)
honing: 7:4 (27-28)
indexing: 11:2 (43-44)
indexing attachment: 3:4 (18);12:3 (45-48)
indexing disk: 12:3 (46)
lathe chucks
Jacobs: 1:4 (50)
mounting: 10:3 (47)
socket, Dremel: 4:2 (11-14)
socket, Unimat: 4:2 (15-18)
three-jaw, soft jaws: 5:2 (23)
metalworking lathe,
4-jaw independent chuck, use of: 11:1 (51-52
boring: 11:1 (51)
collets, use of: 11:1 (52-54)
fixture plate, use of: 11:1 (54)
indexing: 11:2 (43-44)
metal lathe, small, use of (Part 1) 10:3 (45-50);
(Part 2) 10:4 (20-24); (Part 3) 11:1 (51-56);
(Part 4) 11:2 (43-44)
milling, vertical attachment: 11:1 (54-56)
woodturning on: (Part 1) 1:4 (49-55); (Part 2):
2:1 (26-31); (Part 3) 2:2 (48-53)
micro lathes
curved moldings: 5:2 (32)
tool rest, micro lathe: 5:2 (28-30)
use of: 5:3-28-33
Moto-Lathe, Dremel, use of: 7:1 (19-22)
motors: 13:1 (31-32)
profile and cutting edges: 2:2 (51); 16:1 (35)
profiling techniques: 2:2 (52-53)
profiling tool
curved moldings: 5:2 (31-32)
grinding: 7:4 (26-28)
use of: 16:1 (35)
*L
Ladders
extension ladder, 20 foot: 18:2 (17-22)
rung locks: 18:2 (23-24)
Laminate, Laminating, and Veneer
banding, inlay: 13:1 (7)
banding, lamination: 13:1 (7-10)
banding stock, construction of: 13:1 (10-12)
gluing jigs: 6:4 (38-39)
sled runners: 3:1 (35)
veneer, introduction to: 5:3 (44-45):13:1 (11-12)
veneer, use of in 18th Century: 6:3 (13-15)
veneer, use of walnut burl: 13:1 (11-12)
Lampshades
construction of: 7:1 (27)
Lasch, Wayne (Author)
Fern Stand (Beginner's Workbench): 14:3 (21-22)
Plain and Simple...Utility Bench: 16:3 (16)
Shaker Candle Holders: 16:1 (36,40)
Shaker Herb Drying Rack (Beginner's
Workbench): 14:1 (40-42)
Shaker step stool: 17:1 (47)
Telephone Stand and Stool, Mission: 15:1 (46-48)
Latch handle, colonial: 1:3 (21)
Lathes
bed, review of: 13:1 (28)
beginning techniques: 4:2 (41-45)
bits, honing: 10:3 (48-49)
blanks: 2:2 (48-53)
carriage, review of: 13:1 (29-30)
centers: 10:4 (20)
chisels, woodturning: 1:4 (49-50)
copier:
modifications for Taig: 4:3 (2)
modifications for Unimat: 5:3 (2,27)
needle bearings, use of: 5:1 (2)
problems/solutions: 4:3 (2)
spindles as patterns: 4:2 (48-49)
use of: 18:2 (43-44)
copy attachment:
adjustment: 3:3 (22-23)
fluter plans: 3:4 (17-22)
plans: 3:3 (15-24)
32
Volume 1 (1976-1977) to Volume 20 (1995-1996)
reamers and reaming: 10:4 (21-22)
reviews of: 13:1 (25-34)
right hand turning tool: 2:1 (27-28)
rigidity: 5:1 (49)
slender spindles: 4:2 (9-19)
spindle, review of: 13:1 (27)
spindle indexer (Dremel): 12:3 (44-48)
spindle speed requirements: 13:1 (31)
steady rest: 4:2 (18-19)
Taig/Unimat comparison: 5:1 (47-49)
tailstock, attachments: 10:4 (20)
tailstock, introduction to: 10:4 (20-24)
tailstock, review of: 13:1 (27-28)
tailstock, use of: 10:4 (24)
techniques, plunge cut: 2:1 (29-31)
techniques, turning: 2:1 (26-31)
threads and threading: 10:4 (22-24)
tool bits (cutters),
relief Angles: 2:1 (27)
cutting edge angles: 2:1 (27)
making: 2:1 (26-28)
rake angles: 2:1 (27)
roundnose: 2:1 (29)
spearpoint: 2:1 (29)
use of: 2:1 (28-31)
tool block: 2:1 (26-27)
tool posts, review of: 13:1 (30-31)
tool rest, review of: 13:1 (28-29)
tool rest (Sherline): 9:4 (27-28)
tool rest (Taig): 5:1 (44-49); 5:2 (29-30); 5:3 (1)
tool rest (Unimat), construction of: 9:4 (26-28)
tool steels, types of: 2:1 (26)
turning tools, creating: 5:4 (46-49)
types of: 5:1 (44-45)
use of: 2:2 (48-53)
vertical template duplicating, mechanics of: 11:3
(20)
water-cooled (Unimat): 5:2 (49-50)
wheel hubs: 16:1 (9)
wood, qualities of: 2:2 (50)
globes, glass, use of automobile headlight lamps:
9:4 (23)
lamps
1.3v micro: 2:4 (60); 3:2 (13-14)
5w, 120v: 2:4 (59)
l72, 120v: 2:4 (59)
comparative scale size: 2:4 (60)
fluorescent, 4-8w: 2:4 (58); 4:3 (33-38)
fluorescent, recessed: 4:1 (16-17)
flourettes: 4:1 (18); 5:3 (16)
planning: 2:4 (10,15)
plugs and sockets: 5:3 (37)
roomboxes: 4:1 (14-18); 5:3 (16)
shadows to scale: 2:4 (56-61)
Thorne Rooms: 5:4 (1)
transformer selection: 1:3 (19)
transformer voltage differences: 5:1 (1)
troubleshooting: 5:2 (40); 5:3 (37)
voltage & resistance in: 3:2 (11-15)
Linoleum Blocks printing, use of: 2:3 (20-21)
Locks and clasps:
Bride's Chest Lock Set with Key: 6:4 (7)
Trunk: 4:1 (13-14)
Working Desk Lock: 7:3 (11-14)
Louvered Panels, simulated: 3:3 (50)
Lovelady, Harold (Author)
A Working Desk Lock: 7:3 (11-14)
Lowboys (see chests and dressers)
*M
Machinists Square
use of: 17:3 (42)
Leonard, John (Author)
Safer for cats...Victorian Platform Rocker: 20:2
(37-41)
Traveling Workshop: 15:3 (25-26)
Mailing twine, use of: 10:3 (15-16)
Mandrel (see Joints and Joinery)
Mantles (see, also, fireplaces)
Arts & Crafts (c. 1880): 11:3 (6)
Fireplace Federal, construction of: 2:4 (10-13)
marble, Keystone Slate Mantle and Slate Works:
14:2 (35-42,48)
Library of Congress: 11:3 (4,18)
Lighting:
access panel (electrical blind): 1:4 (12)
as design element: 5:2 (40)
blind wiring: 1:3 (18)
different approaches to: 5:2 (40); 5:3 (27)
Marbling book paper: 2:1 (13-14)
33
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Marblizing, introduction to: 10:3 (41)
cast iron: 5:2 (12-13)
cuprous metals: 5:2 (14-15)
drip pans, use of stove bolt and nut: 16:4 (24)
dry sink liner: 1:3 (57-58)
epoxy metal putty, use as filler: 11:3 (16)
ferrous metals, definition: 5:2 (12)
fluorescent lamp base: 4:3 (33-34)
folding suspension mechanism (bed): 4:4 (15-16)
lead: 5:2 (15)
metal brake, use of: 18:1 (29)
nature of metals: 5:2 (12-15)
pewter: 5:2 (15)
prepunching holes in sheet metal: 15:3 (12)
removing enamel: 9:1 (37)
scribe, use of: 9:1 (39)
single flute molding cutter: 4:4 (1-4cf)
steel: 5:2 (13-14)
strapping tape, uses of: 3:3 (23); 4:4 (26)
tempering steel: 2:2 (49)
tin: 5:2 (15)
tin, pierced panels: 5:1 (1)
tin, soldering: 19:2 (15-18)
tinning: 10:1 (20)
tool steel, types of: 2:1 (26)
wrought iron: 5:2 (13)
zinc: 5:2 (13)
Marcus, Jim (Author):
Painless Balustrades: 3:1 (11-14)
Marquetry
introduction to: 19:3 (12-18, 38)
Masking Tape
use of, in Kitbashing: 3:1 (6)
Masonite, finishing: 4:4 (39-40)
Massie, Don (Author)
Photographing a TSC Cover: 6:3 (36-39)
McWhirter, David C. (Author)
Overhead Dado Router Fixture: 10:2 (37-38)
Measurement:
1” and 1/2” Scale Conversion Chart: 6:4 (28);
13:4 (iii)
angle finder: 18:1 (3)
architect's scale: 1:1 (24); 3:4 (2-3cf)
caliper, use of: 3:4 (cf 1-4)
conversion of: 1:2 (33-34)
conversion to decimal inches: 10:3 (10)
curved line reduction: 1:2 (32-33)
curvilinear: 1:2 (31-33)
dial caliper: 1:1 (26); 3:4 (3-4cf)
linear: 1:1 (23-26)
linear, sources of error: 1:1 (24)
machinist's scale: 1:1 (23)
measurement conversion chart: 17:1 (C3)
micrometer: 1:1 (26)
miter gauge: 17:4 (3)
parallelism in: 1:1 (25)
parts layout: 3:3 (45)
proportional dividers, use of: 8:5 (29-35)
ruler, Clare Bell, use of: 3:3 (52)
scale conversion chart: 1:2 (33-34); 3:4 (1cf)
scale rule, use of: 5:1 (2);11:3 (37-39,44)
squareness in: 1:1 (24-25)
thinking in scale: 11:3 (37-39,44)
tools: 1:1 (23-26); 1:2 (31-34)
transferring measurements 19:1 (26-28)
twelve times projector: 15:3 (33-37)
Metamorphosis Furniture
library chair/steps (Regency, c. 1811-1820): 18:1
(36-43)
Miller, William S. “Bill” (Author)
18th Century Lyre Table: 10:4 (17-19)
19th Century Accessory Table: 15:3 (27-28)
3 Variations on a Piano Theme: 11:2 (5-11)
A Duncan Phyfe Window Bench: 7:1 (13-15)
A Queen Anne Desk: 11:1 (17-21)
A Voysey Table (c. 1906): 9:2 (45-46)
Backgammon and Tennis Tables: 17:3 (33-38, C3)
Billiard Tables in Half-Inch: 17:1 (41-46)
Building a Weiman Desk: 9:3 (35-38)
The Chicago Chair: 13:4 (39-42)
Craftsman in the Kitchen: A Visit to Bill Miller's
Workbench: 8:3 (26)
Colonial Bedsize Step-Tables: 19:1 (43-47)
Contemporary Colonial Cracker Barrel: 19:4 (4448)
Dart Board and Cabinet: 17:2 (37-39)
Early American Tavern and Curio Hanging
Shelves: 19:2 (43-46)
Filling the Gap...Conservatory Tables: 14:3 (4548)
For the Nursery: Infant Furniture (c. mid 20th C):
Metals & Metalworking:
aluminum: 5:2 (15)
bending brass: 3:1 (40-41)
burnishing & polishing: 3:1 (40)
carbon, hi-speed drill rod: 5:4 (46-47)
34
Volume 1 (1976-1977) to Volume 20 (1995-1996)
18:1 (11-20)
For the Sake of Clean Hands: Hepplewhite &
Shaker Washstands: 20:1 (44-48)
Four Variations on a Theme: the Canterbury (c.
1800-1825): 7:4 (14-20)
Four Versions of the Essential Beside Cabinet:
11:4 (33-36)
Foyer and Console Tables with Benches: 14:2 (4348)
A Georgian Book Table: 12:2 20-22
Georgian Lowboy, Wellington Hall (c. 1990): 14:4
(38-42)
Keyhole Chest of Drawers: 10:1 (24-28)
Kit Bashing a Settee from some Queen Anne
Chairs: 6:3 (27-28)
A Lady's Writing Desk (Sheraton-style, American,
c. 1800): 13:3 (35-39)
Lyre-back Italian Settee: 9:1 (47-50)
Murray Hill 9-9-3-3...1940's Phone Bench &
Stand: 14:1 (37-39)
A Nineteenth Century Sofa Table: 13:2 (19-23)
Octagonal Card Table: 16:3 (41-44)
Outdoor/Indoor Corner Chair: 15:1 (44-45)
Post Modern Design: Paris Hall Chair: 13:1 (3639)
A Pembroke Table (c. 1790): 12:1 (20-24)
Porringer & Cricket Tables: 17:4 (37-43, 47)
Queen Anne Fixed Head Day Bed (c. 1730-50):
6:2 (17-20)
Queen Anne Spice Chest (c. 1740-1750): 8:4 (4-8)
Queen Anne Style Coffee Tables (20th C.): 12:4
(36-38)
Roman Curule Chairs (c. 1810-1814): 7:2 (4-8)
Shaker and New England Hooded Cradles: 18:3
(29-34)
A Shaker Writing Desk (c. 1810-1830): 18:2 (1720)
The Shakers & Chaucer: Canterbury Tables & a
Backdoor Valet: 19:3 (19-24)
Slant Top Desk-on-Frame (c. 1730-1750): 16:1
(41-46)
Small Hepplewhite-Style Sideboard (c.17751780): 12:3 (13-16)
Step-Top Hightop (c. 1750-70): 10:2 (15-19,23)
Three Utilitarian Furniture Pieces: 15:4 (34-37)
Time on Your Hands: Two Case Clocks: 11:3 (2934)
Two Eighteenth Century Cellarettes (c.17501775): 8:3 (19-25)
Two Silver Chests: The Difference a Leg Makes:
9:4 (33-36)
The Valet Chair: 8:2 (20-22)
A Welsh Cupboard, Huntboard, & Table (c.1650s):
18:4 (18-24)
Millwork (see, also, moldings)
crown molding: 17:3 (43)
curved: 6:2 (47-49)
Mirrors & Looking Glasses
looking glass, Federal Architectural (c. 1830): 4:1
(24-25)
Mylar hobby mirrors, use of: 8:3 (6)
Mission:
Billiard Table and Davenport (c. 1909): 3:2 (4-10)
Miters & Mitering
miter box:
stop blocks, use of: 8:2 (12); 12:1 (32)
use in joinery: 8:5 (16-21); 8:6 (18-24)
use of: 10:3 (40-41); 14:1 (40-42); 15:2 (36-39)
miter gauges, use of: 12:4 (23)
miter jig, construction and use of: 15:2 (39-41);
19:1 (28)
miter saw
The Chopper, modification of: 6:2 (36-41)
use of: 3:3 (47-48)
mitering using hand tools: 15:2 (36-41)
Model Engineer, The: 15:4 (38-40)
Model in a Minute
bed wrench: 11:3 (23)
books, multi-volume set: 1:2 (25)
books, single volume: 1:2 (9)
cabbage cutter, operating: 12:2 (23)
chenille rug: 3:2 (15)
coffee sack rugs: 1:3 (30)
Colonial style child's rocker: 17:1 (47)
easel, parlor (late Victorian): 13:3 (iii)
edge-molded plaques for decoupage
family room accessories (c. 1970s): 3:3 (13-14)
open wall box (Colonial): 8:2 (18)
pen wiper (Victorian): 1:2 (41)
picture frame: 11:3 (23)
pipe box (New England): 8:2 (18)
Plastic Pipe Patio Furniture: 2:4 (54-55)
Shaker step stool: 17:1 (47
spoon rack with box: 8:3 (56)
straight pen, 19th C.: 1:2 (19)
table, Lincoln (c. 1850): 13:2 (40)
tired broom and dustpan: 13:1 (23)
35
Volume 1 (1976-1977) to Volume 20 (1995-1996)
wall rack, Shaker: 11:3 (23)
wastebasket, split bamboo (cardstock): 1:3 (16)
speed, drilling: 11:3 (28)
types: 11:3 (29)
Modern (See, also, 20th Century)
chair, low (c. 1929, half inch): 11:4 (30-31)
chair, upholstered (c. 1929, half inch): 11:4 (3132)
coffee table, round (c. 1929, half inch): 11:4 (3031)
magazine rack (c.1929, half inch): 11:4 (29-30)
Motors, Electric
ceiling fan, built-in: 8:1 (18-23)
source of mounts: 4:3 (45)
tinplate train: 6:1 (39-43)
used, tests & purchase of: 4:3 (44-47)
Murphy, John H. (Author).
From Can Opener to Disc Sander. 4:3 (41-43)
Hand Turning Tools: 5:4 (46-49)
Primer on Plastices: 5:3 (48-51)
Molding:
bolection: 5:2 (33-34)
chair rail: 4:3 (27-28)
commercial, use of: 9:2 (32-37); 9:4 (12-13)
compound: 3:2 (29)
cornice: 4:4 (39); 5:3 (14-16);12:4 (12-13)
cornice, compound: 1:1 (10); 5:3 (14-16)
crossetted frieze: 3:3 (39)
curved, how to make: 5:2 (28-33); 8:2 (28); 15:2
(32)
dentil, production steps: 14:4 (30,42)
dentil cornice, interior: 4:4 (51-52)
door casing, broken pediment: 3:3 (39)
hat section: 4:4 (6)
joining straight & curved: 5:2 (32)
ogee: 16:2 (29,31)
panel border: 5:2 (32)
shaped: 3:3 (25-26)
shiplap: 2:1 (48-49)
tambour slats: 3:4 (35)
thumb molding strips: 14:1 (21-22)
turned, grain direction: 5:2 (30)
two-step rabbets: 18:4 (34)
veining bit, use of: 5:4 (38)
Musical Instruments
clavichord dolce (Sabathil): 15:1 (12-20)
keyboard scribing jig: 16:3 (20)
piano
console: 11:2 (5-11)
English upright grand (c. 1802): 19:3 (32-38)
grand, drawing room: 12:2 (5-19)
history of: 11:2 (5-11)
studio: 11:2 (5-11)
upright: 11:2 (5-11)
Victorian Renaissance, c. 1878 (kitbash): 3:2
(44-46)
reed organ, protable (c. 1853): 16:1 (17-20)
Muslin, use of (stenciled floor cloths): 8:2 (7-8)
*N
Needle Files: use of : 2:2 (7); 10:2 (48-49)
Needlework:
Appleton and Patermayan Wool: 2:1 (18,21)
bargello: 1:3 (46-48)
basic techniques: 2:1 (16-21)
blending colors: 6:3 (23)
blocking techniques: 2:3 (25)
butterfly design: 4:2 (20-22)
candlewick spread: 3:3 (53-54)
canvas: 2:1 (16-17)
canvas count, determining: 3:1 (30)
chart/project organization: 3:1 (30-31)
crewel bed curtains/spread: 1:2 (6-9)
designs (patterns and charts): 2:1 (18)
DMC colors used in Thorne Rooms: 2:3 (24)
Dollfus-Mieg & Cie (DMC): 2:1 (18,21)
draperies: 3:2 (49-50)
egg beater, use of: 6:3 (24)
embroidery floss, use of: 2:3 (25)
finishing: 2:1 (20-21)
Molding Cutter
edger, with pilot: 3:1 (19)
single flute, how to make: 4:4 (1-4cf)
Moorish (see Colonial Spanis)
Morris, William: 6:4 (13-14)
Moto-Lathe (Dremel), working with: 1:3 (31-34)
Moto-Tool (Dremel),
cutting burr, use of: 12:3 (36-37)
drill press adapter, modifying: 11:3 (28)
lathe-mounted tool holder: 12:4 (41-42)
routing attachment for: 8:2 (43-48)
36
Volume 1 (1976-1977) to Volume 20 (1995-1996)
frames: 2:1 (18-20)
fringe, silk: 3:1 (32)
graphing, introduction to: 2:2 (31); 3:1 (27,30)
mini hooker, use of: 2:2 (36-37)
muting thread sheen: 2:3 (25)
needles, types of: 2:1 (18)
petit point Christmas stocking: 3:1 (22-25)
pleating: 3:4 (5)
project planning: 3:1 (27-30)
punch-needle: 2:2 (34-36)
punch needle tool, use of: 2:2 (36-37), 2:4 (45)
repair of: 6:3 (22-24)
rugs, hooked: 2:2 (29-30)
rug fringe: 3:1 (32)
russian needle: 2:2 (36-37)
sheering: 2:4 (48)
stitches,
basketweave or diagonal tent: 2:1 (19); 3:1 (31)
bargello: 1:3 (46-48), 2:3 (24)
continental/tent stitch: 2:1 (19); 3:1 (31)
counted cross stitch: 3:2 (16-17)
embroidery stitches: 2:1 (19-20), 2:2 (29-30)
rug binding stitch: 2:1 (20); 3:1 (31)
slipstitch: 3:1 (26)
straight gobelin stitch: 2:1 (19)
turkey work stitch: 3:1 (24)
yarn-sewn rug stitch: 2:2 (29)
supply sources: 2:1 (16-18, 21)
thread, types of: 2:1 (18)
translating full sized rugs: 3:1 (27,30)
valances: 3:2 (49-50)
yarn, types of: 2:1 (17-18)
Zwicky Silk Floss: 2:1 (18,21)
See also Japanning: 2:3 (5-6)
Ottewill, John (Author)
Plastic Jigs and Fixtures: 8:2 (37-82); 8:3 (39-44)
*P
Paints and Glazes: (see, also, finishing)
Duro white porcelain glaze, use of: 2:2 (28)
Paneling:
molded wainscot: 1:2 (56-57)
rail & stile 1:2 (13-14); 5:2 (24-27)
simulated: 2:4 (23-24)
Paper
history of marbling: 2:1 (13)
marbling techniques: 2:1 (13-14)
Parquetry
see, also, Marquetry and Inlay
hexagon false cube parquetry design: 15:4 (3)
techniques for simulating: 14:4 (25-30)
Pattison, William & Edward tin work factory owner,
1740, Berlin CT: 2:3 (5)
Peabody, Kansas
The Democrat Rocker, c. 1850-1860. 5:1 (28-31)
Democratic National Committee, 1890s: 5:1 (2829).
Johnson, J.G: 5:1 (28)
Peck, Donald (Author)
Bending Hardwood for Miniatures: 12:2 (39-42)
Bending Hardwood: Continuous Arm Windsor:
12:4 (18-21)
Bending Hardwood: Thonet-Style Bentwood
Rocker: 13:1 (21-23)
Bending Hardwood: Vienna Dining Chair (Sears,
c. 1897): 12:3 (29-32)
A Coffee Table Plus...The Butler's Table: 14:2 (2324)
Contemporary Walnut Veneered Liquor Cabinet:
13:4 (25-29)
Hanging Around a Joint Like This...Tenons & the
Trestle Table: 13:2 (45-48)
Newport, Rhode Island, cabinetmakers: 14:2 (13)
Nibblers
use of: 17:3 (22); 17:4 (4)
Night Tables and Wash Stands
history of: 2:2 (22-23)
night table, Haywood Wakefield (c. 1949): 7:4
(30,32)
Sheraton Night Table (c.1793): 2:2 (22-27)
Nuremberg Ware, history of: 7:1 (7)
*O
Oil Cloth, simulation of: 7:2 (39)
Pencil Engraver:
power wood carver, construction of: 8:4 (31-34)
power wood carver, use of: 8:4 (34-35)
Oriental Lacquer Work
37
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Pediment, broken: 1:2 (13);3:4 (10)
use of: 8:2 (14); 13:1 (15); 14:1 (41); 17:2 (40-41)
Pencil Engraver: (see Power Wood Carver)
Plans & Patterns
developing plans from catalogs: 15:4 (25)
elevations, understanding 5:3 (30)
introduction to reading: 5:3 (28-37)
proportional dividers, use of: 8:5 (29-35)
reference edge: 7:3 (38)
reduction, using photocopier: 10:2 (41)
registration mark, use of : 15:3 (36)
technique for laying out pattern: 7:3 (38)
transferring, techniques for: 16:3 (25)
twelve times projector: 15:3 (33-37)
Pepys, Samual: 11:4 (2)
Perspective
exteriors: 19:3 (47-48)
false: 2:4 (10-14); 3:1 (9)
illusions, creating: 19:2 (25-33)
introduction to: 19:1 (5-15, 21)
katty wampus furnishings: 19:2 (31-33)
one point and two point furnishings: 19:2 (25-30)
Philadelphia Tin Toy Manufactory: 2:1 (7)
Plastics
acrylic plastic, cutting: 11:3 (34)
basic techniques: 5:3 (48-51)
canning jars from: 5:3 (51)
cement: 5:3 (49)
lamps: 5:3 (50)
modification of: 6:2 (22-26)
pipe, ABS, use of: 2:4 (54-55)
polishing: 5:3 (49)
sheet plastic: 5:3 (49)
sharp edges, removal of: 11:1 (27)
solvent cements, use of: 2:4 (54-55)
styrene, use of: 5:3 (48-49); 15:3 (3)
wood stove from: 5:3 (50)
Photocopier:
use of in reducing plans: 10:2 (41)
Photoetching:
basic techniques: 3:1 (39)
drawer pulls, Chippendale: 7:2 (4-45)
metals for: 6:1 (32-33)
one-sided, preparation of artwork: 7:2 (41-45)
two-sided, preparation of artwork : 7:4 (52-55)
Photography:
approaches to, for miniatures: 6:3 (36-39)
cameras (110): 3:3 (56-57); 3:4 (1)
depth of field: 3:3 (57)
exposure & light: 3:3 (56-57)
incident light meter, use of: 6:3 (39)
light diffusion: 6:3 (37-38)
perspective distortion: 9:3 (40)
Pinhole Lens, use of: 9:3 (40-41)
Playing Cards:
history of: 16:2 (25, 27)
patterns: 16:3 (44)
Plexiglass
cutting: 8:2 (37-38)
gluing: 8:2 (39-40)
smoothing, use of smoothing plane: 8:2 (38)
use of: 8:2 (37-42)
Phyfe, Duncan
window bench, lyre back (c. 1815-1825): 7:1 (1315)
Plumbing
rain spigots: 15:3 (16)
Pin Driver
construction of: 7:4 (21-230
use of: 7:4 (23,28)
Plywood
cutting: 12:4 (25-28)
kerf clamp, construction and use of: 12:4 (27-28)
safety: 12:4 (27-28)
sanding: 16:1 (38-39)
saws, choice of: 12:4 (25-26)
scroll-cutting: 16:1 (38)
Pin Router
Dremel drill press, use of as: 8:2 (28)
edge molding, cutting: 8:2 (34)
table, use of: 14:3 (36)
use of: 19:1 (17-18)
Porch and Yard Furniture
arm chair, (Contemporary cottage: 10:2 (6)
chair, Adirondack: 1:4 (30-31)
Pin Vise
38
Volume 1 (1976-1977) to Volume 20 (1995-1996)
lawn swing, Wards, c. 1895: 14:4 (31-37)
love seat (Contemporary cottage): 10:2 (6)
tea table, garden (Contemporary cottage: 10:2 (8)
(22-26)
Building a 1937 Cord: 5:1 (5-9)
Finishing Plastic Furniture: 5:3 (41-43)
Hand Decorated Furniture: Two Alternatives: 8:4
(9-12)
Shaker Commode Chair (Pleasant Hill, KY): 8:5
(25-29)
Shaker Wood Box From Pleasant Hill (c. early
19th Century): 8:6 (14-17)
The Used Look: A Distresed Finish for a Kit
Settle: 8:2 (10-11)
Power Supplies: see Wiring
Porch
rail detail, Colonial: 4:4 (44)
roof and trim, Colonial: 4:4 (42-43)
Italianate: 9:4 (10-13)
Victorian: 10:4 (5-11)
Pre-Raphaelites: 6:4 (13-14)
Pre-Revolution (Colonial)
(5-13)
inch: 7:3 (39-42)
bed, four-post (Colonial, plans only): 11:2 (31)
bed, Slaw (c. 1700) 1:2 (1-9)
cabinet, corner, serpentine-front, French Canadian
(c. 18th C.): 11:4 (7-13)
candlestand, cross-base: 5:1 (40-42)
candlestand, rachet (Colonial): 8:6 (12-13)
chair, arm, French Canadian Louis XIV: 11:4 (1317)
chair, commode (Chippendale): 5:3 (8-11)
chair, continuous arm Windsor (c. late 17th C.):
12:4 (18-23).
chair, easy (Chippendale, c. 1740-1750): 14:2 (1322,48)
chair, loop back Windsor (c. 18th C): 12:3 (33-38)
chair, rocking horse chair, child's, French
Canadian (c. 18th C.): 11:4 (17-18)
chair, roundabout (c. 1770): 1:2 (27-30)
chair, windsor, side (c. 1750-1780), half inch: 7:1
(11-12)
chest and drawers (Colonial, plans only): 11:2 (32)
chest of drawers, kneehole (c. 1790): 10:1 (24-28)
corner shelf (c. 1759): 4:1 (4-9)
cupboard, Colonial corner (c. 1740-50): 9:2 (3237)
desk, ladies cylinder (c. 1790): 9:2 (23-28)
desk, Queen Anne: 11:1 (17-21)
dressing table, Philadelphia (c. 1755-1795): 2:2
Post-depression(1940-1959)
arm chair, oak (c. 1950): 4:1 (32-35)
(30,32)
bed, panel, Haywood Wakefield (c. 1949): 7:4 (3738)
desk, Weiman (c. 1950s): 9:3 (35-38)
interior design: 6:3 (4-9)
ottoman (c. 1950): 3:3 (6-12)
sofa , oak (c. 1950): 4:1 (32-35)
1949): 6:3 (29-33)
Postman, Noreen
Shanandoah Design's Dough Box: 9:2 (18-21)
Postman, William “Bill” (Author):
Baking Day: Modifying Plastic Miniatures: 6:2
39
Volume 1 (1976-1977) to Volume 20 (1995-1996)
(5-16)
ecoinear (corner shelf, c. 1759): 4:1 (4-9)
high chest of drawers, Connecticut (c. 1740-1760),
half-inch: 6:4 (9-12)
highboy, step-top (c. 1750-70): 10:2 (15-19,23)
kettle stand, Chippendale (c. 1760-1780): 14:1
(23-24,48)
library ladder/table, George III (Campbell, c.
1793): 14:4 (5-15)
lowboy, Queen Anne (c. 1760), half inch: 7:4 (5051)
slaw bed (c. 1700): 1:2 (1-9)
spice box on frame, Philadelphia Queen Anne (c.
1740-1750): 14:3 (11-15)
table, gateleg (c. 1690): 1:3 (2-15)
table, handkerchief corner, Queen Anne gateleg (c.
1750-1790): 15:4 (31-33)
table, Jacobean Hutch, w/ commercial spindles:
8:1 (15-16)
table, Pembroke (c. 1790): 12:1 (20-23,48)
table, Queen Anne corner: 12:2 (19)
table, tea, Queen Anne (c. 1755): 2:1 (35-36)
trunk & stand (c. 1672): 4:1 (10-14)
(50-51)
calipers, measuring (U.S. General; Harbor
Freight): 8:5 (46-50)
cam action clamp (Micro-Mark): 10:1 (47-48)
camera (Kodak Instatech): 3:3 (56-58)
can opener, rim cutting (Magician): 14:3 (22-23)
Canadian Country Furniture Kits: 2:2 (45-46)
carving tool, power (Sun Flag/ Woodline): 6:4
(41-42)
cast brass door and cabinet hardware (AMSI): 7:3
(47-48)
catalog, miniatures Boynton: 2:3 (51)
Chrysnbon Cut Ups, Volume 1 (Boynton &
Associates: 7:1 (49-50)
circular saw sliding table (Preac Tool Company):
18:3 (48-49)
crystal chandelier kits (The Happy Unicorn): 9:4
(45)
clock dials, escutcheons, and hands (brasses) 7:3
(48-49)
clockmaker's tools: snips, hand vise, pliers (S.
LaRose): 7:3 (48)
copy attachment (Bell): 4:2 (51-52)
cyanoacrylate glue (Super-T): 4:4 (48-50)
decorative hardwood flooring (Goode & Sons):
7:3 (46-47)
deluxe house plans (Valley Crafts):7:2 (53)
design transfer paper/pen: 3:3 (60)
disc sander (Gould): 11:1 (45-47)
display case for miniatures (Dahl House of
Miniatures): 8:5 (50-51)
dovetail fixture for Dremel Moto-Tool (Willis)
7:1 (47-49)
dovetail jig (Scale of Twelve): 3:4 (43-44)
dovetailer for Dremel Moto-Tool (Anker): 7:1
( 47-49)
dowel-making draw plate (Treenailer, Dockyard
Model Company): 8:6 (43-44)
dowels, scale 1” (Cleaning Sticks from Radio
Shack): 9:2 (50)
drill press (Cameron): 5:2 (35-38); 5:3 (25)
drill press (Harbor Freight Salvage Co.) I7:1 (5051)
drill press (Micro-Mark): 10:1 (47-48)
drill press vise, 4 inch (Harbor Freight Salvage
Co.): 8:4 (46);
drum thicknessing sander (Allen's Efforts): 11:1
(45-47)
duplicator, lathe (Anker): 5:4 (50-52)
easels, hardwood (Midwest Products): 9:2 (51)
embroidery hoops (Bates & Son): 2:4 (50)
end cutter LaRose Jeweler's Supply: 12:4 (44-45)
fabric source (Mini Magic Carpet): 5:3 (22-23)
Product Review
1/12 scale rules: 5:1 (43-44)
acrylic square (Greenhouse): 6:4 (43)
adaptor bushing, Dremel table saw (bcj
Miniatures): 14:3 (23-24)
adaptor chuck (Brookstone): 7:1 (51)
architectural plans (Fred Stephenson / Miniature
Lumber Shoppe): 12:2 (45)
architectural trim, laser-cut (Northeastern Scale
Models--product announcement but not
reviewed): 12:4 (47-48)
awl, Japanese socket: 12:4 (45)
bandsaw (Harbor Freight and Salvage): 10:3 (2628)
bayonet base bulb sockets (World of Miniatures):
9:1 (54)
bench anvil, LaRose Jeweler's Supply: 12:4 (4445)
bench vise, LaRose Jeweler's Supply: 12:4 (43)
blades, scroll saw (Olson Saw Company): 11:2
(39)
brasses (Russo, Atkins, Hultberg): 6:3 (41-44); 7:2
(53)
brick, Brickmaster (Farrow Industries): 9:2 (47)
brick (Tom Thumb): 3:3 (58-59)
brushes (Teka): 4:1 (52)
cabinet hinge material (Models & Miniatures): 2:3
40
Volume 1 (1976-1977) to Volume 20 (1995-1996)
flat magnetic gluing jigs: 5:3 (24-25)
glass, handblown (Whittemore): 4:4 (50,52)
glue, high viscosity cyanoacrylate (Super-T): 4:4
(48-50).
gluing jig, flat acrylic (The Tool Box): 7:1 (52)
hammer, ball peen (Kitts Industrial Tools): 16:1
(47-48)
hand vise, LaRose Jeweler's Supply: 12:4 (44-44)
hardware & findings (Realife): 5:3 (22)
hardwood (Goode; MiniMill; Shaker): 3:4 (4143); 9:4 (45-46)
hinge material QMP: 2:3 (50)
hollow wall construction system, My Room (New
England Hobby Supply): 6:2 (51-52)
house plans: 4:1 (48-51); 5:2 (38-39)
house plans (Toadstool Studios, Sterling Designs,
AMSI, Doll Domiciles): 4:1 (48-51)
inside divider (New England Hobby Supply): 10:1
(50)
iron-on transfers Sangray: 2:2 (47)
jig, magnetic Woodworks: 2:2 (44-45)
Just-A-Clamp (S.H. Goode & Sons): 8:1 (38-39)
kits, Golden Oak Furniture (Russo): 16:1 (47)
kits, half inch furniture (Cassidy Creation): 6:3
(44-46)
kits, kitchen (Shenandoah Designs): 10:2 (51)
kits, needlework (Create Your Own): 2:4 (52)
kits, needlework (Mini Magic Carpet): 2:4 (52-53)
kits, needlework (Needleworks in Miniatures): 2:4
(53)
kits, needlework (PAB Designs): 2:4 (50-51)
kits, needlework (Sarah Craft): 2:4 (51-52)
kits, range and refrigerator (J. Hermes): 9:1 (52)
kits, townhouse, Little-Smith (Small Sales Co.):
9:2 (47-48)
kits, Wells Fargo Trunk (Brasses by Suzanne
Russo): 9:2 (49)
L-squares, aluminum (Bcj Miniatures): 12:4 (46)
lace (Cole): 3:3 (59-60)
lamp, magnifier (Magna-Lux): 6:4 (42-43)
landscaping materials (AMSI): 4:4 (50)
lathe, accessories for Unimat (Allen's Efforts):
10:2 (52)
lathe (Anker): 13:1 (26,32)
lathe, metal (Toyo): 9:4 (43-44); 13:1 (27,33)
lathe (Sherline): 13:1 (26,32-33)
lathe (Simms): 17:2 (48, C3)
lathe (Taig, micro): 5:1 (44-49); 13:1 (26,32)
lathe (Unimat): 13:1 (26,31)
lathe chucks (Rainbow Designs): 19:4 (3)
lathe, long and short bed woodturning (Klein
Design) new product announcement with no
review: 12:4 (47); 13:1 (25,32)
lathe, live centers: 5:3 (23)
lathe duplicator for Dremel (Allen's Efforts): 11:1
(45-47)
lathe socket chuck (Bell): 3:1 (48-49)
lathe, three jaw chuck (Stefco): 5:3 (23-24)
machined gauge block, aluminum (Bcj
Miniatures): 12:4 (46)
machinist's squares, brass (Rocky Mountain
magnifier Opticaid: 2:4 (51)
marble (Blackham): 3:4 (44-45); 10:2 (52)
metal tubing assortment (K&S Engineering): 14:1
(47)
micro-carving tool set (Dockyard Models): 9:1
(51-52)
Miniatures Catalog (Clifton House): 2:3 (51-52)
miter box, adjustable (Miter-Rite): 3:1 (48); 8:2
(19)
miter box, adjustable (Metzler): 8:2 (19,42)
miter box (Precision modeling miter, Kalee Inc.):
8:4 (46)
miter box, non-adjustable (Miter Master): 3:3 (55)
miter gauge, Universal: 6:1 (49-50)
miter trimmer (Chopper): 5:4 (50)
miter trimmer (La Guillotine, with modifications):
11:1 (47-50)
miter trimmer (Lion): 4:2 (50-51)
mini-vise (Jarmac): 9:2 (50-51)
mitering jig for Dremel (T'Nee Products): 9:4 (4445)
mold and diemaker's tool supply: 6:1 (51-52)
moto-lathe (Dremel): 13:1 (25,32(
needle rasps (The Princeton Co.): 7:3 (48)
paint, latex (Builder's Choice Latex Paint--New
England Hobby Supply): 10:1 (49-50)
pinhole lens for 35mm SLR cameras (A.J. Fricko
Co.): 9:3 (40-41)
pliers, modeling (Harbor Freight and Salvage
Company): 14:3 (23)
publications (Dover): 5:1 (49-51)
rip & miter saws (Anker): 5:2 (24-35)
rug kits (Country Stitching): 2:4 (50)
rug kits: 2:4 (50-53)
rugs (Keshishian): 3:1 (50)
ruler, “Shorty” (Bell): 6:1 (50-51)
saw blade for Dremel Table Saw (Sol Tool Co.)
7:3 (44-45)
saw fence (Preac): 12:1 (48)
saw file, Japanese (Fine Tool Shop): 12:4 (45-46)
saw top jig for Dremel Table Saw (The Tool Box)
7:3 (44)
saw-mate, Bell: 4:4 (47-48)
scroll saw (ATM): 9:3 (39-40)
41
Volume 1 (1976-1977) to Volume 20 (1995-1996)
scroll saw blade clamps for AMT (Anker
Manufacturing): 12:4 (46-47)
scroll saw, variable speed (Micro-Mark): 11:2 (3637); 14:1 (46-47)
Ship Modeler's Shop Notes: 6:1 (49)
sliding table, circular saw for Dremel (Allen's
Efforts): 11:1 (45-47)
split western red cedar shingles (Miniature
Manors): 7:3 (45-46)
squaring tools, aluminum (Bcj Miniatures): 12:4
(46)
stained glass kits (Architectural Model Supplies,
Inc.): 2:3 (48-49)
styrene “tin ceiling” (JR Enterprises) 6:4 (47)
table saw (American Machine & Tool Co.): 10:4
(45-46)
table saw (Micro-Lux): 10:4 (44-45)
table saw (Preac): 11:2 (37-39); 19:2 (48-49)
Preac fence adjusting screw: 12:1 (48)
Preac, blade elevating screw: 12:2 (43-45)
table saw blade, fine 4” (Burlington Roundhouse):
10:1 (50)
table saw rip fence (Bell): 4:4 (47-48)
tapering jig, metal circular saw (Preac): 14:3 (23)
thickness planer and sander, micro precision
(Preac): 17:3 (4, 14)
True sander (Northwest Short Line): 9:2 (48)
Tinytool hobby tool system: 6:4 (43-47)
vise-grips, miniature (Peterson Manufacturing
Company): 8:5 (46)
wallpaper (J. Hermes): 10:2 (52)
walnut dowel (Bcj): 5:3 (25)
windows, leaded stain glass Olde Mountain
wood slicer, hand held (Pocket Miter Maker,
Greenhouse Miniatures): 10:1 (48-49)
working windows and doors, Cherry (Maxwell
House Miniatures): 2:3 (47-48)
use of, metalworking lathe: 2:2 (51-52)
Projects: Accessories
andiron (16th C): 10:4 (47)
andiron (17th-18th C): 10:4 (48)
broom (tired) and dustpan: 13:2 (23)
“Balky Pinto” pull toy (Wards, 1929): 8:1 (10-11)
bed wrench: 11:3 (23)
billiard rack, contemporary: 17:1 (44)
books, multi-volume set: 1:2 (25)
books, single volume: 1:2 (9)
butter paddle: 19:2 (42)
cabbage cutter, operating: 12:2 (23)
candle holder, Shaker: 16:1 (36,40)
candlestand (c. 17th C): ECK (35-36)
chenille rug: 3:2 (15)
coffee sack rugs: 1:3 (30)
corner cabinet, bow front: 17:4 (45-47)
corner what-not: 17:4 (44-45)
curio shelf: 19:2 (45-46)
dart board and cabinet: 17:2 (37-39)
dish rack, wire: 9:2 (40-44)
doorbell and chime: (Part 1) 11:4 (25-28,32)
easel, parlor (Late Victorian): 13:3 (iii)
extension ladder, 20 foot: 18:2 (17-22)
family room accessories (c. 1970s): 3:3 (13-14)
fern stand (Greene and Greene, c. 1907): 20:2 (2324)
fireirons: 10:4 (48)
fireplace fixtures (Tudor, c. 16th C): ECK (36-37,
40)
gumball machine (c. 1930): 9:4 (19-25)
hanging spool rack, Shaker: 16:3 (14-15)
hobby horse riding stick: 16:3 (39-40)
infant walker-trainer: 17:2 (17-19)
kitchen clock shelf: 17:3 (47-48, C3)
lampshade: 3:3 (14)
magazine rack (c. 1920's): 13:3 (47)
match safes (c. 1859-1950). 11:1 (5-9)
matches, wooden safety: 11:1 (9)
mirror, Cushman (c. 1941): 12:1 (13-14)
mirror, dresser (Chippendale, c. 1920): 19:1 (1619)
New England pipe box: 8:3 (56)
open wall box (Colonial): 8:2 (18)
pen wiper (Victorian): 1:2 (41)
phonograph, Edison Cygnet Cylinder (c. 1907):
13:4 (30-38)
picture frame: 11:3 (23)
plastic pipe patio furniture: 2:4 (54-55)
Profile of a Craftsman /Artists
Cook, Harry : 2:2 (15)
Cosgrove, Barbara: 3:1 (31)
Friedman, Marie : 2:4 (47)
Heuer, Marie: 4:4 (19)
Hillhouse, Jim & Shirley : 2:3 (13)
Jedlicka, Jim & Harriet : 2:3 (36-37)
Korb, Donna: 2:4 (47)
Sobers, Kay C.: 2:1 (24)
Sevebeck, Bill: 1:3 (16)
Sinnett, Doreen: 2:2 (37)
Williams, Judee: 3:2 (50-51)
Profiling Tool Bit (see, also, lathes)
42
Volume 1 (1976-1977) to Volume 20 (1995-1996)
pumps, yard and pitcher: 9:1 (36-42)
sewing box: 13:4 (23,48)
shelf, kitchen utility (c. 1930): 9:1 (22)
simulated books: 1:2 (9, 25)
soap saver (c. 1900): 10:2 (22-23)
soap saver (c. 1925-1940): 10:2 (20-22)
spoon rack with box: 8:3 (56)
straight pen, 19th C.: 1:2 (19)
stereoscope, parlor (c. 1900): 8:5 (36-38)
tavern shelf: 19:2 (43-44, 46)
twirling boy and girl toy (c. 1904): 8:2 (9)
vacuum cleaner, hand pump: 10:1 (18-23)
vacuum, Hoover "Model O" (c. 1908): 11:2 (2529)
wall boxes: 17:2 (40-43)
wall rack, Shaker: 11:3 (23)
wall shelf, Southwest (c. 18th): 17:1 (38-40)
wall shelves: 12:4 (21-24)
washtub and water bucket, Colonial: 8:5 (14-15)
wastebasket, split bamboo (cardstock): 1:3 (16)
cabinet, kitchen (X-Acto): 1:3 (55-59)
car, 1937 Cord (Lesney/AMT): 5:1 (5-9)
chair, Chippendale arm (X-acto): 2:1 (36-38)
chair, side & shelf (X-Acto): 5:1 (35-38); 6:2 (3335)
chair, Chippendale wing (X-acto): 2:1 (39-43)
chair, Chippendale/Queen Anne wing (Realife):
2:4 (32-36)
chest, modern (Americana): 1:2 (35-36)
chest, serpentine (X-Acto): 5:4 (37-39)
dining room set (Realife): 4:2 (33-34)
dining room set (Queen Anne, Realife): 8:6 (3439)
dining room set (X-Acto): 4:4 (35-37)
dry sink (X-Acto): 1:3 (55-59)
family room accessories (Realife): 3:3 (13-14)
ice box (Realife): 1:4 (35-37)
row house: (Part 1) 9:3 (7-13); (Part 2) 9:4 (1018).
living room kit (Country; Realife): 8:2 (5-6)
lowboy (c. 1760-1780) (X-Acto): 2:2 (17-21)
parlor set (Realife): 4:2 (30-31)
piano & music stand, Victorian Renaissance, c.
1878 (Realife/Scientific): 3:2 (44-46)
daybed, Queen Anne fixed head (X-Acto): 6:2
(20)
range, kitchen (Realife): 1:4 (42-44)
range, Windsor Insulated Oven, c. 1930s (J.
Hermes): 9:1 (9-14)
refrigerator, GE, c. 1930s (J. Hermes): 9:1 (6-9)
rocker, Boston, (c. 1830): 9:2 (21-22)
screen, lattice: 6:1 (10-14)
secretary (Realife): 1:1 (6-10); 1:2 (13-16)
settee, Queen Anne (Realife): 6:3 (27-28)
sink/pump, kitchen (Realife): 1:4 (44-46)
sofa, Chippendale (X-acto): 2:1 (39-43)
table, Queen Anne (X-Acto): 4:3 (29-32)
table, trestle and benches (Shenandoah Design):
9:2 (22)
tester bed (Realife): 3:4 (4-7)
Projects, architecture
Charlton House (kitbash, Colonial): (Part 1) 4:3
(19-26); (Part 2) 4:4 (41-46); (Part 3) 5:2 (4548)
Coal Shed (housing for power supply): 8:6 (25-33)
Colonial (kitbash, Housework): 3:1 (4-10)
Cotswold Cottage (c. 1930): (Part 1) 10:4 (25-32 +
insert); (Part 2) 11:1 (36-44); (Part 3) 11:2 (1220)
Federal Row House (kitbash): 2:4 (4-18)
Green Window House (19th C. Kansas City): 8:1
(25-33)
Italianate Depot, 1/4 scale (Christiansburg, VA, c.
1868): 9:3 (18-23 + insert)
Italianate Victorian House, 1/4 scale (Kansas City,
c. Late 19th Century): 8:4 (25-30+insert)
New England Shed, c. 1930: 9:2 (7-13)
Store Building, Victorian (Part 1) 6:4 (29-37):
(Part 2) 7:1 (29-35); (Part 3) 7:3 (4-10)
1:1 (27-43); 1:2 (42-57); 1:3 (17-28); 1:4 (319)
window assembly: 12:1 (30-35,42)
Projects: Roombox
apartment, efficiency "lazy susan" (American
Builder, c. 1920): (Part 1) 13:2 (25-35); (Part
2) 13:3 (5-11)
The Bishop's Livingroom (c. 1760): (Part 1) 15:1
(5-12); (Part 2) 15:2 (12-18, 22); (Part 3) 15:3
(17-24); (Conclusion) 15:4 (38-44)
Breakfast Nook (c. 1920's) Display Box: 15:2 (4248)
Colonial bed-sitting room: 2:3 (26-29), 2:4 (1824); 3:2 (47-51)
corner viewing panels: 1:2 (20-22)
Projects, kitbashing
1905 Bathroom Fixtures (Chrysnbon): 19:4 (2532)
bedroom, Colonial (Shenandoah Designs): 11:2
(30-35)
bedroom set (Realife): 4:2 (32-33)
bed, lattice: 6:1 (10-14)
cabinet, kitchen (Realife) 1:4 (37-41)
43
Volume 1 (1976-1977) to Volume 20 (1995-1996)
design of: 2:3 (26-29)
details of (c. 1700): 1:1 (44-47)
farm kitchen, Early 20th C. (c. 1915): 2:1 (44-53)
frame & panel construction: 5:3 (4-5)
The Inglenook Room (c. 1910-1930): (Part 1)
20:1 (5-12); (Part 2) 20:2 (25-36)
Late Georgian: 3:2 (28-41); 3:3 (32-42); 3:4 (816); 4:1 (15-18)
livingroom & dining room (c. 1949): 6:3 (4-9)
kitchen, American, c. 1930s: 9:1 (4-22)
kitchen, “Turn of the Century” kit modification:
6:2 (22-26)
molding types (c., 1700): 1:1 (46)
parlor, description (c. 1875): 5:4 (4,34)
planning: 1:1 (45-47); 2:1 (45-51); 6:2 (22-26)
plywood construction: 5:1 (17)
stenciled: 5:3 (4-7)
Southwestern American roombox (c. 17th C):
(Part 1) 16:2 (7-11); (Part 2) 16:3 (25-32, 44);
(Part 3) 16:4 (43-49)
Williamsburg (c. 1770): 5:1 (16-21); 5:2 (21-27);
5:3 (12-16)
bed, Mission Oak (Stickley, c. 1910, half inch):
14:1 (26-27)
bed, Murphy (c. 1920's): 13:3 (17-21)
bed, panel, French: 10:1 (5-13)
bed, panel, Haywood Wakefield (c. 1949): 7:4
(37-38)
bed, Slaw (c. 1700) 1:2 (1-9)
(30,32)
Inch): 14:1 (27-28)
bed stand, Shaker: 11:2 (33-35)
bed step (c. 1810), half inch: 6:3 (25-26)
1900-1920): 20:1 (20-24)
bedside cabinet (Contemporary Chippendale, 20th
C.): 11:4 (33-36)
bedstead, Cottage spool turned (c. 1860): 17:4 (613)
bench, cobbler's: 13:3 (44-46)
bench, paneled (Stickley, c. 1907): 20:2 (9-13)
bench, Southwest (c. 18th): 17:1 (38-40)
bench, utility, Shaker: 16:3 (16)
billiard table, contemporary: 17:1 (41-46)
bird cage and stand, Victorian: 8:5 (4-8)
blanket box (19th C.): 17:1 (32-37, 48)
book, case-bound: 1:4 (56-60)
bookcase, built-in: 3:4 (14-15)
bookcase, contemporary: 3:3 (43-51); (half inch)
11:1 (10-13)
bookstand, Kissinger Tutor Swiveled (c. 1928):
8:1 (34-36)
book trough (c. 1930's): 15:4 (37,44)
breakfast nook trestle table and benches (c.
1920's): 15:2 (42-45)
bride's chest, Norwegian (c. 1809): (Part 1) 6:4 (47); (Part 2) 7:1 (4-6)
buggy, (J.J. Deal , c. 1900): (Part 1) 16:1 (5-16);
(Part 2) 16:2 (12-20); (Part 3) 16:3 (45-48)
buffet, dining room (Sears, c. 1927): 18:3 (15-19)
buffet, Empire oak (c. 1890-1910): 20:1 (35-39)
cabinet, French Art Nouveau (c.1900): 14:3 (3137)
cabinet, built-in kitchen: 2:1 (48,52)
cabinet, corner, serpentine-front, French Canadian
(c. 18th C.): 11:4 (7-13)
Projects, Scratch-built
accessory table (c. 19th C): 15:3 (27-28, 32)
arm chair, contemporary cottage: 10:2 (6)
(21-25)
(5-13)
baby carriage, tricycle (c. 1870): 7:2 (29-39)
baby's crib (20th C): 18:1 (11-14)
backdoor valet, Shaker-style: 19:3 (21-22)
bathtub, folding and water heater, Montgomery
Wards (c. 1895): 17:3 (15-20, 24)
bed, Arrow spindle, Ethan Allen (c. 1974): 15:4
(25-29)
bed, carved, (contemporary Chippendale, c. 20th
C.): 19:2 (34-42)
inch: 7:3 (39-42)
bed, combination folding (c. 1900): 4:4 (4-16)
bed, four-post (Colonial, plans only): 11:2 (31)
bed, four post with trundle: 18:2 (40-48)
bed, headboard, bamboo (c. 1960): 1:3 (42-45)
bed, hired man's: 5:2 (41-43)
bed, low post rope (c. 1875): 10:3 (12-16)
44
Volume 1 (1976-1977) to Volume 20 (1995-1996)
cabinet, garden shed: 9:2 (14-17)
cabinet, Hoosier: 7:4 (40-49)
cabinets, built-in kitchen (Contemporary): 18:2
(27-39)
cabinet, kitchen (c. 1890): 3:4 (46-51)
cabinets, kitchen (c. 1920s): 18:3 (35-40)
cabinet, kitchen (c. 1980s): 8:6 (4-11)
cabinet, liquor (c. 20th C.): 13:4 (25-29)
cabinet, parlor , Wards (Art Nouveau, c. 1897):
1:2 (37-41); 14:3 (26-30)
cabinet secretary, Renaissance Extra-Grade
Wooten (c. 1875): (Part 1) 15:1 (25-33); (Part
2) 15:2 (25-35); (Conclusion) 15:3 (42-48)
campaign bed, mahogany, John Durham (c. 1810):
15:1 (34-40,12)
candlestand, cross-base: 5:1 (40-42)
candlestand, rachet (Colonial): 8:6 (12-13)
canterbury racks (c. 1800-1825): 7:4 (14-20)
card table, Empire (c. 1840): 16:2 (25-31)
ceiling fan, Casablanca w/ built-in motor: 8:1 (1823)
ceiling fan, working: 7:3 (29-35)
ceiling fan, working: (Part 1) 11:2 (44-48); (Part
2) 11:3 (38-44)
1900): 15:4 (6-10)
chair, Adirondack: 1:4 (30-31); 19:1 (48)
chair, arm, French Canadian Louis XIV: 11:4 (1317)
chair, Berbice, British Guyana: 17:2 (25-30)
chair, chaise gondole (John Meek's Late Empire,
c. 1830's): 13:4 (18-22)
chair, Chicago (c. 1987): 13:4 (39-42)
chair, Chinese horseshoe: 9:4 (29-32)
chair, comb-back corner (Chippendale, c. 17701780): 18:4 (12-17)
chair, comb back windsor (c. 1760s): ECK (33-35)
chair, commode (Chippendale): 5:3 (8-11)
chair, commode (Shaker, Pleasant Hill, KY): 8:5
(25-28)
chair, continuous arm Windsor (c. late 17th C.):
12:4 (18-23)
chair, dining side (Spanish New Mexico): 16:4
(28-30)
chair, easy (Chippendale, c. 1740-1750): 14:2 (1322,48)
chair, Irish pub: 17:4 (21-24)
chair, ladderback (c. 1875): 1:3 (53-54)
chair, loop back windsor (c. 18th C): 12:3 (33-38)
chair, low back windsor (c. 1706): ECK (32-33)
chair, Melbourne (c. 1991): 20:1 (40-43)
chair, Morris, Egyptian style (c. 1880): 6:4 (1318); 20:2 (42-45)
chair, New England fancy (c. 1800-1820): 8:3 (3638)
chair, oak ranch (c. 1950): 19:4 (24)
chair, office (Eastlake, c. 1880): 17:2 (5-13)
chair, Paris hall: 13:1 (36-39,33)
chair, rocker, platform (Victorian, c. 1880): 20:2
(37-41)
chair, rocker, Canadian Art Nouveau (c. 1890s):
9:1 (28-34)
chair, rocker, caned Empire (c. 1850-1860): 5:1
(28-31)
chair, rocker, child's cane (Empire): 5:2 (9-11)
chair, rocker, Thonet-Style bentwood (c, late 19th
C.): 13:1 (21-23)
chair, rocker, slat back: 8:1 (17,52)
chair, rocking horse chair, child's, French
Canadian (c. 18th C.): 11:4 (17-18)
chair, Roman curule, Empire (c. 1810-1840): 7:2
(4-8)
chair, roundabout (c. 1770): 1:2 (27-30)
chair, side (see side chair)
chair, slat back, w/ commercial spindles: 8:1 (1215)
chair, transitional (French Canadian, c. late 18th
C): 12:4 (15-17)
11:4 (31-32)
chair, Valet: 8:2 (20-22)
chair, Welsh border (c. 1650: ECK (30-31)
chair, windsor, side (c. 1750-1780), half inch: 7:1
(11-12)
chair, windsor, low-back side (c. 1887): 8:2 (1618)
chaise lounge, French Provincial (c. 1920s): 7:2
(46-52)
chess & checker board: 6:4 (38-40)
chess set: 5:2 (51-52)
chest, 3-drawer, cottage: 2:3 (7-10)
chest and drawers (Colonial, plans only): 11:2 (32)
chest of drawers, French: 10:2 (29-36)
chest of drawers, kneehole (c. 1790): 10:1 (24-28)
chest-on-chest (Connecticut, c. 1802): 19:4 (5-14,
48)
45
Volume 1 (1976-1977) to Volume 20 (1995-1996)
chest-on-chext, Ethan Allen (c. 1974, half inch):
16:1 (19-21)
chest, painted (half inch, c. late 18th C.): 12:4 (40)
chest, Renaissance-Style Cottage (c. 1860): 17:3
(25-32)
child's rocker, Colonial Style: 17:1 (47)
china cabinet (Haywood-Wakefield, c. 1949): 19:1
(29-33)
clavichord dolce, Sabathil (c. 1990): 15:1 (12-20)
clock, lantern (case): 11:3 (33-34)
clock, tall case (grandmother): 11:3 (29-33)
clocks, Empire (c. 1840): 4:2 (4-8)
clothes wringer, Sears, Roebuck (c. 1900): 6:4
(25-26)
club rocker, child's upholstered (c. mid 20th C):
18:1 (44-48)
coffee table, Canterbury Shaker: 19:3 (22-24)
commode, modern: 3:2 (22-26)
commode, one drawer (Ethan Allen, c. 1974): 15:4
(29-30)
console, Empire (c. 1840): 4:1 (20-22)
corner shelf (c. 1759): 4:1 (4-9)
cracker barrel (Contemporary Colonial): 19:4 (4448)
15:4 (21-23)
couch, Caned Empire (c. 1810-1820): 2:1 (55-59)
couch, Eastlake: 5:4 (28-34)
couch, scroll-cut (Late Empire, c. 1830's): 13:4
(12-18)
cradle, hooded, New England: 18:3 (31-32)
cradle, hooded, New Jersey: 18:3 (33-34)
cradle, Shaker (c. 1810-1830): 18:3 (30, 32)
cradle, swinging, Sheraton (c. 1810): 8:4 (18-19)
cupboard, Colonial corner (c. 1740-50): 9:2 (3237)
cupboard & huntboard, Welsh (c. 1650s): 18:4
(18-24)
cupboard, Mexican (Contemporary): 17:2 (31-36)
davenport/billiard table (c. 1900): 3:2 (4-10)
daybed frame, Spanish: 4:3 (16-18)
desk, firescreen (c. 1810): 4:4 (29-34)
desk, French lady's (c. 1900): 8:4 (20-24)
desk, ladies cylinder (c. 1790): 9:2 (23-28)
desk, lady's writing (Sheraton-Style American, c.
1800): 13:3 (35-39)
desk, oak rolltop (c. 1880): 3:4 (23-38); 17:1 (5The Scale Cabinetmaker Index
17, 24)
desk, Queen Anne: 11:1 (17-21)
desk, sewing, Mount Lebanon Shaker (c. 17861900) 16:3 (7-11)
desk, Shaker cupboard (c. 1852): 11:1 (22-27)
desk, ship captain's (c. 19th C.): 11:4 (19-23)
desk, slant top on frame (Chippedale, c. 17301750): 16:1 (41-46)
desk, Weiman (c. 1950s): 9:3 (35-38)
dining chair, Vienna (Sears, c. 1897): 12:3 (29-32)
display case: 18:1 (5-10)
doll, Greiner: 2:1 (7-8)
doll carriage: 2:1 (9-11)
insert)
dresser, Ethan Allen 66" triple (half inch, c. 1974):
16:1 (17-19)
dresser, gentleman's (Contemporary Chippendale,
c. 1990): 18:4 (30-37)
dressing table, Philadelphia (c. 1755-1795): 2:2
(5-16)
drying rack, herb (Shaker): 14:1 (40-42)
ecoinear (corner shelf, c. 1759): 4:1 (4-9)
end table, Canterbury Shaker: 19:3 (20,22)
fern stand, spindle: 14:3 (21-22)
folding chair, doll's (c.1900): 6:1 (18-20)
figures: 5:4 (10-15)
furnace, hot air central air (Wards, c. 1922): 12:3
(17-23)
halltree (c. 1860): 3:1 (15-20)
Victoria,, c. 1900): 16:4 (19-22)
highboy, step-top (c. 1750-70): 10:2 (15-19,23)
high chair (20th C): 18:1 (14-15)
high chair, wainscot (Charles I, 17th C): ECK (2930)
high chest of drawers, Connecticut (c. 1740-1760),
half-inch: 6:4 (9-12)
13:1 (5-12,23)
kaleidoscope, operating (c. 1870): 8:3 (6-11)
(23-24,48)
lawn swing, Wards (c. 1895): 14:4 (31-37)
46
Volume 1 (1976-1977) to Volume 20 (1995-1996)
library chair (Craftsmen, c. 1907): 20:2 (16-19)
library ladder/table, George III (Campbell, c.
1793): 14:4 (5-15)
15:2 (5-11, 22)
library chair/steps (Regency, c. 1811-1820): 18:1
(36-43)
library table (Craftsmen, c. 1907): 20:2 (13-16)
library table (c. 1920s): 20:2 (46-48)
lock, desk, working: 7:3 (11-14)
looking glass, Federal: 4:1 (24-25)
love seat, contemporary Cottage: 10:2 (6)
lowboy, Queen Anne (c. 1760), half inch: 7:4 (5051)
mantle , Eastlake (c. 1875): 16:2 (32-37)
mantle, marble (c. 1872): 14:2 (35-42,48)
music / magazine stand, Craftsman (c. 1910): 18:4
(40-41, 48)
Noah's Ark (toy), Nuremberg, c. 1800s: 7:1 (8-9)
(29-30)
organ, protable reed (c. 1853): 16:1 (17-20)
ottoman (c. 1950): 3:3 (6-12)
pedal car (c. 1914): 3:1 (37-44)
pedestal stand, Shaker: 1:3 (29-30)
(46-48)
phonograph, Truphonic Waldorf (Sears, c. 1927):
19:1 (38-42)
piano, console: 11:2 (5-11)
piano, English upright grand (c. 1802): 19:3 (3238)
piano, grand: 12:2 (5-19)
piano, studio: 11:2 (5-11)
piano, upright: 11:2 (5-11)
piano bench, Craftsmen (c. 1910): 18:4 (38-40)
piano stool: 3:2 (43)
platform scale (c. 1880-1930): 18:1 (25-35)
play pen (20th C): 18:1 (14-15)
pull toy, horse : 2:1 (6-7)
quilting frame (c. 19th C): 18:1 (16-24)
range, see also stoves
range, gas, transitional (c. 1915): 13:2 (10-18)
range, gas (Sears Elite, c. 1920's): 18:4 (42-48)
range, kitchen (Sears Roebuck, c. 1905): i:3 (4753)
refrigerator (c. 1980s): 8:6 (7-9)
reflector roasting oven (tin kitchen, Colonial):
19:2 (13-20)
rolling cart (c. 1920-1940): 15:4 (34-36)
secretary, Eastlake: 5:3 (28-37); 5:4 (16-26)
Secretary (John Cogswell, c. 1786): 17:1 (18-24)
secretary, Victorian Renaissance (c.1870): 11:3
(25-27)
settee, Empire painted (c. 1790-1800): 13:1 (1320)
settee, lyre-back Italian: 9:1 (47-50)
settee, Rococo (c. 1860): 1:1 (19-22)
sideboard, “fake”: 6:3 (13-15)
sideboard (Haywood-Wakefield, c. 1949): 19:1
(33-37)
sideboard, Hepplewhite-Style (c 1775-1780): 12:3
(13-16)
sideboard, Modern (half inch): 9:4 (39)
side chair, Danish Modern (c. 1979): 5:4 (40-45)
side chair, dining (Sears, c. 1927): 18:3 (11-15)
side chair, factory-made (c. 1860): 1:3 (39-41)
side chairs (Haywood Wakefield, c. 1949): 19:2
(10-12, C3)
side chair, late Empire: 4:1 (22-24)
side chair, Modern (half inch): 9:4 (38)
13:2 (37-39)
side chair, Victorian Renaissance: 4:2 (36-38)
side chair, Victorian Transitional: 1:3 (49-52)
silver chest, Queen Anne and Hepplewhite: 9:4
(33-36)
sink, double (c. 1980s): 8:6 (5-7)
(30, 33-35)
slaw bed (c. 1700): 1:2 (1-9)
sled, bentwood (c. 1877): 3:1 (34-36)
sofa & arm chair, oak (c. 1950): 4:1 (32-35)
sofa, Chippendale/Federal (c. 1795-1805): 7:2
(26-28)
sofa, Cottage spindle (c. 1870s): 8:2 (29-35)
sofa, Federal (c. 1810): 16:4 (6-14)
sofa, overstuffed (half inch, c. 1960s): 12:3 (1012)
sofa, Philadelphia Chippendale (c. 1750-1780):
47
Volume 1 (1976-1977) to Volume 20 (1995-1996)
19:3 (25-31)
sofa, spindle (Craftsmen, c. 1907): 20:2 (20-23)
sofa Tuxedo (20th C.): 2:4 (26-31)
spice box on frame, Philadelphia Queen Anne (c.
1740-1750): 14:3 (11-15)
spinning wheel, Norwegian (c. 1800s): (Part 1):
7:4 (4-13); (Part 2) 8:1 (40-52)
stand, basin, Chippendale (c. 1770-1780): 16:1
(21-24, 48)
step stool, Shaker: 17:1 (47)
step table, single drawer (Colonial): 19:1 (43-44,
46)
step table, two drawer (Colonial): 19:1 (45-47)
step table, two shelf (Colonial): 19:1 (47)
stool, low joined (c. 18th C Spanish): 16:3 (37-38)
stool, oak joined (c. 17th C): ECK: (28)
stool, swivel sewing (c.1850): 16:3 (11-14)
stove, Acme pot bellied (c. 1900): 6:2 (14-16)
stove, drop-in (c. 1980s): 8:6 (9-11)
stove, Windsor fireless cooker (Wards, c. 1920):
12:2 (25-32)
stove, Franklin fireplace: 6:3 (12)
swell bodied cutter, J.J. Deal & Sons (c. 1891):
(Part 1) 17:3 (5-14); (Conclusion) 17:4 (25-36)
table, backgammon: 17:3 (36-38, C3)
table, bed side (French): 10:3 (5-11)
9:1 (14-18)
table, butler's: 14:2 (23-24)
table, butterfly dropleaf (c. 1920's): 13:3 (22-23)
table, Chinese Ch'iao-t'ou side: 10:1 (14-17)
table, coffee (Queen Anne Style, 20th C.): 12:4
(36-38)
11:4 (30-31)
table, conservatory (c. 19th C.): 14:3 (45-48)
table, console, with benches (c. 1990): 14:2 (4348)
table, cottage drop-leaf: 4:2 (34-36)
table, cricket (c. 17th C): 17:4 (39-43, 47)
table, Danish Modern (c. 1979): 5:4 (40-45)
table, dining (Haywood Wakefield, c. 1949): 19:2
(5-10)
table, end, book trough (c. 1920's): 13:3 (47-48)
table, extension dining (Sears, c. 1927): 18:3 (6The Scale Cabinetmaker Index
11)
table, foyer (c.1990): 14:2 (43-48)
table, gate-leg (c. 1690): 1:3 (2-15)
table, gate-leg (c. 18th C Spanish): 16:3 (33-37)
table, gateleg (William & Mary, c. 1695): ECK
(26-28)
table, handkerchief corner, Queen Anne gateleg (c.
1750-1790): 15:4 (31-33)
table, Irish pub: 18:3 (20-24)
table, Jacobean Hutch, w/ commercial spindles:
8:1 (15-16)
table, kitchen (Upper Canadian, c. 1800-1830):
16:2 (21-24, C3)
table, kitchen utility: 1:4 (47-48)
table, lamp, Cottage, spool turned (c. 1860): 17:4
(13-15)
table,lamp, French Restoration (c. 1833): 17:2
(20-23)
table, Lincoln (c. 1850): 13:2 (40)
table, livingroom, Greene & Greene (c. 19071909): 16:1 (25-30)
table, lyre (18th C): 10:4 (17-19)
table, oak coffee: 4:1 (26-28)
table, octagonal card: 16:3 (41-44)
table, occasional, Golden Oak (c. 1900): 16:1 (3740)
table, oval side (half inch, c. 1780-1810): 12:4
(39-40)
table, parlor center: 5:3 (44-47)
table, Parsons: 1:2 (17-19)
table, pedestal centre (Late Empire, c. 1830's):
13:4 (7-11)
table, pedestal dining room (modern): 9:4 (37)
table, pedestal extension, Empire (c. 1910): 7:1
(36-44)
table, Pembroke (c. 1790): 12:1 (20-23,48)
table, penguin: 4:4 (17-19)
table, pier: 10:2 (47-51)
table, Porringer (c. 18th C.): 17:4 (37-39)
table, Queen Anne corner: 12:2 (19)
table, Regency (French Canadian, c. late 18th C.):
12:4 (14-15)
table, Regency-Style double gateleg dropleaf (c.
1920's): 13:1 (40-48)
table, serpentine: 6:2 (4-7)
table, sofa (c. 19th C.): 13:2 (19-23)
table, sofa (Federal, c. 1820): 16:4 (14-19)
table, tea. Garden (contemporary cottage): 10:2 (8)
table, tea, Queen Anne (c. 1755): 2:1 (35-36)
table, tennis (ping pong): 17:3 (33-36)
table, trestle (Spanish New Mexico): 16:4 (25-28)
48
Volume 1 (1976-1977) to Volume 20 (1995-1996)
table, tuck-away (Qureen Anne, c. 1740-1765):
16:1 (22-24,46)
table, trestle (Shaker style): 13:2 (45-48)
tea poy: 7:3 (15-18)
1949): 6:3 (29-33)
toilet stand (wash stand), Japanese (c. 1900): 20:1
(13-19, 48)
8:3 (29-30,31)
toy kitchen, Nuremberg (c. 1800s): 7:1 (9-10)
train, operating tintype (c. 1920s): 6:1 (29-43)
transitional side chair, child's (Victorian, c. 1890):
18:1 (48, C3)
trunk & stand (c. 1672): 4:1 (10-14)
two-wheel cart, toy: 2:1 (11-12)
Victoria,, c. 1900): 16:4 (22-24)
1929): 8:1 (6-8)
vanity dresser & bench , lady's (Contemporary
Chippendale, c. 20th C): 19:4 (33-43)
wardrobe (c. 19th C.): 17:3 (39-46)
warming pan, bed: 6:2 (12)
washing machine, Wards' Water Queen (c. 1925):
15:3 (5-16)
washstand, Cottage (c. 1860): 17:4 (16-20)
washstand, Hepplewhite (c. 1790): 20:1 (44-46)
(29-32)
washstand, Shaker (c. 1820-1850): 20:1 (46-48)
washstand, Victorian (19th Century): 16:4 (31-38)
window bench, Duncan Phyfe Lyre Back (c. 18151825): 7:1 (13-15)
wood box (Shaker, Pleasant Hill, KY 19th C.): 8:6
(14-17)
writing desk, Shaker (c. 1810-1830): 18:2 (17-20)
yacht chair, folding (c. 1890): 18:4 (6-11, 24)
clamp, cam action bar: 11:2 (40-42, 48)
clamp, violin-maker's: 2:3 (45)
copy attachment, lathe: 3:3 (15-24)
copy cat, adaptation for Unimat (Bell): 11:3 (1922)
cross cut sliding table for Microlux Table Saw:
14:4 (22-23)
dial calipers, conversion dials: 8:6 (40-42)
disc sander 3 1/2” dia.: 4:3 (41-43)
disc sander, 8” dia.: 4:3 (44-52)
Dohzuki saw (Japanese dovetail saw: 12:2 (3338,42)
dowel maker, power: 14:3 (38-44)
duplicator bit: 4:2 (46-47)
edge sanding block: 2:3 (43)
electric hand drill lathe/sander: 7:2 (13-19)
file holder, lathe: 4:2 (10-11)
fine adjustment screw, TSC wood surfacer: 6:4
(21-24)
fluting attachment, lathe: 3:4 (17-22)
hand-tool rest for Taig lathe: 5:2 (29); 5:3 (1)
hand turning tools, lathe: 5:4 (46-49)
hand vise: 5:1 (39)
helical fluting attachment, lathe: 4:1 (39-47)
jeweler's saw, pedal operated: 12:1 (36-42)
lathe copier, pattern vise: 4:2 (48-49)
lathe faceplate (Dremel): 1:3 (33-34)
lathe-mounted Dremel tool holder: 12:4 (41-42)
lathe spindle indexer (Dremel): 12:3 (44-48)
miter cut sliding table for Microlux table saw:
14:4 (23-24)
mitering tool (Chopper), modifying: (Part 1) 6:2
(36-41); (Part 2) 6:3 (16-21)
overhead routing fixture: 10:2 (37-38)
pin driver for miniatures: 7:4 (21-23,28)
pin shaper adapter: 6:2 (36-41)
power controller, workbench: 16:2 (42-43)
profiles, scratch tools: 10:2 (9-11)
profiling tool: 7:4 (26-28)
proportional dividers: 8:5 (29-35)
rip fence, improved (Microlux table saw): 14:4
(20-22)
routing attachment (Moto-tool): 2:3 (30-32)
sanding finger saver: 14:3 (19-20)
saw/shaper table: 2:4 (37-42)
saw, auxiliary table top (ATM Scroll Saw): 9:3
(42-43)
sawdust collector, built in: 7:3 (50-54)
sawdust collector, portable: 7:2 (20-25)
sawdust collector attachment: 9:3 (46-47)
scratch tool: 6:3 (48-52)
scroll saw hold down shoe: 9:3 (43-46)
shaper/saw fence: 3:2 (19-20)
Projects: tool-making
adjustable fence assembly (scroll saw): 13:3
(43,46)
belt grinder-saner: 8:5 (36-42)
bench magnifier: 11:4 (46-48)
bits, machine late: 2:1 (27-29)
blade holding jig and blade holder modification,
AMT scroll saw: 13:2 (41-44)
chisels, lathe: 1:4 (50-52)
49
Volume 1 (1976-1977) to Volume 20 (1995-1996)
shaper table (Dremel): 5:1 (22-27); 6:2 (47-49)
fine adjustment for shaper table: 7:1 (23-26)
single-flute molding cutter: 4:4 (1-4cf)
sliding tables for Micro-Lux and Preac Table
Saws: 16:1 (3)
slitting saw fence, drill press: 3:4 (27)
socket chuck set (Dremel): 4:2 (10-15)
socket chuck set (Unimat): 4:2 (15-18)
spray / ventilation booth: 14:4 (16-19)
steady rest, lathe: 5:3 (2,27)
surfacer, TSC sanding: 14:1 (25-34,48)
table saw mitering jig: 17:2 (24)
tapering jig for table saw: 12:3 (39-43)
tool-maker's clamp (Panavise): 5:1 (39)
tool rest for small lathes: 9:4 (27-28)
tracer bit & holder: 4:2 (47)
transformer, multi-display workhorse: 7:3 (22-27)
water-cooling system (Unimat): 5:2 (49-50)
wiring channel router: 8:2 (43-48)
wood carver, power: 8:4 (31-35)
wood surfacer/thicknesser, disc: 4:4 (20-28)
quilting frame (c. 19th C): 18:1 (16-24)
*R
R.F. Stevens, Reed Organ Builders
reed organ, protable (c. 1853): 16:1 (17-20)
Rabbet (see Joints and Joinery)
Radcliffe, Robert R. (Author)
A Miniature Chess Set: 5:2 (51-52)
Miniature Chess & Checker Boards: 6:4 (38-40)
Rankine, Alex & Judy (Authors)
Charlton House Kitbash: (Part 1) 4:3 (19-26);
(Part 2) 4:4 (41-46); (Part 3-Conclusion) 5:2
(45-48)
Ratajesek, Kirk (Author)
Fretwork Miniatures: 6:2 (42-45)
Proportional dividers:
construction and use of: 8:5 (30-35); 16:1 (25)
Rawdings: Dolores (Author)
Getting the Job Done...Lady's Cylinder Desk, c.
1790: 9:2 (23-28)
Prototypes, working with: 1:3 (3)
Razor Saw
desired size: 2:1 (10)
mitering: 3:1 (48)
Protractor, use of, chair leg angles: 8:2 (14)
Push Sicks
Anderson style: 13:4 (3)
eraser: 14:1 (3)
Reeding
legs, Federal: 16:4 (9-10)
Putty, Synthetic, use of: 4:3 (7-8)
Refinishing, ready-made furniture: 4:3 (40)
*Q
Regency
library chair/steps (c. 1811-1820): 18:1 (36-43)
Queen Anne
cabriole leg: 1:2 (23-25); 11:1 (21)
corner table: 12:2 (19)
desk: 11:1 (17-21)
difference with Chippendale: 2:4 (33)
dressing table (lowboy), Philadelphia, c. 17551795): 2:2 (4-16)
day bed, fixed head (c. 1730-1750): 6:2 (17-20)
high chest of drawers (c. 1740-1760): 6:4 (9-12)
secretary (Scientific, kitbash): 1:1 (6-10); 1:2 (1316)
settee (kitbash): 6:3 (27-28)
table, tuck-away (c. 1740-1765): 16:1 (22-24,46)
spice chest, (c. 1740-1750): 8:4 (4-8)
Reifel, Jack (Author)
Making Special Purpose Hinges: 6:1 (45-48)
Special Techniques in Miniature: 6:2 (8-12)
Reppert, John C. (Author)
An Eastlake Secretary...from Basic Tools: 5:3
(28-37); 5:4 (16-26)
Resin, Polyester
introduction to casting: 10:2 (10-14)
molds, types of: 10:2 (12-13)
painting: 10:2 (13-14)
plaster mold, use of: 10:2 (10-11)
Quilting
Riffle Files, use of in carving: 2:2 (11)
50
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Holder) 12:4 (41-42)
Lighted Working Doorbell: (Part 1) 11:4 (2528,32); (Part 2) 12:1 (43-48)
Lighting Fixtures in Miniature (A Photo Essay):
10:3 (17-20)
Screen Printing for Miniature Settings: Screen
Printing Basics and Equipment: (Part 1) 13:3
(35-39); (Part 2) 13:4 (45-48)
Small Lathes for Miniatures, A Review: 13:1 (2535)
Small Metal Lathe: A Tool of Many Uses: (Part 1)
10:3 (45-50); (Part 2) 10:4 (20-24); (Part 3)
11:1 (51-56); (Part 4) 11:2 (43-48); (Part 5):
11:3 (38-44)
Some Topics on Dollhouse Lighting: Using
Voltage Dropping Resistors and Light Emitting
Diods
Ripping
with hobby knife: 3:3 (45)
with table saw: 3:3 (46)
Roofs and Roofing
collar beam: 1:4 (4-5)
colonial framing: 1:4 (4-9)
common rafter: 1:4 (4-7)
framing: 11:2 (16-20)
plywood: 4:3 (23-25)
porch: 4:4 (42-43)
purlin: 1:4 (8-9)
roof and gable framing: 1:4 (4-9)
roof boarding (sheathing): 1:4 (8)
shakes, fabrication and installation: 1:4 (8-9)
shingles: 4:4 (44)
Roomboxes:
(see, also, Projects, Roomboxes)
access design: 7:2 (9-12)
apartment, turn-table (c.1920): (Part 1) 13:2 (2535)
basic construction: 5:3 (4-5)
creating a moment in time: 5:2 (4-8)
depth and scale: 6:1 (21,44)
figures, use of: 5:2 (4-8)
Haywood Wakefield (c. 1949): 6:3 (4-9)
illusion, use of: 6:3 (9)
interior box, construction of: 5:1 (17-19)
outer shell, construction of: 4:1 (15-18) 5:1 (1720)
period, designing: 6:3 (4-9)
perspective, use of: 19:1 (5-15, 21)
realism in: 6:3 (4-9)
wiring: 16:4 (46-47)
Routers and Shapers
adjustable pin-mill, construction of: 15:2 (3-4)
All-Purpose shaper/saw table: 2:4 (37-42)
attachment for Dremel Moto-tool: 8:2 (43-48)
bits, use on a drill press: 8:2 (24)
cutters: 2:4 (41-42)
dado fixture for Dremel: 10:2 (37-38)
hacksaw blades, use of: 16:1 (15)
Rugs:
block printing: 2:3 (20-21)
braided: 2:3 (17-18)
chenille: 3:2 (15)
clipping pile: 2:4 (48-49)
color, to scale: 2:3 (22-25)
fabric: 2:3 (19-20)
geometric, needlepoint: 2:2 (31-33)
graphing techniques: 2:2 (31-32)
lithographic prints: 2:3 (18-19)
modern needlepoint: 2:1 (22-25)
pile-surface stitches: 2:2 (29-30)
punch-needle: 2:2 (34-37), 2:4 (45)
rug knotting, Oriental: 1:1 (14-15)
Sarouk: 3:1 (27-32); 3:2 (41)
silk oriental punchneedle: 2:4 (44-49)
stenciled: 2:3 (19-20)
substitute rugs: 2:3 (18-21)
transfer patterns: 2:4 (46-47)
use of decals: 2:3 (19)
Roubal, Wm. T. (Ted), PhD. (Author)
Casablanca Ceiling Fan with a Built-In Motor: 8:1
(18-23)
Direct Current Power Supply: 8:3 (45-46)
Dollhouse Power Supplies: 9:4 (41-42)
Enhancing the Realism of a Miniature
Grandfather Clock: Adding Pendulum Motion
and Tic-Toc Sound: 8:4 (36-43)
Fashioning Items in Glass for Miniature Settings:
14:2 (5-12)
The Home Workshop: Ted Roubal Talks about His
Multi-disciplinary Shop Facilities. 8:4 (44-45)
A Kitbashed Fluorescent Light: 15:4 (45-48)
Lathe Spindle Indexing & Lathe-Mounted Dremel
Tool: Part 1 (Lathe Spindle Indexer) 12:3 (4448); Part 2 (Lathe-Mounted Dremel Tool
Rulers (see Measurement)
Rungs, chair
drill and assembly jig: 8:2 (14)
leg assembly: 8:2 (12-15)
51
Volume 1 (1976-1977) to Volume 20 (1995-1996)
rung hole jig: 8:2 (13)
Scale
See, also, Measurement and Plans & Patterns
architect's: 2:1 (2)
comparative: 6:1 (21, 44)
conversion chart: 17:1 (3)
definition of: 2:1 (1)
full dimensions, use of: 15:1 (4)
non-standard scales (1/2”, 1 1/2”) (letters): 6:1 (2)
thinking in: 11:3 (35-37,44)
translating full dimensions: 2:1 (1)
Rushing (see also caning)
chair bottoms: 8:1 (15)
woven fiber: 1:1 (13)
Russo, Suzanne (author)
Artwork for Two-Sided Photoetching: 7:4 (52-55)
Basic Carving with an X-Acto Knife: 6:1 (4-9)
For the Fun of It: A Serpentine Table: 6:2 (4-7)
Hardware Drawings for Profile Photoetching: 7:2
(41-45)
Ornamental Golden Oak Table: 16:1 (37-40)
Scale Modeling,
differences in approach: 15:3 (4)
"Why Scale?": 1:1 (1-3)
*S
Scales
platform scale (c. 1880-1930): 18:1 (25-35)
Safety googles, use of: 8:3 (15)
Scratch Tools:
creating: 19:3 (42)
grinding profiles: 10:1 (9)
sewing needles, use of: 13:3 (25-28)
use of: 6:3 (51-52); 10:1 (9-11)
Sanding and sanders
abrasive selection: 19:3 (40)
adhesives, choice and use of: 11:1 (27)
crepe rubber, use of: 11:1 (27)
discs, conical, making: 14:2 (25-27)
drum sanders, cutting contours: 16:2 (28)
electric rill, use of as a sander: 7:2 (13-19)
finger saver: 14:3 (19-20)
glue, use of: 17:1 (36)
hacksaw blade, use of: 16:1 (15)
increasing grit: 16:4 (38)
oversanding: 5:1 (33)
sanding block, chamferring: 17:1 (36)
sanding jig, use of (29)
sand paper grit, choice of: 5:1 (33); 11:1 (27)
techniques, belt sanders: 5:1 (33)
Screenprinting
decals: 13:4 (45-46)
photographs: 13:4 (47)
Scroll-Saw
adjustable fence assembly (scroll saw): 13:3
(43,46)
blade block (Anker), substitute for AMT block:
12:4 (3)
blade holder, modification of (AMT scroll saw):
13:2 (43-44)
blade holding jig and bracket: 13:2 (41-43)
changing blades: 12:4 (3)
cross cutting w/: 13:3 (40)
cutting straight line: 11:1 (27)
hinged resilient base (Micromark): 14:1 (43-44)
hold down shoe: 9:3 (43-46)
modification of ATM scroll saw: 9:3 (42-47)
legs, cutting steps: 19:2 (37)
ripping w/: 13:3 (40-43)
sliding miter gauge: 14:1 (44-45)
sliding table assembly: 13:3 (42-43)
use of: 6:2 (42-45); 17:2 (21-22); 17:3 (48-49)
vibration: 13:4 (43-44)
Sanding Surfacers: see disc sanders.
Sawdust
combating: 7:2 (20-25); 7:3 (50-54)
collector: attachment, construction of: 9:3 (46-47)
Saws
see, also specific type of saw (table, scroll, etc.)
All-Purpose Shaper/Saw Table: 2:4 (37-42)
bushings: 11:4 (3-4)
circular saw, mounting blades with oversized
holes: 11:3 (28)
drawer slides, source of (Dohzuki): 15:1 (4,12)
Shaper Table, Adapting for Curved Work: 6:2 (4749)
shooting board, construction and use: 11:2 (21-23)
Sevebeck, Bill (Author)
The All-Purpose Shaper/Saw Table: (Part 1) 2:4
52
Volume 1 (1976-1977) to Volume 20 (1995-1996)
(37-42); (Part 2) 3:2 (18-21); (Part 3) 3:3 (29)
Lamp-Mounted Adjustable Work Clamp: 3:1 (4547)
Modeling From Prototype: A 17th Century
Gateleg Table: 1:3 (2-15)
Practice in Rushing and Turning: A Shaker
ladderback: 1:3 (53-54)
Woodturning in the Metalworking Lathe: (Part 1)
1:4 (49-55); (Part 2): 2:1 (26-31); (Part 3) 2:2
(48-53)
Working with the Dremel Moto-Lathe: 7:1 (19-22)
writing desk (c. 1810-1830): 18:2 (117-20)
Sharp, J. (Author)
Jig for Cutting Perfect Circles: 6:4 (28)
Shaper Table
adjustment of: 2:4 (41-42)
bits: 2:4 (42)
continuously adjustable fence: 3:2 (19-20)
fence, rise and run ratio: 3:2 (20)
fences, in and out feed: 2:4 (39-40)
fine adjustments for: 7:1 (23-26)
general plans for: 2:4 (37-40)
molding cutter: 3:3 (25)
plans for (Dremel): 5:1 (22-27)
safety precautions: 3:3 (28); 5:1 (26)
saw attachment, use of: 3:3 (26-28)
use of: 5:1 (26-27)
Sevebeck, Kathy (Author)
A Conversation with Harry Whalon: 2:3 (22-25)
A Geometric Rug: 2:2 (31-33)
A Needle in My Hand (essay): 2:1 (15)
Butterflies for Stitching: 4:2 (20-22)
Candlewick Spread: Ancestor of Modern Day
Chenille: 3:3 (53-54)
Cozy, Comfortable, and Early American: Wing
Back Sofa, Matching Chair, and Ottoman: 3:3
(6-12
Embroidery on Fabric: Three Techniques for
Rugs: 2:2 (29-30)
Introduction to Embroidery on Canvas: 2:1 (1621)
Miniature Quilts in Cross-Stitch: 3:2 (16-17)
Miniature Rooms: A Different Point of View. 1:2
(20-22)
Miniatures in Flame: Bargello: 1:3 (46-48)
Model in a Minute: Chenille Rug: 3:2 (15)
Sharpening
bench grinder safety: 2:1 (26-27)
copier bit: 4:3 (2)
form tool: 2:2 (48-49)
gravers: 2:2 (5)
hand-turning chisels: 5:4 (46-49)
lathe tool bits: 2:1 (27-28)
leather strop, use of: 19:4 (14)
table saw blade: 3:3 (26)
wet-dry paper (400 & 600 grit): 11:1 (27)
Shaw, S. Bernard (Author)
From Barn to Drawing Room...Peg Legs: 15:2
(23-24,41)
Sanding Without Manicure: Sanding Finger Saver:
14:3 (19-20)
The Shoemaker's Last Stand: Cobbler's Bench:
13:3 (44-46)
Shaker (c.1850's to 1880's)
bed stand: 11:2 (33-35)
bench: 11:3 (23)
bench, utility: 16:3 (16)
candle holder: 16:1 (36,40)
chair, ladderback (c.1875): 1:3 (2-15)
commode chair (Pleasant Hill, KY): 8:5 (25-29)
cradle (c. 1810-1830): 18:3 (30,32)
cupboard desk (c. 1852): 11:1 (22-26)
design innovations: 16:3 (6-7)
design standards: 11:1 (22)
hanging spool rack: 16:3 (14-15)
history of Shakerism: 16:3 (5-7)
Mount Lebanon (New York): 16:3 (5-6)
pedestal stand: 1:3 (29-30)
sewing desk, Mount Lebanon (c. 1786-1900) 16:3
(7-11)
step stool: 17:1 (47)
stool, swivel sewing (c.1850): 16:3 (11-14)
wall rack: 11:3 (23)
wood box (Pleasant Hill, KY, 19th C.): 8:6 (14-17)
Shellhaas, Judy (Author)
Carved Fireplace (circa 1900): An Introduction to
Hand Carving: 10:3 (36-44)
Carved Mirror Frame: An Introduction to Hand
Carving: 10:1 (29-33)
Carving a Pier Table: An Introduction to Hand
Carving: 10:2 (47-51)
Sheraton
desk, lady's writing (American, c. 1800): 13:3
(35-39)
night table (c. 1793): 2:2 (22-27)
Sheraton, Thomas Drawing Book (1793): 2:2 (22)
Sheraton, Thomas: 2:2 (22)
swinging cradle (c. 1810): 8:4 (18-19)
53
Volume 1 (1976-1977) to Volume 20 (1995-1996)
talc & dope: 1:2 (12)
use of glue for: 19:2 (24)
walls: 4:2 (23)
Sideboards: See Cabinets
Siding, Architectural
clapboard: 1:4 (9-13)
corner facia: 1:4 (9-10)
Jig: 1:4 (10)
stucco: 11:2 (20,23)
Sleds & Sledges
Swell Bodied Cutter, J.J. Deal & Sons (c. 1891):
(Part 1) 17:3 (5-14); (Conclusion) 17:4 (25-36)
Slotting saw:
Dremel drill press, use of as: 8:2 (27-28)
Siegler, Susan: 2:1 (20, 21)
Simpson, June (Author)
19th Century Blanket Box: 17:1 (32-37, 48)
19th Century Metamorphosis: Regency Library
Chair/Steps: 18:1 (36-43)
20th Century Chippendale Bedroom Suite:
Bedside Breakfast Table (c. 1900-1920): 20:1
(20-24)
20th Century Chippendale Bedroom Suite:
Lady's Vanity Dresser & Bench: 19:4 (33-43)
Antiques Before Their Time: Chippendale
Gentleman's Dresser (c. 1990): 18:4 (30-37)
Carved 20th Century Bed (Contemporary
Chippendale): 19:2 (34-42)
Gentleman's Dressing Mirror (Chippendale, c.
1920): 19:1 (16-21)
In Lieu of Closets: 19th Century Wardrobe: 17:3
(39-46)
Kitchen Clock Shelf: A Beginner's Workbenh
Project: 17:3 (47-48, C3)
A Late Victorian Washstand (19th Century):
16:4 (31-38)
One Good Turn Deserves Another: Colonial
Four Post Bed with Trundle: 18:2 (40-48)
Scrolling with a Purpose: French Restoration
Lamp Table: 17:2 (20-23)
Sliding tables for Micro-Lux and Preac Table
Saws: 16:1 (3)
What-Not and Bow-Front: A Hang of Shelves:
17:4 (44-47)
Smithfield Plantation: 1:2 (26-30)
Sobers, Kay C. (Author)
A Tomorrow Rug: 2:1 (22-25)
Soldering
basic tools & techniques: 4:2 (25-26); 9:2 (42-44);
13:3 (14-15)
clothes pins, use of: 9:2 (42-43)
flux: 4:2 (25); 9:2 (42)
heat dams: 9:2 (42)
irons: 13:3 (14-15)
liquid, solder, use of: 13:3 (16)
pencil soldering iron, use of: 9:2 (42-44)
stranded electric wire: 2:3 (34)
sweating: 3:1 (39-40)
tinning: 4:2 (25)
tubing: 9:1 (40)
types: 9:2 (41,42);13:3 (13-14)
Spindles
arrow back, 12:3 (37)
commercial, use of: 8:1 (12-17); 8:2 (16-18); 9:1
(14-22)
drilling spindle holes: 15:4 (27-28)
duplication, techniques for: 6:4 (15-17); 15:4 (28)
hobby knive, carving with: 9:1 (49)
locating and drilling: 17:4 (11)
moto-tool (Dremel), turning with: 12:3 (37-38)
preparing stock: 15:4 (28)
Sinks, Tubs, Commodes, and Washstands
dry sink (X-Acto): 1:3 (55-59)
sink/pump, kitchen (Realife): 1:4 (44-46)
Spinning Wheel, Norwegian (c. 1800s): (Part 1): 7:4
(4-13); (Part 2) 8:1 (40-52)
Sinnett, Doreen (Author)
Punch Needle Embroidery Rugs: 2:2 (34-37)
Spray Booth, construction of: 4:4 (16-19)
Square
use of: 19:1 (27)
Sizing & filling
gesso: 2:2 (41); 4:4 (39)
hide glue: 4:3 (9)
shellac: 4:3 (9, 13)
sprackling compound: 5:4 (38)
Stairs and Stairwells
architectural detail, introduction to: 12:3 (25-28)
exterior, Italiante: 9:4 (10-15)
54
Volume 1 (1976-1977) to Volume 20 (1995-1996)
interior, circular: 9:4 (16-18)
stairwell, Colonial: 1:2 (51-55)
Stickley, Gustav. 14:1 (25); 15:4 (5-6)
Stalters, Bill (Author)
Scale Brickwork Using Sand Textured Paint: 10:2
(24-28)
Stonework (see Bricks and Stonework)
Stands (see Tables)
Sydney, Sylvia: 2:1 (16, 21)
Steiger, Tom (Author)
Cheating at the Shell Game: How Non-Carvers
can Conquer Carved Qoquille: 13:2 (5-9)
Goof-Proof Micro-Miterer: 16:1 (49)
Handsome, No Matter How You Slice It: ShortCut Parquetry: 14:4 (25-30)
Molding and Machining a Bombe Cabinet Base:
17:1 (18-24)
The Other Way: Of Fiberglass & Dental Burrs:
16:3 (C3)
O Wondrous Wooton!: (Part 1) 15:1 (25-33); (Part
2) 15:2 (25-35); (Conclusion) 15:3 (42-48)
Some Shortcuts to More Realistic Applied
Carvings: 18:3 (25-28)
*T
Strapping Tape, uses of: 3:4 (18-19)
Table Saw
adjusting: 8:4 (13-14)
auxiliary, stationary-angle table: 15:4 (3)
blind cut: 16:2 (40)
brass miter slides, modification of (Micro-Lux):
15:1 (3)
cross cut fence (miter gauge fence): 8:4 (15-17)
cross cut sliding table for Microlux: 14:4 (22-23)
full size, Delta 10": 14:1 (4)
fence, Jarmac: 9:3 (2)
Jarmac, source of: 3:4 (1)
micro-adjust fence, use of: 4:4 (47-48)
miter cut sliding table for Microlux: 14:4 (23-24)
miter gauges for Preac, use of: 12:4 (23)
mitering: 5:3 (46-47)
mitering jig: 17:2 (24)
push stick: 14:1 (3)
pushers, use of: 8:3 (16); 10:4 (43)
rip fence: 8:4 (14-15); 14:4 (20-22)
safety: 3:3 (46); 8:3 (12-16); 10:4 (35-39); 14:4
(24); 16:2 (30)
(Dremel, problems with tilting arbor) 14:1(4);
safety guard, use of: 8:3 (14-15)
sawdust eliminator/ collector: 10:4 (42)
saw guide extension (Micro-Lux): 10:4 (40-42)
shooting board, construction and use: 11:2 (21-23)
sliding mitering jig: 8:5 (43-45)
sliding tables for Micro-Lux and Preac Table
Saws: 16:1 (3)
slitting blade: 3:3 (26)
slot-cutting jig: 15:4 (4)
tapering jig: 12:3 (39-43)
types of cuts: 8:4 (14)
use in carving projects: 10:3 (36)
Stenciling and Stenciled Decorations
brass stencils, use of: 8:2 (7-8)
floor cloth: 8:2 (7-8)
powders, application of: 2:3 (14)
stencil cutting: 2:3 (13-14)
stippling: 8:2 (8)
surface preparation: 2:3 (11-12)
tinting: 2:3 (16)
wall, methods and stencils: 5:3 (5-6)
Stephenson, Fred (Author)
Architectural Detail
Basic Brickwork: 9:3 (14-17)
Brickwork Bonds and Patterns: 9:4 (4-9)
Decorative Roof Trim: 11:1 (29-35)
Windows: 12:1 (25-29)
The Green Window House (19th C. Kansas City):
8:1 (25-33)
An Italianate Victorian House in 1/4 Scale: 8:4
(25-30, Insert).
Introducing A New Series: Dollhouse Plans &
Elevations: 8:1 (24)
Making Simple Castings with Polyester Resin:
10:2 (10-14)
Victorian Porch Details: 10:4 (5-11)
Tables, Stands, and Pedestals
accessory (c. 19th C): 15:3 (27-28,32)
backgammon: 17:3 (36-38, C3)
bed side, French: 10:3 (5-11)
1900-1920): 20:1 (20-24)
bed stand (Shaker): 11:2 (33-35)
Stevens, Zachariah tin work factory owner, Maine,
1793: 2:3 (5)
55
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Inch): 14:1 (27-28)
billiard table, contemporary: 17:1 (41-46)
book trough (c. 1930's): 15:4 (37,44)
butler's: 14:2 (23-24)
butterfly dropleaf (c. 1920's): 13:3 (22-23)
canterbury racks (c. 1800-1825): 7:4 (14-20)
card table, Empire (c. 1840): 16:2 (25-31)
1900): 15:4 (6-10)
Chippendale Tea Table (c. 1755): 2:1 (35-36)
center table, Victorian Renaissance (c. 18651885): 5:3 (44-47)
coffee table, Canterbury Shaker: 19:3 (22-24)
coffee table, oak: 4:1 (26-28)
coffee table (Queen Anne Style, 20th C.): 12:4
(36-38)
conservatory, c. 19th C.: 14:3 (45-48)
console, John Hall, (c. 1840): 4:1 (21-22)
corner, Quenn Anne: 12:2 (19)
cricket (c. 17th C): 17:4 (39-43, 47)
Dressing Table (lowboy), Philadelphia, c. 17551795): 2:2 (4-16)
dropleaf, Sears breakfast (c. 1930s): 9:1 (14-18)
dropleaf, support pivots: 16:4 (18)
end, with book trough (c. 1920's): 13:3 (47-48)
end table, Canterbury Shaker: 19:3 (20,22)
extension dining table (Sears, c. 1927): 18:3 (611)
fern stand (Greene and Greene, c. 1907): 20:2 (2324)
gateleg (c. 1690): 1:3 (2-15)
gateleg (c. 18th C Spanish): 16:3 (33-37)
gateleg (William & Mary, c. 1695): ECK (26-28)
handkerchief corner, Queen Anne gateleg (c.
1750-1790): 15:4 (31-33)
Jacobean hutch, w/ commerical spindles: 8:1 (1516)
(23-24,48)
kitchen (Upper Canadian, c. 1800-1830): 16:2
(21-24, C3)
kitchen utility: 1:4 (47-48)
lamp table, Cottage, spool turned (c. 1860): 17:4
(13-15)
lamp table, French Restoration (c. 1833): 17:2
(20-23)
legs, shaping with hand tools: 19:2 (8-10)
legs, tapering: 15:1 (14)
library ladder, George III (Campbell, c. 1793):
14:4 (5-15)
library table (c. 1920s): 20:2 (46-48)
library table (Craftsmen, c. 1907): 20:2 (13-16)
library table and bookcase, apartment (c. 1920):
13:2 (32-33)
15:2 (5-11,22)
Lincoln (c.1850): 13:2 (40)
lyre (18th C): 10:4 (17-19)
modifying height: 6:2 (21)
octagonal card: 16:3 (41-43)
octagonal legs, tapered: 15:2 (6-8)
ogee feet: 16:2 (31)
ornamental table, Gold Oak (c. 1900): 16:1 (3740)
oval side (half inch, c. 1780-1810): 12:4 (39-40)
Parsons: 1:2 (17-19)
pedestal centre, Late Empire (c. 1830's): 13:4 (711)
pedestal extension, Empire (c. 1810): 7:1 (36-44)
pedestal stand, Shaker: 1:3 (29-30)
Pembroke (c. 1790): 12:1 (20-23,48)
(46-48)
pier: 10:2 (47-51)
pivot blocks and points: 16:2 (31)
pivot points, locating: 16:4 (4)
Porringer (c. 18th C.): 17:4 (37-39)
pub, Irish: 18:3 (20-24)
Regency, French Canadian (c. 18th C.): 12:4 (1415)
rolling cart (c. 1930's): 15:4 (34-36)
serpentine: 6:2 (4-7)
server, Sears (c. 1930s): 9:1 (19-20)
Sheraton night table (c. 1793): 2:2 (22-27)
side, Chinese Ch'iao-t'ou: 10:1 (14-17)
sofa table, Federal (c. 1820): 16:4 (14-19)
sofa table (c. 19th C.): 13:2 (19-23)
stand, basin, Chippendale (c. 1770-1780): 16:1
(21-24, 48)
step table, single drawer (Colonial): 19:1 (43-44,
46)
step table, two drawer (Colonial): 19:1 (45-47)
step table, two shelf (Colonial): 19:1 (47)
tennis (ping pong): 17:3 (33-36)
trestle, Shaker style: 13:2 (45-48)
trestle (Spanish Colonial, New Mexico): 16:4 (2528)
trestle table, breakfast nook (c. 1920's): 15:2 (4244)
tea poy: 7:3 (15-18)
writing desk, Shaker (c. 1810-1830): 18:2 (17-20)
56
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Tack Rags
use of: 19:3 (43)
kaleidoscope, operating (c. 1870): 8:3 (6-11)
kitchen, Nuremberg (c. 1800s): 7:1 (9-10)
Noah's ark: Nuremberg (c. 1800s): 7:1 (8-9)
train, operating tinplate (1/12 scale, c. 1920s): 6:1
(29-44)
twirling boy & girl toy (c. 1904): 8:2 (9)
Tambour Curtain, desk: 3:4 (33-34)
Taps and Tapping
introduction to: 16:3 (12-13
Tri Squares: 1:1 (25)
Thicknessing:
drill press & milling table: 3:4 (24,26)
Trunks
Trunk, history of: 4:1 (10-11)
Trunk, Leather Bound, Dome Top, with Stand (c.
1672): 4:1 (10-14)
Thicknessing Sander:
adjustable fence for: 6:2 (46)
jointing with: 4:4 (20,24)
modifications of: 16:2 (3)
planing with: 4:4 (20)
plans for: 4:4 (20-28)
Turn-of-the-Century (Golden Oak)
dining room set, Turn-of-the- Century Oak (c.
1900): 13:2 (36-39)
13:2 (37-39)
table, occasional (c. 1900): 16:1 (37-40)
Thorne Rooms DMC embroidery floss colors used:
2:3 (24)
Tin & tinwork:
bending brake, use of: 11:3 (11)
clear cement, use of: 9:3 (33)
duckbill pliers, use of: 11:3 (11)
materials: 7:4 (43)
preparing tinstock: 7:4 (43)
screenwire, use of: 9:3 (33)
sources of: 8:3 (6)
tools: 7:4 (43)
Turntable, Apartment: (Part 1) 13:2 (25-35)
Turning: (see, also, Lathes)
ball & bead: 1:3 (2-12)
bone: 5:2 (51-52)
burnishing: 1:3 (33)
chisels, use of: 1:4 (53-55)
chisels, from old files: 11:1 (27)
commercial turnings, use of: 8:2 (16-18)
copy attachment templates: 3:3 (23); 5:4 (51
copy attachment, use of: 3:3 (23-24)
Dremel Moto-Lathe, use of: 1:3 (31-34)
elbows, turning jig: 8:2 (33)
faceplate: 1:3 (33-34); 5:3 (45-47)
faceplate, curved molding: 5:2 (28-30)
faceplate, table apron: 5:3 (46-47)
fluting: 4:1 (46-47)
gauge board, use of: 16:3 (13)
hand methods, files: 5:1 (41); 5:3 (42)
hand-tool rest (Taig): 5:1 (46)
indexing: 3:4 (18,20)
jacob's chuck, use of: 8:2 (33-34)
knobs, Shaker: 16:3 (10-11)
lathe methods: 1:3 (12-13, 32)
molding cutter: 4:4 (2cf)
non-machine methods: 1:2 (29)
profiling: 2:2 (48-52)
rosettes: 5:3 (47)
quarter round molding: 17:4 (12-13)
repetitive turning: 6:4 (17)
Tools
cutting edge, understanding: 10:2 (42-46)
dual cutting edge: 10:2 (44-46)
handtools
introduction to basic set: 19:1 (26)
use of, general introduction to: 19:1 (25-28)
introductory guide to: 9:4 (49-56); 14:4 (4,15)
Toys
“Balky Pinto” pull toy (Wards, 1929): 8:1 (10-11)
boy's two-wheel pull cart (c. 1886): 2:1 (11-12)
checker & chess boards: 6:4 (38-40)
Crandall doll carriage (c. 1867): 2:1 (9-11)
dart Board and Cabinet: 17:2 (37-39)
dollhouse, fiberboard (c. 1938): 6:1 (23-28
+insert).
greiner doll (c. 1870): 2:1 (7-8)
hobby horse riding stick: 16:3 (39-40
horse Pull Toy (c. 1840): 2:1 (6-7)
57
Volume 1 (1976-1977) to Volume 20 (1995-1996)
wheels: 6:1 (37-39)
spindle speed: 1:4 (49)
spindles, Cottage Victorian: 8:2 (31-34)
storyboards, use of : 17:4 (11)
styrene & acrylic: 5:3 (49)
table tops, using a Unimat: 3:1 (1)
turning blanks, centering: 14:1 (17)
vase & ring: 1:4 (53-55)
with machine tool bits: 2:1 (29-31)
12); 18:1 (46-48)
leather
simulation of: 11:1 (16)
use of: 16:2 (15-17)
oil cloth, simulation of: 7:2 (39)
panels, use of: 10:3 (24-25)
shell size, importance of: 2:1 (39)
small figured fabric: 3:3 (10-11)
squared fabric corners: 2:1 (41)
techniques: 2:4 (27-31); 7:2 (48-52)
tufter, 16:2 (15)
tufting: 5:4 (29,33)
upholstery shell: 16:4 (6, 9)
use of patterns: 16:4 (11-12)
Turning chucks
centering: 14:1 (17)
collet: 5:1 (46,49)
drill chuck & spur drive: 1:4 (50)
faceplate, Dremel: 1:3 (33-34)
jacob's chuck, use of: 8:2 (33)
socket: 4:2 (10-18)
spur drives and live centers: 14:1 (17-18)
three-jaw: 5:1 (46,49)
wrench socket: 5:4 (52)
*V
Van Horn, Mitzi (Author)
Oriental Rug Knotting: 1:1 (14-15)
Veneer and Veneering
book matched: 13:4 (25-29)
burl veneer, use of: 15:1 (33,48)
mahogany, use of: 16:4 (18-19)
Turning tools (see also: Lathes)
bits, right & left hand: 2:1 (27-28)
chisels: 1:4 (49-51)
copy attachment cutter: 3:3 (22)
dental chucks/picks: 1:4 (50-51)
duplicator bit: 4:2 (46)
duplicator tracer: 4:2 (47-48)
form tool, making: 2:2 (48-50)
form tool, use of: 2:2 (50-52)
hand held chisels: 5:4 (46-49)
half-round files, use of: 17:4 (9)
machine tool bits, use of: 2:1 (29-31)
profile cutter: 5:2 (31-32)
profile templates, use of: 9:1 (30)
round nosed chisel, use of: 17:4 (14-15)
X-Acto knife: 4:2 (41-42)
Ventilation (see spray booths)
Vermont Novelty Works: 2:1 (11)
Victor, Doris (Author). Simple Lathe Techniques: A
Victorian Pedestal Table: 4:2 (41-45)
Victorian
cabriole leg: 1:1 (16-18)
Cottage
bedstead, spool turned (c. 1860): 17:4 (6-13)
chest, Renaissance-Style Cottage (c. 1860):
17:3 (25-32)
lamp table, spool turned (c. 1860): 17:4 (13washstand, (c. 1860): 17:4 (16-20)
overview of: 17:3 (25-26)
room box, mid-Victorian: 1:2 (20-22)
settee (c. 1860): 1:1 (19-22)
side chair: 1:3 (49-52)
washstand (late 19th Century): 16:4 (31-38)
yacht chair, folding (c. 1890): 18:4 (6-11, 24)
*U
Upholstery:
basswood, use of: 18:1 (46-47)
box pleats: 2:4 (30)
boxed cushions & cording: 2:1 (41-42)
cardstock templates, use of: 2:4 (29-31, 34-36);
16:4 (12-14)
chair frames: 14:2 (19-22,48)
choice of fabric: 2:4 (27)
cording: 1:1 (22); 2:4 (29, 31)
fabric, working with: 2:4 (34-36)
glue removal: 4:2 (23)
half inch, techniques for: 12:3 (8-12)
introduction to: 2:4 (34-36); 9:3 (28-29);12:3 (8The Scale Cabinetmaker Index
Voysey, Charles Francis Annesly (English Furniture
Designer): 9:2 (45)
*W
Wainscot
58
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Colonial: 1:2 (56-57)
paneling, Williamsburg (c. 1700): 5:2 (24-27)
wall paneling: 15:4 (38-40)
pedal car (c. 1914): 3:1 (37-44)
pivot assembly: 16:1 (13-14)
rims, construction of: 16:1 (7-11)
spoked, construction of: 7:2 (30-35); 16:1 (9-11)
turned: 6:1 (36-39)
two-wheel cart, toy: 2:1 (11-12)
undercarriage, construction of: 16:1 (13-16)
wheel jig: 16:1
Wanner, Ralph (Author)
Using a Photocopier to Reduce Plans: 10:2 (41)
Weathering
techniques, board and batton exterior: 8:6 (30)
Wicker
simulating: 5:1 (37-38)
Wegner, Hans (furniture designer, 1940s): 1:1 (11)
Wilkins Toy Works: 2:1 (6)
Westcott, Peter F. (Author)
Architectural Detail from Stock Molding: Graeme
House Cornice: 17:4 (48, C3)
The Bishop's Livingroom (c.1760 ): (Part 1) 15:1
(5-12); (Part 2) 15:2 (12-18, 22); (Part 3) 15:3
(17-24); (Conclusion) 15:4 (38-44)
Cornice Design (c. 1796): 14:3 (16-18)
Furniture for the Southwest Room: 16:4 (25-30)
A Late Georgian Room: (Part 1) 3:2 (28-41);
(Part 2) 3:3 (32-42); (Part 3) 3:4 (8-16); (Part 4)
4:1 (15-18)
The Inglenook Room (c. 1910-1930): (Part 1) 20:1
(5-12); (Part 2) 20:2 (25-36)
Millwork for Miniatures:
Chair Rail: 4:3 (29-32)
Dental Cornice Molding: 4:4 (51-52)
Southwestern American Roombox (c. 17th C):
(Part 1) 16:2 (7-11); (Part 2) 16:3 (25-32, 44);
(Part 3) 16:4 (43-49)
Wall Shelf and Bench (Southwest, c. 18th): 17:1
(38-40
A Williamsburg Interior (c. 1770): 5:1 (16-21);
5:2 (21-27); 5:3 (12-16)
William & Mary
chair, roundabout (corner chair): 1:2 (26-30)
Williamsburg
Roombox, Williamsburg Interior, c. 1770. 5:1
(16-21); 5:2 (21-27); 5:3 (12-16)
Williamson, Judee (Author):
“A Feast Made for Laughter...The Christmas
Cover Kitchen” 5:1 (2
Windows
architectural detail, introduction to: 12:1 (25-29,
47)
Arts & Crafts casing: 11:3 (5)
assembly: 12:1 (30-35,42)
bay, Italianate: 9:3 (9)
casement, diamond pane: 1:4 (13-16)
double-hung, construction of: 2:4 (20-23); 3:4 (1213); 5:3 (12-14)
Federal, Construction of: 2:4 (8-9)
framing (c. 1660): 1:3 (15-17)
leaded: 1:4 (14-16); 11:2 (14-15)
lead calmes: 1:4 (14-15)
operating: 12:1 (25-26)
placement: 12:1 (25-26)
sashes (c. 1700): 1:1 (45)
screen: 7:3 (27)
shutter: 4:3 (20-22)
Williamsburg (c. 1770), construction of: 5:3 (1214)
Whalon, Harry (Author)
A Conversation with Harry Whalon: 2:3 (23-25)
Wheels & Wheeled Vehicles
baby carriage, tricycle (c. 1870): 7:2 (29-39)
bending wheel rims: 16:1 (8)
brass, spoked: 3:1 (43-44)
buggies, history of: 16:1 (5-6)
buggy, J.J. Deal (c. 1900): (Part 1) 16:1 (5-16);
(Part 2) 16:2 (12-20); (Part 3) 16:3 (45-48)
cast resin, source of: 2:1 (9,11)
electrical alligator clamps, use of: 16:1 (8)
fifth wheel: 16:1 (13-14, 16)
glass jars, use of: 16:1 (8)
hub, turning and drilling: 7:2 (34)
Wingnuts
specifications and use of: 13:4 (3)
Wiring,
5w lamp, reduced voltage: 2:4 (59)
68 olm resistors, use of: 5:1 (1)
aluminum, problems with: 8:2 (43)
59
Volume 1 (1976-1977) to Volume 20 (1995-1996)
bulb shields: 17:3 (21)
bulb interior shields: 17:3 (22)
channel router attachment, construction of: 2:3
(31-32)
channel router attachment, use of: 2:3 (32-33)
channels, use of 1/8” dado blade: 8:2 (44-45)
circuits, design of: 2:3 (33-35)
current ratings for wiring in channels: 8:2 (44-45)
DC electronically regulated power supply: 8:3
(45-46)
defining moods: 17:3 (23-24)
dimmer switch: 5:4 (2,26)
direct current (power supply): 8:3 (45-46)
direct current, 12 volt: 8:2 (49)
electrical blind panel: 1:4 (12)
electronic circuitry for chimes and mircobulb:
12:1 (43-47)
false walls, use of: 15:2 (46)
fluorescent lamp and ballast: 4:3 (37)
fluorescent lighting unit: 15:4 (46-48)
foil vs. stranded wire: 2:3 (30)
fuses and fuse holders: 9:4 (41-42)
hidden: 2:4 (13-16); 8:2 (44-46)
hidden lamps: 10:1 (34-37)
hidden wiring, cardboard spacers: 2:3 (35)
hidden wiring, general approach: 1:3 (17-19); 2:3
(30-36)
hidden wiring, routing channel: 2:3 (31-32)
insulating: 2:3 (34-35)
introduction to: 1:3 (18-20); 9:4 (41-42)
lamp shields: 17:3 (23)
lamps, bypes: 9:1 (44-46)
lamps in series: 3:2 (14)
LED, use of: 9:1 (46)
lighting fixtures, design of: 10:3 (17-20)
lighting panel for display boxes: 15:2 (45-46)
lighting simulation: 17:3 (21-22)
lighting strips, hidden: 15:4 (42-44)
microswitches, use of: 17:3 (24)
motor, reverse rotation: 4:3 (47)
motor, switch: 4:3 (48-49)
multi-display workhorse transformer: 7:3 (22-27)
multimeters, types and use of: 15:4 (45-46)
outlets, use of transistor sockets: 1:3 (19-20)
parallel: 9:1 (45)
planning & layout: 2:3 (31)
problem plugs, correcting: 5:3 (37)
power controller, workbench: 16:2 (42-43)
power supply, housing for: 8:6 (25-33)
power surges, elimination of: 8:2 (49)
regulated VDC power supply: construction of: 8:2
(49-56)
resistors, serial vs. parallel: 5:1 (1)
resistors, use of: 5:1 (1)
resistors, voltage dropping: 9:1 (43-45)
rotary DP6T switch, use of: 17:3 (24)
series: 9:1 (45)
soldering: 2:3 (34-35); 8:2 (43)
spring contacts: 2:4 (15)
subminiature bulbs: 9:1 (43-46)
switch, garbage can: 8:6 (32-33)
telephone cable, use of for 12 volt system: 8:2
(44)
transformer/switch layout: 2:4 (15)
transformers: 9:4 (41)
Wolfe, Kenneth A (Author):
Adjustable Fence for Jedlicka's Thicknessing
Sander: 6:2 (46)
Wood,
Australian hardwoods, types of: 14:4 (19,42)
basswood: 1:2 (10-12)
becuiba (banak): 13:1 (41)
birch, substitute for maple: 15:1 (25)
boxwood: 13:1 (5)
burl, Spanish cedar (cedrela odorata): 15:1 (25-26)
burl, veneer: 5:3 (45)
burl, thicknessing: 5:3 (45)
Carpathian elm burl: 10:1 (15)
cherry, substitute for mahogany: 2:2 (5)
choice of stock thickness: 16:4 (21-22)
danta, substitute for mahogany: 13:1 (41)
density & weight: 1:2 (10)
drying: 5:4 (7-8)
ebonizing: 14:1 (17)
laminating for strength: 15:4 (24)
mahogany, substitutes for: 13:1 (41)
mansonia, substitute for black walnut: 15:1 (25)
parquetry, appropriate for: 14:4 (25-26)
pearwood, substitute for mahogany: 17:1 (20)
plywood (1/32”), use of: 9:4 939)
purple sandlewood: 10:1 (15)
red alder, use of 6:2 (4); 9:1 (28); 12:3 (33-35)
red alder, substitute for oak: 14:1 (12)
repairing breaks: 7:3 (19-21)
resawing: 5:4 (8-9)
ripping, using hand tools: 19:1 (27)
scale knots: 5:4 (6)
scale lumber, how to cut: 5:4 (5-9)
surfacing: 5:4 (9)
truing reference edge: 11:2 (21-23)
walnut: 13:1 (5)
Wood Surfacers: see disc sanders.
60
Volume 1 (1976-1977) to Volume 20 (1995-1996)
Wright, Pamela (Author)
Toddler's Toys from Montgomery Wards (c. 1929):
8:1 (10)
Twirling Boy & Girl Toy (c.1904): 8:2 (9)
Wood Surfacer (see Disk Sanders)
Woodturning (see Lathes)
Woodwork, Interior Early 20th Century: 2:1 (52)
Workshops: Fall 1986 TSC Workshop Report: 10:4
(33-34)
X,Y, Z
Yankee Chucker
insert for, fix for wobbles: 7:3 (1)
Yankee Drill
use of: 14:1 (41-42)
61
Volume 1 (1976-1977) to Volume 20 (1995-1996)

The Scale Cabinetmaker Subject Index, Volume 1 to Volume 20

Transcription

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