Revised Bibiliography to the “Catalogue of Objects” in New Guinea Art

Revised Bibiliography to the “Catalogue of Objects” in New Guinea Art

Revised Bibiliography to the “Catalogue of Objects” in New Guinea Art: Masterpieces from
the Jolika Collection of Marcia and John Friede
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Adams, Laurie Schneider. Art across Time. Vol. 2, The Thirteenth Century to the Present.
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Altman, R. C. Art of New Guinea: Sepik, Maprik and Highlands. Published in conjunction
with an exhibition arranged by the Museum and Laboratories of Ethnic Arts and
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California, The Ethnic Art Galleries, 1967.
American Museum of Natural History. Faces and Figures: Pacific Island Art from the
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Apollinaire, Tzara, and Rousseau 1951. See Rousseau, Apollinaire, and Tzara 1951.
Aufenanger, H. “The Gerua Cult in the Highlands of New Guinea.” Anthropos 60 (1965):
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———. The Passing Scene in North-East New Guinea: A Documentation. Collectanea
Instituti Anthropos, vol. 2. St. Augustin bei Bonn: Anthropos Institute, 1972.
———. The Great Inheritance in Northeast New Guinea: A Collection of Anthropological
Data. Collectanea Instituti Anthropos, vol. 9. St. Augustin bei Bonn: Anthropos
Institute, 1975.
L’aventure de Pierre Loeb, la Galerie Pierre, Paris 1924–1964. Exh. cat., Musée d’Art
Moderne de la Ville de Paris and Musée d’Ixelles, Brussels. Paris: Musée d’Art
Moderne de la Ville de Paris, 1979.
van Baal, Jan. “The Cult of the Bull-Roarer in Australia and Southern New Guinea.”
Bijdragen tot de Taal-, Land- en Volkenkunde (Leiden), no. 119 (1963): 201–14.
———. Dema: Description and Analysis of Marind-Anim Culture (South New Guinea). In
collaboration with Father J. Verschueren. Koninklijk Instituut voor Taal-, Land- en
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van Baal, Jan, K. W. Galis, and R. M. Koentjaraningrat. West Irian, a Bibliography.
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van Baaren, Theodorus. P. Korwars and Korwar Style: Art and Ancestor Worship in NorthWest New Guinea. Paris: Mouton & Co. Publishers, 1968.
———. “Art of Geelvink Bay.” In Art of Northwest New Guinea, edited by Suzanne Greub,
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Barbier, Jean Paul. Indonésie et Mélanésie: Art tribal et cultures archaïques des Mers du
Sud. Collection Barbier-Müller. Geneva, 1977.
Barbier, Jean Paul, and Douglas Newton, eds. Islands and Ancestors: Indigenous Styles of
Southest Asia. New York: Metropolitan Museum of Art; Geneva: Barbier-Mueller
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Barbier-Mueller Museum. Shields: Africa, Southeast Asia and Oceania from the Collections
of the Barbier-Mueller Museum. Exh. cat. by Purissima Benitez-Johannot and Jean
Paul Barbier. Munich and New York: Prestel, 2000.
Basler, Adolphe. L’art chez les peuples primitifs: Afrique, Océanie, Archipel malais,
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Bateson, Gregory. “Social Structure of the Iatmül People of the Sepik River,” parts 1–2.
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———. Naven: A Survey of the Problems Suggested by a Composite Picture of the Culture
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van Beek, A. G. The Biami: People of Papua New Guinea. Boroko, P.N.G.: National
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Behrmann, Walter. Im Stromgebiet des Sepik: Eine deutsche Forschungsreise in
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Beier, Georgina. “Wosera Pottery Collection for the Wewak Pottery Museum.” Gigibori 3,
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Beier, Ulli, and Peter Aris. “Sigia: Artistic Design in Murik Lakes.” Gigibori 2, no. 2 (October
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Beier, Ulli, and Albert Maori Kiki. Hohao: The Uneasy Survival of an Art Form in the
Papuan Gulf. Melbourne: Thomas Nelson, 1970.
Bellier, Jean-Claude. Mélanésie. Exh. cat. Paris: [Galerie] Jean-Claude Bellier, 1974.
Benitez-Johannot, Purissima, and Jean Paul Barbier 2000. See Barbier-Mueller Museum
2000.
Beran, Harry. Art of the Massim Region of Papua New Guinea: From Private Collections in
New South Wales and Canberra. Exh. cat. Wollongong, NSW, Australia:
Wollongong City Gallery, 1980.
———. Betel-Chewing Equipment of East New Guinea. Princes Risborough, Aylesbury,
Bucks, UK: Shire Publications Ltd., 1988.
———. Mutuaga: A Nineteenth-Century New Guinea Master Carver. Wollongong, NSW,
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———. “Massim Lime Spatulas: By the Master of the Prominent Eyes.” The World of Tribal
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———. Massim: Spatules à chaux. Translated by Sylvie Reynolds. Exh. cat. Paris: Galerie
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Beran, Harry, and Barry Craig, eds. Shields of Melanesia. Honolulu: University of Hawai’i
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Bern, Kunsthalle. Kunst der Südsee. Exh. cat. Die Kunst Aussereuropäischer Kulturkreise,
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Biebuyck, Daniel P., and Nelly van den Abbeele. The Power of Headdresses: A CrossCultural Study of Forms and Functions. Brussels: Leopold III Foundation for
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———. “Some Notes on the Ethnography of New Guinea: Initiation Rites and Ghost-Cult in
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———. “New-Guinean Style Provinces: The Style Province ‘Astrolabe Bay.’” In Opuscula
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———. Oceanian Art with 160 photographs and 10 colour plates of objects in the custody
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———. L’art de l’Océanie. Translated by H. Strauss. Paris: Gründ, 1961.
———. Art in North-East New Guinea. Budapest: Publishing House of the Hungarian
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———. “Style Provinces and Trading Areas in North and Northeast New Guinea.” In
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———. Törzsi M!vészet. Vol. 1, Ausztrália, Óceánia, Afrika. Budapest: Corvina Kiadó,
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———. “Marupai: Magic Amulets of the Papuan Gulf.” Art Tribal (Spring 1995): 55–60.
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