Werkverzeichnis Oeuvre Catalogue

Transcription

1
Sleeping Psyche 1985 Hydrostone 34 × 17 × 8 inches
2
American Putto
1989
Hydrostone
30 × 26 × 11 inches
3
Bodhisatva 1985 Hydrostone 20 × 15 × 7 inches
86 × 43 × 20 cm
76 × 66 × 28 cm
51 × 38 × 18 cm
4
Saint Francis 1986 Hydrostone/Hydrocal 27 × 12 × 19 inches
5
Sleeping Eros
1986
Terracotta
16 × 7 × 14 inches
68,5 × 30,5 × 48 cm
41 × 18 × 36 cm
127
6
Bush Baby 1986 Terracotta 14 × 10 × 5 inches
36 × 25,5 × 13 cm
7
Dancing Yakshi 1986 Terracotta 23 × 12 × 5 inches
8
Ancestor 1987
9
Eve 1987
10
Jesus
128
Terracotta, acrylic
Terracotta, acrylic
29 × 13 × 8 inches
32 × 14 × 7 inches
58,5 × 30,5 × 13 cm
73,5 × 33 × 20 cm
81 × 36 × 18 cm
1987 Terracotta, acrylic 24 × 14 × 6 inches
61 × 36 × 15 cm
11
Nymph 1987 Terracotta, acrylic 10 × 7 × 4 inches
25,5 × 18 × 10 cm
12
Totem 1988 Terracotta, acrylic 18 × 8 × 8 inches
45,5 × 20 × 20 cm
1988 Terracotta, oil
14
Mohammed
1988
21 × 10 × 18 inches
Terracotta, casein
53,5 × 25,5 × 45,5 cm
21 × 11 × 8 inches
15
Kwan Yin 1988 Terracotta, casein 21 × 14 × 12 inches
53,5 × 28 × 20 cm
53,5 × 36 × 30,5 cm
16
Lizard Dreaming 1989 Terracotta, oil, powder 21 × 23 × 10 inches
17
Shango
1989
18
Guardian
19
Bacchante
Terracotta, oil, pastel
1989
1989
Terracotta, casein
Terracotta, casein
36 × 16 × 15 inches
33 × 17 × 12 inches
35 × 21 × 21 inches
13
Leonardo
53,5 × 58,5 × 25,5 cm
91,5 × 41 × 38 cm
84 × 43 × 30,5 cm
89 × 36 × 36 cm
129
20
Einstein 1989 Terracotta, casein 22 × 13 × 12 inches
21
Jaguar Knight
22
Chacmool
1990 Terracotta, casein
56 × 33 × 30,5 cm
19 × 16 × 11 inches
30,5 × 61 × 33 cm
12 × 24 × 13 inches
23
Saint Francis 1990 Terracotta, oil 26 × 16 × 9 inches
66 × 40,5 × 23 cm
24
Saturn‘s Son 1991 Terracotta, casein 23 × 14 × 25 inches
25
Shiva Dancing 1991 Terracotta, casein 35 × 16 × 10 inches
130
48 × 41 × 28 cm
58,5 × 34,5 × 63,5 cm
89 × 40,5 × 25 cm
26
Amun‘s Consort
27
Cinderella
Terracotta, casein
1993
25 × 9 × 11 inches
39 × 25 × 20 inches
28
Malanggan 1992 Terracotta, casein 37 × 11 × 15 inches
29
David 1992 Terracotta, casein 39 × 13 × 13 inches
63,5 × 23 × 28 cm
99 × 63,5 × 51 cm
94 × 27,5 × 38 cm
99 × 33 × 33 cm
30
Sphinx 1990-92 Terracotta, casein 51 × 30 × 14 inches
130 × 76 × 34,5 cm
31
St. Theresa
84 × 28 × 38 cm
33 × 11 × 15 inches
131
26
Amun‘s Consort
27
Cinderella
Terracotta, casein
1993
25 × 9 × 11 inches
39 × 25 × 20 inches
28
Malanggan 1992 Terracotta, casein 37 × 11 × 15 inches
29
David 1992 Terracotta, casein 39 × 13 × 13 inches
63,5 × 23 × 28 cm
99 × 63,5 × 51 cm
94 × 27,5 × 38 cm
99 × 33 × 33 cm
30
Sphinx 1990-92 Terracotta, casein 51 × 30 × 14 inches
130 × 76 × 34,5 cm
31
St. Theresa
84 × 28 × 38 cm
33 × 11 × 15 inches
131
32
Virgin Mary
1993
Terracotta, casein
37 × 11 × 7 inches
33
Ixchel 1994 Terracotta, casein 24,5 × 9,5 × 11,5 inches
94 × 27,5 × 18 cm
62 × 24 × 29 cm
34
Dying Gaul 1995 Terracotta, casein 18,5 × 24,5 × 16,5 inches
35
Friar Tuck
18 × 12,5 × 13 inches
36
Olympia 1996 Terracotta, casein 12 × 27 × 8 inches
132
31,5 × 21 × 11 inches
45,5 × 32 × 33 cm
30,5 × 68,5 × 20 cm
37
Courtesan 1996 Terracotta, casein 31 × 11 × 11 inches
38
Attila
47 × 62 × 42 cm
78,5 × 27,5 × 27,5 cm
80 × 53,5 × 27,5 cm
40
Satyr
1998
41
Onile
Marble resin, casein
48 × 78,5 × 32 cm
19 × 31 × 12,5 inches
173 × 76 × 63,5 cm
68 × 30 × 25 inches
50 × 15,5 × 14 inches
127 × 39,5 × 34,5 cm
42
Rapunzel 1998 Terracotta, casein 56 × 27 × 17 inches
43
Lakshmi 1999 Terracotta, casein 50 × 26 × 14 inches
142 × 68,5 × 43 cm
127 × 66 × 34,5 cm
44
Court Lady 1999 Terracotta, casein 51 × 14 × 11 inches
45
Krishna
2001 Bonded marble, casein
39
Delilah
30 × 68 × 20 inches
130 × 34,5 × 27,5 cm
76 × 172 × 51 cm
133
46
Ayatollah
50 × 20 × 17 inches
127 × 51 × 43 cm
47
Holy Man
2004
Terracotta, casein
48 × 16 × 13 inches
122 × 41 × 33 cm
48
Nkondi
2004 Aqua-resin, casein
49
Divine Warrior
2004
54 × 22 × 12 inches
Terracotta, casein
50 × 18 × 11 inches
50
Venus 2004 Terracotta, casein 67 × 21 × 17 inches
134
137 × 56 × 30 cm
127 × 46 × 28 cm
170 × 53 × 36 cm
Biografische Daten Biography
Judy Fox
Geboren Born 1957 in New Jersey
Ausbildung Education
1985
1984
1983
1979
1978
1976
1974
Center For Conservation and Technical Studies, Harvard: Fellowship in Objects Conservation
Museum of Cultural History, UCLA, CA: Fellowship in Ethnographic Conservation
M.A., Institute of Fine Arts, New York University, New York, NY
Ecole Nationale Supérieure des Beaux-Arts, Paris
B.A., Yale University, New Haven, CT
Skowhegan School of Painting and Sculpture, Skowhegan, ME
Rhode Island School of Design, Providence, RI
Einzelausstellungen Solo Exhibitions
2005
2001
2000
1998
1997
1996
1994
1993
1989
1987
1977
Galerie im Traklhaus, Salzburg, Austria
Galerie Thaddaeus Ropac, Paris
Power Figures, PPOW, New York, NY
God Lover, PPOW, New York, NY
Love & War, John Michael Kohler Arts Center, Sheboygen, WI
Satyr’s Daughters, PPOW, New York, NY
Show Girls, Galerie Thaddaeus Ropac, Paris
Olympia, Ace Gallery Los Angeles, Los Angeles, CA
Child’s Play, Museum der Moderne Rupertinum, Salzburg, Austria
Naked Heroes, Kunsthalle im Palazzo, Liestal, Switzerland
Sphinx Chapel, PPOW, New York, NY
Premasculine, Rena Bransten Gallery, San Francisco, CA
Prefeminine, Gallery Joe, Philadelphia, PA
Christine König Galerie, Vienna, Austria
The Virgin Mary, Saint Theresa and Cinderella, PPOW, New York, NY
Carlo Lamagna Gallery, New York, NY
Four Sculptures, Bruno Fachetti Gallery, New York, NY
Yale University Art and Architecture Gallery, New Haven, CT
135
136
Ausstellungsbeteiligungen (Auswahl) Selected Group Exhibitions
2004
Bare Clay: Ceramic Nudes in 20th Century Art, Garth Clark Gallery, New York, NY
21, PPOW, New York, NY
The 179th Annual, National Academy, Museum and School of Fine Arts, New York, NY
Uncanny, Tate, Liverpool, England and Museum Moderner Kunst, Vienna, Austria
2003
Form and Contents: Corporal Identity Body Language, Museum für angewandte Kunst, Frankfurt, Germany;
Traveling to the National Museum of Art and Design, New York
Concentus, National Museum of Decorative Arts, Oslo, Norway
Translations/Transgressions, Fine Arts Center, University of Rhode Island, RI
Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters , NY
2001
Crafting Identity, Mint Museum, Tryon Center for Visual Art, Charlotte, NC
2000
Collector’s Choice, Exit Art, New York, NY
Olympia Redux, The Contemporary Museum, Honolulu, Hawaii
The End: An Independent Vision of Contemporary Culture, Exit Art, New York, NY
Ceramic National 2000, Everson Museum of Art, Syracuse, NY
Oh Baby!, Exhibit A, New York, NY
1999
Twenty-six American Artists, Campo & Campo, Antwerp, Belgium
1998
Here: Artists’ Interventions at the Aldrich Museum, Aldrich Museum of Contemporary Art, Ridgefield, CT
Knowing Children, David Beitzel Gallery, New York, NY
Selections from the Permanent Collection, California Center for the Arts, Escondido, CA
Skulptur – Figur – Weiblich, curated by Barbara Wally, Landesmuseum Linz, Austria; traveling to the Kunstsammlungen Chemnitz, Germany
A Delicate Condition, Kent Gallery, New York, NY
1997–98 To Be Real, Center for the Arts Yerba Buena Gardens, San Francisco, CA
Countenance: Face, Head and Portrait in Contemporary Art, Galerie Thaddaeus Ropac, Salzburg and Paris
My Little Pretty: Images of Girls by Contemporary Women Artists, Museum of Contemporary Art, Chicago, IL
Angel, Angel, Kunsthalle Wien, Vienna, Austria
Small World Images of Children, Thomas Barry Fine Arts, Minneapolis, MN
Figure and Fragility, Franklin Parrasch, New York, NY
1996
Narcissism: Artists Reflect Themselves, California Center for the Arts, Escondido, CA
B.A.B.Y., Hand Workshop, Richmond, VA; travelling to Virginia Beach Museum of Art, VA
1995–96 The Imaginary Beings, Exit Art / The First World, New York, NY
1995
Identitá e Alteritá, Venice Biennale, Venice, Italy
Judy Fox / Inez van Lamsveerde, Kunst-Werke Berlin, Germany
Imperfect, Herter Art Gallery, University of Massachusetts, Amherst, MA
Portrait of Our Times, Revolution, Ferndale, MI
Maria Anna Dewes, Judy Fox, Inez van Lamsweerde, Galerie Rüdiger Schöttle, München, Germany
The Body Human, Nohra Haime Gallery, New York, NY
Faces of Faith, The Jewish Museum, Washington, DC
Embody – The Photograph and the Figure, The Proctor Arts Center, Bard College, Annandale on Hudson, NY
Suture - Phantasmen der Vollkommenheit, Salzburger Kunstverein, Salzburg, Austria
1993
Untitled, Ronald Feldman Gallery, New York, NY
M’Aidez / Mayday, Phyllis Kind Gallery, New York, NY
Dolls in Contemporary Art, Metaphor for Personal Identity, Haggerty Museum of Art, Marquette University,
Milwaukee, WI
1992
Fever, Exit Art / The First World, New York, NY
Group Exhibition, Blum Helman Warehouse, New York, NY
Little Women, Little Men (Markers of Diminished Lives), White Columns, New York, NY
1991
Dead Heroes, Disfigured Love, Lorence Monk Gallery, New York, NY
1989
1985
1990
American Art Today, New Directions, Florida International University Art Museum, Miami, FL
Forbidden Games, Jack Tilton Gallery, New York, NY
Diverse Representations, The Morris Museum, Morristown, NJ
Critic’s Choice, Jon Yau, Washburn Gallery, New York, NY
The Age of Women, Jack Tilton Gallery, New York, NY
The East Village Art Collection, The Palladium, New York, NY
Young Masters of the East Village, Limbo Gallery, New York, NY
Preise, Stipendien, Aufträge Awards, Grants and Commissions
2004
Alex Ettle Award, National Academy Museum and Purchase Award, American Academy of Arts and Letters
2004–1999 Residencies: The MacDowel Colony, Peterborough, NH
2002
Purchase Award, The American Academy of Arts and Letters
1999
Individual Artist Grant: Anonymous Was a Woman
1994
Individual Artist Grant: National Endowment for The Arts, Washington, D.C.
1993
Commission: Townsend Harris Hall Acquisition Committee, City College of New York, NY
1988
Individual Artist Grant: National Endowment for The Arts, Washington, D.C.
1986
Residency: New York Academy of Art, New York, NY
1978
Jonathan Edwards Arts Award: Yale University, New Haven, CT
Lehrtätigkeiten Visiting Artist, Guest Lectures and Teaching
2005
2004
2003
2002
2001
2000
1997
1996
Internationale Sommerakademie für Bildende Kunst, Salzburg, Austria: Faculty
Boston University, Boston, MA: Visiting artist and Lecture
SUNY School of Art & Design: Lecture
NCECA Symposium at Indiana University: Lecture
Museum of Arts and Design, New York: Lecture
New York Academy of Art: Lecture and Master Class
Museum of Arts And Design, New York: Lecture
Oslo International Ceramics Symposium: Keynote Speaker
Pennsylvania Academy of the Fine Arts, Pennsylvania: Competition Judge and Lecture
University of Texas at Austin: Visiting Artist and Lecture
University of South Florida, Tampa: Visiting Artist and Lecture
New York Academy of Art, NY: Master Class, Lecture
Mt Royal School of Maryland Institute of Art, Baltimore, MD: Visiting Artist and Lecture
Montclair State University, VA: Lecture
Bennington College, NY: Visiting Artist and Lecture
Rhode Island School of Design, Visiting Artist and Lecture
New York Academy of Art, NY: Lecture
Everson Museum, Syracuse, NY: Panel Presentation
Women In Ceramics Conference: Lecture
Rhode Island School of Design: Visiting Artist and Lecture
Museum der Moderne Rupertinum, Salzburg, Austria: Lecture
Museum of Contemporary Art, Chicago, IL: Lecture
International Sculpture Center Conference, Providence, RI: Panel Member
137
138
Brandeis University, Waltham, MA: Visiting Artist and Lecture
National Academy of Design, New York, NY: Panel Member
1994
School of Visual Arts, New York, NY: Part-time Faculty
Amherst College: Artist’s Studio Presentation
Akademie der bildenden Künste, Vienna, Austria: Lecture
1992
Tyler School Of Art, Philadelphia, PA: Part-time Faculty, Lecture
Tyler School Of Art, Philadelphia, PA: Visiting Artist
1992–90 Yale University, New Haven, CT: Part-time Faculty
1989
Middlebury College, Middlebury, VT: Lecture
Empire State Program, New York, NY: Visiting Artist
National Academy of Design, New York, NY: Panel Member
2005
2004
2003
2002
2000
1999
1998
1997
1996
Bibliografie Bibliography
Ausgewählte Bibliografie Selected Bibliography
Johnson, Ken: “Judy Fox: Power Figures”, The New York Times, March 4
Mendelsohn, Adam E.: “Judy Fox”, Time Out New York, March 3-9
“Gallery List: Judy Fox, PPOW Gallery”, The New Yorker, March 7
Ed. Guntler, Veronika Alice: “500 Figures in Clay: Ceramic Artists Celebrate the Human Form”, Lark Books, New
York, 2004, pp. 216/217
Nadelman, Cynthia: “Middle-Aged Gods and Giant Babies”, Artnews, December, pp. 116–121 (reproduction)
Ebony, David: “Curve, The Female Nude Now”, Universe Publishing, pp. 96/97
Morgenthan, Deborah editor et al: “The Penland Book of Ceramics: Master Classes in Techniques”, p. 189
Fleming, Arline A.: “Translations/Transgressions pushes the envelope at URI gallery”, The Providence Journal,
November 5 (reproduction)
Norris, Doug: “Visual Artists face the future in Translations/Transgressions”, South County Independent, Oct. 24
Roberge, Amanda: “New URI Exhibit examines history of eugenics”, Time Out, The Narragansett Times, Oct 24/25
Brochure “Judy Fox, Love & War”, John Michael Kohler Arts Center, Sheboygen, WI
Rodriguez, Bill: “Transformations, URI takes on genetic technology”, The Providence Phoenix, November 8
AKTIVIST, December 2000, pp. 22/23
Genévieve Breerett: “À Corps Perdu Dans Les Images”, Le Monde, May 7
Carol Diehl: “Figures in Limbo”, Art In America, November 2000, pp. 140–143
Canning, Susan: Review, Sculpture, September, pp. 53/54 (reproduction)
Shaw, Leslie, Ava: Review “Judy Fox at PPOW”, The New York Art World, April, p. 12 (reproduction)
Reardon, Christopher: “Fox’s Fables”, ARTnews, June 2000, p. 160
Arning, Bill: “Judy Fox’s Strange Beings”, American Ceramics, Vol. 13, no. 3, Spring 2000, pp. 22–27 (reproduction)
Robinson, Walter: Review, Weekend Update, artnet.com Magazine, March 30 (reproduction)
Catalogue “Twenty-six American Artists”, Campo & Campo, Antwerp, Belgium
Hofleitner, Johanna: Review, Flash Art, May/June
Cooney, Beth: “Artists’ Interventions”, The Advocate & Greenwich Time, Sunday, September 13
Ramp, Stefanie: “It’s All Here”, Fairfield County Weekly, September 24–30
Kaplan, Kathy: Chicago Tribune Magazine, Part 2 Home Design, April 5, p. 25 (reproduction)
Schiess, Robert: “Zitieren, verfremden und verklären”, Basellandschaftliche Zeitung, April 28 (reproduction)
Georgen, Theresa: “Zwischen den Welten. Judy Fox’ Kinderskulpturen”, Jahreskatalog, Kunsthalle im Palazzo,
Liestal Ch (reproduction)
Jungo, Esther Maria: “Einleitende Bemerkungen zu Judy Fox’ figurativen Plastiken”, Jahreskatalog, Kunsthalle im
Palazzo, Liestal Ch (reproduction)
Czasar, Tom: Review, Sculpture, April, p. 58 (reproduction)
Exhibition Catalogue “My Little Pretty: Images of Girls by Contemporary Women Artists”, Museum of Contemporary Art, Chicago, IL (reproduction)
Rice, Robin: “Madonna as Child”, Philadelphia City Paper, December 27–January 2 (reproduction)
Brown, Gerard: “Commercial Antidote”, Philadelphia Weekly, December 25, pp. 34/35 (reproduction)
Princenthal, Nancy: “Judy Fox at PPOW”, Art in America, October, pp. 120/121 (reproduction)
Fineman, Mia: “Judy Fox at PPOW”, Artnet Magazine, May (reproduction)
139
Bibliografie Bibliography
1995
1994
1992
1990
1989
140
Kravagna, Christian: “Judy Fox at Christine König”, Artforum, September, p. 99 (reproduction)
Csaszar, Tom: Review, Sculpture, September/October, p. 39 (reproduction)
Metzger, Rainer: “Judy Fox at Christine König”, Kunstforum International, May/July, p. 421 (reproduction)
Hofleitner, Johanna: “Judy Fox at Christine König”, Flash Art, May/June, p. 122 (reproduction)
“Judy Fox”, Neue Bildende Kunst, February, (reproduction)
Melchart, Erwin: “In Wiens Galerie Christine König: Judy Fox”, Krone, December (reproduction)
Hoffman, Justin: “Kinder-Skulpturen”, Die Presse Schaufenster, December 15
Kala, Gabrielle: “Mythen und Tabus”, Die Furche, December 8 (reproduction)
Metzger, Rainer: “Mythen und Märchenprinzen”, Der Standard, December 2, p. 39 (reproduction)
Miglietti, Francesca Alfano: “Judy Fox”, Virus, Numero 3, November, pp. 54–56 (reproduction)
Rath Elisabeth: “Phantasmen des Vollkommenen”, Salzburger Nachrichten, May 30, p. 7
Weber, Stefan: “Das Reale zeigt sich erst im Riss”, SVZ, May 31, p. 21 (reproduction)
Thuswaldner, Werner: “Künstler geben Anstöße zu weitreichenden Reflexionen”, Salzburger Nachrichten,
April 22, p. 8
Pabinger, Daniele: “Ewig lockt die Perfektion”, SVZ, April 21, p. 21
Krumpl, Doris: “Eine große Nase in Tokyo und andere Ideale”, Der Standard, May 4 (reproduction)
Hoffman, Justin: “Zwischen den Geschlechtern”, Süddeutsche Zeitung, No. 114, May 19, p. 15
Taplin, Robert: “Dead or Alive: Molds, Modelling and Mimesis in Representational Sculpture”, Sculpture,
May/June (cover)
Taplin, Robert: “Judy Fox at PPOW”, Art in America, May, pp. 117/118 (reproduction)
Plagens, Peter: “Summing Up Doom and Gloom”, Newsweek, January 25 (reproduction)
Hess, Elizabeth: “Give Me Fever”, The Village Voice, December 29 (reproduction)
Kimmelman, Michael: “Promising Start At a New Location”, The New York Times, December 18
Wallach, Amei: “Reinventing Art For The 90’s”, New York Newsday, December 11 (reproduction)
Kohen, Helen: “Women Artists Illustrate New Directions”, The Miami Herald, January 13
Johnson, Ken: “Judy Fox at Carlo Lamagna”, Art In America, May (reproduction)
Moorman, Margaret: “The Age of Women”, ARTnews, February
Rogers, Elizabeth: “Judy Fox, Carlo Lamagna Gallery”, Cover, February (reproduction)
Kimmelman, Michael: “The Age Of Women”, The New York Times, May 22
AutorInnen der Textbeiträge Authors of Essays
Eleanor Heartney ist im Redaktionsteam von „Art in America“
und „Artpress“ und verfasste für weitere Publikationen zahlreiche
Kritiken über zeitgenössische Kunst. Heartney erhielt 1992 den „College Art Association’s Frank Jewett Mather Award“ für Kunstkritiker.
Sie publizierte u. a. folgende Bücher: “Critical Condition: American
Culture at the Crossroads”, “Postmodernism” und “Postmodern
Heretics: The Catholic Imagination in Contemporary Art”. Derzeit ist
sie Co-Präsidentin der AICA – Sektion USA.
Eleanor Heartney is contributing editor to “Art in America” and
“Artpress” and has written extensively on contemporary art
issues for many other publications. Heartney was the 1992 recipient of the College Art Association’s Frank Jewett Mather Award
for distinction in art criticism. Her books include “Critical Condition: American Culture at the Crossroads”, “Postmodernism” and
“Postmodern Heretics: The Catholic Imagination in Contemporary Art”. She is currently co-president of AICA–USA.
Erika Mayr-Oehring, Dr. phil., Studium der Kunstgeschichte
in Salzburg. Ausstellungskuratorin seit 1992, seit 1994 wissenschaftliche Mitarbeiterin der Residenzgalerie Salzburg; Konzeption
und Durchführung zahlreicher Ausstellungen und Kataloge zur
bildenden Kunst des 16. bis 20. Jahrhunderts u. a.: „Orient“ (1997),
„Cashmere“ (2001), „Tischgesellschaften“ (2002).
Erika Mayr-Oehring, Dr.phil., studied history of art in Salzburg.
Exhibition curator since 1992, research assistant since 1994 in the
Residenzgalerie Salzburg; concept and realisation for numerous
exhibitions and catalogues on 16th–20th-century fine arts, including “Orient” (1997), “Cashmere” (2001), “Tischgesellschaften”
(2002).
Barbara Wally, Dr.phil., Prof., geb. 1947 in Salzburg, Studium der
Romanistik, Publizistik, Kunstgeschichte in Salzburg, Paris und Florenz; 1978–1981 Kuratorin an der Kunsthalle Nürnberg; seit 1981 Geschäftsführerin, seit 2000 Direktorin der Internationalen Sommerakademie für Bildende Kunst in Salzburg; über 100 Publikationen in
Büchern, Katalogen und Kunstzeitschriften, in zahlreiche Sprachen
übersetzt; Vortragstätigkeit in A, D, I, DK, USA, CZ, VRCh, RU.
Professor Barbara Wally, Dr.phil., born in Salzburg in 1947, studied Romance languages, journalism and art history in Salzburg,
Paris and Florence; 1978–1981 curator at the Kunsthalle Nuremberg; since 1981 manager, since 2000 director of the Salzburg
International Summer Academy of Fine Arts; more than 100 publications in books, catalogues and art periodicals, translated into
several languages; lectures in A, D, I, DK, USA, CZ, PRC, RU.
Peter Weiermair, Prof., geb. 1944 in Oberbayern, Studium der
Kunstgeschichte, Germanistik und Philosophie in Innsbruck und
Wien; 1968 Gründer des „Forum für aktuelle Kunst“ in Innsbruck
(Leitung bis 1979); 1980–1998 Direktor des Frankfurter Kunstvereins;
1998–2001 Direktor des Museums für moderne und zeitgenössische
Kunst Rupertinum in Salzburg; 2001–2005 Direktor der Galleria
d’Arte Moderna in Bologna; zahlreiche Publikationen, u.a. zur Fotografie des 19. und 20. Jahrhunderts.
Professor Peter Weiermair, born in Bavaria in 1944, studied art
history, German and philosophy in Innsbruck and Vienna; 1968
founded “Forum für aktuelle Kunst” in Innsbruck (director until
1979); 1980–1998 director, Frankfurt Kunstverein; 1998–2001
director, Rupertinum Museum of Modern and Contemporary Art,
Salzburg; 2001–2005 director, Galleria d’Arte Moderna, Bologna;
publications on numerous topics including 19th- and 20th-century
photography.
141
Impressum Imprint
Internationale Sommerakademie für Bildende Kunst, Salzburg
Galerie Thaddaeus Ropac, Salzburg – Paris
Judy Fox
Skulpturen Sculpture 1990 – 2005
Hg. von ed. by
Barbara Wally
Scans Color Separations
US color lab, New York; Pixelstorm, Wien / Vienna
Herstellung Production
Friedrich VDV, Linz
Fotonachweis Photo credits
Elisabeth Czihak (p. 29); Judy Fox (pp. sämtliche Werkabbildungen der
Einzelskulpturen / all images of single sculptures; pp. 112, 113, 118, 119,
Dieser Katalog erscheint anlässlich der Ausstellungen von Judy Fox in der Ga-
123, 124, 125); Fox Family Archive (pp. 15, 16, 17); Carmen Kordas (p. 8);
lerie im Traklhaus, Salzburg Juli / August 2005, und in der Galerie Thaddaeus
Rainer Iglar (pp. 115, 116, 117); Fotograph PPOW (pp. 112, 113, 118, 119, 123,
Ropac, Paris, September 2005
124, 125); Lewandowski, Réunion des Musées Nationaux, Paris (Manet,
Olympia p.34); Adam Reich (p. 51)
This catalogue is published to accompany the exhibitions by Judy Fox in the
Galerie im Traklhaus, Salzburg July /August 2005, and in the Thaddaeus
Ropac Gallery, Paris, September 2005
Copyright
Judy Fox; Internationale Sommerakademie für Bildende Kunst; die AutorInnen für ihre Texte / the authors of essays; Staatliche Kunstsamm-
Autoren Authors
lungen Dresden (Giorgione, Sleeping Venus), Museo Nacional del Prado
Judy Fox, Eleanor Heartney, Erika Mayr-Oehring, Barbara Wally,
Madrid (Goya, Maja Desnuda), Uffizi Firenze (Tizian, Venus da Urbino),
Peter Weiermair
Réunion des Musées Nationaux, Paris (Manet, Olympia p.34)
Redaktion Editor
Barbara Wally, Emilie Breyer
ISBN 3-901369-25-2
Salzburg 2005
Auflage Edition size 2000
Grafische Gestaltung Graphic Design
Elisabeth Czihak
Dank für finanzielle Förderung an
Acknowledgements for financial support to
Übersetzung Translation
142
Bundeskanzleramt – Kunstsektion, Wien / Federal chancellery – Art
Regina Aichner (Interview)
Department, Vienna
Gail Schamberger (deutsch–englisch / German–English)
Galerie Thaddaeus Ropac, Salzburg – Paris
Irmlind Wolschek, Gisela Hack-Molitor (englisch–deutsch / English–
PPOW, New York
German)
Steve Hootkin, NY

Werkverzeichnis Oeuvre Catalogue

Transcription

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