In Atas / In the Sidecar - Filmuniversität Babelsberg Konrad Wolf

In Atas / In the Sidecar - Filmuniversität Babelsberg Konrad Wolf

In Atas /
In the Sidecar
www.indiegogo.com/projects/in-the-sidecar
www.facebook.com/InTheSidecar
a film directed by Mircea Bobina
participant Berlinale Talent Campus & Sarajevo Talent Campus 2013
In 2012 the script was selected for the Young Professionals Project Market at goEast
Filmfestival Wiesbaden, the Directors Across Borders Scriptwriting Workshop in
Yerevan/Armenia, and the miniMIDPOINT Script Development Workshop at UNATC
Bucharest.
FACTSHEET
SYNOPSIS
Genre
Language
1989, Chisinau/Moldavian Sovjet Socialist Republic. The Afghanistan war veteran
Vova asks his comrade Andrej to help him escape from a psychiatric hospital. He
breaks out, but finds himself trapped in the post-traumatic syndrome.
Drama
Romanian / Russian
Length
25 min
Format
(35mm) DCP 2K
Shooting Location
Preproduction
Production
Postproduction
Chisinau, Republic of Moldova
From July 2013
February 17th – March 3rd, 2014
To be completed in August 2014
PRODUCERS
Germany
Hochschule für Film und Fernsehen Konrad Wolf Potsdam Babelsberg
Romania
Universitatea Nationala de Arta Teatrala si Cinematografica Ion L. Caragiale Bucharest –
Atelier de Film (Co-Producer)
Moldova
Ana Antir (Co-Producer)
CAST
Vova
Petru Oistric
Andrej
Sergiu Voloc
Marica
Snejana Rudenco
Rodica
Dana Ciobanu
TEAM
Co-Producer
Director / Writer
Scriptwriter
Production Manager
Prod. Coordinator Romania
Fundraising
Assistant Producer
Assistant Director
Director of Photography
Ana Antir | [email protected] | +37 368 794 689
Mircea Bobina | [email protected] | +37 379 840 777
Ion Bordian
Anne Schmidt | [email protected] | +49 177 7289 154
Gabi Suciu | [email protected] | +40 723 889 169
Cristina Popovschi | [email protected] | +37 368 487 920
Anastasia Costisanu
Ilinca Stinca
Annegret Sachse | [email protected] | +49 178 1355 770
1st
Assistant Camera
Carmen Bianca Tofeni
2nd
Assistant Camera
Radu Cioplea
Gaffer
Florian Geyer
Art Director
Sound Recordist / Designer
Boom Operator / Postpr. Assist.
Editor
Oxana Pesterean
Malte Eiben
Alexandra Praet
Stefan Nistor
CAST
Vova
Afghanistan war
veteran
Andrej
Afghanistan war
veteran
Leonid
Andrej's old friend /
Marica's husband
Marica
Petru Oistric, Honored Artist, was born in 1971. He is a 1993 Actor
for Film and Theater graduate from the Institute of Theatre BV
Sciukin, Moscow. 1993-2001 he worked as an actor at the Theatre E.
Ionesco, from 1999-2005 also with the Italian theatre Teatro de
Castalia. He is currently employed at the National Theatre Mihai
Eminescu in Chisinau. In addition to the numerous theatre parts he
played and awards he won throughout his acting career, Peter Oistric
acted in three feature films: Procrustean Bed (Moldovan dir. Sergiu
Prodan, awards: Best Picture & Best Director at Cairo International
Film Festival (2002), in competition also at Berlinale and Karlovy
Vary), Playing the Moldovans at Tennis (UK dir. Tony Hawks, 2010)
and The Unsaved (Moldovan dir. Igor Cobileanski, world premiere at
Karlovy Vary 2013).
Sergiu Voloc was born in 1983 in Chisinau/Moldova. He studied
acting at the Academy of Music Theatre and Fine Arts Chisinau and
starred in Bingo (dir. Timur Ismailov, Main Prize at the Alternative
International Short Film Festival (2009), Grand Prix Asturias at Gijòn
International Film Festival (2009), Tuschinski Award at Nederlands
Film Festival (2009). Sergiu also acted in the features Flying Lessons
(dir. Archibugi) and The Unsaved (dir. Cobelianski), as well as in
several shorts by director Igor Cobileanski: Sa!a, Gri!a and Ion,
When the lights go out and Inspiration.
Work in progress
Snejana Rudenco was born in 1980 in Chisinau/Moldova. She
Leonid's wife
graduated in 2001 from the State University of Arts of the Republic of
Moldova as an Actor for Theater and Film. Snejana has been on
theatre company tours through Belarus, Romania, Ukraine and
France, and has played numerous parts in Chisinau’s theaters. She
has participated in various festivals, such as Student Theatre
Festival Francophone (Kiev, Ukraine), Sibfest (Sibiu/Romania),
Bonner Biennale, (Bonn/Germany), General Balkanisation
(Paris/France) and Mittel Fest (Cividalle/Italy). Her film parts include
Biatrice in Anniversary (dir. P. Braille) and Janet in Mystery of
Pension Ladies (dir. Alexander Vasilachi), and she has played main
parts in Mircea’s short films Between Edison and Tesla and De-a
baba oarba.
Rodica
Dana Ciobanu was born in 1984 in Chisinau/Moldova. In 2008 she
Andrej’s / Vova’s wife
graduated from the Academy of Music, Theatre and fine Arts
Chisinau, as an Actor for Theatre and Film. In 2009 she gave her
debut at the Theatre Eugene Ionesco, at the same time founding her
own drama theatre Little Theatre. In addition to her theatrical career,
Daniela Ciobanu is a television news presenter at Jurnal TV and has
acted in several student short films such as Cicaticea (dir. Stephen
Babara), and 11.30 (dir. Nicolae Negara, in competition at Future
Shorts film festival 2013). She acted in the feature All roads lead to
Rome (dir. Sergiu Prodan) and has been in several commercials of
the same director’s production studio.
TEAM
Co-Producer
(Moldova)
Production
Manager
(Germany)
Production
Coordinator
(Romania)
Ana Antir was born in Chisinau/Moldova in 1989. She graduated from
the Academy of Music, Theatre and Fine Arts in Chisinau in 2012 with
a B.A. in Stage Directing. Anna is currently employed as a production
manager and assistant at Brio Studio SRL, producing various
commercials and social spots. She worked as assistant producer on
Igor Cobileanski’s short Flavours Collection (screened at Cannes and
selected for Locarno), and she produced Mircea’s last short De-a baba
oarba. Anna has organized several music festivals, and won the
Municipal Youth Award in Theatrical Arts in 2011 for her work as an
actress.
Anne Schmidt was born in Potsdam/Germany in 1991. She is
currently studying Film and TV Production at the University of Film and
TV Konrad Wolf in Potsdam Babelsberg, in 3rd generation after her
father and grandfather. Growing up in a film family, she gained her first
experience on a professional film set at the age of 15. Having worked
for two and a half years in various departments (1st AD,
Cinematography, Costume, Unit and Location Manager) on several TV
films, series, TV shows and student films, she chose to study
Production in her hometown Potsdam.
Gabriela Suciu was born in Sebes!/Romania in 1987. She graduated
from the National University of Theatre and Film (UNATC) I. L.
Caragiale in Bucharest with a B.A. in Directing in 2010. Since 2008,
Gabi has consistently produced 5 to 8 films per year. In February 2012,
she graduated with an M.A. in Film Production from the same
university and currently works at Atelier de Film, a new Romanian
production company, supported by UNATC to produce works by
graduates of the Film Faculty.
The shorts Gabi produced have been selected for hundreds of festivals
around the world, including Cannes, Sarajevo, Montreal and Gijon.
Among them were: My Baby (dir. Luiza Parvu) Thirty (dir. Viktor
Dragomir), High Definition (Adrian Sitaru) and Incubus (Ovidiu
Georgescu).
Fundraising
Cristina Popovschi was born in Chi in u/Moldova in 1988. She
(Moldova)
graduated with a B.A. in Journalism and Communication Sciences from
the State University of Moldova, having studied Marketing and
Advertising at the University of Algarve in Portugal for one year through
the Erasmus Mundus Program. In 2012 Cristina was awarded an M.A.
in Economic Sciences, specializing in Marketing Studies. Between
2010 and 2012 she worked as Chief Editor and Main Editor for several
Chisinau magazines and got involved in various socio-cultural projects.
Since 2011 she works as a Marketing and Public Relations specialist in
the Banking field and currently studies Globalization: history, politics
and European culture at the University of the Academy of Sciences of
Moldova.
Director / Writer
Mircea Bobina was born in Chisinau/Moldova in 1989. The writer,
(Moldova)
photographer and lead singer of a rock band in high school graduated
from the Academy of Music, Theatre and Fine Arts in Chisinau with a
B.A. in Directing and Editing in 2012. He is currently enrolled in
AMTAP’s M.A. program Directing Animation. Mircea has worked as a
director and editor on several fiction shorts, documentaries, found
footage movies, making-ofs and commercials. His shorts Taci! And
Edison and Tesla have won awards in Moldavian, Romanian and
international festivals. Mircea has been a participant in several
international workshops, such as the Berlinale Talent Campus and the
Sarajevo Talent Campus in 2013.
.
Ion Bordian was born in Chisinau/Moldova in 1989. He studied
Audio-Visual Communication (Screenwriting & Film History / Criticism)
at the National University of Theater Arts and Cinema Ion L. Caragiale
in Bucharest, where he worked on the screenplays of several student
shorts, among others 2plus2fac22 (dir. Tudor Botezatu). Ion
participated in the 2012 miniMIDPOINT Script Development Workshop
at UNATC together with Mircea, and, among others, attended a
workshop given by Lawrence Kaplow (screenwriter and executiveproducer of the TV-show House MD) in Kiev. Ion has worked at
JurnalTV as a screenwriter for the TV series Ministerul Adevarului and
is currently collaborating on various short films and commercials.
Scriptwriter
(Moldova)
Cinematographer
(Germany)
1st Assistant
Camera
(Romania)
Art Director
(Moldova)
Annegret Sachse was born in Torgau/Germany in 1981. Having
studied abroad both in the UK and the US, she graduated from the
University of Leipzig with an M.A. in Art History and English in 2008. In
2009/10 she studied Cinematography at FAMU International in Prague,
supported by a DAAD Scholarship for Graduates Abroad. She has
attended international filmmaking workshops in Romania, Serbia,
Lithuania and Russia and currently studies Cinematography at the
University for Film and TV Konrad Wolf in Potsdam Babelsberg. She
recently shot Mircea’s short De-a baba oarba, which is currently in
postproduction.
Carmen Bianca Tofeni was born in Nassaud/Romania in 1983.
Having studied abroad in France, she graduated from the Academy of
Economics in Bucharest with a B.A. in Economics and moved to Rome
to follow a course at Scoala Cinema Paniseperna. In 2010 Carmen
was accepted at the Centro Sperimentale di Cinematografia, from
which she graduated in June 2013 with a Diploma in Cinematography.
During her studies she participated in several international filmmaking
workshops in England, Romania, Serbia and Lithuania, and two of her
documentaries have been shown in Romanian as well as international
festivals.
Oxana Pesterean was born in Chisinau/Moldova in 1987. In 2010
she graduated from the Academy of Music, Theatre and Fine Arts in
Chisinau with a B.A. in Art Directing. She currently works as a lecturer
and designer at the same academy, and as an art director on
commercials. She has exhibited paintings in numerous exhibitions, and
worked as a costume designer on Richard III, directed by V. Cibotari
and performed at the International Theatre Confederation in Moscow.
She worked as a costume designer on the short film 11:30 (dir.
Nicholas Negara) and as an art designer on the short Flavors
Collection (dir. Igor Cobileanski, screened at Cannes in 2013).
Gaffer
(Germany)
Sound Designer /
Sound Recordist
(Germany)
Boom Operator /
Postproduction
Assistant
(Germany)
Editor
(Moldova)
Assistant
Director
(Moldova)
Florian Geyer was born in 1981 in Berlin/Germany. Having worked
as cinematographer, camera assistant and gaffer for several years, he
is currently finishing his diploma studies in Audiovisual Media at Beuth
University for Applied Sciences in Berlin. He is a professional gaffer
who has worked on numerous film sets, among others together with
Annegret on her last 16mm short film project täglich alles.
Malte Eiben was born in Lübeck/Germany in 1989. Playing clarinet,
saxophone and piano in different lineups for twelve years, he got into
sound recording. After moving to Berlin in 2009, he worked in the
sound department at parkaue-theatre for two years and started to work
on recording and mixing sound for short films. After an internship at the
production company HELDENFILM, he started his B.A. studies in
Sound at the University for Film and TV Konrad Wolf in Potsdam
Babelsberg in 2011. He is employed there also as an assistant in the
acoustics department.
Alexandra Praet was born in Cologne/Germany in 1986. She has
been playing bass guitar and piano in different music groups and
bands for twelve years. After an internship at the International Film
School in Cologne in 2006 she moved to Berlin and trained as a sound
engineer at Deutsche Welle TV. Still employed there, working on news
and features, she is studying Sound at the University for Film and TV
Konrad Wolf in Potsdam Babelsberg since 2011.
Stefan Nistor was born in Chisinau/Moldova in 1988. After studying
Directing and Editing at the Academy of Music, Theatre and Fine Arts
in Chisinau he left school in 2008/9 to work as a freelance editor and
illustrator. He has edited several short films and has worked as first
assistant on two features: Playing the Moldovans at Tennis
(English/Moldavian co-production, dir. Mikolaj Jaroszewicz), The
Unsaved (dir. Igor Cobileanski), as well as on the short Colectia de
Arome (dir. Igor Cobileanski)
Ilinca Stinca was born in Chisinau/Moldova in 1990. She is currently
studying Film and TV Directing at the Academy of Music, Theatre and
Fine Arts in Chisinau. She has worked as a television producer and
director, and as an assistant director on several student films and for
the advertising agency Sergiu Prodan Studio.
.
Assistant
Producer
(Moldova)
Anastasia Costisanu was born in Chisin u/Moldova in 1990. In June
2013 she graduated with a B.A. in Journalism and Communication
Sciences, specializing in Cultural Journalism. She has worked on
several commercials produced by the advertising agency Sergiu
Prodan Studio, and did a production assistant internship at AiciTV.
Both in 2012 and 2013 she participated in the workshop Cinema
Across Borders held during the International Film Festival Golden
Apricot in Yerevan. Like Mircea, Anastasia has been invited to attend
the Sarajevo Talent Campus in August 2013.
STATEMENTS
Mircea Bobina, director
In my movies I am not trying to teach people what is good or bad, or which choices to make in their
life. More than once the complexity of life demonstrated to me that I was wrong in my visions and
interpretation of reality. My goal is to emphasize the problem, to make people think about it and to
help them find their own solution.
Andrej, an Afghanistan War veteran and the protagonist of my story, is a character full of ambiguous
qualities and shortcomings. He steals, helps, loves and kills. His war experiences have changed
Andrej’s life like they have changed the lives of all veterans around us. Through Andrej’s story I
want to make people understand the dramatic personal consequences of an absurd war. Andrej is a
man whose actions should be understood, if not necessarily forgiven. His dreams, goals and desires
should not be confronted with society’s indifference.
I want to make this movie because Andrej was my neighbour and a good family friend. When I was
13, I was at home alone and somebody knocked hard on our door. I was scared and I didn’t open. It
was Andrej, he thought his wife didn’t want to let him in and he crashed the door. He saw me scared
and ran away. I have never seen him since but now I meet him again in my script.
As a director I work very closely with each member of my team. I perseveringly ask them for their
opinions concerning everything we encounter on our way. In my opinion, the team makes the movie.
I am only showing them the way, giving them the opportunity to do what they can do best. But
everybody has to be obsessed with something, has to be able to connect to some aspect of the
story in a special, maybe personal way, in order to increase the desire to realize the film. I have
worked on two co-productions so far and I was amazed how productive it was. The unique personal
experiences, creative perspectives and professional skills that international team members
contributed to the projects helped to create movies that would never have been shot this way
otherwise. If I have the choice I will always make my movies co-productions.
Ion is an experienced screenwriter who sees things differently than me. This gives me the possibility
to see the mistakes I made in the process of writing. When we began to work on the script he
became very good friends with our characters and it was hard to convince him to take a break. I am
also very happy to work with my cinematographer, because I trust her, and I like her visual
sensitivity. She can express emotions through little details that most other cinematographers don’t
pay attention to, she shares my desire to experiment, and what is most important, she is never
indifferent but always has a strong opinion. I chose Stefan as my editor once again because of his
great enthusiasm for discovering new ways of editing and composing shots, and for his original
ideas that help me resolve editing problems which are the results of mistakes we made on set.
We have put together a great team, connected through friendship and mutual respect for each
other’s work, and collectively obsessed with the same goal – to shoot In the Sidecar.
Ion Bordian, scriptwriter
To be honest, I prefer the Hollywood style of screenwriting, but Mircea’s idea got me very
interested. That’s because Moldova and Moldavians have always been presented in cinema as
happy Soviet people, as gypsies or as stupid. Mircea’s idea wants to show Moldova in a different
way. It sets a personal drama, the consequences of the main character’s traumatic war experience
and his struggle to be with his family (a struggle for normality), against the historical backdrop of
great political changes: the end of the USSR, and the beginning of another struggle for normality for
all its ex-member countries.
I strongly believe that with the help of a German co-production we will finish the project successfully.
Annegret Sachse, cinematographer
I am a cinematographer with a strong background in the arts and a vivid interest in experimental
filmmaking. I enjoy shooting with intelligent, straightforward people who have original ideas, a good
sense of humor, and the determination to work hard.
I work with Mircea because he is a director who fulfills all the above. Moreover, he fully understands
the importance of camera language when translating a script into a film. He highly appreciates the
cinematographer’s skill and sensitivity, which makes it a great pleasure to work with him. Since we
met we have developed a close professional relationship and have discussed many of his script
ideas. In June 2013 we successfully shot our first short in Chisinau – De-a Baba Oarba, currently in
postproduction.
I have seen Mircea’s script In the Sidecar evolve over time and I am excited to work on the visual
concept for a story in which some things are not what they seem. I will be able to rely on a dear and
professional crew that has already worked with each other on several other projects.
Stefan Nistor, editor
In the Sidecar is exactly the type of story I would like to work on as an editor. The protagonist’s
actions, his spontaneity and manifestation of the Afghanistan Syndrome give a lot of space for
creative editing. I like the way the director feels the story and how he chooses to communicate it. We
worked together on several projects and I like that Mircea is not afraid of experimenting during the
editing process. We always find ways to emphasize details that shape the dramaturgy, and always
manage to find solutions for mistakes that have been made on the set.
Here in Moldova the rhythm and mood of In he Sidecar are familiar to us, we “know” and understand
the protagonist, because almost everyone has relatives, friends or comrades who fought in
Afghanistan. We call them – Afganet, which means “a little bit crazy”. I compare editing with music, I
play on the keyboard, and all I still need is the material to make it sound in an Afganet manner.
FAQ
Where did the director and the cinematographer first meet?
Mircea and Annegret met for the first time during the 2011 edition of Film Art Interaction Workshop in
Serbia. They have since developed a close professional relationship and shot their first fiction short
together in June 2013 – the low-budget VHS production De-a Baba Oarba.
HFF Konrad Wolf agreed to let Annegret shoot her B.A. project with an external director, and the team,
which was formed already for Sidecar’s Robert Bosch Co-Production Prize application in 2012, now
gets the chance to finally shoot this film.
Why is UNATC co-producing the short film?
UNATC is supporting us with equipment which is not available in Moldova and would be expensive to
transport to Chisinau from Germany. The cinematographer’s connection to Romania dates back to
2010, when she participated in the Aristoteles Documentary Workshop in Vama/Suceava. There she
met the current UNATC Film Faculty Dean, Sorin Botoseneanu, and the Romanian cinematographer
Carmen Tofeni, who has since become a very close colleague, and will once more be her first assistant
camera on Sidecar.
How is AMTAP involved in this co-production?
The Moldovan Academy for Music, Theatre and Fine Arts AMTAP is not a co-producer but an official
supporter of the Sidecar short film project, just like the City of Chisinau. Mircea is currently enrolled in
the AMTAP Master degree Directing Animation, but will shoot Sidecar as an external project.
CURRICULUM VITAE
Mircea Bobîn!
Mobile
+373079840777
E-mail
[email protected]
Nationality
Date of birth
Gender
Telephone +37322716781
Moldovan
May 22nd, 1989
Male
OCCUPATIONAL FIELD Director / Screenwriter / Editor
EDUCATION
Institution
Dates
Field of study
Institution
Dates
Field of study
Institution
Dates
Title of qualification awarded
Institution
Dates
Academy of Music, Theatre and Fine Arts, Chisinau, Moldova
Sept. 2012 – Sept. 2014
M.F.A. Directing Animation
Faculty of Dramatic Arts, department of Multimedia, Sound and Editing
Academy of Music, Theatre and Fine Arts, Chisinau, Moldova
Sept. 2008 – Sept. 2012
B.F.A. Directing & Editing
Faculty of Dramatic Arts, department of Multimedia, Sound and Editing
Gheorghe Asachi High School, Chisinau, Moldova
1997 – 2008
A-levels
George Co"buc High School, Chisinau, Moldova
1996 – 1997
TRAINING / WORKSHOPS
Aug. 18th – 24th , 2013
Feb 8nd – 15th , 2013
June 11th – 15th , 2012
Sarajevo Talent Campus, Sarajevo, Bosnia-Herzegovina
Berlinale Talent Campus, Berlin, Germany
Mini Midpoint, Bucharest, Romania
Scriptwriting Workshop, invited with project Afghanistan (In the Sidecar)
Aug 23nd – 26th , 2012
Golden Carpathian Film Market, Bucharest, Romania
attended with project Afghanistan (In the Sidecar)
June 11th – 15th , 2012
Directors Across Borders, Yerevan, Armenia
Scriptwriting Workshop, invited with project Afghanistan (In the Sidecar)
April 19th – 25th, 2012
Young Professionals Project Market at goEast Film Festival, Wiesbaden, Germany
Workshops & Pitching, invited with project Afghanistan (In the Sidecar)
Aug. 11th – 29th, 2011
Interaction Film Camp, Pozega, Serbia - International Documentary Workshop
Nov. 11th – 13th, 2011
Cine e Kino?, Chisinau/Moldova - International Filmmaking Workshop
Sept. 15th, 2009
Production Workshop, Chisinau, Moldova - organized by PLURAL+Moldova
FILMOGRAPHY
Script / Directing / Editing
Script / Directing
Directing / Editing
Directing / Cinematography
#$-% &%&% '%(&% / Topsy-Turvy (2013) short fiction (in post-production), VHS
Reforma / Reform (2013) short cutout animation (in post-production)
Intre Edison si Tesla / Between Edison and Tesla (2011) short fiction, 8 min, HD
Mamihlapinatpai (2011) short fiction, 3 min, HDV
Valea Prutului de mijloc / Valley of the middle Prut (2011) short documentary, 15 min, HDV
Dust (2011) experimental fiction, 1 min, HDV
Paparuda (2010) short fiction, 5 min, HDV
Taci! / Shut up! (2009) experimental fiction, 3 min, HDV
Hai la vot! / Come to vote! (2010) commercial, 1 min, 5D
Déjà vu (2009) short fiction, 3 min, DV
2) (2011) found footage film, 5 min
Cinescop (2011) found footage film, 6 min
Ora!ul din piatr! alb! / White city (2011) found footage film, 4 min
Caleidoscop (2010) found footage film, 2 min
Recurs la Identitate / Appeals to identity (2008) making-of, 8 min, DV
Playing the Moldovans at Tennis (2010) making of, 5 min, HDV
Editing
Exista ganduri / Thoughts are there (2012) director: Carmen Tofeni – doc., 20 min, HDV
Coffee & Cigarettes (2011) director: Marcin Filipowicz – documentary, 7 min, HDV
Reflec"ia luminii / Reflections of light (2011) director: Ana Antir – fiction, 3 min, HDV
Acting
Main Actor:
Between corners (2012) director: Pavel Calenic – fiction, 4 min
The Story Of The Panda Bears Told By a Saxophonist Who Has a Girlfriend
in Frankfurt (2011)
director: Matei Vi!nec – theatre play, 30 min
Supporting Actor:
Paparazzi (2010) director: Nelu Donica – fiction, 4 min, HDV
Does God exist? (2008) director: Igor Mutruc – fiction, 2 min, HDV
FESTIVALS / AWARDS
Intre Edison si Tesla / Between Edison and Tesla (2011)
3rd Balkans Beyond Borders Short Film Festival, Albania (in competition)
2) (2011)
Debut Award, given by Cinematographers’ Union of the Republic of Moldova
Ora!ul din piatr! alb! / White city (2011)
Prize given by Cinematographers’ Union of the Republic of Moldova
Taci! / Shut up! (2009)
Award for Best Editing International Short Film Festival Eu cu cine filmez, Ploiesti,
Romania (2011)
Short Film Festival Filmul de Piatra, Piatra Neam", Romania (2011, in competition)
Special Mention at Festival 7 Arte, C#l#rasi, Romania (2010)
Autochthon Festival Amatorul, Chisinau, Moldova (2010, in competition)
Déjà vu (2009)
Jury Award at Festival of Youth-Produced Videos about Migration and Diversity
Plural+ Moldova (2009)
Short Film Festival Spune pe Scurt, Romania (2010, in competition)
Autochthon Festival Amatorul, Chisinau, Moldova (2010, in competition)
CURRICULUM VITAE
Annegret Sachse
Mobile
+49 (0)1781355770
E-mail
[email protected]
Website
Nationality
Date of birth
Gender
www.cargocollective.com/sakse
German
Aug. 28th, 1981
Female
OCCUPATIONAL FIELD Cinematographer
EDUCATION
Institution
Dates
Field of study
Institution
Dates
Field of study
Title of qualification awarded
Scholarships
Film and Television University Konrad Wolf, Potsdam Babelsberg, Germany
Oct. 4th, 2011 – Sept. 2014
B.F.A. Cinematography
Film and TV School of the Adacemy of Performing Arts (FAMU), Prague, Czech Republic
Sept. 2009 – May 2010
Cinematography (Academy Program, FAMU International)
Certificate
DAAD Scholarship for Graduates Abroad
TRAINING
Position held
Camera Trainee
The Zero Theorem (2013) director: Terry Gilliam – feature, in postprod., 35mm
The Dark Prince (2013) director: Pearry Teo – feature, in postprod., Red One MX
Position held
Dates
Name and address of employer
Type of business
Position held
Dates
Name and address of employer
Type of business
Trainee
May 2nd – June 30th, 2011
Kodak Cinelabs Romania, Bucharest
Film laboratory & Digital Postproduction
Trainee
Sept. 2010 – March 2011
CAMCAR, Cologne, Germany
Rental House (Camera, light, grip, sound)
WORKSHOPS
Jan. 3rd – Feb. 3rd, 2013
April 19th – 25th, 2012
Cinetrain, Russia - International Documentary Workshop
Young Professionals Project Market at goEast Film Festival, Wiesbaden, Germany
Workshops & Pitching, invited with director Mircea Bobina / project Afghanistan/In the Sidecar
Aug. 11th – 29th, 2011
July 3rd – 17th, 2011
Aug. 1st – Sept. 5th, 2010
Interaction Film Camp, Pozega, Serbia - International Documentary Workshop
Summer MEDIA Studio, Neringa, Lithuania - European Filmworkshop, Focus Documentary Editing
Aristoteles Workshop, Vama, Romania - Documentary Workshop
EDUCATION (previous)
Institution
University of Leipzig, Germany
Dates
Fields of study
Title of qualification awarded
Institution
Dates
Fields of study
Scholarship
Institution
Dates
Fields of study
Oct. 2001 – July 2008
Art History, English
Masters Degree
Ohio University, Athens/Ohio, USA (Study Abroad Exchange)
Sept. 2006 – June 2007
Art, Film, Visual/Telecommunications
Fulbright Travel Grant
University of Leicester, Leicester, UK (Erasmus)
Sept. 2004 – June 2005
English, Art History
FILMOGRAPHY
Cinematographer
In the Sidecar (MD) director Mircea Bobina – short fiction [in preprod.], 35mm
Mother and Woman (IND) director: Caroline Bennewitz – short documentary [in prod.], HD
ein Glück director: Annegret Sachse – exp. Documentary, 7 min, s8mm
De-a Baba Oarba (MD, 2013) director: Mircea Bobina – short fiction [in postprod.], VHS
Täglich Alles (D 2013) director: Viktor Brim – short fiction, 17 min, s16mm
LADA (RU 2013) director: Dieter Deswarte – documentary, 18 min, HD
November (D 2012) director: Nina Rathke – exp. fiction, 10 min, HD
Und der Wolf (D 2012) director: Desiree Pfenniger – fiction, 10 min, in postprod., HDCam
Kleingartensparte Am Kiessee (D 2012) director: Andrea Cazzaniga – doc., 10 min, HD
Mammut Tifer Wolf (D 2012) director: Irem Schwarz – documentary, 16 min, s16mm
Goin Home (D 2012) director: Talin Seigmann – documentary, 15 min, s16mm
Zoo (D 2012) director: Andrea Cazzaniga – documentary, 2 min, 16mm
Frau Niemand (D 2012) director: Annegret Sachse – documentary, 7 min, s16mm
Coffee & Cigarettes (SRB 2011) director: Marcin Filipowicz – documentary, 7 min, HDV
Sharas’ Wheels (LT 2011) director: Andrius Lekavi$ius – documentary, 8 min, HDV
a game we play (RO 2011) director: Iulia Enculescu – exp. documentary, 15 min, HDV
water and bread (CZ 2010) experimental fiction, 9 min, 35mm
Petra (CZ 2010) director: Marcella Piccinini – fiction, 10 min, HDV
two cities (CZ 2010) director: Zeynep Köprülü – exp. fiction, 10 min, 16mm/HDV
after (CZ 2009) director: Wai Mar Nyunt – exp. fiction, 7 min, HDV
Potatoes (CZ 2009) exp. fiction, 2min, 16mm b/w, silent
1st Assistant Camera
FESTIVALS
Des Lebens Wert [working title] director: Josephine Links – doc. feature [in prod.] • Alexa Plus
Sibella (2013) director: Bernadette Kolonko – short fiction [in postprod.] • s16mm SR3
Grow (2013) director: Dieu Hao Do, short fiction [in postprod.], Sony TD300
LIGHT (2013) director: Hyeck Joon Son – short documentary, 12 min, s16mm SR3
Mutterkuchen (2012) director: Ana Christina Tarpo – fiction, in postrod., RED One MX
Setgespräche (2012) director: Bernadette Kolonko – fiction, 11min, HDCam
Kerkwitz (2012) director: Bernadette Kolonko – documentary, 10 min, HDCam
Das Pinke vom Himmel (2012) director: Antonia Hungerland – fiction, in postprod., s16mm
Julia (2012) director: Bernadette Kolonko – documentary, 16 min, s16mm
Garderobe (2012) director: Steffen Heidenreich – documentary, 2 min, 16mm
Achim (2012) director: Talin Seigmann – documentary, 2 min, 16mm
Gang!Bang! (2010) director: Manuel Esposito – fiction, 6 min, s16mm
Aneta (2010) director: Marcella Piccinini – fiction, 15 min, s16mm
A Hard Night’s Dawn (2009) director: Jose Luis Arriaga – fiction, 2 min, s16mm b/w, silent
ein Glück (2013) – DOKLeipzig (2013, special screening)
Mammut Tifer Wolf (2012) – interfilm Festival Berlin (2013, dezibel program)
water and bread (2010)
FAMUfest (2010), Student Film Festival, Prague (competition) – special mention for sound
CineMAiubit (2010), International Student Film Festival UNATC, Bucharest (competition)
Petra (2010)
Visioni Italiane (2011), Bologna (competition)
Sguardi Altrove Film Festival (2011), Milano (competition)