Displaced Fractures – Über die Bruchlinien von Architekturen und

Transcription

PRESS DOCUMENTATION
Displaced Fractures –
Über die Bruchlinien von Architekturen und
ihren Körpern
Phyllida Barlow – Tacita Dean – Emilie Ding – Klara Lidén – Ulrich Rückriem –
Kilian Rüthemann – Oscar Tuazon – Klaus Winichner
11th December 2010 – 20th February 2011
Initiated by the migros museum für gegenwartskunst
in collaboration with the Siemens Stiftung
Press conference: Friday, 10th December 2010, 11.30am
Opening: Friday, 10th December 2010, 6pm
Initiated by the migros museum für gegenwartskunst in collaboration with the Siemens Stiftung:
Displaced Fractures –
Über die Bruchlinien von Architekturen und ihren Körpern
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11 December 2010 – 20 February 2011
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Press conference: Friday, 10 December 2010, 11.30am
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Opening: Friday, 10 December 2010, 6pm
Phyllida Barlow – Tacita Dean – Emilie Ding – Klara Lidén – Ulrich Rückriem –
Kilian Rüthemann – Oscar Tuazon – Klaus Winichner
Art has always been the sensorium of the fragile, brittle and porous of the human. In this group
exhibition, however, human fracture lines are not treated directly in terms of the human body, but
instead by using architecture as a surrogate. The fractures and interfaces of buildings form
metaphors for the breaks in human existence. The term “Displaced Fractures” derives from the
medical world, and describes a phenomenon whereby bone fractures reveal themselves in other
places than the major stress site. The term “displacement” is also used in psychology. In the new
spaces of the migros museum für gegenwartskunst, installations, spatial interventions and
sculptures working with the displacement of symptoms are given prominence. What dominates
here is the area of tension between the refusal of form and monumental creations, between
subjective and formal, rational gestures.
In an analogy to the notion of “Displaced Fractures,” projection surfaces are rendered on the building
which, in spite of its stability, is subject to temporality, and an opening up to questions of its existential
orientation and existence. Through such actions on this alleged fixedness, the discourse on sculpture
demonstrates the precariousness of the present and makes it palpable. In works exhibited by artists such
as Klaus Winicher or Phyllida Barlow, the formless, already posited by Rosalind Krauss and Yves Alain
Bois as a synonym for that which is repressed, is elaborated upon in material and form. As the work of
Oscar Tuazon and Kilian Rüthemann shows, it is not alienation that is thematized here, but instead the
impossibility of bringing the modulations of the building’s fracture lines and the unruly ability to live to
expression. Lifeless material becomes a metaphor for the body, as Klara Lidén’s work shows, whether in
cautious construction or spontaneous collapse. The works exhibit the structures of the architectonic exactly
like personal traces. They are precise attitudes in which the formal culmination materializes, as Emilie
Ding’s concrete support structures or Ulrich Rückriem’s stone cuboids testify. The dynamic application of
colors and the use of free forms make these subjective interventions particularly distinctive. They bear
witness to the presence of the human and ultimately, through free and defiant handling, signify the
vulnerability of the present and of memory.
Exhibition curators: Heike Munder (migros museum für gegenwartskunst), Thomas D. Trummer (Siemens
Stiftung).
In the field of Culture the global acting Siemens Stiftung wishes to accompany and help impart the social
changes registered by art and culture. The challenges of the present have been thematized by the leitmotif
“Shifting Societies”; an art that depicts time-determined problems, damage and mental states renders our
contemporary living environment and existential problems manifest and tangible. siemens-stiftung.org
Exhibition catalogue
A catalogue will be published for the exhibition by JRP|Ringier in February 2011, with contributions by
Holger Birkholz, Karsten Harries, Heike Munder and Thomas D. Trummer.
Discussion with the artists Phyllida Barlow and Kilian Rüthemann
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On Wednesday 19 January 2011 at 7pm, a discussion will take place between Phyllida Barlow, Kilian
Rüthemann, Heike Munder and Thomas D. Trummer in the exhibition space.
Lecture by Holger Birkholz followed by a roundtable discussion and presentation of the book
Displaced Fractures
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On Thursday 17 February at 7pm, on the occasion of the book launch of the exhibition catalogue, Holger
Birkholz will deliver a lecture on the current discourse of sculpture. This will be followed by a roundtable
discussion with Holger Birkholz, Heike Munder and Thomas D. Trummer. The catalogue is published by
JRP|Ringier and features contributions by Holger Birkholz, Karsten Harries, Heike Munder, Thomas
D. Trummer and Octavio Zaya.
Public guided tours
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Sunday, 12 and 19 December, 9th and 23 January, 6 and 20 February at 3pm, and Thursday 16
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December and 3 February at 6.30pm. The tours are free of charge.
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Family guided tours
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Sunday 23 January and 6 February at 1.30pm. The tour lasts 1.5 hours and the content is targeted for a
family audience. Practical work is included in the tour. The tours are free of charge.
New visitor address
migros museum für gegenwartskunst / Hubertus Exhibitions
Albisriederstrasse 199a
8047 Zürich
Tues / Wed / Fri Midday–6pm, Thursday Midday–8pm, Sat / Sun 11am–5pm. Thursday 5pm–8pm
entrance is free of charge.
hubertus-exhibitions.ch / migrosmuseum.ch
Contact address:
migros museum für gegenwartskunst
Postfach 1766
8031 Zurich
T. +41 44 277 20 50
F. +41 44 277 62 86
[email protected]
The migros museum für gegenwartskunst is an institution of the Migros-Kulturprozent.
migros-kulturprozent.ch
Phyllida Barlow
SWAMP untitled: barrier
2010
Wallboard, color
120 x 650 x 650 cm
Courtesy of the artist and V22 Collection, London
Photo: Andy Keate
Phyllida Barlow
Untitled: signs
2010
Plywood, timber, cement, scrim, spraypaint, paint, sealant
5 elements each 120 x 120 x 140 cm
Courtesy of the artist and Galerie Hauser & Wirth, London
Since the 1970s, Phyllida Barlow (born 1944, UK) has grappled with sculpture and installation and from
that time has worked, in the tradition of the post minimalists, against the heritage of the auratized object. In
her works, raw materials pile up into dense clusters of forms. In part bundled into dwellings, they
persistently display an elementary physical presence, and for a long period have not only supported the
smooth aesthetic of minimalism but have stood in precise opposition to the polished and popular aesthetic
of a Jeff Coons or Haim Steinbach prevalent in the 1980s.
Tacita Dean
Palast
2004
Film (16mm, color, sound)
10:30 min.
Courtesy of the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York/ Paris
Tacita Dean (born 1965, UK), former student of Phyllida Barlow at the Slade School of Fine Arts in
London, works primarily in the media of film and sound. She is particularly interested in the connection
between the elapsing of time and its narration, and the expectations incorporated within it. The film Palast
(2004) is amongst her most famous works, and was shown at the Venice Biennial in 2005. It is a portrait of
the Berlin Palast der Republik before its demolition. Heavy protests were held in front of the DDR
showcase building before it was torn down. The steel and glass building was to be replaced by a
reconstruction of a much older Berlin palace that once stood on the same site. Instead of the evaluation of
cultural history as political symbol through a loud demonstration piece, Dean here puts forward a silent
elegy. The insight – filmed with slow and thoughtful camera direction – reveals gold-colored light play,
shadows and strange coloring.
Emilie Ding
Erased
2010
Concrete, steel
Dimensions variable
Courtesy of the artist and Evergreene, Geneva
Exhibition view: Salle Crosnier, Palais de l’Athénée, Geneva
The sculptural works of Emilie Ding (born 1981, Switzerland) chafe at the discourse of American
minimalism. On the exhibition floor, Ding places distinct form elements that always signify use-properties.
They are pieces of concrete, which – angulated and with steel bolts attached – appear like hinges, support
elements or modular components used in architecture. The arrangement of the blocks creates a debate
with the formal discourses. The reference to minimalism is also reflected in the concept of seriality,
whereby Ding’s sculptures are treated as unique objects with barely any visible imperfections.
Klara Lidén
Position 0310
2010
4- channel- video projection (color, sound, music by Tvillingarna)
Lenght variable
Courtesy of the artist and Galerie Neu, Berlin
The functions and failures of urban spaces form central themes in the works by Klara Lidén (born 1979,
Sweden). She makes installations from found materials such as cardboard, torn-off poster paper or used
furniture. The compositions are akin to historic décollages and speak a language of revolt against material
and the environment. Likewise, in her video works she engages public space through what appear to be
odd de-placed bodily activities when, for instance, she dances in a subway train or performs a “Moonwalk”
on the streets of New York. Irritation and rebellion against all the regulations of public life are constant
characteristics here. In her video work Position 0310 (2010) the artist clamps herself to public appliances
such as gas pipes and advertising pillars, and like a petrified animal, remains almost invisible to the
pulsating traffic.
Ulrich Rückriem
Ohne Titel (Bodenarbeit)
1994
Austrian granite
45 x 200 x 385 cm
Courtesy of the artist and Galerie Tschudi, Glarus
Photo: FBM-Studio, Zurich
Ulrich Rückriem (born 1938, Germany) numbers among the most important German sculptors of the
Post-war period. Hand crafted precision and a distinctive plastic consciousness determine his works, which
are imbued with monumentalism and formalism. He takes ideas and procedural methods from American
Minimal and Conceptual Art but nonetheless creates an independent work. Enclosed stone blocks are
sawed into or drilled into to make memory and historicity sculpturally legible by dint of hairline cracks, cut
edges and fracture lines. For Rückriem the work process and the concept preceding it always remain
central to the work.
Kilian Rüthemann
Untitled
2009
Concrete, 12 elements
120 x 17 x 15 cm
Courtesy of the artist and RaebervonStenglin, Zurich
Photo: David Aebi
Kilian Rüthemann
Untitled
2009
Foam
130 × 230 × 108 cm
Courtesy of the artist and RaebervonStenglin, Zurich
Exhibition View: Double Rich, Istituto Svizzero di Roma
Photo: Davide Francescini, Kilian Rüthemann
Kilian Rüthemann (born 1979, Switzerland) subtly confronts the architectonic properties of the exhibition
location in his works. The aesthetic of his works is determined by the exposing of structures and a search
for the unstable and fragile in the seemingly fixed. In the attempt to elicit the unseen poetry from the
spaces he works with, he at times uses brute means – for instance when he pours out an additional
concrete floor on a stairway, making the entry considerably less convenient.
Oscar Tuazon
I want to put something inside my body and carry something in it.
I want to get inside my body and get carried in it, I’d like to get
buried in it, put my head in it and get in it, I’m not scared of it
2010
Welded steel, clamps, canvas, plastic tubing, water
30 x 487 x 213 cm
Courtesy of the artist and Maccarone, New York
Photo: Eric Egerton
Oscar Tuazon
I use my body for something, I use it to make something, I make something with my body,
whatever that is. I make something and I pay for it and I get paid for it
2010
Concrete, rebar, mesh
Dimension variable
Courtesy of the artist and Maccarone, New York
Photo: Eric Egerton
The interests of Oscar Tuazon (born 1978, USA) range from the relation of tension between architecture
and nature, displayed in the disintegration of the public space, to the extreme conditions of almost
untamable nature. The essence of this confrontation is conveyed by a reduced architectonic language in
the exhibition space, for which he uses simple building materials. At the same time he shows a great
interest in a formal language in connection with hard and soft elements. In the architectonic conditions of
the exhibition spaces, Tuazon makes a second inner structure grow, making the two architectonic levels
vie with one another: that of the inner, which nestles in, and that of the outer, which covers.
Klaus Winichner
Science Fiction
2009
Concrete, plaster, book
70 x 50 x 30 cm
Courtesy of the artist and Galerie Sandra Bürgel, Berlin
Central to the work of Klaus Winichner (born 1967, Germany) is the debate on the human portrait in terms
of sculptural discourse. He approaches his theme through various media such as sculpture, painting and
drawing, to which he frequently adds industrial construction materials or construction waste. The portraits
are created not just through illustrations but also through fragmentary architectures that represent the
human. They are abstract assemblages put together by the artist from mattresses, books, flower troughs
and materials that are seemingly amorphous. These often space-filling sculptural form-conglomerates, give
an impression of the coincidental remains of human existence.
The Displaced Fractures exhibition is an initiative of the Siemens Stiftung
and the migros museum für gegenwartskunst
In the field of culture the global acting Siemens Stiftung wishes to accompany
and help impart the social changes registered by art and culture. Challenges of
the modern era are tackled under the motto “Shifting Societies”. A diagnosis of
our own era and an analysis of current modes of existence are both
indispensable prerequisites for this. Art that reveals the sensitivities, issues and
damage incurred in today’s world enables us to grasp the way that we live, and
the existential problems that confront us.
The Displaced Fractures exhibition develops the notion of shifting, of displaced
symptoms. The act of shifting is involuntary, as a means of acting out at a
different location, as an attempt to arrest injury by evasion, substitution and
sublimation. The meaning of the ego and of existence is made visible through
tension and inner conflicts.
The project shows current artistic positions from all around the world, including
Ulrich Rückriem, long considered one of the key post-war sculptors. In all the
works, material and its treatment are in the foreground, for the way we approach
determining our existence and approach society is revealed by proxy through
solid objects and their fragility. Lifeless material turns into a metaphor for the
body.
The Siemens Stiftung has been fortunate in establishing a partnership with the
migros museum für gegenwartskunst for this joint project. Curated by Heike
Munder (migros museum für gegenwartskunst) and Thomas D. Trummer
(Siemens Stiftung), the exhibition is presented in the new premises of “Hubertus
Exhibitions” in the Albisrieden district of Zurich.
Contact:
Siemens Stiftung
Thomas D. Trummer
Oskar-von-Miller-Ring 20
80333 Munich, Germany
telephone +49 (89) 636-33632
telefax +49 (89) 636-33615
e-mail [email protected]
PHYLLIDA BARLOW
Geboren / born 1944 in Newcastle upon Tyne (United Kingdom)
Lebt und arbeitet / lives and works in London
Einzelausstellungen / Solo Exhibitions (Auswahl seit 1984/ Selection since 1984)
2011
Kunstverein Nürnberg
2010
BLUFF, Studio Voltaire, London
SWAMP, V22, London
STREET, BAWAG Contemporary, Vienna
2009
BRAKE, One in the Other Gallery, London
2008
STINT, Mead Gallery, Warwick Arts Centre
STACK, FENCE, Southbank Centre, London
2007
Under Over, Canary Wharf, London
RAMP TOWER FLAGS , Galería Jesús Gallardo, León
New Sculpture: in the Gallery and Grounds, New Art Centre, Roche Court, London
2005
Untitled: demo, Studio 1.1, London
SCAPE, Spacex, Exeter
SKIT, Bloomberg Space, London
Sense of place: place of sense, Beacon Art Project, Sleaford
Remnants, Dallas, 2003, Centre of Contemporary Art, Dallas
2004
PENINSULAR, Baltic Centre for Contemporary Art, Gateshead
BARRIER, Tannery Arts Exhibitions, London
2003
Untitled: Dallas, Dallas Visual Art Gallery
Remnants, The Magnet School, Dallas
Remnants, Angstrom Gallery, Dallas
2002
New Sculpture, Richard Salmon Gallery, London
FETE, Phoenix Wharf, Bristol
2001
Knives in Hens, Wimbledon Theatre, London
1996
Recall, Marshall’s Mill, Halifax
1995
DEPOT, Museum of Installation, London
Sculptures for the Library, Henry Moore Institute, Leeds
1991
Plantation, Business Design Centre, London
Deep, Museum of Installations, London
Closed (Vigil II), RIBA Sculpture Court, London
1990
Fall, DEGW Offices, London
1989
Crowd, Hermitage Road Industrial Estate, London
Wallworks, Smith Jarawala Gallery, London
Vigil I, Windsor Festival, Berkshire
1988
SLOPE, The Gallery, Halifax
1987
Oracle, St. Peter’s Churchyard, Cambridge
1985
Wrecks, Bayfield, Norfolk
Ghosts, London
Strangers, London
1984
Scar, London
Gruppenausstellungen / Group Exhibitions (Auswahl seit 1965/ Selection since 1965)
2010
ihren Körpern, migros museum für gegenwartskunst Zürich
Nairy Baghramian and Phyllida Barlow, Serpentine Gallery, London
Old Ideas, Kunstmuseum Basel, Basel
Under One Umbrella, Bergen Kunsthall
Phyllida Barlow & Fiona MacDonald, Co Exist Galleries, Essex
I go to Sleep, Modern Art, Everynight, London
2009
The Real, V22 Sculpture Exhibition, The Almond Building, London
Collaborators, ROOM Gallery, London
Hijack Reality, Bob and Roberta Smith solo exhibition, invited artist Phyllida Barlow, Warwick
Arts Centre
Phyllida Barlow/Jess Flood-Paddock, The Russian Club Gallery, London
2008
Old Ideas, Museum für Gegenwartskunst, Basel
Stuff, The Almond Building, London
Prospects and Interiors Sculptors Drawings of Inner Space, Henry Moore Institute, Leeds
STEW, Art Space Gallery: Michael Richardson Contemporary Art, London
Entre Muros (Between Walls), CAS Gallery, Miami
2007
Etc…, Amagerfaelledvej Art Project, Copenhagen
Says the junk in the yard, Flowers East, London
An Exploration into Abstract Painting, Studio 1.1, London
Rummage Sculptors, The Winchester Gallery
Jumbo Shrimp, Woburn Slade Research Centre, London
Entre Muros (Between Walls), Galeria Casa de los Manos, Leon
2006
Ebb and Flow, RAID Projects, Los Angeles
Wandering Star, GANA Art Centre, Seoul
Please Close the Gate: Painted sculpture at Roche Court, Royal Academy of Art, London
2005
Sleigh, Arts & Business, London
Merveilles du Monde, Musee de L’Art Contemporain, Dunkirque
Abb and Flow, Three Colts Gallery, London
2004
Love Story, Danielle Arnaud Gallery, London
Bird House, Fieldgate Gallery, London
2003
Shelf Life, Studio 1.1, London
Location, Location, Location, Albury Arts, Guildford
The Drawing Auction, The Drawing Room, London
The Greatest Show on Earth, Metropole Gallery, Folkestone
2002
Harvey’s Bodies, Metropole Gallery, Folkestone
Neck: Invited Artists, Royal Academy of Arts, London
2001
Station to Station, Spacex 2, Exeter Maritime Museum
Mile End Park Sculpture Exhibition, London
2000
British Art Show 5, John Hansard Gallery, Southhampton
1999
Sculpture, Dawn till Dusk, The Royal Western Academy, Bristol
O Pas La-Surprising Places, Lieu D’Art Contemporain, Narbonne
1998
Not Nothing Nowehere, after dark, The Master Shipwrights House, London
Out of Place, Time and Time Again, Chapter Art Gallery, Cardiff
Touching Matters, The Gallery, Swiss Cottage Library, London
The Ugly Edge, (Ugly Mugs), The Henry Moore Institute Gallery, Leeds
1997
Truce, Norwich School of Art
Musee Imaginaire, Museum of Installation, London
Barely Made, Objects for a Dressing Table, Norwich Art Gallery
1996
9 Months 2 Seconds, Manhattan Lofts, London
TRY, Gulbenkian Gallery, Royal College of Art, London
1995
Contemporary Arts Society Fair, Royal Festival Hall, London
The Gas Station, Ruskin School of Drawing, Oxford University
1994
Leich und Luft, Die Neue Fabrik, Hamburg
1993
Shopping sensations, Bradford City Art Gallery
1992
Shopping Sensation, Rothschild Centre, London
Up Across Around, Diorama, London
1990
Seam, National Garden Festival, Gateshead
MAAD, Kettle’s Yard Gallery, Cambridge
1988
Houseworks, 13 Clarynge Road, Bristol
1987
The Shelf Show, Kettle’s Yard, Cambridge
1986
Casting an Eye, The Cornerhouse, Manchester
Third Generation, Canterbury Festival
1983
Tout Quarry Sculpture, Dorset
1979
Sculpture in Action, South Hill Park, Bracknell
1978
Twelve Sculptors at West Surrey, West Surrey School of Art
1977
Three Sculptors in the Close, Gloucester Cathedral
1976
Contemporary Painting and Sculpture, Camden Arts Centre, London
1975
Drawings, Gallery 21, London
1974
British Sculptors, Attitudes to Drawing, Sunderland Arts Centre
1972
University of Surrey
1971
Sculpture and Drawings, Camden Arts Centre, London
Spectrum London, Alexandra Palace
1965
Young Contemporaries, ICA Galleries, London
TACITA DEAN
Geboren / born 1965 in Canterbury (United Kingdom)
Lebt und arbeitet / lives and works in Berlin
2010
The Common Guild, Glasgow
Craneway Event, Frith Street Gallery, London
The Friar’s Doodle, Monastery of Santo Domingo de Silos
2009
Sprengel Museum, Hannover
Musèe d’art contemporain de Montrèal
ACCA, Melbourne
Still Life, Fondazione Nicola Trussardi/Palazzo Dugnani, Milan
Marian Goodman Gallery, New York
2008
In My Manor, Villa Oppenheim Galerie für Gegenwartskunst, Berlin
Amadeus, Marian Goodman Gallery, Paris
Merce Cunningham performs STILLNESS (in three movements) to John Cage’s composition
4’33” with Trevor Carlson, Dia Beacon, New York
2007
Wandermüde, Frith Street Gallery, London
Hugh Lane Gallery, Dublin
Guggenheim Museum, New York
Miami Art Central
2006
Analogue: Films, Photographs, Drawings 1991-2006, Schaulager, Basel
Human Treasure, Center for Contemporary Art, Kitakyushu
The National Museum of Art, Architecture and Design, Oslo
2005
Berlin Works, Tate St. Ives
Presentation Sisters and the Presentation Windows, Cork
An Aside, Hayward Gallery, Camden/ Arts Centre, London/ The Fruitmarket Gallery,
Edinburgh/ The Glynn Vivian Art Gallery, Swansea
2004
Mala Galerija, Museum of Modern Art Ljubljana
Baobab, Fondazione Sandretto Re Rebaudengo, Torino
2010
The Promises of the Past, 1950-2010: A Discounted history of Art in Former Eastern Europe,
Centre Pompidou, Paris
Photo Espania: Entre Tiempos, Madrid
Haunted, Guggenheim Museum, New York
Crash, Gagosian Gallery, London
2009
GSK Contemporary 2009: Art of Changing the World, The Royal Academy, London
Performa Biennial, New York
Moby Dick, CCA Wattis Institute, San Francisco
Festival d’ Automne, Paris
Tirana Biennial
The Enlightenment, Dean Gallery, Edinburgh
Pasaggi, Sicilia La collezione di Riso e oltre, Museo d’ arte comtemporanea della sicilia
As Long as it Lasts, Marian Goodman, New York
From Holbein to Tillmans, Schaulager, Basel
Sonic Youth: Sensational Fix, Malmo Konsthall
The Quick and the Dead, Walker Art Center, Minneapolis
The Russian Linesman, The Hayward Gallery, London/ Glynn
Vivian Art Gallery, Swansea
Subversive Space: Surrealism and Contemporary Art, The Whitworth Art Gallery,
Manchester
2008
Folkestone Triennial
Order. Desire. Light., IMMA, Dublin
Utopia, Museu Berardo Lisbon, Photoespana Festival, Madrid
Uses of the Document in Contemporary Art, ICP Museum, New York
Porzadki Urojone – so ist es und Andres, Muzeum Sztuki
Lost Paradise – The Angels Gaze, Zentrum Paul Klee, Bern
2007
Marking Time, York Art Gallery
Sea Pieces: From Max Beckmann to Gerhard Richard Richter, Hamburger Kunsthalle
Scenes and Sequences, Aargauer Kunsthaus
Waterlog, Castle Museum
On History, Foundation Santander, Madrid
2006
Resonance, Frith Street Gallery, London
São Paulo Biennial
Sydney Biennial
C’era una volta un re. La Fiaba cocntemporanea, Museo d’Arte Contemporanea
Sannio
Ideal City/Invisible Cities, Poland & Germany
Mapping the Studio, Stedelijk Museum
Femme d’Europe, Saint Tropez
Spool, Consortium Gallery, Amsterdam
Passaggi a Sud Est, Padiglione d’Arte Contemporanea
Constructing New Berlin, Phoenix Art Museum
Berlin Biennial
Print Run: An exhibition of Prints, Frith Street Gallery, London
2005
Universal Experience: Art, Life and the Tourist’s Eye, Hayward Gallery, London
Here Comes the Sun, Magasin 3, Stockholm
Truth universally acknowledged, Australian Centre for Contemporary Art, Victoria
Venice Biennial
New Acquisitions, Museum of Modern Art, New York
Soul, Museum Voor Moderne Kunst, Oostende
Elements of Nature, National Gallery of Canada
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin
Daumenkino:The Flip Book Show, Kunsthalle Düsseldorf
Very Early Pictures, Luckman Gallery, California State University, Los Angeles
Arcadia University Art Gallery, Glenside
Universal Experience: Art, Life and the Tourist’s Eye, MCA, Chicago
Documentary Creations, Kunstmuseum Luzern
Some Trees, Neuer Aachener Kunstverein
EMILIE DING
Geboren / born 1981 in Fribourg (Switzerland)
Lebt und arbeitet / lives and works in Geneva
2010
Erased, Salle Crosnier, Palais de l’Athénée, Geneva
Primitive, Evergreene, Geneva
2009
Random Gallery, Paris
Tirants Interstices, Galerie Praz-Delavallade, Paris
2008
Le Gros Oeuvre, Forde, Geneva
2010
Triennale de l'art imprimé contemporain, Musée des beaux-arts, Le Locle
Of Objects, Fields, and Mirrors, Kunsthaus Glarus
2009
Centre d'art contemporain, Geneva
Avalanche, Manoir de Martigny
A new Spirit in Lasagnas I et II, Circuit, Lausanne and New Jerseyy, Basel
Plattform 09, ewz-Unterwerk Selnau, Zurich
2008
Exit/Dark Matter - Black Noise, Centre national de l’estampe et de l’art imprimé, Chatou
X, Galerie 1m3, Lausanne
Abstraction Extension, Fondation Salomon, Alex
Accrochage, Villa Dutoit, Geneva
Prix National Suisse, Kunsthaus Baselland, Muttenz
Quoi de neuf – Carte blanche à L’Urdla, L’attrape, Lyon
2007
SIJANG JEON EUN NEOMU ILEO, HEUNGMIROUN SAMUSIL EUN
NEOMUNEUZEO, Forde, Geneva
True Stories, Salle Crosnier, Palais de l’Athénée, Geneva
Der Tanz der Doppelgänger, Shark, Geneva
2006
Black and White, Duplex, Geneva
Minigolf, Circuit, Lausanne
KLARA LIDÉN
Geboren / born 1979 in Stockholm (Sweden)
2010
Galerie Neu, Berlin
Kunstverein Bonn
Serpentine Gallery, London
Art Pace, San Antonio
Always be Elsewhere, Jeu De Paume, Paris
Reena Spaulings Fine Art, New York
2009
Never Come Back, Kunsthalle Friedricanum, Kassel
Projects 89, Museum of Modern Art, New York
2008
Elda för kråkorna, Reena Spaulings Fine Art, New York
2007
The Hayward Gallery, London
Unheimlich Maneuver, Moderna Museet, Stockholm
2006
Economy Class, Reena Spaulings Fine Art, New York
2005
Dr. 3000, Reena Spaulings Fine Art, New York
2010
BEFORE AND AFTER, Balice Hertling, Paris
Light Camera Action, Art Berlin Contemporary, Berlin
Home and Origin, Bukowskis, Stockholm
Barbaric Freedom, Simon Lee Gallery, London
Fischgrätenmelkstand, Temporäre Kunsthalle, Berlin
ÜBER WUT / ON RAGE, Haus der Kulturen der Welt, Berlin
2009
Non-Solo, Non-Group Show, Kunsthalle Zürich
Artists from Berlin and Los Angeles, Massimo de Carlo, Milan
Political Minimal, Kunstwerke, Berlin
Momentum 2009, The Fifth Nordic Biennial of Contemporary Art, Moss
Venice Biennial
2008
After Nature, New Museum, New York
Tarantula, Trussardi Foundation, Milan
Meet Me Around the Corner, Astrup Fearnley Museum, Oslo
Sydney Biennial
2007
MD 72, Berlin
UM-KERHUNGEN / INTERAKTION I, Kunstverein, Braunschweig
Beneath the Underdog, Gagosian Gallery, New York
Uncertain States of America, Center for Contemporary Art, Warsaw
Moscow Biennial
Nothing Else Matters, De Hallen, Harleem
Massive Analogue Academy, Galerie Christian Nagel, Cologne
The Perfect Man Show, White Columns, New York
2006
Looking Back, White Columns, New York
MUSIC IS A BETTER NOISE, P.S.1, New York
Subito Sera, Galleria Zero, Milan
Street Behind the Cliché, Witte de With, Rotterdam
Berlin Biennial
Nuevo Estocolmo, Södertälje Konsthall
2005
Reena Spaulings– The One and Only, Haswellediger Gallery, New York
Fotogalleriet, Oslo
When Humor Becomes Painful, migros museum für gegenwartskunst Zürich
MIX NYC, Anthology Film Archives
2004
I/U/WE Färgfabriken, Stockholm
LTTR Explosion, Art In General, New York
2003
Concrete and Imagination, Urban Art Gallery, Berlin
ULRICH RÜCKRIEM
Geboren / born 1938 in Düsseldorf (Germany)
Lebt und arbeitet / lives and works in London and Cologne
2010
Galeria A arte Studio Invernizzi, Milan
Granit Bleu de Vire, zugeschnitten, Neues Museum - Staatliches Museum
für Kunst und Design, Nuremberg
2009
40 Bodenreliefs, 3. Variation 2009, Neue Nationalgalerie, Berlin
Sculpture, Bernier/Eliades Gallery, Athens
2008
Shadows of the stone, National Museum of Contemporary Art - EMST, Athens
2007
Wandwerke, Sprengel Museum, Hanover
Galerie Heinrich Ehrhardt, Madrid
Ikarus, Museum Ludwig, Cologne
2006
The Shadows of the Stone, Modern Art Oxford
Die Schatten der Steine, Figge von Rosen Galerie, Cologne
2005
Boutwell Draper Gallery, Sydney
Neues Museum, Nuremberg
Hamburger Kunsthalle
2004
Neue Nationalgalerie, Berlin
Lehmbruck Museum Duisburg
Zentrum internationaler Skulptur und Quadrat Bottrop, Yorkshire Sculpture Park
2003
Gemeentemuseum, Den Haag
2002
Kunstmuseum Bonn
2001
New Works, Royal Hibernian Academy/ Gallagher Gallery, Dublin
Inverleith House, Royal Botanic Garden, Edinburgh
National Gallery of Modern Art, Mumbai
Birla Academy of Art & Culture, Calcutta
2000
Neues Museum, Nuremberg
Goethe Institut Vilnius, Lithuania
Halle Kalk, Cologne
1999
Kunstverein Dortmund
1998
Neue Nationalgalerie, Berlin
Piepenbrock Preis für Kultur, Berlin
1997
Stedelijk Museum Amsterdam
1995
Städtische Galerie im Lenbachhaus, Munich
1994
Ägyptisches Museum, Berlin
1993
Fundació Espai Poblenou, Barcelona
Halle Zeche Zollverein, Essen
1992
Galerie Durand-Dessert, Paris
Kunsthalle Esplanade, Ingolstadt
1991
Centre d`Art Contemporain, Geneva
Kunstmuseum Winterthur
Serpentine Gallery, London
1990
The Krannert Art Museum, Champaign
The Henry Moore Sculpture Trust, Dean Clough, Halifax
Halle Frankfurt, Daimlerstrasse
1989
Palacio de Cristal, Centro Nacional de Exposiciones, Reina
Sofia, Madrid
The Barn, Clonegal
1988
Landesmuseum, Vienna
Halle Frankfurt, Daimlerstrasse
Donald Young Gallery, Chicago
1987
Donald Young Gallery, Chicago
Kunstsammlung Nordrhein-Westfalen, Dusseldorf
Kölnischer Kunstverein
Museum Abteiberg, Mönchengladbach
1986
Kröller-Müller Museum, Otterlo
1985
Staatliche Kunstsammlung, Neue Galerie, Kassel
1984
Städtische Galerie im Städel, Frankfurt
Kamakura Gallery, Tokyo
1983
Centre Pompidou, Paris
1981
Modern Art Museum of Fort Worth
1979
Kunsthalle der Stadt Bielefeld
Sperone Westwater Fischer Gallery, New York
1978
Museum Folkwang, Essen
Städt. Kunstmuseum, Bonn
Venice Biennial
1977
Stedelijk van Abbe Museum, Eindhoven
Galerie Erhard Klein, Bonn
1976
Museum of Modern Art, Oxford
1975
Lisson Gallery, London
1974
Kunstverein Frankfurt
Kunstraum München
1973
Kunsthalle Tübingen
Städt. Museum, Mönchengladbach
1971
Galerie Konrad Fischer, Dusseldorf
Videogalerie Garry Schum, Dusseldorf
1970
Steine und Eisen, Museum Haus Lange, Krefeld
1967
Galerie Ad Libitum, Antwerp
1965
Leopold Hoesch Museum, Düren
1964
Domgalerie, Cologne
KILIAN RÜTHEMANN
Geboren / born 1979 in St.Gallen (Switzerland)
Lebt und arbeitet / lives and works in Basel
2010
Attacca, Museum für Gegenwartskunst, Basel
Walking Distance, Künstlerhaus Bremen
2009
Sooner Rather than Later, Kunsthaus Glarus
Double Rich, Istituto Svizzero, Rome
Open Space, Kunsthaus L6, Freiburg
Extra Infra Ordinary, Galerie Schleicher+Lange, Paris
Unter 30 VII, Kunstmuseum Thun
Heimspiel – Ostschweizer Kunstschaffen, Kunsthalle St. Gallen
2008
Außenportal, Binz39, Zurich
Masse Critique, , CAN – Centre d’Art, Neuchâtel (with Niklaus Wenger)
Echo, Stadtgalerie Bern
2007
Flatland, Kunsthaus Baselland, Muttenz
KANTE, , Espace Bellevaux, Lausanne (with Emil Michael Klein)
For a Blank Implies Space, Torstrasse, Berlin (with Yngve Holen)
2006
Lust, Kunststiftung E. Hauser, Rottweil (with Karin Hueber und Dagmar Heppner)
2004
White Wedding, Schalter, Basel (with Florian Germann)
2010
2009
Fragile Monumente, Suzie Q Projects, Zurich
Stipendium Vordemberge-Gildewart, Kunsthaus Aarau
2008
Berlin Biennial
Unter 30 VI, Kunsthaus Langenthal
2007
Vrits, Falknerstraße 4, Basel
The Trees Bring Forth Sweet Ecstasy, Ausstellungsraum Klingental
Poor Thing, Kunsthalle Basel
Fireflies, Nicolas Krupp Contemporary Art, Basel
Topfloor, Platform Garanti Contemporary Art Center, Istanbul
2006
Regionale 7, Kunsthalle Basel
2005
Regionale 6, [plug.in], Basel
2003
Heimspiel – Ostschweizer Kunstschaffen, Kunsthalle St. Gallen
OSCAR TUAZON
Geboren / born 1975 in Seattle (USA)
Lebt und arbeitet / lives and works in Paris and Tacoma
2010
Oscar Tuazon/Gardar Eide Einarsson, Rat Hole, Tokyo
SEX, Jonathan Viner, London
My Mistake, ICA, London
It was one of my best comes, Centre d'art contemporain, Pougues Les Eaux
My Flesh to your Bare Bones, maccarone, New York
Kunsthalle Bern
Against Nature, Künstlerhaus Stuttgart
2009
Bend it till it breaks, Ile de la Vassiviere
Centre d'art contemporain, Geneva
Ass To Mouth, Balice Hertling, Paris
Dependance, Brussels
I Was a Stranger, Isabella Bartolozzi, Berlin
2008
A Vow of Poverty, maccarone, New York
Dirty Work, Jonathan Viner, London
Kodiak, Seattle Art Museum (with Eli Hansen)
This World’s Just Not Real to Me, Howard House Contemporary Art, Seattle (with Eli Hansen)
2007
Where I Lived And What I Lived For, Module, Palais de Tokyo, Paris
I'd Rather Be Gone, Standard (Oslo)
Oscar Tuazon / Mike Freeman, Castillo/ Corrales Gallery, Paris
VOluntary Non vUlnerable, Bodgers and Kludgers, Vancouver
2010
Bordeaux Biennial
Novel, dependance, Brussels
When do you see yourself in ten years?, Standard (Oslo)
Rehabilitation, Wiels, Brussels
The Concrete Show, Galleria Franco Noero, Torino
Dynasty, Palais de Tokyo et Musée d’Art Moderne, Paris
Free as Air and Water, Cooper Union School of Art, New York
2009
Suddenly!, Pomona College, Los Angeles
2008
The Station, Miami
27 november - 21 january 2009, Catherine Bastide/ dependance, Brussels
We Haven’t Met Before […], Standard (Oslo)
Transformational Grammars, Francesca Kaufmann, Milan
Sack of Bones, Peres Projects, Los Angeles
Suddenly, Cooley Art Gallery, Reed College, Portland
Rendevous Nowhere, Centro Cultural Montehermoso Vitoria
September Show, Tanya Leighton, Berlin
Degrees of Remove: Landscape and Affect, Sculpture Center, New York
A Town (Not a City), Kunsthalle St. Gallen
Alex Hubbard and Oscar Tuazon, Contemporary Art Museum St. Louis
Dragged down into lowercase, Paul Klee Zentrum, Bern
You Complete Me, Western Bridge, Seattle
Reed College, Portland
Kunsthalle St. Gallen
2007
Exposition No 1, Balice Hertling, Paris
Hello Goodbye Thank You, Castillo/ Corrales Gallery, Paris
2006
The Elementary Particles (The Paperback Edition), Standard (Oslo)
Minotaur Blood, Johnathan Viner, London
Just Move On, project for CLUI Wendover, Utah
Whitney Biennial
An Open Operation, Edinburgh College of Art
The Culture of Fear, ACC Galerie, Weimar
Metronome no. 10, Portland Institute for Contemporary Art
2005
Baroque Geode, Sundown Salon, Los Angeles
Bridges, University of Colorado, Denver
2004
Slouching Towards Bethlehem, The Project, New York
Xtreme Houses, Lothringer13, Munich/ Halle 14, Leipzig
Human, Fucking Human, Lofoten International Art Festival, Bergen
Adaptations, Fridericianum, Kassel
Our Mirror, Lower Manhattan Cultural Council, New York
Urban Renewal: City Without a Ghetto, Princeton School of Architecture
The Subsidized Landscape, The Center for Architecture, New York
Sprawl, Hudson Clearing, New York
Adaptations, Apex Art, New York, (with Richard Fischbeck)
2003
Wight Biennial, UCLA, Los Angeles, (with Richard Fischbeck)
24/7, CAC, Vilnius
Float, Socrates Sculpture Park, New York
Totally Motivated, Kunstverein München, Germany (with Gardar Eide Einarsson)
Between the Lines, Apex Art, New York (with Gardar Eide Einarsson)
City Without a Ghetto, Artists Space, New York
Inscribing the Temporal, Kunsthalle Exnergasse, Vienna
2002
STRIKE, Wolverhampton Art Gallery
Museum of the White Man, New York and Suquamish, Washington
KLAUS WINICHNER
Geboren / born 1967 in Altötting (Germany)
2010
Intermezzo Humaine, Galerie Sandra Bürgel, Berlin
Erlitten heitere Wellen, Kleine Orangerie, Berlin
2008
Nie zeigen was man denkt, Galerie Sandra Bürgel, Berlin
Willkommen to reality, Galerie Sandra Bürgel, Berlin
2007
Angaben zur Selbstüberschätzung, Galerie Sandra Bürgel, Berlin
2010
Milch der Revolution. Dokumentarischer Teil, Das illegale Museum Tom Biber, Berlin
1910 Figur 2010, Georg-Kolbe-Museum, Berlin
Captain Pamphile (after the novel of Alexandre Dumas, with 55 artists), Städt. Galerie
Waldkraiburg
Travelling to., Sammlung Falckenberg / Phönix Kulturstiftung, Hamburg
2009
Diesseits der Alpen: Hunger Jenseits der Alpen: Durst, Hadlichstrasse 44, Berlin
Wir verbessern Ihre Arbeit, Galerie Sandra Bürgel, Berlin
The Forgotten Bar, Galerie im Regierungsviertel, Berlin
Schickeria: High Society, BDA Galerie, Braunschweig
Zeigen. Eine Audiotour durch Berlin von Karin Sander, Temporäre Kunsthalle Berlin
2008
Die Maße des Werts (the measures of value), Hadlichstr. 44, Berlin
Haas & Fuchs, Berlin
2007
Unsere Affekte fliegen aus dem Bereich der menschlichen Wirklichkeit heraus,
Galerie Sandra Bürgel, Berlin
2006
Auf den Fluren des Ganges, Ballhaus Ost, Berlin
Nach dem Beischlaf ist die Seele traurig, Courtyard Gallery, Beijing
2005
Kirchliche Kunst der Neuzeit, Galerie Antik, Berlin
50 Jahre Wirtshaus Huber, Galerie Antik, Berlin
Erwachendes Denken, Lichtspielhaus Bayern
2004
Café Veneto, Galerie Giti Nourbakhsch, Berlin
Im sofortigen Eingeständnis falscher Gedanken und Taten liegt unsere wachsende
Unabhängigkeit, Galerie Antik, Berlin
2003
Die Frau als Gegenüber, Menschenraum, Berlin
Albert Schweizer spielt Bach, Linienstrasse, Berlin
2002
Garten, 27.9.99, Pudel, Hamburg
Der Zauber des Verlangens, NBK, Berlin/ Kunstverein Göttingen
They are stupid like ‘Atomia’, Maschenmode, Berlin
2001
Psycho Pillar, quesque c-est, Maschenmode, Berlin
Circles 5 , ZKM, Karlsruhe
Melanie, Mariechef, Karlsruhe
2000
Macht der Freundschaft und Sympathie, Montparnasse, Berlin
Klaus Winichner zeigt japanische Keramik, Maschenmode, Berlin
Millefleurs again, Berlin

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