Newsletter – Summer 2010 – Issue 115
Transcription
Newsletter – Summer 2010 – Issue 115
Newsletter – Summer 2010 – Issue 115 In this Issue: 2010 Conference Program Announcements Personal News Books by Members Filmography …and More! Women in German Newsletter 115 (Summer 2010): 1 Women in German Newsletter Summer 2010 ~~~~~ Table of Contents ~~~~~ About WiG 3 About the WiG Newsletter 4 Dear Readers! 5 2010 Conference Program 6 Conference Registration Info 12 WiG Announcements 13 Zantop Travel Award for Graduate Students 17 Zantop Endowment Campaign 18 Books by Members 20 Filmography 20 WiG Book Reviews 29 Personal News 34 Women in German Newsletter 115 (Summer 2010): 2 Women in German Newsletter Summer 2010 ~~~~About WiG~~~~ The Coalition of Women in German is an allied organization of the MLA. Students, teachers, and all others interested in feminism and German studies are welcome! Membership information is available on the Internet at: http://womeningerman.roundtablelive.org/ Mission Statement of the Coalition of Women in German Women in German (WiG) provides a democratic forum for all people interested in feminist approaches to German literature and culture or in the intersection of gender with other categories of analysis such as sexuality, class, race, and ethnicity. Through its annual conference, panels at national professional meetings, and the publication of the Women in German Yearbook, the organization promotes feminist scholarship of outstanding quality. Women in German is committed to making school and college curricula inclusive and seeks to create bridges, cross boundaries, nurture aspirations, and challenge assumptions while exercising critical self– awareness. Women in German is dedicated to eradicating discrimination in the classroom and in the teaching profession at all levels. Women in German President: Nora M. Alter, Temple University, president(AT)womeningerman.org Vice-President and President-Elect: Barbara Kosta, University of Arizona, president(AT)womeningerman.org Treasurer: Waltraud Maierhofer, University of Iowa, treasurer(AT)womeningerman.org Membership Coordinator: Helga Thorson, University of Victoria, membership(AT)womeningerman.org Women in German Steering Committee: steering(AT)womeningerman.org Sonja Klocke, Knox College (2010- 2012) [email protected] Jacqueline Vansant, University of Michigan, Dearborn (2010-2012), [email protected] Lisa Hock, Wayne State University (2009-2011), [email protected] Margarete Lamb-Faffelberger, Lafayette College (2009-2011), [email protected] Rick McCormick, University of Minnesota (2008-2010), [email protected] Denise Della Rossa, University of Notre Dame (2008-2010), [email protected] Yearbook Editors: yearbook(AT)womeningerman.org Katharina Gerstenberger, University of Cincinnati Patricia Simpson, Montana State University – Bozeman Webeditor: Kyle Frackman, University of Massachusetts Amherst, webeditor(AT)womeningerman.org Conference Organizers (2006-2008): conference(AT)womeningerman.org Liz Mittman, Michigan State University (lead organizer, site and transportation) Denise Della Rossa, Notre Dame University (online conference registration) Jennifer Redmann, Kalamazoo College (conference program) Women in German Newsletter 115 (Summer 2010): 3 Women in German Newsletter Summer 2010 ~~~About the WiG Newsletter ~~~ The WiG Newsletter, published online three times a year, contains information about the organization, announcements of upcoming conferences, plans for conferences, news from abroad, personal news about members, conference reports, a bibliography and filmography, reviews of online resources, book reviews, and selected items culled from the WiG-L list. Reviews and other materials from past issues of the WiG Newsletter are available on the Women in German Website, www.womeningerman.org Subscription: The WiG Newsletter is automatically part of WiG membership. All issues are epublications and each new issue is available on a password-protected area of the Women in German website. Members receive notification by email (which includes access information and passwords) when a new issue is out. Submissions: Students, teachers, and all others interested in feminism and German studies are encouraged to submit relevant material to the WiG Newsletter. Please email your submission to the appropriate section editor (see list below). General questions should be addressed to the coeditors. Submission Deadlines: for the Winter (January) issue, December 15; for the Spring (March) issue, February 15; for the Summer (June) issue, May 30. Co-Editors: [email protected] Rachel Freudenburg, Boston College Maria Stehle, University of Tennessee Knoxville Section Editors: Conference Reports: Michelle Stott James, Brigham Young University, [email protected] News and Calls: Carrie Smith-Prei, University of Alberta, [email protected] and Corinna Kahnke, California Polytechnic State University, [email protected] Personal News: Karen R. Achberger, St. Olaf College, [email protected] Fascinating Clicks: Jennifer Askey, Kansas State University, [email protected] Bibliography: Jennifer Hosek, Queens University, [email protected], and Sarah McGaughey, Dickinson College, [email protected], and Carrie Smith-Prei, University of Alberta, [email protected] Book Reviews: Laurie Taylor, University of Massachusetts, Amherst, [email protected] Newsletter Editorial Assistants: Zsuzsanna Rothne Zadori, University of Tennessee Knoxville, [email protected] Hanna O’Neill, Michigan State University, [email protected] Note: Rachel Freudenburg and Maria Stehle are the co-editors for the WiG Newsletter. Do not send them texts or materials which should be sent to a section editor as listed above. Back to ToC Women in German Newsletter 115 (Summer 2010): 4 Women in German Newsletter Summer 2010 ~~~~ Dear Readers! ~~~~ Welcome to the Summer Issue of the WiG Newsletter! This issue starts off with a look toward the 35th annual WiG Conference, which will take place on the third weekend in October at the Yarrow Golf and Conference Resort. Thanks to Nora Alter’s efforts, we will welcome German film director Ulrike Ottinger as our guest, which is sure to make this conference an exciting and memorable one! In addition to engaging papers on Ottinger, film, feminism, and literature from all imaginable eras, we will pay plenty of attention to relevant—even urgent—issues that challenge us in our work every day: The Thursday night session, which traditionally combines the personal and the professional, looks at “Marketing German Studies.” The professional praxis slot is filled with workshops on “the Changing Job Market.” And the last formal panel of the conference, “Mission, Position, Identity,” allows us to step back and reevaluate WiG’s mission in 2010, and to appreciate how the organization has (or has not) changed from its beginnings over 35 years ago. We have begun to move some of the columns previously contained in the Newsletter to the website. The International News is now located at www.womeningerman.org, where it will be updated periodically. We extend many thanks to Carrie Smith-Prei and Corinna Kahnke for their work on this feature. There is a wonderful filmography (written by Carrie Smith-Prei) and three book reviews in this Newsletter, as well as a list of books by WiG members. Don’t forget to send us your book or bring it to the conference so that we can solicit a reviewer for it. (Send books to: Rachel Freudenburg, German Studies, Boston College, Chestnut Hill, MA 02467). Sadly, Laurie Taylor will be stepping down as book review editor. She helped to get the WiG Book Reviews off the ground and we owe her a debt of gratitude for that important service to our organization. We are, therefore, looking for a new book review editor, so if you are interested in the position, or would like more information, or would like to suggest someone, please contact either of us, Rachel or Maria, at the email address below. Finally, it is essential that we find a Web Editor to help maintain and update WiG’s website. More and more of our professional business is conducted online, and it is crucial to the functioning of WiG that we have two Web Editors. Even though we are all very busy, website management is a valuable skill, even in academia. So please consider applying for this position. Rachel Freudenburg, Boston College Maria Stehle, University of Tennessee Knoxville [email protected] Back to ToC Women in German Newsletter 115 (Summer 2010): 5 Women in German Newsletter Summer 2010 ~~~ 2010 Conference Program ~~~ COALITION OF WOMEN IN GERMAN (WIG) 35TH ANNUAL CONFERENCE Yarrow Golf and Conference Resort Augusta, MI October 21-24, 2010 PRELIMINARY PROGRAM All panel and workshop sessions will be held in Dogwood Hall (main lodge). The poster session and film screenings will take place in Larkspur Hall. THURSDAY, OCTOBER 21 5:30-6:30 pm DINNER 6:45-8:00 pm THURSDAY EVENING SESSION MARKETING GERMAN STUDIES: VISIBILITY, STUDENTS, JOBS Organizers: Britt Abel, Macalester College Karen R. Achberger, St. Olaf College 1. Helene Zimmer-Loew, AATG: A National View of the Status of German 2. Lynn Kutch, Kutztown University: Building and Sustaining German Studies at Today’s Universities 3. Astrid Weigert, Georgetown University: Visibility through Campus Events – Rewards and Challenges 4. Katrin Völkner, Northwestern University: What Do Students Want? Insights from a Student-Conducted Survey 5. Deb Roney, Juniata College: Juniata College’s Language in Motion - Another Vehicle for Exciting Interest in German 9:00 pm - RECEPTION HOSTED BY THE COLLEGE MICHIGAN STATE UNIVERSITY OF ARTS & LETTERS, Invited Guests: Karin A. Wurst, Dean of the College Thomas Lovik, Chair of the Dept. of Linguistics and Germanic, Slavic, Asian and African Languages Women in German Newsletter 115 (Summer 2010): 6 Women in German Newsletter Summer 2010 Lisa Fine and Anne Ferguson, Co-Directors of the Center for Gender in Global Context Norm Graham, Director of the Center for European, Russian and Eurasian Studies FRIDAY, OCTOBER 22 7:30-8:30 am BREAKFAST 9:00-10:45 am PRE-20TH CENTURY PANEL MOODS AND GENDER Organizers: Lisabeth Hock, Wayne State University May Mergenthaler, Ohio State University Moderator: Pauline Ebert, Wayne State University 1. Bethany Van Camp, Ohio State University: Nature through Philosophy’s Lens – Caroline Fouqués “Magie der Natur” and the Kantian Sublime 2. Lisabeth Hock, Wayne State University: Bettine, Günderode, and a Debate about Mood States 3. Katrin Pahl, Johns Hopkins University: “Kleist’s Queer Feelings” 11:00–12:45 pm WOMEN WRITERS IN GERMAN: RETHINKING SPACE AND PLACE Organizers: Carola Daffner, Southern Illinois University, Carbondale Beth Ann Muellner, College of Wooster 1. Sabine Noellgen, University of Washington: Space and Environmentality in Bettina von Arnim’s Die Günderode 2. Sofie Decock, Georgetown University: Alternative Places of Peace and Gender Transgression in Annemarie Schwarzenbach’s Asian and African Travel Writings 3. Monika Shafi, University of Delaware: Heimat, Buildings and Bodies in Jenny Erpenbeck’s novel Heimsuchung 1:00-2:00 pm LUNCH 2:15-4:00 pm PRAXIS WORKSHOPS: THE CHANGING JOB MARKET Organizers: Ulrike Brisson, Worchester Polytechnic Institute Alexandra Merley Hill, University of Portland Women in German Newsletter 115 (Summer 2010): 7 Women in German Newsletter Summer 2010 1. Laurie McLary, University of Portland: Rethinking Relevancy in Undergraduate German Programs 2. Nancy Richardson, Mary Institute, Saint Louis Country Day School & University of Missouri, St. Louis: “You’re teaching what???” – High School as an Alternative to Academe 3. Pat Herminghouse, University of Rochester: “And then what?” – Wiggies Contemplate Retirement 4. Elizabeth Bridges, Rhodes College: Settling in for the Long Haul -Strategies for Sanity on the Multi-Year Job Search 5. Ulrike Brisson, Worcester Polytechnic Institute, Sabine von Mering, Brandeis University, and Monika Fischer, University of Missouri: Turning a Dead-End Street into a Highway – Pros and Cons of Promotional Lines for NTTs 4:00-5:45 pm POSTER SESSION (LARKSPUR HALL) Organizers: Marjanne Goozé, University of Georgia Astrid Weigert, Georgetown University 1. Katra Byram, Ohio State University: Perspective in Language Learning – Combining Cultural Instruction and Diversity Awareness with (!) Grammar 2. Imke Brust, Haverford College: The “Othering” of Women Through the Male Gaze in Das Leben der Anderen 3. Beate Brunow, Pennsylvania State University: The Theory and Praxis of Student Portfolios 4. Pauline Ebert, Wayne State University: The Cultural Memory of German Victimhood in Post-1990 Popular German Literature and Television 5. Habiba Hadziavdic, University of St. Thomas: German Sinti and Roma: Representation, Imagination, and Persecution Women in German Newsletter 115 (Summer 2010): 8 Women in German Newsletter Summer 2010 6. Alexandra Hill, University of Portland: Women’s Work – Knitting in Germany at the Intersection of the Political and the Social 7. Britta Kallin, Georgia Institute of Technology: Intertextualities in Jelinek’s Rechnitz (Der Würgeengel) – Luis Buñuel, T.S. Eliot, and the Bible 8. Ashley Lackovich-Van Gorp, University of Massachusetts, Amherst: Sorbian Identity through Poetry 9. Ashley Olstad, University of Minnesota: Seeing the National Body – Migrant Challenges to National Identity, Citizenship and Belonging in Germany 10. Ariana Orozco, University of Michigan: Pop, Feminism and Mädchen: Contemporary German Women’s Writing 11. Katelyn Petersen, University of Alberta: Literary Geography as a Factor in Plot and Character Development in Maria Cecelia Barbetta’s Änderungsschneiderei Los Milagros 12. Cecilia Pick, Minnesota State University, Mankato: The U.S. tour of the Freiburg Passion Play in the late 1920s and early 1930s 13. Ekaterina Pirozhenko, University of Illinois at Chicago: Özdamar’s Berlin as Collage 14. Anne Rothe, Wayne State University: Constructing German Identities in Israel/Palestine 1946-2010 – An Oral History Project 6:00-7:00 pm DINNER 7:00-7:15 pm ANNOUNCEMENTS Dissertation Prize (Presenter: Jennifer Askey) Best Article Prize (Presenter: Katrin Pahl) Women in German Newsletter 115 (Summer 2010): 9 Women in German Newsletter 7:15-9:00 pm Summer 2010 MISSION, POSITION, IDENTITY: WIG AND INTERSECTIONALITY Organizers: Maureen Gallagher, University of Massachusetts, Amherst Rick McCormick, University of Minnesota 1. Judith Martin, Missouri State University: Race and Gender in German Studies 2. Sara Lennox, University of Massachusetts, Amherst, and Beverly Weber, University of Colorado: Race, Intersectionality, and WiG – Difficult Conversations 9:00 pm - CASH BAR ULRIKE OTTINGER FILM SCREENING (Larkspur Hall) – TBA Women in German Newsletter 115 (Summer 2010): 10 Women in German Newsletter Summer 2010 SATURDAY, OCTOBER 23 7:30-8:30 am BREAKFAST (YEARBOOK EDITORIAL BOARD MEETING) 9:00-10:45 am CINEMATIC JOURNEYS Organizers: Sonja Klocke, Knox College Barbara Kosta, University of Arizona 1. Hester Baer, University of Oklahoma: The Cinematic Mobility of Wolfgang Petersen’s “Das Boot” 2. Alice Kuzniar, University of Waterloo: Uncanny Doublings and Asian Rituals in Recent Films by Ottinger, Treut, and Dörrie 3. Nora Alter, Temple University: Riding the Last Machine – Ottinger’s “Prater” 11:00am-1:15pm BUSINESS MEETING 1:15-2:15 pm LUNCH 2:15-6:00 pm FREE TIME Weather permitting, optional events include a trip to a local winery or the Kellogg Bird Sanctuary. There are also opportunities for golf, hiking, jogging, etc. ULRIKE OTTINGER FILM SCREENING (Larkspur Hall) – TBA 6:00-7:00 pm DINNER 7:00-8:45 pm SPECIAL GUEST: ULRIKE OTTINGER 9:00 pm CABARET AND CASH BAR Women in German Newsletter 115 (Summer 2010): 11 Women in German Newsletter Summer 2010 SUNDAY, OCTOBER 24 7:30-9:00 am BREAKFAST 9:00-10:30 am SPEAKOUT Open discussion of issues and ideas raised during the conference. CONFERENCE ORGANIZERS: Elizabeth Mittman, Michigan State University Denise M. Della Rossa, University of Notre Dame Jennifer Redmann, Franklin & Marshall College / Kalamazoo College CONFERENCE SPONSORS: Deutscher Akademischer Austauschdienst Michigan State University: • College of Arts & Letters • Dept. of Linguistics and Germanic, Slavic, Asian and African Languages • Center for Gender in Global Context • Center for European, Russian and Eurasian Studies ~~~ Conference Registration Info ~~~ The co-organizers of the 35th Annual Women in German Conference (October 21-24) are pleased to announce that on-line registration is now open at the following URL through the University of Notre Dame: http://cce.nd.edu/attend.shtml After you click to register, you will need to scroll down to October events to find the WiG Conference. Here you will find all information relevant to conference fees, housing, and transportation to the new conference site, Yarrow Golf and Conference Resort in Augusta, Michigan. You will make your own room reservations separate from conference registration. If you have registered for the conference in the past on-line, you will already have created a password. There will be a prompt to retrieve your password if you do not remember it. Please contact Denise Della Rossa at [email protected] with any questions regarding registration. We wish you a restful summer and look forward to seeing you all in Michigan in October. Liz Mittman, Denise Della Rossa, Jennifer Redman Women in German Newsletter 115 (Summer 2010): 12 Back to ToC Women in German Newsletter Summer 2010 ~~~ WiG Announcements ~~~ New Coeditor sought for Women in German Yearbook Once again we announce a search for a new coeditor of the WiG Yearbook, as Katharina Gerstenberger will be stepping down this fall after the WiG annual conference. She has brought energy, wisdom and great commitment to her work as coeditor, and we will miss her effective participation in this important WiG enterprise. We all thank her for her efforts and wish her all the best! A search committee has been appointed to find a new coeditor. The members of the search committee are Nora Alter, Claudia Breger, Barbara Kosta, and Katharina Gerstenberger as former co-editor. WiG President Nora Alter will chair the committee as a non-voting member. If you would like to be a candidate for this position or would like to nominate another WiG member, please consider the following information: The new coeditor will serve a three-year term, working with Patricia Simpson, who is beginning her second year as WiG Yearbook Coeditor. The three-year term as coeditor may be renewed once. Coeditors share responsibilities and work collaboratively in close contact with each other. Some adjustment of the coeditor’s teaching load, or/and funding for a graduate or undergraduate assistant, is also desirable. Over the years, discussions of the editorship have consistently stressed the advantages of having both coeditors tenured. The substantial time commitment can place undue pressure on an untenured faculty member just when her own publication is of utmost importance. Tenured applicants are also likely to have had greater experience and wider professional contacts. It is therefore preferable for both coeditors to hold the rank of full professor. If you wish to apply, please send a letter citing your experience and qualifications, a statement of your vision of what the WiG Yearbook is/should be, and what you hope to contribute to the editorship. Your letter should be accompanied by a CV and a statement from your department chair or dean confirming institutional support. Please send materials by July 1 to me as Search Committee Chair, Nora Alter. presidentATwomeningerman.org Women in German Newsletter 115 (Summer 2010): 13 Women in German Newsletter Summer 2010 Women in German seeks a second Web Editor for a three-year term Responsibilities of the Web Editor include, but are not limited to, the following: creating, maintaining, updating the WiG website; assisting with the administration of the WiG membership service, Wild Apricot, as necessary; and creating and administering online polls. Web Editors must be members of Women in German. Possible areas of knowledge and experience might include, e.g., CSS, HTML, web programming, and graphic editing as well as software like Dreamweaver, FTP applications, Flash, Acrobat, etc. Applicants with institutional support are welcomed. This could include, e.g., campus IT support, a student-worker, etc. Please send a brief application letter to the Web Editor, Kyle Frackman, at webeditor[at]womeningerman.org. Review of applications will continue until a second Web Editor has been selected. Include information about your experience with technology and web design as well as links to websites you have created, if available. Ideally, the new web editor will be able to confer with the continuing web editor at this year’s WiG conference. Women in German Newsletter Book Review Editor Needed The editor will work in collaboration with the co-editors of the Newsletter to solicit reviewers, to edit book reviews for both style and content and prepare them for annual publication in the Newsletter’s spring edition. Additionally, the editor will collaborate with WiG’s web designers to publish the reviews on the organization’s website and make them available to H-German subscribers. Duties: • Solicit and accept books for review that have been written or edited by WiG members. • Have books transported or shipped to the annual WiG Conference. • Attend the WiG Conference. • Find suitable reviewers for the books at the annual WiG Conference in October. • Collect and edit reviews in late January/early February. • Maintain regular e-mail communication (reminders, confirmations, etc.) with reviewers. • Institutional support for shipping and conference travel is desirable. To Apply: Please send a letter indicating your interest in the position and relevant experience to Newsletter co-editors Maria Stehle ([email protected]) and Rachel Freudenburg ([email protected]). WiG Yearbook joins JSTOR The Women in German Yearbook has been invited to join JSTOR, the on-line provider for the most significant journals in the humanities, social sciences, and sciences. Once it is in the JSTOR archive, researchers will have access to the full text of Women in German Yearbook beginning with its first issue. Only issues from the five most recent years are excluded from the archive. This service will begin in 2011. In addition, JSTOR is building upon its archive program by launching a new initiative in 2011, the Current Scholarship Program (CSP). With CSP, libraries will also be able to subscribe Women in German Newsletter 115 (Summer 2010): 14 Women in German Newsletter Summer 2010 to the current volumes of scholarly journals, giving them the ability to provide access to the complete run of a journal through one source. Women in German Yearbook will be part of this initiative as well. Women in German Yearbook will also still be available through Project MUSE. Yearbook co-editor Katharina Gerstenberger comments, “I think that those are positive developments and I thank our contact people at Nebraska for helping us enter the on-line world.” Obituary. Christine E. Groeppner, Dedicated Student and Teacher of Language and Literature, Dies at 51 Christine E. Groeppner, a devoted teacher and student of language and literature, died in New York on March 15. She was fifty-one. Her academic career included posts teaching German language and literature at several academic institutions: the University of Wisconsin-Madison (1985-89), the University of Minnesota at Mankato (1984), Hamilton College (1990-95), New York University (1996-2000), and Fordham University (1997-2002); and Swedish language at New York University (1996-98). She also taught German, English, mathematics, and history at Pindl Private School (for boys), in Regensburg, Germany, in1980. Ms. Groeppner was known for her zeal for language learning and studied many languages over the years. A native of Bavaria, she spoke standard German and was also fluent in English and Swedish. In Sweden, she passed the Rikstest (i.e., the most advanced Swedish language certificate) at the University of Stockholm in 1990. In addition, she had advanced proficiency in French, Norwegian, Danish, Dutch, and Yiddish as well as reading knowledge in Latin, Middle High German, Old High German, Middle English, and basic reading skills in Afrikaans, Frisian, Italian, and Spanish. Christine Groeppner was born on June 23, 1958, in the town of Kindlbach, then in West Germany. She is the daughter of Josef Scheuerecker and Elisabeth Lutter. In Germany, she wrote an M.A. thesis in English and completed course work for the Dr. phil, M.A., and Staatsexamen in German and English philology, and Law at the University of Regensburg, where she was granted a B.A. equivalent in English language and literature in 1980 and a B.A. equivalent in German language and literature in 1981. She received her third teacher’s training certificate (theory and practice including teaching a semester in a Gymnasium) in 1984 and two teacher’s training certificates (secondary and junior college level) in 1979 She studied English culture privately in Brighton, England, in 1978. She earned her junior college degree in Germany in science and modern languages in 1978. As an Exchange Service Fellow at the University of Virginia-Charlottesville (1981-1982) she did graduate study in English as a German Academic. Ms. Groeppner was awarded a Master of Arts degree in German in June 1986 by the University of Wisconsin-Madison, where she passed the Preliminary Examination and was conducting dissertation research during doctoral studies, when serious medical problems obliged her to withdraw. In the Department of Germanic Languages of Columbia University in New York City, she served as Visiting Scholar from 1995-1998 and took courses in Yiddish and Dutch. The title of her doctoral dissertation at UW-Madison was “Peter Weiss in Sweden: His Aesthetic, Political, and Literary Development from the 1940s to the 1980s.” Her adviser there was Professor Jost Hermand. At the University of Regensburg in 1985 she wrote an M.A. Thesis entitled “Kate Chopin: From Regionalism to Realism.” Women in German Newsletter 115 (Summer 2010): 15 Women in German Newsletter Summer 2010 In 2005 she was awarded an EB-1 status as an “Alien of Extraordinary Ability” by the U.S. Department of Homeland Security, granting her a green card as a permanent resident of the United States. Christine Groeppner presented many academic papers and reports at conferences and received numerous scholarships and awards. She was a member of the American Association of Teachers of German—NY Chapter; the Modern Language Association; Women in German, and the Society for the Advancement of Scandinavian Study. She was also active in the women’s movement at several universities. For two decades preceding her death she was plagued with serious medical conditions, including diabetes, heart trouble, vision, nerve, muscle, and renal problems. In the fall of 2000 she suffered a heart attack and continued to struggle with complications of heart disease. Several first-rate specialists at New York Presbyterian Medical Center helped her to cope. During the past four years, she also received hemodialysis 3-4 times a week at the out-patient dialysis unit of Terence Cardinal Cooke Medical Center in New York. Christine Groeppner is survived by her life companion and registered partner Verne Moberg, whom she met at a women’s studies conference at the University of Virginia’s Rotunda building, designed by Thomas Jefferson. Ms. Groeppner’s surviving family in Germany includes her mother, Elisabeth Lutter and her sister Regina Gröppner and brother Josef Gröppner, all of Kindlbach, her sister Helga Wittmann of Munich, and her brother Paul Lutter of Bayerbach, plus four nieces and two nephews. In lieu of flowers, contributions may be made to the Scholarship Fund, Department of Germanic Languages and Literatures, Columbia University, 319 Hamilton Hall, 1180 Amsterdam Avenue, New York, NY 10027. Tel.: 212-854-5983. <http://christineremembered.squarespace.com/> Endowment Long-time WiG member Dinah Dodds was recognized at her retirement in August 2008 with the establishment of an endowed fund in her name, the Dinah Dodds Endowment for International Education. The Endowment supports Lewis & Clark students who wish to study overseas as well as overseas programs themselves. Contributions of any size may be sent to: The Dinah Dodds Endowment for International Education Attn. Christine Atchison MSC 57 Lewis & Clark College 0615 SW Palatine Hill Rd. Portland, OR 97219 Back to ToC Women in German Newsletter 115 (Summer 2010): 16 Women in German Newsletter Summer 2010 ~~ Zantop Travel Award for Graduate Students ~~ New Procedures and Award Amounts Inspired by the work of Susanne Zantop, Women in German established an award in her honor to help nurture and sustain research and publication in feminist cultural studies. The Zantop Travel Award has supported work on more than a dozen dissertations since it was established in 2002. We are happy to announce that progress on WiG’s current campaign to endow this fund makes it possible to establish new award amounts, beginning in 2009: Each year WiG will now grant up to two awards, each in the amount of $1500. Eligibility: Graduate students who have not yet completed the Ph.D. Applicants must be WiG members with a dissertation project approved by a faculty advisor for research on a topic in feminist German cultural studies that requires travel to consult specific archives, libraries, cultural centers, or authors. Criteria: 1. We seek proposals that address a significant topic with demonstrated relevance to German Studies from an approach informed by feminist cultural studies, that is, an approach that engages the intersections of gender with other relevant categories such as sexuality, class, race, citizenship, and ethnicity. In addition, we encourage proposals that further the project of rethinking German Studies along transnational lines. 2. The proposed research travel must be for the purpose of obtaining access to materials or information not accessible by other means. 3. The materials or information sought must be central to the success of the dissertation project. 4. The research plan must be feasible within the proposed time period. 5. The request for funding must be supported by a letter from a major professor (dissertation advisor or committee member). Proposal Guidelines: To the student: In a statement of no more than 750 words, describe your dissertation project and explain why travel to the specified site(s) is necessary. In addition, please include the following information (required): • a timetable • contact information for the people or institutions you will be working with • a one-page budget statement listing the projected cost of travel to the site • the amount requested from WiG, and support anticipated from other sources (if any). To the faculty member: Please address the quality and significance of the project, the importance of the research travel, and the applicant’s ability to see the project the project through to completion. Women in German Newsletter 115 (Summer 2010): 17 Women in German Newsletter Summer 2010 Deadline: April 9th of each year. The Zantop Award Committee, consisting of the WiG president and two other WiG members, will consider applications and send notifications in March. Recipient Responsibility: As soon as is feasible after implementing the award, recipients are to present a report on research results at the poster session of the WiG annual conference. Acknowledgment of the award in the dissertation would be appreciated. Submit all materials electronically to: Nora Alter, WiG President, president(AT)womeningerman(DOT)org Back to ToC ~~~Zantop Endowment Campaign~~~ For the second year in a row, we have exceeded our fundraising goal for the Zantop Travel Endowment Campaign. For 2008-09, our fundraising goal was $10,000. We took in $11,585 in contributions from 22 individuals and one institution. For 2009-10, our fundraising goal was $7,500. We took in $7,606 in contributions from 41 individuals.. That is a total of $19,191 toward our goal of $25,000 to be matched by a private donor. We will raise the balance during the next academic year. The donor has already matched $10,000 in 2009 and $7,500 in 2010. The Zantop Travel Award has been increased to $1,500 (maximum of two awards per year). I will prepare a more detailed report to launch the third phase of the fundraising in the fall of 2010. Many thanks to everyone who has contributed so far! Sincerely, Jeanette Clausen ZTEC coordinator May 20, 2010 Questions? Contact the fundraising coordinator, Jeanette Clausen ([email protected]). Women in German Newsletter 115 (Summer 2010): 18 Women in German Newsletter Summer 2010 Pledge Form, Zantop Travel Endowment Campaign Amount pledged: $5,000 __ $2,000 __ $1,000 __ $ 500__ $ 100__ Other _____ Choose a payment option: Payment in full Amount enclosed: ________ Amount paid electronically ______ (www.womeningerman.roundtablelive.org click on Donate to WiG) Payment in installments: Amount enclosed: _______ Amount paid electronically ______ (www.womeningerman.roundtablelive.org click on Donate to WiG) Send reminder for balance: quarterly ____ biannually ____ in December ____ Your name ________________________ email________________________ Affiliation _________________________ phone_______________________ Preferred mailing address: _______________________________________________________ Mail to: Prof. Waltraud Maierhofer (WIG) German Dept., 111 PH University of Iowa Iowa City, IA 52242-1323 Back to ToC Women in German Newsletter 115 (Summer 2010): 19 Women in German Newsletter Summer 2010 ~~~ Books by Members ~~~ “Books by Members” is a list of recent publications edited or authored by WiG members. Books on this list are eligible for review by fellow WiG member. Please submit your title with MLA bibliographic information to Sarah McGaughey ([email protected]) to be included in the next Newsletter. Horsley, Joey and Luise F. Pusch, eds. Frauengeschichten: Berühmte Frauen und ihre Freundinnen. Göttingen: Wallstein Verlag, 2010. Mancini, Elena. Magnus Hirschfeld and the Quest for Sexual Freedom: A History of the First International Sexual Freedom Movement. New York: Palgrave Macmillan, 2010. Novero, Cecilia. Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art. Minneapolis: University of Minnesota Press, 2010. Schwartz, Agatha, ed. Gender and Modernity in Central Europe: The Austro-Hungarian Monarchy and its Legacy. Ottawa: U of Ottawa Press, 2010. Back to ToC ~~~ WiG Filmography 2009-2010~~~ This is a list of Austrian, German, and Swiss films produced and/or released from 2009 to date. The films include fiction films and documentaries as well as feature-length films and shorts, the majority of which are German or multi-language productions. Some films produced and released in 2009 are not included here, because they were in the previous list of films in the Spring 2009 WiG Newsletter. The films are listed alphabetically by German-language title as they appear in the databases (most often without umlauts) and include director(s) and country of origin/production. Where available, the English International Title is also listed. Each title is linked to its database entry. To generate this filmography, I used three sources: http://www.afc.at/ http://www.german-films.de/ http://www.swissfilms.ch/ I compiled this list, and the omissions, repetitions, and mistakes are my own. Jennifer Hosek remains responsible for the bibliography on secondary literature in subjects of importance to members. My thanks to many WiGgies, most notably to Sarah McGaughey, whose help was instrumental in the compilation of this bibliography, as well as to Beverly Weber, Lisabeth Hock, and our fearless instigator, Sara Lennox. Carrie Smith-Prei, University of Alberta Women in German Newsletter 115 (Summer 2010): 20 Women in German Newsletter TITLE 4. Revolution, Die - Energy Autonomy (4th Revolution, The - Energy Autonomy) 180° 510 Meter über dem Meer À l'ombre de la montagne Abnegation Albaner, Der Alias Alles fuer Lila Alles Umsonst! (All for Nothing!) Almanya Am Galgen Amoklove Am Anfang war das Licht (In the Beginning There Was Light) Andere Seite des Lebens, Die - Zwei Brueder im Township (On the Other Side of Life) Anne Perry - Interiors Annette Schmucki: Hagel und Haut Ansichtssache 2 (Matter of Opinion 2, A) Article 43 Bad Boy Kummer bachab Barfuss nach Timbuktu Barriere (Boundaries) Bastard Bergblut Bergig Berlin '36 Besten Beerdigungen der Welt, Die (Best Funerals in the World) Betty B. & The The's Bild in mir, Das (Image Inside, The) Bis aufs Blut - Brueder auf Bewaehrung Black Forest Blaue vom Himmel, Das Blumenzimmer Blutsfreundschaft (Initiation) Summer 2010 DIRECTOR Carl-A. Fechner COUNTRY Germany Cihan Inan Kerstin Polte Anina Gmür Danielle Jaeggi Elias Amari Johannes Naber Jens Junker Marc Rothemund Jan Peters Yasemin Samdereli Pascal Bergamin Julia C. Kaiser P.A. Straubinger Switzerland Switzerland Stefanie Brockhaus, Andy Wolff Dana Linkiewicz Urs Graf Justyna Tafel, Piotr Litwin, Bartosz Warwas, Mark Wegner, Matej Bobrik, Igor Chojna Germany Switzerland Switzerland Germany Germany Germany Germany Germany Swirzerland Germany Austria Germany Switzerland Germany Miklós Gimes Ulrich Schaffner Martina Egi Andreas Kleinert Carsten Unger Philipp J. Pamer Julia Daschner Kaspar Heidelbach Ute Wegmann Switzerland Switzerland Switzerland Switzerland Germany Germany Germany Germany Germany Germany Felix Stienz Wolfgang Scholz Oliver Kienle Gert Steinheimer Hans Steinbichler Sarah Derendinger Peter Kern Germany Germany Germany Germany Germany Switzerland Austria Women in German Newsletter 115 (Summer 2010): 21 Women in German Newsletter Bock for President böse Onkel, Der Boule Boxhagener Platz (Berlin, Boxhagener Platz) Brandstifter Cargo Champions Choreograf Heinz Spoerli, Der Cindy liebt mich nicht Colour Of Your Socks, The Completition Connie Contact High Dachkantine David & Lea David Wants To Fly Denk mal Berlin Detroit - Zwischen Utopie und Wirklichkeit (Detroit - Between Utopia and Perdition) Deutschland 09 (Germany 09) Dharavi, Slum For Sale Dirty Days Dr. Ketel Draussen am See (Losing Balance) Drehpunkt Drei (Three) Dschungelkind Summer 2010 Houchang & Tom Dariusch Allahyari Urs Odermatt Bjoern Ullrich Matti Geschonneck Felix von Muralt Ivan Engler Ralph Etter Riccardo Signorell Werner Zeindler Hannah Schweier Michael Hegglin Ari Zehnder Janos Menberg Judith Kurmann Michael Glawogger Nicole Biermaier Ravi Vaid Dion Merz Jyri Pasanen David Sieveking Angelo Scudeletti Gabriela Neuhaus Roland May Nicolette Krebitz, Angela Schanelec, Wolfgang Becker, Tom Tykwer, Hans Weingartner, Dominik Graf, Romuald Karmakar, Dani Levy, Fatih Akin, Hans Steinbichler, Isabelle Stever, Christoph Hochhaeusler, Sylke Enders Lutz Konermann Helmut Berger Linus de Paoli Felix Fuchssteiner Kristian Trafelet Tom Tykwer Roland Suso Richter Women in German Newsletter 115 (Summer 2010): 22 Austria Switzerland Germany Germany Switzerland Switzerland Switzerland Switzerland Germany Switzerland Switzerland Switzerland Austrian Switzerland Switzerland Switzerland/ Austria Switzerland Germany Germany Switzerland Austria Germany Germany Switzerland Germany Germany Women in German Newsletter Du gehoerst zu uns Egodyston Eine Geschichte mit Hummer Ende ist mein Anfang, Das Endsieg – Everything Changes In One Shot Engel mit schmutzigen Fluegeln (Angels with Dirty Wings) Engel und die Fibonacci-Zahlen, Der Entbehrlichen, Die (Dispensables, The) Erinnere Dich (Remember) Es sind noch Berge draussen (There Are Still Mountains Outside) Eternal Nymphets Faktor 8 Fall des Lemming / Lemming's First Case, Der Falscher Hase Fine Art Games Fliegen (Fly) Fliegende Fische Flug in die Nacht Fürsorger, Der Frau mit den 5 Elefanten, Die (Woman with the 5 Elephants, The) Freche Maedchen 2 (Cheeky Girls 2) Fremde, Die (When We Leave) Friedensschlag - Das Jahr der Entscheidung (To Fight For - The Year of Decision) Friseuse, Die (Hairdresser, The) Fritz Bauer - Tod auf Raten (Fritz Bauer - Death by Instalments) Frühling im Herbst Fruehlings Erwachen Geburt Gehrig kommt! Geliebte (Mistress) Gerhard Richter Gesicht zur Wand (Face the Wall) Gestern ist nirgendwo Geysir, Der Ghosted Giulias Verschwinden Glueckliche Fuegung Summer 2010 Hella Wenders Xenia Lesniewski Simon Nagel Jo Baier Niccolò Castelli Daniel Casparis Roland Reber Germany Germany Switzerland Germany Switzerland Samir Andreas Arnstedt Christoph-Philipp Schneider Janina Herhoffer Switzerland Germany Germany Steff Gruber Rainer Matsutani Nikolaus Leytner Hans Hofer Anton Gonopolski Piotr J. Lewandowski Güzin Kar Till Endemann Lutz Konermann Vadim Jendreyko Switzerland Germany Austria Austria Germany Germany Switzerland Switzerland Switzerland Germany Ute Wieland Feo Aladag Gerardo Milsztein Germany Germany Germany Doris Doerrie Ilona Ziok Germany Germany Petra Volpe Nuran David Calis Silvia Haselbeck Erich Langjahr Marc Schippert Ingo J. Biermann Corinna Belz Stefan Weinert Elke Hauck Alexander J. Seiler Monika Treut Christoph Schaub Isabelle Stever Switzerland Germany Switzerland Women in German Newsletter 115 (Summer 2010): 23 Germany Germany Switzerland Germany Germany Germany Germany Switzerland Germany Switzerland Germany Women in German Newsletter Gluecksritterinnen (Ladies of Fortune) Goethe! Grenzgänge mit Andrea Vogel grosse Kater, Der GURU Habermann Heimweh Herbstgold - Wettlauf gegen die Zeit Herrenkinder (Children of the Master Race) Hexe Lilli - Der Drache und das Magische Buch (Lilly the Witch - The Dragon and the Magic Book) Hexe Lilli - Die Reise nach Mandolan Hidden Hier kommt Lola! (Here Comes Lola!) Homies Hundeleben Hunger Hungerwinter 1946/47 (Winter of Starvation 1946/47) Hunkeler und der Fall Livius Ich bin's. Helmut (It's Me. Helmut) Summer 2010 Katja Fedulova Philipp Stoelzl Dieter Gränicher Wolfgang Panzer Sabine Gisiger Beat Häner Juraj Herz Andreas Kannengiesser Jan Tenhaven Eduard Erne & Christian Schneider Stefan Ruzowitzky Germany Germany Switzerland Switzerland Switzerland Harald Sicheritz Agnieszka Holland Franziska Buch Adnan G. Koese Mike Eschmann Carolina Hellsgard Gordian Maugg Germany Germany Germany Germany Switzerland Germany Germany Stefan Jäger Nicolas Steiner Switzerland Germany/ Switzerland Germany Germany Germany/ Switzerland Austria Germany/ Switzerland Germany Switzerland Im Alter von Ellen Im Anhang: Lebenslauf (CV Attached) Im Haus meines Vaters sind viele Wohnungen Pia Marais Andrea Schorr Hajo Schomerus Im Keller Im Sog der Nacht (Night Rush) Ulrich Seidl Markus Welter In der Welt habt ihr Angst Ja ja, nein nein Hans W. Geissendoerfer Peter Volkart Ulrich Schaffner Cyrill Boss, Philipp Stennert Angela Summereder Andreas Rogenhagen Michael Pfeifenberger Jerry Cotton Jobcenter Johnny Kuehlkissen Josef Winkler Der Kinoleinwandgeher (Josef Winkler The Cinemascreenwalker) Jud Suess - Film ohne Gewissen Jung und Jenisch Kaefig (Cage) Oskar Roehler Martina Rieder Karoline Arn Karl Kels Women in German Newsletter 115 (Summer 2010): 24 Germany Germany Germany Austria Germany Germany Austria Germany Austria Germany/ Austria Switzerland Germany Women in German Newsletter Summer 2010 Kameramörder, Der Robert Adrian Pejo Keep Surfing Keine Besonderen Vorkommnisse (No Special Incidents) Kenan Kennedys Hirn Kick Off Kinder vom Friedrichshof, Die (Children of the Commune, The) Klang der Stille Kleine Broetchen (Humble Pie) Knotenpunkt Kopfueber im Geaest (Hanging Upside Down in the Branches) Kokon (Cocoon) kommenden Tage, Die Bjoern Richie Lob Lennart Ruff Switzerland/ Austria Germany Germany Eric Andreae Urs Egger Hüseyin Tabak Juliane Grossheim Switzerland Germany Austria Germany Friederike Jehn Marcus Zilz Kanwal Sethi Ute Aurand Germany Germany Germany Germany Till Kleinert Lars Kraume Germany Germany Konferenz der Tiere (Animals United) Reinhard Klooss, Holger Tappe Joseph Lippok Lorenz Keiser Jean-Luc Wey Daniele Grieco Germany Simon Jaquemet Dani Levy Florian Schewe Angela Steffen Lola Randl Switzerland Germany Germany Germany Germany Didi Danquar Alexander Adolph Olaf Held Baran bo Odar Marcus Morlinghaus Franz Mueller Simone Bader, Jo Schmeiser Peter Timm Byambasuren Davaa Germany Germany Germany Germany Germany Germany Austria Lars Buechel Andreas Hykade Ayse Polat Germany Germany Germany Kriegerstock Länger leben Last Giants, The - Wenn das Meer stirbt... (Last Giants, The - Oceans in Danger) Lauras Party Leben ist zu lang, Das (Life Is Too Long) Lebendkontrolle (Outside) Lebensader Leiden des Herrn Karpf, Die - Der Geburtstag (Suffering of Mr. Karpf, The - The Birthday) Lenas Liebe letzte Angestelle, Der letzte Rad, Das (The Last Wheel) letzte Schweigen, Das (Silence, The) Level 3D Liebe der Kinder, Die (Wallace Line) Liebe Geschichte (Love History) Liebe Mauer (Beloved Berlin Wall) Lied von den zwei Pferden, Das (Two Horses of Genghis Khan, The) Lippels Traum (Lippel's Dream) Love & Theft Luks Glueck Women in German Newsletter 115 (Summer 2010): 25 Germany Switzerland Germany Germany Germany Women in German Newsletter Summer 2010 Madly In Love Maennerherzen (Men in the City) Mann, der nichts wollte, Der Mann der ueber Autos sprang, Der Mein Kampf Anna Luif Simon Verhoeven Lorenz Suter Nick Baker-Monteys Urs Odermatt Mit dem Bauch durch die Wand Moby Dick Mullewapp - Das grosse Kinoabenteuer der Freunde (Friends Forever) Nachglühen Nagelprobe, Die Nanga Parbat Never Drive A Car When You're Dead Nid hei cho Oh wehe mir Ohne Atem (Without Breath) Orient Express Theatre Train Paepstin, Die (Pope Joan) Paradise Later Pepperminta Anka Schmid Mike Barker Tony Loeser, Jesper Moeller Lisa Blatter Luke Gasser Joseph Vilsmaier Gregor Dashuber Thaïs Odermatt Sermin Kaynak Fabio Stoll Martin Andersson, Steffen Duevel Peter Scharf, Katja Duregger Daniel Howald Chantal Millès Soenke Wortmann Ascan Breuer Pipilotti Rist Philipp Pianomania Fabian Moehrke Robert Cibis, Lilian Franck Picco PiN2011 - Erinnerung an die Strasse (PiN2011 recollection of the street) Pina Pizza Bethlehem Plastic Planet Polar Prinzessin Lillifee (Princess Lillifee) Philip Koch Torsten Koenigs Oliviero Toscani - Bilderwut (Oliviero Toscani The Rage of Images) Tod meiner Mutter, Der Pulp Kitchen Räuber, Der (Robber, The) Räuberinnen Reise nach Metropolis, Die (Journey to Metropolis, The) Renn, wenn Du kannst (Run If You Can) Switzerland Germany Switzerland Germany Germany/ Switzerland Switzerland Germany Germany Switzerland Switzerland Germany Germany Switzerland Germany Germany Germany Germany Switzerland Germany Germany Switzerland /Austria Germany Germany/ Austria Germany Germany Wim Wenders Bruno Moll Werner Boote Michael Koch Alan Simpson, Ansgar Niebuhr Fritz Muri Benjamin Heisenberg Carla Lia Monti Artem Demenok Germany Switzerland Germany Switzerland Germany Dietrich Brueggemann Germany Women in German Newsletter 115 (Summer 2010): 26 Switzerland Austrian Switzerland Germany Women in German Newsletter Rheingold Rising Sun, The Rock It! Rosarot (Rose-Colored) Summer 2010 Andreas Pieper Fabian Kimoto Mike Marzuk Ines Christine Geisser, Kirsten Carina Geisser Samy Challah, Till Nachtmann, Stefan Silies Michael Hoffman Detlev Buck Jesper Moeller, Sinem Sakaoglu, Helmut Fischer Germany Switzerland Germany Germany Sascha Satte Farben vor Schwarz Dennis Todorovic Sophie Heldmann Schein truegt, Der - Eine Expedition in die Raetsel des Geldes (In What We Trust - An Expedition into the Riddles of Money) Schoenste Nebensache der Welt, Die (That Funny Old Game) Schonzeit Sean Scully: Art Comes From Need Sennentuntschi Shahada (Shahada (Faith)) SMS From Shangri-La Claus Strigel Germany Germany/ Switzerland Germany Tanja Bubbel Germany Irene Ledermann Hans Andreas Guttner Michael Steiner Burhan Qurbani Dieter Fahrer Lisa Röösli Tomasz Thomson Dirk Regel Peter Huemmeler Paul Riniker Jan Speckenbach Katalin Gödrös Sabine Boss Micha Lewinsky Hans Selikovsky Olaf Saumer Marc Bauder Bettina Oberli Rainer Hoffmann, Anne Linsel Mohammed Soudani Joerg Wagner Peter Gersina Michael Pfeifenberger Jessica Krummacher Switzerland Germany Switzerland Germany Switzerland Rumpe & Tuli Russischer Sommer, Ein (Last Station, The) Same Same But Different Sandmann und der verlorene Traumsand, Der Snowmans Land So ein Schlamassel Soltau Sommervögel Spatzen (Sparrows) Songs Of Love And Hate Sonntagsvierer Standesbeamtin, Die Sturmfrei Suicide Club System, Das Tannöd Tanztraeume (Dancing Dreams - Teenagers Perform "Kontakthof" by Pina Bausch) Taxiphone Terminal Tiger-Team Todespolka Totem Women in German Newsletter 115 (Summer 2010): 27 Germany Germany Germany Germany Germany Germany Germany Switzerland Germany Switzerland Switzerland Switzerland Austria Germany Germany Switzerland Germany Switzerland Germany Germany Austria Germany Women in German Newsletter Toter Mann Unbelehrbar (Unteachable) Unter Dir die Stadt (City Below, The) Verhör des Harry Wind, Das Verstrickt und zugenäht Vincent will meer (Vincent Wants to Sea) Vision - Aus dem Leben der Hildegard von Bingen (Vision) The Visual Language Of Herbert Matter Von Haus zu Haus (From House to House) Wagah WAGs_wives and girlfriends Was Du nicht siehst (What You Don't See) Was wird bleiben... (What Will Remain...) We Are the Roadcrew Wenn der Vater mit den Soehnen Wenn die Welt uns gehoert (When We Own the World) Was du nicht siehst (What you don't see) Whisky mit Wodka (Whisky with Vodka) wilden Huehner und das Leben, Die (Wild Chicks and Life) Wintervater Zahn um Zahn Zeiten aendern Dich (Electro Ghetto) Zimmer 202 Zu zweit Zugabe. Talentprobe - Ein Wiedersehen (Encore. Talent Contest - A Reunion) Zwei Projekte von Friedrich Kiesler (Two Projects by Frederick Kiesler) ZweiOhrKueken (Rabbit Without Ears 2) Zwerge sprengen Zwischen Himmel und Erde Summer 2010 Hannes Baumgartner Anke Hentschel Christoph Hochhaeusler Pascal Verdosci Walter Weber Ralf Huettner Margarethe von Trotta Switzerland Germany Germany Switzerland Switzerland Germany Germany Reto Caduff Friederike Guessefeld Supriyo Sen Evi Goldbrunner, Joachim Dollhopf Wolfgang Fischer Knut Karger Olaf Held Wolfgang Ettlich Judith Keil, Antje Kruska Switzerland Germany Germany Germany Wolfgang Fischer Andreas Dresen Vivian Naefe Austria Germany Germany Johannes Schmid Ivana Lalovic Uli Edel Eric Bergkraut Barbara Kulcsar Manfred Behrens Germany Switzerland Germany Switzerland Switzerland Germany Heinz Emigholz Germany Til Schweiger Christof Schertenleib Christian Labhart Germany Switzerland Switzerland Germany Germany Germany Germany Germany Back to ToC Women in German Newsletter 115 (Summer 2010): 28 Women in German Newsletter Summer 2010 ~~~ WiG Book Reviews ~~~ Barbara Kosta. Willing Seduction. The Blue Angel, Marlene Dietrich, and Mass Culture. New York/Oxford: Berghahn Books, 2009. Pp. xi, 208. Cloth $60.00 Willing Seduction fills a gap in film history about Weimar Cinema by focusing entirely on The Blue Angel (1930), Marlene Dietrich’s first sound film collaboration with famous Austrian-born Hollywood director Josef von Sternberg. As Barbara Kosta explains eloquently in her introduction, Dietrich has been mystified and fetishized as a Hollywood star due to her acting in this movie that fundamentally impacted her long career not only in Germany but internationally. Little critical and scholarly attention has been paid to the production history, the socio-political and cultural framework that led to the making of the film and to the actual analysis of the visual text. Kosta provides an in-depth look at The Blue Angel, embedding her analysis in astute critical film theory, feminist analysis, cultural studies and new historicism. This is a mature book that seems to be based on years of scholarly attention to the topic and specifically to German film history in a critical/feminist theoretical approach. It is also a pleasure to read because Kosta finds just the right balance between being informative (with a new interpretive framework and high-level analysis) and being entertaining to make this book an excellent read for scholars as well as film interested non academics. Kosta is critical of other film scholars who have studied The Blue Angel in previous publications to generate further evidence for their own personal and particular theoretical interests. Examples would be the gender specific reading of Sternberg’s film as being not only symptomatic of Weimar culture and the New Woman, but of spectatorship theory, psychoanalytic film criticism and more traditional analytic approaches, such as literary adaptations to film. Siegfried Kracauer’s rather provocative analysis depicted the film as a predecessor to fascist propaganda. The author states in the introduction that “Willing Seduction sets out to address The Blue Angel within the larger context of the Weimar Republic as a German film” (4). What makes her analysis particularly interesting to visual communication as well as film studies at large is Kosta’s attention to the text-image relationship. She compares the bond between the key protagonists of the film, the cabaret entertainer Lola Lola (Marlene Dietrich) and the prudish prep school teacher Immanuel Rath (Emil Jannings) as indicative for the “larger issue of competing spheres of culture and, with it, notions of identity, which may be less transparent at first glance“ (11). Kosta regards the film’s depiction of the key figures as relevant for the study of gender and history but also for the interrelationship between literature (the word) and film (the image). Finally, she sees the concepts of high art and mass culture reflected in The Blue Angel. This compelling analytical reading of The Blue Angel allows for various applications of the text in an interdisciplinary context. It is a fascinating source of information for anybody interested in the role of Weimar Cinema and its relevance for global film history. Barbara Kosta provides a platform that would allow students, lay people and scholars alike to relate to a classic of modern cinema by raising issues that go far beyond the actual historical text. The recent revival of interest in Weimar Cinema surrounding the restoration of Fritz Lang’s Metropolis, Women in German Newsletter 115 (Summer 2010): 29 Women in German Newsletter Summer 2010 where the new print was screened for thousands of viewers in Berlin and the Opera House in Frankfurt, makes the timing of this publication even more relevant. Karen A. Ritzenhoff, Central Connecticut State University Baer, Hester. Dismantling the Dream Factory. Gender, German Cinema, and the Postwar Quest for New Film Language. New York/Oxford: Berghahn Books, 2009. 336 pages. ISBN: 9781845456054. Hardcover, $95.00 In her study, Dismantling the Dream Factory, Hester Baer successfully challenges traditional readings of popular German Cinema from the end of World War II through the early 1960s and convincingly proposes to “write postwar cinema back into German history” (8), emphasizing continuities instead of breaks and ruptures in cinematic productions of the time. The detailed introduction contextualizes the study historically as well as within the theoretical discourse surrounding popular German Cinema in the ’40’s, ’50’s and ’60’s. In the following, the author investigates exemplary films under three subheadings. In part I, Relegitimating Cinema: Female Spectators and the Problem of Representation, Baer examines Wolfgang Staudte’s The Murderers are among Us (1946) through the location of a female gaze in the main character as well as in the audience. She then discusses authorship and stardom in Rudolf Jugert’s Film without Title (1948), concluding that “spectatorship trumps authorship” (70). In reading Wolfgang Liebeneiner’s Love ’47 (1949) as Frauenfilm and focusing on women in form and content, she exposes the limitations of male narrative authority while also looking forward to ’70’s/’80’s feminist re-writing of women’s film. In considering race, ethnicity, and gender in Epilogue (1950) by Helmut Käutner, Baer identifies a dismantling of conventional genres, yet locates repressed racism as well, thus illustrating difficulties in reconceptualizing postwar film. Part II, Art in Film: Representing Gender and Sexuality in Popular Cinema, employs Willi Forst’s The Sinner (1951) to rehabilitate realism in film by inverting dominant discourses and regendering representation through utilizing a “realist” female gaze, thereby linking it to representations of democracy rather than equating realism to fascism. Baer expands Johannes von Moltke’s reading of Heimatfilm with the addition of visual pleasure in her analysis of The Forester of the Silver Wood by Alfons Stummer (1955). Beyond escapist pleasures, she locates a defense of realism in metanarrative and active female spectatorship, which delivers both escape and a new access to reality at the same time. In Veit Harlan’s Different From You and Me (§ 175) (1957), the author traces a problematization of gender and sexuality, homophobic representations of homosexuality, and the film’s alleged failure to create a clear appeal to women spectators. Contrary to traditional interpretations, which assume a non-political (female) audience, she convincingly argues that a shift took place in the postwar film industry and audience toward a desire for a discourse of aesthetics and politics in cinematic productions. In part III, Towards the New Wave: Gender and the Critique of Popular Cinema, Baer takes issue with the reading that Helmut Käutner’s Engagement in Zurich (1957) imagines the Schnulze as a product of female fantasy. In turn, she asserts that the film illustrates both the Women in German Newsletter 115 (Summer 2010): 30 Women in German Newsletter Summer 2010 limits of the dominant narrative to cater to female desire as well as the decline of the West German film industry, thereby offering a direct commentary on this crisis by focusing on gender and sexuality. Her analysis of Rolf Thiele’s The Girl Rosemarie (1958) showcases sound as spectacle and illustrates the transformation of scoring practice. The main character controls aural codes, a convention which both appeals to female spectators and creates a new stage, prefiguring feminist versions of Frauenfilm in the ’60’s/’70’s. Lastly, investigating gender and the New Wave in Herbert Vesely’s The Bread of Those Early Years (1962), the author concludes that even a fusion of German film with elements of avant-garde film cannot reinstate uncomplicated modern masculinity, yet she commends “the effort to present an innovative vision of what a new postwar film language might look like” (275). Rather than reading this highly active time period of German film production for its “marginalized male protagonists” (6), Baer investigates the newly emerging focus on women, who not only function prominently in the form and content of the narratives, but also influence filmmaking through the industry’s attempts to appeal to a mostly female audience. Convincingly, she draws the picture of an active rather than a passive audience. In a detailed analysis of 10 films ranging from “canonical” works to Heimatfilm and Schnulze, the author demonstrates a clear shift in the production and reception of popular film to the female experience, whilst never neglecting the fact that these films nonetheless were neither feminist in intention nor effect. In re-reading postwar West German Cinema as a women’s cinema, Baer delivers an innovative perspective and simultaneously integrates the investigated material in a discourse beyond national borders, making this volume a strong addition to the series Film Europa: German Cinema in an International Context. In her interdisciplinary project, Baer successfully draws upon theories of American and German film studies, German cultural studies, and history. By employing reviews, fan magazines, promotional materials and documents of censorship in addition to detailed analyses of film narratives, language, musical scores and characters, she delivers a full cultural reading of each film and its reception. In combination with her clear argumentation and accessible style of writing, this study presents itself as a useful source for a wide range of courses to be successfully employed in the German film and/or gender studies-oriented classroom, both on the undergraduate and graduate levels. Corinna Kahnke, California Polytechnic State University Wisenberg, S.L. The Adventures of Cancer Bitch. Iowa City: University of Iowa Press, 2009. 161 pages. ISBN: 1587298023 Hardcover, $25.00 S.L. Wisenberg's The Adventures of Cancer Bitch takes a unique look into breast cancer treatment. This memoir, which was originally published as a blog, shows us what life was like for her while undergoing cancer treatment, not only as a patient but also as a scholar, teacher and woman. As might be the case with nearly anyone afflicted with cancer, she describes how breast cancer not only affects her life medically, but personally and professionally as well. S.L. Wisenberg's The Adventures of Cancer Bitch answers the questions that might cross the mind of any woman in academia potentially facing breast cancer: What if this were to happen to me? Women in German Newsletter 115 (Summer 2010): 31 Women in German Newsletter Summer 2010 How would it affect my teaching and research? Would I be able to work? What about my personal life? Wisenberg's cancer diagnosis is quickly described as a series of steps that she says involved long and cumbersome waiting periods. She then gives us the first glimpse of how her diagnosis will affect her work life in an early entry entitled "How not to tell your class about your breast cancer." With humor she recollects how she informed her students during the last five minutes of class that she had recently learned of her breast cancer. “[T]hey [we]re standing with their coats on" (12) as she shared the news with them in a cracking voice and almost in tears. Having just found out about it herself, she had no details to share with them, and, unable to answer their questions, she left them, alone and stunned. After realizing what she had done to her class was irresponsible, she came to the conclusion that it was the instructor's job to protect her students from her own craziness, as she saw it. After this event she refrained from discussing her cancer with her class again. Throughout the book she relates stories that explain how her work at a university, which she refers to as "Smart U," is affected by her cancer. The first stories are about telling others that she must miss meetings or class due to surgery and treatments. In "A nervous laughter," she explains how nervous laughter is expected when telling others about her cancer. It’s confusing to her that people laugh when they are discussing something tragic like cancer; she can’t seem to understand why people use a nervous laugh to cover up their emotions. Further stories range from barely being able to get up to teach to her explaining what it feels like to present in front of a large group with just one breast. What makes this book most interesting is how Wisenberg's position as a feminist scholar affects her decisions regarding treatment. The most significant example of this is her decision not to have breast reconstruction. Before going in for her mastectomy, Wisenberg's doctor recommended that she have a reconstruction performed immediately after. When she said she might not want reconstruction, the doctor referred her to a plastic surgeon anyway. She does not see just one, but two plastic surgeons, all the while debating if reconstruction is the right path for her. In the end, her choice to live life as a single-breasted woman, rather than giving in to the societal image of how a woman should appear, clearly reflects her position as a feminist scholar. Wisenberg's book offers further examples of how one’s personal life can be political, such as when Wisenberg has "US out of Iraq" painted with henna on her bald head. She also takes a very academic approach to politicizing the topic of her cancer. At first, Wisenberg writes of articles and research she has read only on the topic of breast cancer, or of other cancer memoirs, such as Cancer Vixen and Cancer Made Me a Shallower Person. These memoirs shape her thoughts on cancer and who she is as a person with cancer. She frequently states which people she most wants to resemble and is angered when those whom she has most admired, like Miriam Engelberg, have passed away. She also writes on the topic of what she calls the "pink ribbon people," those who buy and sell pink ribbon breast cancer products. She goes so far as to comment on a bag of pink ribbon coffee beans by saying, "part of the price goes to Susan G. Komen for the Cure, which goes for -- what? More pink ribbons?" (82). Her cynical approach to organizations such as Susan G. Komen for the Cure can make the book hard to read at times. I myself have benefited from the Susan G. Komen grant, which pays for cancer screenings for low-income women who are uninsured. Without the Komen grant I would have been financially unable to receive much-needed cancer screenings and therefore found it difficult as a reader to relate to a woman who has had breast cancer herself publicly speaking out against an Women in German Newsletter 115 (Summer 2010): 32 Women in German Newsletter Summer 2010 organization that is devoted to researching cures and treatments, as well as helping low-income women receive testing. As the book progresses, there is a greater separation between the writings that are personal and those that are political; this trend continues in the online blog as well. As she receives more treatment, the book loses its humorous tone and becomes more political and cynical. The lack of humor as well as the frequent mental breakdowns show the reader how the cancer treatments she is undergoing are clearly affecting her spirit. This is not a book meant for anyone looking for a traditional, upbeat, sugar-coated cancer memoir. Instead, what the reader gets is more real and raw, a memoir from a woman who is not trying to be anyone's hero or inspiration. Rather, this is a memoir from a woman trying to do what most women do when diagnosed with breast cancer—just make it through. Kylia Kelley, Michigan State University Book Reviews Editor: Laurie Taylor, University of Massachuestts Amherst, [email protected] Back to ToC Women in German Newsletter 115 (Summer 2010): 33 Women in German Newsletter Summer 2010 ~~~ Personal News ~~~ Tenure-Track, Tenure, Promotion, Grants After a year as a Visiting Assistant Professor of German, Elizabeth G. Bridges has accepted a tenure-track position in German at Rhodes College in Memphis, TN. Jennifer L. Good has been awarded tenure at Baylor University beginning August 1, 2010. Like so many of us, she credits her success in part to her associations with WIG and GSA, and the wonderful women in our world of Germanistik. Jennifer D Askey was granted tenure and promoted to Associate Professor of German at Kansas State University in Manhattan, Kansas. Doris Kirchner has been promoted to full professor at the University of Rhode Island. Laura McGee will serve as Interim Head of the Department of Modern Languages at Western Kentucky University during the 2010-2011 academic year. Mila Ganeva (Maimi U. Ohio) was awarded a three-month grant for Summer 2010 by the Stiftung Preußischer Kulturbesitz to research in the Berlin State Libraries and work on a book project "Film and Entertainment Among the Ruins: Berlin 1945-1949." Babies Jennifer Marston William (Purdue U.), along with husband Colin and big brother Aidan, welcomed baby Kai Marston William into the family on March 27, 2010. Maria Stehle (U. Tennessee Knoxville) and Matthew Brown are delighted to announce the birth of their daughter, Rebecca Lillian Stehle-Brown, on the 23rd of February, 2010. She is very happy and inquisitive and it is has been lot of fun to get to know her! Submissions Policy: Personal News welcomes announcements that are of interest to WiG members. Send your News to Karen R. Achberger, St. Olaf College, [email protected] Back to ToC Women in German Newsletter 115 (Summer 2010): 34