+ larissa fassler

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+ larissa fassler
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115-117 RUE LA FAYETTE
F-75010 PARIS
+33 (0)9 5102 5188
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WWW.GALERIE.POGGI.BERTOUX.COM
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LARISSA
FASSLER
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DU MARDI AU SAMEDI DE 10H À 19H
REZ-DE-CHAUSSÉE, FOND DE COUR
TUESDAY-SATURDAY, FROM 10AM TO 7PM
GALLERY SITUATED IN THE COURTYARD
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S.A.R.L. JÉRÔME POGGI
AU CAPITAL DE 10.000 EUROS
SIRET: 51443173300013
TVA INTRA-COMMUNAUTAIRE: FR88514431733
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LARISSA FASSLER - Biographie
Larissa Fassler est canadienne, elle vit et travaille à Berlin.
Née en 1975, Larissa Fassler sort diplômée du Goldsmiths College, Université de Londres en 2003, après
avoir étudié les arts Plastiques aux universités de Montréal et de Vancouver. Elle vit et travaille actuellement à Berlin depuis 2006.
«De ¬l’architecture à l’urbanisme, elle explore le seuil entre l’espace, les volumes réels et la ¬manière
dont ils peuvent être perçus. A travers un travail de repérages topographiques précis et de construction
de maquettes, l’artiste aborde la question de l’homme et de son échelle dans les grands ensembles
architecturaux récents.» (Texte de Jean-François Karst)
La galerie Jérôme Poggi a présenté en 2010 la première exposition en France avec au centre des œuvres
qui sont le fruit d’une résidence de l’artiste à Paris au cours de laquelle elle a développé une recherche
architecturale et sociale autour de plusieurs lieux -emblématiques de la capitale, concentrés autour du
Forum des Halles, de la place de la Concorde ou de la place de l’Europe.
Plusieurs auteurs ont écrits sur son travail dont Anaël Pigeat (artpress 2011), Margaret Ewing ( Artforum 2011), Lukas Freireiss (Art Mag/ Deutschbank 2011), David Jager (art review 2007)…
Elle a bénéficié de plusieurs expositions personnelles au Canada (Calgary- 2007, Montréal – 2005,
Toronto, Vancouver et Ottawa en 2002) mais aussi en Allemagne ( September Gallery, Berlin 2009 –
2011) et en France ( Galerie POGGI, Paris 2011)
LARISSA FASSLER
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LARISSA FASSLER SOLO SHOWS
2011 Master-plan, Galerie Jérôme Poggi, Paris (FR)
This Is Nowhere I, SEPTEMBER, Berlin (DE)
2009 Walking in Place, SEPTEMBER, Berlin (DE)
2006 People in Art/People as Art, Truck, Calgary (CA)
2005 Teen Couples, Articule, Montreal (CA)
2002 Doppelgangers, YYZ Artists’ Outlet, Toronto (CA)
Docudrama Series: Offerings, Westernfront, curator Jonathan Middleton, Vancouver (CA)
A Dinner Party for Jane Doe, SAW Gallery, with Barbara Prokop, curator Marcus Miller, Ottawa (CA)
2001 Application for a Medal, S.O.X. 36, Berlin (DE)
No Contact Made: The Flower Project, Resource Centre for the Arts, St. John’s, Newfoundland (CA)
2000 Art may imitate life, but life imitates T.V., Access Artist-run Centre, with Barbara ­
Prokop, Vancouver (CA)
By any means, La Centrale, Montreal (CA)
1999 Art may imitate life, but life imitates T.V., VAV Gallery, with Barbara Prokop, Montreal (CA)
GROUP SHOWS
2011 between appropriations and intervention, curator Harald Theis, Kunstverein K
­ ristiansand, (NO)
Raumproduktion, curator Matthias Böttger, Kunsthalle Düsseldorf (DE)
Funkhaus Art Prize 2011, Funkhaus Nalepastrasse, Berlin (DE)
Art works, Art in the Deutsche Bank Towers, Frankfurt (DE)
Tape Modern No.20 ‘Destructionconstruction’, curators Daniel Kingery and Amir F
­ attal, Tape Modern, Berlin
(DE)
Metrospective 1.0, Future Gallery and PROGRAM e.V, Berlin (DE)
Berliner Allee 174, curator Jean-François Karst, Centre Culturel Colombier, Rennes (FR)
2010 The Collective Coral Colony, curator Adnan Yildiz, Tensta Konsthall, Stockholm (SE)
REALSTADT. Wünsche als Wirklichkeit, curators Martin Heller and Angelika Fitz, Kraftwerk Mitte, Berlin (DE)
Diskurshexe III , a part of “Are You Coming Too?”, Galerie Knoth & Krüger and ­September, Berlin (DE)
Schwerinblicke – Künstlersichten, Staatliches Museum Schwerin (DE)
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2009 Splendid Isolation – Goldrausch 2009, Kunstraum Kreuzberg/Bethanien, Berlin (DE)
Ostrale’09 – third international exhibition for contemporary art, Ostragehege Dresden (DE)
The New Omega Workshops, SEPTEMBER, Berlin (DE)
And Then There Were None, InterAccess, In conjunction with the 22nd annual Images Festival, Toronto (CA)
Selected Artists, Stipendiatinnen und Stipendiaten des Arbeitsstipendiums für B
­ ildende Kunst des Berliner
Senats ⁄ Scholarship Exhibition, NGBK, Berlin (DE)
2008 Video Visions, Edith-Ruß-Haus für Medienkunst, Oldenburg (DE)
Le Chamois de Messidor, Program – initiative for art + architectural collaborations, Berlin (DE)
Everybody Knows This is Nowhere, Galerie Wendt + Friedmann, Berlin (DE)
Urban Jealousy – 1st International Roaming Biennial of Tehran, traveling exhibition, Istanbul (TR), Berlin (DE),
Belgrade (CS)
World One Minutes, traveling exhibition, Today Art Museum, Beijing (CN) deBuren, Brussels (BE); Gulbenkian museum, Lisbon (PT); Museu de Art, Sao Paolo (BR) and the Townhouse Gallery, Cair (EG)
2007 WALK! Spazierengehen als Kunstform, Kunstraum Kreuzberg/Bethanien, Berlin (DE)
Squirm, Open Space, Victoria (CA)
The Sexual Landscape Recast, Gallery 44, Toronto (CA)
Graphzines et autres publications d’artistes, Bibliothèque et Archives nationals du Québec, Montreal (CA)
2006 Super 6, ABEL - Neue Kunst, Berlin (DE)
The Momental, Sparwasser HQ, Berlin (DE)
pedestrian, WestGermany, Berlin (DE)
2005 Take My Hand, Nina Menocal Gallery, Mexico City (MX)
Take My Hand, ThreeWalls Gallery, Chicago (US)
2004
21. Kasseler Dokumentarfilm- & Videofest, Kassel (DE)
TAPE291, 291 Gallery, London (UK)
Out and About, sis boom bah Gallery, Toronto (CA)
2003
ev+a 2003, Limerick City Gallery of Art, curator Virginia Pérez-Ratton, Limerick, I­reland (IE)
The Bigger Picture: Portraits from Ottawa, The Ottawa Art Gallery, curator Karen Love, Ottawa (CA
Out and About, Century Gallery, London (UK)
Goldsmith’s Postgraduate Degree Show, Goldsmiths College, London (UK)
de•een•minuten - the•one•minutes, Sandberg Institute, Video Festival, Amsterdam (NL)
Bootleg, Spitalfields Market, London (UK)
2002 PROOF 9, Gallery 44, Toronto (CA)
An American in Paris: 5 Canadian artists working in Berlin, P.P. Premises, Berlin (CA)
Long Ago and Far Ahead, CESTA, Tabor, Czech Republic (CA)
Hold Your Breath, Plovdiv Municipal Art Gallery, part of the European Month of Culture, Plovdiv, Bulgaria
(BG)
1999 Le scénario visuel de la page: 100 livres d’artistes, Bibliothèque nationale du Quebec, Montreal (CA)
Videoarchaeology – Paris, International video festival, La traverse art centre, Paris (FR)
Videoarchaeology – Bulgaria, International video festival, ATA Center for ­Contemporary Art, Sofia (BG)
Video Vérité – Video exhibition of emerging Canadian artists, TED Gallery, Varna, Bulgaria (BG)
Random, Leonard and Ellen Bina Gallery, Montreal (CA)
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COLLECTION
Staatliches Museum Schwerin (DE)
Deutsche Bank Collection (DE)
FPM collection, Berlin ‌Viersen (DE)
National Library of Quebec, Artists’ book collection, Montreal (CA)
PUBLICATIONS
2011 Larissa Fassler by Anaël Pigeat, in ARTPRESS, Décembre 2011
Larissa Fassler by Margaret Ewing, ARTFORUM International, October 2011
Larissa Fassler – The Body and the City, ArtMag, Deutche Bank, issue 65 June 11, by Lukas Freireiss
Art Works – Sammlung Deutsche Bank Zentrale, Frankfurt, Catalogue, Deutsche Bank CC Kunst, Frankfurt am
Main
2010
Art Cologne 2010 Highlights / Part 3, vernissage.tv, April 25, 2010
Aus dem Bauch des Kottbusser Tores, Die Tageszeitung, 06.01.2010, by Kito Nedo,
2009
Beyond Architecture – Imaginative Buildings and Fictional Cities, Editors: R. Klanten, L. Feireiss, Gestalten
Selected Artists, Stipendiatinnen und Stipendiaten des Arbeitsstipendiums für Bildende Kunst des Berliner
Senats 2008, Catalogue, NGBK, Vice Versa Vertrieb, Berlin
2008 World One Minutes – Video & Literature, The One Minutes foundation, catalogue, Veenman Publishers,
Mit der Länge meines Körpers, Die Tageszeitung, 27.08.2008, by Dominikus Müller,
Control: Drawing and Re-Drawing, Paramnesia Berlin, 08.08.2008
Coole Ausstellungen für heiße Tage 2, art - das Kunstmagazin, 01.08.2008, by Kito Nedo
2007 Dschungel, JungleWorld, Nr. 38, 20.09.2007
Überall Promenadologen, Tim Ackermann, TAZ Berlin, 3. September 2007
Gewinner und Flanierer, Jens Mühling, Der tagesspiegel, 2. September 2007
Walk! – Spazierengehen als Kunstform, Zitty, 30. 8 – 12. 9. 07
The Sexual Landscape Recast, Claudia B. Manley, Gallery 44 Exhibition Booklet, June-July 2007
Graphzines et autres publicarions d’artistes, Exhibition Catalogue, Bibliothèque et Archives nationals du Quebec, Montreal, Canada 2007
All-Ages Sexuality, David Jager, Art Reviews, NowToronto, Vol. 26 No. 42, June 21-27.
2006 Pedestrian - Connective and cacophonous non-places, Catalogue, Revolver • Archiv für aktuelle Kunst, Berlin
Two’s Company, Jennifer McVeigh, Calgary Herald, Feb. 4, 2006
Ich Bin Ein Berliner, Travis Reynolds, Swerve Mag – Calgary Herald, Jan. 27, 2006
Public in Art/Public as Art, Exhibition Essay, Karilynn Ming Ho, Truck Gallery, Calgary:
A Public statement: Larissa Fassler tracks teens and delivers flowers to explore social context, Wes Lafortune, Jan. 26, 2006
2005
Teen Couples, Exhibition Essay, Jo-Anne, Balcaen, Article, Montreal: 2005
At the Galleries: A Photographic Spin the Bottle, Julia Dault, National Post, p B6, April 14. 2005
Heart-Shaped Limbo, Michael Wolkman, Newcity, p.18, Chicago: February 10, 2005
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2004 The bigger picture : portraits from Ottawa / Les mille et un visages d’Ottawa, ­
Exhibition Catalogue, Karen Love, Ottawa Art Gallery, Ottawa, Canada 2004.
The bigger picture: portraits from Ottawa, Karen Love, CV Photo, Quebec, p35. V. 62.
2003
Goldsmiths Masters in Fine Art Degree Exhibition Catalogue, Goldsmiths College ­
University of London, catalogue, 2003
Landing in Limerick, On The Border of Each Other, Exhibition Catalogue ev+a, Virginia Pérez-Ratton, Paul O’Reilly editor, Gandon Editions: Ireland, 2003
It’s the Mystery Flower Lady of Limerick City, Mairead Ni Chaoimh, Limerick Leader, Limerick, Saturday March 1
2002 Doppelganger (YYZine), Benny Nemerofsky Ramsay, Vol. 2 Issue 7, YYZ Artists’ Outlet,Toronto: 2002
Top 10 Art Shows of 2002, Thomas Hirschmann, Art Feature – NowToronto, online edition, Dec. 2002
Adults Evoke Childish Impulses, Christopher Brayshaw, The Georgia Straight,­Vancouver, December 5-12
Proof 9, Exhibition Publiction, Katy McCormick, Gallery 44, Toronto: 2002
2001
By Any Means, Annie Martin, Pink Link / la proposition rose; - Artists from 1999-2000 and 2000-2001, catalogue, La Centrale/Powerhouse, Montreal: 2001
Weekend AM - Arts Report, Angela Antle, CBC Radio Canada, May 12, 2001
No Contact Made: the flower project, Canadian Art, Maritimes Section, p 20, Volume 18, number 1, spring 2001
2000 Derselbe und doch ein ganz anderer , Claudia Fuchs, Berliner Zeitung, Number 174, Berlin, Germany, July 28
Verschmidtste - Party am Marchenbrunnen, Martin Groll, Berliner Morgenpost, Berlin, Germany, July 31, 2000
“Mein Name ist Schmidt.” – “Meiner auch!”, “Meiner auch!”, Silvia Meixner, Die Welt.Berlin, Germany, July 31
Barbara Prokop & Larissa Fassler - Art may imitate life, but life imitates T.V, Mia J­ ohnson, Preview, 2000-01
L’heure du thé, Lyne Crevier,, ici, Montreal Quebec, 9-16 March 4, 2000
Icones insolites, Bernard Lamarche, Le Devoir, Montreal, Quebec, D7, March 2000
LARISSA FASSLER
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This second work based on Les
Halles in Paris explores the complex
derelict knot of rail and Métro interchanges, subterranean retail chain
stores, tunnels, and passageways
that make up Les Halles today. Damaged, fifthly found cardboard is
used to recreate the hallways of the
underground shopping mall; black
gaffer tape clads the deep penetrating escalator holes and 70’s orange
and turquoise blue fills the underground level of the RER rapid train
housed in the bowels of Les Halles.
Les Halles, 2011
Materials: cardboard, tape, plexiglas, coloured paper, glue, paint
Approximate scale: 1 footstep = 1.5 cm of cardboard
Dimensions: 350 x 160 x 83 cm
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Kotti, 2008
Materials: grey cardboard and glue
Approximate scale: 1 footstep = 3 cm cardboard
Dimensions: 300 x 300 x 135 cm
Kotti is a model representation of the publicly accessible areas of the Zentrum Kreuzberg (ZK) housing estate
and its surroundings. Starting once again with the act of walking I have measured this concrete housing estate
as well as its front plaza and underground access tunnels in order to construct a third model-like structure that
questions the impact of urban planning on communities, and conversely, the impact of communities on planning.
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view of the exhibition «between appropriations and intervention»
curator Harald Theis, Kunstverein , ­Kristiansand, Norway, 2011
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Alexanderplatz, 2006
Materials: grey cardboard, tape, pencil, bricks
Approximate scale: 1 footstep = 1.5 cm of cardboard
Dimensions: 740 x 460 x 50 cm
LARISSA
The work Alexanderplatz is a second model-like replica of a pedestrian underground
system. It makes visible the various abstract spaces we don’t see, those that leave
virtually no mark on the city’s surface. Here, space is excavated: the complex carvedout corridors of the pedestrian tunnels become the ‘positive’ of hidden space. The miniaturized scale and reconstruction of this heavily trafficked public space is based on a
subjective measuring system. Using finger lengths and counting footsteps, I walked this
network myself and gauged the internal dimensions and volumes of its platforms, halls,
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passageways, stairwells and elevator shafts. Technically inexact, this reconstruction can
be characterized as a layman’s raw understanding of the spaces that contain the quotidian commuter.
Larissa Fassler, Les Halles (tricolore), 2011
Cardboard, tape, plexiglas, miror, painting, wood, amplifier, loudspeaker and palets
160 x 137 x 150 cm
unique
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Teen Couples I, 2003
Age 14
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Larissa Fassler, Place de l’Europe II, 2011
painting, ink and pensil on paper
105 x 142 cm
unique
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Larissa FASSLER, Les Halles, 2011
Cardboard, paper, plexiglas, tape, and painting
350 x 160 x 83 cm - unique
Larissa FASSLER, Place de la Concorde I, 2011
painting, ink and pencil on paper
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138 x 192 cm - unique
Exhibition View at the Poggi Gallery, «Larissa FASSLER - MASTEPLAN»,2011
View of the Exhibition This is Nowhere II, September Gallery Berlin, 2011
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Larissa Fassler, Kotti, 2008
grey cardboard and glue Approximate scale: 1 footstep = 3 cm cardboard
300 x 300 x 135 cm
unique
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