Chapter 19 Sound waves
Transcription
Chapter 19 Sound waves
Chapter 19 Sound waves 19-1 Properties of Sound waves 19-2 Traveling sound waves 19-3* The speed of sound 19-4 Power and intensity of sound waves 19-5 Interference of sound waves 19-6* Standing longitudinal waves 19-7* Vibrating system and sources of sound 19-8 Beats 19-9 The Doppler effect 19-1 Properites of sound waves When we discuss sound waves, we normally mean longitudinal wave in the frequency range 20 Hz to 20,000 Hz, the normal range of human hearing. For simplification, we will consider the sound wave in 1D case. In Fig19-2, as the piston (活塞) moves back and forth, it alternately compresses and expands (使稀薄)) the air next to it. This disturbance travels down the tube as a sound wave. ( x, t ) 0 ( x, t ) P( x, t ) P0 P( x, t ) 0 Under certain conditions m x p m P0 x Sm x It is convenient to use density and pressure to describe the v properties of fluids. x um x Fig19-2 19-2 Traveling sound waves 1) Let us assume that the pistol is driven so that the density and pressure of air in the tube will vary as a sine function. m sin( kx t ) (19-1) P Pm sin( kx t ) (19-2) 2) What’s the relationship between and P ? From the definitions of bulk modulus(体模量/膨胀系数) (Eq(15-5)) B P and density m , when m is fixed, we v (v ) have v Δρ ρ0 m m Δv Δv ΔP Δ v ρ ( ) ρ Δ P v2 v v v B B or m Pm 0 (19-3) B 3) How to find the displacement of an element of gas inside the tube? The undisturbed density of x is x x=0 x x' m A is the corss0 s(x+x,t) sectional area. Ax s(x,t) x' x''-x' [ x x s(x x,t)] [ x x s(x,t)] s( x x, t ) s ( x, t ) δx[1 ] x’ x’’ x x s δx[1 ρ x ] ρ0 δm ρ0 (1-s/x), if s/x 1. Ax' 1 s/x 0 0 s / x (19-6) Combine Eqs. (19-1) and (19-6), we have: m s ( x, t ) sin( kx t ) x 0 0 s( x, t ) s m cos( kx t ) (19-8) m Pm sm k 0 kB s u x ( x,t) um sin (kx ωt ) (19-9) t vPm um B μ x (x,t) is the velocity of oscillation of an element in fluids. v= /k is the velocity of sound wave. 19-3* The speed of sound As in the case of the transverse mechanical wave, the speed of a sound wave depends on the ratio of an elastic property of the medium and an inertial property. For a 3D fluid, B (19-4) v 0 vair 343m / s, 20 C Note:1) B is the bulk modulus, 0 is the mass density. 2) Use Newton’s law for a system of particles. ( Fext , x Macm, x) 19-4 Power and intensity of sound waves u x ( x,t) um sin (kx ωt ) As the wave travels, each fluid element exerts a force on the fluid element ahead of it. If the pressure increase in the fluid element is P , Fx A P A Pm sin( kx t ) The power delivered by the element is: P u x Fx A Pmum sin 2 (kx t ) A(Pm ) 2 (19-18) Pav 2 v Average over any number of full cycles. Intensity I: Pav (Pm ) 2 I A 2 v (19-19) The response of the ear to sound of increasing intensity is approximately logarithmic. One can define a logarithmic scale of intensity called the “sound level SL” I SL 10 log I0 (19-20) Where I 0 is a reference intensity, which is chosen to be 10 12 w / m 2 (a typical value for the threshold of human hearing(听觉阈)). The unit of the sound level is “decibels” (dB). A sound of intensity I 0 (听觉阈)has a sound level of 0 dB. The sound at the upper range of human hearing, called the threshold of pain (痛觉阈) has an intensity of 1w / m 2 and a SL of 120 dB. 几种声音近似的声强、声强级和响度 声源 声强W/m2 声强级dB 响度 引起痛觉的声音 1 120 钻岩机或铆钉机 10-2 100 震耳 交通繁忙的街道 10-5 70 响 通常的谈话 10-6 60 正常 耳语 10-10 20 轻 树叶的沙沙声 10-11 10 极轻 引起听觉的最弱声音 10-12 0 Sample problem 19-2 Spherical sound waves are emitted uniformly in all directions from a point source, the radiated power P being 25 w. What are the intensity and the sound level of the sound wave at a distance r=2.5m from the source? Solution: P 25w 2 I 0 . 32 w / m 4r 2 4 (2.5m) 2 I 0.32w / m 2 SL 10 log 10 log 12 115dB 2 I0 10 w / m 19-5 Interference of sound waves Fig19-6 shows two loudspeakers driven from a common source. At point P the pressure variation due only to speaker s1 is P1 and that due to s 2 alone is P2 . The total pressure disturbance at point P is P P1 P2 . Fig 19-6 s2 r1 source s1 The type of interference that occurs at point P depends on the phase difference between the waves. r2 P y ( x, t ) y1 ( x, t ) y2 ( x, t ) P sin( kr1 t ) [2 ym cos( / 2)] sin( kx t ' ) The phase difference: | kr1 kr2 | k | r1 r2 | L 2 2 L, L r1 r2 (19-22) When L m ( m=0,1,2,…...) (19-23), The intensity reaches a maximum value, forming constructive interference. 1 When L (m ) destructive interference occurs. 2 The intensity has a minimum value. 19-6* Standing longitudinal waves Fig 19-7 We assume a train of sine waves travels down a tube( Fig19-7). 1) If the end is open, the wave at the end will behave as a pressure node (波节); 2) If the end is closed, a pressure antinode (波腹) will form at the end. 2L n n , n=1,2,3… 4L n n See动画库\波动与光学夹\2-16纵驻波 (a) open end (b) (c) close end (d) , n=1,3,5... Notes: a).For open end, the longitudinal pressure wave is reflected with a phase change of180 , because the pressure at the open end must at the value P0 , same as the environment’s. In this case, it likes the string fixed at both ends. b).For the closed end, the pressure can vary freely. c).The superposition of the original and reflected waves gives a pattern of standing waves. d). Resonance can happen, when the driving frequency matches one of the natural frequency of the system, which are determined by the length of the tube (L). 19-7* Vibrating system and sources of sound We have already studied the propagation of the sound wave, and now to understand the nature of the sound we must study the vibration system that produces it. We can classify musical instruments into three categories: those based on vibration string; those based on vibration column of air, and more complex system including plates, rods, and membranes. (a)The vibrating system has a large number of natural vibrational frequencies. We write these in ascending order, so that f1 f 2 f 3 . The lowest frequency, f1 is called the “fundamental frequency(基频)”, and the corresponding mode of oscillation is called the “fundamental mode”. The higher frequencies are called “overtones(泛音)”, f 2 with being the first overtone, f 3 the second overtone, and so on. In some systems: f n nf1 (b) Why do some vibrating systems produce pleasant sounds while others produce harsh (刺耳的) or discordant (不和谐) sounds? When several frequencies are heard simultaneously, a pleasant sensation results if the frequencies are in the ratio of small whole numbers(整数), such as 3:2 or 5:4. 19-8 Beats (节拍) • Previously, we have considered the “interference in space”. • Now we shall discuss “interference in time”. • We consider two waves which have nearly the same frequency. P1 (t ) Pm sin 1t (1 ~ 2 ) P2 (t ) Pm sin 2 t We have chosen the phase constants to be zero, and same amplitudes. The resultant pressure is (1 2 ) (1 2 ) P(t ) P1 (t ) P2 (t ) [2Pm cos t ] sin t 2 2 Set av 1 2 amp 2 1 2 2 (19-32) (19-33) (19-34) P(t ) 2Pm cos(ampt ) sin( avt ) (19-35) P(t ) 2Pm cos(ampt ) sin( avt ) In Fig19-13, the ear would perceive a tone at a frequency av . av 1 2 1 ~ 2 av ~ 1 ~ 2 P1 (t ) t P2 (t ) (a) Since 1 ~ 2 , the amplitude frequency amp is small. The amplitude | 2Pm cos(ampt ) | (b) fluctuates slowly. t t Fig 19-13 P(t ) 2Pm cos(ampt ) sin( avt ) A beat--- that is, a maximum intensity—occurs, whenever cos( amp t ) equals +1 or -1 ,since the intensity depends on the square of the amplitude. Each of these values occurs once in each cycle of the envelope, thus beat 2amp 1 2 (19-36) Sample Problem 19-5 A violin string that should be tuned to concert A (440Hz) is slightly mistuned. When the violin string is played in its fundamental mode along with a concert A tuning fork, 3 beats per second are heard. (a) What are the possible values of the fundamental frequency of the string? (b) Suppose the string were played in its first overtone simultaneously with a tuning fork with 880Hz. How many beats per second would be heard? (c) When the tension of the string is increased slightly, the number of beats per second in the fundamental mode increases. What was the original frequency of the fundamental? 19-9 The Doppler effect In a paper written in 1842, Doppler (1803~1853) called attention to the fact that the color of a luminous body must be changed by relative motion of the body and the observer. This “Doppler effect” as it is called, applies to waves in general. See动画库\波动与光学夹\2-21Doppler Effect A.exe 1.Moving observer, source at rest Suppose the source and observer move along the line joining them. Let us adopt a reference frame at rest in the medium through which the sound travels. Fig19-14 shows a source of sound S at rest and an observer O moving toward the source at a speed v0 . v0 vs 0 * S 0 Fig 19-14 If the frequency of wave is f, what is the actually one f ’ heard by the ear? vt An observer at rest in the medium would receive waves in time t, where v is the speed of sound in the medium and is the wavelength. Because of the motion toward the source, the observer receives v0 t additional waves in the same time t. ' The frequency f that is actually heard is f ' vt v0 t t v v0 v v0 f v (19-38) * When the observer is in motion away from v v0 the source, ' f f (19-39) v 2. Moving source, observer at rest In this case, the wavelength is shortened from to ' vsT . See动画库\波动与光学夹\2-20多普勒效应 3 v0 0 vs 1 2 3 4 5 …… 6 S1 S7 ' Fig 19-15 ' vsT The frequency of the sound heard by the observer Is given by vt / ' v ' f ( )f (19-40) t v vs * If the source moves away form the observer, the frequency heard is v ' f ( )f (19-41) v vs 3. If both source and observer move through the transmitting medium, v v0 f ( )f v vs ' (19-44) Where the upper signs (+ numerator, -denominator) correspond to the source and observer moving toward the other and the lower signs in the direction away from the other. 4. If a source of sound is moved away from an observer and toward a wall, the observer hears two notes (音符) of different frequency. The note heard directly from the receding source is lowered in pitch by the motion. The other note is due to the waves reflected from the wall, and this is raised in pitch. The superposition of these two wave trains produces beats. A similar effect occurs if a wave from a stationary source is reflected from a moving object. The beat frequency can be used to deduce the speed of the object. This is the basic principle of radar monitors, and it is also used to track satellites. How about the wavefront if v is larger s than v, sound speed? vt vs 4 56 3 12 . P2 P1 vs t Wavefront when vs v . Wavefront when vs v. See动画库\波动与光学夹\2-30冲击波 Doppler cooling in Bose-Einstein Condensate (BEC) Predicted in 1924... A. Einstein S. N. Bose ...Created in 1995,Won Nobel Prize in 2001 E. A. Cornell •BEC: A given number of particles approach each other sufficiently closely and move sufficiently slowly they will together convert to the lowest energy quantum state. W. Ketterle C. E. Wieman What’s the conditions to observe BEC? Extremely low temperature; The atoms are still in gas state •Doppler cooling (Laser cooling) 10-6 K obtained •Evaporative cooling 10-9 K obtained Sample problem 19-6 The siren (警报器)of a police car emits a pure tone at a frequency of 1125 Hz. Find the frequency that you would perceive in your car. (a) your car at rest, police car moving toward you at 29 m/s; (b) police car at rest your moving toward it at 29 m/s (c) you and police car moving toward one another at 14.5 m/s (d) you moving at 9 m/s, police car chasing behind you at 38 m/s Solution: Using Eq(9-44) (a) Here v0 0 v s 29m / s v 343 f f ( ) f 1229 Hz v vs 343 29 ' v0 29m / s (b) v s 0 v v0 343 29 ' f f (1125 Hz ) 1220 Hz v 343 (c) vs v0 14.5m / s v v0 343 14.5 f f 1125 1224 Hz v vs 343 14.5 ' (d) v0 9m / s vs 38m / s 343 9 f f 1232 Hz 343 38 '